Almost There [DualDisc]
Editorial Reviews
Album Description
CD AUDIO SIDE: Entire Album DVD SIDE: * Entire album in 5.1 Surround Sound and enhanced LPCM Stereo * Making of "I Can Only Imagine" video and feature about the song and video. * Music videos for "I Can Only Imagine" and "Here Am I" * Live concert video featuring "On My Way To You" and "How Great Is Your Love" This disc is intended to play on standard DVD and CD players. May not play on a limited number of models.
Almost There, Music, MercyMe, Mercy Me, CCM, Christian, Hymns, Inspirational, Pop, Popular Music, Praise & Worship, Religious / Contemp. Christian
Average customer rating:
- Great CD
- Pitiful
- Amazing
- Almost There by Mercy Me
- Never Knew Why It Took So Long
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Almost There
MercyMe
Manufacturer: Word/Curb
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Binding: Audio CD
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Similar Items:
- Undone
- Spoken For
- Coming Up to Breathe
- Casting Crowns
- The Christmas Sessions
ASIN: B000062Y7I
Release Date: 2002-03-05 |
Tracks:
- I Worship You
- Here Am I
- On My Way To You
- How Great Is Your Love
- I Can Only Imagine
- Bless Me Indeed
- Cannot Say Enough
- House Of God
- Call To Worship
- All Fall Down
- In You
Amazon.com
In today's worship-crazed phase of Christian pop, Mercy Me fits right in with smooth melodies, passionate lyrics, and a vertical focus. Yet the transition from worship band to major-label act demands more. Almost There promises just enough to allow it to rise above its inconsistencies. Prayer of Jabez-inspired "Bless Me Indeed" is a glimmer of brilliance where the group brings it all together, but it's the poignancy and power of "I Can Only Imagine" that testifies to Mercy Me's great potential. The dramatic ballad captures a believer's hope for the afterlife and is fueled by Bart Millard's authoritative vocals. The song will continue to be a staple in church worship services for years to come. Then there are the not so brilliant moments, including the cheesy "House of God" and "All Fall Down." Weak moments aside, Almost There offers enough fireworks to make Mercy Me an act to watch. --Michael Lyttle
Customer Reviews:
Great CD.......2007-03-10
I love this CD. They have songs you never get tired of listening too. I also have their Spoken for CD along with Coming up to Breathe, personally I like their Spoken for Cd better than Coming up to breathe.
Pitiful.......2007-02-03
I can imagine alot of re-borns swooning over this piece of trash as they faint while gibbering incomprehensible garblings.
Amazing.......2007-01-16
I bought this CD as a gift for a close friend and she loves it!!!!
Almost There by Mercy Me.......2007-01-10
I loved this CD. I Can Only Imagine is a beautiful song that has touched everyone in my family. My kids ask to hear this CD everytime we are in the car.
Never Knew Why It Took So Long.......2006-12-08
In the wake of Christian rock bands who are trying to extend their spiritual message in a secular way, perhaps to reach a new audience, Mercy Me continues to stand out and impress with their blatant and unhindered worship songs that fill the airwaves with the perfect words to honor God. I have not heard one song by Mercy Me that did not make me nod my head in agreement or shout out loud to glorify the Lord. Now I can't understand why it took me so long to find my way to songs that openly worship, as opposed to songs that send subtle messages to the public that they may never get without a little help.
Bart Millard has one of the most soothing yet uplifting voices in the business. It is hard to listen to only a few minutes of his voice and not want more. It is also great to know that the band's growing fame has never weakened their desire to honor God in everything they do. They will remain a role model for other bands who wish to worship without fear of ridicule or lack of popularity. As Mercy Me has shown, "...We know that in all things God works for the good of those who love him, who have been called according to his purpose."
Average customer rating:
- They were right--there is NO business like the show business they did way back when !!!
- One of the best cds I ever bought.
- Never Sounded Better
- Somewhere Over The Rainbow
- "Hollywood Musicals of the Golden Age are still among us"
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Somewhere over the Rainbow: The Golden Age of Hollywood Musicals
Various Artists
Manufacturer: Rhino / Wea
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Binding: Audio CD
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ASIN: B000066RO5
Release Date: 2002-06-04 |
Tracks:
- Singin In The Rain - Gene Kelly
- Theres No Business Like Show Business - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern
- 'S Wonderful - Gene Kelly & Georges Guetary
- Thats Entertainment! - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant
- Stranger In Paradise - Ann Blyth & Vic Damone
- Easter Parade - Judy Garland & Fred Astaire
- Lullaby Of Broadway - Winifred Shaw, Dick Powell & Chorus
- Get Happy - Judy Garland
- Night And Day - Fred Astaire
- True Love - Bing Crosby & Grace Kelly
- Honeysuckle Rose - Lena Horne w/ Benny Carter & His Orchestra
- They Cant Take That Away From Me - Fred Astaire
- Milkman, Keep Those Bottles Quiet - Nancy Walker & The M-G-M Studio Chorus w/ Tommy Dorsey & His Orchestra
- Baby, Its Cold Outside - Esther Williams & Ricardo Montalban
- For Me And My Gal - Gene Kelly & Judy Garland
- Puttin On The Ritz - Clark Gable & Co.
- Hallelujah! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs & Co.
- Bless Yore Beautiful Hide - Howard Keel
- Taking A Chance On Love - Ethel Waters & Eddie "Rochester" Anderson
- As Time Goes By - Dooley Wilson w/ Elliot Carpenter (Bonus Track)
- Laras Theme (Main Title) - The M-G-M Studio Orchestra (Bonus Track)
Tracks:
- Over The Rainbow - Judy Garland
- Its A Most Unusual Day - Jane Powell
- Wunderbar - Kathryn Grayson & Howard Keel
- Cant Help Lovin Dat Man - Ava Gardner
- Going Hollywood - Bing Crosby
- The Trolley Song - Judy Garland, The M-G-M Studio Chorus
- Gigi - Louis Jourdan
- I Got Rhythm - Judy Garland, Mickey Rooney & Co.
- Aba Daba Honeymoon - Debbie Reynolds, Carleton Carpenter & M-G-M Studio Chorus
- The Lady Is A Tramp - Lena Horne
- The Best Things In Life Are Free - June Allyson & Peter Lawford
- Cheek To Cheek - Fred Astaire
- A Kiss To Build A Dream On - Louis Armstrong
- Put 'Em In A Box - Doris Day & The Page Cavanaugh Trio
- If Swing Goes, I Go Too - Fred Astaire
- Almost Like Being In Love - Gene Kelly
- Lets Face The Music And Dance - Fred Astaire
- Be A Clown - Gene Kelly & Judy Garland
- Embraceable You - Connie Francis
- On The Atchison, Topeka And The Santa Fe - Judy Garland & Co.
- One For My Baby (And One More For The Road) - Fred Astaire
Amazon.com
The "Golden Age" referred to here spans The Jazz Singer and the advent of the talkies to the death throes of the old studio system in the 1960s. So vast was the era's musical landscape that even this 42-track, double-disc anthology can't encompass all its peaks. Not surprisingly, the bulk of this collection originated with the Tiffany's of the screen musical, M-G-M, a body of work whose riches here encompass both pop-cultural bedrock ("Over the Rainbow," "Singin' in the Rain," "There's No Business Like Show Business," etc.) and some less familiar, if equally delightful star turns: Clark Gable gamely "Puttin' On the Ritz"; the sassy, 1948 original of "The Lady Is a Tramp" by Lena Horne; and a loopy duet of "Baby, It's Cold Outside" by Esther Williams and Ricardo Montalban. Fred Astaire's elegant, epochal reign at RKO and M-G-M is represented by "Night and Day," "Let's Face the Music and Dance," and three others, while Metro mainstays Gene Kelly and Judy Garland share equal time and billing. It's not perfect--Cagney's "Yankee Doodle Boy" and/or some Sinatra seem more logical choices than the odd "bonus" duet of Casablanca's "As Time Goes By" and "Lara's Theme" from Dr. Zhivago that close out disc one--but it's a stunning, surprisingly comprehensive primer on the Hollywood film musical nonetheless. --Jerry McCulley
Customer Reviews:
They were right--there is NO business like the show business they did way back when !!!.......2006-11-18
Everything that happens in life
Can happen in a show
You can make 'em laugh
You can make 'em cry
Anything
Anything can go....
The clown with his pants falling down
Or the dance that's a dream of romance
Or the scene where the villain is mean
That's entertainment!
The lights on the lady in tights
Or the bride with the guy on the side
Or the ball where she gives him her all
That's entertainment!
The plot and the hot simply teeming with $ex
A gay divorcee who is after her ex
It could be Oedipus Rex
Where a chap kills his father
And causes a lot of bother
The clerk who is thrown out of work
By the boss who is thrown for a loss
By the skirt who is doing him dirt
The world is a stage,
The stage is a world of entertainment!
This two CD set amply proves that the musical melodies and lyrics from the golden age of the Hollywood musical remain unsurpassed to this day. This generous two CD set offers 42 incredible songs from Hollywood classic musicals. Most of these fine numbers are indeed from MGM, as Amazon correctly notes; but there are some RKO numbers and even a little from Warner Brothers. Thank goodness, though, that most of these songs came from MGM movies; MGM was the only studio that could boast that it truly had "more stars than there are in the heavens."
I love so many songs on these two CDs. Of course, there's the unforgettable classic "Over The Rainbow" sung by Judy Garland; she also performs "Easter Parade" and "Get Happy" on this two CD set and she carries most of the tune for "I Got Rhythm" even though Mickey Rooney helps her a little. I love "Baby, It's Cold Outside" for its' romantic overtones; and Lena Horne's "The Lady Is A Tramp" is flawless! We also get a rare chance to hear Clark Gable sing in "Puttin' On The Ritz;" and Bing Crosby's "Going Hollywood" may be brief but it's a fun song anyway.
There are two "bonus" tracks on the first CD: "As Time Goes By" from Casablanca and "Lara's Theme" from Doctor Zhivago. "As Time Goes By" is a good choice; it is another unsurpassed classic song that brings back memories and touches even the hardest of hearts. "Lara's Theme," however, is from the mid 1960s and I don't consider this period to be part of the "golden age" of Hollywood musicals.
The liner notes are excellent and they offer wonderful photos of the stars as well. The cover art is well done and the reverse cover art tells which movie each song is from and who is performing each song. Moreover, the quality of the sound is excellent especially when you consider that these numbers were recorded quite a few decades ago.
In short, this superlative two CD highlights the glory of the Hollywood musical when a certain type of sophistication dominated professional movie production. I highly recommend this CD for fans of Hollywood musicals, classic pop vocals and fans of the artists and actors who perform on this two CD set.
One of the best cds I ever bought. .......2006-06-07
What an amazon collection of songs! This is bar none my favorite cd just because of the variety and the quality of songs on it. I love music from this era, and this cd is the perfect companion to my life. Love it! Buy it, you won't regret it for a moment!
Never Sounded Better.......2006-03-16
Apart from the great selection of soundtracks, what really makes this compilation top value is the quality of the sound processing. Executed with finesse, these tracks sound better than when first issued and many are unedited, fuller versions: like "Singing In The Rain", for example. Throw in the great price, and this double disc set is a "must have" for all lovers of classic movie music.
Somewhere Over The Rainbow.......2006-02-24
A Sensational CD with Lots of Showtunes that Keep You Happy and makes You Want To Sing Along With!!!
"Hollywood Musicals of the Golden Age are still among us".......2005-07-13
Rhino Records and Turner Classic Movies Music present - "SOMEWHERE OVER THE RAINBOW: THE GOLDEN AGE OF HOLLYWOOD MUSICALS", some of the long ago musicals and stars that will never be forgotten...a 2-CD-Set covering several decades from 1935-1965 with many of the show stoppers of that time...some rare moments from entertainers that you haven't heard or thought of in sometime.
The lineup is fantastic and gives the listener a variety of what musicals were all about in the "Golden Age of the Hollywood Musicals"
June Allyson, Kay Armen, Louis Armstrong, Fred Astaire, Ann Blyth, Jack Buchanan, Louis Calhern, Bing Crosby, Vic Damone, Doris Day, Nanette Fabray, Connie Francis, Ava Gardner, Judy Garland, Kathyrn Grayson, Georges Guetary, Lena Horne, Betty Hutton, Louis Jourdan, Howard Keel, Gene Kelly, Grace Kelly, Peter Lawford, Oscar Levant, Ann Miller, Ricardo Montalban, Page Cavanaugh Trio, Debbie Reynolds, Winifred Shaw, Nancy Walker, Ethel Waters, Esther Williams, Dooley Williams and Keenan Wynn.
On Disc One 21 Classic Songs from great musicals with songs in alphabetical order:
AS TIME GOES BY - Dooley Wilson with Elliot Carpenter, pianist (1942)
BABY, IT'S COLD OUTSIDE - Esther Williams & Ricardo Montalban (1949)
BLESS, YORE BEAUTIFUL HIDE - Howard Keel (1954)
EASTER PARADE - Fred Astaire & Judy Garland (1948)
FOR ME AND MY GAL - Gene Kelly & Judy Garland (1942)
GET HAPPY - Judy Garland (1950)
HALLELUJAH! - Tony Martin, Vic Damone, Kay Armen, Ann Miller, Debbie Reynolds, Clark Burroughs (for Russ Tamblyn) (1955)
HONEYSUCKLE ROSE - Lena Horne with Benny Carter & His Orchestra (1943)
LARA'S THEME (MAIN TITLE) - M-G-M Studio Orchestra (1965)
LULLABY OF BROADWAY - Winifred Shaw & Dick Powell (1935)
MILKMAN, KEEP THOSE BOTTLES QUIET - Nancy Walker with Tommy Dorsey & His Orchestra (1944)
NIGHT AND DAY - Fred Astaire (1934)
PUTTIN' ON THE RITZ - Clark Gable & Company (1939)
'S WONDERFUL - Gene Kelly & Georges Guetary (1951)
SINGIN' IN THE RAIN - Gene Kelly (1951)
STRANGER IN PARADISE - Ann Blyth & Vic Damone (1955)
TAKING A CHANCE ON LOVE - Ethel Waters & Eddie "Rochester" Anderson (1943)
THAT'S ENTERTAINMENT - Fred Astaire, Jack Buchanan, Nanette Fabray & Oscar Levant (1953)
THERE'S NO BUSINESS LIKE SHOW BUSINESS - Betty Hutton, Howard Keel, Keenan Wynn & Louis Calhern (1950)
THEY CAN'T TAKE THAT AWAY FROM ME - Fred Astaire (1949)
TRUE LOVE - Bing Crosby & Grace Kelly (1956)
On Disc Two more memorable performances from the Golden Age of Hollywood Musicals:
A KISS TO BUILD A DREAM ON - Louis Armstrong (1951)
ABA DABA HONEYMOON - Debbie Reynolds & Carleton Carpenter (1950)
ALMOST LIKE BEING IN LOVE - Gene Kelly (1954)
BE A CLOWN - Judy Garland & Gene Kelly (1948)
BEST THINGS IN LIFE ARE FREE - June Allyson & Peter Lawford (1947)
CAN'T HELP LOVIN' DAT MAN - Ava Gardner (beautiful woman, who my youngest grandaughter is named after...Avalon) (1951)
CHEEK TO CHEEK - Fred Astaire (1935)
EMBRACEABLE YOU - Connie Francis (1965)
GIGI - Louis Jourdan (1958)
GOING HOLLYWOOD - Bing Crosby (1933)
I GOT RHYTHM - Judy Garland & Mickey Rooney (1943)
IF SWING GOES, I GO TOO - Fred Astaire (1946)
IT'S A MOST UNUSUAL DAY - Jane Powell (1948)
LADY IS A TRAMP - Lena Horne (1948)
LET'S FACE THE MUSIC AND DANCE - Fred Astaire (1936)
ON THE ATCHISON, TOPEKA AND THE SANTA FE - Judy Garland & Company (1946)
ONE FOR MY BABY (AND ONE MORE FOR THE ROAD) - Fred Astaire (1943)
OVER THE RAINBOW - Judy Garland (became her theme song for the rest of her life) (1939)
PUT 'EM IN A BOX - Doris Day & the Page Cavanaugh Trio (1948)
THE TROLLEY SONG - Judy Garland & MGM Studio Chorus (1944)
WUNDERBAR - Kathryn Grayson & Howard Keel (two of MGM's favorite singing duos) (1953)
It was once said by the songwriters of that era - "There are two artists you want perform your songs on the big screen, they are Fred Astaire and Judy Garland they sing it just the way we wrote it, for which you will have a guaranteed hit on your hands"...well, this collections certainly has some merit to that statement...because with Judy Garland and Fred Astaire performing seven songs each, there must be something to it.
This collection of musicals still has the magic that we remember from those bygone years...but as long as we have the labels and networks who play and show these wonderful films of yesteryear, they will never be forgotten...hats off to Rhino Records, George Feltenstein (producer) and Doug Schwartz (engineer) and Turner Classic Movies for sharing those 42 selections from 42 films...celebrating decades of the tunes and artists that gave it their all...from what it commonly called "The Hollywood Dream Factory"...The Golden Age of Hollywood Musicals is still among us...gotta love it!
Total Time: 2-CD-Set ~ Rhino Records 78323 ~ (6/02/2002)
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Love Jesus Christ
- great Music
- Uplifitng!
- Awesome!!
|
Almost There
MercyMe , and Mercy Me
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
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Christian Contemporary Music
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Praise & Worship
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Hymns
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Similar Items:
- Coming Up to Breathe
- Undone
- Spoken For
- The Christmas Sessions
- Lifesong
ASIN: B00076ZZAW
Release Date: 2005-02-08 |
Tracks:
- I Worship You
- Here Am I
- On My Way To You
- How Great Is Your Love
- I Can Only Imagine
- Bless Me Indeed (Jabez's Song)
- Cannot Say Enough
- House Of God
- Call To Worship
- Fall Down
- In You
Album Description
CD AUDIO SIDE: Entire Album
DVD SIDE: * Entire album in 5.1 Surround Sound and enhanced LPCM Stereo * Making of "I Can Only Imagine" video and feature about the song and video. * Music videos for "I Can Only Imagine" and "Here Am I" * Live concert video featuring "On My Way To You" and "How Great Is Your Love" This disc is intended to play on standard DVD and CD players. May not play on a limited number of models.
Customer Reviews:
Love Jesus Christ.......2007-03-08
These guys know what it is to take you to the Lord. Lead singer turely as the spirit within him.
great Music.......2007-01-12
I heard of Mercy Me when I saw the video of Hoyt team in Youtube(search as can ,Hoyt) and I loved the song, so I bought the cd and really like it
Uplifitng!.......2007-01-09
An extremely talented group of Christian young men whose marvelous music reaches to the heart and soul of the listener. This was my first album of Mercy Me music and I have since purchased 2 more.
Awesome!!.......2005-08-08
I love this CD. And what makes it even better is that they are young men for God. My boys love to listen to it... so I even ordered another one for them. Of course my favorite song is, I Can Only Imagine! What a wonderful song and them singing it, makes it even better. Buy it, you will not regret it!
Average customer rating:
- Lerner & Loewe Songbook
- Wouldn't it be lovely?
- A Successful Sequel
- Delightful Listening
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Lerner & Loewe Songbook for Orchestra
Frederick Loewe , and Erich Kunzel
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
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Orchestral Pop
| Easy Listening
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Similar Items:
- Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
- Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
- Puttin' on the Ritz: The Great Hollywood Musicals
- Classics of the Silver Screen
- Beautiful Hollywood
ASIN: B000003D0E
Release Date: 1994-01-25 |
Tracks:
- I Wonder What The King Is Doing Tonight - The March To Welcome Guenevere - Et Al.
- Wouldn't It Be Loverly - With A Little Bit Of Luck - Et Al.
- The Night They Invented Champagne - Waltz At Maxim's - Et Al.
- They Call The Wind Mariah - I Still See Elisa - Et Al.
- Sword Dance - Down On MacConnachy Square - Et Al.
Customer Reviews:
Lerner & Loewe Songbook.......2006-02-24
If you like Percy Faith's music, you'll like this one. He quit recording and died much too young. But while he lived, he recorded some great music.
Wouldn't it be lovely?.......2005-09-26
This CD represents some of the best of Broadway done in a great pops style. There are five orchestral suites, one each for the following: 'Camelot', 'My Fair Lady', 'Gigi', 'Paint Your Wagon', and 'Bridgadoon'. They are all arranged for orchestra by Robert Russell Bennett, save that for 'Paint Your Wagon', which was arranged by Cincinnati Pops Orchestra director Erich Kunzel.
The works of Lerner and Loewe were a mainstay of Broadway for decades in the 1950s, 60s, and 70s, but it was during the late 50s and early 60s that their true glory days took hold. The presidential term of John F. Kennedy gained the nickname 'Camelot' in part because of the influence of the Lerner and Loewe production going on at the start. The songs contained in these suites are instantly recognisable by many, as the Lerner and Loewe songs have become so well known that many know the songs better than the musicals or the composers from which they come. 'I Could Have Danced All Night' and 'Wouldn't It Be Lovely' come from 'My Fair Lady', 'Thank Heaven for Little Girls' from 'Gigi' - these are but the most of famous of the familiar tunes.
There are a lot of pieces here that the listener will appreciate, both in remembering old pieces or in learning new nuances to the tunes.
This particular disc by Telarc has a feature called 'Spatializer', which gives a three-dimensional quality to the sterophonic sound, enhancing regular players and working well with surround-sound systems, too. The Cincinnati Pops are expert at this kind of music, having produced dozens of CDs of popular music and modern composers of musicals, film music, and pops-oriented major compositions.
This is a fun disc to have.
A Successful Sequel.......2005-08-03
This CD is a follow-up to the Rodgers & Hammerstein Songbook for Orchestra (1991) from the same team. It is a thoroughly successful sequel: I believe anyone who enjoyed the R&H will enjoy this one as well. If I am very slightly less enthusiastic about this one than the R&H, it's not because of any shortcoming of Kunzel, the Cincinnati Pops, or Telarc, all of whom are at the top of their form. Rather it's because Frederick Loewe, for all his undoubted expertise, is not quite in the same class as a composer with Richard Rodgers. But that's asking a lot, since Rodgers was the American musical theater's leading light. Lerner & Loewe's musicals were second only to R&H's during the golden age of the American musical, and their My Fair Lady is by any standard one of the best musicals ever staged. If Loewe did not create as many unforgettable numbers as Rodgers, he nevertheless wrote many delightful songs and much enjoyable music. This CD features five orchestral suites, ranging in length from 9 to 18 minutes (total playing time 68:06), from Brigadoon (1947), Paint Your Wagon (1951), My Fair Lady (1956), Gigi (film 1958; staged 1973), and Camelot (1960). The arrangements (all but one by Robert Russell Bennett) are expert. The performances are masterly (if perhaps lacking in just a tad of the infectious brio that the same team brought to R&H). And Telarc's robust sound (recorded 1993) would be hard to improve on. Warmly recommended.
Delightful Listening.......1998-12-05
Some of the nicest and nearly forgotten music (Paint your Wagon & Brigadoon) is nicely compiled here. It will make you want to listen to the full soundtracks again, but for a quick tour of Lerner & Lowe, it is very nice.
Average customer rating:
- The only CD with the best version of "I Can Only Imagine"
|
Almost There Platinum Edition
MercyMe
Manufacturer: Integrity Music/INO
ProductGroup: Music
Binding: Audio CD
Christian Contemporary Music
| Christian & Gospel
| Styles
| Music
Praise & Worship
| Christian & Gospel
| Styles
| Music
Similar Items:
- Spoken For
- Coming Up to Breathe
- Undone
- The Christmas Sessions
- Conspiracy No. 5
ASIN: B000INAWWA
Release Date: 2006-08-29 |
Tracks:
- I Worship You
- Here Am I
- On My Way To You
- How Great Is Your Love
- I Can Only Imagine
- Bless Me Indeed
- Cannot Say Enough
- House Of God
- Call To Worship
- All Fall Down
- In You
- I Can Only Imagine, Independent
- I Can Only Imagine, Special Ed.
- I Can Only Imagine, Live at
- Interview with Bart Millard
- From then to now, the history of
Product Description
As a 5 year milestone in celebrating this incredible album, INO Records is pleased to present "ALMOST THERE PLATINUM EDITION".
Customer Reviews:
The only CD with the best version of "I Can Only Imagine".......2007-01-20
This cd includes the first, and for me, BEST version of the beautiful song "I Can Only Imagine". The one they released when they where with an Independent label.
This version carries an emotional charisma unequaled in subsecuent versions by the same group and even by other great artists that have covered the song.
The album included an extremely interesting interview regarding the song, its first live performance and of course the rest of this awesome album.
If you haven't bought Almost There yet, buy this version. If you bought the other version and loved it, get this one too. The original song and extra features is worth the price alone!
Thank you and God bless!
Average customer rating:
- Pleasant Enough
- Pure joy
- A Different Type of Musical
|
Brownstone the Musical (2003 Studio Cast)
Liz Callaway , Brian D'Arcy James , and Rebecca Luker
Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD
Musical Theater
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
Traditional Vocal Pop
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
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General
| Soundtracks
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Similar Items:
- Grey Gardens - A New Musical (2006 Original Broadway Cast)
- The Drowsy Chaperone (2006 Original Broadway Cast)
- I Love You Because (2006 Original Off-Broadway Cast)
- Curtains (2007 Original Broadway Cast)
- Spring Awakening (2006 Original Broadway Cast)
ASIN: B0000AYL3S
Release Date: 2003-08-26 |
Tracks:
- Someone's Moving In
- Cellphone Song
- Fiction Writer
- There She Goes
- We Should Talk
- Camouflage
- Thanks a Lot/Neighbors Above, Neighbors Below
- Pretty City
- What Do People Do?
- Not Today
- You Still Don't Know
- Not Today Trio
- Babies on the Brain
- Almost There [Act I Finale]
- Don't Tell Me Everything
- One of Them
- Fiction Writer (Reprise)
- He Didn't Leave It Here
- It Isn't the End of the World
- Since You Stayed Here
- We Came Along Too Late
- Books
- It's a Funny Thing
- It Isn't the End of the World (Reprise)
- If It's Time to Go
- Almost There (Reprise)
Customer Reviews:
Pleasant Enough.......2007-02-19
A pleasant score. Fine singing, especially the wonderful Liz Callaway. The score, however, doesn't have those one or two numbers that stand out and stop you in your tracks. I haven't seen the show, and perhaps when integrated with the text.....
Pure joy.......2005-03-08
I have bought this CD with Wild party and each of them was amazing. Fist I have heard Wild party and after that I haven't thought that I would enjoy the second one but Brownstone was simply so amazing. I didn't skip songs, because all of them are beautiful sung by actors who's singing voice are pure, strong and wonderful.
As you can see, I'm a true Brian D'arcy James fan but each singer amazed me, really.
Buy this Cd if you want to hear a fantastic musical.
A Different Type of Musical.......2004-03-09
I bought BROWNSTONE at the recommendation of a friend and have mixed feelings. I know this show has quite a history as far as transfer from off-Broadway to Broadway and the controversy surrounding its revamping for its journey to the Great White Way. I think the songs are catchy and clever, I just am sort of turned off by the orchestrations. The instruments sound like they are coming from a computer built in 1990. They sound too fake and I think there could be better orchestration, though the melodies are nice. Some songs are just corny like The Cell Phone Song, added only recently. Certain songs are great like The opening, Fiction Writer, Camouflage, and Babies on the Brain.
I would say that if you are looking for a musical CD to add to your collection that is a little different from what you're used to, BROWNSTONE is for you. And also, it features an amazing cast of seasoned veterans and new comers as well.
All in all, a nice CD.
Average customer rating:
- A National Treasure
- Stritch is superb
- Entertaining but grating on the ears
- Great Broadway Review
- Elaine Stritch at Liberty
|
Elaine Stritch - At Liberty (2002 Original Broadway Production)
Elaine Stritch , Irving Berlin , John/ Stritch, Elaine Lohr , Porter P. Grainger , Albert Hague , Stephen Sondheim , Carl Sigman , Richard Rodgers , Sir Noel Coward , George Gershwin , Jule Styne , John Campo , and Billy Miller
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD
All Works by Gershwin
| Gershwin, George
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Rodgers, Richard
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Sondheim, Stephen
| ( S )
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General
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General
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Similar Items:
- Elaine Stritch at Liberty
- Bea Arthur on Broadway - Just Between Friends
- Stritch
- Company - A Musical Comedy (1970 Original Broadway Cast)
- Company (2006 Broadway Revival Cast)
ASIN: B000060P33
Release Date: 2002-04-02 |
Tracks:
- There's No Business Like Show Business (Berlin)
- Caca
- I Want a Long Time Daddy (Grainger)
- A Piece of Mahler
- This Is All Very New to Me (Hague/Horwitt)
- Going to New York
- Marlon Brando
- Broadway Baby (Sondheim)
- My First Broadway Show
- Civilization (Hilliard/Sigman)
- Ethel Merman
- Can You Use Any Money Today? (Berlin)
- Pal Joey
- Zip (Hart/Rodgers)
- Ben Gazzara
- Nokl Coward
- Why Do the Wrong People Travel (Coward)
- Richard Burton
- But Not for Me/If Love Were All (Gershwin/Gershwin)
- I'm Still Here (Sondheim)
- Booze
- Little Things You Do Together (Sondheim)
- The Ladies Who Lunch (Sondheim)
- John Bay
- There Was Never a Baby Like My Baby (Comden/Green/Styne)
- I've Been to a Marvelous Party (Coward)
- God So Quickly
- The Party's Over (Comden/Green/Styne)
- Absent Almost Always
- Something Good (Rodgers)
Tracks:
- I'm Still Here (Sondheim)
- Booze
- Little Things You Do Together (Sondheim)
- The Ladies Who Lunch (Sondheim)
- John Bay
- There Was Never a Baby Like My Baby (Comden/Green/Styne)
- I've Been to a Marvelous Party (Coward)
- God So Quickly
- The Party's Over (Comden/Green/Styne)
- Absent Almost Always
- Something Good (Rodgers)
Amazon.com
Elaine Stritch is a legend and she knows it. And so she came up with a whole one-woman show about the best topic she could think of: her life in the theater. And what a trip it's been. From Ethel Merman to Noel Coward, Stritch has worked with some of the greatest names to grace the American stage, and she has anecdotes about all of them (most are included on this recording). In this show, she hits all the marks with the acuity of a seasoned pro who's seen it all and whose love for the theater remains undiluted. Stritch is not a traditionally pretty singer (those gravelly pipes!), but she absolutely knows how to give life to a song, extracting the last drop of meaning, dropping pauses for effect with deadly accuracy. Sondheim's "Ladies Who Lunch" and "Broadway Baby" will be hers forever, and a case could be made for the hilarious "Zip" (from Pal Joey) and the obscure, spectacularly politically incorrect "Civilization" (from the revue Angel in the Wings) as well. Fittingly, this two-CD set includes "I'm Still Here," which may well be Stritch's motto. If you're looking for a concise yet bewitching history of the musical, this is it. --Elisabeth Vincentelli
Customer Reviews:
A National Treasure.......2007-07-05
This double CD is stuffed full of great songs and amazing stories. My favorite stories are of Elaine's date with Marlon Brando, what she thought some lyric are/meant, and her time in Compant. The total honesty that she brings it all together is touching and inspiring.
Very few people have the length or variety of a career that Elaine Stritch has had. I am sure that she has enough stories to do ten more shows.
If you love Broadway then you must buy this CD.
Stritch is superb.......2007-06-27
The only disappointment is that I missed the show live. This is a terrific honest performance by an actor who has a deep well of experience from which to draw. From her early childhood memories, through acting school, her loves, her struggles and more, Ms Stritch weaves a fascinating and completely enthralling story. Ultimately, she lives the songs, rather than just performs and this is what really marks her out.
I am so glad, she's still here!
Entertaining but grating on the ears.......2007-05-11
I've never been able to understand what is so great about Elaine Stritch's singing. It's simple: she can't sing. I've tried and tried to like her, and I do, as an actress, but NOT as a singer. Listening to these CDs, all I hear is a grouchy old lady voice with no vibrato, no range, and no ability to hold notes. If she were to try out for American Idol she would get cringes! I love her humor and honesty, and that's why I bought this, but the voice...ugh.
Great Broadway Review.......2007-04-11
I thoroughly enjoy this collection of stories from her experiences from a teenage girl in Michigan through her career, very funny, some sad and great entertainment.
Elaine Stritch at Liberty.......2007-01-19
Completely entertaining---a bit maudilin in places, but a must have for any Elaine Stritch fan.
Certainly worth the money!
Average customer rating:
- The Sad Times of Christian Music
- heaven bound
- Awesome CD!!
- A time whose band has come!
- The Biggest Shock Ever
|
Almost There
MercyMe
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
General
| Christian & Gospel
| Styles
| Music
Christian Contemporary Music
| Christian & Gospel
| Styles
| Music
Praise & Worship
| Christian & Gospel
| Styles
| Music
Hymns
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Classical Music
| The Sony BMG Masterworks Store
| Amazon.com Label Stores
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Opera & Vocal
| The Sony BMG Masterworks Store
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| Music
Similar Items:
- Spoken For
- Undone
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- WOW Hits 2007
- Undone
ASIN: B00005NBZ0
Release Date: 2001-08-14 |
Tracks:
- I Worship You
- Here Am I
- On My Way To You
- How Great Is Your Love
- I Can Only Imagine
- Bless Me Indeed (Jabez's Song)
- Cannot Say Enough
- House Of God
- Call To Worship
- Fall Down
- In You
Customer Reviews:
The Sad Times of Christian Music.......2006-07-13
If I could rate this cd with 0 stars, I would. It does not even deserve a star. My pastor mentioned that he was attending a concert of this group and I wanted to check them out. It goes to show the sad commentary of our times. The Lyrics are disgracful, and non majestic and not deserving of true praise of our Lord and Saviour but the music with it's over emphasis on rhythm over top of harmony and melody is worst then sad. It is sinful. The Holy Word talks about a New Song. Not new in Quanity, but in QUALITY. We are not to have our music like the world's music. our Music is suppose to be heavenly, majestic, inspiring of reverence and awe. The lyrics are suppose to be didactic, full of doctrine that the word may dwell within us RICHLY. This music does not fit any of the above. Music can be moral or immoral depending on how it is composed. Music can stir the emotions in many ways. The way this music is composed is immoral to the Sovereign Lord and harmful to us. I do not recommend this group or any other CCM worldy styled groups. Stick with the timeless and endless beauty of Psalms and Hymns of bygone past. One last thing, this music falls under the category of entertainment which in no way belongs in the Church of God, the house of the living God.
The Reformed Baptist
heaven bound.......2005-12-07
Imagining this project would take them seven years, gathering the lyrics and well worth the time spent. After six independent records before signing with INO records, Almost There was released in 2001. This Christian group contains the genres of Pop, & Inspirational/Worship music. People who enjoy their style will also enjoy artists such as Casting Crowns, Big Daddy Weave, and Steven Curtis Chapman. Peer reviews show that if the artists that inspires you enjoy are FFH, 4Him, and Newsong, Mercy Me will be an added pleasure to a list of favorites. I also own these artists for their realistic look at the beauty of Christianity.
A collection of favorites, the WOW album adds them the positive for a purchase of this Mercy Me album destined to touch all ages, all religious beliefs, and all hearts whether soft or hardened. The first time I heard the group Mercy Me was on the radio, shortly after the loss of a very dear relative. I was immediately captivated with the words to the song titled "I Can Only Imagine"; it is truly a favorite. This enabled me to be much more at peace with the loss of my aunt, because I felt she was in such a better place. The lead singer Bart Willard captures what many wonder about heaven or what it may be like. After listening to these words "Surrounded by your glory what will my heart feel, will I dance for you Jesus or in awe of you be still. Will I stand in your presence or to my knees will I fall, will I sing Hallelujah will I be able to speak at all. I can only imagine." I would have to say I can truly only imagine this beautiful sight.
To share some lyrics of my favorite lyrics and share the feeling: Surrounded by your glory, what will my heart feel Will I dance for you Jesus or in awe of you be still
Will I stand in your presence or to my knees will I fall
Will I sing hallelujah, will I be able to speak at all
I can only imagine.
I do not feel it was coincidence this CD was released in, keeping in mind, post September 11 tragedy left the nation in need of a spiritual song as this, 2001. The present reception of listeners is all about asking what is next; they want more from this group, and so do I. This CD provides a definite tribute to the Lord's options by presenting words for the believer in him. Interestingly, the band also hears from DJ's around the world telling them that people who do not consider themselves to be in the Christian walk call and thank them for playing their music because it is so uplifting to them. Bart Millard, the lead singer, is quoted as saying "People who have never met Christ are now starting to question eternity; and he is working in their hearts each and everyday." This quote was published in a review by Christianity Today.
The first of eleven tracks on this CD "I worship you." For those who have been reborn to Christ, the words in this song so touch the new burn that is felt.
I've been walking with a big grin
Singing with my eyes closed
Lifting up my hands
The feeling is electric
The power and the glory
Just move me where you will
These are very freeing words during the times of opportunities; one ponders at what it means to be a follower of Christ.
"House of God," track 8 of 11, would probably be my least favorite due to the volume/style of this music. I do not have any dislike for the lyrics, but due to the "rock" style of this track, I lose the overall meaning of the song.
In closing I would say fans will be pleased with this CD as well as with their 2004 release "Undone" Future plans for this group include an individual CD by lead singer Bart Millard title "Hymned," and their first Christmas CD. An interesting fact I learned was that one of the first individual CD's prior to the 2001 release, was a lullaby CD which I will purchase next. Thanks to this research, I was made aware of their early work.
Some fan comments were as given by Bart Millard to Christianity Today 1. A dad at one of their concerts who had 4 teenagers, and just lost his wife, the teenagers came to accept Christ as their Savoir at the concert. 2. A 56 year old father complimented them on how their lyrics spoke directly to God.
Clearly, this group is here to stay. The arena of fans will continue to grow with all age groups, and nationalities, as they are listened to across the world and by different countries. With the changes, we all face in today's world, and opportunities that evolve with everyday life situations. I proudly rate this CD a five star rating. So sit back, relax and enjoy the beauty of this artist.
Awesome CD!!.......2004-07-22
This is quite simply one of my favorite CDs of all-time. Even though I've had it for a few years now, I still listen to it often. The songs are so powerful and inspiring, really capture the heart of worship.
A time whose band has come!.......2003-07-07
During the 1990s, especially the late 90s, churches began moving away from traditional hymns towards praise and worship music. As a result, many new praise and worship songs were written for the church to satisfy this need.
Christian radio, and most Christian music groups, were slow to catch on to the wave. However, 2000 and 2001 saw an increase in the number of groups and singers putting out their own praise albums. But these were groups and singers who were already established on the scene. Surely it was only a matter of time before a praise and worship group burst onto the scene.
Then it happened. A praise and worship band called MercyMe, after six independent albums, signed with a major studio and released "Almost There." This was in August of 2001. Their first single, "I Can Only Imagine" slowly started making it up the Christian radio charts.
Then came 9/11 and the face of the world changed forever.
Millions of people, both Christian and non-Christian, turned back to God for strength and comfort. With this renewed interest on our Lord and Savior, "I Can Only Imagine" began tearing up the charts. The song almost single-handily took the album Gold.
"I Can Only Imagine" aside, MercyMe is a terrific praise and worship album, with new songs that breathes some freshness into all the stale redos that many artists have begun doing with some of the older songs. These songs are from the heart of not only the group members, but of God as well. If you will let it, God can and will minister to you through these songs.
The Biggest Shock Ever.......2003-05-22
Everyone can sit here and write about how great this CD is, what song is there favorite, and how nice these guys are in real life. The fact is, none of those are true indicators of how great this album is.
Then how do you know? Look at the band behind the music. They defy every recipe for success the music industry has put out. No offense to anyone in the band who may read this, but examine the evidence. The lead singer is a larger bald man with glasses. The band plays 100% pure Praise and Worship music. The lyrics are not dulled down at all for secular media. There's no multi-million dollar add campaign. No huge radio spots. No #1 video. Everything bands do these days, Mercy Me is not doing, and they've gone Gold. That's when you know this is a great album. And this album is.
There's two main factors driving this album that I believe make it as successful as it's already been. Musical quality, and more importantly, God. One listen to this CD clearly shows the bands heart for God. Absolutely everything is focused on Him with no intentions of anything more.
I own over 400 CD's, and this album jumped towards the top of my favorites list before the end of the first listening.
Everytime I listen to this album I get a sense that God had/has a plan for this album. Simply reading the other reviews proves this in my opinion. Look how many people are being impacted by this album, and the demographics it's reaching. If this album isn't God-inspired, I don't know what is. For this reason I say, don't just think about getting this album, get it. Don't even let the phrase, "I don't know if it's my style," enter your mind. It doesn't matter. You'll love this album, I promise.
Average customer rating:
- INCREDIBLE!!!!!!!!!!!!!!!!!
|
Almost There / Little Did She Know She'd Kissed a
Gabbie Nolen
Manufacturer: Umvd Labels
ProductGroup: Music
Binding: Audio CD
General
| Country
| Styles
| Music
ASIN: B000063T5D
Release Date: 2002-03-26 |
Tracks:
- Almost There
- Little Did She Know (She'd Kiss A Hero)
Customer Reviews:
INCREDIBLE!!!!!!!!!!!!!!!!!.......2004-06-30
It's no wonder that "Almost There" made Billboard Magazine's No. 1 Best Selling Single! What a voice! This is not just a song, it's an experience. Every once in a great while, a terrific song meets a terrific artist. That is what happened here. I can't wait until her next project is released, and hopefully it's very soon. I love her sound! I highly recommend this for anyone's CD collection.
Music:
- Amazing Grace - A Country Salute to Gospel, Vol. 1
- Anybody Out There?
- Beauty for Ashes
- Beauty Has Grace
- Bedtime Prayers: Lullabies & Peaceful Worship
- Behind the Eyes
- Celtic Twilight, Vol. 3: Lullabies
- Christmas at the Brooklyn Tabernacle
- Christmas with Yolanda Adams [Enhanced]
- City on a Hill: Sing Alleluia
Music
Music