R.I.O.T. (Righteous Invasion of Truth)

Editorial Reviews
Amazon.com
More a showman than a recording artist, Carman continues to be one of Christian music's top-drawing concert acts--he sold out the 55,000-seat Houston Astrodome in 1997 by himself. His sense for the theatrical carries over in R.I.O.T.: Righteous Invasion of Truth, a 1996 release that proves to be quite entertaining. Catch the clever airline motif in "God Is Exalted," the hip-hop edge of "R.I.O.T.," or the B-52's-ish "No Monsters" and you will hear a man that keeps his musical boundaries open. Whether it's old-time gospel, rap, rock, or even the countryish "Step of Faith," with Ricky Skaggs, Carman and producers Brown Bannister and Tommy Sims yield a lively and worthwhile release. --Michael Lyttle

R.I.O.T. (Righteous Invasion of Truth), Music, Carman, CCM, Christian, Contemporary Christian Music, Contemporary Gospel, Pop, Praise & Worship, Religious / Contemp. Christian
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
The Most Relaxing Classical Album in the World...Ever!
Average customer rating: 4 out of 5 stars
  • Solid buy
  • Very soothing and relaxing to listen to
  • this will calm you down
  • My Fav. CD!
  • Excellent for Everyone!
The Most Relaxing Classical Album in the World...Ever!

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
QuartetsQuartets | Chamber Music | Classical | Styles | Music
QuintetsQuintets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by AlbinoniAll Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BoccheriniAll Works by Boccherini | Boccherini, Luigi | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BorodinAll Works by Borodin | Borodin, Alexander | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DebussyAll Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ElgarAll Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
Górecki, Henryk MikolajGórecki, Henryk Mikolaj | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MascagniAll Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MassenetAll Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by OffenbachAll Works by Offenbach | Offenbach, Jacques | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PachelbelAll Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SatieAll Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
Serenades & DivertimentosSerenades & Divertimentos | Forms & Genres | Classical | Styles | Music | Divertimentos
Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
RequiemsRequiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music
GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
SymphoniesSymphonies | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Theatrical, Incidental & Program MusicTheatrical, Incidental & Program Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
PianoPiano | Keyboard | Instruments | Classical | Styles | Music
ClarinetClarinet | Reeds & Winds | Instruments | Classical | Styles | Music
GuitarGuitar | Strings | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
Berlin Philharmonic OrchestraBerlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
Paris Symphony OrchestraParis Symphony Orchestra | ( P ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
Modern & 20th CenturyModern & 20th Century | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
CzechCzech | Languages | Opera & Vocal | Styles | Music
FrenchFrench | Languages | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
ChorusesChoruses | Vocal Non-Opera | Opera & Vocal | Styles | Music
RequiemsRequiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
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  5. The Most Relaxing Classical Album in the World...Ever!

ASIN: B000002SBF
Release Date: 1998-02-17

Tracks:

  1. Air 'on the G string' (from Ste No. 3 in D, BWV1068) - Academy of St. Martin in the Fields/Sir Neville Marriner
  2. Morning (from Peer Gynt Incidental Music Op. 23) - Academy of St. Martin in the Fields/Sir Neville Marriner
  3. Canon in D - Academy of St. Martin in the Fields/Sir Neville Marriner
  4. Jesu, Joy of Man's Desiring (from Cantata No. 147) - Choir Of King's College
  5. Gymnopedie No. 1 - CBSO/Louis Fremaux
  6. Pno Con No. 21 in C 'Elvira Madagan', K. 467: II. Andante - Stephen Hough
  7. Viens, Mallika (from Lakme) - Mady Masple/Danielle Millet
  8. In Paradisum (from Requiem Op. 48) - Choir Of King's College
  9. Clair de lune (from Suite bergamasque) - Dame Moura Lympany
  10. Vn Con in e, Op. 64: II. Andante - Yehudi Menubin
  11. The Swan (fron The Carnival of the Animals) - Jacqueline du Pre/Osian Ellis
  12. Sym No. 3 'Sym of Sorrowful Songs': II. Lento e largo - Tranquillissimo - Zofia Kilanowicz
  13. Fl & Hpd Con in C, K. 299: II. Andantino - James Galway/Fritz Helmis
  14. The Four Seasons (Con No. 4 in f 'Winter'): II. Largo - Yehudi Menuhin
  15. Nimrod (from 'Enigma' Vars, Op. 36) - London SO/Sir Adrian Boult
  16. Song to the Moon (from Rusalka) - Lucia Popp
  17. Rhap on a Theme of Paganini - Var 18 - Cecile Ousset
  18. Pavane, Op. 50 - Gareth Morris

Tracks:

  1. Zion hort die Wachter singen (from Cantata No. 140) - Suddeutshe Madrigalchor
  2. Adagio in g - Academy of St. Martin in the Fields/Sir Neville Marriner
  3. Minuet (from Str Qnt in E, Op. 13 No. 5) - Academy of St. Martin in the Fields/Sir Neville Marriner
  4. Kbd Con No. 5 in f, BWV1056 - Andrei Gavrilov
  5. Meditation (from Thais) - Hans Kalafusz
  6. Pno Son No. 14 in c# 'Moonlight', Op. 27 No. 2: I. Adagio sostenuto - Dame Moura Lympany
  7. Belle nuit, o nuit d'amour (Barcarolle) (from Les Contes d'Hoffman) - Elisabeth Schwarzkopf/Jeannine Collard/Rene Duclos Choeurs
  8. Prayer (from Coppelia) - Orch Du Theatre Nat De L'Opr De Paris/Jean-Baptiste Mari
  9. Cl Con in A, K. 622: II. Adagio (opening) - Jack Brymer
  10. Intermezzo (from Cavalleria rusticana) - Philharmonia Orch/Riccardo Muti
  11. Str Ser, Op. 22: I. Moderato - London CO/Christopher Warren-Green
  12. O mio babbino caro (from Gianni Schicchi) - Monstserrat Caballe
  13. Fantasia on 'Greensleeves' (from Sir John in Love) - Sinfonia of London/Sir John Barbirolli
  14. Pno Con No. 2 in c, Op. 18: II. Adagio sostenuto (opening) - Cecile Ousset
  15. Noct (from Str Qt No. 2 in D#) - Academy of St. Martin in the Fields/Sir Neville Marriner
  16. Concierto de Aranjuez: II. Adagio (opening) - Julian Bream
  17. Adagio for Strs, Op. 11a - Philadelphia Orch/Eugene Ormandy
  18. Entr'acte to Act III (from Carmen) - Orch Nat de France/Seiji Ozawa

Customer Reviews:

4 out of 5 stars Solid buy.......2003-09-01

"Music, when soft voices die,
Vibrates in the memory-"
Percy Bysshe Shelley
Music has a great power, and classical has to be the minds elixir. I've never met a classical album I didn't like, but this is one I would suggest to anyone. The variety and selection make it stand out among others like it. In the end, there is something left to be desired, but ...'C'est la vie'.

5 out of 5 stars Very soothing and relaxing to listen to.......2003-05-26

I'm not really much of a classical music fan, more like casual. Sometimes I do need a break from listening to the loud, abrasive beats of KMFDM and VNV Nation and put in something more soothing and relaxing to chill out to. Most of the music I enjoy chilling out to is in the vein of techno and ambient fused with Asian and Middle Eastern influences. Growing up, I was surrounded by a lot of classical and baroque music. Before I became addicted to new wave music of the '80s, I was into Beethoven, Bach, Mozart, and Vivaldi. I rarely buyh classical cds nowadays because I am afraid that there would be more filler and less substantial songs. I bought "The Most Relaxing Classical Album..." compilation because I was familiar with at least 85% of the songs. "The Most Relaxing Classical Album..." is a gorgeous compilation filled with some of the most exquisite songs known to mankind. Songs like Elgar's "Nimrod" and Mascagni's "Intermezzo" absolutely takes my breath away and even brings a tear to my eyes every time I listen to, especially the later because I think of the movie "Steel Magnolias" and the scenes following the passing of Julia Roberts' character. A very emotional song to say the very least. The most personal favorite song on this 2 cd set that I hold very dear to my heart is Pachelbel's "Canon". That song is just one of the most gorgeous songs I have ever heard, not just classical, but any song that I have heard over the years. Although I am no opera fan, I absolutely adore Delibes' "Flower Duet". I can never tire of hearing that song, no matter who sings it. It is rare to find a cd where the title fits the contents of the cd, and "The Most Relaxing Classical Album in the World...Ever!" is that cd. No words can describe the beauty of the music I have heard here.

5 out of 5 stars this will calm you down.......2003-04-02

Hi everybody out there. Guess what. This cd is wonderful. I am a VERY discerning ear for classical music. I usually don't go for the "BEST OF" collections. But ya know what...sometimes ya just need the "overplayed" stuff to calm you down. I mean, for some of these pieces, there are better performances out there. But, that doesn't really matter when you're just wanting to relax. This is great for someone learning about classical music. It will give you a good sense of what you might like in the future. who cares if it's not the TOP performers, i am not displeased with any of the tracks. it always does the trick when i need it to. :)

5 out of 5 stars My Fav. CD!.......2003-04-01

Who ever said this was an awful CD full of no big hits was not too smart. This CD is HUGE! It has only famous composers, and only the best. They are all HUGE hits! It is the best CD I have ever owned. I am a professional musician.

4 out of 5 stars Excellent for Everyone!.......2002-09-05

This CD was a wonderful surprise! Unlike so many "compliation" albums, it is made up of one beautiful, quality piece of music after another, without the usual boring "fillers". My friends who are classical aficionados love it. My friends who think they "hate" classical music, love it. My children and my parents love it. Everyone who hears it playing asks, "What IS this?!It's wonderful." The only reason I didn't give it 5 stars is because I found the choral arrangements of a couple of the pieces oddly discordant, in the beautifully relaxing flow of the pure instrumental orchestration of the rest of the album
The Most Relaxing Classical Music in the World...Ever!
Average customer rating: Not rated
    The Most Relaxing Classical Music in the World...Ever!

    Manufacturer: EMI
    ProductGroup: Music
    Binding: Audio CD

    QuartetsQuartets | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    All Works by AlbinoniAll Works by Albinoni | Albinoni, Tomaso | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by AllegriAll Works by Allegri | Allegri, Gregorio | ( A ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by BruchAll Works by Bruch | Bruch, Max | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Delibes, Léo | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by DebussyAll Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by ElgarAll Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by GluckAll Works by Gluck | Gluck, Christoph W. | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
    Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by HolstAll Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by MahlerAll Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by MascagniAll Works by Mascagni | Mascagni, Pietro | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by MassenetAll Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    Morricone, EnnioMorricone, Ennio | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by PachelbelAll Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by RutterAll Works by Rutter | Rutter, John | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by SatieAll Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by ShostakovichAll Works by Shostakovich | Shostakovich, Dmitri | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by TarregaAll Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
    Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
    ConcertinosConcertinos | Concertos | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
    DivertimentosDivertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music
    Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
    NocturnesNocturnes | Short Forms | Forms & Genres | Classical | Styles | Music
    SonatinasSonatinas | Sonatas | Forms & Genres | Classical | Styles | Music
    SuitesSuites | Forms & Genres | Classical | Styles | Music
    RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
    Film ScoresFilm Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
    Incidental MusicIncidental Music | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
    RequiemsRequiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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    ASIN: B0009S4WK2
    Release Date: 2005-06-13

    Tracks:

    1. Sheep May Safely Graze From Cantata No.208 (Arr. Marriner)
    2. Clarinet Concerto In A K622 Ii. Adagio Sabine Meyer
    3. Concerto For Two Mandolins In G Rv532 Ii. Andante Europa Galante
    4. Fantasia On A Theme By Thomas Tallis (Opening)
    5. Piano Concerto No.2 In C Minor Op.18 Ii. Adagio Sostenuto (Opening)
    6. Memories Of The Alhambra
    7. Cello Concerto In E Minor Op.85 Iii. Adagio
    8. Fellowship From The Film The Lord Of The Rings: The Fellowship Of The Ring
    9. Lark Ascending (Opening)
    10. Agnus Dei From The Armed Man: A Mass For Peace
    11. Emperor Concerto Op.73 Ii. Adagio (Trans. Craig Leon)
    12. Violin Concerto No.1 In G Minor Op.26 Ii. Adagio (Opening)
    13. Voca Me
    14. Nimrod From Enigma Variations
    15. Symphony No.6 In F Pastoral Op.68 V. Allegretto (Shepherds Hymn)
    16. Four Seasons Concerto No.4 In F Minor Winter (Ii. Largo)
    17. Serenade In G Eine Kleine Nachtmusik K525 Ii. Romanza (Andante)
    18. Double Violin Concerto In D Minor Bwv1043 Ii. Largo Ma Non Tanto (Opening)
    19. Miserere Mei, Deus (Extract)
    20. Violin Concerto In E Minor Op.64 Ii. Andante (Extract)
    21. Jesu, Joy Of ManS Desiring From Cantata No.147
    22. Pavane
    23. Dome Epais (Flower Duet) From Lakme
    24. Flute & Harp Concerto In C K299 Ii. Andantino (Extract)
    25. Lascia ChIo Pianga From Rinaldo (Arr. Craig Leon & Isobel Cooper)
    26. Guitar Concerto In D (Arr. Emilio Pujol; Ed. Isbin) Ii. Largo
    27. Piano Concerto No.21 In C Elvira Madigan K467 Ii. Andante (Extract)
    28. Pie Jesu From Requiem
    29. EntrActe To Act Iii From Carmen
    30. Ii. Romance: Larghetto (Opening)
    31. 16 In Paradisum From Requiem Op.48
    32. Pathetique Sonata Op.13 Ii. Adagio Cantabile
    33. Intermezzo From Cavalleria Rusticana
    34. GabrielS Oboe From The Film The Mission
    35. Air On The G String From Suite No.3 In D, Bwv1068
    36. Morning From Peer Gynt Incidental Music Op.23
    37. Balcony Scene From The Film William ShakespeareS Romeo & Juliet
    38. Canon In D
    39. Gymnopedie No.1 (Lent Et Douloureux)
    40. Clair De Lune From Suite Bergamasque (Orch. Stokowski)
    41. SchindlerS List Theme From The Film SchindlerS List
    42. Rhapsody On A Theme Of Paganini - Variation 18
    43. 10 Adagio For Strings Op.11a
    44. Piano Sonata No.14 In C Sharp Minor Moonlight Op.27 No.2
    45. Symphony No.9 From The New World Ii. Largo (Opening)
    46. Romance From The Film The Gadfly
    47. Piano Concerto In A Minor Ii. Adagio
    48. Cavatina From The Film The Deer Hunter
    49. O Mio Babbino Caro From Gianni Schicchi
    50. Venus From The Planets (Conclusion)
    51. Ion Hort Die Whter Singen From Cantata No.140
    52. Adagio In G Minor (Realised Giazotto)
    53. Keyboard Concerto No. 5 In F Minor Bwv1056 Ii. Largo
    54. Confutatis From Requiem
    55. Dance Of The Blessed Spirits From Orpheus & Eurydice
    56. Water Music Air From Suite No.1 In F
    57. Fantasia On Greensleeves From Sir John In Love (Arr. Greaves)
    58. Gnossienne No.1
    59. Swan From The Carnival Of The Animals (Arr. Chris Hazell)
    60. Ashokan Farewell
    61. Cantique De Jean Racine
    62. Nocturne In C Sharp Minor Op. Posth
    63. Ombra Mai Fu (Largo) From Serse
    64. Concierto De Aranjuez Ii. Adagio (Opening)
    65. Pie Jesu From Requiem
    66. Meditation From Thais
    67. Piano Concerto No. 2 In F Op.102 Ii. Andante
    68. Symphony No.5 In C Sharp Minor Iv. Adagietto (Conclusion)
    69. My Heart Will Go On (Arr. Shearman) From The Film Titanic
    Braggin' in Brass
    Average customer rating: Not rated
      Braggin' in Brass
      Joe Primrose , Jack Pettis , Irving Berlin , Thomas (Fats) Waller , George Bassman , William "Count" Basie , Cole Porter , Dorothy Fields , Lil Hardin , Jelly Roll Morton , Rolf Smedvig , Eric Ruske , Jeffrey Curnow , J. Samuel Pilafian , John Gill , and Empire Brass
      Manufacturer: Telarc
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B000003CWZ
      Release Date: 1990-02-10

      Tracks:

      1. Boogie Woogie Bugle Boy
      2. Slap Happy
      3. Braggin' In Brass
      4. Saint James Infirmary
      5. Bugle Call Rag
      6. Boy Meets Horn
      7. Blue Skies
      8. Ain't Misbehavin'
      9. I'm Getting Sentimental Over You
      10. One O'Clock Jump
      11. Leader Of The Big Time Band
      12. I Must Have That Man
      13. Skit-Dat-De-Dat
      14. Jungle Nights In Harlem
      15. Black & Blue
      16. When The Saints Go Marchin' In
      17. Black Bottom Stomp
      R.I.O.T. (Righteous Invasion of Truth)
      Average customer rating: 4 out of 5 stars
      • Mix it up
      • 2 words THIS ROCKS!
      • Carman
      • Carman is awesome!
      • One of Carman's Best!!
      R.I.O.T. (Righteous Invasion of Truth)
      Carman
      Manufacturer: Sparrow
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Christian & Gospel | Styles | Music
      GospelGospel | Christian & Gospel | Styles | Music
      Christian Contemporary MusicChristian Contemporary Music | Christian & Gospel | Styles | Music
      Praise & WorshipPraise & Worship | Christian & Gospel | Styles | Music
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      1. The Standard
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      ASIN: B000000V3Z
      Release Date: 1995-10-31

      Tracks:

      1. God Is Exalted
      2. R.I.O.T. (Righteous Invasion Of Truth)
      3. My Story
      4. Whiter Than Snow
      5. No Monsters
      6. 7 Ways 2 Praise
      7. Step Of Faith
      8. Not 4 Sale
      9. There Is A God
      10. Amen

      Amazon.com

      More a showman than a recording artist, Carman continues to be one of Christian music's top-drawing concert acts--he sold out the 55,000-seat Houston Astrodome in 1997 by himself. His sense for the theatrical carries over in R.I.O.T.: Righteous Invasion of Truth, a 1996 release that proves to be quite entertaining. Catch the clever airline motif in "God Is Exalted," the hip-hop edge of "R.I.O.T.," or the B-52's-ish "No Monsters" and you will hear a man that keeps his musical boundaries open. Whether it's old-time gospel, rap, rock, or even the countryish "Step of Faith," with Ricky Skaggs, Carman and producers Brown Bannister and Tommy Sims yield a lively and worthwhile release. --Michael Lyttle

      Customer Reviews:

      5 out of 5 stars Mix it up.......2005-02-04

      This is not the old Carman. He throws a couple of harder songs into the mix with his praise songs. Even if you aren't into his louder, harder, and faster songs you will still enjoy this album. There are fewer songs on this album compared to some of his others. Don't let that discourage you. Most of the songs on this album are a little longer so you aren't getting shorted out of any music. Check out some of the promos that came out around the same time as this CD. There was a devotional and a book for kids. Overall this is a wonderful album from a great artist.

      5 out of 5 stars 2 words THIS ROCKS!.......2004-09-10

      I'd like to state, that after reviewing this cd multiple times, I've enjoyed it, it's helped me get through various hard times in my life, and honestly, I can't deny the fact that Carman has most definately stated truth about God so fluently, chosen his words so carefully to come out with an excellent impression that he has done not a job of his own doing, but a job, a gift, an honor that God gave him to do! God is awesome, wonderful, and understanding. Carman, I salute you, for giving the world a gift that is best not to be denied, because man, without you, i'm not sure if i'd be here today! WOWOWOWOWOW!!!!

      And hey, to all who wrote their own positive feedback, THANKS!!!!!

      5 out of 5 stars Carman.......2004-01-06

      Honestly I grew up listening to Carman ever since I was the age of 5 and the first time I heard the song Champion from Carman that was the song I needed to give my life to JesusChrist and ever since I have been hearing Carman I have really loved his song. The bottom point is that Carman has changed my life

      5 out of 5 stars Carman is awesome!.......2002-08-07

      Carman is an awesome Chrisitan artist who doesn't try to veil the gospel message or water it down. In this day and age where it is not politically correct to talk about, much less sing about, the name of Jesus, it is refreshing to know that Carman has the backbone to boldly proclaim the Lordship of Jesus Christ! My wife and I, along with our three young sons, all love to listen to Carman and his music.
      I thank God for Carman and appreciate both his humility and his openess to the Holy Spirit! Oh, and by the way, this CD rocks!!!

      4 out of 5 stars One of Carman's Best!!.......2001-11-10

      Carman has always (from as early on as I can remember) sang a lot of songs that have stories to them. I think that's what's kept me listening to his music all this time-besides the most obvious fact that his music ALWAYS directly glorifies God, and he's got a good, strong voice. While I'm not into listening to his softer ballads most of the time, they're still uplifting and worth it to hear the creativity in his story-songs.
      Forbidden Broadway 2001: A Spoof Odyssey
      Average customer rating: 3 out of 5 stars
      • As Always, Hilarious
      • Spoof Odessey worth the laughs!
      • better to be "Lost in Space"
      • Stretched Thin
      • Do the Math
      Forbidden Broadway 2001: A Spoof Odyssey

      Manufacturer: Drg
      ProductGroup: Music
      Binding: Audio CD

      General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
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      ASIN: B0000584UL
      Release Date: 2001-02-13

      Tracks:

      1. Forbidden Broadway 2001: Another Op'nin, 'Another Show
      2. Futuristic Stewardess/Usherette: Come Fly With Me
      3. Judi Dench: Why Can't The English?
      4. Trouble In New Tork City: Trouble
      5. The Music Man Revival 2001: Till There Was You
      6. Cole Porter: You're The Top/From The Moment On
      7. Kiss Me, Kate Revival 2001: Wunderbar
      8. I Hate Ben - Marin Mazzie: I Hate Men
      9. Cheryl Ladd In Annie Get Your Gun: There's No Business Like Show Business
      10. Miss Saigon Farewell: Why God Why?
      11. Saturday Night Fiasco: Stayin' Alive
      12. Gwen Verdon & The Fosse Dancers: I'm A Brass Band/Steam Heat
      13. Liza Minnelli 2001/Alan Cumming in Cabaret: Wilkommen
      14. Let's Run Times Square Again: Let's Do the Time Warp Again
      15. Ethel Merman & Elton John: I've Got Rhythm/Old Fashioned Wedding
      16. Beauty's Been Decreased: Beauty And The Beast
      17. Being Lupone: Being Alive
      18. Sondheim's Blues: Buddy's Blues
      19. Streisand's Farewell Tour: Happy Days Are Here Again/Mame
      20. Les Miz 2001 - Edith Piaf/Milord
      21. Aida - Amneris Intro: Every Story Is A Love Story/Heather Headley/It's Cheesy: Easy As Life
      22. Elaborate Sets (Aida Cont.): Elaborate Lives
      23. Angela Lansbury: I Don't Want To Know
      24. The Full Monty: Let It Go
      25. 76 Hit Shows: 76 Trombones
      26. Bows-Ta-Ta Folks: Another Op'nin, 'Another Show
      27. Joseph And The Amazing High 'C': Any Dream Will Do

      Customer Reviews:

      5 out of 5 stars As Always, Hilarious.......2007-05-03

      This is so funny! Like all the Forbidden Broadway cds, its another knock-out. I feel like such a crazy person when I am in the car driving and I just burst out laughing. Its great and a must have for any Forbidden Broadway fan.

      3 out of 5 stars Spoof Odessey worth the laughs!.......2002-04-14

      I enjoyed "Forbidden Broadway 2001: A Spoof Odyssey." This recording has some truly genius material, and although these actors' impersonations of famous Broadway stars aren't as strong as they have been in the past, the CD has a lot to recommend it.

      Particularly strong is Track 16, "Let's do an old fashioned show tune," featuring Elton John and Ethel Merman duking it out over AIDA, which Merman says is "putting everyone here through hell." Likewise, Track 15, "Let's Ruin Times Square Again," tickles my funny bone. Also wonderful are the satires of Beauty and the Beast, Angela Lansbury, and the Full Monty; Gerard Alessandrini's done a tremendous job with these! In addition, this CD's introductory song is much stronger than those on the previous volumes of Forbidden Broadway. It really sets the tone for the best parts of this recording.

      Unfortunately, with a few notable exceptions, the first half of the CD is a bit thin, which is why I give this recording 3 out of 5 stars: Even though it entertains me, there's a lot I have to skip over. For example, the Liza Minelli spoof annoying (though, I admit, a little funny), and in the Music Man revival satire, their Robert Preston impersonator sounds *nothing* like the original. (In earlier recordings, the actors *did* sound like the people they claimed to be.)

      The good news is that the CD has 30 tracks in all, so even though there are 13 that I dislike, I just love the rest... I do recommend it!

      2 out of 5 stars better to be "Lost in Space".......2001-12-31

      First and foremost, this CD is really for diehard fans of Forbidden Broadway, those of us who want the good, the bad and the ugly on the cd rack. I was extremely unimpressed with the latest offering.

      While I agree with some of the other reviewers that there is some nice work, I don't know that Saturday Night Fiasco and Sondheim's Blues are sufficient to carry the rest of the tracks. Not much seems new or worse yet, important. Disney isn't new, nor is Les Miz. And while pointing out what is stale and pedestrian on Broadway was amusing on the last couple of releases, this Forbidden Broadway spoof clearly has joined the list of stale and pedestrian.

      While there is some nice material on this disc, I really didn't laugh out loud, and that is why I have always bought these in the past.

      If Alessandrini reduces the show to the same complaints of the same shows and then replaying lightly tweaked versions of past numbers, Trouble and Alan Cumming in Cabaret specifically, then he has himself is on the becoming a revival - and we know what he thinks of revivals.

      The repeats might even be acceptable if there was something fresh in the perfomance, but both were done much better on their respective discs. I think Danny Gurwin is a great comedian, but he doesn't shine in either of these numbers. We also need a recording with no Ethel Merman or Liza numbers - give them a rest already. And why bring back Streisand with such a poor imitation? The earlier Barbara's were dead on vocal impressions as well as speech patterns. If you aren't going to improve on it, then don't drag it back out.

      Alessandrini suggests that this is one of the best casts he has ever worked with. I don't know what he bases that on, but I beg to differ, either cast with Bryan Batt was significantly better, although they worked with fresh, clever material. Still, those recordings had verocious talent that brought Gerard's stinging wit to life for those of us who can't see every new production of FB.

      Maybe it is time to go to off Broadway productions, or to the radio or the movies for some new ideas. Or else promise no references to the Gap, Disney, or Chorus Boys, (way over used on this recording), along with a Merman and Liza free season. Start from scratch. That might give us hope that Forbidden Broadway too might not be dead.

      3 out of 5 stars Stretched Thin.......2001-03-26

      I just saw the stage production of Forbidden Broadway 2001: A Spoof Odyssey. I agree with the other reviewers who feel that Alessandrini is no longer at the top of his game. Perhaps he should lay off for a year or three and let Broadway present new things for him to lampoon - as it always will.

      The opening sequence is forced and unfunny, and clearly in place only to batter the listener with the "2001" theme. Unlike a previous reviewer, I found the Judi Dench parody hysterical, though I question its accuracy.

      The "Trouble" parody is, as it always was, incomplete and thin. My dear friend John Kenrick (...) did a better job with it - included the segments of the original song that GA left out, and in a funnier fashion. The Cole Porter parody is marginally amusing, but the Brian Mitchell/Marin Mazzie parody is dead on the mark, and VERY funny.

      The parody of Cheryl Ladd remains in the show, although she's no longer in "Annie Get Your Gun" - Reba McIntyre is now in the role. Similarly, he stabs at Alan Cumming, who is no longer playing the Emcee. These numbers, while funny, lack punch. On the other hand, he once again skewers long time target Patti LuPone with an hysterical new parody of Being Alive. I suppose she's innately funnier, after all these years, than Alan Cumming, who is, after all, a relative newcomer.

      The Rocky Horror parody is amusing, and the observation that sex has moved off 42nd Street and onto the Broadway stage is not without merit. The Beauty parody is amusing, and apt, but as has already been noted, GA has been clobbering us with the Disnification of Broadway for years now. I suppose he finds some glee in the fading success of this particular show.

      I must say that while Gurwin is not the greatest singer, "Sondheim's Blues" is the most brilliant piece I've heard from Alessandrini in years. It's absolutely dead on. The friends I was with had never seen nor heard "Follies" and completely missed the point, but I was in stitches.

      The "10 Years More" (which does not appear on this album, but remains in the show) has really begun to wear thin, especially with the closing this year of Cats and Miss Saigon. The Cameron Macintosh British mega-musicals are finally releasing their grip on Broadway, and this isn't as funny any more.

      Broadway, despite the naysayers, will never die... and apparently, neither will Forbidden Broadway. I don't think it should - but I do think it needs a rest.

      2 out of 5 stars Do the Math.......2001-03-15

      Four CDs cover the first 20 Years of Forbidden Broadway, Gerard Alessandrini's viciously witty satire of New York Theatre. The last year has seen Three new CDs, FB "Cleans Up Its Act" "20th Anniversary Edition" and now "2001 a Spoof Odyssey". Do the math.

      Alessandrini is running out of ideas, and is spreading the remaining ones too thin. . Sanitized Time Square - Been there. Disnified Broadway - Done that, and so many times. Asinine casting faux pas, plotless pointless set-monster musicals, and Ethel Merman and Liza. We've heard it all before - and last time, it was funnier.

      Now normally when a writer (or director or actor) has truly entertained me on numerous occasions, I'll forgive the odd show that disappoints. This would be the case here except for two things: Alessandrini is in the vicious parody business - he's never spared anyone else Besides, if he's going to actually include couplets like: "If lyrics are no longer witty... Then I don't want to go " he's inviting the pans.

      When you hear the AIDA lampoon, you'll be reminded of the dim bulb in Cyrano de Bergerac who taunts the hero with the brilliant witticism: Your nose is very large

      Yes, there are a few true Forbidden Broadway tracks on Spoof Odyssey. Dame Judi Dench singing "Why can't Americans do theatre like the Brits?" (with apologies to My Fair Lady), I Hate Ben (with apologies to Kiss Me Kate) and about 1/3 of "Let's Ruin Time Square Again" (no apologies necessary to Rocky Horror which understands how easy it is for good parody to go bad). Oh yes, there is one absolutely true Forbidden Broadway track: TROUBLE - yes, the same Trouble from Volume 3 which was just re-released on the 20th Anniversary compilation - and it's back again with a more hackneyed Robert Preston impersonation and all of 4 words changed. Granted it's one of the better bits, more worthy of rerunning than say, referring to Miss Saigon as Viet-Numb, but oh, he reran that gag too
      I Can't Stop Drinkin'
      Average customer rating: Not rated
        I Can't Stop Drinkin'
        O.B. Buchana
        Manufacturer: Ecko Records
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | R&B | Styles | Music
        GeneralGeneral | Soul | R&B | Styles | Music
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        ASIN: B00080EVR0
        Release Date: 2005-04-26

        Tracks:

        1. Stage in the Sky
        2. I Can't Stop Drinkin'
        3. Girl I Need Your Love
        4. I'm Gonna Stand Up by Your Side
        5. I'm Ready to Get Nude
        6. I'm Gonna Party Alone
        7. Here I Am
        8. It Don't Have to Be That Way
        9. Lap Dance
        10. Stage in the Sky [Extended Version]
        J.S. Bach: The Works for Organ, Vol. 14
        Average customer rating: Not rated
          J.S. Bach: The Works for Organ, Vol. 14

          Manufacturer: Nimbus Records
          ProductGroup: Music
          Binding: Audio CD

          DancesDances | Ballets & Dances | Classical | Styles | Music
          MinuetsMinuets | Ballets & Dances | Classical | Styles | Music
          MusettesMusettes | Ballets & Dances | Classical | Styles | Music
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          ASIN: B00005QX6U
          Release Date: 2001-11-13
          Joy to the World
          Average customer rating: 4.5 out of 5 stars
          • Perfect for the Season
          • FOR WHISTLING OR SINGING ALONG
          Joy to the World

          Manufacturer: Compendia
          ProductGroup: Music
          Binding: Audio CD

          DancesDances | Ballets & Dances | Classical | Styles | Music
          WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
          QuartetsQuartets | Chamber Music | Classical | Styles | Music
          GeneralGeneral | Chamber Music | Classical | Styles | Music
          All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by HerbertAll Works by Herbert | Herbert, Victor | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by HolstAll Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
          Humperdinck, EngelbertHumperdinck, Engelbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by MassenetAll Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by Leopold MozartAll Works by Leopold Mozart | Mozart, Leopold | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by PachelbelAll Works by Pachelbel | Pachelbel, Johann | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
          Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
          Strauss Jr., JohannStrauss Jr., Johann | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
          Telemann, Georg PhilippTelemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
          Vaughan Williams, RalphVaughan Williams, Ralph | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
          All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
          Concerto GrossiConcerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music
          GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
          DivertimentosDivertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music
          SuitesSuites | Forms & Genres | Classical | Styles | Music
          RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
          VariationsVariations | Variations | Forms & Genres | Classical | Styles | Music
          GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Telemann, Georg Philipp | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
          Vocal & SongVocal & Song | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
          Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Vaughan Williams, Ralph | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
          General ContemporaryGeneral Contemporary | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
          Vocal & SongVocal & Song | Renaissance (c.1450-1600) | Historical Periods | Classical | Styles | Music
          Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
          Vocal & SongVocal & Song | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
          ViolinViolin | Strings | Instruments | Classical | Styles | Music
          GeneralGeneral | Symphonies | Classical | Styles | Music
          GeneralGeneral | Classical | Styles | Music
          London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
          Lullabies & BerceuseLullabies & Berceuse | Vocal Non-Opera | Opera & Vocal | Styles | Music
          CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
          NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
          OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
          RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
          Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
          Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
          Renaissance (c.1450-1600)Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music
          GeneralGeneral | Opera & Vocal | Styles | Music
          FrenchFrench | Languages | Opera & Vocal | Styles | Music
          GermanGerman | Languages | Opera & Vocal | Styles | Music
          OperettasOperettas | Opera & Vocal | Styles | Music
          OratoriosOratorios | Opera & Vocal | Styles | Music
          Holiday MusicHoliday Music | Compilations | Miscellaneous | Styles | Music
          General ChristmasGeneral Christmas | Holiday | Miscellaneous | Styles | Music
          Classical InstrumentalClassical Instrumental | Holiday | Miscellaneous | Styles | Music
          Solo InstrumentalSolo Instrumental | New Age | Styles | Music
          General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
          Classical InstrumentalClassical Instrumental | Holiday Music | Special Features | Music
          Similar Items:
          1. 50 Most Loved Christmas Carols
          2. The Joy of Christmas
          3. A Festival of Carols in Brass
          4. Time-Life Music: Treasury of Christmas - Holiday Memories

          ASIN: B000003QWB
          Release Date: 1994-06-07

          Tracks:

          1. The Nutcracker Ste: Miniature Ov - London Festival Orch
          2. The Nutcracker Ste: March - London Festival Orch
          3. The Nutcracker Ste: Dance Of The Sugar-Plum Fairy - London Festival Orch
          4. The Nutcracker Ste: Russian Dance: Trepak - London Festival Orch
          5. The Nutcracker Ste: Arabian Dance - London Festival Orch
          6. The Nutcracker Ste: Chinese Dance - London Festival Orch
          7. The Nutcracker Ste: Dance Of The Mirlitons - London Festival Orch
          8. The Nutcracker Ste: Walts Of The Flowers - London Festival Orch
          9. Carol Of The Bells - London Festival Orch
          10. Sleighride - Rochester Pops Orch
          11. Ov To Hansel And Gretel - London Festival Orch
          12. Three German Dances: Sleighride - Rochester Pops Orch
          13. Angels We Have Heard On High: Vars - Lyn Larsen
          14. Snowdrops Waltz - Rochester Pops
          15. Babes In Toyland: March - Rochester Pops
          16. A Scottish Carol - Lyn Larsen
          17. Mount Of Olives: 'Hallelujah!' - Carlo Curley/Chm Chr Of Grand Rapids
          18. Thais: Meditation - Lyn Larsen/Carlo Curley
          19. Choral, Sym No.9 in d: Finale - Chor

          Tracks:

          1. Messiah-Part One: Ov - Royal Choral Society
          2. Messiah-Part One: Comfort Ye - Royal Choral Society
          3. Messiah-Part One: Every Valley - Royal Choral Society
          4. Messiah-Part One: And The Glory Of The Lord - Royal Choral Society
          5. Messiah-Part One: Thus Saith The Lord Of Hosts - Royal Choral Society
          6. Messiah-Part One: But Who May Abide - Royal Choral Society
          7. Messiah-Part One: And He Shall Purify - Royal Choral Society
          8. Messiah-Part One: Behold! A Virgin Shall Conceive - Royal Choral Society
          9. Messiah-Part One: For Behold! Darkness Shall Cover The Earth - Royal Choral Society
          10. Messiah-Part One: The People That Walked In Darkness - Royal Choral Society
          11. Messiah-Part One: O Thou That Tellest Good Tidings To Zion - Royal Choral Society
          12. Messiah-Part One: He Shall Feed His Flock - Royal Choral Society
          13. Messiah-Part One: I Know That My Redeemer Liveth - Royal Choral Society

          Tracks:

          1. Messiah-Part Two: For Unto Us A Child Is Born - Royal Choral Society
          2. Messiah-Part Two: And Suddenly There Was With The Angel A Multitude - Royal Choral Society
          3. Messiah-Part Two: Glory To God - Royal Choral Society
          4. Messiah-Part Two: Rejoice Greatly, O Daughter Of Zion - Royal Choral Society
          5. Messiah-Part Two: His Yoke Is Easy - Royal Choral Society
          6. Messiah-Part Two: Behold The Lamb Of God - Royal Choral Society
          7. Messiah-Part Two: He Was Despised - Royal Choral Society
          8. Messiah-Part Two: All We, Like Sheep - Royal Choral Society
          9. Messiah-Part Two: Hallelujah! - Royal Choral Society
          10. Messiah-Part Two: The Tpt Shall Sound - Royal Choral Society
          11. Messiah-Part Two: Amen - Royal Choral Society

          Tracks:

          1. Hymns Of Christmas: Joy To The World - Irish Promenade Orch
          2. Hymns Of Christmas: In Dulci Jubilo - Chor/Bel Can