On the Third Day

Editorial Reviews
Album Description
As befits a young country, Americans have traditionally been on the move - traveling to the frontier (and the future), to be sure, but also making occasional visits back to the places we came from. American composers share in such expeditions. David Ott and John Adams were born in the same year (1947), Ott in the midwest (Michigan), Adams in the east (Massachusetts). Both have enjoyed professional training at distinguished academic institutions and have reached their flourishing middle years with a substantial list of compositions to their credit. And both have found ways of 'traveling' that is reflected in the works contained in this recording. Some journeys are physical, others are spiritual or psychological or historical. Of the four works recorded here, John Adams's two arrangements for chamber orchestra (made for the St. Paul Chamber Orchestra, with which he was associated for a number of years) represent a kind of cultural time-travel, dipping back into history and into the tradition that has nourished European and American music in the form of two specific compositions by masters of a time gone by, in order to rethink them for a modern concert. David Ott's travels, on the other hand, are less literal in this instance; he has immersed himself in the broad traditions of the concerto and created new works that, in one case, evokes a misty, impressionistic, even quasi-Asian mood in music that is yet undeniabely American, while in the other he pays homage to the great virtuoso keyboard concertos of the Romantic era. Some of these journeys seek out the roots of modern music in daring inventions of the past, and sometimes they offer a whole world-view different from the one we know. And in the end - when the traveler returns home - they provide the spiritual and psychological wherewithal to enrich the new creative adventures on which the composer embarks.

- from the notes by Steven Ledbeteter

On the Third Day, Music, Jackson Southernaires, Black Gospel, Gospel, Pop, Traditional Gospel
On the Third Day
Average customer rating: 4 out of 5 stars
  • Remaster vs Original CD
  • A Complete Experience -- Fantastic Remastering
  • Creating The Sound They Are Known For
  • WORTH A LISTEN
  • on the third day
On the Third Day
Electric Light Orchestra
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Face the Music
  2. A New World Record
  3. ELO II
  4. No Answer
  5. Out of the Blue

ASIN: B000F8O4EA
Release Date: 2006-09-12

Tracks:

  1. Ocean Breakup/King Of The Universe
  2. Bluebird Is Dead
  3. Oh No Not Susan
  4. New World Rising/Ocean Breakup Reprise
  5. Showdown
  6. Daybreaker
  7. Ma-ma-ma Belle
  8. Dreaming Of 4000
  9. In The Hall Of The Mountain King
  10. Auntie (Ma-Ma-Ma Belle Take 1)
  11. Autin (Ma-Ma-Ma Belle Take 2)
  12. Mambo (Dreaming Of 4000 Alt. Mix)
  13. Everyone's Born To Die
  14. Interludes (Previously Unreleased)

Customer Reviews:

3 out of 5 stars Remaster vs Original CD.......2007-03-27

I've just bought four remastered ELOs, and already compared two of them, new Out Of The Blue was clearly worst in every aspect. This edition is almost identical to the original CD EXCEPT that it is COMPRESSED!!! WHY? Digital era made almost all producers wanting to sound louder, rock mixing doesn't have a standard loudness as movies. So each decade albums are more and more compressed and less and less musical. As an example, ending of first song (King...) has some pizzicato at peaking at -15db, new version is at -10db (5db louder), so dynamic range has been lost. All pianissimos are loud. Musicality has been lost because of this, I'm afraid all new remaster editions has been heavily compressed.
Original CDs editions have a very good sound quality, I would stick to those versions unless you want bonus tracks.
I give 2.5 stars, 4 because of the music and 1 for poor mastering.

5 out of 5 stars A Complete Experience -- Fantastic Remastering.......2007-03-24

You can hear Lynne's vision coming together on this album, as near a complete album experience as I've heard in a while. This record was meant to be listened to as "sides" (boy I'm really dating myself now) and each one is a truly complete listening experience. The combination of Beatles harmonies, sounds, and melodies, great rock guitar, grand orchestration, tight backbeats, and sci-fi and other esoteric themes, all come together in a very satisfying package.

Highlights for me include the incredible "Bluebird is Dead," with its smart "Tomorrow Never Knows" guitar loops (this song was recently covered by Todd Rundgren for a Jeff Lynne tribute album). followed by some of Jeff's best John Lennon-style singing on "Oh No Not Susan." The great "Showdown" has one of the tastiest guitar breaks on record, and side 2, while more instrumental and experimental, is equally as enjoyable.

The new remastering brings out the depth and dimensions in the music -- the buried sounds, the dense instrumentation, the really rock solid rhythm section -- it's all good, and it sounds great.

But I do have to comment on the bonus tracks. Not only are they not essential, in my view they mar the listening experience. Do we need two additional versions of "Ma-Ma-Ma Belle" after the gentle, prog-like release of the final album track, the instrumental reworking of "In the Hall of the Mountain King"? I say no thanks. I did enjoy the very Blonde-on-Blondish sounding bonus track "Everyone's Born to Die," I just think it should not have been tacked on to such a great, complete record. And the final noodling track adds absolutely nothing, in my opinion.

That shouldn't discourage anyone from picking this up, every serious music fan should own it.

5 out of 5 stars Creating The Sound They Are Known For.......2007-02-13

On this 3rd day of creation, their 3rd album, the fusion of Beatle era pop with strings Ala Magical Mystery Tour and the studio wizardry all comes into it's own as this distinctive important band put it together creating their trademark sound with their successful followups all unmistakable ELO.
A real sonic treat, not to be missed..from The pop of the classic Move, into the 1st ELO albums highbrow eccentric sound, into the longer pieced subdued ELO 2 (with the great rocker Roll Over Beethoven) came this benchmark followed by the lush majestic Eldorado and the followups.

2 out of 5 stars WORTH A LISTEN.......2007-01-27

I say worth a listen if you are a hardcore, buy everything ELO fan, but for beginners who are just starting to listen to ELO, this is an easy pass. Granted the re-mastering sound is great and there are parts of this album I do kind of enjoy, but I find most of it hard to ingest. I can't really seem to want to listen to the album as a whole, just parts of it. Giving it 2 stars may be a little harsh. It's not a bad album or horrible by any means. But it's just about average at best for me. I guess I just prefer that soon to come ELO sound after this. But it is worth a listen. Maybe give it try, you may like it better than I did.

5 out of 5 stars on the third day.......2007-01-16

elo is a very good band. im still looking forward to the next release of the last two albums.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • A musical treasure-box
  • a beautiful journey into melancholy
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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Similar Items:
  1. Dowland: Complete Lute Works, Vol.1-5
  2. William Byrd: Consort Songs
  3. Bach: The Landowska Recordings
  4. Britten Conducts Britten
  5. Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
An American in Paris (1951 Film Soundtrack)
Average customer rating: 5 out of 5 stars
  • Magic of love
  • Filled with musical gems
  • TOO LONG !!!!!!!!!!!
  • GERSHWIN'S TALENT
  • Ga Ga for Gershwin
An American in Paris (1951 Film Soundtrack)
George Gershwin , Gene Kelly , and Oscar Levant
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Singin' in the Rain (1952 Film Soundtrack) (Deluxe Edition)
  2. Singin' in the Rain (1952 Film Soundtrack)
  3. Gene Kelly At Metro-Goldwyn-Mayer: 'S Wonderful - Motion Picture Soundtrack Anthology
  4. Easter Parade: Original Motion Picture Soundtrack
  5. For Me And My Gal: Original Motion Picture Soundtrack

ASIN: B0000033JE
Release Date: 1996-07-16

Tracks:

  1. Main Title (An American In Paris/'S Wonderful/I Got Rhythm) - MGM Studio Orchestra
  2. Paris Narration/Left Bank (Themes From An American In Paris) - MGM Studio Orchestra
  3. Nice Work If You Can Get It (Outtake) - Georges Guetary
  4. Embraceable You - MGM Studio Orchestra
  5. By Strauss - Gene Kelly, Georges Guetary, Mac MacLain, Grace Stark, Pete Roberts
  6. Street Exhibit - MGM Studio Orchestra
  7. I Got Rhythm - Gene Kelly, MGM Children's Chorus
  8. But Not For Me - Benny Carter & His Orchestra
  9. Medley: Do, Do, Do/Bidiin' My Time/I've Got A Crush On You/Love Is Here To Stay - MGM Orchestra
  10. Someone To Watch Over Me - Benny Carter & His Orchestra
  11. Medley: My Cousin In Milwaukee/A Foggy Day/The Half-Of-It Dearie Blues/But Not For Me (Outtake) - Oscar Levant
  12. Tra-La-La - Gene Kelly, Oscar Levant
  13. I'm No Enemy (Love Is Here To Stay) (Outtake) - MGM Studio Orchestra
  14. Love Is Here To Stay - Gene Kelly
  15. Medley: What Time Is It?/Love Is Here To Stay (Reprise) - MGM Studio Orchestra, Gene Kelly
  16. (I'll Build A) Stairway To Paradise - Georges Guetary
  17. I've Got A Crush On You (Outtake) - Gene Kelly
  18. Love Walked In (Outtake) - Georges Guetary, Oscar Levant
  19. Medley: We Would Get Married (Love Walked In) (Outtake)/I Don't Think I'll Fall In Love Today... - Oscar Levant, MGM Studio Orchestra
  20. Concerto In F (3rd Movement) - Oscar Levant, MGM Studio Orchestra

Tracks:

  1. Painting Montage (Tra-La-La/Love Is Here To Stay) - MGM Studio Orchestra
  2. Kiss Me (Outtake) - MGM Studio Orchestra
  3. 'S Wonderful - Gene Kelly, Georges Guetary
  4. Lise, I Love You ('S Wonderful/Love Is Here To Stay) - MGM Studio Orchestra
  5. Strike Up The Band (Extended Version) - MGM Studio Orchestra
  6. Liza (Complete Version) - Oscar Levant
  7. Medley: Oh, Lady Be Good/'S Wonderful - MGM Studio Orchestra
  8. Medley: That Certain Feeling/Clap Yo' Hands - MGM Studio Orchestra
  9. I've Got A Crush On You (Outtake) - MGM Studio Orchestra
  10. I Got Rhythm (Extended Version) - MGM Studio Orchestra
  11. Tra-La-La (Outtake) - MGM Studio Orchestra
  12. But Not For Me - Georges Guetary
  13. Utrillo Did It (Love Is Here To Stay/An American In Paris/Nice Work If You Can Get It) - MGM Studio Orchestra
  14. An American In Paris Ballet (Extended Version) - MGM Studio Orchestra
  15. Finale (An American In Paris) - MGM Studio Orchestra
  16. Painting Montage (An American In Paris) (Deleted Version) - MGM Studio Orchestra
  17. Main Title: An American In Paris (Alternate Version - Outtake) - MGM Studio Orchestra
  18. Adam Cook Monologue (How Long Has This Been Going On?) (Extended Version) - Oscar Levant
  19. Nice Work If You Can Get It (Partial As Used In Film) - Georges Guetary, Oscar Levant
  20. Third Prelude (Outtake) - Oscar Levant
  21. My Cousin In Milwaukee (Outtake) - Oscar Levant
  22. A Foggy Day (Outtake) - Oscar Levant
  23. The Half-Of-It Dearie Blues (Outtake) - Oscar Levant
  24. But Not For Me - Oscar Levant
  25. Bidin' My Time (Outtake) - Oscar Levant, Saul Chaplin
  26. 'S Wonderful (Reprise) (Outtake) - Gene Kelly
  27. Finale (Alternate Version - Outtake) - MGM Studio Orchestra

Amazon.com essential recording

This is a considerably expanded version of the soundtrack album to Vincente Minnelli's Oscar-winning film. With two discs and 100 minutes of music (much of which is presented for the first time), these original session masters are highlighted by the MGM Studio Orchestra, Oscar Levant, Benny Carter, and Gene Kelly, all of whom perform such memorable Gershwin tunes as "Someone to Watch Over Me," "Love Is Here to Stay," and "S'Wonderful." Just about all of the material has a monotonously mono sound, but Levant's version of "Concerto in F" is included here for the first time in true stereo. Along with several Levant improvisational piano solos based on Gershwin's music, there are also some outtakes as well as extensive production and historical notes. --Joseph Lanza

Customer Reviews:

5 out of 5 stars Magic of love.......2007-03-10

Nothing but Gene and George: the hard work and the happiness in music, conducting by the magician Vince.
Noone is better, noone could do better.
American masterpiece with european feelings.

5 out of 5 stars Filled with musical gems.......2004-02-17

This comprehensive edition is a must have for fans of the movie and of the Gershwins. The outtakes, contrary to the first review above, are excellent. Gene Kelly offers a wonderful vocal of "I've Got a Crush on You" and his short riff on "'S Wonderful" is almost like an acoustic version, much different than the over-the-top duet in the movie. And the Oscar Levant piano pieces are as close to George sitting down at the keys as we're going to get.

4 out of 5 stars TOO LONG !!!!!!!!!!!.......2002-06-17

I would not suggest buying this version of this sondtrack!!! The underscores and the extra tracks that are not featured in the film are not neccesary. Rhino records puts the extras out to jack up the price of the CD (making one LP into 2 CDs).
I would buy the ORIGINAL CAST SOUNDTRACK released by MGM records. You will enjoy this version ever so much more without all the extras!!!

5 out of 5 stars GERSHWIN'S TALENT.......2001-08-12

Many agree that the talented George Gershwin is a fabulous pianist, and alongside Ira, he helped to create some of the most beloved music ever. After viewing the movie that was filled with song and dance, I was pleased to discover that the soundtrack was readily available. The plot of An American in Paris mainly focuses on the lives of three friends and their dreams in addition to the romance that they encounter in the most popular European city. Gene Kelley is a struggling artist who soon falls in love, and the many songs in this cd express his emotions. Who wouldn't want to dance to Gershwin's spectacular tunes such as "Embraceable You?" These original songs included in this two cd set are well worth the price. Furthermore, "I'll Build a Stairway to Paradise" is a true favorite with unique lyrics. Don't miss out on this must have cd collection.

5 out of 5 stars Ga Ga for Gershwin.......2000-12-13

Nearly every popular Gershwin tune is represented here, either as an instrumental, a vocal, or a production number. I am not a big fan of the film, but the soundtrack is fabulous. There are some stereo tracks here, too. Yet another triumph in the Turner/Rhino soundtrack collection of MGM films.As a sidenote I would like to thank Rhino for their extremely co-operative staff. When I bought this CD I opened up the very extensive booklet and was disappointed to find that due to an error on the assembly line I had received an insert that had some pages repeated and others deleted. I contacted Rhino and they sent me a new booklet which arrived within a week! That's what I call excellent customer service. The really neat thing is the fact that I have both booklets. The flubbed copy is sort of a collector's item to me.
Percy Grainger: The Complete Piano Music
Average customer rating: 5 out of 5 stars
  • Every last note...
Percy Grainger: The Complete Piano Music

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

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  1. Boccherini: Clavier Quintets (Complete)
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ASIN: B0000037AX
Release Date: 1997-11-18

Tracks:

  1. Handel In The Strand
  2. Bridal Lullaby
  3. English Waltz
  4. Mock Morris
  5. To A Nordic Princess
  6. In A Nutshell-Ste: I. Arrival Platform Humlet
  7. In A Nutshell-Ste: II. Gay But Wistful
  8. In A Nutshell-Ste: III. Pastoral
  9. In A Nutshell-Ste: IV. 'The Gum-Suckers' March
  10. Peace
  11. Saxon Twi-Play
  12. Andante Con Moto
  13. Children's March
  14. The Immovable Do
  15. Sailor's Song
  16. Colonial Song
  17. Walking Tune
  18. Harvest Hymn
  19. In Dahomey

Tracks:

  1. b flat Pno Con (Opening)
  2. Cradle-Song
  3. Love Walked In
  4. Second Pno Con (3rd Movt)
  5. Now, O Now, I Needs Must Part
  6. Nimrod
  7. Ramble On The Last Love-Duet
  8. Chinese Melody-Beautiful Fresh Flower
  9. Paraphrase On The Flower Waltz
  10. Lullaby From 'Tribute To Foster'
  11. American Song-The Rag-Time Girl
  12. 'Blithe Bells'
  13. Fugue In a
  14. The Man I Love

Tracks:

  1. Country Gardens
  2. The Merry King
  3. Molly On The Shore
  4. Irish Tune From County Derry
  5. Knight And Shepard's Daughter
  6. The Nightingale And The Two Sisters
  7. Jutish Medley
  8. Sussex Mummers' Christmas Carol
  9. The Rival Brothers
  10. Near Woodstock Town
  11. Will Ye Gang To The Hielands, Lizzie Lindsay
  12. The Brisk Young Sailor
  13. One More Day My John (Easy Version)
  14. Rimmer And Goldcastle
  15. Spoon River
  16. The Widow's Party
  17. The Hunter In His Career
  18. My Robin Is To The Greenwood Gone
  19. Died For Love
  20. Scotch Strathspey
  21. One More Day My John (Complex Version)
  22. Bristol Town
  23. Hard-Hearted Barb'ra Helen
  24. Mo Ninghean Dhu
  25. Lisbon (Dublin Bay)
  26. Stalt Vesselil
  27. O Gin I Were Where Gowrie Rins
  28. Shepard's Hey

Tracks:

  1. Four Irish Dances: I. A March-Jig
  2. Four Irish Dances: II. A Slow Dance
  3. Four Irish Dances: III. The Leprechaun's Dance
  4. Four Irish Dances: IV. A Reel
  5. Nell
  6. Apres Un Reve
  7. Pno Con, First Movt
  8. Tiger-Tiger
  9. Air And Dance
  10. Hornpipe
  11. Toccata And Fugue in d
  12. Lullaby From 'Tribute To Foster' (Easy Grainger)
  13. Angelus Ad Virginem
  14. Klavierstuck in E
  15. Eastern Intermezzo
  16. The Bigelow March
  17. Pno Con, First Movt
  18. At Twilight
  19. Klavierstuck in a
  20. Klavierstuck in B Flat
  21. Klavierstuck in D

Tracks:

  1. Children's March: 'Over The Hills And Far Away'
  2. Up-Country Song (Colonial Song)
  3. English Dance
  4. Ye Banks And Braes O' Bonnie Doon
  5. 'Spoon River'-American Folk Dance
  6. Train Music
  7. Zanzibar Boat-Song
  8. Paganini Varations, No.12
  9. Green Bushes-Passacaglia On An English Folksong
  10. William Byrd's Air And Variations For The Virginals 'The Carman's Whistle'
  11. 'A Dance Rhapsody'
  12. Girl Crazy: Embraceable You
  13. The Warriors-Music To An Imaginary Ballet

Customer Reviews:

5 out of 5 stars Every last note..........2006-06-14

A super budget 5 CD collection of all of Grainger's Piano music.
Every last note!
The shipping alone would be $17.00+ for the 5 individual Cds.
Englishman Martin Jones plays these as if he wrote them. He is thoroughly inside this music.
I think his best work to date.
He is joined on CD #5 by Richard Mcmahon and Phillip Martin. Where they rollick in various combos and trios on 1, 2 and 3 pianos. This is exhilerating. Especially on an truly uplifting version of Green Bushes.
The entire set is strongly idiomatic and given a clear, crisp, warm and spacious recording. FIRST CLASS sound.
There are too many highlights to single out, but the In A Nutshell Suite and Green Bushes are especially GOOD!
There is not a bad note or "vibe" on any of these CDs.
Highly recommended for Granger fans and fans of English Piano Music.
On the Third Day
Average customer rating: 4.5 out of 5 stars
  • The third try is a charm for E.L.O.
  • Orchestral grandeur, pure pop, and gritty rawk collide
  • Dressing Gowns And Scary Clowns...
  • On The Third Album
  • My Favourite from ELO
On the Third Day
Electric Light Orchestra
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. Face the Music
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  3. Out of the Blue
  4. No Answer
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ASIN: B0000025DO
Release Date: 1990-10-25

Tracks:

  1. Ocean Breakup/King Of The Universe
  2. Bluebird Is Not Dead
  3. Oh No Not Susan
  4. New World Rising/Ocean Breakup Reprise
  5. Showdown
  6. Daybreaker
  7. Ma-Ma-Ma Belle
  8. Dreaming Of 4000
  9. In The Hall Of The Mountain King

Customer Reviews:

5 out of 5 stars The third try is a charm for E.L.O........2005-09-30

On The Third Day (1973.) Electric Light Orchestra's third album.

INTRODUCTION:
The Electric Light Orchestra was one of the finest classic rock bands in all the land. Jeff Lynne's ability to combine pop rock and classical music stylings were nothing short of excellent, as his band demonstrated many a time. However, the beginning of the career for Lynne's band was a bit turbulent. Following the departure of co-frontman Roy Wood, Lynne was left on his own as the only frontman. He now had to find his own musical voice. His first album without Wood, while an excellent album, showed that Lynne still had a ways to go before finding a sound all his own. In 1973, E.L.O. released their third album, the appropriately-titled On The Third Day. Does Lynne find the group's voice here, or does the identity crisis continue? Keep reading, and find out!

OVERVIEW:
Electric Light Orchestra released On The Third Day in 1973. The album was produced by Jeff Lynne, and features the tracks Ocean Breakup, King Of The Universe, Bluebird Is Dead, Oh No Not Susan, New World Rising, Ocean Breakup Reprise, Showdown, Daybreaker, Ma-Ma-Ma Belle, Dreaming Of Four Thousand, and In The Hall Of The Mountain King.

REVIEW:
They say the third time around is the charm. For Jeff Lynne's Electric Light Orchestra, that age-old saying is certainly true. It's on this album that Jeff Lynne really began to create a musical sound all his own for E.L.O. Similar to the Lynne/Wood sound of the old days, but at the same time totally and uniquely Lynne. Nine tracks grace the group's third effort, and not surprisingly, they are all excellent. Let's take a look at each of them.

-SIDE A-

-Ocean Breakup/King Of The Universe: This two-piece medley starts off the album, and rather excellently as usual. The Ocean Breakup piece which starts the album as a whole has that Baroque-flavored sound the Roy Wood incarnation of E.L.O. was known for. It does a great job getting things started. The latter of the two pieces in this medley, King Of The Universe, is a melodic pop tune featuring orchestral arrangements and the occasional electronic sound. It is very similar to 10358 Overture, the song that kicked off the band's debut, and that's a GOOD thing.

-Bluebird Is Dead: This tune is melodic, Beatles-esque pop, but with the electronic touches thanks to keyboards and synthesizers, it's uniquely E.L.O. An entertaining number from start to finish.

-Oh No Not Susan - Here we have a slow and melodic ballad of sorts. Well, as close as E.L.O. gets to doing what could be considered a ballad. Not surprisingly, the song flat out rocks. Jeff Lynne's voice is very well catered to slower, softer songs, and it shows here. An excellent tune that shows off the band's widely diverse side.

-New World Rising/Ocean Breakup: As the title of the latter piece may have implied, this seems like a retread of the album's opening piece, but at the same time, it does manage to remain fresh all the way through. With new elements as well as all the best from the piece being "reprised", this is another solid tune.

-Showdown: This is one of the two big hits the album spawned. With some of the finest violin and bass the band ever used, this song takes on a soul-influenced sound, which is very distinctly seventies. You've gotta love E.L.O. for all their little experiments, of which this is no exception.

-SIDE B-

-Daybreaker: This tune is an instrumental, and what an instrumental it is! The first twenty-five seconds make for a nice intro, and then the tune combines classic E.L.O. orchestration with what might be the best electronic-style sound arrangement they ever did. You've gotta hear this gem to appreciate it. Too bad it's so underrated.

-Ma-Ma-Ma Belle: This is straight-up classic-style rock. Marc Bolan of T. Rex played guitar on this song (although he is uncredited in the album's liner notes.) The song became one of the band's most popular, and it's not hard to see why.

-Dreaming Of Four Thousand: Essentially, this song brings together everything else the album does well - and brings it together in the finest ways imaginable. Straight-up rock, orchestral arrangement, electronic sounds from keyboards and synthesizers - this song has it all, and tons of musical diversity, as well. Everything you could ever want from E.L.O., this song has it.

-In The Hall Of The Mountain King: Just when you thought E.L.O. couldn't do anything else on this album, what do they do? They serve up the DEFINITIVE version of this classical Edward Grieg piece. Words can't do this one justice. A better version of this tune never existed before this, hasn't existed since, and never will exist. The band did such a good job on this piece, it's a shame they didn't cover more classical music standards and work their magic on them. Oh, well.

OVERALL:
This album RULES. Jeff Lynne is a musical mastermind, and if you need solid proof of that claim, look no further than this album. Though probably not the best place for newbies to the group, tried and true fans WILL NOT be disappointed with this album. Final verdict? If you're at all a fan of the group, this one is HIGHLY RECOMMENDED!

EDITION NOTES:
This album was only released on CD once in America. And personally, I think the album could benefit from remastering and reissuing. The sound quality isn't terrible, but it could use some boosting. Likewise, it seems to be fading off store shelves, so reissuing treatment is really needed. Too bad it isn't likely to happen soon...

4 out of 5 stars Orchestral grandeur, pure pop, and gritty rawk collide.......2004-11-20

ON THE THIRD DAY is a thrill ride, a gutsy swing for the fences that connects on many levels. On this, ELO's third album, the vision that Roy Wood and Jeff Lynne originally had for the fusion of classical strings/arrangements with rock and roll begans to really take shape. The groundwork for the band's masterpiece follow-up album, ELDORADO, is well-laid here, as strings and electronics blend smoothly, rather than being in conflict. Richard Tandy, the band's outstanding keyboardist, really comes into his own here. Mik Kaminski's violin work is also stellar. Jeff Lynne's vocals are in fine form, particularly on the Marvin Gaye-influenced hit song, "Showdown." And how about the incredible guitar solo Jeff plays on that cut! Spiritual themes crop up throughout the album, particularly on "King of the Universe," "New World Rising" (a forerunner of "Mr. Blue Sky"), and the intense and visionary "Dreaming of 4000." A jaw-rattling rocker, "Ma-Ma-Ma Belle," has become an all-time ELO concert favorite. If you ever wondered if strings could rock, check this one out. (Marc Bolan of T.Rex plays uncredited guitar here alongside of his buddy Jeff Lynne.) And, two of ELO's best instrumentals are also here: "Daybreaker," a lively, superb synth-rock hit (#87 in BILLBOARD), and the epic "In the Hall of the Mountain King." The first time I heard "In the Hall of the Mountain King," I flipped. I had never heard anything like it before...I don't know that I've ever heard anything like it since. For sheer drama, ON THE THIRD DAY ranks up there with anything ELO has ever produced. It's still a little uneven compared with some of their later work, but ELO was never more spirited than ON THE THIRD DAY. This CD holds up extremely well today, more than 30 years later.

5 out of 5 stars Dressing Gowns And Scary Clowns..........2004-08-02

...Have absolutely nothing to do with this album.
I'll let you guess from the title what number album this is (and from the review below mine). This would be a jump ahead for the ELO as they adopt the pop sound here, but then drop it for their next album, Eldorado before picking it up again (metaphorically- probably spelt wrong) for Face The Music.
This does not men I don't like this album, in fact by rating suggests the oposite, as it is a a very good effort. Some call this a forgotten masterpiece, and that is half right, it is generally forgotten, but not a masterpiece. A masterpiece I can happily sit through all the way over and over, and all though I could with some tracks, others I fear I would end up becoming very irratated with.
All the same, for you the buyer, if you're an ELO fan and are curious as to what this ones like, should not be dissapointed if you're into either early or latter ELO. If you want to try ELO this a fairly good example of what they are. Either way it's worth the asking price.
I hope I've been of service... Toodle Pipskie (Is that how you spell it?)

4 out of 5 stars On The Third Album.......2004-05-22

I would have to aggree with the other reviewers who say that Lynne's vision of what the group would eventually become starts to peak through the cracks here with this album. I really do love the first 2 E.L.O. albums for different reasons but this album shows the most development of the first 3. You're absolutely deaf if you can't here the influence of the latter period Beatles here. I'm a sucker for those slow 4/4's with ascending melodies - LOL. The arrangements are dipped in equal parts Sgt. Pepper, White Album with a heaping helping of Abbey Road to much success. I love the way a lot of the tracks are segued together like a suite (ala the second side/half of Abbey Road). Also, this sounds best when listend to in its entireity as a complete work. Give it a try!

5 out of 5 stars My Favourite from ELO.......2004-05-04

Just a great album... more raw than the following albums, all of which are also great... but this just has an energy and quirkiness that lends itself to me very well. Very Beatlesesque in parts, it was no wonder that John Lennon during this era (concerning the song Showdown specifically) called ELO "Son of Beatles" or something like that... not sure if that quite applies to their later albums as much (lets not forget that they are great, but ELO had definitely developed its own unique flavour by then, comparisons to the Beatles are strained at best). As is said in the title, my favourite ELO album... for now anyways!
On the Third Day
Average customer rating: Not rated
    On the Third Day
    Electric Light Orchestra
    Manufacturer: Sony Japan
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Alternative Rock | Styles | Music
    BritainBritain | British Isles | Europe | International | Styles | Music
    GeneralGeneral | Pop | Styles | Music
    Pop RockPop Rock | Pop | Styles | Music
    GeneralGeneral | Rock | Styles | Music
    Progressive RockProgressive Rock | Progressive | Rock | Styles | Music
    Album-Oriented Rock (AOR)Album-Oriented Rock (AOR) | Classic Rock | Styles | Music
    Similar Items:
    1. Face the Music
    2. Eldorado
    3. A New World Record
    4. Electric Light Orchestra
    5. Discovery

    ASIN: B000GLKN50
    Release Date: 2006-10-02

    Tracks:

    1. Ocean Breakup/King of the Universe
    2. Bluebird Is Dead
    3. Oh No Not Susan
    4. New World Rising/Ocean Breakup (Reprise)
    5. Showdown
    6. Daybreaker
    7. Ma-Ma-Ma Belle
    8. Dreaming of 4000
    9. In the Hall of the Mountain King
    10. Auntie (Ma-Ma-Ma Belle) [Take 1][*]
    11. Auntie (Ma-Ma-Ma Belle) [Take 2][*]
    12. Mambo (Dreaming of 4000) [Alternate Mix][*]
    13. Everyone's Born to Die [*]
    14. Interludes [#][*] - Electric Light Orchestra,

    Album Description

    Limited Edition digitally remastered Japanese pressing of this 1973 album packaged in a miniature LP sleeve featuring five bonus tracks: 'Auntie (Ma-Ma-Ma Belle)' (Take One and Take Two), 'Mambo (Dreaming Of 4000)' (Alternate Mix), 'Everyone's Born To Die' and 'Interludes'.. 14 tracks total including 'Showdown' and 'Daybreaker'. Sony. 2006.

    Album Details

    Japanese Limited Edition Issue of the Album Classic in a Deluxe, Miniaturized LP Sleeve Replica of the Original Vinyl Album Artwork.
    Fi-Yer!: A Century of African American Song
    Average customer rating: Not rated
      Fi-Yer!: A Century of African American Song

      Manufacturer: Albany Records
      ProductGroup: Music
      Binding: Audio CD

      All Works by StillAll Works by Still | Still, William Grant | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
      Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Classical | Styles | Music
      CompilationsCompilations | Classical | Styles | Music
      GeneralGeneral | Opera & Vocal | Styles | Music
      Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
      GeneralGeneral | Vocal Pop | Pop | Styles | Music
      ASIN: B00000IAHY
      Release Date: 1999-03-23

      Tracks:

      1. Ezekiel Saw de Wheel - Lawrence Brown, , Ann Sears
      2. That Welcome Day - Lawrence Brown, Ann Sears
      3. Night - Greg Brown, , Ann Sears
      4. Sleep, Li'l Chile, Go Sleep! - Lawrence Brown, , Ann Sears
      5. I'm A-Trav'ling to the Grave - Lawrence Brown, , Ann Sears
      6. Sister Mary Had-A But One Child - Lawrence Brown, , Ann Sears
      7. Po' Mo'ner Got a Home at Las' - Lawrence Brown, Hall Johnson, Ann Sears
      8. Ride on, King Jesus - Lawrence Brown, , Ann Sears
      9. Explanation - Lawrence Brown, Will Marion Cook, Ann Sears
      10. Wid de Moon, Moon, Moon - Lawrence Brown, Will Marion Cook, Ann Sears
      11. Whar Shill We Go When de Great Day Comes? - John Willie Boone, Lawrence Brown, Ann Sears
      12. By the Pool of the Third Rosses - Lawrence Brown, , Ann Sears
      13. Soliloquy - Lawrence Brown, Ann Sears, John Work,
      14. Breath of a Rose - Lawrence Brown, Ann Sears, William Grant Still
      15. Three Dream Portraits: Minstrel Man - Lawrence Brown, Ann Sears
      16. Three Dream Portraits: Dream Variation - Lawrence Brown, Ann Sears
      17. Three Dream Portraits: I, Too - Lawrence Brown, Ann Sears
      18. Fi-Yer! (Fire!) - Lawrence Brown, Hall Johnson, Ann Sears
      A Festival of Nine Lessons and Carols
      Average customer rating: Not rated
        A Festival of Nine Lessons and Carols
        Choir of St. John's Cathedral - Denver Colorado , and Donald Pearson
        Manufacturer: Gothic Records
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Keyboard | Instruments | Classical | Styles | Music
        GeneralGeneral | Classical | Styles | Music
        GeneralGeneral | Opera & Vocal | Styles | Music
        NoelsNoels | Vocal Non-Opera | Opera & Vocal | Styles | Music
        General ChristmasGeneral Christmas | Holiday | Miscellaneous | Styles | Music
        General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
        Similar Items:
        1. A Festival of Nine Lessons and Carols

        ASIN: B00000AFUH
        Release Date: 1998-09-15

        Tracks:

        1. Bring A Torch, Jeanette Isabella - KEITH CHAPMAN
        2. Once In Royal David's City
        3. The Bidding Prayer
        4. Ding Dong! Merrily On High
        5. Genesis: First Lesson - Genesis 3:8-15
        6. Adam Lay Ybounden
        7. Genesis: Second Lesson - Genesis 22:15-18
        8. My Dancing Day
        9. Of The Father's Heart Begotten
        10. Isaiah: Third Lesson - Isaiah 9:2-7
        11. Alleluia: A New Work Is Come On Hand
        12. Isaiah: Fourth Lesson - Isaiah 11:1-9
        13. Mid-winter
        14. I Saw Three Ships
        15. St. Luke: Fifth Lesson - St. Luke 1:26-38
        16. Betelehemu
        17. St. Luke: Sixth Lesson - St. Luke 2:1-7
        18. He Is Born The Divne Child
        19. St. Luke: Seventh Lesson - St. Luke 2:8-16
        20. Christmas Lullaby
        21. Do You Hear What I Hear?
        22. St. Matthew: Eighth Lesson - St. Matthew 2:1-11
        23. What Child Is This?
        24. St. John: Ninth Lesson - St. John 1:1-14
        25. Falan-Tidings
        26. Hodie Christus Natus Est
        27. The Collect And Blessing: The Collect & Blessing
        28. O Come, All Ye Faithful
        29. Joy To The World: Organ Flourish On 'Joy To The World' - Michael Dell
        On the Third Day (1973) / Discovery (1979)
        Average customer rating: Not rated
          On the Third Day (1973) / Discovery (1979)

          Manufacturer: CD Maximum
          ProductGroup: Music
          Binding: Audio CD

          GeneralGeneral | Pop | Styles | Music
          GeneralGeneral | Rock | Styles | Music
          GeneralGeneral | Soundtracks | Styles | Music
          GeneralGeneral | Classic Rock | Styles | Music
          GeneralGeneral | Broadway & Vocalists | Styles | Music
          ASIN: B000GX8670

          Product Description

          2 complete albums on 1CD-18trx total-ON THE THRIRD DAY-9trx & DISCOVERY-9trx.Rare official release made exclusively for Russia,in English. "ON THE THRIRD DAY": 1. Ocean Breakup/King of the Universe. 2. Bluebird Is Dead. 3. Oh No Not Susan. 4. New World Rising/Ocean Breakup (Reprise). 5. Showdown. 6. Daybreaker. 7. Ma-Ma-Ma-Belle. 8. Dreaming of 4000. 9. In the Hall of the Mountain King. "DISCOVERY": 1. Shine a Little Love. 2. Confusion. 3. Need Her Love. 4. Diary of Horace Wimp. 5. Last Train to London. 6. Midnight Blue. 7. On the Run. 8. Wishing. 9. Don't Bring Me Down.

          Music:

          1. Only for the Lonely
          2. Peace Be Still [Live]
          3. Perennial: Songs for the Seasons of Life
          4. Proclaim His Power
          5. R.I.O.T. (Righteous Invasion of Truth)
          6. Real Love
          7. Rising Son
          8. Road Home
          9. Shout! Hymns
          10. Signature Songs

          Music

          Music