Beautiful Saviour

Track Listings
1. Beautiful Saviour    
2. Shout to the Lord    
3. Oh God of My Comfort    
4. Kindom of Love    
5. Unfailing Love    
6. Power of Your Love    
7. I Honour You    
8. Mercy of God    
9. Now Is the Time    
10. Just Let Me Say    
11. Your Grace and Your Mercy    
12. Mercy    
13. Lift Our Praises    
14. I Will Worship    
15. Love Divine    
16. Within Your Love    

Beautiful Saviour, Music, Various Artists, Contemporary Christian Music, Gospel, Int'l & World Music, Pop, Religious / Contemp. Christian
The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
Average customer rating: 4 out of 5 stars
  • The Price Club
  • A living legend
  • not your daddy's old timey spiritual
  • Immaculate Vocals of Leontyne Price
  • Great Gospel Stuff
 The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Leontyne Price: The Ultimate Collection
  2. Leontyne Price Christmas Songs Chants de Noel.Weihnachtslieden Wiener Philharmoniker Herbert Von Karajan
  3. Spirituals in Concert
  4. Amazing Grace: Jessye Norman
  5. Spirituals

ASIN: B000003FWE
Release Date: 1997-01-14

Tracks:

  1. Ev'ry Time I Feel The Spirit - Various Artists
  2. Let Us Break Bread Together On Our Knees - Various Artists
  3. His Name So Sweet - Various Artists
  4. 'Roun' About The Mountain - Various Artists
  5. Swing Low , Sweet Chariot - Various Artists
  6. Sit Down, Servant - Various Artists
  7. Were You There - Various Artists
  8. He's Got The Whole World In His Hands - Various Artists
  9. Deep River - Various Artists
  10. Honor! Honor! - Various Artists
  11. My Soul's Been Anchored In De Lord - Various Artists
  12. On Ma Journey - Various Artists
  13. A City Called Heaven - Various Artists
  14. Ride On, King Jesus - Various Artists
  15. I Wish I Knew How It Would Feel To Be Free - Various Artists
  16. Sinner, Please Don't Let This Harvest Pass - Various Artists
  17. Sweet Little Jesus Boy - Various Artists
  18. There Is A Balm In Gilead - Various Artists
  19. Let Us Cheer The Weary Traveler - Various Artists
  20. Ev'ry Time I Feel The Spirit - Various Artists
  21. My Way Is Cloudy - Various Artists
  22. Nobody Knows The Touble I've Seen - Various Artists
  23. I Couldn't Hear Nobody Pray - Various Artists

Tracks:

  1. Holy, Holy, Holy - Leontyne Price
  2. Lead, Kindly Light - Leontyne Price
  3. Blessed Assurance - Leontyne Price
  4. Ave Maria - Leontyne Price
  5. What A Friend We Have In Jesus - Leontyne Price
  6. Amazing Grace - Leontyne Price
  7. The Lord's Prayer - Leontyne Price
  8. Pass Me Not, O Gentle Savior - Leontyne Price
  9. The Church's One Foundation - Leontyne Price
  10. Bless This House - Leontyne Price
  11. I Need Thee Every Hour - Leontyne Price
  12. Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
  13. I Wonder As I Wander - Leontyne Price
  14. Ave Maria - Leontyne Price
  15. Porgy And Bess: Summertime - Leontyne Price
  16. America The Beautiful - Leontyne Price
  17. Lift Ev'ry Voice And Sing - Leontyne Price
  18. A Mighty Fortress Is Our God - Leontyne Price
  19. Battle Hymn Of The Republic - Leontyne Price

Customer Reviews:

5 out of 5 stars The Price Club.......2005-04-28

"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.

"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.

5 out of 5 stars A living legend.......2005-03-10

Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "

1 out of 5 stars not your daddy's old timey spiritual.......2004-06-23

Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.

5 out of 5 stars Immaculate Vocals of Leontyne Price.......2003-12-31

IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**

4 out of 5 stars Great Gospel Stuff.......2001-04-12

This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.
Virtuoso Piano Transcriptions
Average customer rating: 4 out of 5 stars
  • Great CD!
  • A Piano Celebration By and For Piano-Lovers
  • Original works and original renditions
  • a disappointment
 Virtuoso Piano Transcriptions

Manufacturer: Hmf Classical Exp.
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006I499
Release Date: 2002-11-12

Customer Reviews:

5 out of 5 stars Great CD!.......2006-02-22

The recording by Mr. Chiu is excellent. He has a fluidity, a serenity in his music that satisfies the listener. He plays like a master himself.

5 out of 5 stars A Piano Celebration By and For Piano-Lovers.......2006-01-08

If you love the piano, and better yet, if you play a bit (or a lot) of the instrument, you should run--not walk--to your favorite CD vendor and pick up this great disk! It's excellent, it's delightful, and it's a bargain!

One of the joys of piano-playing, even for a duffer like me, is to try to play a familiar work from orchestral or other literature convincingly on the piano. It's a challenge, but can also be great fun to try to summon up the spirit of a favorite work using only 88 keys, 3 pedals, and as much technique, musicianship, and courage as you can muster. In the case of this CD the challenge is met with smashing success!

All those represented on this CD, with the possible exceptions of Schoenberg, Strauss, and Wagner (about whom I'm not sure), have or had a great love of the piano and a substantial capability to play it. (Bach didn't have a piano, but he loved the organ and other keyboards.) Furthermore, Bach, Busoni, Liszt, and Rachmaninov were genuine virtuosi, and Chiu is, too, with the added advantage of being alive!

As to the music, everyone knows the Blue Danube Waltz, but here it's presented as a virtuoso arabesque, replete with intricate filigrees of sound and other ear-catching devices to effect a pianistic transformation of Strauss's dance while preserving the basic musical content. The result is a brilliant showpiece for Mr. Chiu's remarkable dexterity, but which is at the same time quite a lovely, tasteful, and interesting piece of music.

Three movements from Bach's well-known violin partita in E (BWV 1006) jerk us backward a couple of centuries, but delight us no less. The Preludio is played in such a sprightly, pianistic way that we're beguiled into thinking it was originally written for keyboard. (Indeed, it's often reminiscent of the Italian Concerto.) For this, we are indebted to Rachmaninov for his great transcription and to Chiu for his stunning performance. The less vivacious, more stately, Gavotte en Rondeau follows with equal effect. Chiu's neat fingerwork lets the melodic motifs shine through untrammeled by the accompanying chords, etc., and his understanding of the baroque style provides an unfailingly authentic interpretation. The Gigue rounds out the group and restores much of the exhuberance of the first movement, with great eclat.

Next the mood turns toward high sobriety as Busoni's version of Bach's choral prelude "Nun komm, der Heiden Heiland" [Come now, Savior of the Heathen] is presented. In this piece Chiu displays his mastery at capturing the yearning inherent in this old hymntune, while demonstrating such skill at contrapuntal execution we are able to follow multiple simultaneous voices flowing independently with absolutely no confusion among them. The result is a deliciously contemplative work of the greatest dignity. The next choral prelude, "Nun freut euch, liebe Christen" [Rejoice now, beloved Christians], is sheer magic! Against a rapid, perpetual motion melody we hear the slow hymntune presented in all its imperturbable simplicity while at the same time we hear the punctuation of a staccato bass. (By now I'm getting suspicious that Chiu has a third hand; how else could he bring all this off?) The third choral prelude is the dearly loved "Wachet auf, ruft uns die Stimme" [Wake up, the voice calls to us]. Here Bach's own lovely melody flows over a slow, smooth bass line, while phrases of the hymntune burst in at times. The overall effect is gorgeous! (As one who has attempted the old Myra Hess version of this prelude, I can tell you it isn't all that easy; but here Chiu makes it sound as simple and natural as breathing.)

The Schoenberg "Klavierstuck," transcribed by Busoni, brings us to the 20th century and the world of atonality. It is quite a jump in musical style, but here the interpretation is as convincing as in the older, more familiar works. Though not a Schoenberg fan, I truly enjoyed this performance and found it to be thoroughly intelligible and satisfying.

The mythic world of Teutonic gods and superheroes is next evoked in Liszt's transcription of the "Liebestod" [Love-Death] scene from Wagner's Tristan and Isolde. Here the piano takes on the task of presenting the effect of a large orchestra with singers and all in a mood of high drama. And again we are pleased to find all the grandeur, intimacy, and beauty of the original.

The three Schubert songs which follow offer impressions of voice and piano, as conjured up by Liszt (2) and Rachmaninov (1). Here we can compare the work of these two transcribers, both amply qualified for the job. Next is another song impression by Liszt, this time of Schumann's Fruhlingsnacht [Spring Night]. All these song transcriptions are good enough to stand on their own as piano works, irrespective of their sources.

The final piece is Prokofiev's transcription of a set of Schubert waltzes, which I believe were originally written for piano. Here they are presented in all their original grace, delicacy, nobility, and tunefulness, but dressed up for the ball!

Frederic Chiu is an American (of Chinese immigrant parents) educated at Indiana U. and Juillard who now resides in France, where he made his professional debut. He keeps a busy schedule of performing around the world, as well as teaching in piano master classes. His performances are eagerly attended and have earned him much critical acclaim. Recording exclusively for Harmonia Mundi, he has piled up a discography of over 20 CDs, including a 10-disk series of the complete piano works of Prokofiev. He has earned particular praise for his very wide dynamic range (from thunderous fortissimos to the most delicate pianissimos), for his ability to bring out melodies clearly through complex masses of sound and to keep multiple melodies clearly differentiated, and for his general interpretive sensitivity. His first CD was of piano transcriptions, for which he has a special interest and a genuine flair. He personally wrote the liner notes for this CD, and his piano is a Yamaha.

Probably the greatest danger in virtuoso transcriptions is that of glittering superficiality. Here the stature of the transcribers and artistic depth and integrity of the performer combine to eliminate all traces of that danger!

5 out of 5 stars Original works and original renditions.......2005-07-22

This is another great cd by Frederic Chiu with a large variety of works, really interesting and marvellously performed. The Blue Danube transcription is gracefully played, different from Hamelin's but still virtuosic. Mr. Chiu is a great pianist!

2 out of 5 stars a disappointment.......2002-12-26

this is a total disappointment. it lacks the expressive maturity that we have come to expect and wastes everyone's time. although there are no "wrong" notes it is just absolutely boring to listen to
The Essential Leontyne Price
Average customer rating: 5 out of 5 stars
  • A Long Time Coming...
  • Her Best Album
  • Price At Her Peak
  • of course world class
  • the greatest american soprano of the 20th century
 The Essential Leontyne Price

Manufacturer: RCA
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003FWD
Release Date: 1996-08-13

Tracks:

  1. Aida: Act I: Ritorna vincitor!
  2. Aida: Act I: E l'amor mio?
  3. Aida: Act I: I sacri nomi di padre, d'amante
  4. Aida: Act III: Qui Radames verra!
  5. Aida: Act III: O patria mia
  6. Un Ballo in Maschera: Act II: (Prelude)
  7. Un Ballo in Maschera: Act II: Ecco l'orrido campo
  8. Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
  9. Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
  10. Un Ballo in Maschera: Act III: Morro, ma prima in grazia
  11. Il Trovatore: Act I: Che piu t'arresti?
  12. Il Trovatore: Act I: Tacea la notte placida
  13. Il Trovatore: Act I: Di tale amor che dirsi
  14. Il Trovatore: Act IV: Siam giunti
  15. Il Trovatore: Act IV: D'amor sull'ali rosee
  16. Ernani: Act I: Surta e la notte
  17. Ernani: Act I: Ernani! Ernani, involami
  18. Ernani: Act I: Tutto sprezzo che d'Ernani
  19. La forza del destino: Act II: Son giunta! Grazie, o Dio!
  20. La forza del destino: Act II: Madre, madre, pietosa Vergine
  21. La forza del destino: Act II: La Vergine degli angeli
  22. La forza del destino: Act IV: Pace, pace, mio Dio

Tracks:

  1. Cosi fan tutte: Act I: Come scoglio immoto resta
  2. Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
  3. Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
  4. TOSCA: Act II: Vissi d'arte
  5. Manon Lescaut: Act II: In quelle trine morbide
  6. Manon Lescaut: Act IV: Sola, perduta, abbandonata
  7. Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
  8. Don Giovanni: Act I: Don Ottavio, son morta!
  9. Don Giovanni: Act I: Or sai chi l'onore
  10. Don Giovanni: Act II: Crudele? Ah, no, mio bene!
  11. Don Giovanni: Act II: Non mi dir
  12. Turandot: Act I: Signore, ascolta!
  13. Turandot: Act III: Tu che di gel sei cinta
  14. Ariadne auf Naxos: Es gibt ein Reich
  15. Antony And Cleopatra: Act III: Give me my robe

Tracks:

  1. Otello: Era piu calmo?
  2. Otello: Mia madre aveva una povera ancella (Willow Song)
  3. Otello: Ave Maria
  4. Fidelio: Act I: Abscheulicher! Wo eilst du hin?
  5. Suor Angelica: Senza mamma, o bimbo, tu sei morto!
  6. Carmen: L'amour est un oiseau rebelle (Habanera)
  7. La Traviata: Act I: E strano, e strano !
  8. La Traviata: Act I: Ah, fors' e lui
  9. La Traviata: Act I: Sempre libera
  10. Le nozze di Figaro: Act III: E Susanna non vien!
  11. Le nozze di Figaro: Act III: Dove sono
  12. Die Agyptische Helena: Act II: Awakening Scene
  13. La rondine: Ore dolci e divine
  14. Salome: Finale

Tracks:

  1. Eugene Onegin: Act II: Puskai pogibnu ya
  2. Eugene Onegin: Act II: Ya k vam pishu
  3. Eugene Onegin: Act II: Net, nikomu na svete
  4. Eugene Onegin: Act II: No tak i byt'!
  5. La rondine: Act I: Chi il bel sogno di Doretta
  6. VANESSA: Act I: He Has Come, He Has Come!
  7. VANESSA: Act I: Do Not Utter A Word
  8. Carmen: Act I: Pres des remparts de Seville (Seguidilla)
  9. Manon: Act II: Allons! il le faut!
  10. Manon: Act II: Adieu, notre petite table
  11. Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
  12. Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
  13. La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
  14. Die Frau ohne Schatten: Act II: Empress's Awakening Scene
  15. Dido and Aeneas: Act III: Thy Hand, Belinda!
  16. Dido and Aeneas: Act III: When I Am Laid In Earth
  17. Don Carlo: Act V: Tu che le vanita conoscesti del mondo

Tracks:

  1. Otello: Act I: Gia nella notte
  2. Otello: Act I: Quando narravi
  3. Otello: Act I: Venga la morte!
  4. Cosi fan tutte: Act I: Ah, guarda, sorella
  5. Madama Butterfly: Act I: Bimba, bimba, non piangere
  6. Madama Butterfly: Act I: Bimba dagli occhi
  7. Madama Butterfly: Act I: Vogliatemi bene
  8. Requiem: Recordare
  9. Porgy And Bess: Act II: Bess, You Is My Woman
  10. Norma: Act III: Me chiami, o Norma
  11. Norma: Act III: Mira, o Norma
  12. Ernani: Act II: Tu, perfida!
  13. Ernani: Act II: Ah, morir, potessi adesso
  14. Cosi fan tutte: Act II: Sorella, cosa dici?
  15. Cosi fan tutte: Act II: Prendero quel brunettino
  16. Aida: Act IV: La fatal pietra sovra me si chiuse
  17. Aida: Act IV: Presago il core della tua condanna
  18. Aida: Act IV: Vedi? Di morte l'angelo
  19. Aida: Act IV: O terra, addio

Tracks:

  1. Un Ballo in Maschera: Act II: Teco io sto!
  2. Aida: Act III: Ciel! mio padre!
  3. Aida: Act III: Rivedrai le forest imbalsamate
  4. Aida: Act III: In armi ora si desta il popol nostro
  5. Aida: Act III: Padre! a costoro schiava non sono
  6. Requiem: Angus Dei
  7. Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
  8. Cosi fan tutte: Act I: Soave sia il vento
  9. Porgy And Bess: Act II: I Loves You, Porgy
  10. Aida: Act II: Silenzio! Aida verso noi s'avanza
  11. Aida: Act II: Fu la sorte dell'armi
  12. Aida: Act II: Pieta ti prenda del mio dolor
  13. Aida: Act II: Alla prompa che s'appresta
  14. Il Trovatore: Act IV: Udiste?
  15. Il Trovatore: Act IV: Mira, di acerbe lagrime
  16. Il Trovatore: Act IV: Vivra! Contende il giubilo
  17. Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
  18. Carmen: Act IV: C'est toi! - C'est moi!
  19. Carmen: Act IV: Ou vas-tu? - Laisse-moi!

Tracks:

  1. Les nuits d'ete, Op.7: Villanelle
  2. Les nuits d'ete, Op.7: Le spectre de la rose
  3. Les nuits d'ete, Op.7: Sur les lagunes
  4. Les nuits d'ete, Op.7: Absence
  5. Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
  6. Les nuits d'ete, Op.7: L'ile inconnue
  7. Four Last Songs: Fruhling
  8. Four Last Songs: September
  9. Four Last Songs: Beim Schlafengehen
  10. Four Last Songs: Im Abendrot
  11. Clair de lune, Op.46, No.2: Clair de lune
  12. Notre amour, Op.23, No.2: Notre amour
  13. Au cimetiere, Op.51, No.2: Au cimetiere
  14. Au bord de l'eau, Op.8, No.1: Au bord de l'eau
  15. No.1, Cinq melodies de Venise, Op.58: Mandoline
  16. Main dominee par le coeur
  17. Miroirs brulants No.2: Je nommerai ton front
  18. Miroirs brulants No.1: Tu vois le feu du soir
  19. Ce doux petit visage

Tracks:

  1. Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
  2. Frauenliebe und -leben, op.42: Seit ich ihn gesehen
  3. Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
  4. Frauenliebe und -leben, op.42: Ich kann's nicht fassen
  5. Frauenliebe und -leben, op.42: Du Ring an meinem Finger
  6. Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
  7. Frauenliebe und -leben, op.42: Susser Freund, du blickest
  8. Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
  9. Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
  10. Widmung (No.1, Myrthen, Op.25): Widmung
  11. Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
  12. Volksliedchen, Op.51, No.2: Volksliedchen
  13. Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
  14. Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
  15. Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
  16. Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
  17. Allerseelen, Op.10, No.8: Allerseelen
  18. Schlagende Herzen
  19. Freundliche Vision, Op.48, No.1: Freundliche Vision
  20. Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
  21. Der Gartner (Morike-Lieder No.17)
  22. Lebe wohl (Morike-Lieder No.36)
  23. Morgentau (From An Old Songbook)
  24. Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)

Tracks:

  1. Ev'ry Time I Feel The Spirit - Various Artists
  2. Let Us Break Bread Together On Our Knees - Various Artists
  3. His Name So Sweet - Various Artists
  4. 'Roun' About De Mountain - Various Artists
  5. Swing Low, Sweet Chariot - Various Artists
  6. Sit Down, Servant - Various Artists
  7. Were You There - Various Artists
  8. He's Got The Whole World In His Hands - Various Artists
  9. Deep River - Various Artists
  10. Honor! Honor! - Various Artists
  11. My Soul's Been Anchored In De Lord - Various Artists
  12. On Ma Journey - Various Artists
  13. A City Called Heaven - Various Artists
  14. Ride On, King Jesus - Various Artists
  15. I Wish I Knew How It Would Feel To Be Free - Various Artists
  16. Sinner, Please Don't Let This Harvest Pass - Various Artists
  17. Sweet Little Jesus Boy - Various Artists
  18. There Is A Balm In Gilead - Various Artists
  19. Let Us Cheer The Weary Traveler - Various Artists
  20. Ev'ry Time I Feel The Spirit - Various Artists
  21. My Way Is Cloudy - Various Artists
  22. Nobody Knows The Touble I've Seen - Various Artists
  23. I Couldn't Hear Nobody Pray - Various Artists

Tracks:

  1. Holy, Holy, Holy
  2. Lead, Kindly Light
  3. Blessed Assurance
  4. Ave Maria
  5. What A Friend We Have In Jesus
  6. Amazing Grace
  7. The Lord's Prayer
  8. Pass Me Not, O Gentle Saviour
  9. The Church's One Foundation
  10. Bless This House
  11. I Need Thee Every Hour
  12. Fairest Lord Jesus
  13. I Wonder As I Wander
  14. Ave Maria
  15. Porgy And Bess: Summertime
  16. America The Beautiful
  17. Lift Ev'ry Voice And Sing
  18. A Mighty Fortress Is Our God
  19. Battle Hymn Of The Republic

Tracks:

  1. Chants tziganes, Op. 103: He Zigeuner
  2. Chants tziganes, Op. 103: Hochgeturmte Rimaflut
  3. Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
  4. Chants tziganes, Op. 103: Lieber Gott, du weisst
  5. Chants tziganes, Op. 103: Brauner Bursche
  6. Chants tziganes, Op. 103: Roselein dreie in der Reihe
  7. Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
  8. Chants tziganes, Op. 103: Rote Abendwolken
  9. Adriana Lecouvreur: Act I: Io son l'umile ancella
  10. This Little Light O'Mine
  11. Interview With Leontyne Price By John Pfeiffer

Amazon.com

This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine

Customer Reviews:

5 out of 5 stars A Long Time Coming..........2006-03-30

This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!

5 out of 5 stars Her Best Album.......2006-01-01

Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.

This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.

5 out of 5 stars Price At Her Peak.......2005-05-02

Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.

This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.

Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.

Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.

5 out of 5 stars of course world class.......2000-08-14

Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.

5 out of 5 stars the greatest american soprano of the 20th century.......1999-12-12

This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.
The English Anthem, Vol. 2
Average customer rating: 4 out of 5 stars
  • Very fine
 The English Anthem, Vol. 2

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Finzi, Gerald | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
AnthemsAnthems | Vocal Non-Opera | Opera & Vocal | Styles | Music
MotetsMotets | Vocal Non-Opera | Opera & Vocal | Styles | Music
ClassicalClassical | Imports | Stores | Music
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ASIN: B000002ZQ4
Release Date: 1993-11-19

Customer Reviews:

4 out of 5 stars Very fine.......2000-05-17

Having reviewed one volume of this fascinating series, I feel only a brief review is needed for any of the others. I bought this one really in order to hear the Cathedral Choir's version of "Lo, the full, final sacrifice" by Gerald Finzi, introduced to me by a close friend via the Finzi Singers' recording. As an anthem, it is certainly too long for use at anything other than special occasions, but having heard the St. Paul's Choir singing it, I can safely say that Finzi "has the last word in anthems." The other works on this disc are no less well-rendered. The balance is perhaps a little too much towards Victorian composers, but the series was just starting at this point, and in many ways John Scott's readings of their anthems sheds new light on the music. In addition, the sound quality is good. In short, a very fine record and worthy member of the "English Anthem" series.
Beautiful Saviour
Average customer rating: Not rated
    		Beautiful Saviour

    Manufacturer: Coventry Music
    ProductGroup: Music
    Binding: Audio CD
    ASIN: B0002IG43W

    Product Description

    Beautiful Harp Instrumental - Playlist: 1. Saviour-Like A Shepherd Lead Us 2. I Know Whom I Have Believed 3. How Beautiful 4. Bind Us Together 5. Fairest Lord Jesus 6. The Servant King 7. Bless His Holy Name 8. The Lord's My Shepherd 9. Jesus-How Lovely You Are 10. Look To Jesus 11. There Is A Fountain 12. The Nail-Scarred Hand 13. Just As I Am
    Australia Worships: Beautiful Saviour
    Average customer rating: Not rated
      		Australia Worships: Beautiful Saviour
      Various Artists
      Manufacturer: Maranatha
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | International | Styles | Music
      GeneralGeneral | Christian & Gospel | Styles | Music
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      ASIN: B00004YNAH
      Release Date: 2000-09-26

      Tracks:

      1. Prelude
      2. Beautiful Saviour
      3. Shout To The Lord
      4. O God Of My Comfort
      5. This Kingdom Of Love
      6. Unfailing Love
      7. The Power Of Your Love
      8. I Honour You
      9. Oh The Mercy Of God
      10. Now Is The Time
      11. Just Let Me Say
      12. Your Grace & Your Mercy
      13. Mercy
      14. Lift Our Praises
      15. I Will Worship
      16. Love Divine/Within Your Love

      Music Review:

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      3. Bishop Andre Woods and Chosen
      4. Blackberry's Greatest Hits, Vol. 2
      5. By Request Their Greatest Hits
      6. Calling All Saints
      7. Celebration of Voices: Great Choirs of America
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