True Identity

Track Listings

1. I Care for You
2. I'll Always Be True
3. Lonely
4. Jump and Shout
5. I Remember You Honey
6. Hurry Up
7. Thank God You've Grown
8. Sha La La La
9. Over & Over
10. Burning & Looting
11. Make It Easy
12. You've Got the Right - Yami Bolo, Sanchez

True Identity, Music, Sanchez, Pop, Ragga, Reggae, Reggae Gospel, Reggae-Pop

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

Beginner or Expert.......2007-03-12

Very Informative and Enjoyable.......2006-11-20

Frank's view.......2006-08-19

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: A good value The Sound Track Since Bernard Hermann Good mix of film music A mixed collection of movie music Uplifts your soul, takes your mind into the heavens

Varese Sarabande 25th Anniversary Celebration Manufacturer: Varese Sarabande ProductGroup: Music Binding: Audio CD Elfman, Danny | ( E ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Herrmann | Herrmann, Bernard | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Holdridge, Lee | ( H ) | Featured Composers, A-Z | Classical | Styles | Music Korngold, Erich Wolfgang | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Kamen | Kamen, Michael | ( K ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Schifrin | Schifrin, Lalo | ( S ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Waxman | Waxman, Franz | ( W ) | Featured Composers, A-Z | Classical | Styles | Music All Works by Mancini | Mancini, Henry | ( M ) | Featured Composers, A-Z | Classical | Styles | Music Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Korngold, Erich Wolfgang | Composers | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music Movie Scores | Soundtracks | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music Star Wars | Soundtracks | Styles | Music General | Soundtracks | Styles | Music Bargain Box Sets | Classical General | Classical | Today's Deals in Music | Formats | Music All Bargain Titles | Classical General | Classical | Today's Deals in Music | Formats | Music Similar Items: Paramount 90th Anniversary Collection: Scores In Session: Film Music Celebration The Essential Elmer Bernstein Film Music Collection Jerry Goldsmith: 40 Years of Film Music Music In Film (National Public Radio Milestones Of The Millennium) ASIN: B00008WI90 Release Date: 2003-04-22

Tracks:

1. The Man from Snowy River (Bruce Rowland)
2. The Winds of War (Bob Cobert)
3. Blue Velvet (Angelo Badalamenti)
4. Witness (Maurice Jarre)
5. Raising Arizona (Carter Burwell)
6. Pee Wees Big Adventure (Danny Elfman)
7. Halloween (John Carpenter)
8. A Nightmare On Elm Street (Charles Bernstein)
9. The Fly (Howard Shore)
10. RoboCop (Basil Poledouris)
11. The Empire Strikes Back (John Williams)
12. The Right Stuff (Bill Conti)
13. The Final Conflict (Jerry Goldsmith)
14. The Abyss (Alan Silvestri)
15. Brainstorm (James Horner)
16. Peggy Sue Got Married (John Barry)
17. My Left Foot (Elmer Bernstein)
18. The Dead (Alex North)
19. Stanley & Iris (John Williams)
20. The Milagro Beanfield War (Dave Grusin)
21. Driving Miss Daisy (Hans Zimmer)

Tracks:

1. Steel Magnolias (Georges Delerue)
2. Unforgiven (Lennie Niehaus and Clint Eastwood)
3. Raggedy Man (Jerry Goldsmith)
4. The Grifters (Elmer Bernstein)
5. Green Card (Hans Zimmer)
6. City Slickers (Marc Shaiman)
7. Father Of The Bride (Alan Silvestri)
8. While You Were Sleeping (Randy Edelman)
9. Babe (Nigel Westlake)
10. The Adventures Of The Great Mouse Detective (Henry Mancini)
11. The Adventures of Robin Hood (Erich Wolfgang Korngold)
12. The Young Indiana Jones Chronicles (Laurence Rosenthal)
13. The Secret Garden (Zbigniew Preisner)
14. A Little Princess (Patrick Doyle)
15. Rudy (Jerry Goldsmith)
16. Iron Will (Joel McNeely)
17. Memphis Belle (George Fenton)
18. Eye Of The Needle (Mikl)
19. Total Recall (Jerry Goldsmith)
20. Back To The Future Part III (Alan Silvestri)

Tracks:

1. To Die For (Danny Elfman)
2. The Player (Thomas Newman)
3. Black Robe (Georges Delerue)
4. Medicine Man (Jerry Goldsmith)
5. 2001 (Alex North)
6. Star Wars: Shadows Of The Empire (Joel McNeely)
7. The Crow (Graeme Revell)
8. Blade (Mark Isham)
9. The Omen (Jerry Goldsmith)
10. Vertigo (Bernard Herrmann)
11. Scream (Marco Beltrami)
12. The Sixth Sense (James Newton Howard)
13. Xena: Warrior Princess (Joseph LoDuca)
14. Air Force One (Jerry Goldsmith)
15. Starship Troopers (Basil Poledouris)
16. The Matrix (Don Davis)
17. The Iron Giant (Michael Kamen)
18. Youve Got Mail (George Fenton)
19. A Little Romance (Georges Delerue)
20. Pleasantville (Randy Newman)

Tracks:

1. Sunset Boulevard (Franz Waxman)
2. L.A. Confidential (Jerry Goldsmith)
3. Rounders (Christopher Young)
4. The Score (Howard Shore)
5. The Replacements (John Debney)
6. Gone In 60 Seconds (Trevor Rabin)
7. The Bourne Identity (John Powell)
8. Rush Hour 2 (Lalo Schifrin)
9. XXX (Randy Edelman)
10. Die Hard (Michael Kamen)
11. The Last of the Mohicans (Trevor Jones)
12. Moby Dick (Christopher Gordon)
13. The Mists Of Avalon (Lee Holdridge)
14. Cleopatra (Alex North)
15. Life As A House (Mark Isham)
16. Emma (Rachel Portman)
17. In The Bedroom (Thomas Newman)
18. Cast Away (Alan Silvestri)
19. One True Thing (Cliff Eidelman)
20. Unfaithful (Jan A.P. Kaczmarek)
21. Far From Heaven (Elmer Bernstein)
22. Ice Age (David Newman)
23. Shrek (Harry Gregson-Williams and John Powell)

Customer Reviews:

A good value.......2007-05-17

The Sound Track Since Bernard Hermann.......2006-07-25

Good mix of film music.......2006-07-02

A mixed collection of movie music.......2006-02-23

Uplifts your soul, takes your mind into the heavens.......2006-01-06

Average customer rating: Really enjoyed this unusual CD Middle age, white, goofy-looking Texan guy raps (and rocks!) Grammys - best album (CD)yes0 11th Commandment 5 stars, 5 times over!

The True False Identity T Bone Burnett Manufacturer: Sony ProductGroup: Music Binding: Audio CD Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Similar Items: Twenty Twenty - The Essential T Bone Burnett All the Roadrunning Surprise Living With War Modern Times ASIN: B000E6UWEE Release Date: 2006-05-16

Tracks:

1. Zombieland
2. Palestine Texas
3. Seven Times Hotter Than Fire
4. There Would Be Hell To Pay
5. Every Time I Feel the Shift
6. I'm Going On A Long Journey Never To Return
7. Hollywood Mecca Of The Movies
8. Fear Country
9. Baby Don't You Say You Love Me
10. Earlier Baghdad (The Bounce)
11. Blinded By The Darkness
12. Shaken Rattled And Rolled

Amazon.com

More from T-Bone Burnett

Twenty Twenty: The Essential T-Bone Burnett	The True False Identity (Dualdisc)	O Brother, Where Art Thou? (Produced by T-Bone)
Walk the Line (produced by T Bone)	King of America, Elvis Costello (produced by T Bone)	T Bone Burnett

Customer Reviews:

Really enjoyed this unusual CD.......2007-01-05

I don't know Burnett but really liked this CD. It is thought provoking and also satisfying musically.

Middle age, white, goofy-looking Texan guy raps (and rocks!).......2006-11-21

You probably will not like this album when you first listen to it.

I didn't.

... and I literally own every record he's ever made. No kidding.... everything. I'm a huge T-Bone fan and have been since his Alpha Band days.

But this album is different than anything he's done before. Heck, it's different than anything I've ever heard before.

It's kind of genre-bending... it strikes me as either a kind of Texan folk rap or maybe it's just one of the best poetry slams ever. But it's not really folk music and it's not really rock and roll. He doesn't sing a melody in most of the songs... he raps. But this isn't hip-hop rap -- it's white guy rap.

Like with most innovative music, it took me awhile to figure out what he was even trying to do. It doesn't help that I don't really like most rap, because I like a melody to my music.

But I do like a good bluesy jam sessions and he does a lot of that behind his "rapping." Don't think normal rap, though. Burnett isn't trying at all to pretend he's a gangsta rapper -- not that he ever could pull it off!

Instead he "raps" about middle age liberal white guy stuff. Well, that me! So after a bunch of listenings, I figured out the album and now I really like it. It's not my favorite, all-time Burnett album but it is better than his average.

I am deducting one star because -- well -- this is simply not a five star album. Pioneering and brilliant? Yes. An all-time classic? No.

(I should add that my six year old daughter likes it too! I have no idea why. She also likes Raffi.)

So, should you buy this album?

If you're looking for "comfort zone" folk, rock and roll or even rap, you should probably look elsewhere.

If you're a free thinker and looking for something different and innovative -- then this is a CD for you. Who knows? This might be the start of a whole new genre of music and you can say you were on the first floor of the movement.

Grammys - best album (CD)yes0.......2006-11-14

this is potent for an artist who says "i am not important".all Burnett's music has been astounding & important to many (who are comfortable in their own "skin-teeth or otherwise).excellent writing-musicianist-wonderful & think about it songs.I qoute him in everyday speech.Great."Fear Country" & "Paradise are so far the ons I play often.there is no better songwriter in the country in an era of dull w/ the exception of Dylan & Morrison sporadically.Best CD-of thje years in the Grammys-I voted long ago when ya could deny anythin' ya said-I'll stick w/ the T B works.

11th Commandment.......2006-09-13

T-Bone Burnett shares a place with a handful of artists who have strong and devoted followings, but whose music is perhaps too thoughtful to sell huge quantities. Quality is often more important that quantity. Burnett burns on his new set. My favorite track is "Seven Times Hotter Than Fire" with its driving electric guitar and the mesmerizing tromp of T-Bone's burning footsteps, "If I was dead & buried in the cold hard ground, I would rise from the grave & come & track you down." Another favorite is "Baby Don't You Say You Love Me" with a similar tribal beat pulsing and T-Bone's voice emotionally raw, "Every day you haunt me, first you hex me then you taunt me, then you leave me in this twisted misery." These tunes rank with his best work. From T-Bone's early days with the B-52 Bombers to the Alpha Band, T-Bone has pushed the limits with experimentation. On "Blinded by the Darkness" we experience Burnett's talk-sing as the guitars create a wall of chaos in the way he views the current political landscape, "Shouldn't sin be left to the laws of God & to the laws of nature; Can we trust this to the legislature." Similarly on "Every Time I Feel the Shift" Burnett talk-sings his frustrations about popular culture's shallow nature that could forget an 11th Commandment, had there been one. When Burnett rocks as he does on "Zombieland" & "Palestine Texas," his music is cutting edge. "The True False Identity" is an excellent set. Set against the backdrop of his classic catalog, it may shine slightly less. However, on its own merits, it's worth the exploration. Enjoy!

5 stars, 5 times over!.......2006-07-19

"Disappointed" wrote a review giving 1 star after listening only twice? C'mon buddy, I wasn't sure of it after 2 listens either - give it a go. Quite a few listens later, my opinion of this wonderful recording is that it's stupendously good. Highly sophisticated musicianship, amazingly detailed and layered production, every song full of interesting sounds, melodies, rythyms and thoughts. Some rasping, blues-fuelled steamrollers live amongst these songs. Other tracks, just as arresting provide the space to breathe again. The closing song "Shaken Rattled And Rolled" sounds like an awakening disguised as a lament. This is exhilarating stuff and I don't expect there will be a better album in 2006. As classic as Bob Dylan's "Time out of Mind".

Average customer rating: T Bone gives steak again

The True False Identity T Bone Burnett Manufacturer: Sony ProductGroup: Music Binding: Audio CD Singer-Songwriters | Pop | Styles | Music Pop Rock | Pop | Styles | Music General | Rock | Styles | Music Similar Items: Twenty Twenty - The Essential T Bone Burnett All the Roadrunning Living With War T Bone Burnett Modern Times (Deluxe Edition With Bonus DVD) ASIN: B000F8DBDA Release Date: 2006-05-16

Tracks:

1. Zombieland
2. Palestine Texas
3. Seven Times Hotter Than Fire
4. There Would Be Hell To Pay
5. Every Time I Feel the Shift
6. I'm Going On A Long Journey Never To Return
7. Hollywood Mecca Of The Movies
8. Fear Country
9. Baby Don't You Say You Love Me
10. Earlier Baghdad (The Bounce)
11. Blinded By The Darkness
12. Shaken Rattled And Rolled

Amazon.com

T Bone Burnett likes to keep his listeners off balance, as his first album of new material in 14 years attests. As a producer, Burnett has been responsible for the commercial breakthrough of emerging bands (Counting Crows, the Wallflowers) and the renewal of venerable artists (Ralph Stanley, Tony Bennett), but mainly he's been renowned for the rootsy Americana he brought to the soundtracks for O Brother, Where Art Thou? and Walk the Line. Here, Burnett extends his musical range across a wide expanse--from tracks that mix the percussive throb of reggae dub with the angular clang of a Tom Waits album ("Zombieland") and spiritual rants on the nature of sin over a heavy metal-blues guitar ("Blinded by the Darkness") to the comparative lilt of a Caribbean rhythm ("Hollywood Mecca of the Movies") and a couple of numbers that suggest the mysterious atmospherics of film noir ("There Would Be Hell to Pay," the politically conscious "Fear Country"). Even when a country tune, "I'm Going on a Long Journey Never to Return," finds him in more comfortable musical territory, the fatal dread of the lyrics belies the warmth of the music. The band--featuring guitarist Marc Ribot and drummer Jim Keltner, long Burnett's instrumental accomplices--sounds capable of taking this music wherever he envisions. It's as if Burnett wields music as a weapon against complacency: his own, the listeners', the culture's. Though this is rarely easy-listening music, the results are never less than challenging. --Don McLeese

More from T Bone Burnett

Twenty Twenty: The Essential T Bone Burnett	The True False Identity (regular edition)	O Brother, Where Art Thou? (produced by T Bone)
Walk the Line (produced by T Bone)	King of America, Elvis Costello (produced by T Bone)	T Bone Burnett

Album Description

CD AUDIO SIDE: * Entire album

DVD SIDE: * Featuring intimate live music and spoken word performances by T Bone, marking the first time T Bone has performed his own material on camera in more than 15 years.

Customer Reviews:

T Bone gives steak again.......2006-08-30

T Bone Burnett finally has returned from his producing role to his role as the great roots musician/composer/singer that he is with his new studio CD "The True False Identity." While we were teased a few years back with the smell of a proposed CD of music from a Sam Shepherd play that T Bone wrote and performed some songs for (this project was inexplicibly shelved!), this time we actually get to chew and swallow. The DVD side is a great side dish as well. Finally, some steak after years of listening to other artist's hamburger!

Average customer rating: A Wonderful Introduction to Beethoven's 'Fidelio'

An Introducton to Beethoven's Fidelio Manufacturer: Naxos ProductGroup: Music Binding: Audio CD General | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music General | Instructional | Miscellaneous | Styles | Music General | Classical | Styles | Music 4-for-3 Classical | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music 4-for-3 Opera & Vocal | 4-for-3 Music | Stores | Music Similar Items: Magic Flute: Introduction to Mozart Cosi Fan Tutte: Introduction to Mozart An Introduction to Puccini's Turandot Opera Explained: An Introduction to Puccini's Tosca An Introduction to Verdi's Il trovatore ASIN: B00008GQHO Release Date: 2003-05-20

Tracks:

1. Introduction To 'Fidelio'
2. The Four Overtures And Plot Outline
3. Act I: Marzelline And Jaquino
4. Quartet: Marzelline, Leonore, Rocco, Jaquino
5. Entrance Of Pizarro
6. Leonore - Recitative And Aria - 'Abscheulicher!'
7. The Prisoners' Chorus - 'O Welche Lust!'
8. Leonore Learns Her Husband's Fate
9. Act I: Florestan In The Dungeon
10. Melodrama - Leonore And Rocco Dig The Grave
11. Leonore Reveals Her True Identity
12. Finale - 'Liberation From Tyranny'
13. Leonore Releases Florestan From His Chains

Customer Reviews:

A Wonderful Introduction to Beethoven's 'Fidelio'.......2003-06-29

Many people who have not been exposed to opera are intimidated by the very thought of it. Modern opera-house performances with supertitles have been very helpful in dispelling that condition. Here is another method of helping people get comfortable with the great operas. Naxos has already put out educational CDs - all written by Thomson Smillie - for such masterpieces as Mozart's Magic Flute, and Così fan tutte, Verdi's La Traviata and Aïda, Puccini's La Bohème and Tosca, Bizet's Carmen, and others. Here we have Beethoven's 'Fidelio,' his only opera.

The approach is this: First, there is a short introduction to the social, artistic, and political background of the composition of the opera and its story. Then - using Naxos recordings of the opera, in this case their wonderful recording of Fidelio [really one of the best available, in my opinion; only the 1960s recording conducted by Otto Klemperer is clearly better] - they turn to a leisurely recounting of the story of the opera with frequent recorded selections from the corresponding music. Smillie's text also points out many of the musical felicities along the way, e.g. 'listen to how the voices combine, each character singing his or her private thoughts, during this sublime quartet.'

The narration is neither too esoteric nor too 'dumbed down'; an intelligent older child would be able to understand it. I can easily imagine that this series is already being used in music appreciation classes, and if not, they should be. All this is helped by the clear narration by British actor David Timson, who also occasionally acts out some of the important moments in the plot.

All in all, it's hard to imagine a better introduction to the operas in this series.

Scott Morrison

Average customer rating: Pure Sanchez Art!

True Identity Sanchez Manufacturer: Vp Records ProductGroup: Music Binding: Audio CD General | Reggae | International | Styles | Music General | Reggae | Compilations | International | Styles | Music General | Christian & Gospel | Styles | Music Reggae | International | Indie Music | Stores | Music ASIN: B00000IXI5 Release Date: 1999-05-11

Tracks:

1. I Care For You
2. I'll Always Be True
3. Lonely
4. Jump & Shout
5. I Remember You Honey
6. Hurry Up
7. Thank God You've Grown
8. Sha La La La
9. Over & Over
10. Burning & Looting
11. Make It Easy
12. You've Got The Right

Customer Reviews:

Pure Sanchez Art!.......1999-05-07

Although my favorite Sanchez album is "Missing You" this album deserves a lot of respect! What makes sanchez original in comparison to todays newer artists is that he uses his voice to charm listeners with original regae beats. If you a first time listener of Sanchez music pop the CD into your car and hear the vocals along with the heavy bass pick up your day, afternoon or evening! I hope you all have the chance to appriciate this talent because it is true art!

Respect!

Average customer rating:

The Governator Manufacturer: EMI Int'l ProductGroup: Music Binding: Audio CD Film Scores | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music General | Classical | Styles | Music General | Opera & Vocal | Styles | Music Movie Soundtracks | Soundtracks | Styles | Music General | Soundtracks | Styles | Music General | Vocal Pop | Pop | Styles | Music Tributes | Pop | Styles | Music Soundtracks | Imports | Stores | Music Similar Items: Conan the Barbarian ASIN: B0000U6KDG Release Date: 2004-02-24

Tracks:

1. Terminator Theme [From Terminator]
2. Desert [From Terminator II]
3. Trust Me [From Terminator II]
4. It's Over [From Terminator II]
5. Main Title [From Junior Miss]
6. Main Title/Harry Makes His Entrance [From True Lies]
7. Prologue [From Conan the Barbarian]
8. Anvil of Crom [From Conan the Barbarian]
9. Riddle of Steel/Rider of Dom [From Conan the Barbarian]
10. Chambers of Mirror/Crystal Palace [From Conan the Barbarian]
11. Anvil of Crom/Finale [From Conan the Barbarian]
12. Total Recall [From Total Recall]
13. Main Title [From Commando]
14. Astoria School Theme [From Kindergarten Cop]
15. Main Title Theme [From Twins]
16. Going to Santa Fe [From Twins]
17. Main Title [From Red Heat]
18. Running Man [From the Running Man]
19. Kaminski Stomps [From Raw Deal]
20. Main Title [From Predator]
21. California er Alles [*]

Album Description

The ultimate soundtrack collecting music from Arnold Schwarzenegger films, such as Terminator, True Lies, Conan The Barbarian, Commando, The Running Man and more. 21 tracks including 1 bonus track, 'California Uber Alles' from Bad Lieutnants. Austerlitz Music. 2003.

Average customer rating:

True Identity Manufacturer: Silk-N-Sword ProductGroup: Music Binding: Audio CD Pop Rock | Pop | Styles | Music General | Easy Listening | Pop | Styles | Music ASIN: B000CA32LC Release Date: 2003-07-22

Average customer rating:

Die2yourself Manufacturer: True Identity Productions ProductGroup: Music Binding: Audio CD Gospel | Christian & Gospel | Styles | Music ASIN: B000CAKDPU Release Date: 2005-03-22

Average customer rating:

Sound, Silence and Other Distractions True Identity Manufacturer: True Identity ProductGroup: Music Binding: Audio CD General | Hard Rock & Metal | Styles | Music ASIN: B000CA9A86 Release Date: 2005-10-11

Tracks:

1. Self- Betrayal
2. Drown
3. Undying
4. Addicted
5. True Identity (Live)
6. Breed Apart (Live)
7. Drown (Live)
8. Self-Betrayal (Live)
9. Break the Circle (Live)

Music Review:

1. Trust in the Lord
2. Tyscot Live 'Round Midnight [Live]
3. Watermark
4. Way with Words
5. We Want America Back
6. What a Difference a Day Makes
7. While the Door Is Open
8. Within the Rock
9. Women of Faith: Overwhelming Joy
10. Worthy [Live]

Music Review

Music Review