Hosanna! Music: Hymns

Track Listings

1. All Creatures of Our God and King

2. Nothing But the Blood of Jesus

3. Lamb of God

4. Great Is Thy Faithfulness

5. Crown Him With Many Crowns

6. For This Purpose

7. Battle Hymn of the Republic

8. Solid Rock

9. Holy, Holy, Holy

10. It Is Well With My Soul

11. Shine, Jesus, Shine

12. Song for the Nations

13. Savior Like a Shepherd Lead Us

14. Lord's Prayer

Tracks:

Sicut Cervus
Ave Maria
Justorum Animae
Jesu Rex admirabilis
Exultate Deo
Exultate Justi
Jesu,Dulcis Memoria
Ave Verum Corpus
Psalm 90
Psalm 96
Hodie Christus Natus Est
O Maria Virgo Pia
Tu Pauperum Refugium
O Sacrum Convivium
If Ye Love Me,Keep My Commandments
Hosanna To The Son Of David
O Quam Gloriosum
Selig sind die Toten
Heu Nos Miseros
Exaltabo Te
O Sing Joyfully
O Magnum Mysterium
Laudate Nomen
Cantate Domino

Amazon.com

Go right to the first track and prepare for one of the most masterful and stylish performances of Palestrina that you'll ever hear. It's not flashy music nor is the singing especially virtuosic, but the unified phrasing, ideal balance among sections, and overall ensemble technique is impressive, and Palestrina's little motet simply opens and displays itself like a beautiful flower. The rest of the program, which includes a variety of beautiful flowers from composers such as Josquin, Sweelinck, and Tallis, maintains the same standard. Anyone looking for an introduction to Renaissance sacred choral music will find much here to encourage further exploration--standards like Byrd's "Ave verum corpus" and Victoria's "O magnum mysterium"-- and lesser known tiny masterpieces such as Victoria's "Jesu, dulcis memoria." The Voices of Ascension ranks with the world's finest choirs, and this recording reflects both the highest standard of choral singing and the highest standard of choral composition during the Renaissance. --David Vernier

Customer Reviews:

Great literature... but thats about it.......2007-06-17

This cd was mildly dissapointing, to say the least. The literature is fantastic. Some of the greats are featured on here with some of their best works. No doubt a great taste of the Renaissance, especially for someone new to it. However, I'm sorry to say that the performance is second-rate, at best. Dennis Keene apparently is either unaware, or just simply understudied when it comes to the Renaissance. He shows an incredible lack of messa di voce, which was what drove the counterpoint of the Renaissance. His interpretations rob this music of its deeply personal purpose. I would suggest the Hilliard Ensemble over any ensemble for Renaissance literature, and find it dissapointing that so many people praise such emotionless, understudied Renaissance ensembels such as the Voices of Ascension, the Tallis Scholars, and the Oxford Camerata, just to name a few. Very good literature... But always pick the Hilliard Ensemble or Anthony Rooley's Consort of Musike when you have the option. It seems like Paul Hillier and Anthony Rooley are the only two true Renaissance scholars currently conducting ensembles.

Essential listening........2007-03-05

This was my first CD of Renaissance choral music, as it undoubtably has been for a great many people. It offers the best possible introduction to the genre for 2 main reasons: 1. No other CD of Renaissance choral music contains such a varied cross-section of early to late Renaissance sacred music styles. 2. The performance and recording quality are fabulous.

Keene uses a variety of different voicings and numbers of singers according to the needs of each particular piece, sometimes with only 2 on a part. The ensemble heard on this recording is a select professional core of The Voices Of Ascension, one of the best choral groups in the country. The voices are all very rich and resonant, and the intonation through the entire CD is unquestionably on par with the best in the world. The singing is, for the most part, completelly vibratoless and extremely smooth, which creates a gorgeous purity that allows this music to shine. However, it does become strident at times, which may put off some choral conductors who are strongly against straight-tone singing.

Of particularly high quality and beauty are the Viadana "Exultate Justi", Byrd's "Ave Verum Corpus", Tallis' "O Sacrum Convivium", and the Victoria and Sweelinck pieces. Another extraordinary track is Leonardo Leo's "Heu Nos Miseros", a late Baroque piece included because of its influence from earlier styles. It is a 9 part double choir piece full of extravigant dissonances and emotion, performed breathtakingly.

Captivating!.......2006-04-12

I was christened as a choral music fan once, as a college student, I heard the music of the Cambridge Singers. Inundated with classical music for years, how could I never have heard such music?! It was as if my musical senses were born anew: for it was with the same awe as a child encountering the world for the first time, that I discovered this novel and fascinating world of a cappella choral music. There were landmark discoveries along the way: Choir of Trinity College, Cambridge; Concordia Choir; St. Olaf Choir; the Dale Warland Singers; the Kansas City Chorale; Kantorei; the West Coast Mennonite Chamber Singers...and (as you expected!) I must end with the Voices of Ascension. The clarity of their pure voices can only be paralleled by the Choir of Trinity College, Cambridge. Chant haters, do not avoid this CD - you will find no chants here! Chants hold absolutely NO intrigue for me and I cannot endure listening to them for long periods of time. By contrast, this music, aptly named "Beyond Chant," truly does uncover hidden musical treasures of the Renaissance for those who would ordinarily avoid such music. The intricately woven a cappella harmonies are captivating and satisfying. I highly recommend this CD to all choral music fans.

Lofty music.......2005-10-14

Some of the earliest pieces of Christian music are the various kinds of chant. These hearken back to synagogue singing; there were various kinds of chant, including Gregorian, Old Roman, Mozarabic, Cistercian and Anglican chant. These tend toward the monophonic, singing with a single 'tune' or lone. They are generally without regular beats or set meters. However, in the Renaissance, monophonic chant grew into a polyphonic form, and this is one of the most glorious eras of music. (My shelves at home are filled with CDs of this sort.) Composers in this era include many represented on this disc - Palestrina, Desprez, Victoria, Lassus, Byrd, Gibbons and Tallis were some of the leading lights of the time. Lesser known but still glorious include Tye, Viadana, Sweelinck, Hassler, Batten and Schutz.

One of the interesting features of this disc is that it includes three pieces by Sweelinck, two psalm settings and 'Hodie Christus Natus Est'. (Sweelinck is very under-represented in recording and performance today). Some pieces are very well known - Byrd's 'Ave Verum Corpus' is perhaps one of the most familiar pieces from this period, as is Palestrina's 'Exultate Deo'. This is a collection that draws from the breadth of the Western Christian tradition of music from this time, with composers from Britain, Italy, the Netherlands, France, Germany, and Spain.

The composers here wrote liturgical music for Masses and other worship services, as well as other pieces - motets and other kinds of new music. This disc represents music that is two or three steps removed from plainsong and basic forms of chant - some are quite a bit distant. Viadana's composition for 'Exultate Justi', for example, was actually composed later, and despite being done in a more Renaissance style, shows decided influences of the Baroque (this might also be part of the performance of the Voices of the Ascension that gives this impression).

The Voices of Ascension, under the direction of Dennis Keene, grew out of the choir of the Church of the Ascension in New York City. Many of the singers are active soloists in addition to being part of this group (whose numbers vary, but often around 40). Keene is a conductor, organist and teacher (not an uncommon combination). Trained at Juilliard, he has led the Voices of Ascension through many outstanding recordings and performances.

This is a performance that is definitely uplifting, and a good collection of music in its breadth to introduce the glories of Renaissance polyphony to those who with little exposure to it. The recording quality is very good, and the choir is quite full and well suited for the music. Some have commented upon the tempo, but this was not a concern for me, and did not stand out as unusual or a problem upon listening (indeed, there were a few points at which I might wish for it to be a bit faster, rather than slower).

A collection that soars!

Slow down Maestro !.......2004-01-04

Another reviewer writing about another album by Dennis Keene wrote:

"Yet the performance is not the slowly flowing honey usually served up by, say, the Tallis Scholars (as good as that is). Particularly in the Gloria and Credo of the Mass, Dennis Keene deliberately de-emphasizes the rise and fall of the different voices' lines in favor of a more naturally speech-like declamation of the long Latin texts. This means a surprisingly fast tempo--and some rhythmic spring and syncopation one might not expect in Palestrina. Some (not all) of the motets get a similar treatment: it works well in joyous pieces like the Pentecost motet Dum complerentur, but listeners might miss that melodic rise and fall in some of the slower works. The singers of Voices of Ascension are quite skillful, and the slight edge in their tone helps make the different melodies unusually audible. Very worthwhile, but not your father's Palestrina."

As a matter of fact, I used to like this album quite much although it was certainly not my favorite. That was until I listened to Robert shaw's "O Magnum Mysterium", which is amedley of Renaissance, negro spiritual, Russian and Western contemporary religious music. I was struck by Shaw's profoundly spiritual interpretation of the pieces by Victoria and Tallis that are also recorded on "Beyond Chant".

From then on I could no longer listen to this cd without feeling feeling increasingly dissatisfied. I tried to find a precise reason and not being a music specialist I was quite at a loss until I found the review above. Maybe the quick tempo is the key to my dislike.

I definitely feel that Dennis Keene and his singers do not have the depth of the Robert Shaw Festival Singers although the booklet accompanying the cd claims that the audience was spellbound by their performance, which took place in a cathedral in New York.

Tracks:

Music Of The Latin Rite: Ave Maria
Music Of The Latin Rite: Loquebantur variis linguis
Music Of The Latin Rite: Miserere mei
Haec dies
Music Of The Latin Rite: Ave verum corpus
Music Of The Reformation: If Ye Love Me
Music Of The Reformation: Hide Not Thou Thy Face
Music Of The Reformation: Lord, For Thy Tender Mercy's Sake
Music Of The Reformation: O Clap Your Hands
Music Of The Reformation: Bow Thine Ear
Music Of The Reformation: Hosanna To The Son Of David
Music Of The Restoration: Lord, How Long Wilt Thou Be Angry
Music Of The Restoration: Thou Knowest, Lord
Music Of The Restoration: Hear My Prayer, O Lord
The Anglican Revival And The Twentieth Century: Beati quorum via
The Anglican Revival And The Twentieth Century: This Joyful Eastertide
The Anglican Revival And The Twentieth Century: Sing Lullaby
The Anglican Revival And The Twentieth Century: A Spotless Rose
The Anglican Revival And The Twentieth Century: What Cheer?
The Anglican Revival And The Twentieth Century: O Taste And See
The Anglican Revival And The Twentieth Century: A Hymn To The Virgin
The Anglican Revival And The Twentieth Century: Jesus Christ The Apple Tree
The Anglican Revival And The Twentieth Century: Faire Is The Heaven
Anthems And Introits: Rejoice In The Lord
Anthems And Introits: Remember Not, Lord, Our Offences
Anthems And Introits: Come, Let's Rejoice
Anthems And Introits: When David Heard
Anthems And Introits: I Sat Down Under His Shadow
Anthems And Introits: These Are They That Follow The Lamb
Latin Motets: Christe Jesu, pastor bone
Latin Motets: O beatum et sacrosanctum diem
Latin Motets: Nunc dimittis
Latin Motets: O vos omnes
Latin Motets: Factum est silentium
Latin Motets: Justorum animae
Settings Of Hymns And Other Poetry: Hail, Gladdening Light
Settings Of Hymns And Other Poetry: A Hymn To The Mother Of God
Settings Of Hymns And Other Poetry: Hymn For The Dormition Of The Mother Of God
Settings Of Hymns And Other Poetry: They Are At Rest
Settings Of Hymns And Other Poetry: A Litany
Settings Of Hymns And Other Poetry: Nolo mortem peccatoris
Settings Of Hymns And Other Poetry: O nata lux
Settings Of Hymns And Other Poetry: Loving Shepherd Of Thy Sheep
Prayer Settings: The Lord's Prayer
Prayer Settings: In manus tuas
Prayer Settings: Bring Us, O Lord God

Customer Reviews:

My favorite album. English church music at its finest........2005-10-06

Whether you have a couple dozen albums of English choral music or whether you're looking for an introduction to English choral music, this two CD collection is a must. Here you will find a wide selection of sacred favorites, from Gregorian chant to Ralph Vaughan Williams. It's a misnomer to call it "Anglican," since this would exclude (in addition to, of course, the pre-Reformation Latin hymns) the likes of Thomas Tallis and William Byrd -- both Catholics that kept to the ancient faith despite Elizabeth's (albeit relatively mild) persecutions. Tallis and Byrd set the standard in the 16th century for the distinctive "Englishness" (as opposed to Continental European) style of English choral music, with its soaring majesty yet somehow coupled with a subtle and sustained beauty (as opposed to the Continental ups and downs and often tiresome exaggerations). For those of us in the English-speaking world, this is our heritage. Let's treasure it. As for the recording itself, the mixing is superb. While listening, it's quite easy to imagine yourself in the beautiful King's College Chapel or perhaps heaven itself.

The grand tradition of English music.......2005-09-23

Recorded in the Lady Chapel of Ely Cathedral, the Cambridge Singers under the direction of John Rutter produced a duo of discs dedicated to Music of the English Church previously issued as two separate discs, 'Hail, Gladdening Light', and its companion piece, 'Faire is the Heaven'. The discs here are straight copies of those discs; hence, if you have those already, there is no need to purchase this - on the other hand, if you do not have the other discs, this is a bargain.

--Music--
This is all unaccompanied music, sung in a cathedral chapel acoustically suited for such music. The first disc has four primary sections: Music of the Latin Rite; Music of the Reformation; Music of the Restoration; and Anglican Revival and the twentieth century. The most famous composers in English music history -- Tallis, Byrd, Gibbons -- combine with later masters such as Purcell, Stanford, Howells, Walton, Britten and Vaughan Williams to form a truly masterful collection. These are anthems, hymns and other liturgical pieces that have remained important in Anglican worship, and can be often heard in situ on Sundays around the world. However, the Cambridge Singers bring their special music talent to the task, producing a good standard bearer for music of the English Church.

On the second disc, there are six Latin motets, set by composers such as Taverner, Howells, Stanford, Vaughan Williams, Philips and Dering. Anthens and Introits include notables Tomkins and Purcell, and lesser-known composers such as Amner, Bairstow and Goss. Hymns span the range from old to modern, including a hymn by John Rutter himself. The disc ends with three prayer settings, including one by the underappreciated John Sheppard, and another from William Harris, whose hymn serves as the title to the companion disc. These anthems and hymns show a powerful range of music, yet show a consistent tone also that makes it rather distinctive of the music of the English church.

The group's power and grace is second to none, particularly when singing this kind of music in a place such as Ely Cathedral, arguably the most natural of settings possible.

--Liner Notes--
The notes for this recording include the titles and words of each anthem or hymn. The notes for each piece also includes brief biographical information of the composer, and unique information about each work, when particular composers are represented more than once. One thing conspicuously missing is much biographical information about John Rutter, or any descriptive information about the Cambridge Singers apart from the most basic of information.

--John Rutter--
Rutter was born in London and educated at Clare College, Cambridge. This was where his career as a composer, arranger and conductor began. His early work was with groups at King's College Chapel at Cambridge as well as the Bath Choir and Philharmonic Orchestra. He has worked for the BBC providing music for educational series such as 'The Archaeology of the Bible Lands', until in 1979 he began forming the Cambridge Singers, and has continued a remarkable career of performance and recording as their director ever since.

--The Cambridge Singers--
The Cambridge Singers are a mixed choir of voices, many of whom were members of choir of Rutter's college, Clare College, Cambridge. While they specialise in English and Latin liturgical pieces, they have a wide range of recordings that span from modern compositions (including a remarkable requiem by Rutter) to English folk songs of the Middle Ages. Many are former members of the choir of Clare College and other Cambridge collegiate choirs (hence the name, Cambridge Singers). In the quarter-century since the founding, the Cambridge Singers have produced an impressive body of recordings.

music of great beauty.......2005-04-24

Pop one of these CDs into your car stero, turn up the volume and feel yourself drift into a sublime peace. Can music manifest the existence of God?

Excellent Selection, Excellent Performance.......2004-07-28

This two-CD compilation by the Cambridge Singers is truly very good. The repertoire is very diverse and only the best representations of composers and time periods are performed. ALthough most of the pieces were not written with a mixed choir in mind, the Cambridge Singers sing it so well you would not have had any idea. Their performances are careful and exquisite.

Best all-in-one English music CD ever.......2004-04-20

This is a re-release, as one set, of two of my favorite CDs ever: "Faire is the Heaven" and "Hail Gladdening Light" by the Cambridge singers. This is a fabulous compilation of everyone's favorite works from the English Cathedral tradition, all the way from Taverner (16th century) to Tavener (21st century). The selection of works is great and touches all the most important genres. The performance is exquisite, elegant, faultless. The Cambridge Singers have a softer, less edgy sound than the Tallis Scholars, and are more expressive, which may make them easier for some people to listen to, especially for the more recent works. They are no less musical. The Parsons Ave Maria alone brings one to tears. If you want an introduction to English church music, this is the CD to start with. Also makes a great gift, if you already love this music and want to introduce someone else to it.

Average customer rating:

Hosanna! Music: Hymns

Manufacturer: Hosanna! Music
ProductGroup: Music
Binding: Audio CD

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Music Review:

Music Review

Music Review

1. All Creatures of Our God and King
2. Nothing But the Blood of Jesus
3. Lamb of God
4. Great Is Thy Faithfulness
5. Crown Him With Many Crowns
6. For This Purpose
7. Battle Hymn of the Republic
8. Solid Rock
9. Holy, Holy, Holy
10. It Is Well With My Soul
11. Shine, Jesus, Shine
12. Song for the Nations
13. Savior Like a Shepherd Lead Us
14. Lord's Prayer