Mighty in the Spirit
Track Listings
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1. Mighty in the Spirit
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2. You're Worthy
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3. Even Me (Showers of Blessings)
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4. Send Your Power
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5. Let the Words of My Mouth
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6. Oh Lord My Strength
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7. It's My Time
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8. Interlude
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9. Oh Magnify Him
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10. Righteous Shall Obey
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11. We Worship
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12. It's My Time [Remix]
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13. This Is Our House
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14. Mighty in the Spirit [Dance Mix]
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15. Not Guilty [Video Mix][#][*]
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Mighty in the Spirit, Music, The VIP Mass Choir Featuring John P. Kee, Contemporary Gospel, Gospel, Gospel Choir, Gospel/Christian Music, Pop
Average customer rating:
- A musical treasure-box
- a beautiful journey into melancholy
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Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD
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- William Byrd: Consort Songs
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ASIN: B000004CYV
Release Date: 2007-03-13 |
Tracks:
- First Booke Of Songes: I. Unquiet Thoughts
- First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
- First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
- First Booke Of Songes: IV. If My Complaints Could Passions Move
- First Booke Of Songes: V. Can She Excuse My Wrongs
- First Booke Of Songes: VI. Now, O Now, I Needs Must Part
- First Booke Of Songes: VII. Dear, If You Change
- First Booke Of Songes: VIII. Burst Fourth My Tears
- First Booke Of Songes: IX. Go Crystal Tears
- First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
- First Booke Of Songes: XI. Come Away, Come Sweet Love
- First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
- First Booke Of Songes: XIII. Sleep, Wayward Thoughts
- First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
- First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
- First Booke Of Songes: XVI. Would My Conceit
- First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
- First Booke Of Songes: XVIII. His Golden Locks
- First Booke Of Songes: XIX. Awake, Sweet Love
- First Booke Of Songes: XX. Come, Heavy Sleep
- First Booke Of Songes: XXI. Away With These Self-Loving Lads
Tracks:
- Second Booke Of Songs: I. I Saw My Lady Weep
- Second Booke Of Songs: II. Flow My Tears
- Second Booke Of Songs: III. Sorrow, Stay
- Second Booke Of Songs: IV. Die Not Before Thy Day
- Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
- Second Booke Of Songs: VI. Time's Eldest Son
- Second Booke Of Songs: VII. Then Sit Thee Down
- Second Booke Of Songs: VIII. When Others Sing Venite
- Second Booke Of Songs: IX. Praise Blindness Eyes
- Second Booke Of Songs: X. O Sweet Woods
- Second Booke Of Songs: XI. If Floods Of Tears
- Second Booke Of Songs: XII. Fine Knacks For Ladies
- Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
- Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
- Second Booke Of Songs: XV. White As Lilies Was Her Face
- Second Booke Of Songs: XVI. Woeful Heart
- Second Booke Of Songs: XVII. A Shepherd In A Shade
- Second Booke Of Songs: XVIII. Faction That Ever Dwells
- Second Booke Of Songs: XIX. Shall I Sue
- Second Booke Of Songs: XX. Toss Not My Soul
- Second Booke Of Songs: XXI. Clear Or Cloudy
- Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here
Tracks:
- Third Booke Of Songs 1603: I. Farewell, Too Fair
- Third Booke Of Songs 1603: II. Time Stands Still
- Third Booke Of Songs 1603: III. Behold A Wonder Here
- Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
- Third Booke Of Songs 1603: V. Me, Me, And None But Me
- Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
- Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
- Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
- Third Booke Of Songs 1603: IX. What If I Never Speed?
- Third Booke Of Songs 1603: X. Love Stood Amazed
- Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
- Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
- Third Booke Of Songs 1603: XIII. O What Hath Overwrought
- Third Booke Of Songs 1603: XIV. Farewell, Unkind
- Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
- Third Booke Of Songs 1603: XVI. Fie On This Feigning!
- Third Booke Of Songs 1603: XVII. I Must Complain
- Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
- Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
- Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
- Third Booke Of Songs 1603: XXI. Come When I Call
Tracks:
- A Pilgrimes Solace: I. Disdain Me Still
- A Pilgrimes Solace: II. Sweet Stay Awhile
- A Pilgrimes Solace: III. To Ask For All Thy Love
- A Pilgrimes Solace: IV. Love, Those Beams That Breed
- A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
- A Pilgrimes Solace: VI. Were Every Thought An Eye
- A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
- A Pilgrimes Solace: VIII. Tell Me, True Love
- A Pilgrimes Solace: IX. Go Nightly Cares
- A Pilgrimes Solace: X. From Silent Night
- A Pilgrimes Solace: XI. Lasso vita mia
- A Pilgrimes Solace: XII. In This Trembling Shadow Cast
- A Pilgrimes Solace: XIII. If That A Sinner's Sights
- A Pilgrimes Solace: XIV. Thou Mighty God
- A Pilgrimes Solace: XV. When David's Life
- A Pilgrimes Solace: XVI. When The Poor Cripple
Tracks:
- A Pilgrimes Solace: XVII. Where Sin Sore Wounding
- A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
- A Pilgrimes Solace: XIX. Up Merry Mates
- A Pilgrimes Solace: XX. Welcome Black Night
- A Pilgrimes Solace: XXI. Cease, Cease These False Sports
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
- Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae
Tracks:
- Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
- Mr. Henry Noell Lamentations: II. Domine ne in furore
- Mr. Henry Noell Lamentations: III. Miserere mei Deus
- Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
- Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
- Mr. Henry Noell Lamentations: VI. De profundis
- Mr. Henry Noell Lamentations: VII. Domine exaudi
- Lachrimae: Lachrimae Antiquae
- Lachrimae: Lachrimae Antiquae Novae
- Lachrimae: Lachrimae Gementes
- Lachrimae: Lachrimae Tristes
- Lachrimae: Lachrimae Coactae
- Lachrimae: Lachrimae Amantis
- Lachrimae: Lachrimae Verae
- Lachrimae: Mr. John Langton's Pavan
- Lachrimae: Mr. Nicholas Gryffith His Galiard
- Lachrimae: Sir John Souch His Galiard
- Lachrimae: Semper Dowland Semper Dolens
- Lachrimae: Mr. Giles Hobies Galiard
- Lachrimae: The King Of Denmark's Galiard
- Lachrimae: Sir Henry Umpton's Funerall
- Lachrimae: Mr. Henry Noell His Galiard
- Lachrimae: The Earl Of Essex Galiard
- Lachrimae: Mr. Bucton His Galiard
- Lachrimae: Mr. George Whitehead His Almand
- Lachrimae: Captain Digorie Piper His Galiard
- Lachrimae: Mr. Thomas Collier His Galiard
- Lachrimae: Mrs. Nichols Almand
Tracks:
- Sacred Songs: Sorrow, Come!
- Sacred Songs: I Shame At Mine Unworthiness
- Sacred Songs: An Heart That's Broken And Contrite
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 38: Put Me Not To Rebuke O Lord
- Psalms: Psalm 130: Lord To Thee I Make My Moan
- Psalms: Psalm 104: My Soul Praise The Lord
- Psalms: Psalm 100: All People That On Earth Do Dwell
- Psalms: Psalm 134: Behold And Have Regard
- A Prayer For The Queen's Most Excellent Majesty
- Instrumental Music: Solus cum sola pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Galliard
- Instrumental Music: Pipers Pavan
- Instrumental Music: Lachrimae
- Instrumental Music: Lady Rich Galliard
- Instrumental Music: Earl Of Essex Galliard
- Instrumental Music: If My Complaints
- Instrumental Music: Lachrimae Doolande
- Instrumental Music: Lord Willoughbie's Welcome Home
- Instrumental Music: My Lord Chamberlaine His Galliard
- Instrumental Music: Comagain
- Instrumental Music: Pavan Lachrymae
- Instrumental Music: Sorrow Stay
Tracks:
- Lute Music: Preludium
- Lute Music: Lachrimae
- Lute Music: Can She Excuse
- Lute Music: Dr. Case's Pavan
- Lute Music: Melancholy Galliard
- Lute Music: Sir John Smith, His Almain
- Lute Music: Fantasia
- Lute Music: A Dream
- Lute Music: Almain
- Lute Music: The Queen's Galliard
- Lute Music: Coranto
- Lute Music: Resolution
- Lute Music: Mrs. Vaux Galliard
- Lute Music: Almain
- Lute Music: Mr. Dowland's MIdnight
- Lute Music: Fantasia
- Lute Music: Loth To Depart
- Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
- Lute Music: The Earl Of Essex, His Galliard
- Lute Music: Pavan
- Lute Music: John Dowland's Galliard
- Lute Music: Aloe
- Lute Music: The Lady Clifton's Spirit
- Lute Music: What If A Day
- Lute Music: Mr. Giles Hobie's Galliard
- Lute Music: Come Away (Song arrangement)
- Lute Music: Galliard
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Lachrimae (Basic Version)
- Lute Music: Galliard To Lachrimae
- Lute Music: [Jig]
- Lute Music: Galliard On 'Wasingham'
- Lute Music: Complaint (Ballad Setting)
- Lute Music: Mignarda (Galliard)
- Lute Music: Semper Dowland Semper Dolens (Pavan)
- Lute Music: The Frog Galliard
- Lute Music: A Fancy (Fantasia)
- Lute Music: Fancy (Fantasia)
- Lute Music: Piper's Pavan
- Lute Music: Captain Digorie Piper's Galliard
- Lute Music: Lady Laiton's Almain
- Lute Music: Dowland's Galliard
- Lute Music: Dowland's First Galliard
- Lute Music: Tarleton's Jig
- Lute Music: Walsingham (ballad Setting)
- Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
- Lute Music: Sir Henry Guilforde, His Almain
- Lute Music: Pavan (Related To 'Lachrimae')
- Lute Music: Mr. Langton's Galliard
- Lute Music: Mrs. Clifton's Almain
- Lute Music: Galliard
- Lute Music: Lady Hunsdon's Puffe (Almain)
- Lute Music: Galliard
- Lute Music: Go From My Window (Ballad Setting)
- Lute Music: Fancy (Fantasia)
Tracks:
- Lute Music: Pavana Johan Douland
- Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
- Lute Music: La mia Barbara
- Lute Music: Sir Henry Umpton's Funeral (Pavan)
- Lute Music: Lachrimae
- Lute Music: Farewell Fancy (Chromatic Fantasia)
- Lute Music: Farewell (On The 'In Nomine' Theme)
- Lute Music: The King of Denmark's Galliard
- Lute Music: Mrs. Vaux's Jig
- Lute Music: Mrs. Nichol's Almain
- Lute Music: Galliard
- Lute Music: Lord Strang's March
- Lute Music: Mrs. Winter's Jump
- Lute Music: Can She Excuse (Galliard)
- Lute Music: The Shoemaker's Wife, A Toy
- Lute Music: Mrs. Norrish's Delight
- Lute Music: Galliard
- Lute Music: Mrs. White's Thing (Almain)
- Lute Music: Mrs. White's Nothing
- Lute Music: The Frog Galliard
- Lute Music: Solus cum sola
- Lute Music: The Lord Viscount Lisle, His Galliard
- Lute Music: Orlando Sleepeth (Ballad Setting)
- Lute Music: Robin (Ballad Setting)
- Lute Music: Galliard (On A Galliard By Daniel Bacheler)
- Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)
Tracks:
- Lute Music: The Lady Russell's Pavan
- Lute Music: Fancy (Fantasia)
- Lute Music: Sir John Langton's Pavan
- Lute Music: Earl Of Derby, His Galliard
- Lute Music: A Coy Toy
- Lute Music: Fortune My Foe
- Lute Music: [Almain]
- Lute Music: Mr. Knight's Galliard
- Lute Music: Sir John Souch His Galliard
- Lute Music: Tarletone's Riserrectione
- Lute Music: The Lady Rich, Her Galliard
- Consort Music: Lachrimae Pavan
- Consort Music: Can She Excuse Galliard
- Consort Music: Captain Piper's Pavan And Galliard
- Consort Music: The Frog Galliard
- Consort Music: Round Battell Galliard
- Consort Music: Fortune My Foe
- Consort Music: Dowland's First Galliard
- Consort Music: Katherine Darcie's Galliard
- Consort Music: Tarleton's Jigge
- Consort Music: Almain a 2
- Consort Music: Mistress Nichols Almain a 2
- Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
- Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
- Opusculum: Mr. John Langton Pavan And Galliard
- Opusculum: La mia Barbara Pavan and Galliard
- Opusculum: Lachrimae Antiquae Novae Pavan and Galliard
Tracks:
- Consort Music: Mistress NIchols Almain
- Consort Music: Volta a 4 ('Ioh. Douland')
- Consort Music: Were Every Thought an Eye
- Consort Music: Lady If You So Spite Me
- Consort Music: Pavan a 4
- A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
- A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
- A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
- A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
- A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
- A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
- A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
- A Musicall Banquet: VIII. Far From Triumphing Court
- A Musicall Banquet: IX. Lady, If You So Spite Me
- A Musicall Banquet: X. In Darkness Let Me Dwell
- A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
- A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
- A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
- A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
- A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
- A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
- A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
- A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
- A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
- A Musicall Banquet: XX. O bella piu (Anon, Italian)
Customer Reviews:
A musical treasure-box.......2006-09-10
Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.
The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).
This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.
I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.
a beautiful journey into melancholy.......2001-06-15
I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.
Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
Average customer rating:
- The Price Club
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The Essential Leontyne Price: Spirituals, Hymns & Sacred Songs
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ASIN: B000003FWE
Release Date: 1997-01-14 |
Tracks:
- Ev'ry Time I Feel The Spirit - Various Artists
- Let Us Break Bread Together On Our Knees - Various Artists
- His Name So Sweet - Various Artists
- 'Roun' About The Mountain - Various Artists
- Swing Low , Sweet Chariot - Various Artists
- Sit Down, Servant - Various Artists
- Were You There - Various Artists
- He's Got The Whole World In His Hands - Various Artists
- Deep River - Various Artists
- Honor! Honor! - Various Artists
- My Soul's Been Anchored In De Lord - Various Artists
- On Ma Journey - Various Artists
- A City Called Heaven - Various Artists
- Ride On, King Jesus - Various Artists
- I Wish I Knew How It Would Feel To Be Free - Various Artists
- Sinner, Please Don't Let This Harvest Pass - Various Artists
- Sweet Little Jesus Boy - Various Artists
- There Is A Balm In Gilead - Various Artists
- Let Us Cheer The Weary Traveler - Various Artists
- Ev'ry Time I Feel The Spirit - Various Artists
- My Way Is Cloudy - Various Artists
- Nobody Knows The Touble I've Seen - Various Artists
- I Couldn't Hear Nobody Pray - Various Artists
Tracks:
- Holy, Holy, Holy - Leontyne Price
- Lead, Kindly Light - Leontyne Price
- Blessed Assurance - Leontyne Price
- Ave Maria - Leontyne Price
- What A Friend We Have In Jesus - Leontyne Price
- Amazing Grace - Leontyne Price
- The Lord's Prayer - Leontyne Price
- Pass Me Not, O Gentle Savior - Leontyne Price
- The Church's One Foundation - Leontyne Price
- Bless This House - Leontyne Price
- I Need Thee Every Hour - Leontyne Price
- Schlesische Volkslieder: Fairest Lord Jesus - Leontyne Price
- I Wonder As I Wander - Leontyne Price
- Ave Maria - Leontyne Price
- Porgy And Bess: Summertime - Leontyne Price
- America The Beautiful - Leontyne Price
- Lift Ev'ry Voice And Sing - Leontyne Price
- A Mighty Fortress Is Our God - Leontyne Price
- Battle Hymn Of The Republic - Leontyne Price
Customer Reviews:
The Price Club.......2005-04-28
"I am here," said Leontyne Price when interviewed as she opened the new Metropolitan Opera with Samuel Barber's underrated ANTONY AND CLEOPATRA, "and you will know that I am the best and will hear me. The color of my skin or the kink of my hair or the spread of my mouth has nothing to do with what you are listening to." Back in the 1960s Price was one of the greatest divas in all of opera, and it wasn't just her voice but her magnificent stage presence, combined with her social activism. All of the above come into play in this collection of secular songs and ditties, some of them traditional plantation chanties and others, art songs and a scattering of pop music. And some of them, like Gershwin's "Summertime," cross the ever-permeable boundaries between Broadway and classical. These recordings were made at different times in Price's career, and her voice, while always angelic, has different shadings and reaches a different range of timbre in each separate recording date, but there is no question that, as time goes by, she is able to impart a richness of life experience noticeably absent from some of her earlier work.
"Ave Maria" sounds heavenly no matter which way you slice it, and as for "I Wonder As I Wander," it brings tears to your eyes. If you have a heart that's beating you will be moved by this rendition. "Ein feste Burg" is pretty strong, but Price seems more comfortable with the traditional spirituals, though perhaps it is the slightly off-kilter sounds of the Ambrosian Singers (what a name) who back her up on many of these tracks, that detract slightly from the experience. Compare "Lead Kindly Light" for a clear sense of what constitutes authority vs. what is a wee bit overproduced. If you had this compilation, and perhaps one of Leontyne Price's Christmas albums, you could attain nirvana any time you wanted to, just flip a switch and close your eyes, let her lift you up on wings of song.
A living legend.......2005-03-10
Leontyne Price (still alive) and already passing into immortality amongst vocal artists, both classical and popular. Leontyne Price stands at the pinnacle of her classical art, but those who only know her work in La Forza del destino or the Verdi Requiem are in for a heart rending treat with this album where Leontyne Price goes home to her roots in Mississippi and gives an unabashed account of the classic spirituals she sang as a young woman. Like John Mc Cormacks rendering of Irish songs there is a personal longing and devotion expressed here that reveals a side of the artist not known in the bulk of their "classical" repetoire. A sense of going home like Citizen Kane's rosebud, or as Dorothy Gale observes at the end of the Wizard of Oz "everything I could ever have wanted was right in my own backyard "
not your daddy's old timey spiritual.......2004-06-23
Agreed this is a good cd for a beautiful voice, but this is not, repeat not, for someone who wants to hear that old-timey religious fervor that you think of when you've been to a Black Baptist hand-clapping, standing, swaying, and singing service.
Immaculate Vocals of Leontyne Price.......2003-12-31
IMMACULATE, SUPERB vocal range and style! There's no other words that can complement Miss Leontyne Price's vocal arrangements. Miss Price's voice is strong, and shrills very nicely to the instruments played on many songs listed on this double CD which is a joy to treasure; every song listed are songs I was raised to hearing and singing. Miss Price is the reason why many of these songs remain in popularity and presently used. Miss Leontyne Price has been incredible in many of her past performances. This is my fourth CD of Miss Price and I am glad to own this particular CD forever and ever. Many thanks to the executors who found this remarkable album and upgraded it to a CD format! **Angi**
Great Gospel Stuff.......2001-04-12
This is a great CD. The only problem I have with it is that on some of the selections there is a boy's choir screaming in the background, and this takes away (a bit) from her performance. That said, her best selections are those that are either unaccompanied or those where her voice is not buried. Songs that strike me are - His Name So Sweet, He's Got The Whole World, Were You There, I Wonder as I Wander, Lift Every Voice and Sing, and my all time favourite Summertime. Enough said.
Average customer rating:
- Oil and Water...
- a little too wobbly for me
- A replacement for Robert Shaw
- The Best Recording by One of our Finest Choral Ensembles
- Wonderful Ensemble
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Deep River
Adam Reinwald , Alan Dunbar , Kelvin Chan , Timothy Takach , Harry T. (Henry) Burleigh , William Levi Dawson , Jester Hairston , John W. II Work , Albert Jordan , Brad Erbes , Brian Arreola , Michael Hanawalt , Peter Zvanovec , and Cantus Male Ensemble
Manufacturer: Cantus
ProductGroup: Music
Binding: Audio CD
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- Let Your Voice Be Heard
- ...Against the Dying of the Light
- The Spirituals Of William L. Dawson (#2159)
- Comfort & Joy: Volume Two
- Comfort and Joy: Volume One
ASIN: B0000V8G1O
Release Date: 2003-10-01 |
Tracks:
- Ezekiel Saw the Wheel: Harry T. Burleigh
- Heaven, Heaven: Harry T. Burleigh
- Poor Man Lazrus: Jester Hairston
- King Jesus Is A-Listening: William Dawson
- In His Care-O: William Dawson
- This Ol' Hammer: John W. Work III
- Great God A'mighty: Jester Hairston
- Were You There?: Harry T. Burleigh
- There is a Balm in Gilead: William Dawson
- Deep River: Harry T. Burleigh
- Swing Low, Sweet Chariot: William Dawson
- My Lord, What a Morning: Harry T. Burleigh
- Steal Away: William Dawson
- Soon ah-Will Be Done: William Dawson
- Ain't a That Good News: William Dawson
- Ev'ry Time I Feel The Spirit: William Dawson
- In That Great Getting' Up Morning: Jester Hairston
Album Description
Cantus proudly announces the release of "Deep River," a treasury of African-American Spirituals. The Spiritual represents the musical melting pot of America like no other type of song by at once revealing its African roots while reflecting the American experience with music that speaks of both hardship and hope. The album features some of the most beloved American folk songs such as "Ezekiel Saw the Wheel", "Were You There", "Swing Low Sweet Chariot" and "Soon-ah Will Be Done." "Deep River" also delves into the roots of American roots music by exclusively featuring music by the preeminent first and second generation African-American composers - Harry T. Burleigh, William Dawson, John W. Work and Jester Hairston - in both well known and long forgotten arrangements of these immortal songs. Recorded by Stereophile Magazine editor John Atkinson in 24 bit sound, "Deep River" is a treat for the ears and a balm for the soul.
Customer Reviews:
Oil and Water..........2005-10-05
Don't Get me wrong... Cantus is one of the finest male chamber choirs around right now. They do marvelous work and cover a wide variety. Unfortunately, spirituals are not exactly Cantus's strongest suit. The biggest hindrance to this recording is that Cantus does not effectively capture the "spirit" of a spiritual. The music almost sounds funny because the spirituals are sung with very traditional, very trained classical voices. I love hearing people sing who were trained very meticulously to sing well, but I don't want to hear someone sing "Ezekiel Saw de Wheel" like Pavoratti. It sounds really funny and doen't capture the character of the music.
Another issue that I have with this recording (and most of Cantus's other recordings at that) is that it was recorded so softly. I don't like to have to feel like I am cranking my speakers to hear the music effectively. Being an active listener, I like to listen to music loud just because I can hear more layers when its loud. The low recording volume on the CD really hinders the active listening experience, leaving the CD to lend itself to the purpose of background music and passive listening.
Also, the first 5 arrangements on the disc are fairly bland. They are lack variety and musicality. Only until "Great God Almighty" comes around does the listener truly become exposed to really good choral writing. Other standing out arrangements are "Where You There?" which is absolutely moving, "There Is A Balm In Gilead" which is very well written, "Deep River" which is so tranquil and relaxing, and "Soon Ah Will Be Done" and "In His Care-O" are great bouncy arrangements.
Essentially, Cantus and Spirituals are just oil and water: they don't mix so well. Aside from a hand full of bland arrangements and a very low mixing job the CD only has one real hindrance of a problem: Cantus doesn't make the distinction between Spirituals and Brahms.
a little too wobbly for me.......2005-03-03
I am familiar with this group and their origins with the world famous St. Olaf Choir of Northfield, MN. While the singers are obviously talented, I felt like I was listening to 11 "solo" singers, rather than a tight ensemble. Way too much individual vibrato even considering the free-flowing genre of the music. I don't want them to be as "tight" as San Francisco's "Chanticleer", but holy smoke, there has got to be something in the middle. Maybe an association with Dale Warland would help, because they obviously have great potential.
A replacement for Robert Shaw.......2004-12-03
Many years ago I had a vinyl record by the Robert Shaw Chorale the title of which was "Deep River." I've been waiting for it to be reissued on cd and have purchased many recordings of negro spirituals on cd hoping to find one where the performance could be compared favorably with the Robert Shaw recording. All of the tries were busts until I found this one. Wow!!! This is a super recoridng of those spirituals. The only thing it lacks is the female voices but thi group of males needs to make no apologies. I love this cd.
The Best Recording by One of our Finest Choral Ensembles.......2004-10-24
"Take this Hammer,' "Steal Away," and "My Lord What a Morning" are just three of the acappella treasures recorded in a warm, natural accoustic by these nine superb singers from Minnesota. The arrangements they've chosen are as complex and moving as their source lyrics and melodies, and the the 24-bit recording by John Atkinson is as good as you get.
It's not easy to make spirituals sound fresh, dynamic and viscerally affecting. But that's exactly what Cantus has done. This is choral singing of the highest order recorded by a master of recorded sound.
I do hope Cantus continues to record on this or another independent label. A big music conglomerate would just glitz it up.
These young men have accomplished so many splendid things on their own over the past nine years, and this release is their best by far.
Wonderful Ensemble.......2004-04-15
I bought "let Your Voice Be Heard" some time ago and really loved the interpretations, the virtuosity of the singing and the clarity of the recording. I'm a Stereophile subscriber and read the articles by Atkinson regarding the recording sessions - they take great care to do a good job and it shows.
This CD is compelling, if you like choral music you will love this disc. Listen to it a few times and you will go away singing.
There are a couple of spirituals on this disc that are also on "Let your voice..." but in different arrangements.
Average customer rating:
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The High & The Mighty
Richard Kaufman , London Symphony Orchestra , and (Soundtrack)
Manufacturer: Varese Sarabande
ProductGroup: Music
Binding: Audio CD
Goodwin, Ron
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- The High and the Mighty (Two-Disc Collector's Edition)
- Award Winning Movie Themes: The 50's
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- Great Film Fantasies
- Film Music of Ron Goodwin
ASIN: B000BRD720
Release Date: 2005-11-22 |
Tracks:
- The High And The Mighty - Dimitri Tiomkin
- Those Magnificent Men In Their Flying Machines - Ron Goodwin
- The Boy Who Could Fly - Bruce Broughton
- Spitfire - Sir William Walton
- Spitfire - Sir William Walton
- E.T. The Extraterrestrial - John Williams
- The Spirit Of St. Louis - Franz Waxman
- The Great Waldo Pepper - Henry Mancini
- Out Of Africa - John Barry
- 633 Squadron - Ron Goodwin
- Airplane! - Elmer Bernstein
- The Last Starfighter - Craig Safan
- The Tuskegee Airmen - Lee Holdridge
- Star Trek: The Motion Picture - Jerry Goldsmith
- A Century Of Flight - Brian Shyer
Customer Reviews:
A Perfect Recording.......2005-12-03
At its best, film music aurally heightens the drama, pathos, passion, joy and emotional intensity of the visual experience. And when film music is artfully written and skillfully performed, it can create a magnificent aesthetic experience.
Richard Kaufman and the London Symphony Orchestra have created an album featuring some of film music's greatest moments, all of them related to flight. The title track, "The High and the Mighty" features a theme that literally soars, capturing the sweeping energy and pensive drama of the film. Bruce Broughton's "The Boy Who Could Fly" is a beautifully lyrical and tender work.
There are many great films about military flight and fliers, and this recording features some of the best music of the genre. One of the highlights of this album is the great Prelude and Fugue from "Spitfire" by Sir William Walton. One feels the tension and courage exhibited by the great pilots of the RAF. Ron Goodwin's "633 Squadron" and Craig Safan's "The Last Starfighter" are two significant contributions to the genre.
Some of the best loved music about flying is from comedies, and there is no funnier and more clever score than the one Elmer Bernstein created for "Airplane!" Featuring a choir that literally screams, this music is laugh-out-loud funny. With it's homage to John William, "Airplane!" is joined on this disc by one of the greatest pieces of "flying" music ever written - John Williams' brilliant Flying Theme from "E.T. The Extraterrestrial."
While the music itself is brilliant, the performance by Richard Kaufman and the London Symphony is breathtaking. This orchestra has a long history of performing the soundtracks for motion pictures, but this recording features performances that are, for the most part, even better than the originals. The brass plays with more richness and the strings with more finesse than can be heard in a movie theater.
Richard Kaufman has created a perfect album - a compilation of film music built around the theme of flight that covers every emotion, every nuance and every sensation of the genre - performed with more skill and passion than has ever been captured on a recording before. You have to hear this one!
Average customer rating:
- VIP MASS CHOIR THE BEST CD
- LOVE THIS CD
- Singing Praises Unto the One on High
- FANTASTIC!!!
- Great CD!!
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Mighty in the Spirit
The VIP Mass Choir Featuring John P. Kee
Manufacturer: Verity
ProductGroup: Music
Binding: Audio CD
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Gospel
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- The Power of Worship
- Live at the Fellowship
- Nothing But the Hits
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- Wait on Him
ASIN: B00005Q38N
Release Date: 2001-10-09 |
Tracks:
- Mighty In The Spirit
- You're Worthy
- Even Me (Showers Of Blessings)
- Send Your Power
- Let The Words Of My Mouth
- Oh Lord My Strength
- It's My Time
- The Interlude
- Oh Magnify Him
- The Righteous Shall Obey
- We Worship You
- It's My Time (Remix)
- This Is Our House
- Mighty In The Spirit (Dance Mix)
- Not Guilty (Video Remix)
Customer Reviews:
VIP MASS CHOIR THE BEST CD .......2006-01-25
THIS IS THE VIP MASS CHOIR BEST CD YET. I LOVE EVERY SONG. NOT GULITY IS THE BEST SONG. I LOVE THIS VIDEO THAT WHEN WITH THE SONG. THIS IS VIP BETTER CD. THIS CD SHOWS GROWTH IN JOHN'S WRITING AND GROWTH IN THE CHOIR. THIS CD IS AWESOME. IF YOU DONT HAVE THIS ONE THEN YOU NEED TO GET IT. YOU WONT BE DISAPPOINTED.
LOVE THIS CD.......2005-09-17
THIS CD BY VIP MASS CHOIR IS THE BEST. THE CD OPENS UP WITH THE UPBEAT JAMMING "MIGHTY IN THE SPIRIT". THEN WE HAVE THE SMOOTH JAZZY SONG "YOU'RE WORTHY". WE KEEP THE PRAISE WITH THE SONG "EVEN ME" THIS SONG IS AWESOME. "SEND YOUR POWER" IS ONE OF MY FAVORITE SONGS. LOVE IT "LET THE WORDS OF MY MOUTH" IS GREAT. SHELIA LAKIN AS USAUL DID AN AWESOME JOB. "OH LORD MY STRENGHT" IS A NICE SONG. SHANNON KEE DID GOOD ON LEAD. I DIDNT KNOW THAT SHE COULD SING. I GUESS THAT RUNS IN THE FAMILY. "IT'S MY TIME" IS THE PERFECT WORSHIP SONG. LOVE IT. " OH MAGNIFY HIM" IS A NIE UPBEAT SONG. "THE RIGHTEOUS SHALL OBEY" IS A CHURCHY SONG. JOHN DID AN EXCELLENT JOB ON LEAD. THE VIP MASS CHOIR REALLY BRING IT ON THIS SONG. "WE WORSHIP YOU" IS A GREAT SONG. HE BROUGHT SOME OF HIS OLD BAND MEMEBERS AND THEY MADE A SONG. LOVE IT. "IT'S YOUR TIME(REMIX)" IS NICE. LADONNA MOLE IS GREAT ON LEAD. "THIS IS OUR HOUSE" IS ONE OF THE BEST SONG OUT OF THE WHOLE CD. LOVE THIS SONG. "MIGHTY IN THE SPIRIT (DANCE MIX" IS THE REMIX OF THE ORGINAL. LOVE IT JOHN DID A RAP THAT KILLS. LOVE IT THEN FINALLY WE HAVE "NOT GULITY (VIDEO MIX)" I LOVE THIS SONG. THIS IS THE BEST SONG OUT OF THE WHOLE CD. THIS CD IS AWESOME
NOW GO OUT AND BUY IT YOU WILL BE BLESS THEN AGAIN ITS JOHN P KEE SO YOU ARE GETTING YOUR MONEY'S WORTH.
Singing Praises Unto the One on High.......2002-07-22
The "spirit" truly exists in this rousing praise testament from Pastor Kee and the Music and Arts Seminar Mass Choir. This follow-up to Kee's 2001 release "Not Guilty" is a supremely heartfelt assemblage of tunes dedicated to the majesty and power of The Almighty.
Highlights are the two versions of the title cut, "You Are Worthy," "Let the Words of My Mouth," "The Righteous Shall Obey," "It's My Time (Remix)", and "This Is Our House."
Pastor Kee, along with Kirk Franklin and Yolanda Adams, as one of the premier messengers of "The Word".
FANTASTIC!!!.......2002-06-25
I am a grad student and have been listening to this CD non-stop for the last week as I prepared for my final examinations. The words are uplifting as the VIP Choir and John P. Kee encourage you to be mighty in the Spirit! Every song is inspirational, and you can listen to it the whole way through because it is simply a quality KINGDOM effort. You'll be blessed in the hearing of this CD! Its your time!
Great CD!!.......2002-06-20
John P. Kee does it again with the making of this CD. It's filled with uplifting songs that touch your heart. There's even a little surprise on one of the songs where John P Kee's daughter sings with him. This CD will minister to your Spirit and have you dancing on your feet!!!!!
Average customer rating:
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Inspired Joy: Music to Enhance Your Spirit
Manufacturer: RCA
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All Works by J.S. Bach
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Similar Items:
- Inspired Bach: Music to Enhance Your Spirit
ASIN: B00005Q6LE
Release Date: 2001-10-09 |
Tracks:
- Sing Joyfully - The King's Singers
- Mass in B Minor, BWV 232 - Blthasar-Neumann-Chor/Thomas Hengelbrock
- Concerto in G: Allegro Spiritoso - James Galway/I Solisti Veneti/Claudio Scimone
- Hymn: Lead Us, Heavenly Father - The Choir Of Trinity College, Cambridge/Richard Marlow
- Der Geist Hilft Unser Schwachheit Auf, BWV 226 - The Choir Of Trinity College, Cambridge/Richard Marlow
- The Four Seasons, 'Spring' RV 269: Allegro - The Harp Consort/Freiburger Barockorchester
- Hymn: Salvate Flores - The Choir Of Trinity College, Cambridge/Richard Marlow
- Te Deum, Hob.XXIIIc No.2 - La Petite Band/Choeur De Chambre De Namur/Sigiswald Kuijken
- A Mighty Fortress Is Our God - Placido Domingo/Vienna Boys Choir/Helmuth Froschauer
- Sonata in C: Allegro - Michala Petri/Keith Jarrett
- Lauda Jerusalem - The Choir Of Trinity College, Cambridge/Richard Marlow
- Ye Watchers And Ye Holy Ones - The Choir Of Trinity College, Cambridge/Richard Marlow
- Rejoice, Rejoice In Christ - The Choir Of Trinity College, Cambridge/Richard Marlow
- Messiah: Hallelujah Chorus - The Canadian Brass/John Grady
- Mass in C Minor, K.427: Laudamus Te - Lesley Garrett/Britten Sinfonia & Chorus/Ivor Bolton
- Requiem: Sanctus - Chicago Symphony Orchestra And Chorus/Sir Georg Solti
- Judas Maccabaeus - The Canadian Brass
Average customer rating:
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Hymns Through the Centuries 2
Recorded Sound , R. Osborne , J. Reilly Lewis , and Cathedral Choral Society
Manufacturer: Gothic Records
ProductGroup: Music
Binding: Audio CD
General
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Similar Items:
- Hymns Through the Centuries
- Hymns Triumphant 1 & 2
- Be Still My Soul: The Ultimate Hymns Collection
- Abide With Me
- Best Loved Hymns
ASIN: B00007K2GE
Release Date: 2003-01-07 |
Tracks:
- Peal Bells
- Jesus, My All, To Heaven Has Gone
- Our Thanks We Give For Love And Hope
- In The Bleak Midwinter
- Creating God, Your Fingers Trace
- Rejoice, Ye Pure In Heart!
- Let All The World In Every Corner Sing
- Ar Hyd Y Nos (Organ Solo) - Eric Plutz
- Of The Father's Love Begotten
- Come Down, O Love Divine
- Spirit Of God, Descend Upon My Heart
- God Is Love
- What Wondrous Love Is This!
- All My Hope On God Is Founded
- Leoni (Carillon Solo) - Edward M. Nassor
- O God Of Our Divided World
- Christ, Mighty Savior, Light Of All Creation
- Breathe On Me, Breath Of God
- I Vow To Thee, My Country
- The Day Thou Gavest, Lord, Is Ended
- Lord Of All Hopefulness
- O Brightness Of The Immortal Father's Face
- O Praise Ye The Lord!
- Hyfrydol (Bagpipe Solo) - John G. Sprague
Customer Reviews:
Somewhat disappointing.......2005-09-25
There are some unique and interesting songs of this album. Unfortunately the performance does not shine. I found the singing and accompaniment a bit slow and monotonous and uninspired. Furthermore, it was difficult to understand the words at times (indistinct enunciation). There are a few exceptions: tracks 3, 4, 9, 20, 21 I gave 3 stars in iTunes; all the rest got two stars or less. If you want beautiful, traditional choral music, I recommend any of the albums featuring the Cambridge Singers over this collection.
Average customer rating:
- A Long Time Coming...
- Her Best Album
- Price At Her Peak
- of course world class
- the greatest american soprano of the 20th century
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The Essential Leontyne Price
Manufacturer: RCA
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Binding: Audio CD
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ASIN: B000003FWD
Release Date: 1996-08-13 |
Tracks:
- Aida: Act I: Ritorna vincitor!
- Aida: Act I: E l'amor mio?
- Aida: Act I: I sacri nomi di padre, d'amante
- Aida: Act III: Qui Radames verra!
- Aida: Act III: O patria mia
- Un Ballo in Maschera: Act II: (Prelude)
- Un Ballo in Maschera: Act II: Ecco l'orrido campo
- Un Ballo in Maschera: Act II: Ma dall'arido stelo divulsa
- Un Ballo in Maschera: Act III: A tal colpa e nulla il pianto
- Un Ballo in Maschera: Act III: Morro, ma prima in grazia
- Il Trovatore: Act I: Che piu t'arresti?
- Il Trovatore: Act I: Tacea la notte placida
- Il Trovatore: Act I: Di tale amor che dirsi
- Il Trovatore: Act IV: Siam giunti
- Il Trovatore: Act IV: D'amor sull'ali rosee
- Ernani: Act I: Surta e la notte
- Ernani: Act I: Ernani! Ernani, involami
- Ernani: Act I: Tutto sprezzo che d'Ernani
- La forza del destino: Act II: Son giunta! Grazie, o Dio!
- La forza del destino: Act II: Madre, madre, pietosa Vergine
- La forza del destino: Act II: La Vergine degli angeli
- La forza del destino: Act IV: Pace, pace, mio Dio
Tracks:
- Cosi fan tutte: Act I: Come scoglio immoto resta
- Madama Butterfly: Act II: Piangi? Perche?; Un bel di vedremo
- Madama Butterfly: Act III: Tu? tu? piccolo Iddio!
- TOSCA: Act II: Vissi d'arte
- Manon Lescaut: Act II: In quelle trine morbide
- Manon Lescaut: Act IV: Sola, perduta, abbandonata
- Dialogues des Carmelites: Act III: Mes filles, voila que s'acheve
- Don Giovanni: Act I: Don Ottavio, son morta!
- Don Giovanni: Act I: Or sai chi l'onore
- Don Giovanni: Act II: Crudele? Ah, no, mio bene!
- Don Giovanni: Act II: Non mi dir
- Turandot: Act I: Signore, ascolta!
- Turandot: Act III: Tu che di gel sei cinta
- Ariadne auf Naxos: Es gibt ein Reich
- Antony And Cleopatra: Act III: Give me my robe
Tracks:
- Otello: Era piu calmo?
- Otello: Mia madre aveva una povera ancella (Willow Song)
- Otello: Ave Maria
- Fidelio: Act I: Abscheulicher! Wo eilst du hin?
- Suor Angelica: Senza mamma, o bimbo, tu sei morto!
- Carmen: L'amour est un oiseau rebelle (Habanera)
- La Traviata: Act I: E strano, e strano !
- La Traviata: Act I: Ah, fors' e lui
- La Traviata: Act I: Sempre libera
- Le nozze di Figaro: Act III: E Susanna non vien!
- Le nozze di Figaro: Act III: Dove sono
- Die Agyptische Helena: Act II: Awakening Scene
- La rondine: Ore dolci e divine
- Salome: Finale
Tracks:
- Eugene Onegin: Act II: Puskai pogibnu ya
- Eugene Onegin: Act II: Ya k vam pishu
- Eugene Onegin: Act II: Net, nikomu na svete
- Eugene Onegin: Act II: No tak i byt'!
- La rondine: Act I: Chi il bel sogno di Doretta
- VANESSA: Act I: He Has Come, He Has Come!
- VANESSA: Act I: Do Not Utter A Word
- Carmen: Act I: Pres des remparts de Seville (Seguidilla)
- Manon: Act II: Allons! il le faut!
- Manon: Act II: Adieu, notre petite table
- Macbeth: Act IV: Sleepwalking Scene: Vegliammo invan due notti
- Macbeth: Act IV: Sleepwalking Scene: Una macchia e qui tuttora
- La Boheme: Act IIII: Addio. Donde lieta usci (Mimi's Addio)
- Die Frau ohne Schatten: Act II: Empress's Awakening Scene
- Dido and Aeneas: Act III: Thy Hand, Belinda!
- Dido and Aeneas: Act III: When I Am Laid In Earth
- Don Carlo: Act V: Tu che le vanita conoscesti del mondo
Tracks:
- Otello: Act I: Gia nella notte
- Otello: Act I: Quando narravi
- Otello: Act I: Venga la morte!
- Cosi fan tutte: Act I: Ah, guarda, sorella
- Madama Butterfly: Act I: Bimba, bimba, non piangere
- Madama Butterfly: Act I: Bimba dagli occhi
- Madama Butterfly: Act I: Vogliatemi bene
- Requiem: Recordare
- Porgy And Bess: Act II: Bess, You Is My Woman
- Norma: Act III: Me chiami, o Norma
- Norma: Act III: Mira, o Norma
- Ernani: Act II: Tu, perfida!
- Ernani: Act II: Ah, morir, potessi adesso
- Cosi fan tutte: Act II: Sorella, cosa dici?
- Cosi fan tutte: Act II: Prendero quel brunettino
- Aida: Act IV: La fatal pietra sovra me si chiuse
- Aida: Act IV: Presago il core della tua condanna
- Aida: Act IV: Vedi? Di morte l'angelo
- Aida: Act IV: O terra, addio
Tracks:
- Un Ballo in Maschera: Act II: Teco io sto!
- Aida: Act III: Ciel! mio padre!
- Aida: Act III: Rivedrai le forest imbalsamate
- Aida: Act III: In armi ora si desta il popol nostro
- Aida: Act III: Padre! a costoro schiava non sono
- Requiem: Angus Dei
- Manon Lescaut: Act I: Oh, saro la piu bella!; Tu, tu, amore?
- Cosi fan tutte: Act I: Soave sia il vento
- Porgy And Bess: Act II: I Loves You, Porgy
- Aida: Act II: Silenzio! Aida verso noi s'avanza
- Aida: Act II: Fu la sorte dell'armi
- Aida: Act II: Pieta ti prenda del mio dolor
- Aida: Act II: Alla prompa che s'appresta
- Il Trovatore: Act IV: Udiste?
- Il Trovatore: Act IV: Mira, di acerbe lagrime
- Il Trovatore: Act IV: Vivra! Contende il giubilo
- Madama Butterfly: Act II: Scuoti quella fronda di ciliegio (Flower Duet)
- Carmen: Act IV: C'est toi! - C'est moi!
- Carmen: Act IV: Ou vas-tu? - Laisse-moi!
Tracks:
- Les nuits d'ete, Op.7: Villanelle
- Les nuits d'ete, Op.7: Le spectre de la rose
- Les nuits d'ete, Op.7: Sur les lagunes
- Les nuits d'ete, Op.7: Absence
- Les nuits d'ete, Op.7: Au cimetiere (Clair de lune)
- Les nuits d'ete, Op.7: L'ile inconnue
- Four Last Songs: Fruhling
- Four Last Songs: September
- Four Last Songs: Beim Schlafengehen
- Four Last Songs: Im Abendrot
- Clair de lune, Op.46, No.2: Clair de lune
- Notre amour, Op.23, No.2: Notre amour
- Au cimetiere, Op.51, No.2: Au cimetiere
- Au bord de l'eau, Op.8, No.1: Au bord de l'eau
- No.1, Cinq melodies de Venise, Op.58: Mandoline
- Main dominee par le coeur
- Miroirs brulants No.2: Je nommerai ton front
- Miroirs brulants No.1: Tu vois le feu du soir
- Ce doux petit visage
Tracks:
- Knoxville: Summer Of 1915, Op.24: Knoxville: Summer Of 1915
- Frauenliebe und -leben, op.42: Seit ich ihn gesehen
- Frauenliebe und -leben, op.42: Er, der Herrlichste von allen
- Frauenliebe und -leben, op.42: Ich kann's nicht fassen
- Frauenliebe und -leben, op.42: Du Ring an meinem Finger
- Frauenliebe und -leben, op.42: Helft mir, ihr Schwestern
- Frauenliebe und -leben, op.42: Susser Freund, du blickest
- Frauenliebe und -leben, op.42: An meinem Herzen, an meiner Brust
- Frauenliebe und -leben, op.42: Nun hast du mir den ersten Schmerz getan
- Widmung (No.1, Myrthen, Op.25): Widmung
- Mignon (No.28, Liederalbum fur die Jugend, Op.79): Mignon
- Volksliedchen, Op.51, No.2: Volksliedchen
- Schone Wiege meiner Leiden (No.5, Liederkreis, Op.24): Schone Wiege meiner Leiden
- Er ist's (No.23, Liederalbum fur die Jugend, Op.79): Er ist's
- Heiss mich nicht reden (No.5, Lieder und Gesand aus Wilhelm Meister)
- Lust der Sturmnacht, Op.35, No.1: Lust der Sturmnacht
- Allerseelen, Op.10, No.8: Allerseelen
- Schlagende Herzen
- Freundliche Vision, Op.48, No.1: Freundliche Vision
- Wie sollten wir geheim, Op.19, No.4: Wie sollten wir geheim
- Der Gartner (Morike-Lieder No.17)
- Lebe wohl (Morike-Lieder No.36)
- Morgentau (From An Old Songbook)
- Geh, Geliebter, geh jetzt (Spanisches Liederbuch No.34)
Tracks:
- Ev'ry Time I Feel The Spirit - Various Artists
- Let Us Break Bread Together On Our Knees - Various Artists
- His Name So Sweet - Various Artists
- 'Roun' About De Mountain - Various Artists
- Swing Low, Sweet Chariot - Various Artists
- Sit Down, Servant - Various Artists
- Were You There - Various Artists
- He's Got The Whole World In His Hands - Various Artists
- Deep River - Various Artists
- Honor! Honor! - Various Artists
- My Soul's Been Anchored In De Lord - Various Artists
- On Ma Journey - Various Artists
- A City Called Heaven - Various Artists
- Ride On, King Jesus - Various Artists
- I Wish I Knew How It Would Feel To Be Free - Various Artists
- Sinner, Please Don't Let This Harvest Pass - Various Artists
- Sweet Little Jesus Boy - Various Artists
- There Is A Balm In Gilead - Various Artists
- Let Us Cheer The Weary Traveler - Various Artists
- Ev'ry Time I Feel The Spirit - Various Artists
- My Way Is Cloudy - Various Artists
- Nobody Knows The Touble I've Seen - Various Artists
- I Couldn't Hear Nobody Pray - Various Artists
Tracks:
- Holy, Holy, Holy
- Lead, Kindly Light
- Blessed Assurance
- Ave Maria
- What A Friend We Have In Jesus
- Amazing Grace
- The Lord's Prayer
- Pass Me Not, O Gentle Saviour
- The Church's One Foundation
- Bless This House
- I Need Thee Every Hour
- Fairest Lord Jesus
- I Wonder As I Wander
- Ave Maria
- Porgy And Bess: Summertime
- America The Beautiful
- Lift Ev'ry Voice And Sing
- A Mighty Fortress Is Our God
- Battle Hymn Of The Republic
Tracks:
- Chants tziganes, Op. 103: He Zigeuner
- Chants tziganes, Op. 103: Hochgeturmte Rimaflut
- Chants tziganes, Op. 103: Wisst ihr, wann mein Kindchen
- Chants tziganes, Op. 103: Lieber Gott, du weisst
- Chants tziganes, Op. 103: Brauner Bursche
- Chants tziganes, Op. 103: Roselein dreie in der Reihe
- Chants tziganes, Op. 103: Kommt dir manchmal in den Sinn
- Chants tziganes, Op. 103: Rote Abendwolken
- Adriana Lecouvreur: Act I: Io son l'umile ancella
- This Little Light O'Mine
- Interview With Leontyne Price By John Pfeiffer
Amazon.com
This 11-CD set, one might say jokingly, contains all the music ever written for the soprano voice and a bit for mezzo as well. And indeed, it's a staggering collection: In addition to her great Verdi heroines (the two Leonoras, Aida, Amelia, and Elvira in Ernani), Price is heard in her Puccini roles--Manon Lescaut, Butterfly, Tosca--and at least two dozen other roles, most of which she never sang on stage. Here are her heroic, secure Leonore in Fidelio, Strauss's high-flying Egyptian Helen, Purcell's Dido, Barber's Cleopatra, Bellini's Norma, Ariadne, Verdi's Violetta and Desdemona, Bizet's Carmen, Mozart's Countess, and Fiordiligi. Some are, naturally, more successful than others; almost none are embarrassing (Carmen comes close). In addition, she sings songs by Schubert, Schumann, and Strauss--none of them as well as say, Janet Baker or Elisabeth Schwarzkopf, and Barber's Knoxville, etc.--quite beautifully. Berlioz's Les Nuits d'été is not very good, but a group of spirituals is. In all, however, this is an amazing display by one of the century's greatest sopranos. There may be no new depths plumbed here, but the singing is a knockout. --Robert Levine
Customer Reviews:
A Long Time Coming..........2006-03-30
This compilation of Ms. Price's career is almost as complete as anything I've ever come across!!
An American Icon....I will forever be a loyal fan and admirer!!
Her Best Album.......2006-01-01
Along with the equally extensive "Prima Donna Collection" this is Leontyne Price's best album. Anyone who wants to become familiarized with her vocal technique and her art on record should own this album. It features her best work ever recorded. A lot of these arias and their respective soprano roles were not roles she sang on stage. Leontyne Price was not only a consummate artist, but a cautious one. The reason these arias, Lieder, Gospel and spirituals sound so beautiful and technically brilliant is because Leontyne was smart enough to sing them infrequently and in concert form. She did not take on new roles other than her repetitive Aidas, Leonoras, Butterfly, Toscas and Madame Lidoins, etc, because she was afraid of ruining her glorious voice too soon as many of her contemporary sopranos. Like soprano Zinka Milanov, Leontyne Price preserved the freshness and vitality of her voice through "operatic abstinence". Thus, the Norma, Salome, Manon, Lady Macbeth and even Traviata we hear on this album are well-rendered because she did NOT sing them on stage. She would have worn out her beautiful voice if she sung so many roles.
This collection is overwhelming. Leontyne Price proves herself to be a masterful artist of diverse repertoire. Pity she didn't really sing these on stage because she would have put Maria Callas and all the reigning divas before and after her to shame. Listen to her remarkable, unsurpassed Mozart repertoire. This she did sing in opera houses, probably because Mozart does not require a true lyrico-spinto heavyness and smaller opera houses can accomodate Mozartian voices that do not often rise above the staff/orchestra. She sang exquisite Fiordiligis at the Met. The arias from Cosi Fan Tutte here - Soave sia il vento, O Guarda Sorelle and the fiendishly difficult vocal showcase "Come Scoglio" with its vertiginious scales are all fine samples of Miss Price's artistry. She sang Susanna and Donna Anna with beauty and bravura. The Salome excerpt is quite thrilling. She would have made a terrific Salome but the role is quite difficult and it would have surely killed her voice. Leontyne Price was the number one Verdi soprano. Every opera cognoscente will tell you that. When you hear the excerpts from Verdi operas here - Lady Macbeth's Sleepwalking Scene, Aida's arias, Leonora's arias from Trovatore and Leonora's arias from Forza Del Destino, particularly La Virgine Del Angeli and the ravishing Pace Pace Mio Dio- are the best renditions of Verdi soprano singing. Anyone who wants to study how to sing in the letter-to-letter Verdi lyrico spinto style should hear these arias. A voice like Leontyne cannot be easily imitated. Maria Callas's own voice can be imitated as Romanian diva Angela Gheorghiu has proven. Leontyne was in a class of her own, a voice that is both dramatic and beautiful to hear. However, most people find fault in her lack of dramatic interpretation. I say they're not hearing hard enough. Yes, there is excessive beauty in her singing but she understood that the opera heroines should sound beautiful because they are beautiful and though I never saw her on stage, from the recordings I hear she sounds dramatic and character-driven enough for me to be satisfied. For a devoted fan of Leontyne Price, this album is the Holy Grail. She sings the most beautiful Norma, Madame Butterfly, Tosca, Aida, Violetta, Madame Lidoin, Suor Angelica, Susanna, Dona Ana, Gilda, Fiordiligi, Desdemona and countless other heroines. The last cd is a collection of Gospel, spirituals and patriotic songs. These "American", non-opera selections find her in beautiful voice and she is actually paying tribute to her roots. She was not only African-American, but a Southerner from Mississippi. Her voice must have been heavenly to hear in Church! This is the album that made me love Leontyne.
Price At Her Peak.......2005-05-02
Originally a Gospel singer, Leontyne Price rose to the heights of operatic superstardom in the 60's and 70's. She enjoyed the same success Maria Callas did in the 50's. Although Callas will forever be most people's idea of the greatest soprano of the 20th century, Leontyne Price was not a force to be reckoned with. In my opinion, and this is just me, she outshone Callas and was the greater singer as far as techinicality and musicianship. Leontyne Price's best work is recorded in this album. It is her best album, together with the Prima Donna Collection. The price is expensive but it's worth every penny. Prepare to be riveted and blown away by the dynamic strength and passion of her voice as it blasts through yours stereo. While many often point out that Leontyne Price was not much of an actress, from a purely operatic/vocal level, her voice was faultless and virtuosic, powerful, passionate, beautiful, lyrical, soulful. Never have I heard a soprano so richly endowed with strong chest register- she could sing the low octaves that are found in the roles of mezzo-soprano voices or contralto voices. But she was a dramatic soprano and that's dramatic with a capital D- all the high C's were there, perfectly in place, and she was a thrilling singer when reaching for the stratosphere with her voice.
This album contains arias from operas that I didn't even know she performed- La Traviata (yes, Leontyne Price as Violetta is a moving and powerful interpretation, executed with sublime beauty. She finds herself the equal to Callas in the role- for Callas had a big voice for a role that calls for the "dying" effect. Thus, Price, like Callas, could sing roles that call for beauty and not just dramatic vigor. It's unfortunate that unlike the stars that were rising in her time- Joan Sutherland, Beverly Sills and Montserrat Caballe- Price never mastered the bel canto repertoire - Rossini, Donizetti, Bellini (although she sang a sensational Norma, excerpts are found in this recording). But her strongest suit was Verdi. She had the voice Verdi was looking for in a soprano- rich, dramatic, beautiful, able to fill up the lines with smoky and velvety hues and a gleaming high top. Check out her Amelia in Un Ballo In Maschera, her Leonora in Trovatore, her Leonora in La Forza Del Destino. Of course, her greatest role, her signature role, and one which she connected with on a personal/ancestral level was that of Aida. The first selections in this recording are from that masterpiece. As Aida, she was at her best. It was easy for her somehow, when most other sopranos tackle the role with difficulty. She conveys grace, nobility, passion and spirituality in the role of the tragic Ethiopian princess.
Further roles she excelled in that are on this recording is Desdemona in Otello, which she sung opposite Placido Domingo. Their masterful voices blend together harmonically and gloriously in the Act 1 Love Duet. She's quite the ground-breaking artist. Most Violettas in Traviata or Desdemona in Otello are Caucasian lyric soprano (Desdemona was white, Otello was black, that was Shakespeare's intention) but in opera, race does not matter and Leontyne Price's voice made her a star in a time when it was incredibly difficult for a black woman to sing opera. From the start of the century, opera was always associated with white Europeans and later on Americans. But Leontyne Price followed the inspirational example of the gutsy contralto Marian Anderson, who suffered a lot of rejection in opera due to skin color in pre-Civil Rights Movement 30's, 40's and 50's. Finally in the late 50's, Anderson, after a lifetime of singing only in private concerts and recitals, debuted at the Met as Ulrica in Un Ballo. Leontyne Price immediately picked up where she left- singing all the soprano diva roles typically associated with white singers - especially Tosca. Her Tosca is second to her Aida. As Tosca, she encompasses the diva who dies for love in the most thrilling way.
Other than Tosca, Puccini heroines were just as magnificent vehicles for her voice. She sang Madame Butterfly to great acclaim. I dont know how she did it but she suddenly ceased to be herself and became the frail, naive, lovesick Japanese Geisha. Softness and fragility is also mixed with the maturity of a woman in love, with passion and dramatic vocal color. She sang La Rondine with equal success, though this role is more along the lines of Violetta/Traviata. She sang Suor Angelica, she sang in modern works such as Barber's Antony and Cleopatra- in that infamous Zefferelli production- she sang Gershwin's Porgy and Bess, she sang in Dialoge of the Carmelites. All these are on here, along with her Baroque specialties- Dido in Dido and Aeneas. Her Mozart voice is also the best I've heard, really, even with a more dramatic and beautiful charm than other singers I've heard. She sang the acrobatic role of Fiordiligi in Cosi Fan Tutte, both Dona Ana and Donva Elvira in Don Giovanni. I prefer her as Dona Ana, she is all fire, despair, intensity and repressed desire, but she sings a hysterical and lovesick Elvira with a passion as well. She even sang the Countess in Le Nozze Di Figaro. But the sky was the limit to Price. She even sang, in a Jessie Norman way, the Wagner role of Isolde. Her "Liebestod" is the greatest I've heard since Birgit Nilsson, with a passion that stemmed from her religious Gospel heart.
This is a great album and I recommend it to any fan of Price and any fan of opera in general. If you have never heard Price and want to start somewhere, start with this one. This one or the Prima Donna Collection.
of course world class.......2000-08-14
Price is amazing. I will have to also mention that Joan Sutherland in the 1960 is even more incredible, if that's possible. Check Dame Joan out, you will not be sorry. But Price is a D flawless diamond set by Cartier, in my opinion.
the greatest american soprano of the 20th century.......1999-12-12
This collection of arias, art songs, and spirituals is truly amazing for the sheer breadth and depth of this soprano's artistry. It is hard to imagine any Verdi soprano after Ms. Price who could offer us the smoky richness of her vocal color, and there are so many wonderful selections, many of them being roles she did not perform on stage. Among my personal favorites are her scene from Dialogues of the Carmelites, the Letter Scene from Eugene Onegin, and the drama of her Lady Macbeth. For those of us who heard Ms. Price over the years in opera and concert, this collection brings back wonderful memories...It is truly a must-have for any serious opera lover.
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Spirit of Christmas 1
Manufacturer: Bmg Special Product
ProductGroup: Music
Binding: Audio CD
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ASIN: B000066C31
Release Date: 2002-04-01 |
Average customer rating:
- A Fine Example
- Beware!!!
- Excellent, excellent!
- Excellent, excellent!
- A true heart pleaser
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Hymns Through the Ages
Manufacturer: Gothic Records
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Binding: Audio CD
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Similar Items:
- Praise to the Lord - Hymns From St. Paul's Cathedral
- Be Still My Soul: The Ultimate Hymns Collection
ASIN: B000003J9D
Release Date: 1995-10-17 |
Tracks:
- Christ Is Made The Sure Foundation
- The Day Thou Gavest, Lord, Is Ended
- Christ, Mighty Savior
- Lo! He Comes, With Clouds Descending: Lo He Comes, With Clouds Descending
- Ye Who Claim The Faith Of Jesus
- Of The Father's Love Begotten
- A Stable Lamp Is Lighted
- Alleluia, Song Of Gladness
- Cross Of Jesus, Cross Of Sorrow
- There's A Wideness In God's Mercy
- I Am The Bread Of Life
- Lift Your Voice Rejoicing, Mary
- The Head That Once Was Crowned With Thorns
- King Of Glory, King Of Peace
- Like The Murmur Of The Dove's Song
- Father, We Thank Thee
- Come, We That Love The Lord
- O Love Of God, How Strong And True
- I Want To Walk As A Child Of The Light
- O Praise Ye The Lord
- Holy Spirit, Ever Living
- All My Hope On God Is Founded
- O Day Of Peace
Customer Reviews:
A Fine Example.......2006-03-29
This has many wonderful examples of Anglican Hymnody performed by a lovely parish choir. I have recommended this to many musician friends, all whom have enjoyed it thoroughly. Of particular interest is Calvin Hampton's tune St. Helena set with the text "There's a Wideness In God's Mercy." This is rarely recorded, yet is regarded as one of the finest hymn tunes of the 20th century. It's a fine example of how the tune can dramatically shape the text. Compare this to the tune "Beecher" sometime and observe the profound difference in how the text comes to life.
Beware!!!.......2004-06-24
Although the perforamnces are reasonable, the other reviewers failed to warn potential buyers that the track "Jerusalem - And did those feet in ancient time" credited to Blake and Parry only uses Parry's music. Some genius in the mid 20th century decided he could improve upon Sir William Blake's inspirational poem and replaced his words with his own puerile rubbish - that (for some bizarre reason) is the version recorded here (hence the different track names in the listing).
Excellent, excellent!.......2002-08-23
This is a marvelous CD and the hymns are elegant and sumptiously performed. A must-have CD for home or for listening to in rush hour traffic.
Excellent, excellent!.......2002-08-23
This is a marvelous CD and the hymns are elegant and sumptiously performed. A must-have CD for home or for listening to in rush hour traffic.
A true heart pleaser.......2002-03-08
A truely fine collection of Episcopal/Anglican Church Hymns that have been nicely recorded by a 'fine' choir. It has been one of my favorite discs that I often replay!
Music Review:
- Millennium Praise
- Nobody But You
- Obsessions
- Pot of Gold
- Power of Worship: Integrity Music's Scripture Memory Songs
- Quiet Times Christmas
- Quiet Times, Vol. 4
- Right Now God
- Sampler, Vol. 2: Integrity Music's Scripture Memory Songs
- Satisfied
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