R.I.O.T. (Righteous Invasion of Truth)
Editorial Reviews
Amazon.com
More a showman than a recording artist, Carman continues to be one of Christian music's top-drawing concert acts--he sold out the 55,000-seat Houston Astrodome in 1997 by himself. His sense for the theatrical carries over in R.I.O.T.: Righteous Invasion of Truth, a 1996 release that proves to be quite entertaining. Catch the clever airline motif in "God Is Exalted," the hip-hop edge of "R.I.O.T.," or the B-52's-ish "No Monsters" and you will hear a man that keeps his musical boundaries open. Whether it's old-time gospel, rap, rock, or even the countryish "Step of Faith," with Ricky Skaggs, Carman and producers Brown Bannister and Tommy Sims yield a lively and worthwhile release. --Michael Lyttle
R.I.O.T. (Righteous Invasion of Truth), Music, Carman, CCM, Christian, Contemporary Christian Music, Contemporary Gospel, Pop, Praise & Worship, Religious / Contemp. Christian
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Solid buy
- Very soothing and relaxing to listen to
- this will calm you down
- My Fav. CD!
- Excellent for Everyone!
|
The Most Relaxing Classical Album in the World...Ever!
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
Ballets
| Ballets & Dances
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Quartets
| Chamber Music
| Classical
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Quintets
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General
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All Works by Albinoni
| Albinoni, Tomaso
| ( A )
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All Works by J.S. Bach
| Bach, Johann Sebastian
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| Barber, Samuel
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All Works by Borodin
| Borodin, Alexander
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| Delibes, Léo
| ( D )
| Featured Composers, A-Z
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| Dvorák, Antonín
| ( D )
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All Works by Debussy
| Debussy, Claude
| ( D )
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All Works by Elgar
| Elgar, Sir Edward
| ( E )
| Featured Composers, A-Z
| Classical
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| Fauré, Gabriel
| ( F )
| Featured Composers, A-Z
| Classical
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Grieg, Edvard
| ( G )
| Featured Composers, A-Z
| Classical
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Górecki, Henryk Mikolaj
| ( G )
| Featured Composers, A-Z
| Classical
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| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
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All Works by Massenet
| Massenet, Jules
| ( M )
| Featured Composers, A-Z
| Classical
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All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
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| Mendelssohn, Felix
| ( M )
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| Offenbach, Jacques
| ( O )
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| Pachelbel, Johann
| ( P )
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| Puccini, Giacomo
| ( P )
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| Classical
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| Saint-Saëns, Camille
| ( S )
| Featured Composers, A-Z
| Classical
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| Satie, Erik
| ( S )
| Featured Composers, A-Z
| Classical
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| ( V )
| Featured Composers, A-Z
| Classical
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| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
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| Rachmaninov, Sergei
| ( R )
| Featured Composers, A-Z
| Classical
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| Classical
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Similar Items:
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- The Most Relaxing Classical Album in the World...Ever!
ASIN: B000002SBF
Release Date: 1998-02-17 |
Tracks:
- Air 'on the G string' (from Ste No. 3 in D, BWV1068) - Academy of St. Martin in the Fields/Sir Neville Marriner
- Morning (from Peer Gynt Incidental Music Op. 23) - Academy of St. Martin in the Fields/Sir Neville Marriner
- Canon in D - Academy of St. Martin in the Fields/Sir Neville Marriner
- Jesu, Joy of Man's Desiring (from Cantata No. 147) - Choir Of King's College
- Gymnopedie No. 1 - CBSO/Louis Fremaux
- Pno Con No. 21 in C 'Elvira Madagan', K. 467: II. Andante - Stephen Hough
- Viens, Mallika (from Lakme) - Mady Masple/Danielle Millet
- In Paradisum (from Requiem Op. 48) - Choir Of King's College
- Clair de lune (from Suite bergamasque) - Dame Moura Lympany
- Vn Con in e, Op. 64: II. Andante - Yehudi Menubin
- The Swan (fron The Carnival of the Animals) - Jacqueline du Pre/Osian Ellis
- Sym No. 3 'Sym of Sorrowful Songs': II. Lento e largo - Tranquillissimo - Zofia Kilanowicz
- Fl & Hpd Con in C, K. 299: II. Andantino - James Galway/Fritz Helmis
- The Four Seasons (Con No. 4 in f 'Winter'): II. Largo - Yehudi Menuhin
- Nimrod (from 'Enigma' Vars, Op. 36) - London SO/Sir Adrian Boult
- Song to the Moon (from Rusalka) - Lucia Popp
- Rhap on a Theme of Paganini - Var 18 - Cecile Ousset
- Pavane, Op. 50 - Gareth Morris
Tracks:
- Zion hort die Wachter singen (from Cantata No. 140) - Suddeutshe Madrigalchor
- Adagio in g - Academy of St. Martin in the Fields/Sir Neville Marriner
- Minuet (from Str Qnt in E, Op. 13 No. 5) - Academy of St. Martin in the Fields/Sir Neville Marriner
- Kbd Con No. 5 in f, BWV1056 - Andrei Gavrilov
- Meditation (from Thais) - Hans Kalafusz
- Pno Son No. 14 in c# 'Moonlight', Op. 27 No. 2: I. Adagio sostenuto - Dame Moura Lympany
- Belle nuit, o nuit d'amour (Barcarolle) (from Les Contes d'Hoffman) - Elisabeth Schwarzkopf/Jeannine Collard/Rene Duclos Choeurs
- Prayer (from Coppelia) - Orch Du Theatre Nat De L'Opr De Paris/Jean-Baptiste Mari
- Cl Con in A, K. 622: II. Adagio (opening) - Jack Brymer
- Intermezzo (from Cavalleria rusticana) - Philharmonia Orch/Riccardo Muti
- Str Ser, Op. 22: I. Moderato - London CO/Christopher Warren-Green
- O mio babbino caro (from Gianni Schicchi) - Monstserrat Caballe
- Fantasia on 'Greensleeves' (from Sir John in Love) - Sinfonia of London/Sir John Barbirolli
- Pno Con No. 2 in c, Op. 18: II. Adagio sostenuto (opening) - Cecile Ousset
- Noct (from Str Qt No. 2 in D#) - Academy of St. Martin in the Fields/Sir Neville Marriner
- Concierto de Aranjuez: II. Adagio (opening) - Julian Bream
- Adagio for Strs, Op. 11a - Philadelphia Orch/Eugene Ormandy
- Entr'acte to Act III (from Carmen) - Orch Nat de France/Seiji Ozawa
Customer Reviews:
Solid buy.......2003-09-01
"Music, when soft voices die,
Vibrates in the memory-"
Percy Bysshe Shelley
Music has a great power, and classical has to be the minds elixir. I've never met a classical album I didn't like, but this is one I would suggest to anyone. The variety and selection make it stand out among others like it. In the end, there is something left to be desired, but ...'C'est la vie'.
Very soothing and relaxing to listen to.......2003-05-26
I'm not really much of a classical music fan, more like casual. Sometimes I do need a break from listening to the loud, abrasive beats of KMFDM and VNV Nation and put in something more soothing and relaxing to chill out to. Most of the music I enjoy chilling out to is in the vein of techno and ambient fused with Asian and Middle Eastern influences. Growing up, I was surrounded by a lot of classical and baroque music. Before I became addicted to new wave music of the '80s, I was into Beethoven, Bach, Mozart, and Vivaldi. I rarely buyh classical cds nowadays because I am afraid that there would be more filler and less substantial songs. I bought "The Most Relaxing Classical Album..." compilation because I was familiar with at least 85% of the songs. "The Most Relaxing Classical Album..." is a gorgeous compilation filled with some of the most exquisite songs known to mankind. Songs like Elgar's "Nimrod" and Mascagni's "Intermezzo" absolutely takes my breath away and even brings a tear to my eyes every time I listen to, especially the later because I think of the movie "Steel Magnolias" and the scenes following the passing of Julia Roberts' character. A very emotional song to say the very least. The most personal favorite song on this 2 cd set that I hold very dear to my heart is Pachelbel's "Canon". That song is just one of the most gorgeous songs I have ever heard, not just classical, but any song that I have heard over the years. Although I am no opera fan, I absolutely adore Delibes' "Flower Duet". I can never tire of hearing that song, no matter who sings it. It is rare to find a cd where the title fits the contents of the cd, and "The Most Relaxing Classical Album in the World...Ever!" is that cd. No words can describe the beauty of the music I have heard here.
this will calm you down.......2003-04-02
Hi everybody out there. Guess what. This cd is wonderful. I am a VERY discerning ear for classical music. I usually don't go for the "BEST OF" collections. But ya know what...sometimes ya just need the "overplayed" stuff to calm you down. I mean, for some of these pieces, there are better performances out there. But, that doesn't really matter when you're just wanting to relax. This is great for someone learning about classical music. It will give you a good sense of what you might like in the future. who cares if it's not the TOP performers, i am not displeased with any of the tracks. it always does the trick when i need it to. :)
My Fav. CD!.......2003-04-01
Who ever said this was an awful CD full of no big hits was not too smart. This CD is HUGE! It has only famous composers, and only the best. They are all HUGE hits! It is the best CD I have ever owned. I am a professional musician.
Excellent for Everyone!.......2002-09-05
This CD was a wonderful surprise! Unlike so many "compliation" albums, it is made up of one beautiful, quality piece of music after another, without the usual boring "fillers". My friends who are classical aficionados love it. My friends who think they "hate" classical music, love it. My children and my parents love it. Everyone who hears it playing asks, "What IS this?!It's wonderful." The only reason I didn't give it 5 stars is because I found the choral arrangements of a couple of the pieces oddly discordant, in the beautifully relaxing flow of the pure instrumental orchestration of the rest of the album
Average customer rating:
|
The Most Relaxing Classical Music in the World...Ever!
Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD
Quartets
| Chamber Music
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
All Works by Albinoni
| Albinoni, Tomaso
| ( A )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Allegri
| Allegri, Gregorio
| ( A )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by J.S. Bach
| Bach, Johann Sebastian
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Barber
| Barber, Samuel
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Bruch
| Bruch, Max
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Chopin
| Chopin, Frédéric
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Delibes, Léo
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Dvorák, Antonín
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Debussy
| Debussy, Claude
| ( D )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Elgar
| Elgar, Sir Edward
| ( E )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Fauré, Gabriel
| ( F )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Gluck
| Gluck, Christoph W.
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Grieg, Edvard
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Handel
| Handel, George Frideric
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Holst
| Holst, Gustav
| ( H )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mahler
| Mahler, Gustav
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mascagni
| Mascagni, Pietro
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Massenet
| Massenet, Jules
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Morricone, Ennio
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Wolfgang Amadeus Mozart
| Mozart, Wolfgang Amadeus
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Mendelssohn
| Mendelssohn, Felix
| ( M )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Pachelbel
| Pachelbel, Johann
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Puccini
| Puccini, Giacomo
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rutter
| Rutter, John
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Rachmaninov
| Rachmaninov, Sergei
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Saint-Saëns, Camille
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Satie
| Satie, Erik
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Shostakovich
| Shostakovich, Dmitri
| ( S )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Tarrega
| Tarrega, Francisco
| ( T )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Vaughan Williams, Ralph
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Vivaldi
| Vivaldi, Antonio
| ( V )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Concertinos
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
General
| Concertos
| Forms & Genres
| Classical
| Styles
| Music
Divertimentos
| Serenades & Divertimentos
| Forms & Genres
| Classical
| Styles
| Music
Character Pieces
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Nocturnes
| Short Forms
| Forms & Genres
| Classical
| Styles
| Music
Sonatinas
| Sonatas
| Forms & Genres
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Romantic
| Symphonies
| Forms & Genres
| Classical
| Styles
| Music
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Incidental Music
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Baroque (c.1600-1750)
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Requiems
| Forms & Genres
| Early Music
| Historical Periods
| Classical
| Styles
| Music
General
| Vaughan Williams, Ralph
| Composers
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Contemporary
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Theatrical, Incidental & Program Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Romantic (c.1820-1910)
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
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- Borat - Cultural Learnings of America for Make Benefit Glorious Nation of Kazakhstan (Widescreen Edition)
ASIN: B0009S4WK2
Release Date: 2005-06-13 |
Tracks:
- Sheep May Safely Graze From Cantata No.208 (Arr. Marriner)
- Clarinet Concerto In A K622 Ii. Adagio Sabine Meyer
- Concerto For Two Mandolins In G Rv532 Ii. Andante Europa Galante
- Fantasia On A Theme By Thomas Tallis (Opening)
- Piano Concerto No.2 In C Minor Op.18 Ii. Adagio Sostenuto (Opening)
- Memories Of The Alhambra
- Cello Concerto In E Minor Op.85 Iii. Adagio
- Fellowship From The Film The Lord Of The Rings: The Fellowship Of The Ring
- Lark Ascending (Opening)
- Agnus Dei From The Armed Man: A Mass For Peace
- Emperor Concerto Op.73 Ii. Adagio (Trans. Craig Leon)
- Violin Concerto No.1 In G Minor Op.26 Ii. Adagio (Opening)
- Voca Me
- Nimrod From Enigma Variations
- Symphony No.6 In F Pastoral Op.68 V. Allegretto (Shepherds Hymn)
- Four Seasons Concerto No.4 In F Minor Winter (Ii. Largo)
- Serenade In G Eine Kleine Nachtmusik K525 Ii. Romanza (Andante)
- Double Violin Concerto In D Minor Bwv1043 Ii. Largo Ma Non Tanto (Opening)
- Miserere Mei, Deus (Extract)
- Violin Concerto In E Minor Op.64 Ii. Andante (Extract)
- Jesu, Joy Of ManS Desiring From Cantata No.147
- Pavane
- Dome Epais (Flower Duet) From Lakme
- Flute & Harp Concerto In C K299 Ii. Andantino (Extract)
- Lascia ChIo Pianga From Rinaldo (Arr. Craig Leon & Isobel Cooper)
- Guitar Concerto In D (Arr. Emilio Pujol; Ed. Isbin) Ii. Largo
- Piano Concerto No.21 In C Elvira Madigan K467 Ii. Andante (Extract)
- Pie Jesu From Requiem
- EntrActe To Act Iii From Carmen
- Ii. Romance: Larghetto (Opening)
- 16 In Paradisum From Requiem Op.48
- Pathetique Sonata Op.13 Ii. Adagio Cantabile
- Intermezzo From Cavalleria Rusticana
- GabrielS Oboe From The Film The Mission
- Air On The G String From Suite No.3 In D, Bwv1068
- Morning From Peer Gynt Incidental Music Op.23
- Balcony Scene From The Film William ShakespeareS Romeo & Juliet
- Canon In D
- Gymnopedie No.1 (Lent Et Douloureux)
- Clair De Lune From Suite Bergamasque (Orch. Stokowski)
- SchindlerS List Theme From The Film SchindlerS List
- Rhapsody On A Theme Of Paganini - Variation 18
- 10 Adagio For Strings Op.11a
- Piano Sonata No.14 In C Sharp Minor Moonlight Op.27 No.2
- Symphony No.9 From The New World Ii. Largo (Opening)
- Romance From The Film The Gadfly
- Piano Concerto In A Minor Ii. Adagio
- Cavatina From The Film The Deer Hunter
- O Mio Babbino Caro From Gianni Schicchi
- Venus From The Planets (Conclusion)
- Ion Hort Die Whter Singen From Cantata No.140
- Adagio In G Minor (Realised Giazotto)
- Keyboard Concerto No. 5 In F Minor Bwv1056 Ii. Largo
- Confutatis From Requiem
- Dance Of The Blessed Spirits From Orpheus & Eurydice
- Water Music Air From Suite No.1 In F
- Fantasia On Greensleeves From Sir John In Love (Arr. Greaves)
- Gnossienne No.1
- Swan From The Carnival Of The Animals (Arr. Chris Hazell)
- Ashokan Farewell
- Cantique De Jean Racine
- Nocturne In C Sharp Minor Op. Posth
- Ombra Mai Fu (Largo) From Serse
- Concierto De Aranjuez Ii. Adagio (Opening)
- Pie Jesu From Requiem
- Meditation From Thais
- Piano Concerto No. 2 In F Op.102 Ii. Andante
- Symphony No.5 In C Sharp Minor Iv. Adagietto (Conclusion)
- My Heart Will Go On (Arr. Shearman) From The Film Titanic
Average customer rating:
|
Braggin' in Brass
Joe Primrose , Jack Pettis , Irving Berlin , Thomas (Fats) Waller , George Bassman , William "Count" Basie , Cole Porter , Dorothy Fields , Lil Hardin , Jelly Roll Morton , Rolf Smedvig , Eric Ruske , Jeffrey Curnow , J. Samuel Pilafian , John Gill , and Empire Brass
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003CWZ
Release Date: 1990-02-10 |
Tracks:
- Boogie Woogie Bugle Boy
- Slap Happy
- Braggin' In Brass
- Saint James Infirmary
- Bugle Call Rag
- Boy Meets Horn
- Blue Skies
- Ain't Misbehavin'
- I'm Getting Sentimental Over You
- One O'Clock Jump
- Leader Of The Big Time Band
- I Must Have That Man
- Skit-Dat-De-Dat
- Jungle Nights In Harlem
- Black & Blue
- When The Saints Go Marchin' In
- Black Bottom Stomp
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- Mix it up
- 2 words THIS ROCKS!
- Carman
- Carman is awesome!
- One of Carman's Best!!
|
R.I.O.T. (Righteous Invasion of Truth)
Carman
Manufacturer: Sparrow
ProductGroup: Music
Binding: Audio CD
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ASIN: B000000V3Z
Release Date: 1995-10-31 |
Tracks:
- God Is Exalted
- R.I.O.T. (Righteous Invasion Of Truth)
- My Story
- Whiter Than Snow
- No Monsters
- 7 Ways 2 Praise
- Step Of Faith
- Not 4 Sale
- There Is A God
- Amen
Amazon.com
More a showman than a recording artist, Carman continues to be one of Christian music's top-drawing concert acts--he sold out the 55,000-seat Houston Astrodome in 1997 by himself. His sense for the theatrical carries over in R.I.O.T.: Righteous Invasion of Truth, a 1996 release that proves to be quite entertaining. Catch the clever airline motif in "God Is Exalted," the hip-hop edge of "R.I.O.T.," or the B-52's-ish "No Monsters" and you will hear a man that keeps his musical boundaries open. Whether it's old-time gospel, rap, rock, or even the countryish "Step of Faith," with Ricky Skaggs, Carman and producers Brown Bannister and Tommy Sims yield a lively and worthwhile release. --Michael Lyttle
Customer Reviews:
Mix it up.......2005-02-04
This is not the old Carman. He throws a couple of harder songs into the mix with his praise songs. Even if you aren't into his louder, harder, and faster songs you will still enjoy this album. There are fewer songs on this album compared to some of his others. Don't let that discourage you. Most of the songs on this album are a little longer so you aren't getting shorted out of any music. Check out some of the promos that came out around the same time as this CD. There was a devotional and a book for kids. Overall this is a wonderful album from a great artist.
2 words THIS ROCKS!.......2004-09-10
I'd like to state, that after reviewing this cd multiple times, I've enjoyed it, it's helped me get through various hard times in my life, and honestly, I can't deny the fact that Carman has most definately stated truth about God so fluently, chosen his words so carefully to come out with an excellent impression that he has done not a job of his own doing, but a job, a gift, an honor that God gave him to do! God is awesome, wonderful, and understanding. Carman, I salute you, for giving the world a gift that is best not to be denied, because man, without you, i'm not sure if i'd be here today! WOWOWOWOWOW!!!!
And hey, to all who wrote their own positive feedback, THANKS!!!!!
Carman.......2004-01-06
Honestly I grew up listening to Carman ever since I was the age of 5 and the first time I heard the song Champion from Carman that was the song I needed to give my life to JesusChrist and ever since I have been hearing Carman I have really loved his song. The bottom point is that Carman has changed my life
Carman is awesome!.......2002-08-07
Carman is an awesome Chrisitan artist who doesn't try to veil the gospel message or water it down. In this day and age where it is not politically correct to talk about, much less sing about, the name of Jesus, it is refreshing to know that Carman has the backbone to boldly proclaim the Lordship of Jesus Christ! My wife and I, along with our three young sons, all love to listen to Carman and his music.
I thank God for Carman and appreciate both his humility and his openess to the Holy Spirit! Oh, and by the way, this CD rocks!!!
One of Carman's Best!!.......2001-11-10
Carman has always (from as early on as I can remember) sang a lot of songs that have stories to them. I think that's what's kept me listening to his music all this time-besides the most obvious fact that his music ALWAYS directly glorifies God, and he's got a good, strong voice. While I'm not into listening to his softer ballads most of the time, they're still uplifting and worth it to hear the creativity in his story-songs.
Average customer rating:
- As Always, Hilarious
- Spoof Odessey worth the laughs!
- better to be "Lost in Space"
- Stretched Thin
- Do the Math
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Forbidden Broadway 2001: A Spoof Odyssey
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD
General Modern
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Similar Items:
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ASIN: B0000584UL
Release Date: 2001-02-13 |
Tracks:
- Forbidden Broadway 2001: Another Op'nin, 'Another Show
- Futuristic Stewardess/Usherette: Come Fly With Me
- Judi Dench: Why Can't The English?
- Trouble In New Tork City: Trouble
- The Music Man Revival 2001: Till There Was You
- Cole Porter: You're The Top/From The Moment On
- Kiss Me, Kate Revival 2001: Wunderbar
- I Hate Ben - Marin Mazzie: I Hate Men
- Cheryl Ladd In Annie Get Your Gun: There's No Business Like Show Business
- Miss Saigon Farewell: Why God Why?
- Saturday Night Fiasco: Stayin' Alive
- Gwen Verdon & The Fosse Dancers: I'm A Brass Band/Steam Heat
- Liza Minnelli 2001/Alan Cumming in Cabaret: Wilkommen
- Let's Run Times Square Again: Let's Do the Time Warp Again
- Ethel Merman & Elton John: I've Got Rhythm/Old Fashioned Wedding
- Beauty's Been Decreased: Beauty And The Beast
- Being Lupone: Being Alive
- Sondheim's Blues: Buddy's Blues
- Streisand's Farewell Tour: Happy Days Are Here Again/Mame
- Les Miz 2001 - Edith Piaf/Milord
- Aida - Amneris Intro: Every Story Is A Love Story/Heather Headley/It's Cheesy: Easy As Life
- Elaborate Sets (Aida Cont.): Elaborate Lives
- Angela Lansbury: I Don't Want To Know
- The Full Monty: Let It Go
- 76 Hit Shows: 76 Trombones
- Bows-Ta-Ta Folks: Another Op'nin, 'Another Show
- Joseph And The Amazing High 'C': Any Dream Will Do
Customer Reviews:
As Always, Hilarious.......2007-05-03
This is so funny! Like all the Forbidden Broadway cds, its another knock-out. I feel like such a crazy person when I am in the car driving and I just burst out laughing. Its great and a must have for any Forbidden Broadway fan.
Spoof Odessey worth the laughs!.......2002-04-14
I enjoyed "Forbidden Broadway 2001: A Spoof Odyssey." This recording has some truly genius material, and although these actors' impersonations of famous Broadway stars aren't as strong as they have been in the past, the CD has a lot to recommend it.
Particularly strong is Track 16, "Let's do an old fashioned show tune," featuring Elton John and Ethel Merman duking it out over AIDA, which Merman says is "putting everyone here through hell." Likewise, Track 15, "Let's Ruin Times Square Again," tickles my funny bone. Also wonderful are the satires of Beauty and the Beast, Angela Lansbury, and the Full Monty; Gerard Alessandrini's done a tremendous job with these! In addition, this CD's introductory song is much stronger than those on the previous volumes of Forbidden Broadway. It really sets the tone for the best parts of this recording.
Unfortunately, with a few notable exceptions, the first half of the CD is a bit thin, which is why I give this recording 3 out of 5 stars: Even though it entertains me, there's a lot I have to skip over. For example, the Liza Minelli spoof annoying (though, I admit, a little funny), and in the Music Man revival satire, their Robert Preston impersonator sounds *nothing* like the original. (In earlier recordings, the actors *did* sound like the people they claimed to be.)
The good news is that the CD has 30 tracks in all, so even though there are 13 that I dislike, I just love the rest... I do recommend it!
better to be "Lost in Space".......2001-12-31
First and foremost, this CD is really for diehard fans of Forbidden Broadway, those of us who want the good, the bad and the ugly on the cd rack. I was extremely unimpressed with the latest offering.
While I agree with some of the other reviewers that there is some nice work, I don't know that Saturday Night Fiasco and Sondheim's Blues are sufficient to carry the rest of the tracks. Not much seems new or worse yet, important. Disney isn't new, nor is Les Miz. And while pointing out what is stale and pedestrian on Broadway was amusing on the last couple of releases, this Forbidden Broadway spoof clearly has joined the list of stale and pedestrian.
While there is some nice material on this disc, I really didn't laugh out loud, and that is why I have always bought these in the past.
If Alessandrini reduces the show to the same complaints of the same shows and then replaying lightly tweaked versions of past numbers, Trouble and Alan Cumming in Cabaret specifically, then he has himself is on the becoming a revival - and we know what he thinks of revivals.
The repeats might even be acceptable if there was something fresh in the perfomance, but both were done much better on their respective discs. I think Danny Gurwin is a great comedian, but he doesn't shine in either of these numbers. We also need a recording with no Ethel Merman or Liza numbers - give them a rest already. And why bring back Streisand with such a poor imitation? The earlier Barbara's were dead on vocal impressions as well as speech patterns. If you aren't going to improve on it, then don't drag it back out.
Alessandrini suggests that this is one of the best casts he has ever worked with. I don't know what he bases that on, but I beg to differ, either cast with Bryan Batt was significantly better, although they worked with fresh, clever material. Still, those recordings had verocious talent that brought Gerard's stinging wit to life for those of us who can't see every new production of FB.
Maybe it is time to go to off Broadway productions, or to the radio or the movies for some new ideas. Or else promise no references to the Gap, Disney, or Chorus Boys, (way over used on this recording), along with a Merman and Liza free season. Start from scratch. That might give us hope that Forbidden Broadway too might not be dead.
Stretched Thin.......2001-03-26
I just saw the stage production of Forbidden Broadway 2001: A Spoof Odyssey. I agree with the other reviewers who feel that Alessandrini is no longer at the top of his game. Perhaps he should lay off for a year or three and let Broadway present new things for him to lampoon - as it always will.
The opening sequence is forced and unfunny, and clearly in place only to batter the listener with the "2001" theme. Unlike a previous reviewer, I found the Judi Dench parody hysterical, though I question its accuracy.
The "Trouble" parody is, as it always was, incomplete and thin. My dear friend John Kenrick (...) did a better job with it - included the segments of the original song that GA left out, and in a funnier fashion. The Cole Porter parody is marginally amusing, but the Brian Mitchell/Marin Mazzie parody is dead on the mark, and VERY funny.
The parody of Cheryl Ladd remains in the show, although she's no longer in "Annie Get Your Gun" - Reba McIntyre is now in the role. Similarly, he stabs at Alan Cumming, who is no longer playing the Emcee. These numbers, while funny, lack punch. On the other hand, he once again skewers long time target Patti LuPone with an hysterical new parody of Being Alive. I suppose she's innately funnier, after all these years, than Alan Cumming, who is, after all, a relative newcomer.
The Rocky Horror parody is amusing, and the observation that sex has moved off 42nd Street and onto the Broadway stage is not without merit. The Beauty parody is amusing, and apt, but as has already been noted, GA has been clobbering us with the Disnification of Broadway for years now. I suppose he finds some glee in the fading success of this particular show.
I must say that while Gurwin is not the greatest singer, "Sondheim's Blues" is the most brilliant piece I've heard from Alessandrini in years. It's absolutely dead on. The friends I was with had never seen nor heard "Follies" and completely missed the point, but I was in stitches.
The "10 Years More" (which does not appear on this album, but remains in the show) has really begun to wear thin, especially with the closing this year of Cats and Miss Saigon. The Cameron Macintosh British mega-musicals are finally releasing their grip on Broadway, and this isn't as funny any more.
Broadway, despite the naysayers, will never die... and apparently, neither will Forbidden Broadway. I don't think it should - but I do think it needs a rest.
Do the Math.......2001-03-15
Four CDs cover the first 20 Years of Forbidden Broadway, Gerard Alessandrini's viciously witty satire of New York Theatre. The last year has seen Three new CDs, FB "Cleans Up Its Act" "20th Anniversary Edition" and now "2001 a Spoof Odyssey". Do the math.
Alessandrini is running out of ideas, and is spreading the remaining ones too thin. . Sanitized Time Square - Been there. Disnified Broadway - Done that, and so many times. Asinine casting faux pas, plotless pointless set-monster musicals, and Ethel Merman and Liza. We've heard it all before - and last time, it was funnier.
Now normally when a writer (or director or actor) has truly entertained me on numerous occasions, I'll forgive the odd show that disappoints. This would be the case here except for two things: Alessandrini is in the vicious parody business - he's never spared anyone else Besides, if he's going to actually include couplets like: "If lyrics are no longer witty... Then I don't want to go " he's inviting the pans.
When you hear the AIDA lampoon, you'll be reminded of the dim bulb in Cyrano de Bergerac who taunts the hero with the brilliant witticism: Your nose is very large
Yes, there are a few true Forbidden Broadway tracks on Spoof Odyssey. Dame Judi Dench singing "Why can't Americans do theatre like the Brits?" (with apologies to My Fair Lady), I Hate Ben (with apologies to Kiss Me Kate) and about 1/3 of "Let's Ruin Time Square Again" (no apologies necessary to Rocky Horror which understands how easy it is for good parody to go bad). Oh yes, there is one absolutely true Forbidden Broadway track: TROUBLE - yes, the same Trouble from Volume 3 which was just re-released on the 20th Anniversary compilation - and it's back again with a more hackneyed Robert Preston impersonation and all of 4 words changed. Granted it's one of the better bits, more worthy of rerunning than say, referring to Miss Saigon as Viet-Numb, but oh, he reran that gag too
Average customer rating:
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I Can't Stop Drinkin'
O.B. Buchana
Manufacturer: Ecko Records
ProductGroup: Music
Binding: Audio CD
General
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ASIN: B00080EVR0
Release Date: 2005-04-26 |
Tracks:
- Stage in the Sky
- I Can't Stop Drinkin'
- Girl I Need Your Love
- I'm Gonna Stand Up by Your Side
- I'm Ready to Get Nude
- I'm Gonna Party Alone
- Here I Am
- It Don't Have to Be That Way
- Lap Dance
- Stage in the Sky [Extended Version]
Average customer rating:
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J.S. Bach: The Works for Organ, Vol. 14
Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD
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All Works by Carl Philipp Emman. Bach
| Bach, Carl Philipp Emman.
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| Bach, Johann Sebastian
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| Pachelbel, Johann
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Similar Items:
- Bach: Works for Organ, Vol. 13
ASIN: B00005QX6U
Release Date: 2001-11-13 |
Average customer rating:
- Perfect for the Season
- FOR WHISTLING OR SINGING ALONG
|
Joy to the World
Manufacturer: Compendia
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Binding: Audio CD
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Similar Items:
- 50 Most Loved Christmas Carols
- The Joy of Christmas
- A Festival of Carols in Brass
- Time-Life Music: Treasury of Christmas - Holiday Memories
ASIN: B000003QWB
Release Date: 1994-06-07 |
Tracks:
- The Nutcracker Ste: Miniature Ov - London Festival Orch
- The Nutcracker Ste: March - London Festival Orch
- The Nutcracker Ste: Dance Of The Sugar-Plum Fairy - London Festival Orch
- The Nutcracker Ste: Russian Dance: Trepak - London Festival Orch
- The Nutcracker Ste: Arabian Dance - London Festival Orch
- The Nutcracker Ste: Chinese Dance - London Festival Orch
- The Nutcracker Ste: Dance Of The Mirlitons - London Festival Orch
- The Nutcracker Ste: Walts Of The Flowers - London Festival Orch
- Carol Of The Bells - London Festival Orch
- Sleighride - Rochester Pops Orch
- Ov To Hansel And Gretel - London Festival Orch
- Three German Dances: Sleighride - Rochester Pops Orch
- Angels We Have Heard On High: Vars - Lyn Larsen
- Snowdrops Waltz - Rochester Pops
- Babes In Toyland: March - Rochester Pops
- A Scottish Carol - Lyn Larsen
- Mount Of Olives: 'Hallelujah!' - Carlo Curley/Chm Chr Of Grand Rapids
- Thais: Meditation - Lyn Larsen/Carlo Curley
- Choral, Sym No.9 in d: Finale - Chor
Tracks:
- Messiah-Part One: Ov - Royal Choral Society
- Messiah-Part One: Comfort Ye - Royal Choral Society
- Messiah-Part One: Every Valley - Royal Choral Society
- Messiah-Part One: And The Glory Of The Lord - Royal Choral Society
- Messiah-Part One: Thus Saith The Lord Of Hosts - Royal Choral Society
- Messiah-Part One: But Who May Abide - Royal Choral Society
- Messiah-Part One: And He Shall Purify - Royal Choral Society
- Messiah-Part One: Behold! A Virgin Shall Conceive - Royal Choral Society
- Messiah-Part One: For Behold! Darkness Shall Cover The Earth - Royal Choral Society
- Messiah-Part One: The People That Walked In Darkness - Royal Choral Society
- Messiah-Part One: O Thou That Tellest Good Tidings To Zion - Royal Choral Society
- Messiah-Part One: He Shall Feed His Flock - Royal Choral Society
- Messiah-Part One: I Know That My Redeemer Liveth - Royal Choral Society
Tracks:
- Messiah-Part Two: For Unto Us A Child Is Born - Royal Choral Society
- Messiah-Part Two: And Suddenly There Was With The Angel A Multitude - Royal Choral Society
- Messiah-Part Two: Glory To God - Royal Choral Society
- Messiah-Part Two: Rejoice Greatly, O Daughter Of Zion - Royal Choral Society
- Messiah-Part Two: His Yoke Is Easy - Royal Choral Society
- Messiah-Part Two: Behold The Lamb Of God - Royal Choral Society
- Messiah-Part Two: He Was Despised - Royal Choral Society
- Messiah-Part Two: All We, Like Sheep - Royal Choral Society
- Messiah-Part Two: Hallelujah! - Royal Choral Society
- Messiah-Part Two: The Tpt Shall Sound - Royal Choral Society
- Messiah-Part Two: Amen - Royal Choral Society
Tracks:
- Hymns Of Christmas: Joy To The World - Irish Promenade Orch
- Hymns Of Christmas: In Dulci Jubilo - Chor/Bel Can