Use Me

Editorial Reviews
police officer- out of GA
I've listened to the album several times and found it to be very uplifting and edifying.

blessed! out of GA
Such a blessing and encouraging, not to mention anointed.

Album Description
This Album/CD is very anointed and relaxing. An album that just ushers you into the presence of the LORD.

Use Me

Use Me, Music, Janell Thomas, Christian, Contemporary Christian Music, Pop, Religious / Contemp. Christian
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)
Average customer rating: 5 out of 5 stars
  • Irresistible
  • "Some Enchanted Evening" with Kunzel and the Cincinnati Pops
  • Excellent!
  • Great Arrangments
Rodgers & Hammerstein: Songbook for Orchestra (Orchestral Suites)

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
Rodgers, RichardRodgers, Richard | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
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Similar Items:
  1. Lerner & Loewe Songbook for Orchestra
  2. Rodgers & Hammerstein - The Complete Overtures ~ Opening Night / Hollywood Bowl Orchestra · Mauceri
  3. Puttin' on the Ritz: The Great Hollywood Musicals
  4. The Sound Of Music (1987 Studio Cast)
  5. Classics of the Silver Screen

ASIN: B000003CXQ
Release Date: 1992-01-28

Tracks:

  1. Oklahoma!
  2. Carousel
  3. State Fair
  4. South Pacific
  5. The King And I
  6. Cinderella Waltz
  7. Flower Drum Song
  8. The Sound Of Music

Customer Reviews:

5 out of 5 stars Irresistible.......2005-07-29

From beginning to end this CD is pure delight. A great recording has great music, a great performance, and great sound; this one scores on all three counts.

Rodgers and Hammerstein's musicals dominated Broadway in the 1940s and 1950s, and American musical theater has produced no more consistently eloquent and durable voice than Richard Rodgers. From his fertile genius flowed a surprising number of memorable songs, many of which have passed into and become an accepted and beloved part of modern American culture.

This well-filled CD (77:36) features symphonic arrangements (all but two by Robert Russell Bennett) of the music from Oklahoma (1943), Carousel (1945), State Fair (1945), South Pacific (1949), The King and I (1951), Flower Drum Song (1958), and The Sound of Music (1959). All the great tunes are here in suites from each musical that average 10-12 minutes in length. The arrangements are expert: rich, varied, and colorful. The performances are polished, idiomatic, and irresistible; Kunzel and this orchestra are thorough masters of this kind of material. And Telarc's sound (recorded 1991) is state-of-the-art (engineer Michael Bishop deserves to take a bow).

In short, there's nothing here to cloud your listening pleasure (the only quibble I can imagine is that some of your favorites may not last long enough), so it's hard for me to envision anyone with ears and a taste for music who wouldn't enjoy this CD. Warmly recommended. Finally, if you like this one as much as I do, you might want to know that the same team has produced a companion volume, the Lerner & Lowe Songbook for Orchestra.

5 out of 5 stars "Some Enchanted Evening" with Kunzel and the Cincinnati Pops.......2003-12-26

Erich Kunzel's Rodgers and Hammerstein anthology with the Cincinatti Pops Orchestra is one of the best and most ravishing instrumental Rodgers and Hammerstein albums of all time. With sumptuous arrangements and warm, natural Telarc recording, this glorious 77-minute CD presents sweeping, melodic arrangements of over 60 Rodgers and Hammerstein selections, spanning eight scores, and Kunzel allows the Pops to play with a characterful and polished understanding of the Rodgers and Hammerstein idiom. The disc is enough to cheer you up on a dull day and make you smile, and it might even want to make you feel like a convert to Rodgers and Hammerstein musicals.

This CD has all the scores arranged chronologically. The OKLAHOMA! suite that opens this disc promises a feast for the senses, Kunzel ably evokes the territory's "bright, golden haze" in the way he conducts the various excerpts, until you feel the atmosphere of the country charm of the show, and the love-affair between Curly and Laurey. Then, in CAROUSEL, he ably evokes the pathos of this tragic R&H masterwork, especially in the truncated Waltz, but he leads a wonderfully melodic "June is Bustin' Out All Over" and a devotional "You'll Never Walk Alone." Although this suite does not include Billy's pivotal Soliloquy, it includes "If I Loved You" as an expression of his love for Julie, and within minutes you could be soaked in the ups and downs of the show's mood.

After a brief STATE FAIR suite, with sweeping renditions of "It Might As Well Be Spring" and "It's a Grand Night for Singing", we are brought into the disc's showstopping highlights. These highlights are the excerpts from SOUTH PACIFIC, THE KING AND I, and THE SOUND OF MUSIC. But yet Kunzel conducts the rest of the disc until the various suites amount to a series of showstoppers. These three suites present wonderfully-arranged versions of their many familiar classic songs, with well-played solos. The SOUTH PACIFIC suite presents the songs in chronological order, yet preserves the atmosphere of the show at the same time. Kunzel ably brings out the romance in "Some Enchanted Evening" and "Younger than Springtime," and contrasts it with the exotic and dreamlike "Bali Hai'i" and the comic "There is Nothing like a Dame" and "I'm Gonna Wash That Man Right Outa My Hair". Although the suite ends quietly with a reprise of "Dites-Moi" rather than the reprise of "Some Enchanted Evening," within minutes we are swept into the KING AND I suite. Kunzel ably brings out the Oriental pathos in this score, and he captures the warmth of Anna's rapport with the King's Siamese children in "Getting to Know You", and with the King himself in "Shall We Dance." There is also romance in the love ballads "I Have Dreamed" and "We Kiss in a Shadow." Similarly, in the selection from THE SOUND OF MUSIC, Kunzel conducts this until the orchestra soaks itself in the atmosphere of this Austrian R&H score. This SOUND OF MUSIC suite has more of a feel of the score compared to the bonus track on Sony's reissued version of the Broadway recording. You can almost feel as if you are following the progress of the Trapp family and how it lifts its spirits with the joy of music. Kunzel gives us a soaring version of the title song, and spirited versions of "Do-Re-Mi" and "My Favourite Things." He balances it with the open-air quality of "Edelweiss" and "The Lonely Goatherd." Although this suite could have included "Something Good," the love ballad written for the film, the three recollections of the songs that were cut from the movie only last for a while. And, the towering version of "Climb Every Mountain" crowns this portion of the disc, and this sumptuously-produced recording. But, I should also mention the infectuous FLOWER DRUM SONG medley, where Kunzel turns this underrated score into a work of art, until it convinces you to buy the cast recording. And, don't forget about the brief CINDERELLA WALTZ, too, when Kunzel conducts it magically, until you feel like you are in the company of Cinderella and the Prince. He is able to show how this R&H score marked a comeback for R&H after the failiures of Me and Juliet, and Pipe Dream.

Overall, this glorious Rodgers and Hammerstein recording is guarunteed to make you want to pucker your lips out for a whistle or sing along (to paraphrase another revew for Kunzel's Disney Spectacular disc) - even if this recording is music only, and as long as you know the words to the songs (and you might know a large handful of them already.) There is always a certain magic in this fine CD that makes you feel like you're sitting in the theatre watching these musicals, until it makes you feel like it is truly, to borrow two R&H song titles, "Some Enchanted Evening" and "Something Wonderful" to be in Kunzel's company for this R&H offering. It would certainly be one recording that could make you feel willing to buy the complete cast recordings of the shows. And I guaruntee that it will make you feel willing to pull out your existing copies of the cast recordings to listen to them again. I also guaruntee that it will be a cornerstone in any Rodgers and Hammerstein collection, just as it is in mine. Recommended heartily to any Rodgers and Hammerstein enthusiast and to fans of Erich Kunzel's work. And, you can play it while reading the Richard Rodgers biography, Musical Stages, until Rodgers himself would count this as his favourite disc in the afterlife.

By the way, most of the arrangements for the suites on this CD were done by the veteran R&H orchestrator Robert Russell Bennett, and it surely adds to the appeal of this recording. This itself is enough to amount to the icing on the cake, since Kunzel conducts them well on here, and since this recording still allows the suites to have the original theatrical atmosphere. And, although this recording is like the Mauceri collection of the Rodgers & Hammerstein overtures in compiling orchestral suites of Rodgers & Hammerstein, I think that I like the Kunzel recording even more because Kunzel has more magic in his conducting of these suites.

5 out of 5 stars Excellent!.......2003-04-08

This is one of the best Erich Kunzel/Cincinnati Pops collections we own! A must for Rodgers and Hammerstein fans, too.

5 out of 5 stars Great Arrangments.......2001-09-02

This is a first rate album with great arrangments and orchestrations. If you're a Rodgers and Hammerstein fan, you can't afford to miss this specatacular album
Use Me
Average customer rating: 4 out of 5 stars
  • thank you Amy Lee fans!! Amazon needs to know!!
  • Once Again, Not Amy Lee From Evanescence
  • Not Evanescence but Still good!
  • WHAT A RIP OFF
  • Amy Lee does it again!
Use Me
Amy Lee
Manufacturer: Publick Ptomaine Music
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
Smooth JazzSmooth Jazz | Jazz | Styles | Music
GeneralGeneral | Pop | Styles | Music
GeneralGeneral | Jazz | Indie Music | Stores | Music
GeneralGeneral | Pop | Indie Music | Stores | Music
Similar Items:
  1. Inside The Outside
  2. The Open Door
  3. Anywhere But Home (w/ bonus DVD)
  4. Maximum Evanescence
  5. Fallen

ASIN: B0002R254K
Release Date: 2004-07-01

Tracks:

  1. Use Me
  2. Across the Water
  3. Coming Home
  4. In the Sun
  5. Traz da Lua
  6. Why You Wanna
  7. More To Love
  8. One And One Makes Three
  9. Brite Eyes
  10. Too Shy To Say

Album Description

Jazz saxophonist, composer and arranger Amy Lee has been on the national/international music scene since 1990. Her newly released solo CD titled USE ME (PPM 2004) marks her 2nd solo album and contains 7 original compositions and 3 covers including Bill Withers' "Use Me" as well as Stevie Wonder's "Too Shy To Say". USE ME is filled with feel-good songs and soulful soloing that is unique to today's "Smooth Jazz" monotony. That's because Amy's years playing with Charles Neville of the Neville Brothers and Jimmy Buffett have brought to her palette a distinctive blend of jazz, funk and storytelling which is undeniably weaved into her music and playing. Producer/engineer Steve Schwartzberg also brings his pop/R&B skills to the project having worked with such artists as Toni Braxton, TLC, and Boyz II Men. The accomplished musicians backing Amy on USE ME have recorded with hundreds of artists including Earth, Wind & Fire, Steely Dan, Marvin Gaye, Luther Vandross, David ! Sanborn, Kenny G, the Temptations, Quincy Jones, George Benson, David Bowie and Stevie Wonder. The resulting instrumental jazz-pop-soul mix on USE ME is incredibly fresh and fun.

Customer Reviews:

3 out of 5 stars thank you Amy Lee fans!! Amazon needs to know!!.......2007-02-24

Thank you, to all you fans for clearing up the fact the this isn't the Amy Lee from Ev!
I was ready to buy it because I love her voice. However, someone needs
explain this to Amazon, too!! This cd keeps coming up in similar searches for Evanscence.
It's sad that this Amy Lee has to hear so much about the other, but I wish her luck, too.

5 out of 5 stars Once Again, Not Amy Lee From Evanescence.......2006-08-25

All you need to do is look at the cover and notice that is not Amy Lee on it. And why would Amy Lee go solo when she's in an amazing band like Evanescence?

It would be funny though if they had a big warning sign on the front that said "THIS IS NOT AMY LEE FROM EVANESCENCE! NOTICE IT IS IN THE JAZZ SECTION!"

Oh well, didn't buy it but I'll give it a 5 anyway, don't want my review of someone I don't know damaging the overall rating.

5 out of 5 stars Not Evanescence but Still good!.......2006-08-19

This Artist I stumbled upon while searching for Info on Evanescence. Even though it's not, I still find this cd to have many great qualities in sound and I like her style!

1 out of 5 stars WHAT A RIP OFF.......2006-05-29

To anyone who thinks they are getting something new or unreleased by Amy Lee solo singer of Evanescence (like myself):
DO NOT BUY THIS STUFF!! THIS IS NOT HER!!! IT IS SOME JAZZ SAX MUSIC, REALLY DOESN'T ROCK!!!!

5 out of 5 stars Amy Lee does it again!.......2006-01-27

The sax queen has done it again! Amy Lee's Use Me is the freshest jazz album in years!! I bought Inside the Outside when it was new and wore it out.Now Im doing the same with Use Me. Brite Eyes is AMAZING.Amy plays sax and trombone on this track. Kudos,Amy for a wonderful CD!!!!
'S Wonderful
Average customer rating: Not rated
    'S Wonderful

    Manufacturer: Avid Records UK
    ProductGroup: Music
    Binding: Audio CD

    All Works by GershwinAll Works by Gershwin | Gershwin, George | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
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    ASIN: B00002MRH1
    Release Date: 1998-12-15

    Tracks:

    1. 'S Wonderful - Buddy Clark, Dinah Shore
    2. He Loves and She Loves
    3. My One and Only - Jack Hylton Orchestra
    4. How Long Has This Been Going On? - Mel Torm
    5. I've Got a Crush on You - George Gershwin, Sarah Vaughan
    6. Liza (All the Clouds'll Roll Away) - Al Jolson
    7. Strike up the Band - Carroll Gibbons & His Orchestra
    8. Bidin' My Time - The Foursome
    9. Could You Use Me? - Judy Garland, Mickey Rooney
    10. Embraceable You - Frank Sinatra
    11. I Got Rhythm
    12. But Not for Me - Teddy Wilson
    13. Treat Me Rough - Mickey Rooney
    14. Boy! What Love Has Done to Me! - Jane Froman
    15. You've Got What Gets Me - Roy Fox & His Band
    16. Gems from of Thee I Sing: Wintergreen for President/Who Cares?/Of Thee - Jane Froman, , Victor Salon Group
    17. Mine
    18. Slap That Bass - Fred Astaire, Johnny Green & His Orchestra
    19. (I've Got) Beginner's Luck - Roy Fox & His Orchestra
    20. They All Laughed - Red Nichols
    21. Let's Call the Whole Thing Off - Greta Keller, Brian Lawrance
    22. They Can't Take That Away from Me - Fred Astaire, Johnny Green & His Orchestra
    23. Shall We Dance? - Fred Astaire, Johnny Green & His Orchestra
    24. I Can't Be Bothered Now - Fred Astaire, Ray Noble & His Orchestra
    25. Things Are Looking Up - Fred Astaire, Ray Noble & His Orchestra
    26. Foggy Day
    27. Nice Work If You Can Get It
    Elaine Stritch - At Liberty (2002 Original Broadway Production)
    Average customer rating: 4.5 out of 5 stars
    • A National Treasure
    • Stritch is superb
    • Entertaining but grating on the ears
    • Great Broadway Review
    • Elaine Stritch at Liberty
    Elaine Stritch - At Liberty (2002 Original Broadway Production)
    Elaine Stritch , Irving Berlin , John/ Stritch, Elaine Lohr , Porter P. Grainger , Albert Hague , Stephen Sondheim , Carl Sigman , Richard Rodgers , Sir Noel Coward , George Gershwin , Jule Styne , John Campo , and Billy Miller
    Manufacturer: Drg
    ProductGroup: Music
    Binding: Audio CD

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    1. Elaine Stritch at Liberty
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    4. Company - A Musical Comedy (1970 Original Broadway Cast)
    5. Company (2006 Broadway Revival Cast)

    ASIN: B000060P33
    Release Date: 2002-04-02

    Tracks:

    1. There's No Business Like Show Business (Berlin)
    2. Caca
    3. I Want a Long Time Daddy (Grainger)
    4. A Piece of Mahler
    5. This Is All Very New to Me (Hague/Horwitt)
    6. Going to New York
    7. Marlon Brando
    8. Broadway Baby (Sondheim)
    9. My First Broadway Show
    10. Civilization (Hilliard/Sigman)
    11. Ethel Merman
    12. Can You Use Any Money Today? (Berlin)
    13. Pal Joey
    14. Zip (Hart/Rodgers)
    15. Ben Gazzara
    16. Nokl Coward
    17. Why Do the Wrong People Travel (Coward)
    18. Richard Burton
    19. But Not for Me/If Love Were All (Gershwin/Gershwin)
    20. I'm Still Here (Sondheim)
    21. Booze
    22. Little Things You Do Together (Sondheim)
    23. The Ladies Who Lunch (Sondheim)
    24. John Bay
    25. There Was Never a Baby Like My Baby (Comden/Green/Styne)
    26. I've Been to a Marvelous Party (Coward)
    27. God So Quickly
    28. The Party's Over (Comden/Green/Styne)
    29. Absent Almost Always
    30. Something Good (Rodgers)

    Tracks:

    1. I'm Still Here (Sondheim)
    2. Booze
    3. Little Things You Do Together (Sondheim)
    4. The Ladies Who Lunch (Sondheim)
    5. John Bay
    6. There Was Never a Baby Like My Baby (Comden/Green/Styne)
    7. I've Been to a Marvelous Party (Coward)
    8. God So Quickly
    9. The Party's Over (Comden/Green/Styne)
    10. Absent Almost Always
    11. Something Good (Rodgers)

    Amazon.com

    Elaine Stritch is a legend and she knows it. And so she came up with a whole one-woman show about the best topic she could think of: her life in the theater. And what a trip it's been. From Ethel Merman to Noel Coward, Stritch has worked with some of the greatest names to grace the American stage, and she has anecdotes about all of them (most are included on this recording). In this show, she hits all the marks with the acuity of a seasoned pro who's seen it all and whose love for the theater remains undiluted. Stritch is not a traditionally pretty singer (those gravelly pipes!), but she absolutely knows how to give life to a song, extracting the last drop of meaning, dropping pauses for effect with deadly accuracy. Sondheim's "Ladies Who Lunch" and "Broadway Baby" will be hers forever, and a case could be made for the hilarious "Zip" (from Pal Joey) and the obscure, spectacularly politically incorrect "Civilization" (from the revue Angel in the Wings) as well. Fittingly, this two-CD set includes "I'm Still Here," which may well be Stritch's motto. If you're looking for a concise yet bewitching history of the musical, this is it. --Elisabeth Vincentelli

    Customer Reviews:

    5 out of 5 stars A National Treasure.......2007-07-05

    This double CD is stuffed full of great songs and amazing stories. My favorite stories are of Elaine's date with Marlon Brando, what she thought some lyric are/meant, and her time in Compant. The total honesty that she brings it all together is touching and inspiring.

    Very few people have the length or variety of a career that Elaine Stritch has had. I am sure that she has enough stories to do ten more shows.

    If you love Broadway then you must buy this CD.

    5 out of 5 stars Stritch is superb.......2007-06-27

    The only disappointment is that I missed the show live. This is a terrific honest performance by an actor who has a deep well of experience from which to draw. From her early childhood memories, through acting school, her loves, her struggles and more, Ms Stritch weaves a fascinating and completely enthralling story. Ultimately, she lives the songs, rather than just performs and this is what really marks her out.
    I am so glad, she's still here!

    3 out of 5 stars Entertaining but grating on the ears.......2007-05-11

    I've never been able to understand what is so great about Elaine Stritch's singing. It's simple: she can't sing. I've tried and tried to like her, and I do, as an actress, but NOT as a singer. Listening to these CDs, all I hear is a grouchy old lady voice with no vibrato, no range, and no ability to hold notes. If she were to try out for American Idol she would get cringes! I love her humor and honesty, and that's why I bought this, but the voice...ugh.

    5 out of 5 stars Great Broadway Review.......2007-04-11

    I thoroughly enjoy this collection of stories from her experiences from a teenage girl in Michigan through her career, very funny, some sad and great entertainment.

    4 out of 5 stars Elaine Stritch at Liberty.......2007-01-19

    Completely entertaining---a bit maudilin in places, but a must have for any Elaine Stritch fan.

    Certainly worth the money!
    12 Songs From Call Me Madam (1950 Studio Cast) With Selections From Panama Hattie (1940 Original Cast Recording)
    Average customer rating: 3 out of 5 stars
    • Ethel Deserved Better Than This
    12 Songs From Call Me Madam (1950 Studio Cast) With Selections From Panama Hattie (1940 Original Cast Recording)
    Ethel Merman , and Irving Berlin
    Manufacturer: Decca U.S.
    ProductGroup: Music
    Binding: Audio CD

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    1. Call Me Madam
    2. Annie Get Your Gun (1946 Original Broadway Cast)
    3. A Connecticut Yankee
    4. A Tree Grows In Brooklyn (1951 Original Broadway Cast)
    5. Coco (1970 Original Broadway Cast)

    ASIN: B000002OJO
    Release Date: 2001-05-15

    Tracks:

    1. Call Me Madam: The Hostess With The Mostes' On The Ball
    2. Call Me Madam: Washington Square Dance
    3. Call Me Madam: Lichtenburg (Cosmo's Opening)
    4. Call Me Madam: Can You Use Any Money Today?
    5. Call Me Madam: Marrying For Love
    6. Call Me Madam: The Ocarina
    7. Call Me Madam: It's A Lovely Day Today
    8. Call Me Madam: The Best Thing For You
    9. Call Me Madam: Something To Dance About
    10. Call Me Madam: Once Upon A Time Today
    11. Call Me Madam: They Like Ike
    12. Call Me Madam: You're Just In Love
    13. Panama Hattie: My Mother Would Love You
    14. Panama Hattie: I've Still Got My Health
    15. Panama Hattie: Let's Be Buddies
    16. Panama Hattie: Make It Another Old Fashioned, Please

    Customer Reviews:

    3 out of 5 stars Ethel Deserved Better Than This.......2001-06-22

    There may indeed be no business like show business. RCA was a major backer of this musical, and fully expected to record the original cast album. Decca, Merman's recording label, wouldn't allow her to appear. The solution the two compnaies decided on was an original cast album on RCA featuring Dinah Shore doing Merman's numbers, and this mediocre studio album.

    Decca was never a winner when it came to modern recording techniques. Merman's voice has no echo or reverb to enhance her performance. The arrangements are by Gordon Jenkins, which fit Ethel's style like it was a dress bought in a bargain basement. It is a shame that in the later years of her life, Ethel didn't choose to revisit this score and re-record it, as she did with Annie Get Your Gun twice.

    The selections from Panama Hattie are a nice rarity, but they are taken from scratchy shellac originals. There are several compilations that include these numbers with no annoying extraneous noise.
    Great Country Love Songs: 16 TRACK KARAOKE BAY CD+G : Formatted for worldwide use : Lyrics Booklet Included
    Average customer rating: Not rated
      Great Country Love Songs: 16 TRACK KARAOKE BAY CD+G : Formatted for worldwide use : Lyrics Booklet Included

      Manufacturer: Great Country Love Songs
      ProductGroup: Music
      Binding: Audio CD

      KaraokeKaraoke | Miscellaneous | Styles | Music
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      1. Party Tyme Karaoke- Standards

      ASIN: B000EAAUI8

      Product Description

      One of Karaoke Bay's most popular albums! Highlighted by classics like Crazy and You Were Mine, this album is a must have for any collection! Great Country Love Songs features karaoke versions of each song complete with onscreen graphics, background vocals and a lyric booklet! TRACKS: In The Style Of 1. AMAZED LONESTAR 2. YOU WERE MINE DIXIE CHICKS 3. I COULD NOT ASK FOR MORE SARA EVANS 4. YOU LIGHT UP MY LIFE LEANN RIMES 5. YOUR LOVE AMAZES ME MICHAEL ENGLISH 6. YOU'RE STILL THE ONE SHANIA TWAIN 7. I SWEAR JOHN MICHAEL MONTGOMERY 8. CRAZY PATSY CLINE 9. WHEN LOVE FINDS YOU VINCE GILL 10. BREATHE FAITH HILL 11. BUTTERFLY KISSES BOB CARLISLE 12. UNCHAINED MELODY LEANN RIMES 13. THE DANCE GARTH BROOKS 14. WHEN I SAID I DO CLINT BLACK 15. CAN I TRUST YOU WITH MY HEART TRAVIS TRITT 16. WHAT ABOUT NOW LONESTAR
      The String Quartet Tribute to the Flaming Lips
      Average customer rating: 4 out of 5 stars
      • Mellow take on the Lips.
      The String Quartet Tribute to the Flaming Lips

      Manufacturer: Vitamin Records
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Rock | Styles | Music
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      TributesTributes | Pop | Styles | Music
      Similar Items:
      1. Turn It On
      2. 20 Years of Weird: Flaming Lips 1986-2006
      3. Staring at Sound: The True Story of Oklahoma's Fabulous Flaming Lips
      4. Zaireeka
      5. At War with the Mystics (Limited Edition CD + DVD)

      ASIN: B0001HAHI2
      Release Date: 2004-03-09

      Tracks:

      1. Yoshimi Battles The Pink Robots Pt.12
      2. She Don't Use Jelly
      3. Do You Realize??
      4. Race For The Prize
      5. Turn It On
      6. Hit Me Like You Did The First Time
      7. Buggin'
      8. The Magician Vs. The Headache
      9. Shine On Sweet Jesus
      10. The Observer
      11. Fight Test
      12. Five Stop Mother Superior Rain

      Product Description

      1. Yoshimi Battles The Pink Robots Pt. 1
      2. She Don't Use Jelly
      3. Do You Realize??
      4. Race For The Prize
      5. Turn It On
      6. Hit Me Like You Did The First Time
      7. Buggin'
      8. The Magician vs. The Headache
      9. Shine On Sweet Jesus
      10. The Observer

      Bonus Tracks:
      11. Fight Test
      12. Five Stop Mother Superior Rain

      Format: CD

      Customer Reviews:

      4 out of 5 stars Mellow take on the Lips........2007-03-24

      This album is very interesting. I had been a skeptic of the string tributes for a long time. I'm a huge Flaming Lips fan, so when I found this for real cheap I picked it up. It is really quite soothing. Plus all the melodies are already familiar. Definately not an essential album but a nice one anyway.
      You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 3 - High Society (1948-1956)
      Average customer rating: 5 out of 5 stars
      • A Slice of History!
      You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 3 - High Society (1948-1956)
      Cole Porter , Frank Sinatra , and Bing Crosby
      Manufacturer: Koch Int'l Classics
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Opera & Vocal | Styles | Music
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      Classic VocalistsClassic Vocalists | Broadway & Vocalists | Styles | Music
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      Similar Items:
      1. You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 2 - Kiss Me Kate (1940-1948)
      2. You're Sensational - Cole Porter in the '20s, '40s, and '50s, Vol. 1 - Wake Up & Dream (1916-1929)
      3. Frank Sinatra Sings the Select Cole Porter
      4. Cole Sings Porter
      5. I Get A Kick Out Of You: Cole Porter Songbook Vol. 2

      ASIN: B00006JTE2
      Release Date: 2002-10-22

      Customer Reviews:

      5 out of 5 stars A Slice of History!.......2003-11-15

      This is a fantastic CD! I wish I knew more about the details of these recordings, because I suspect that some of them have been gathered from unusual sources. Because of the sound quality, I wouldn't be surprised to find that Cole Porter's own rendition of Cest Magnifique was recorded at a party or other informal occasion. It has that kind of intimate feeling.

      At any rate, don't be put off by the fact that some of the recordings don't have the polished, studio sound of modern recordings. It is absolutely incredible hearing these Cole Porter hits being done by such varied artists as Mel Torme, Bobby Short, Rosemary Clooney, Jo Stafford, Frank Sinatra, Bing Crosby, and Marian McPartland (the wonderful jazz pianist).

      You can't help but feel that you are experiencing history when you listen to this CD. I only wish that I had realized that all three volumes were available as a boxed set. Must buy that next! (ASIN: B00001T3IP).
      Live from a Place That Won't Let Me Use Their Name
      Average customer rating: Not rated
        Live from a Place That Won't Let Me Use Their Name
        Todd Carey
        Manufacturer: Kufala
        ProductGroup: Music
        Binding: Audio CD

        GeneralGeneral | Alternative Rock | Styles | Music
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        ASIN: B0006SSN0U
        Release Date: 2005-01-11

        Tracks:

        1. 2nd Time Around
        2. Honest
        3. As Of Today
        4. Day Dream
        5. Something About October
        6. Rain
        7. Everytime
        8. Never Did No Wantin'
        9. Late Night TV
        10. Photograph
        11. Movies In Your Head

        Music:

        1. WholeHearted Hymns: Volume 1
        2. WholeHearted Hymns: Volume 2
        3. Williams & Collins (Haven't You Decided Yet)
        4. Windows
        5. World's Best Praise & Worship Songs Vol. 4
        6. WOW 2000 [Enhanced]
        7. Yolanda Adams Christmas [Enhanced]
        8. You Can Make It
        9. You're All I Need [CD-single]
        10. A Certain Sound

        Music

        Music