La Rue

Track Listings

1. Reason - LaRue

2. Picture Frame - LaRue

3. Someday - Larue

4. Fallen King - Larue

5. As She Cries - Larue

6. Waiting Room - Larue

7. Always Be - LaRue

8. One Day of the Week - LaRue

9. Katie - LaRue

10. Stars - LaRue

11. Run to You (The Piano Song) - LaRue

Tracks:

Le Pas Du Chat Noir
De Tout Ton Coeur
Leila Au Pays Du Carrousel
Pique-nique A Nagpur
C'est Ailleurs
Toi Qui Sait
L'arbre Qui Voit
Un Point Bleu
Les Ailes Du Bourak
Rue Du Depart
Leila Au Pays Du Carrousel, Var.
Deja La Nuit

Amazon.com

The Tunisian oud master Anouar Brahem has chosen to work in a trio setting this time out, accompanied by Francois Couturier on piano and Jean-Louis Matinier on accordion. Brahem states in the liner notes that these pieces were actually composed on the piano, emerging while he was taking a much-needed short break from his primary instrument. While Pas de Chat Noir ("The Black Cat's Footsteps") is a change of pace, it is a not a terribly remote detour. Brahem is still in his favorite space, exploring the power of implication, and the other players are in synch with his vision. All three participants sound muted, relating to one another in parallels rather than in a heated dialogue. The result is a spacious, romantic pastiche of Farid El-Atrache, Astor Piazzolla, Keith Jarrett, 19th- and 20th-century French impressionists (especially Eric Satie), plus shades of every strung-out, enervated, after-hours nightclub jam that ever was. --Christina Roden

Customer Reviews:

Lovely.......2007-05-20

This is a beautiful CD, filled with a musical style which defies categorization. Evocative of Eric Satie's work for the piano, this album is a hypnotic mix of Middle Eastern and Western sounds - part jazz, part classical. This is one of those purchases which I am glad I went the extra mile to find.

truly unique.......2007-05-19

It is hard to describe this unusual CD. Hauntingly peaceful are two words that come to mind.Relaxing and calming are two more. Simply beautiful also.

absolutely essential (FJB/O!-music 2006).......2006-11-26

Anouar Brahem is an artist of incredible vision and talent. This recording, is one of his best.

In the notes to the CD, Brahem is quotes as saying that after recording his THIMAR album, the resulting physical and artistic exhaustion caused him to set aside his oud for a while - something he said he had never before done. Turning his musical ideas and expression to his piano, Brahem created the pieces recorded here. When he took these ideas into the studio (and taking his oud along with him), along with colleagues François Coutourier (piano) and Jean-Louis Matinier (accordion), his ideas were brought beautifully to fruition. The result is one of the most beautiful recordings I have ever heard.

The pieces having been written on the piano, that instrument takes the lead - but the oud and the accordion have a lot to say as well, and their voices blend effortlessly with that of the keyboard. Brahem is a master not only at composition and performing, but, in his arrangements, and in the very choosing of his accompanying musicians, shows a brilliance that is breathtaking. Through the various groupings that he has assembled on his recordings, he endows his music with a strength and scope that is stunning - it takes on a life of its own, and grows far beyond whatever boundaries smaller minds might employ to contain it by definition.

This is 'world music' in the deepest, spiritual sense of the phrase - political frontiers are vanquished and erased, while cultures are honored, respected and mingled.

Brahem's last album, ASTRAKAN CAFÉ, alluded to this meeting and convergence of styles - with each successive release, Brahem furthers his cause (and that of the open-minded, eager-to-explore listener). Each and every track included here is an absolute gem. Approach this album with an open mind and ear, and marvel at the journey on which you are to be led.

This is an absolutely essential recording.

Mediterranean Music.......2006-11-03

One of the best CDs I have ever bought. Many asked who was playing when I played it. I purchased 4 more for friends. Soothing and rich. if you like Arabic music infused with French touch of accordion.

excellent music.......2006-03-23

The music on this CD has a beautifully interweaving combination of instuments. The lovely melodies are simple and complex at the same time, and evoke pleasant reverie. Everyone we have played it for enjoyed it very much.

Average customer rating:

The Complete Caruso

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Verdi: La Traviata (complete opera live 1955) with Maria Callas, Giuseppe di Stefano, Carlo Maria Giulini, Orchestra & Chorus of La Scala, Milan

ASIN: B0001TSWQO
Release Date: 2004-11-09

Average customer rating:

I Wish I Could be More Positive...
Perfect for "Old Souls"
Mixed feelings about mixed genres
Wow.
What Coltrane hears in heaven

Officium
Anonymous , Czech Anonymous , Guillaume Dufay , Pierre de La Rue , Cristobal de Morales , Perotin , Sarum Chant , Hilliard Ensemble , and Jan Garbarek
Manufacturer: Ecm Records
ProductGroup: Music
Binding: Audio CD

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Mnemosyne / Garbarek, Hilliard Ensemble
Twelve Moons
In Praise of Dreams
Officium - Jan Gabarek & The Hilliard Ensemble
Perotin / The Hilliard Ensemble

ASIN: B000025IL0
Release Date: 1999-11-16

Tracks:

Parce mihi domine
Primo tempore
Sanctus
Regnantem sempiterna
O salutaris hostia
Procedentem sponsum
Pulcherrima rosa
Parce mihi domine
Beata viscera
De spineto nata rosa
Credo
Ave maris stella
Virgo flagellatur
Oratio Ieremiae
Parce mihi domine

Tracks:

Parce mihi domine
Primo tempore
Sanctus
Regnantem sempiterna
O salutaris hostia
Procedentem sponsum
Pulcherrima rosa
Parce mihi domine
Beata viscera
De spineto nata rosa
Credo
Ave maris stella
Virgo flagellatur
Oratio Ieremiae
Parce mihi domine

Amazon.com

What is this music? Fundamentally, it's an exploration of what happens when an improvisatory instrumental voice (saxophone) is placed into the world of early vocal music--which has elements of both improvisation and formal structure. In reality, it's an adventure in which the four male voices of the Hilliard Ensemble travel the 14th- and 15th-century territory of Morales and Dufay, visit the 12th century of Perotin, and roam even earlier ages of plainchant, accompanied by the always sensitive and tasteful--and often astonishing--saxophone improvisations of jazz master Jan Garbarek. Sometimes, these new melodies simply accompany; sometimes they transform the common--a routine minor chord, for instance--into a sublime, indescribable moment. The answer to the above question is easy--but it's different for each listener. --David Vernier

Customer Reviews:

I Wish I Could be More Positive..........2007-01-06

...but I really hate the soprano sax played over these beautiful pieces. The singing is superb and the repertoire is rare (only one other recording of the Morales, for instance, and that is done quite differently, anent the sax).

I think I would have liked it better if Garbarak had played a lower horn, like an alto or tenor sax. These pieces are about something, and I don't feel that Gabarak really knew what the texts were about and what the composers were responding to in the texts.

I keep it for the exquisite "Parce mihi Domine" sung withoug the screeching sax.

Perfect for "Old Souls".......2006-12-15

I'll never forget hearing this music for the first time, in 1993 or 1994 at a sampling station at Borders. I have to admit I was intrigued by the cover photograph likely taken at a cemetery, of a spider web-draped angel statute. That was when CDs were still new, and my first thought was "This is the perfect sound for CDs: clear, quiet, ethereal." I bought the handsome 2-CD package then and there, and my interest in this unique musical project has gradually matured in the past decade. Most recently, following a significant family death in 2002, I've started a personal tradition of spending New Year's Eve alone at home, with only candles burning after 7:00 p.m., listing to recordings of great requiems (Mozart, Durufle, Rutter and Verdi) and The Hilliard Ensemble's Officium (translated to sense of duty, respect, service and allegiance). Spending the last day of the year this way is comforting, and allows me to continue to grieve appropriately. Officium transports me to another place and time, quasi-religious, celestial, meditative. The solo saxophone calls out as if speaking, questioning, affirming. It's not for everyone. This recording will never climb the charts, especially in today's shallow world of noise and self-importance. I would say if you're an "old soul," try listening to this gift of creativity and inspiration. It just might become one of the most valuable recordings you own - as it has for me ...

Mixed feelings about mixed genres.......2006-01-18

Although I enjoy listening to these recordings for their serenity and sense of magical wonder, I tend to sympathise with some of the less glowing reviewers. My favourite passages are, without a shadow of a doubt, those in which the eminent Mr Garbarek's sax is 'tacit' or, at least, 'pianissimo'. Indeed, from time to time I struggle with an impulse to shout out: "Oh shut up, Jan, and let me listen to those wonderful singers!" That said, the voices and the sax do sometimes synergise, though I get the distinct impression that Mr Garbarek was simply overdubbing an existing recording by the Hilliard Ensemble: he seems to be reacting to them, but not vice versa. And with more rehearsal, his notes might have been more appropriate. FINAL VERDICT: an interesting oddity, not an unmitigated success.

Wow........2005-10-12

Gregorian chant is one form of music. If you must have it in the pure form, go elsewhere.

Jazz sax is another form of music. If you are offended by restraining the sax to a gentle, wistful, melodious exploration, go elsewhere.

Otherwise, consider a rope: consisting of several smaller strands, a rope is a strong, limber, powerful thing which can achieve a great deal more than the strands from which it is woven. This music is a rope. The saxophone entwines itself inextricably through, above and around the unearthly vocals of the Hilliard ensemble. Neither the highly disciplined music of the singers, nor the restrained music of the saxophone makes a deeply powerful statement in its own right -- but together, they become something above and beyond, something that completely transcends either genre.

This is an astonishing work. If you have the ability to listen, you will be rewarded beyond your hopes.

What Coltrane hears in heaven.......2005-07-16

If you haven't heard any of these tracks before, then almost nothing can prepare you for them. I do feel sorry for those listeners whose sensibilities have been outraged, and who believe that these songs are set in stone, and that no kind of improvisation is legal. The effect must be like seeing (as Prince Charles remarked of a modern building in London) a carbuncle on the face of a loved old friend.

Horrified reactions are, however, in the minority, since this album has sold in immense quantities -- and the reason is the ravishing beauty of the music, which is accessible to anyone with musical ears.

As with several Garbarek recordings, the sax occasionally seems louder than necessary, but then Garbarek must be a difficult performer to record, since his tonal range is so huge.

The natural melodies that flow from Garbarek's three horns have always had an air of belonging half a millennium away from the present; and his genius as a performer enables him to add a fifth voice to these ancient compositions that I am certain the original composers would have found far less shocking than the modern listeners who think them sacrilegious.

This music is heavenly and indescribable, but I urge anyone on this page to listen to the samples (bearing in mind that the sound is ravishing on a proper stereo) and make up your own mind.

Music is nobody's loved old friend, but a great city that needs to keep growing for ever, and this is a wonderful new building to dwell in and perceive beauty.

Poulenc - Melodies / Ameling · Gedda · W. Parker · Sénéchal · Souzay · Baldwin

Average customer rating:

Essential for the chansom junkie. Buy It.
Almost completely wonderful
Indisputable Gallic flair
Idiomatic, fresh, cleanly recorded
the best songs ever ruined by uneven performing

Poulenc - Melodies / Ameling · Gedda · W. Parker · Sénéchal · Souzay · Baldwin
Francis Poulenc , Dalton Baldwin , Elly Ameling , Gérard Souzay , Nicolai Gedda , Michel Sénéchal , and William Parker
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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A French Song Companion
Véronique Gens - Nuit d'étoiles (Mélodies Française) / Vignoles
The Songs of Henri Duparc

ASIN: B000002S31
Release Date: 1992-01-23

Tracks:

LE BESTIAIRE OU CORTEGE D'ORPHEE: I - Le Dromadaire
LE BESTIAIRE OU CORTEGE D'ORPHEE: II - La Chevre Du Tibet
LE BESTIAIRE OU CORTEGE D'ORPHEE: III - La Sauterelle
LE BESTIAIRE OU CORTEGE D'ORPHEE: IV - Le Dauphin
LE BESTIAIRE OU CORTEGE D'ORPHEE: V - L'ecrevisse
LE BESTIAIRE OU CORTEGE D'ORPHEE: VI - La Carpe
COCARDES: I - Miel De Narbonne
COCARDES: II - Bonne D'enfant
COCARDES: III - Enfant De Troupe
5 POEMES DE RONSARD: I - Attributs
5 POEMES DE RONSARD: II - Le Tombeau
5 POEMES DE RONSARD: III - Ballet
5 POEMES DE RONSARD: IV - Je N'ai Plus Les Os
5 POEMES DE RONSARD: V - A Son Page
CHANSONS GAILLARDES: I - La Maitresse Volage
CHANSONS GAILLARDES: II - Chanson A Boire
CHANSONS GAILLARDES: III - Madrigal
CHANSONS GAILLARDES: IV - Invocation Aux Parques
CHANSONS GAILLARDES: V - Couplets Bachiques
CHANSONS GAILLARDES: VI - L'offrande
CHANSONS GAILLARDES: VII - La Belle Jeunesse
CHANSONS GAILLARDES: VIII - Serenade
AIRS CHANTES: I - Air Romantique
AIRS CHANTES: II - Air Champetre
AIRS CHANTES: III - Air Grave
AIRS CHANTES: IV - Air Vif
Epitaphe
3 POEMES DE LOUISE LALANNE: I - Le Present
3 POEMES DE LOUISE LALANNE: II - Chanson
3 POEMES DE LOUISE LALANNE: III - Hier
4 POEMES DE GUILLAUME APOLLINAIRE: I - L'anguille
4 POEMES DE GUILLAUME APOLLINAIRE: II - Carte Postale
4 POEMES DE GUILLAUME APOLLINAIRE: III - Avant Le Cinema
4 POEMES DE GUILLAUME APOLLINAIRE: IV - 1904
5 POEMES DE MAX JACOB: I - Chanson Bretonne
5 POEMES DE MAX JACOB: II - Cimetiere
5 POEMES DE MAX JACOB: III - La Petite Servante
5 POEMES DE MAX JACOB: IV - Berceuse
5 POEMES DE MAX JACOB: V - Souric Et Mouric
8 CHANSONS POLONAISES: I - La Couronne
8 CHANSONS POLONAISES: II - Le Depart
8 CHANSONS POLONAISES: III - Les Gars Polonais
8 CHANSONS POLONAISES: IV - Le Dernier Mazour
8 CHANSONS POLONAISES: V - L'adieu
8 CHANSONS POLONAISES: VI - Le Drapeau Blanc
8 CHANSONS POLONAISES: VII - La Vistule
8 CHANSONS POLONAISES: VIII - Le Lac

Tracks:

5 POEMES DE PAUL ELUARD: I - Peut - Il Se Reposer?
5 POEMES DE PAUL ELUARD: II - Il La Prend Dans Ses Bras
5 POEMES DE PAUL ELUARD: III - Plume D'eau Claire
5 POEMES DE PAUL ELUARD: IV - Rodeuse Au Front De Verre
5 POEMES DE PAUL ELUARD: V - Amoureuses
A Sa Guitare
TEL JOUR, TELLE NUIT: I - Bonne Journee
TEL JOUR, TELLE NUIT: II - Une Ruine Coquille Vide
TEL JOUR, TELLE NUIT: III - Le Front Comme Un Drapeau Perdu
TEL JOUR, TELLE NUIT: IV - Une Roulotte Couverte En Tuiles
TEL JOUR, TELLE NUIT: V - A Toutes Brides
TEL JOUR, TELLE NUIT: VI - Une Herbe Pauvre
TEL JOUR, TELLE NUIT: VII - Je N'ai Envie Que De T'aimer
TEL JOUR, TELLE NUIT: VIII - Figure De Force Brulante Et Farouche
TEL JOUR, TELLE NUIT: IX - Nous Avons Fait La Nuit
3 POEMES DE LOUISE DE VILMORIN: I - Le Garcon De Liege
3 POEMES DE LOUISE DE VILMORIN: II - Au-Dela
3 POEMES DE LOUISE DE VILMORIN: III - Aux Officiers De La Garde Blanche
2 POEMES DE GUILLAUME APOLLINAIRE: I - Dans Le Jardin D'anna
2 POEMES DE GUILLAUME APOLLINAIRE: II - Allons Plus Vite
MIROIRS BRULANTS: I - Tu Vois Le Feu Du Soir
MIROIRS BRULANTS: II - Je Nommerai Ton Front
Le Portrait
La Grenouillere
Priez Pour Paix
Ce Doux Petit Visage
Bleuet
FIANCAILLES POUR RIRE: I - La Dame D'andre
FIANCAILLES POUR RIRE: II - Dans L'herbe
FIANCAILLES POUR RIRE: III - Il Vole
FIANCAILLES POUR RIRE: IV - Mon Cadavre Est Doux Comme Un Gant
FIANCAILLES POUR RIRE: V - Violon
FIANCAILLES POUR RIRE: VI - Fleurs

Tracks:

BANALITES: I - Chanson D'orkenise
BANALITES: II - Hotel
BANALITES: III - Fagnes De Wallonie
BANALITES: IV - Voyage A Paris
BANALITES: V - Sanglots
CHANSONS VILLAGEOISES: I - Chanson Du Clair Tamis
CHANSONS VILLAGEOISES: II - Les Gars Qui Vont A La Fete
CHANSONS VILLAGEOISES: III - C'est Le Joli Printemps
CHANSONS VILLAGEOISES: IV - Le Mendiant
CHANSONS VILLAGEOISES: V - Chanson De La Fille Frivole
CHANSONS VILLAGEOISES: VI - Le Retour Du Sergent
METAMORPHOSES: I - Reine Des Mouettes
METAMORPHOSES: II - C'est Ainsi Que Tu Es
METAMORPHOSES: III - Paganini
2 POEMES DE LOUIS ARAGON: I - C
2 POEMES DE LOUIS ARAGON: II - Fetes Galantes
2 POEMES DE GUILLAUME APOLLINAIRE: I - Montparnasse
2 POEMES DE GUILLAUME APOLLINAIRE: II - Hyde Park
2 POEMES DE GUILLAUME APOLLINAIRE: I - Le Pont
2 POEMES DE GUILLAUME APOLLINAIRE: II - Un Poeme
Paul Et Virginie
Mais Mourir
Hymne
3 CHANSONS DE FEDERICO GARCIA LORCA: I - L'enfant Muet
3 CHANSONS DE FEDERICO GARCIA LORCA: II - Adelina A La Promenade
3 CHANSONS DE FEDERICO GARCIA LORCA: III - Chanson A L'oranger Sec
Le Disparu
Main Dominee Par Le Coeur
CALLIGRAMMES: I - L'espionne
CALLIGRAMMES: II - Mutation
CALLIGRAMMES: III - Vers Le Sud
CALLIGRAMMES: IV - Il Pleut
CALLIGRAMMES: V - La Grace Exilee
CALLIGRAMMES: VI - Aussi Bien Que Les Cigales
CALLIGRAMMES: VII - Voyage

Tracks:

Mazurka
LA FRAICHEUR ET LE FEU: I - Rayon Des Yeux...
LA FRAICHEUR ET LE FEU: II - Le Matin Les Branches Attisent...
LA FRAICHEUR ET LE FEU: III - Tout Disparut...
LA FRAICHEUR ET LE FEU: IV - Dans Les Tenebres Du Jardin...
LA FRAICHEUR ET LE FEU: V - Unis La Fraicheur Et Le Feu...
LA FRAICHEUR ET LE FEU: VI - Homme Au Sourire Tendre...
LA FRAICHEUR ET LE FEU: VII - La Grande Riviere Qui VA...
PARISIANA: Le Joueur De Bugle
PARISIANA: Vous N'ecrivez Plus?
Rosemonde
LE TRAVAIL DU PEINTRE: I - Pablo Picasso
LE TRAVAIL DU PEINTRE: II - Marc Chagall
LE TRAVAIL DU PEINTRE: III - Georges Braque
LE TRAVAIL DU PEINTRE: IV - Juan Gris
LE TRAVAIL DU PEINTRE: V - Paul Klee
LE TRAVAIL DU PEINTRE: VI - Joan Miro
LE TRAVAIL DU PEINTRE: VII - Jacques Villon
La Souris
Nuage
Dernier Poeme
Une Chanson De Porcelaine
LA COURTE PAILLE: I - Le Sommeil
LA COURTE PAILLE: II - Quelle Aventure!
LA COURTE PAILLE: III - La Reine De Coeur
LA COURTE PAILLE: IV - Ba, Be, Bi, Bo, Bu
LA COURTE PAILLE: V - Les Anges Musiciens
LA COURTE PAILLE: VI - Le Carafon
LA COURTE PAILLE: VII - Lune D'avril
Toreador
4 CHANSONS POUR ENFANTS: I - La Tragique Histoire Du Petit Rene
4 CHANSONS POUR ENFANTS: II - Nous Voulons Une Petite Soeur
4 CHANSONS POUR ENFANTS: III - Le Petit Garcon Trop Bien Portant
4 CHANSONS POUR ENFANTS: IV - Monsieur Sans-Souci
Fancy
Colloque

Customer Reviews:

Essential for the chansom junkie. Buy It........2006-10-25

'Poulenc Melodies' performed by a really impressive lineup of vocal talent including Elly Ameling and Nicolai Gedda is exactly the kind of recording you need if you are compulsive about having 'complete' collections of things. This shows a range of composition which smaller releases such as single CD 'Voyage a Paris' (Hyperion, with Felicity Lott and Graham Johnson)can give us. For starters, many of these chansom showed a lot more evidence of more modern stylings and a far greater range of interpretation. In fact, I even had to check the lyrics in the included booklet to verify that on some songs, the performers were singing in French. Even though I have a smattering of knowledge of French, I would have sworn that the singers were performing songs in Russian.

I am happy that all four discs run for more than 60 minutes. No cheap short changing here. If you don't want to spring for the large set, the Hyperion release is great, but this is worth every penny.

Almost completely wonderful.......2005-04-29

Its very considerable advantage lies in its completeness. Poulenc was one of the very greatest songwriters of any era. If you have no Poulenc songs in your collection, start here. The recommendation of Kruysen is a fine one, but only after you have heard this as a basis of comparison. Of Ameling, Senechal, Souzay, Gedda, and Parker, the only disappointment is Parker, who - I'll just say it - sings with his usual bleat. Souzay is a shade past it in vocal quality, but he still understands these songs as well as anybody, with great declamation (and that, after all, is what most of French singing is about). The dryness of the voice is nowhere close to disastrous, as it might have been in Italian opera. Indeed, it lends an air of life lived, without excuses. Gedda is okay. The standouts are Souzay, Ameling, and Senechal. Baldwin accompanies superbly.

Indisputable Gallic flair.......2004-06-06

These performances are piquant and stylistically right on target. Even if Souzay is past his best here, he brings a lifetime of experience to bear and the other performers are wonderful. Ignore the curmudgeon who blasted this set. You will enjoy this tremendously if you love Poulenc.

Idiomatic, fresh, cleanly recorded.......2001-05-12

This is a fine set. Dalton Baldwin accompanies each singer with clarity and zest. And who can resist the affectionate singing of the likes of Nicolai Gedda and Elly Ameling? The "melodies" themselves are magnificent--among Poulenc's finest creations. Whether you have other performances of these works or not, I think you'd be pleased with this beautifully recorded set. Certainly the 70's-vintage performances are more individual in profile, more "romantic," if you will, than those conjured by most of the "anonymous" singers of our own age. Recommended with enthusiasm.

the best songs ever ruined by uneven performing.......2001-05-05

This is a warning for all Poulenc fans NOT to take the bargain route and purchase this immense collection -- you might think you're getting a great deal but: the singing and pianism is substandard and doesn't do the music justice (remotely). Songs like Bonne Journe'e or Ho^tel are all but ruined... Here's what to buy: Bernard Kruysen's CD of selected Poulenc masterpieces (favoring the Elouard settings)... nobody will ever come close to Kruysen in interpreting Poulenc. Avoid THIS CD. They still get 2 stars for (1) being encyclical and (2) delivering clear and even sound quality.

Average customer rating:

Musique sacrée de la Renaissance

Manufacturer: Harmonia Mundi Fr.
ProductGroup: Music
Binding: Audio CD

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Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

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Century 1/Various

ASIN: B000ARHNE4
Release Date: 2005-12-13

Average customer rating:

In Memoria

Manufacturer: Gandeamus
ProductGroup: Music
Binding: Audio CD

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Vladimir Godar: Mater

ASIN: B000MTEBBI
Release Date: 2007-04-10

Tracks:

Introit. Requim
Romanorum Rex
Gloria
Ave Regina Coelorum
Mort Tu As Navre
Credo
Absolve Quaesumus
Mille Quingentis
Nymphes Des Bois
Pater Noster/Ave Maria
Cueurs Desolez
Que Vous Madame
Quis Dabit Capti Meo Aquam?
Gradual: Requiem Aeternam/In memoria

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There's Love out There
La Rue
Manufacturer: Bmg Music
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000E6HM
Release Date: 1989-02-28

The Complete Recordings, 1902-1920 (Box Set)

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Get It While You Can
Essential edition for opera lovers

The Complete Recordings, 1902-1920 (Box Set)

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Ladino | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Latin Music | Styles | Music

General | Soundtracks | Styles | Music
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Bach: Cantatas, Vol. 22
Caruso 2000
The Complete Caruso
Wagner: Götterdämmerung
Classic Puccini Recordings

ASIN: B00030B92K
Release Date: 2004-11-23

Album Description

The Complete Caruso: Volumes 1 - 12

The Italian tenor Enrico Caruso holds a unique place in musical history, as the first operatic singer whose recordings sold in millions, and who created an international reputation on the strength of these. Caruso's robust tone and musical sincerity made him both an ideal stage and recording artist, whose voice the primitive acoustic recording technology of the early twentieth century was able to reproduce with startling fidelity. The Naxos Historical Caruso edition constitutes the complete cycle of all Caruso's recordings issued in chronological order. In addition, the transfers have been immaculately undertaken by top sound engineer Ward Marston, unrivalled for his knowledge of the specialized world of acoustic opera recordings, and his rare ability to retrieve all of the music lying in the grooves of the original recordings. Naxos Historical's incredible price (12 CD'S FOR THE PRICE OF 10) puts this unique legacy of great singing within the reach of all music-lovers. This! complete cycle of recordings represents a major document in the history of sound recording, and one which no collector and enthusiast of great singing will wish to be without. "There is no series of vocal records that have a greater documentary value, that meant more to the development of the phonograph record, or that are as consistently capable of providing pleasure to lovers of great singing. ...One of the most significant recording industry events of the decade." Fanfare

Customer Reviews:

Get It While You Can.......2006-10-13

This may not be easy to get in the USA for very long.....don't miss it.

Essential edition for opera lovers.......2005-02-01

This set gives you the opportunity to follow the entire recording career of one of the greatest singers in Operatic History. Enrico Caruso was the first superstar of the 20th century -- and this without the benefit of mass media. His person and his records were his greatest publicity.

The set begins with Caruso's Italian made recordings. They show a great raw talent. The artistry is lacking with many sobs, over acting and mistaken cues. The 1902 and 1903 clearly show a tenor with a lot to learn. But learn it he did. His 1904 sessions show a mature artist on par with any heard since. His voice matures before your very ears and by 1910, you wonder if you will ever listen to any other tenor the same way again.

The engineering used for this set is wonderful. There is no attempt at all to use the soundstream process of computer sound enhancement as heard on the RCA issued sets. These are near perfect mint conditioned discs copied by engineer extraordinary Ward Marston. They sound like natural 78s, they way Caruso himself must have heard the playbacks at the (RCA) Victor studios.

Also included are outtakes and extra takes. There is a "Celeste Aida" from 1908, complete with a broken high note, previously released by RCA in a 1973 set commemorating the tenor's centenary birthday. But there are new treasures here as well, including extra takes of two of Caruso's greatest recordings, the Italian song "L'Alba separa dalla l'uce ombra" and an aria from Rubinestine's Nerone. Listening to them, one wonders what Caruso could have possible thought inadquate in those long lost altenative takes.

Finally, there is the simple joy of hearing so many things so well sung. Caruso was the pinnacle of the tenor art. He can be compared to no other single tenor since ... he has the brilliant ring of Bjorling, the passion of Gigli, the beauty of Gedda, the youthful enthusiasm of Lanza, the warm tonal quality of Tucker, the pure strength of Corelli, the charasma of Pavarotti and the artestry of Domingo.

Whether you are an opera fan, a voice fan or just a music lover. This set is worth every penny.

Todd Kosovich

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LA RUE

Do It for Love
La Rue
Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Good 2 Go
Poison
Damian Dame
Jade to the Max

ASIN: B000008HID
Release Date: 1991-06-25

Tracks:

Serious
I Told You So
Still in Love
My Heart Says Yes
Night to Remember
Think of Me
Wish I Could Find Another
I Only
This Time (Prelude)
This Time

Customer Reviews:

LA RUE.......2003-03-20

I THINK THEY ARE VERY TALENTED AND WOULD LIKE TO HEAR SOME OF THEIR MUSIC.

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Anthology of Chant

Manufacturer: Celestial Harmonies
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Ambient | Dance & DJ | Styles | Music

Tibet | Far East & Asia | International | Styles | Music

General | International | Styles | Music

Native American | North America | International | Styles | Music

Turkey | Middle East | International | Styles | Music

General | New Age | Styles | Music

Meditation | New Age | Styles | Music

General | Opera & Vocal | Styles | Music

Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Psalms | Vocal Non-Opera | Opera & Vocal | Styles | Music

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The Music of Islam Sampler
Music of Islam, Vol. 10: Qur'an Recitation

ASIN: B0000007YM
Release Date: 1995-11-30

Tracks:

The Taj Mahal Suite XV - Saad Ullah Khan
Das Wessobrunner Gebet (The Wessobrunn Prayer) - Madrigal Choir Of The Munich Academy Of Music/Max Frey
Ezan (Call To Prayer) - H. Hafiz Huseyin Erek
Sirt Im Sasani - Haissmavourk Choir/Mihran Ghazelian
Lamentationes Jeremiae - Students' Choir And Students' Chamber Choir Utrecht/Jan Boogarts
O Felix Anima - Augsburg Ensemble For Early Music
Peace Pipe Prayer To The North, South, East And West - Perry Silverbird
The Prayers Of Forgiveness - Sosol - Monks Of The Dip Tse Chok Ling Monastery Of Dharamsala
Kuranda Warrior - David Hudson
Brotherhood - David Hykes, Timothy Hill
Bats Mez Ter - Karineh Avetissian
Miserere - Oxford Camerata, Jeremy Summerly
Wa-She-Poh - Perry Silverbird, Steve Roach
Al Fatiha - Omar Faruk Tekbilek, Brian Keane
The Taj Mahal Suite XV - Saad Ullah Khan

Album Description

Music was originally a communal act. It was utilitarian and, in a way, magic - it made work easy. Music was also a reflection of the nascent social order, with one lead voice and the rest responding. The first solo music was therefore a powerful act of liberation, of spirit. This recording contains a great diversity of solos; more than a millennium separates the oldest from the most recent; there are solos for flutes, reeds, brass, lutes, zithers, fiddles, piano, percussion, and voice; the music comes from the Near East, the Far East, Australia, Europe, and the Americas. But despite the contrast of instruments and styles, what gradually becomes apparent is the similarity beneath the surface of these works. Soul Alone: The Art of the Solo suggests that there is some fundamental distinction about the way musicians express themselves in a solo setting - something that defines the Art of the Solo.

This is some of the most personally felt music the world's greatest traditions have to offer. If the act of making music is a personal one, so too is listening. Music was always meant to be listened to - by other people, or by something else, whether you call it God or nature or by another name. And that is the reason for Soul Alone: The Art of the Solo. Because after all, music can be performed alone, and heard alone, but it is still a communal art, meant to be shared. Perhaps it only truly becomes music when it is shared.

Music Review:

Music Review

Music Review

1. Reason - LaRue
2. Picture Frame - LaRue
3. Someday - Larue
4. Fallen King - Larue
5. As She Cries - Larue
6. Waiting Room - Larue
7. Always Be - LaRue
8. One Day of the Week - LaRue
9. Katie - LaRue
10. Stars - LaRue
11. Run to You (The Piano Song) - LaRue