So Natural
Editorial Reviews
Album Description
2003 was a busy year for Salvador, releasing two full albums and a live concert DVD. After taking home the Dove Award for 'Spanish Language Album of the Year' for Con Poder in 2004, the group put its usual relentless touring schedule on hold to create their next English language studio record. The result, So Natural, is clearly this Austin, Texas band's most compelling work to date--a perfect brdige between the Latin-rock sound for which Salvador has become known, and a more soulful modern-rock vibe that's a perfect fit for CHR radio.
So Natural, Music, Salvador, CCM, Christian, Latin CCM, Latin Gospel, Pop, Religious / Contemp. Christian
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- THE VERY BEST of Salvador
- One of my Favorite Albums EVER!
- So Good
- Love this music!
- Lovin it 'Heaven'
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So Natural
Salvador
Manufacturer: Word Entertainment
ProductGroup: Music
Binding: Audio CD
Latin Pop
| Latin Music
| Styles
| Music
General
| Christian & Gospel
| Styles
| Music
Gospel
| Christian & Gospel
| Styles
| Music
Christian Contemporary Music
| Christian & Gospel
| Styles
| Music
Similar Items:
- Dismiss the Mystery
- Worship Live
- Into Motion
- Que Tan Lejos Esta el Cielo
- Con Poder
ASIN: B000641Z5Y
Release Date: 2004-11-09 |
Tracks:
- Can You Feel
- Cover Me
- This Is My Life
- You Are There
- It Comes Back To You
- For More than Ourselves
- Fabricated
- Let It Be Said
- Glimpse Of His Heart
- So Natural
- La Palabra
- Heaven
Album Description
2003 was a busy year for Salvador, releasing two full albums and a live concert DVD. After taking home the Dove Award for 'Spanish Language Album of the Year' for Con Poder in 2004, the group put its usual relentless touring schedule on hold to create their next English language studio record. The result, So Natural, is clearly this Austin, Texas band's most compelling work to date--a perfect brdige between the Latin-rock sound for which Salvador has become known, and a more soulful modern-rock vibe that's a perfect fit for CHR radio.
Customer Reviews:
THE VERY BEST of Salvador.......2007-05-13
Salvador is a band that has this unique latin rock style, but sang in english. For me, this is their MASTERPIECE. Every single song has something good to give, from the very first beginning, till the last second of the last song, letters and music. I'm so glad I got this CD, I listened to it basically every day! I've read that many nonchristian people also like Salvador, so that means that this guys made an excellent job with this album without a doubt.
I highly recommend this album to anyone who thinks Salvador isn't that good. That just means that you've never heard their best stuff, which is in this cd.
EXCELLENT product.
One of my Favorite Albums EVER!.......2007-03-15
This album is incredible, both music and lyrics. There is something for everyones mucical taste, from hard rock to soft ballad to traditional salsa, the band draws from various styles and yet does them in a way that appeals to anyone who loves music. And the lyrics......well, I haven't been so emotionally moved while listening to 'This is My Life' ever. I listen to alot of music, from Sting, Steely Dan, Green Day, Dave Mathews, Miles Davis...., and this is one of my favorite albums ever.
So Good.......2006-11-03
My favorite CD and my favorite band, except for maybe Weird Al's new one.
Love this music!.......2006-08-12
I heard Heaven on the radio and ran to my Christian music store to get it. Fortunately they didn't have this one. I bought the one they had (Into Motion) without hearing any songs and loved it. Finally found this one at the Unity Festival in Muskegon where Salvador played live tonight. I'm going to buy all their music and hope they come back to Unity again. (This was their second or third appearance.)
Even if you're not a Christian music fan I think you will like Salvador's So Natural if you like Santana or Gloria Estefan.
Lovin it 'Heaven'.......2006-06-06
Great CD. I keep playing 'Heaven' over and over. I just discovered this song when I went to the WORD site recently. I took a chance on this CD because I liked 'Heaven'. To me it sounds a bit like Huey Lewis and the News. Great beat. Right now I'm listening to the rest of the album. I'm liking what I hear. Give it a listen and decide for yourself.
Average customer rating:
- So Natural So Good!
- Great album, superb voice
- My second favorite Lisa CD
- Wish It Could Always Be This Way!
- This is a big loss for America
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So Natural
Lisa Stansfield
Manufacturer: Bmg Int'l
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
General
| Dance Pop
| Dance & DJ
| Styles
| Music
General
| Pop
| Styles
| Music
Pop Rock
| Pop
| Styles
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Contemporary
| Vocal Pop
| Pop
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General
| Adult Contemporary
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General
| R&B
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General
| Rock
| Styles
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Dance & DJ
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Rock
| Imports
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Pop
| Imports
| Stores
| Music
Similar Items:
- Lisa Stansfield
- Face Up
- The Moment
- Real Love
- Affection
ASIN: B00000742O
Release Date: 1999-02-09 |
Tracks:
- So Natural
- Never Set Me Free
- I Give You Everything
- Marvellous & Mine
- Goodbye
- Little Bit Of Heaven
- Sweet Memories
- She's Always There
- Too Much Love Makin'
- Turn Me On
- Be Mine
- In All The Right Places
- Wish It Could Always Be This Way
Customer Reviews:
So Natural So Good!.......2006-11-14
Record companies are strange at times, Lisa's third cd didn't get a US release because the label felt this wasn't commerical enough for the US market and asked Lisa to make some changes and she said NO! and so the cd wasn't released here! and what a shame because this a great cd! Lisa's voice is smooth on this project and the songs! The arrangements have a more mellow, jazzier grooves. Thanks to some smooth jazz radio stations 'Never Set Me Free' & 'So Natural' got some good airplay, every time these songs got played the dj would get phone calls as to where to get these songs and he had to say it's on an import cd, this proves that this cd would've done well here if the proper promotion was behind it! thanks to Tower records we were able to get this! 'Goodbye', 'Be Mine', 'Marvellous & Mine' are just some of the highlights on this cd! I highly recommend this cd!!
Great album, superb voice.......2005-05-04
I once read a magazine article with Lisa Stansfield in which she "apologised" to her fans for this album, saying she got too self indulgent with the songs and "lost the plot"...all I can say is that if this shows Lisa at her most personal, then please, please, can we have more of the same?
This is the only album by Lisa Stansfield that I REALLY like, the others all struck me as rather safe and formulaic. But here, the songs are full of great melodies, instrumentation, soul, and of course, Lisa's wonderful voice. As soon as the lush title track is over, the 2nd song "Never Set Me Free" surprises you immediately with its languid tempo and 70's lounge influenced horn instrumentation. It's a seductive and sexy number that keeps you swaying along all the way through it. And it's not the only one. For a similar vein try "Sweet Memories": just as easy on the ear, and a bit more bittersweet lyrically. Even better is "She's Always There", a really poignant and touching ballad about a loyal but mistreated woman. Again, a great shuffling rhythm and as always, outstanding vocals from Lisa. For uptempo numbers, the album is well served by "Too Much Lovemaking" and "Marvellous and Mine", the latter being a personal favourite, with a really tight and funky beat to it. Actually, the production of all the songs is very economical all round, which sounds like a criticism, but I am being positive here, as I think it makes for a surpisingly effective minimalist and lean feel, with not an ounce of fat on any of the tracks. Cutting away unnecessary elaboration leaves the songs crisp and immediately catchy, and it's a trend I would love to see other artists try and emulate. My least favourite track on the album is one that seems a common favourite, going by other reviewers opinions of this album - I don't like the re-working of the John Barry song "In All The Right Places" (from Indecent Proposal), that appears on this CD, which does not hold a candle to the classier and slightly darker version that appears on the original soundtrack CD (also with Lisa as vocalist). Still, you could also buy that soundtrack, as it's a great album as well! But Lisa Stansfield fans - don't pass up this album. I've only mentioned a few tracks by name, but nearly every song is a winner. Lisa should let her intuition guide her more often, in my opinion, if this is the result.
My second favorite Lisa CD.......2003-06-10
This CD is truly some kind of bliss. Lisa's velvety voice will wrap you all around and leave you... well, craving. It's that good. "In All The Right Places", "Too Much Love Makin'", "So Natural", "Wish It Could Always Be This Way" are all classics. The only other album by Lady Elegance that surpasses this one is her eponymous effort, "Lisa Stansfield". If you like Lisa, you can't miss out on this jewel!
Wish It Could Always Be This Way!.......2003-01-05
WHY? This Cd Was Not Released In The USA Is Unbelieveable! Lisa Had Just Came Off Two GREAT Cds (AFFECTION & REAL LOVE) And Was In Her Glory! This Cd Is Filled With Great Songs..."Marvellous & Mine", "Little Bit Of Heaven", "In All The Right Places" & "Too Much Love Makin'" Are All Amazing & Classic Lisa! Buy It Now That You Can!
This is a big loss for America.......2001-12-29
for some strange reason, Lisa Stansfield is not well known in the US. This British singer from Manchester is probably one of the best soul singers in the world. Her repertoire varies from soul to pop, capitalizing on her tremendous voice and great melodic tunes. I would recommend this album to anyone. I have never been a big soul fan but I fell completely for this one. This is a great album with great songs. Another one of her pearls that I enjoy very much is her self titled album. Buy both and you can also throw in Real Love if you liked the first two.
Average customer rating:
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So Much Beauty
Manufacturer: Elmgrove Productions
ProductGroup: Music
Binding: Audio CD
General
| Finzi, Gerald
| ( F )
| Featured Composers, A-Z
| Classical
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| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Classical
| Styles
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| Historical Periods
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| Music
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| Today's Deals in Music
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All Bargain Titles
| Classical General
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| Today's Deals in Music
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Similar Items:
- Dreaming: Songs of Lori Laitman
- The Shining Place
- Songs in Transit: An American Expedition
- A Treasury of English Song
- Mystery: Songs of Lori Laitman
ASIN: B0001HKIIQ
Release Date: 2004-02-09 |
Tracks:
- Straightway, Beauty on Me Waits - Richard Hundley
- Softly the Summer - Richard Hundley
- Come Ready and See Me - Richard Hundley
- Wider Than the Sky - Lori Laitman
- Good Morning Midnight - Lori Laitman
- If I -Lori Laitman
- You Are - Robert Jorgensen
- In the Almost Evening- Dan Locklair
- A Girl's Song to Her Mother -Hilary Tann
- Wings of the Grasses - Hilary Tann
- Rhapsody - Gerald Finzi
- Before Winter - Carol Sams
- The Uneasy Story - Carol Sams
- Aware -Carol Sams
- The Night - Edwin Penhorwood
- When Heaven Cries - Edwin Penhorwood
- Come Walk in the Garden With Me -Edwin Penhorwood
- First Love - David Burge
- Song (in Memoriam Jan DeGaetani 9-15-89) - David Burge
Album Description
Contemporary songs of great beauty and approachability. Most of the songs are world premiere recordings. This is also the first compact disk recording of Dan Locklair's "In the Almost Evening." Carol Sams wrote her three song cycle for the recording, based upon the poetry of Arthur Mampel. The album was recorded on location in Lagerquist Concert Hall on the campus of Pacific Lutheran University.
Average customer rating:
|
A Few Degrees Warmer
Eric Steckel Band
Manufacturer: Muttlee Records
ProductGroup: Music
Binding: Audio CD
General
| Blues
| Styles
| Music
ASIN: B000CA3GGS
Release Date: 2002-06-11 |
Tracks:
- Rude Mood
- Red House
- Hideaway
- Crossroads
- Sad Nite Owl
- Jaywalkin'
- Where I Play My Blues
- Lenny
- Sky Is Crying
- Bad Dog
- Thrill Is Gone
- Steppin' Out
Average customer rating:
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So Natural
Lisa Stansfield
Manufacturer: Arista
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
General
| Dance Pop
| Dance & DJ
| Styles
| Music
General
| R&B
| Styles
| Music
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Adult Contemporary
| Pop
| Styles
| Music
Dance & DJ
| Imports
| Stores
| Music
Rock
| Imports
| Stores
| Music
ASIN: B0000E5SLI
Release Date: 1993-01-01 |
Tracks:
- So Natural
- Never Set Me Free
- I Give You Everything
- Marvellous and Mine
- Goodbye
- Little Bit of Heaven
- Sweet Memories
- She's Always There
- Too Much Love Makin'
- Turn Me On
- Be Mine
- In All the Right Places
- Wish It Could Always Be This Way
Album Description
Reissue of 1993 album (unavailable domestically) includes three bonus tracks: 'Gonna Try It Anyway', 'Dream Away' (duet with Babyface) and 'So Natural' (No Preservatives Mix by Roger Sanchez), packaged in a slim jewel case. Arista. 2005.
Average customer rating:
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High Action
Manufacturer: ESB145
ProductGroup: Music
Binding: Audio CD
General
| Blues
| Styles
| Music
ASIN: B000CAKBN4
Release Date: 2004-04-20 |
Average customer rating:
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Longshot: Feel the Love By Nsync, Me By Lfo, See You Again By O-town, Put Your Arms Around Me By Natural, Let's Get This Party Started By Take 5, Wishing on Every Star By Innosense, so Often By C-note, It Don't Bother Me By Brizz, She's a Mystery to Me By Becker, in & Out By Ali Dee, I Just Wanna Be with You By Bon Voyage, Happy By Keli Michaels, Fall in Love By Nichole Carter, a Reason to Love Me By Joey Sculthorpe, Longshot Theme By Lalo Schirfin, Longshot Theme (Remix)
ProductGroup: Music
Binding: Audio CD
ASIN: B000GEFHNU |
Average customer rating:
|
100 Percent Juicy - mixed by: Risky Bizness / Hardcore Speed (the sound of the UK underground) FEATURING: Sweet Jacks, DSK, Evelyn Thomas, KGB Connection, Phunkaholics, Dread Time Featuring Barbara, MD 20/20, Soul Citii, Sol Flava, Miquel Brown, Afrika Bambaataa & The Soulsonic Force, Jay-Z, Common, Defari, Kurupt, Twista, Binary Star, All-Natural, Vakill, O Type Star, E.C. Illa, Punchline
******TRACK LISTINGS****** , Kiss Me - Sweet Jacks / What Would We Do - DSK / High Energy 2001 - Evelyn Thomas / Oacid - KGB Connection / What Tha' Diu - Phunkaholics / No Matter What Time - Dread Time Featuring Barbara , So Little Time 2002 - Miquel Brown / The Feeling Of The House - MD 20/20 / Planet Rock 2000 - Afrika Bambaataa & The Soulsonic Force Take My Love - MD 20/20 / Your Love Is Taking Me Higher - Soul Citii / Ritmo Latino - Sol Flava / So Many Men , J.U.I.C.E. Intro / Key To The City - J.U.I.C.E. J / Cryogenic / Applause / Pressure / Wake Up Show Freestyle / The Man , Period / Unrational / Out The Speakers / Elements (Remix) / J.U.I.C.E. Is In The House / I Just Wanna Love U (Give It 2 Me) (Remix) / Definition Intro / Sincerely / Freestyle Or Written / KGB / The Anthem , and Late Night Hype (WMSE Freestyle) / We Do It Like That / Unknown / Wild In Da West / How We Chill Part.II / What's Freestyle?
ProductGroup: Music
Binding: Audio CD
ASIN: B000REDHTK |
Average customer rating:
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So Natural
Lisa Stansfield
Manufacturer: BMG
ProductGroup: Music
Binding: Audio CD
General
| Dance & DJ
| Styles
| Music
Contemporary
| Vocal Pop
| Pop
| Styles
| Music
ASIN: B000LZJOY2 |
Music:
- Songs 2
- Songs 4 Worship: Kids - Awesome God
- Songs 4 Worship: Shout to The Lord
- Stacie Orrico
- Steven Curtis Chapman: Greatest Hits
- Storm
- Supernatural
- Talk About It
- The Apostle: Music From And Inspired By The Motion Picture [Soundtrack]
- The Blind Man Saw It All
Music
Music