I Need You Now

Track Listings
1. It's All About You    
2. I Need You Now    
3. Life's Not Promised    
4. Still Say, Thank You    
5. Praise Him    
6. Least I Can Do    
7. Somethin', Somethin'    
8. Same Sad Song    
9. Just Can't Stop    
10. Psalm 64    
11. Same Sad Song [Urban Remix]    

I Need You Now, Music, Smokie Norful, CCM, Christian Rock, Contemporary Gospel, Gospel, Gospel/Christian Music, Pop, United States of America
I Need You Now
Average customer rating: 5 out of 5 stars
  • A Heartfelt Petition
  • Love his music. This CD is great!!!!!
  • Excellent
  • LOVED THE CD!!!
  • Not a step wrong!
 I Need You Now
Smokie Norful
Manufacturer: EMI Gospel
ProductGroup: Music
Binding: Audio CD

Christian RockChristian Rock | Christian & Gospel | Styles | Music
GeneralGeneral | Christian & Gospel | Styles | Music
GospelGospel | Christian & Gospel | Styles | Music
Christian Contemporary MusicChristian Contemporary Music | Christian & Gospel | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Similar Items:
  1. Nothing Without You
  2. Life Changing
  3. The J Moss Project
  4. I Speak Life
  5. Purified

ASIN: B000066ANM
Release Date: 2002-06-18

Tracks:

  1. It's All About You
  2. I Need You Now
  3. Life's Not Promised
  4. Still Say, Thank You
  5. Praise Him
  6. The Least I Can Do
  7. Somethin', Somethin'
  8. Same Sad Song
  9. Just Can't Stop
  10. Psalm 64
  11. Same Sad Song (Urban Remix)

Customer Reviews:

5 out of 5 stars A Heartfelt Petition.......2007-07-12

Smokie Norful has a voice to be reckoned with and a heart for God. "I Need You Now" quickly became one of my favorite songs / albums. For so many people, it became somewhat of a "National Anthem." It was a cry in the dark to God saying through and in everything I've been through, Lord I need you NOW! Not a second from now. Not a minute from now. Not an hour or another day, but Lord RIGHT NOW. This song quickly flew up the charts and was played, not only via Christain broadcast stations but secular as well. It holds no boundaries, when it comes to our plea to God. I would definitely recommend Smokie's CD.

5 out of 5 stars Love his music. This CD is great!!!!!.......2006-08-15

I received the Cd "Nothing Without You" from a friend. I loved it so much that I decided to purchase 'I Need You Know'. I'm so glad that I did. This CD is just as nice. It's music to feed your spirit. I like to call it 'music for the soul'. I'm here in Iraq and felt that I needed some music on my IPOD to help me make it through the days here. He has an outstanding voice. For the last 2 weeks, his music is all I've been listening to. I you are a fan of contemporary gospel music, you will love this.

4 out of 5 stars Excellent .......2005-09-17

Very enjoyable CD! Smokie really does a great job with this one. I had to listen to it a few times to get with it, but once I got "it's all about you" in my head it stuck there good. Of course "I need you now" is great, and I really like the trad gospel track "Praise Him" He has a sweet voice and his piano playin aint bad either.

5 out of 5 stars LOVED THE CD!!!.......2005-09-08

The CD is excellent...really ministered to me. The CD arrived safely. Smokie's voice is great. Will order other CDs by him. Good listening -- encouraging.

5 out of 5 stars Not a step wrong!.......2005-02-19

This album was loaned to me and from the first song, I was hooked! This young man is blessed with a great talent and the groove is mean. I blasted this at 260 watts and now I am going to get a copy of my own. I have his other CD but it does not move me like this one does.
Dittersdorf: Arcifanfano, King of Fools
Average customer rating: 5 out of 5 stars
  • A Comic-Opera Treasure!
  • an obscure delight!
 Dittersdorf: Arcifanfano, King of Fools

Manufacturer: Video Artists Int'l
ProductGroup: Music
Binding: Audio CD

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ASIN: B000003LIK
Release Date: 1994-12-12

Tracks:

  1. Arcifanfano, King Of Fools: Act I: Overture
  2. Arcifanfano, King Of Fools: Act I: Chorus - We've Traveled Far (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
  3. Arcifanfano, King Of Fools: Act I: Recitative - Approach! What Is Your Name, Sir? (Furibondo)
  4. Arcifanfano, King Of Fools: Act I: Aria - With A Sword That Is Sterner Than Moses (Furibondo)
  5. Arcifanfano, King Of Fools: Act I: Recitative - Unhappy Oddling (Gloriosa)
  6. Arcifanfano, King Of Fools: Act I: Aria - My Fair Skin, My Bare Chin (Gloriosa)
  7. Arcifanfano, King Of Fools: Act I: Recitative - Was Ever There Insanity (Sordidone)
  8. Arcifanfano, King Of Fools: Act I: Aria - Snugly Hidden Safe From Prying (Sordidone)
  9. Arcifanfano, King Of Fools: Act I: Recitative - Madness Beyond All Measure (Malgoverno)
  10. Arcifanfano, King Of Fools: Act I: Aria - When The Purse Is Clinking (Malgoverno)
  11. Arcifanfano, King Of Fools: Act I: Recitative - There, Like A Vapor (Semplicina)
  12. Arcifanfano, King Of Fools: Act I: Aria - O Look So Woeful (Semplicina)
  13. Arcifanfano, King Of Fools: Act I: Recitative - Such As She Seems To Be Frigid (Garbata)
  14. Arcifanfano, King Of Fools: Act I: Aria - Let's Sing, Let's All Be Jolly (Garbata)
  15. Arcifanfano, King Of Fools: Act I: Recitative - For All Types Of Confusion
  16. Arcifanfano, King Of Fools: Act I: Aria - The Fierce One Lives Only For The Slaughter
  17. Arcifanfano, King Of Fools: Act II: Recitative - I Beg You To Stop (Malgoverna, Gloriosa, Garbata)
  18. Arcifanfano, King Of Fools: Act II: Aria - We Praise The Sun For Beauty (Malgoverna)
  19. Arcifanfano, King Of Fools: Act II: Recitative - Bumpkin, Coarse-grained (Gloriosa, Garbata)
  20. Arcifanfano, King Of Fools: Act II: Aria - If You Will Love Me, I Will Love You (Garbata)
  21. Arcifanfano, King Of Fools: Act II: Recitative - No, They Cannot Persuade Me! (Gloriosa)
  22. Arcifanfano, King Of Fools: Act II: Aria - Lovely Ladies, You Enjoying (Gloriosa)
  23. Arcifanfano, King Of Fools: Act II: Recitative - Where's My Lover, Sweetheart (Sordidone)

Tracks:

  1. Arcifanfano, King Of Fools: Act II: Aria - Sordidone, Be A Bunny
  2. Arcifanfano, King Of Fools: Act II: Recitative - Are You Hiding? (Sordidone, Garbata)
  3. Arcifanfano, King Of Fools: Act II: Duet - See Comely Phyllis Wander (Garbata, Sordidone)
  4. Arcifanfano, King Of Fools: Act II: Recitative - Don't Come Near Me (Semplicina, Furibondo)
  5. Arcifanfano, King Of Fools: Act II: Aria - The High And Mighty Lion (Furibondo)
  6. Arcifanfano, King Of Fools: Act II: Recitative - Quiet At Last (Semplicina)
  7. Arcifanfano, King Of Fools: Act II: Duet - Semplicina, Do You Hear Me? (Semplicina)
  8. Arcifanfano, King Of Fools: Act II: Quartet - Ever More Bitter Shall Be My Raging (Gloriosa, Garbata, Malgoverno, Furibondo)
  9. Arcifanfano, King Of Fools: Act II: Recitative - What Now? What New Forms Of Madness? (Gloriosa, Sordidone, Malgoverno, Furibondo)
  10. Arcifanfano, King Of Fools: Act II: Chorus - Long Live King Arcifanfano (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
  11. Arcifanfano, King Of Fools: Act III: Aria - Earth, Our Dearest, Good And Nearest (Sordidone)
  12. Arcifanfano, King Of Fools: Act III: Aria - That His Sowing Yield A Growing (Malgoverno)
  13. Arcifanfano, King Of Fools: Act III: Recitative - What Has The Fool Committed (Malgoverna, Gloriosa)
  14. Arcifanfano, King Of Fools: Act III: Aria - Ask Of Beauty, She Will Answer (Gloriosa)
  15. Arcifanfano, King Of Fools: Act III: Recitative - Hop And Stop It! (Furibondo, Gloriosa)
  16. Arcifanfano, King Of Fools: Act III: Aria - All Of This Planet, I Cry To Each Man (Furibondo)
  17. Arcifanfano, King Of Fools: Act III: Recitative - What's Unleashed These Dreadful Roars? (Garbata, Furibondo)
  18. Arcifanfano, King Of Fools: Act III: Aria - I'm Simple And I'm Candid (Garbata)
  19. Arcifanfano, King Of Fools: Act III: Recitative - What Mischief And Load This Purse Is!
  20. Arcifanfano, King Of Fools: Act III: Aria - Goddess Bright As Morning
  21. Arcifanfano, King Of Fools: Act III: Recitative - Mother Always Used To Tell Me (Sordidone, Semplicina)
  22. Arcifanfano, King Of Fools: Act III: Aria - What A Lot I Need What I Need Lot's Of! (Sordidone)
  23. Arcifanfano, King Of Fools: Act III: Recitative - May He Not Come To Harm (Semplicina)
  24. Arcifanfano, King Of Fools: Act III: Aria - There's A Devil In A Ducat (Semplicina)
  25. Arcifanfano, King Of Fools: Act III: Recitative - Gather, O Subjects, About Us (Gloriosa, Garbata, Semplicina)
  26. Arcifanfano, King Of Fools: Act III: Duet - If You Marry Me (Semplicina)
  27. Arcifanfano, King Of Fools: Act III: Chorus - With Curiosity All Aflame (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
  28. Arcifanfano, King Of Fools: Act III: Recitative - Quiet, Please, We Implore You!
  29. Arcifanfano, King Of Fools: Act III: Chorus - The Wise And The Mad Have Got One Word For Their Dwelling

Customer Reviews:

5 out of 5 stars A Comic-Opera Treasure!.......2007-01-28

Dittersdorf is a sort of working-man's Mozart; in fact, this opera sounds similar to some of Mozart's early operas. But Mozart sought to break the rules and to explore new musical ideas; Dittersdorf is not an innovator...yet he is no less a master! This performance, too, is a materpiece of refined (not always!) comedy; the arias include some extremely difficult vocal leaps and trills, yet the primary joy is the witty verse. W.H. Auden (no less!) ramrodded this translation to English. And Anna Russell, famed for her "Analysis of Wagner's Ring Cycle" steals every scene she's in! Ad-libbing shamelessly, her introductory aria, all by itself, is worth more than the purchase price!

5 out of 5 stars an obscure delight!.......2002-07-31

Eleanor Steber's image on the cover of this set caught my eye while rummaging through the cut-out bins of San Francisco on a recent opera whirlwind. What a lost treasure this performance is - recorded "LIVE" in NYC 1965! All the principles shine, their energy ebullient. Don't hesitate, buy it and smile before it disappears.
From Broadway to Hollywood
Average customer rating: 5 out of 5 stars
  • From Broadway to Hollywood.
  • One of the greatest singing artists of all time !
 From Broadway to Hollywood

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000037L1
Release Date: 1996-07-06

Tracks:

  1. Porgy and Bess: Summertime - Lawrence Tibbett/Helen Jepson
  2. Porgy and Bess: Summertime & Crap Game/A Woman Is A Sometime Thing - Lawrence Tibbett/Helen Jepson
  3. Porgy and Bess: My Man's Gone Now - Lawrence Tibbett/Helen Jepson
  4. Porgy and Bess: I Got Plenty O' Nuttin'
  5. Porgy and Bess: The Buzzard Song
  6. Porgy and Bess: Bess You Is My Woman Now - Lawrence Tibbett/Helen Jepson
  7. Porgy and Bess: It Ain't Necessarily So
  8. Porgy and Bess: Where Is My Bess?
  9. Emperor Jones: Oh Lord!... Standin' In The Need Of Prayer
  10. Merry Mount: Oh, 'Tis An Earth Defiled
  11. The Rogue Song: The Rogue Song
  12. The Rogue Song: The Narrative
  13. The Rogue Song: The White Dove
  14. The Rogue Song: When I'm Looking At You
  15. The Prodigal: Without A Song
  16. The Prodigal: Life Is A Dream
  17. Ballads: De Glory Road - Lawrence Tibbett/Stewart Willie
  18. Ballads: Old Black Joe
  19. Ballads: Goin' Home

Customer Reviews:

5 out of 5 stars From Broadway to Hollywood........2007-02-12

Tibbett had the talent and the way to express it. Would that I had been around to have enjoyed it in person. Who is out there today????????

5 out of 5 stars One of the greatest singing artists of all time !.......2006-01-29

The baritone Lawrence Tibbett was one of the first American artists (with Rosa Ponselle) to gain international fame and acknowledgement in opera. This disc documents his great artistry very well, although it does lack represantation of his great operatic roles.
Tibbett gives every song and aria his whole heart and mind. He may not always sing perfect techniquely, but the truthfulness and drama Tibbett brings to being is superb and has in my opinion never quite been equaled.
This record encompasses all Porgy and Bess recordings he made as well as some very impressive portrayals of ballads and songs. I would recomend this disc not only to the collector but to all who can tolerate a bit of surface noise inorder to hear one of the greatest singers of all time :
I Need You Now/Life's Not Promised
Average customer rating: 5 out of 5 stars
  • I love this brother
  • Great Performances
  • The Miricle Somehow Disappeared ..........
  • a must have
 I Need You Now/Life's Not Promised
Smokie Norful
Manufacturer: Chordant
ProductGroup: Music
Binding: Audio CD

Christian RockChristian Rock | Christian & Gospel | Styles | Music
GeneralGeneral | Christian & Gospel | Styles | Music
GospelGospel | Christian & Gospel | Styles | Music
Christian Contemporary MusicChristian Contemporary Music | Christian & Gospel | Styles | Music
ASIN: B00008QSBC
Release Date: 2003-04-08

Tracks:

  1. I Need You Now (Live Version)
  2. Life's Not Promised

Customer Reviews:

5 out of 5 stars I love this brother.......2004-01-11

I first listened to Smokie on the UNCF Evening of Stars. This man sung this one song "I Need You Know" so majestically that it made me an atheist want to go to church. He brought tears to my eyes because it has been so long since a gospel song affected me so deeply. He voice is blessed. You gotta hear it.

5 out of 5 stars Great Performances.......2004-01-07

This album is a great gospel album. Smokie has really come a long
ways, since his days of singing at the A.M.E. Church in Tulsa, Oklahoma. Special congratulation from Quitina and Perkeshia Traylor for a Super Gospel CD. With such a great voice and talent, we look to hear more great gospel music from you in the
future.

Quitina Traylor & Perkeshia Traylor

4 out of 5 stars The Miricle Somehow Disappeared .................2003-10-24

I love this song "I Need You Now", Smokie Norful's voice is beautiful, always, but, he had put TOO much effort when he song in this live version.

I don't know, to me, it somehow lost its magical attraction and the touching elements. Kind of Gospel version of Christina Anquilia. Through I still like it, I have to admit the original mirical somehow disappeared and I can not play it all day as I played the album version.

5 out of 5 stars a must have.......2003-05-20

I love this cd. "I need you now" is just so mind blowing and will bring a tear to your eye. Smokie Norful is an wonderful singer.
Cry Little Sister I Need You Now
Average customer rating: 3.5 out of 5 stars
  • I love this song.
  • I'm horrified
  • G Tom Mac! with the Lost Brothers! This has to be good!
 Cry Little Sister I Need You Now
Lost Brothers
Manufacturer: Ministry of Sound UK
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Dance & DJ | Styles | Music
GeneralGeneral | Dance Pop | Dance & DJ | Styles | Music
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ASIN: B0000TOAX4
Release Date: 2004-01-20

Album Details

The Theme-tune from Cult '80s Film "The Lost Boys", One of the Cultural Reference Points for Any Child of the '80s and Spawned One of the Best Selling Soundtracks of all Time. It's the Perfect Time to Re-vitalise this Classic '80s Rock Track. G Tom Mac (Who is Helping Write the who Reunion Album with Roger Daltrey) Could Strike a Blow for Original '80s Rockers Against the New Pretenders as the Lost Brothers Take on the Darkness in the 2003 Christmas Pop Chart. They also Star in the Video for "Cry Little Sister" Alongside G Tom Mac and the Fantastic Lost Boys Meets Blair Witch Style Promo features on the Enhanced CD.

Customer Reviews:

5 out of 5 stars I love this song........2005-05-20

I remember hearing this (as most of us did) in the lost boys soundtrack.Its one of those tracks you skip back to hear again and agian and when this was released i wasnt sure what to expect.But its damn good and worth the small price to buy.

1 out of 5 stars I'm horrified.......2005-02-19

If you're a fan of the original you probably won't like this upbeat dance mix. Wait for a sample to hear before you waste your hard earned cash.

5 out of 5 stars G Tom Mac! with the Lost Brothers! This has to be good!.......2004-09-21

The Lost Brothers knew what they were doin' when they brought back the song that never went away for most. But they Re-Charged it. Re-Amped it. Re-vived, and Re-VAMPED. But it would not be quite what it is had G Tom Mac aka Gerard Mcmann not once again sang vocals some 16 years later. He sounds better then ever. In fact, this was way overdue, but I have created a Tribute site to G Tom Mac. Not using this album review as a "promo", but thought if you liked this song, why not take a look at the man behind it. ~IndustriaLords' Tribute to G Tom Mac~ http://www.geocities.com/gtommactribute
Oh!... And did I mention the video's "wicked"! And these Female Vampyre's? Where o' Where? I Need You Now! yoUrS ForEVErmoRe, IndustriaLord / AEBarr
Siegfried (Goodall Ring Cycle/Chandos Opera in English)
Average customer rating: 4.5 out of 5 stars
  • Goodall's Siegfried
  • "Do you know what Wotan wills?"
  • Slow and steady wins the race
  • Absolutely better than you think, the best of Goodal's Ring!
  • Better than you might think....
 Siegfried (Goodall Ring Cycle/Chandos Opera in English)
English National Opera
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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ASIN: B000056KNC
Release Date: 2001-02-27

Tracks:

  1. Act I.: Prld - Barry Tuckwell
  2. Act I., Scene 1: Wearisome Labour! - Gregory Dempsey
  3. Act I., Scene 1: Hoiho! Hoiho! - Alberto Remedios/Gregory Dempsey
  4. Act I., Scene 1: Well, There Are The Pieces - Alberto Remedios/Gregory Dempsey
  5. Act I., Scene 1: A Whimpering Babe - Gregory Dempsey
  6. Act I., Scene 1: Much You've Taught To Me, Mime - Alberto Remedios/Gregory Dempsey
  7. Act I., Scene 1: I Found Once in The Wood - Gregory Dempsey/Alberto Remedios
  8. Act I., Scene 1: And Now These Fragments - Alberto Remedios/Gregory Dempsey
  9. Act I., Scene 1: He Storms Away! - Gregory Dempsey
  10. Act I., Scene 2: Hail There, Worthy Smith! - Norman Bailey/Gregory Dempsey
  11. Act I., Scene 2: I Sit By Your Hearth - Norman Bailey/Gregory Dempsey
  12. Act I., Scene 2: What You Needed To Know - Norman Bailey/Gregory Dempsey
  13. Act I., Scene 2: The Fragments! The Sword! - Gregory Dempsey/Norman Bailey

Tracks:

  1. Act I., Scene 3: Accursed Light! - Gregory Dempsey
  2. Act I., Scene 3: Hey There! You Idler! - Alberto Remedios/Gregory Dempsey
  3. Act I., Scene 3: Have You Not Felt Within The Woods - Gregory Dempsey/Alberto Remedios
  4. Act I., Scene 3: Give Me These Pieces - Alberto Remedios/Gregory Dempsey
  5. Act I., Scene 3: Notung! Notung! Sword Of My Need! - Alberto Remedios/Gregory Dempsey
  6. Act I., Scene 3: Hoho! Hoho! Hohi! - Alberto Remedios/Gregory Dempsey
  7. Act II.: Prld - Barry Tuckwell
  8. Act II., Scene 1: In Gloomy Night By Fafner's Cave I Wait - Derek Hammond-Stroud
  9. Act II., Scene 1: To Neidhohl By Night I Have Come - Norman Bailey/Derek Hammond-Stroud
  10. Act II., Scene 1: Not My Plan! - Norman Bailey/Derek Hammond-Stroud
  11. Act II., Scene 1: Fafner! Fafner! You Dragon, Wake! - Norman Bailey/Derek Hammond-Stroud/Clifford Grant
  12. Act II., Scene 1: Now, Alberich! That Plan Failed! - Norman Bailey/Derek Hammond-Stroud
  13. Act II., Scene 2: We Go No Further! - Gregory Dempsey/Alberto Remedios
  14. Act II., Scene 2: So He's No Father Of Mine - Alberto Remedios

Tracks:

  1. Act II., Scene 2: Could I But Know - Alberto Remedios
  2. Act II., Scene 2: See My Mother - Alberto Remedios
  3. Act II., Scene 2: Ha Ha! At Last With My Call - Alberto Remedios/Clifford Grant
  4. Act II., Scene 2: Who Are You, Youthful Hero - Clifford Grant/Alberto Remedios
  5. Act II., Scene 2: The Dead Can Tell No Tidings - Alberto Remedios/Maurine London
  6. Act II., Scene 3: Hehe! Sly And Slippery Knave - Derek Hammond-Stroud/Gregory Dempsey
  7. Act II., Scene 3: Tarnhelm And Ring, Here They Are - Alberto Remedios/Maurine London/Gregory Dempsey
  8. Act II., Scene 3: Be Welcome, Siegfried! - Gregory Dempsey/Alberto Remedios/Derek Hammond-Stroud
  9. Act II., Scene 3: You Lie There Too, Mighty Dragon - Alberto Remedios/Maurine London
  10. Act III.: Prld - Barry Tuckwell
  11. Act III., Scene 1: Waken, Wala! Wala! Awake! - Norman Bailey
  12. Act III., Scene 1: Strong Is Your Call - Anne Collins/Norman Bailey
  13. Act III., Scene 1: You Unwise One, Learn What I Will - Norman Bailey
  14. Act III., Scene 2: I See That Siegfried's Near - Norman Bailey

Tracks:

  1. Act III., Scene 2: My Woodbird Fluttered Away - Alberto Remedios
  2. Act III., Scene 2: Young Man, Hear Me - Norman Bailey/Alberto Remedios
  3. Act III., Scene 2: Child, If You Knew Who I Am - Norman Bailey/Alberto Remedios
  4. Act III., Scene 2: With His Spear in Splinters - Alberto Remedios
  5. Act III., Scene 3: Here in The Sunlight - Alberto Remedios
  6. Act III., Scene 3: Come, My Sword! - Alberto Remedios
  7. Act III., Scene 3: Hail, Bright Sunlight! - Rita Hunter/Alberto Remedios
  8. Act III., Scene 3: Siegfried! Siegfried! Glorious Hero! - Rita Hunter/Alberto Remedios
  9. Act III., Scene 3: And There Is Grane, My Sacred Horse - Rita Hunter/Alberto Remedios
  10. Act III., Scene 3: Oh! I Cared Always - Rita Hunter/Alberto Remedios

Customer Reviews:

5 out of 5 stars Goodall's Siegfried.......2007-06-22

This is completely worth it. Other reviews aptly pointed out everything good, and this *is* good--brilliant. Alberto Remedios is the best Siegfried I've ever heard, and Rita Hunter is a stunning and convincing Brunnhilde. If I could give this more than five stars, I would.

4 out of 5 stars "Do you know what Wotan wills?".......2007-06-12

Okay, so we have the Solti, Bohm, Karajan, Levine, Janowski, Goodall, and Sawallisch Rings on the market (I haven't listened to the other Ring recordings yet, sorry to say). And all of these leave me to one conclusion: the many differences lead me to believe that all of these ring sets have their own authenticities and setbacks. And here they are:

TIMING (Estimate):
Solti's Ring: 14 hours, 30 minutes
Bohm's Ring: 13 hours, 30 minutes
Karajan's Ring: 14 hours, 50 minutes
Goodall's Ring: 16 hours, 50 minutes
Janowski's Ring: 14 hours, 0 minutes
Levine's Ring: 15 hours, 20 minutes
Sawallisch's Ring: 14 hours, 0 minutes

CONDUCTING:
Solti: Solti's conducting is driven with sheer muscle, but sometimes he makes the Ring overemotional. His Walkure & Gotterdammerung Preludes are clear examples: they're annoyingly bombastic. Nonetheless he almost seldom loses control with anything. His clear focus on the drama is astonishing.

Bohm: I must say his live Bayreuth recording brings out some of the best. He puts more faith in the orchestral score, but he also gives it more intensity. His tempi are some of the quickest, but they still don't seem rushed at all (except maybe "Wohin schleich'st du eilig und schlau"). I especially like his "Forging Scene" & "Hagen Summons the Vassals"; both are the most energetic on disc.

Karajan: Karajan's chamber approach is very interesting. Instead of going for the drama or the energy, the conductor goes for the beauty. Almost everything in his Ring sounds very ethereal because of his excessive use of lyricism. His orchestral preludes (except Walkure Act 1) sound more beautiful than others, and much of the soft parts (such as Siegfried Act Three Scene Three) are controlled nicely. His "Funeral March" and "Immolation" are recommendable. Siegfried Act Three Scene Two could have improved with more tension.

Goodall: Oh, boy. While I do praise Goodall with his amazing attention to detail, his ridiculously sluggish tempi will tick some Wagnerites off: everything is slower than adagio moderato. But I did enjoy listening to the slow beauty of his "Wotan's Farewell/Magic Fire Music". This was recorded live and sung in English.

Janowski: This is a very classical Ring. Instead of bombast, spacious, or lyrical passion, maestro Janowski gives us the straightforward approach. He goes straight for Wagner's original intentions (precise tempi, dynamics, flow of leitmotivs, etc.), which makes this another exquisite Ring. "Hagen Summons the Vassals" is probably the fastest I've ever heard (along with Sawallisch's). Rheingold Scene Four can be best described as "sensational".

Levine: While he does stay true to the score like Bohm, this conductor makes for a somewhat dull Ring. His handling of the orchestra is nice, but the moderately slow tempi he chooses is flawed. It should be more animated. His beautiful "Funeral March" and "Erda's Warning" are two of the few flawless features.

Sawallisch: I guess you can say that Sawallisch is half-Karajan, half-Janowski. While he does stay true to the orchestral score like Janowski, he also puts in a little Karajan-like lyricism. At some points he loses track with orchestra and singers (as does every live recording) but Bohm has more control. This was also recorded live.

ORCHESTRA:
Solti's Vienna Philharmonic: The woodwinds are the most beautiful in Solti's Ring (the "Forest Murmurs" is clear evidence of that). French horns and Wagner tubas make this a recommended listening. The strings in "Heda Heda Hedo" could've added a bit more work, but they are strikingly spectacular everywhere else. The orchestra gives it their all in Siegfried Act Two & Three, but they are at their weakest in Walkure Act One & Three (Bohm's Bayreuth does it better). Overall, it's the loudest and certainly most bombastic out of all the Ring orchestras combined.

Bohm's Bayreuth Festival: The ultimate Wagnerian orchestra gives it their all. The brass both high and low are the most powerful, while the woodwinds are the most delicate. The strings are muffled only a few times, otherwise the eighteen anvils are perfectly loud and clear. Erda's scenes aren't as effective as Janowski's, but the entire Walkure is more successful than Janowski's when it comes to tone & technique. Overall, this orchestra is the most dramatic.

Karajan's Berlin Philharmonic: The entire orchestra sounds polished, not to say that it is bad. Indeed the drama is still there, but much of the suspense is lacking (the scenes with Fasolt and Fafner come to mind). The brass sometimes overpowers the strings, which can be a serious problem. Gotterdammerung "Three Norns" Scene sounds very mysterious, very eerie.

Goodall's English National Opera: This orchestra sounds nice, even if the sluggishness can bring them down at times. The Flight of the Valkyries doesn't sound too good in a slow tempo, but the entire orchestra does sound lucid here. Siegfried Act One Prelude is the creepiest. All of the leitmotivs are heard loud and clear, just like in Janowski's version.

Janowski's Staatskapelle Dresden: This orchestra has the same force & flair as does Bohm's Bayreuth Festival, only Dresden sounds much clearer due to the fantastic digital sound. Even minor details are found in this Ring. I can hear harps in Flight of the Valkyries! The strings imitate the Siegfried forest very well, while the woodwinds representing the songbird are wonderful (but not as wonderful as Solti's songbird). Dresden's "Magic Fire Music" (along with Berlin's) is the most extravagant.

Levine's Metropolitan Opera: The brass and woodwinds are the true stars. The strings sound too tired to continue on in Siegfried & Gotterdammerung. The Finale to Rheingold is absolutely stunning (the trumpets and trombones will not disappoint), and the Second Act of Walkure is the most impressive, the most refined.

Sawallisch's Bavarian State: Wrong notes in this live recording won't matter, as the entire orchestra gets everything going in all four nights at the opera. The strings never surrender to imperfection, and the winds are marvelously aligned. I just wish that some of the singers would keep up with the orchestra.

SINGERS:
-Wotan
Solti: Hans Hotter is the superior Wotan. He sounds powerful throughout the Ring (except Rheingold, in which a less stellar George London performs).

Bohm and Janowski: Theo Adam in Bohm's live recording is another treat. While he is not as equally impressive as Hotter, he can certainly conjure up everlasting emotions. Adam sounds weaker in Janowski's studio recording, but he still doesn't disappoint.

Karajan: Dietrich Fischer-Dieskau plays Wotan in "Rheingold," while Thomas Stewart replaces Fischer-Dieskau in "Walkure" and "Siegfried". I don't think Fischer-Dieskau was a good choice; he sounds too humane and too light. Stewart makes an astounding improvement in both "Walkure" and "Siegfried".

Goodall: Norman Bailey has that divine spark that Hotter used to cherish. He's heavy and unblemished, and he handles the English text with flair and sheen.

Levine: James Morris is a notch below Hotter, Adam, and Bailey, but he overpowers Fischer-Dieskau pretty much throughout the Levine's Ring.

Sawallisch: I may be biased, but Robert Hale just didn't do it for me. He sounded dull and tedious, and his Wotan's Farewell wasn't enough to sadden me.

-Brunnhilde
Solti and Bohm: Birgit Nilsson is the best Brunnhilde on the market. Her Valkyrie cry is delightful, and her final scene in Gotterdammerung is brilliant beyond belief.

Karajan: Regine Crespin is without a doubt one of the finest Brunnhildes after Nilsson. She's fantastic in Walkure Act Three. I just wish she stayed on as the Valkyrie later on in the Ring (Helga Dernesch is no good in Gotterdammerung, sorry to say).

Goodall: Rita Hunter is at her strongest in Walkure and Siegfried. She is at her weakest in Gotterdammerung. What may have caused her downfall in the fourth installment? "The world may never know."

Janowski: Jeannine Altmeyer is basically the most controversial Brunnhilde on CD. Some people say that she's too light and weak, while others say she sounds young and very enchanting. I'm with those who think Altmeyer was a good choice, but you yourself (the shopper) are going to have to decide whether she's good or not.

Levine and Sawallisch: Hildegard Behrens is just like Nilsson and Crespin: while she's not the best, she is definitely another perfect Brunnhilde of choice. She's at her most dazzling when she performs Walkure (Levine) and Siegfried (Sawallisch).

-Siegmund & Sieglinde
Let's see. For the Siegmunds, we have James King for Solti and Bohm. Jon Vickers for Karajan, Alberto Remedios for Goodall, Siegfried Jerusalem for Janowski, Gary Lakes for Levine, and Robert Schunk for Sawallisch. For the Sieglindes, we have Regine Crespin for Solti, Leonie Rysanek for Bohm, Gundula Janowitz for Karajan, Margaret Curphy for Goodall, Jessye Norman for both Janowski and Levine, and Julia Varady for Sawallisch. Hmm . . . Jerusalem is good . . . and so is Vickers . . . Janowitz is charming, and so is . . . Oh, what the heck? All the singers for Siegmund and Sieglinde are fantastic. Two exceptions, though: Robert Schunk doesn't sound heroic enough, and Jessye Norman for Levine's Ring doesn't sound young and innocent enough.

-Siegfried
Solti and Bohm: Wolfgang Windgassen may very well be the best Siegfried for the ages. His `Forging Scene" in both renditions are defiantly inspiring. His last scene in Gotterdammerung is celestial and overwhelming.

Karajan: Jess Thomas (Siegfried) and Helge Brilioth (Gotterdammerung) may not be as ideal as Windgassen, but they do know how to be a magnificent heldentenor. Thomas pulls it off with Act One and Three.

Goodall: Wow! What a singer that Alberto Remedios! He never drags in either of the last two installments, and he uses the correct emotions in every scene that he is in.

Janowski and Sawallisch: Rene Kollo's Siegfried is a poetically expressive one. In Janowski's version he sounds playful when he's in Mime's home, and he sounds willed when he's in the Gibich Hall. He is not good enough in Sawallisch's version, however. His tiresome "Forging Scene" is obvious evidence of that.

Levine: Oh, Reiner Goldberg. At least you tried. Seriously, he sounds too tedious (especially in Gotterdammerung Act Three Scene Two) and too old. I don't know Levine should've chose Kollo when he recorded his Ring.

-Alberich
Solti and Bohm: Gustav Niedlinger has a heaviness that overwhelms a few other baritones. When he sings his only sequence in Gotterdammerung Act Two Scene One, his emotion is so pure that his son Hagen would've drowned himself in tears (Too melodramatic? Sorry about that.). The only problem is that his character sounds too one-dimensional. Alberich isn't just some cardboard-cutout bad guy. He has a very good reason why he wants to take revenge on the world. Overall, Niedlinger is amazing throughout Wagner's Ring (He deserves many awards for "Bin ich nun frei?").

Karajan: I guess you can say that Zoltan Kelemen tries his best throughout. He is not good in Rheingold, but he gets better in Siegfried and Gotterdammerung.

Goodall: Derek Hammond-Stroud is three-dimensional, but not that much. Still, he can sound very demanding in Rheingold Scene One and Siegfried Act Two Scene One.

Janowski: Siegmund Nimsgern may be the most humane Alberich yet, but it's all good. He sings with more passion than Kelemen and more robustness than Hammond-Stroud. Niedlinger's ferociousness puts him below, however. "Schaf'st du, Hagen, mein sohn?" is noteworthy.

Levine and Sawallisch: Ekkehard Wlaschiha is one hell of a vigorous Alberich. I praise him in Rheingold Scene One and Three. His performance in Siegfried (both versions) could've improved with more distrustfulness towards Mime and the Wanderer.

-Mime
Solti and Karajan: Gerhard Stolze is the creepiest Mime ever known to humankind. This dwarf outsings other Mimes on the market. When he sings "Die stucken! Das Schwert!" his anger and fear is the most effective to almost all Ring listeners.

Bohm: Erwin Wohlfahrt wins second place. He gives a first-rate performance in Siegfried Act One, but loses some of his edge in Act Two. He is an exceptional Mime nonetheless. Look for him in Karajan's Rheingold, also.

Goodall: Gregory Dempsey isn't emotional enough. He doesn't sound fearful or depressed at all, which makes him the dullest Mime for the Ring.

Janowski: Peter Schreier is for Siegfried, while Christian Vogel is for Rheingold. Vogel is less than perfect, while Schreier is way beyond outstanding. Schreier is less ghoulish and more benevolent, more three-dimensional than Stolze and Wohlfahrt. The only flaw I can find is his handling of "Die stucken! Das Schwert!" He could've added a bit more fear in that sequence.

Levine: Heinz Zednik is yet another excellent mime. He is equal to Schreier when it comes to humaneness and lyricism. His performance in Rheingold Scene Three is pure gold, while his performance in Siegfried (particularly "Willkommen, Siegfried!") is a stunning achievement.

Sawallisch: Helmut Pampuch is just like Schreier and Zednik: he's very VERY good. Nuff said.

-Loge
Solti: Set Svanholm may be the weakest Loge. He is not very ominous throughout all of his scenes, and his lack of a sinister atmosphere is greatly affects the entire Rheingold. But he'll soon be forgotten later on in the Ring.

Bohm: Why the heck would the conductor have Wolfgang Windgassen play both Siegfried AND Loge? The demi-god needs to sound different from a son of a Walsung. Still, it's satisfactory, and his "Ihrem ende eilen sie zu" gives great foreshadowing.

Karajan: Gerhard Stolze is easily the most entertaining Loge to listen to. His scenes in Scene Three are delightful.

Goodall: Emile Belcourt isn't as good as Stolze, but he certainly can make some of the best of an English-speaking Loge.

Janowski: Peter Schreier is the most eccentric out of all of them, and that's a fact. Much of his singing involves imagination, peril, vengeance, and deviousness. Belcourt depends only on imagination and deviousness, Stolze only vengeance and deviousness, and Windgassen only peril. His odd conversations with Alberich and the gods/goddesses are classic.

Levine: Siegfried Jerusalem doesn't seem like a good choice for Loge. He's better off playing Siegmund or Siegfried, but not a demi-god.

Sawallisch: Robert Tear is on par with Stolze and Schreier. Sometimes he takes things too low, but all is forgiven with his management of character development.

-Everyone Else
Uh-huh, what can I say? Everyone else does a good job in all Ring recordings (maybe not in Swarowsky's version). Matti Salminen is the perfect Hagen (Janowski, Levine, and Sawallisch), while Kirsten Flagstad is the most brilliant Fricka (Solti). The Norns and Rheinmaidens do a splendid job in Solti, Janowski, and Levine. The Vassals (male choir) are at their unsurpassed in Bohm and Goodall. The only flawed Erda is Anne Collins (Goodall), maybe too light and too heavy at times. All in all, no one here is graded C or lower.

CONCLUSION: I have yet to listen to Barenboim's Bayreuth presentation and the essential mono recordings (Furtwangler, Krauss), but I'm pretty sure that have their advantages and disadvantages. So there you have it. We have the histrionic Solti, the energetic Bohm, the otherworldly Karajan, the spacious Goodall, the calculated Janowski, the relaxed Levine, and the serious Sawallisch Rings. They have their own authenticities and setbacks, and they certainly have their own significances for Ring listeners everywhere.


Sir Georg Solti: Wagner - Der Ring des Nibelungen (Ring Cycle) / Sir Georg Solti

Karl Bohm: Wagner: Der Ring des Nibelungen

Herbert von Karajan: Der Ring des Nibelungen / Karajan / Berlin Philharmonic

Goodall: Wagner: The Ring Cycle (Box Set)
-The Rhinegold (Part 1): Wagner: The Rhinegold
-The Valkyrie (Part 2): Wagner: The Valkyrie
-Twilight of the Gods (Part 4): The Twilight of the Gods (Goodall Ring Cycle/Chandos Opera in English)

Marek Janowski: Wagner: Der Ring des Nibelungen

James Levine: Der Ring Des Nibelungen

-Wolfgang Sawllisch: Wagner - Der Ring des Nibelungen (Ring Cycle) / Sawallisch, Bayerischer Staatsoper

5 out of 5 stars Slow and steady wins the race.......2007-02-07

Yes, we all know that Reginal Goodall's Wagner is VERY deliberate (read slow) at times. When I heard the late Rita Hunter singing in Sydney in the 80s, I asked her about working with Maestro Goodall, she said he was one of the most thorough and demanding conductor's you could wish to work with.

For me, this whole cycle is desert island material because the English translation is just superb. Fine singing and marvellous playing from the ENO orchestra.

5 out of 5 stars Absolutely better than you think, the best of Goodal's Ring!.......2005-05-03

As good as his die Walkure is, Goodall's Siegfried is even better. For me this is the most difficult opera of the entire Ring and Goodall pulls it off with honors indeed. Remedios is a wonder! Wish we had had him in the Met Ring Cycles of the past decade. Hunter again is a wonder with beauty and strength of tone. Once more I enjoy Bailey. I found That Alan Blyth in Gramophone 5/01 and I seem to appreciate him. It would seem that Goodall gives this opera all the wonderful performance it needs. Not an easy show to pull off. This recording absolutely belongs in any Wagnerian's collection. Had I been at this live performance, I definitely would not have fallen asleep and would have regretted its coming to its inevitable end. And the orchestra rises to the occasion splendidly. From Siegfried's climb to Brunhilde's rock until the end of the duet, the orchestral playing is rich, very moving bordering on the monumental just because it is live and thus more of a risk than a studio recording. Hunter is nothing short of stunning. The duet alone makes the recording a must have. Too bad artists are not fully appreciated until we no longer have them around to enjoy. Thank God this is on CD to be enjoyed at the listener's command.

4 out of 5 stars Better than you might think...........2002-03-17

I had to think more than twice before purchasing this recording, especially since it isnt at a budget price, but I dont regret having done so. Wagner's original German language opera sung in English might seem more like a novelty recording (or a horrifying experience to hardcore Wagner fans) than a serious approach to the music, but surprisingly it works (for the most part). For the listener who doesn't speak and understand German this is a great way to understand Wagner's opera, as the connection between text and drama is made clearer--though I sometimes wish the singers diction and pronunciation were a bit clearer--but hey, its still opera and a complete English only libretto is included (along with a scene by scene summary of the drama, a summary of the preceding two operas, and an essay and photos of this particular project). Overall the orchestra and conducting is up to par and the sound is clear, balanced, and spacious, the only annoying thing being the audience clapping after the end of each act--its a live 1975 recording. While this is no substitute for the original in German, think of it as a great resource ... to understanding Wagner's opera cycle for listeners without the time or inclination to learn German.
I Need You Now
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  • What's up mike and joes
  • Lets rock it again
  • Pure Pleazure
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  • Hi Guys!
 I Need You Now
Pure Pleazure
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Customer Reviews:

5 out of 5 stars What's up mike and joes.......2006-07-14

This is Greg cassidy lead singer of the group Casa a.k.a.(proteg'e)wannted to see how you guys were doing and what you've been up to I would love to her from you guys to catch up it's been a while keep in touch your boy.Greg

5 out of 5 stars Lets rock it again.......2005-12-03

Hi to all , Mike and jose lets do this again, This is Sean lead singer of casa on boca freestyle. another sleepless night. We had some great times. We have to rock this magic again and let it live once more. The time is now. Please get back. Miss all of you lets due a reunion

5 out of 5 stars Pure Pleazure.......2004-04-30

These 3 guys are great. I know Stefan (the lead singer) personally because he is actually married to my sister... I don't know Mike or Jose, but I do know that they were great singers and it sucks that they broke up. We miss you Jose!

5 out of 5 stars Pure Pleazure.......2002-03-19

They need to get back together again they are the greatest....

5 out of 5 stars Hi Guys!.......2000-01-28

Not only are these 2 great singers, but their very nice guy's! I used to be friends with them and they are great! Buy this CD! Miss you Mike and Jose!
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      ASIN: B000MI5EOM

      Product Description

      Heart Rock (Disc A) Label: Time-Life Music Year: 1988 Track Title 1. Take My Breath Away -- Berlin 2. Joanna -- Kool & The Gang 3. Total Eclipse Of The Heart -- Bonnie Tyler 4. A Woman Needs Love (Just Like You Do) -- Ray Parker Jr. & Raydio 5. In Too Deep -- Genesis 6. Use Ta Be My Girl -- The O'Jays 7. All By Myself -- Eric Carmen 8. I Can Dream About You -- Dan Hartman 9. Still -- Commodores 10. Just The Two Of Us -- Grover Washington,Jr With Bill Withers 11. Sexual Healing -- Marvin Gaye 12. Just Remember I Love You -- Firefall 13. Even The Nights Are Better -- Air Supply 14. Do You Really Want To Hurt Me -- Culture Club 15. Too Much, Too Little, Too Late -- Johnny Mathis & Deniece Williams 16. Best Thing That Ever Happened To Me -- Gladys Knight & The Pips 17. Shake You Down -- Gregory Abbott 18. Being With You -- Smokey Robinson 19. I'd Really Love To See You Tonigh -- England Dan & John Ford Coley ---==== Heart Rock (Disc B) Label: Time-Life Music Year: 1988 Track Title 1. Minute By Minute -- The Doobie Brothers 2. Time After Time -- Cyndi Lauper 3. Almost Paradise...Love Theme From Footloose -- Ann Wilson & Mike Reno 4. Lotta Love -- Nicolette Larson 5. I'm In You -- Peter Frampton 6. Run To Me -- Dionne Warwick & Barry Manilow 7. Endless Love -- Diana Ross & Lionel Richie 8. Secret Lovers -- Atlantic Starr 9. After The Love Has Gone -- Earth Wind & Fire 10. Torn Between Two Lovers -- Mary MacGregor 11. Can't We Try -- Dan Hill With Vonda Sheppard 12. One Hundred Ways -- Quincy Jones Featuring James Ingram 13. L-O-V-E (Love) -- Al Green 14. You're Only Lonely -- John David Souther 15. All Cried Out -- Lisa Lisa & Cult Jam 16. You're All I Need To Get By -- Marvin Gaye & Tammi Terrell 17. Keep On Loving You -- REO Speedwagon 18. I Go Crazy -- Paul Davis 19. Open Arms -- Journey 20. Hold Me Now -- The Thompson Twins 21. You Are So Beautiful -- Joe Cocker

      Customer Reviews:

      5 out of 5 stars TRACK LIST.......2007-01-08

      Heart Rock (Disc A)
      Label: Time-Life Music
      Year: 1988

      Track Title
      1. Take My Breath Away -- Berlin
      2. Joanna -- Kool & The Gang
      3. Total Eclipse Of The Heart -- Bonnie Tyler
      4. A Woman Needs Love (Just Like You Do) -- Ray Parker Jr. & Raydio
      5. In Too Deep -- Genesis
      6. Use Ta Be My Girl -- The O'Jays
      7. All By Myself -- Eric Carmen
      8. I Can Dream About You -- Dan Hartman
      9. Still -- Commodores
      10. Just The Two Of Us -- Grover Washington,Jr With Bill Withers
      11. Sexual Healing -- Marvin Gaye
      12. Just Remember I Love You -- Firefall
      13. Even The Nights Are Better -- Air Supply
      14. Do You Really Want To Hurt Me -- Culture Club
      15. Too Much, Too Little, Too Late -- Johnny Mathis & Deniece Williams
      16. Best Thing That Ever Happened To Me -- Gladys Knight & The Pips
      17. Shake You Down -- Gregory Abbott
      18. Being With You -- Smokey Robinson
      19. I'd Really Love To See You Tonigh -- England Dan & John Ford Coley

      Heart Rock (Disc B)
      Label: Time-Life Music
      Year: 1988

      Track Title
      1. Minute By Minute -- The Doobie Brothers
      2. Time After Time -- Cyndi Lauper
      3. Almost Paradise...Love Theme From Footloose -- Ann Wilson & Mike Reno
      4. Lotta Love -- Nicolette Larson
      5. I'm In You -- Peter Frampton
      6. Run To Me -- Dionne Warwick & Barry Manilow
      7. Endless Love -- Diana Ross & Lionel Richie
      8. Secret Lovers -- Atlantic Starr
      9. After The Love Has Gone -- Earth Wind & Fire
      10. Torn Between Two Lovers -- Mary MacGregor
      11. Can't We Try -- Dan Hill With Vonda Sheppard
      12. One Hundred Ways -- Quincy Jones Featuring James Ingram
      13. L-O-V-E (Love) -- Al Green
      14. You're Only Lonely -- John David Souther
      15. All Cried Out -- Lisa Lisa & Cult Jam
      16. You're All I Need To Get By -- Marvin Gaye & Tammi Terrell
      17. Keep On Loving You -- REO Speedwagon
      18. I Go Crazy -- Paul Davis
      19. Open Arms -- Journey
      20. Hold Me Now -- The Thompson Twins
      21. You Are So Beautiful -- Joe Cocker

      Music Review:

      1. I Remember Mama
      2. I Want to Sing for You
      3. If We Pray
      4. It's All Good
      5. It's Alright Now
      6. Joy and Purpose
      7. Judah Prayze
      8. Legacy
      9. Let's Fly
      10. Life Love & Other Mysteries

      Music Review

      Music Review