The Face of God

Editorial Reviews
About the Artist
Ed Bolduc is one of the newest faces in the World Library Publications family. Ed is involved in the Life Teen ministry program at St Ann Church in Marietta, Georgia. Ed's background includes private study of the piano and a degree in music theory from Georgia State University in Atlanta, GA. His music explores a variety of emotions from tender psalm settings to upbeat, energizing songs.

Album Description
Latest release from Ed Bolduc, The Face of God includes 13 compositions that would be great for use with teens and young adult ensembles.

The Face of God, Music, Karen & Ed Bolduc, New Age / Meditation, Pop
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • A musical treasure-box
  • a beautiful journey into melancholy
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dowland: Complete Lute Works, Vol.1-5
  2. William Byrd: Consort Songs
  3. Bach: The Landowska Recordings
  4. Britten Conducts Britten
  5. Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
No God Like Jehovah
Average customer rating: 4.5 out of 5 stars
  • No God Like Jehovah- Judy Jacobs Live
  • Great Singer - Not So Great Presentation
  • TO GOD BE THE GLORY!!
  • Great CD
  • Definitely worth it!
No God Like Jehovah
Judy Jacobs
Manufacturer: His Song Music Group
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Christian & Gospel | Styles | Music
GospelGospel | Christian & Gospel | Styles | Music
Christian Contemporary MusicChristian Contemporary Music | Christian & Gospel | Styles | Music
Live RecordingsLive Recordings | Christian & Gospel | Styles | Music
Similar Items:
  1. Above and Beyond
  2. Almighty Reigns
  3. House of Healing
  4. Take It by Force
  5. A Piece Of My Passion

ASIN: B0000EMYBX
Release Date: 2003-10-28

Tracks:

  1. Intro
  2. Praise, Praise, Praise
  3. My Deliverer
  4. Jesus, I'll Never Forget
  5. I Will Worship You/I Exalt Thee
  6. My Heart's Desire/No One Else Like You
  7. Praise Partner
  8. Preaching
  9. Right Now Medley
  10. My Soul Is Anchored
  11. Jesus
  12. Blessing And Honor
  13. Agnus Dei
  14. Scripture
  15. Days Of Elijah

Customer Reviews:

5 out of 5 stars No God Like Jehovah- Judy Jacobs Live.......2007-07-07

This cd albumn is simply awesome! It is so full of joy, I can praise God and be spiritually uplifted anytime and anywhere! I find myself remembering snippets of psalms and phrases from the various songs and humming all day long. I had never heard of Judy Jacobs, but I love her voice and her testimonies. Every song has been a blessing to me.

I bought the albumn to hear Agnus Dei....Worthy is the lamb....she sings this sooooooo well! And she also has so many others...Days of Elijiah...God Can Work a Miracle For You.... My God Is....Jesus......every time I start the cd to hear one song, I end up listening and singing to the entire albumn! I give this albumn ten stars!!!!

4 out of 5 stars Great Singer - Not So Great Presentation.......2006-07-11

I really really like Judy Jacobs and bought her album "Almighty Reigns" at the same time I got this one. Unfortunately, this one isn't as good, in my opinion. For one thing, being a "live" album there is a lot of background noise and you can't hear the main singer as well.
Also I don't care for a few of the songs. My favorite is "Days of Elijah" which was not clear enough to me. I'm not saying the album isn't good but I play and enjoy "Almighty Reigns" much more.

5 out of 5 stars TO GOD BE THE GLORY!!.......2006-05-14

I was reading Judy Jacob's book 'Take It By Force' and was being so blessed by it that I decided to buy this CD. Each and every song either had me dancing, praising or in spirit-filled worship to our Lord. What an anointed woman of God!! Everytime I hear 'Blessing and Honor' my knees get weak and tears start to flow, I've heard 'Days of Elijah' before, but never like this. I've had it for three days and it's been playing for the better part of each one of them. I'm reading about 'violent faith' and listening to awesome praise and worship music, I'm truly blessed and highly favored by the Lord!! I'm getting one for my 'Praise Partner'(s) so they can help me praise the Lord. Wow, I just can't stop raving about this experience!!

5 out of 5 stars Great CD.......2006-02-01

Judy Jacobs was been a true inspiration to me. I listen to this GOD bless CD every morning beofre I go to work. I feel refresh and ready to go to work and face the days work. Almost everyday I get emotionally and begin to cry and thank GOD. I realize that I have so much to be thankful. I feel strong and thankful throughout the whole day.

5 out of 5 stars Definitely worth it!.......2005-08-11

This CD as well as Judy's other CD's are great. She sings with great conviction because she knows who her God is. Don't hesitate to purchase this or Above and Beyond, or Statement of Faith.
Land of My Fathers: 100 Great Welsh Choir Favourites
Average customer rating: Not rated
    Land of My Fathers: 100 Great Welsh Choir Favourites

    Manufacturer: Castle Pulse
    ProductGroup: Music
    Binding: Audio CD

    All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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    Similar Items:
    1. Favourite Welsh Choirs
    2. Land of Song Welsh Choral Classics
    3. Welsh Choirs: Wonderful Welsh Choirs
    4. Bryn Terfel - We'll Keep a Welcome
    5. Traditional Songs of Wales

    ASIN: B0009SOFXG
    Release Date: 2005-08-01

    Tracks:

    1. Guide Me O Thou Great Redeemer (CWM Rhondda) - Caerphilly Make Voice Choir
    2. Land of My Fathers - Caerphilly Make Voice Choir
    3. Dies Irae
    4. Men of Harlech
    5. You'll Never Walk Alone
    6. Cadwyn O Emyn Donau Cymreig: Joanna (Trad./Elfion Wyn)/Crugybar (Trad.
    7. Old Folks at Home
    8. Il Liza Jane
    9. Faust/Soldier's Chorus - Caerphilly Make Voice Choir
    10. Vergine Degli Angeli
    11. Ballard of Rourke's Drift - Cwt-Y-Collen Choir
    12. My Hero
    13. God Bless the Prince of Wales - Caerphilly Make Voice Choir
    14. German Mass/Gloria
    15. German Mass/Sanctus
    16. Misbles/Master of the House/On My Own/Drink with Me/Empty Chairs at
    17. All Through the Night - Caerphilly Make Voice Choir
    18. Arwelfa
    19. Invictus
    20. Softly as I Leave You

    Tracks:

    1. Diolch l'R L
    2. Hine E Hine (Maori Lullaby)
    3. Pererin Wyf (Amazing Grace)
    4. Tribute to the USA: America the Beautiful (Ward/Bates)/God Bless ...
    5. Memories of Martha
    6. I Lombardi/The Crusaders' Chorus - Treorchy Male Choir
    7. Myfanwy - Treorchy Male Choir
    8. Tales of Hoffman/Barcarolle
    9. Creation's Hymn
    10. In the Spirit!
    11. Shall We Gather at the River
    12. Nos a Bore
    13. Very Best Time of Year
    14. Soon Ah Will Be Done
    15. Thanks Be to God
    16. Flower That Shattered the Stone
    17. Rhys - Treorchy Male Choir
    18. Where Shall I Be?
    19. Bywyd y Bugail
    20. Lord's Prayer

    Tracks:

    1. Ave Maria
    2. Pearl Fishers/Divine Brahma
    3. She Was Beautiful (Cavatina) - Treorchy Male Choir
    4. Cymru Fach
    5. Nidaros
    6. Jacob's Ladder - Treorchy Male Choir
    7. Watching the Wheat
    8. Pan Ddaw y Saint (When the Saints Go Marching In)
    9. Misbles/Stars
    10. Rachie
    11. Pirates of Penzance/With Cat-Like Tread - Treorchy Male Choir
    12. There Is a Balm in Gilead
    13. Rise Up Shepherd and Foller
    14. My Lord, What a Mornin'
    15. Bryn Myrddin
    16. Jesus Christ Superstar/Medley: Jesus Christ Superstar/Hosanna/The Last
    17. Finnish Forest (Suomen Salossa)
    18. Nabucco/The Glory of Israel
    19. Ride the Chariot
    20. Tydi a Roddaist - Treorchy Male Choir

    Tracks:

    1. Y Nefoedd
    2. Phantom of the Opera/Think of Me
    3. Morte Christe (When I Survey the Wondrous Cross)
    4. By Babylon's Wave
    5. I'm Gonna Sing
    6. Where Could I Go But to the Lord?
    7. Holy City - Treorchy Male Choir
    8. Mefistofele: Ave Signor, Degli Angeli
    9. Senzenina (Zulu Chant)
    10. That's All I Want from You
    11. Deep Harmony - Treorchy Male Choir
    12. Give Me Jesus
    13. Just a Closer Walk with Thee
    14. My Wish for You
    15. Jeptha/Waft Her Angels
    16. Mose in Egitto/Prayer
    17. Be Still My Soul (Finlandia Hymn)
    18. God's Choir in the Sky
    19. Floral Dance - Treorchy Male Choir
    20. Smilin' Through

    Tracks:

    1. Calon Lan
    2. True Love
    3. Mor Fawr Wyt Ti (How Great Thou Art)
    4. Aberystwyth
    5. Comrades in Arms
    6. Cats/Memory
    7. They Led My Lord Away
    8. State Fair/It's a Grand Night for Singing
    9. When I Fall in Love
    10. Let's Face the Music and Dance
    11. Windmills of Your Mind
    12. How Soon
    13. Non Nobis Domine
    14. Rhythm of Life
    15. Kalinka
    16. Sound an Alarm
    17. Neapolitan Trilogy: It's Now or Never (Di Capua/Schroeder/Gold)/Mo ...
    18. Turandot/Nessun Dorma
    19. Christus Redemptor
    20. Ann Evening's Pastorale

    Album Details

    Choirs Include the Morriston Orpheus Choir, the Pontadrddulais Male Voice Choir, the Caerphilly Male Voice Choir, the Cwrt-y-gollen Choir, the Treorchy Male Choir and the Lucknow Male Voice Choir.
    Early American Choral Music, Vol. 2
    Average customer rating: 4 out of 5 stars
    • The Better of the two
    • Not as good as version 1 in this series
    • Same as 'Goostly Psalmes: Anglo-American Psalmody 1550-1800'
    Early American Choral Music, Vol. 2

    Manufacturer: Hmf Classical Exp.
    ProductGroup: Music
    Binding: Audio CD

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    5. Lost Music of Early America: Music of the Moravians

    ASIN: B00005UVPB
    Release Date: 2002-04-09

    Customer Reviews:

    5 out of 5 stars The Better of the two.......2006-06-03

    I have both disc in the series. I liked the music on this disc much more than the first. The selections seem more focused and the sounds are much clearer. Also, the particular pieces fit better together. I love the sound of this group and hope they make more in the future.

    3 out of 5 stars Not as good as version 1 in this series.......2004-09-03

    This is by the same group who did the wonderful & engaging Early American Choral Music 1. Somehow this CD did not live up to its predecessor in some ways. The performance is still top notch, but somehow the CD as a whole isn't quite as engaging to listen to as the first. Perhaps version 2's strength is also its weakness. Its diversity of composers allows you to pear past the shadow of William Billings and sample other notable early American hymn writers. That exposure is valuable & appreciated. I just couldn't get into it as much.

    A final note: many of the texts are beautiful (and available from the publisher's web site). However, I would criticize "Who is this that cometh from Edom?" as dwelling just a bit too much on the Jews' rejection of Jesus. Among other reasons & issues, Christianity says that we are all sinners & there is no cause to single a particular group out negatively.

    4 out of 5 stars Same as 'Goostly Psalmes: Anglo-American Psalmody 1550-1800'.......2004-02-21

    Please note this CD is a duplicate of His Majestie's Clerkes's "Goostly Psalmes: Anglo-American Psalmody 1550-1800" -- identical contents but a different name and cover. I ordered both and was irritated to discover this. This CD is cheaper, so I recommend this one. It is a lovely choral work from a little-known period of sacred music.
    Face à face: Duos for Violin & Cello
    Average customer rating: 5 out of 5 stars
    • A smile in the mind...
    • Magnificent music making!
    Face à face: Duos for Violin & Cello

    Manufacturer: EMI Classics
    ProductGroup: Music
    Binding: Audio CD

    DuetsDuets | Chamber Music | Classical | Styles | Music
    GeneralGeneral | Chamber Music | Classical | Styles | Music
    All Works by HalvorsenAll Works by Halvorsen | Halvorsen, Johan | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
    GeneralGeneral | Kodály, Zoltán | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
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    ASIN: B00008ODZJ
    Release Date: 2003-07-08

    Tracks:

    1. Passacaille After Handel
    2. Duo Op. 7
    3. Duo Op. 7
    4. Duo Op. 7
    5. Sonate Pour Violon & Violoncelle
    6. Sonate Pour Violon & Violoncelle
    7. Sonate Pour Violon & Violoncelle
    8. Duo
    9. Duo
    10. Duo
    11. Duo
    12. God Save The King Op. 38

    Amazon.com

    This is a recording to induce smiles of incredulity, admiration, and delight. The Capuçon brothers are dazzling virtuosos who revel in their technical prowess with unabashed, sometimes mischievous relish; their tone is simply gorgeous: rich, vibrant, and intense, and they have the impetuosity, exuberance and abandon that befits their youth. (Renaud was born in 1976, Gautier in 1981, in Chambery, France.) The recording is designed to display every aspect of their matchless virtuosity, but equally astonishing are their uncanny rapport and unanimity and the homogeneity of their tone: they trade phrases and take over lines literally imperceptibly, and at times, especially when the cellist plays high up on the A and the violinist on the G-string, one cannot tell which instrument is playing what. The program includes a world premiere: Eric Tanguy's Sonata, written for the brothers and tailored to their strengths: two marathon run-around movements flanking a dark, passionate, slow one, all full of close interplay between the instruments. Kodály's familiar, very difficult Duo, played with great idiomatic empathy, unbridled temperament and mournful lamentation, exploits all the instruments' resources of colors and sound effects. The less familiar Duo by Erwin Schulhoff is equally difficult; with its wildly contrasting moods, abrupt changes of character and improvisatory freedom it has a powerful emotional impact. The program begins and ends with brilliant fireworks: Handel-Halvorsen's "Passacaglia," tossed off with playful nonchalance, and "Variations brillantes sur God Save the King," by two virtuosos: violinist Joseph Ghys and cellist Adrien Servais. (It is tempting to imagine that each wrote his own part.) Prefaced by a solemn, operatic Introduction, the five variations are the last word in acrobatics; the pyrotechnics are so incredible that the piece sounds like a parody of its own genre. Naturally, the playing is absolutely stunning. --Edith Eisler

    Customer Reviews:

    5 out of 5 stars A smile in the mind..........2003-09-12

    Refreshingly interesting programming combined with virtuosic music-making makes this one of the few "must-have" classical albums of the year (2003). No re-hashes here...it's all new to the ear (well, my ear). and the sense of ensemble between these two brothers is uncanny and breathtaking, underscored throughout by a sly sense of wit...merry, witty and just plain fun! BUY THIS CD...you'll love it and you'll be supporting some darned interesting upcoming new talent! P.S. The liner notes and photos are subtley hilarious...very well put-together package.

    5 out of 5 stars Magnificent music making!.......2003-07-18

    The playing and music making on this disc are magnificent. The Capuçon brothers are virtuosos of the first rank, but more importantly they are incapable of playing an unmusical or uninteresting note. They speak with one voice when called upon, but are perfectly willing to engage one another in heated musical dialogue in the Kodaly and Tanguy. The performance of the Kodaly is especially wonderful. Technical perfection, panache, an infinite pallete of colors and amazing musicianship: what more could you want in a cd? I urge you to buy this cd and all others by these remarkable young brothers, especially their Ravel disc.
    Treasures of English Church Music
    Average customer rating: 5 out of 5 stars
    • My favorite album. English church music at its finest.
    • The grand tradition of English music
    • music of great beauty
    • Excellent Selection, Excellent Performance
    • Best all-in-one English music CD ever
    Treasures of English Church Music

    Manufacturer: Collegium
    ProductGroup: Music
    Binding: Audio CD

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    5. The Psalms of David from Kings Choir of Kings College, Cambridge, Vol. 1

    ASIN: B0000031I6
    Release Date: 1995-12-12

    Tracks:

    1. Music Of The Latin Rite: Ave Maria
    2. Music Of The Latin Rite: Loquebantur variis linguis
    3. Music Of The Latin Rite: Miserere mei
    4. Haec dies
    5. Music Of The Latin Rite: Ave verum corpus
    6. Music Of The Reformation: If Ye Love Me
    7. Music Of The Reformation: Hide Not Thou Thy Face
    8. Music Of The Reformation: Lord, For Thy Tender Mercy's Sake
    9. Music Of The Reformation: O Clap Your Hands
    10. Music Of The Reformation: Bow Thine Ear
    11. Music Of The Reformation: Hosanna To The Son Of David
    12. Music Of The Restoration: Lord, How Long Wilt Thou Be Angry
    13. Music Of The Restoration: Thou Knowest, Lord
    14. Music Of The Restoration: Hear My Prayer, O Lord
    15. The Anglican Revival And The Twentieth Century: Beati quorum via
    16. The Anglican Revival And The Twentieth Century: This Joyful Eastertide
    17. The Anglican Revival And The Twentieth Century: Sing Lullaby
    18. The Anglican Revival And The Twentieth Century: A Spotless Rose
    19. The Anglican Revival And The Twentieth Century: What Cheer?
    20. The Anglican Revival And The Twentieth Century: O Taste And See
    21. The Anglican Revival And The Twentieth Century: A Hymn To The Virgin
    22. The Anglican Revival And The Twentieth Century: Jesus Christ The Apple Tree
    23. The Anglican Revival And The Twentieth Century: Faire Is The Heaven
    24. Anthems And Introits: Rejoice In The Lord
    25. Anthems And Introits: Remember Not, Lord, Our Offences
    26. Anthems And Introits: Come, Let's Rejoice
    27. Anthems And Introits: When David Heard
    28. Anthems And Introits: I Sat Down Under His Shadow
    29. Anthems And Introits: These Are They That Follow The Lamb
    30. Latin Motets: Christe Jesu, pastor bone
    31. Latin Motets: O beatum et sacrosanctum diem
    32. Latin Motets: Nunc dimittis
    33. Latin Motets: O vos omnes
    34. Latin Motets: Factum est silentium
    35. Latin Motets: Justorum animae
    36. Settings Of Hymns And Other Poetry: Hail, Gladdening Light
    37. Settings Of Hymns And Other Poetry: A Hymn To The Mother Of God
    38. Settings Of Hymns And Other Poetry: Hymn For The Dormition Of The Mother Of God
    39. Settings Of Hymns And Other Poetry: They Are At Rest
    40. Settings Of Hymns And Other Poetry: A Litany
    41. Settings Of Hymns And Other Poetry: Nolo mortem peccatoris
    42. Settings Of Hymns And Other Poetry: O nata lux
    43. Settings Of Hymns And Other Poetry: Loving Shepherd Of Thy Sheep
    44. Prayer Settings: The Lord's Prayer
    45. Prayer Settings: In manus tuas
    46. Prayer Settings: Bring Us, O Lord God

    Customer Reviews:

    5 out of 5 stars My favorite album. English church music at its finest........2005-10-06

    Whether you have a couple dozen albums of English choral music or whether you're looking for an introduction to English choral music, this two CD collection is a must. Here you will find a wide selection of sacred favorites, from Gregorian chant to Ralph Vaughan Williams. It's a misnomer to call it "Anglican," since this would exclude (in addition to, of course, the pre-Reformation Latin hymns) the likes of Thomas Tallis and William Byrd -- both Catholics that kept to the ancient faith despite Elizabeth's (albeit relatively mild) persecutions. Tallis and Byrd set the standard in the 16th century for the distinctive "Englishness" (as opposed to Continental European) style of English choral music, with its soaring majesty yet somehow coupled with a subtle and sustained beauty (as opposed to the Continental ups and downs and often tiresome exaggerations). For those of us in the English-speaking world, this is our heritage. Let's treasure it. As for the recording itself, the mixing is superb. While listening, it's quite easy to imagine yourself in the beautiful King's College Chapel or perhaps heaven itself.

    5 out of 5 stars The grand tradition of English music.......2005-09-23

    Recorded in the Lady Chapel of Ely Cathedral, the Cambridge Singers under the direction of John Rutter produced a duo of discs dedicated to Music of the English Church previously issued as two separate discs, 'Hail, Gladdening Light', and its companion piece, 'Faire is the Heaven'. The discs here are straight copies of those discs; hence, if you have those already, there is no need to purchase this - on the other hand, if you do not have the other discs, this is a bargain.

    --Music--
    This is all unaccompanied music, sung in a cathedral chapel acoustically suited for such music. The first disc has four primary sections: Music of the Latin Rite; Music of the Reformation; Music of the Restoration; and Anglican Revival and the twentieth century. The most famous composers in English music history -- Tallis, Byrd, Gibbons -- combine with later masters such as Purcell, Stanford, Howells, Walton, Britten and Vaughan Williams to form a truly masterful collection. These are anthems, hymns and other liturgical pieces that have remained important in Anglican worship, and can be often heard in situ on Sundays around the world. However, the Cambridge Singers bring their special music talent to the task, producing a good standard bearer for music of the English Church.

    On the second disc, there are six Latin motets, set by composers such as Taverner, Howells, Stanford, Vaughan Williams, Philips and Dering. Anthens and Introits include notables Tomkins and Purcell, and lesser-known composers such as Amner, Bairstow and Goss. Hymns span the range from old to modern, including a hymn by John Rutter himself. The disc ends with three prayer settings, including one by the underappreciated John Sheppard, and another from William Harris, whose hymn serves as the title to the companion disc. These anthems and hymns show a powerful range of music, yet show a consistent tone also that makes it rather distinctive of the music of the English church.

    The group's power and grace is second to none, particularly when singing this kind of music in a place such as Ely Cathedral, arguably the most natural of settings possible.

    --Liner Notes--
    The notes for this recording include the titles and words of each anthem or hymn. The notes for each piece also includes brief biographical information of the composer, and unique information about each work, when particular composers are represented more than once. One thing conspicuously missing is much biographical information about John Rutter, or any descriptive information about the Cambridge Singers apart from the most basic of information.

    --John Rutter--
    Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

    --The Cambridge Singers--
    The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.

    5 out of 5 stars music of great beauty.......2005-04-24

    Pop one of these CDs into your car stero, turn up the volume and feel yourself drift into a sublime peace. Can music manifest the existence of God?

    5 out of 5 stars Excellent Selection, Excellent Performance.......2004-07-28

    This two-CD compilation by the Cambridge Singers is truly very good. The repertoire is very diverse and only the best representations of composers and time periods are performed. ALthough most of the pieces were not written with a mixed choir in mind, the Cambridge Singers sing it so well you would not have had any idea. Their performances are careful and exquisite.

    5 out of 5 stars Best all-in-one English music CD ever.......2004-04-20

    This is a re-release, as one set, of two of my favorite CDs ever: "Faire is the Heaven" and "Hail Gladdening Light" by the Cambridge singers. This is a fabulous compilation of everyone's favorite works from the English Cathedral tradition, all the way from Taverner (16th century) to Tavener (21st century). The selection of works is great and touches all the most important genres. The performance is exquisite, elegant, faultless. The Cambridge Singers have a softer, less edgy sound than the Tallis Scholars, and are more expressive, which may make them easier for some people to listen to, especially for the more recent works. They are no less musical. The Parsons Ave Maria alone brings one to tears. If you want an introduction to English church music, this is the CD to start with. Also makes a great gift, if you already love this music and want to introduce someone else to it.
    The Hidden Face of God
    Average customer rating: Not rated
      The Hidden Face of God
      Michael Card
      Manufacturer: Discovery House Music
      ProductGroup: Music
      Binding: Audio CD

      Christian Contemporary MusicChristian Contemporary Music | Christian & Gospel | Styles | Music
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      5. The Shadow of Your Wings: Hymns and Sacred Songs

      ASIN: B000GS5DTY

      Product Description

      Song List: Come Lift Up Your Sorrows (sample devotional) ** Older Than the Rain (sample devotional) ** The Hidden Face of God ** The Silence of God ** Walk With Me, Lord /Wayfaring Stranger How Long? ** To a Broken God ** Tears of the World ** We Are Not Scattered Strangers ** O Sacred Head, Now Wounded ** I Will Not Walk Away
      Faire Is The Heaven
      Average customer rating: 5 out of 5 stars
      • A Rare Find
      • A Beautiful Collection of Mostly Anglican Hymns and Anthems
      Faire Is The Heaven

      Manufacturer: Naxos
      ProductGroup: Music
      Binding: Audio CD

      Howells, HerbertHowells, Herbert | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
      Monk, William HenryMonk, William Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
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      HymnsHymns | Vocal Non-Opera | Opera & Vocal | Styles | Music
      MassesMasses | Vocal Non-Opera | Opera & Vocal | Styles | Music
      MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
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      4. Abide with Me and other favourite hymns
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      ASIN: B00009P1MX
      Release Date: 2003-06-17

      Tracks:

      1. Jesu, The Very Thought Of Thee
      2. Gloria Deo Per Imensa Saecula
      3. Sing We Merrily Unto God Our Strength
      4. I Beheld Her
      5. Fair In Face
      6. Rise Up My Love
      7. Te Deum
      8. O Thou Who Camest From Above
      9. Ave Verum Corpus
      10. My Song Is Love Unknown
      11. Ave Verum Corpus
      12. Magnificat
      13. Abide With Me
      14. Verleigh Uns Frieden
      15. Faire Is The Heaven
      16. The Day Thou Gavest

      Customer Reviews:

      5 out of 5 stars A Rare Find.......2005-10-08

      This CD features not only the customary hymns and anthems for Anglo Catholics and other 'High Church' Anglicans but several motets by a Canadian composer named Healey Willan. This CD happily includes the lovely 'Marian' motets written by Willan. These are the high points of this set and, for those pieces, I highly recommend this album. Naxos is now a major label for classical recordings, especially for those on a budget or who want to listen to pieces that would not otherwise be recorded on a 'big' label such as EMI or DG. This is another fine example of Naxos' discography.

      5 out of 5 stars A Beautiful Collection of Mostly Anglican Hymns and Anthems.......2003-10-18

      Who would have thought that a choir based in the village of Elora, Ontario (just north of Kitchener and Guelph, and west of Toronto) would be the home base for the only professional church choir in Canada, and one of the best such choirs in North America? It is the handiwork of Noel Edison, its founder and director, who also directs the Toronto Mendelssohn Choir. Well, since picturesque Elora is home to the Elora Festival, an annual summer festival dedicated to vocal music, and Edison is its founder and director, too, I guess it should come as no surprise.

      This disc is a congeries of choral pieces whose primary connection with each other is that they mostly come out of the Anglican musical tradition. There are familiar hymns such as 'Abide with Me' (set to W. H. Monk's tune, 'Eventide') and high-art compositions like Healey Willan's three Marian motets, 'I Beheld Her,' 'Fair in Face,' and 'Rise Up My Love.' Some are Canadian and some are English in origin. The only ringers are Mozart's 'Ave Verum Corpus,' that well-loved staple of church choirs the world over, and the almost-English Mendelssohn's 'Verleih uns Frieden' ['Grant Us Peace']. All are sung gorgeously by the Choir of St. John's Church, Elora. Most are accompanied by the former organist of St. John the Divine in New York City, Paul Halley, who also contributes descants to a couple of the hymns and who arranged an effective anthem from Gordon Slater's simple hymn, 'Jesu, the Very Thought of Thee.'

      Among music written in the last 100 years is John Ireland's hymn 'My Song is Love Unknown,' surely one of the loveliest of his creations, which has here been enhanced by Halley's soaring descant. New to me is Latvian-born Canadian Imant Raminsh's 'Ave Verum Corpus,' a five minute anthem with hushed but piquant harmonies. Herbert Howells's 'Te Deum,' well-known in Canada and England, is rarely heard here and is, I know from experience, a powerful experience to sing; it is similarly moving to hear.

      An extraordinary find for me is Willan's 8-minute-long 'Gloria Dei Per Immensa Saecula,' a well-crafted motet written for five parts whose cumulative effect is persuasive. The sopranos sound a bit taxed by the piece's high-flying tessitura, the only evidence of any strain on the entire disc.

      Giving the CD its title is 'Faire is the Heaven,' a double-chorus anthem by Sir William Henry Harris (1883-1973) set to Spenser's well-known poem. The arch form is emotionally satisfying and the sudden key change at the climax is still startlingly effective.

      One last word: I have heard one previous recording of Willan's three motets also sung by a Canadian choir--that of Willan's old church, St. Mary Magdalene in Toronto--and the present recording is much more expressive.

      Recommended.

      TT=63:25

      Scott Morrison
      God Put a Smile Upon Your Face
      Average customer rating: 5 out of 5 stars
      • Probably the best compliation
      God Put a Smile Upon Your Face
      Coldplay
      Manufacturer: EMI Int'l
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Alternative Rock | Styles | Music
      BritpopBritpop | British Alternative | Alternative Rock | Styles | Music
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      ASIN: B0000AG8PY
      Release Date: 2007-05-28

      Tracks:

      1. God Put A Smile Upon Your Face
      2. Murder
      3. Politik (Live)
      4. Lips Like Sugar (Live)

      Album Description

      Full title - God Put A Smile Upon Your Face. Exclusive Australian single from their 2002 album, 'Rush of Blood to the Head', is b/w three exclusive non-LP tracks, 'Murder', 'Politik' (Live), & a cover of the Echo & the Bunnymen's 'Lips Like Sugar' (Live). Copy Controlled. Capitol. 2003.

      Customer Reviews:

      5 out of 5 stars Probably the best compliation.......2003-09-10

      Okay, I haven't really felt the need to review any of Coldplay's stuff, despite a certain affinity for the band. I had to remedy that for this single, as it quite literally brought a dream to life.

      But I'll get to that in a moment. "God Put a Smile Upon Your Face" isn't their best song. Of course, I can't think of a "bad" Coldplay song, you can really only compare their songs to one another. This song is very melancholy and wonderful, it's just no "Yellow" or "Green Eyes".

      "Murder" is a good song. I didn't really catch anything that stood out, but I'll definitely give it another listen. "Politik" live is lovely, with a minute and a half intro before they get to the infamous opening guitar.

      And the gem of the album, the final track. I saw the cover of the single and went "Hm, new import. Bonus." Then I saw the sticker claiming "Contains all new Live versions of "Politik" and "Lips Like Sugar". I dropped what I was holding, stunned.

      For those of you who don't know, "Lips Like Sugar" is a song by Echo and the Bunnymen, one of Chris's favorite bands. Before I'd heard of Coldplay, I was an Echo and the Bunnymen buff. "Lips Like Sugar", bar none, is my favorite song. And apparantly, Coldplay agrees, since Chris introduces it by saying, "Here we go, this is one of the greatest songs in the world." And he's quite correct. Chris does an excellent job covering the vocals, never trying to imitate Ian's work on the original. the rest of the band plays the song spectacularly, a slightly faster version that the Bunnymen themselves do live.

      As I stated previously, this was a dream come true. Ever since I heard "Parachutes", I knew Coldplay and the Bunnymen had to do an album together. And while this isn't quite the same, it's still wonderful to hear. And a note to Ian, Will, and the gang: I think hearing you guys cover "Spies" would be awesome.

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