Music 2

Track Listings
1. Let Me Lean on You    
2. You Brought Me    
3. My Soul Says Yes [Vocal Version]    
4. Other Shore    
5. Near the Cross    
6. I'll Take You There    
7. Thank You    
8. My Soul Says Yes [Organ]    
9. Down at the Cross    
10. Father I Stretch My Hand to Thee    
11. I Need Thee    
12. Yes Lord [Song and Organ Prayer Chant]    

Music 2, Music, Jr. Moses Tyson, Contemporary Gospel, Gospel, Pop
Hannah Montana 2: Meet Miley Cyrus
Average customer rating: 4.5 out of 5 stars
  • My students love her
  • Hannah Montana
  • No. 1 With a Bullet. :)
  • A Very Good Second Album
  • can somebody...
Hannah Montana 2: Meet Miley Cyrus
Hannah Montana , and Miley Cyrus
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

Movie SoundtracksMovie Soundtracks | Soundtracks | Styles | Music
Television SoundtracksTelevision Soundtracks | Soundtracks | Styles | Music
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DisneyDisney | Children's Music | Styles | Music
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  3. Hannah Montana: 2-Disc Special Edition Soundtrack
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ASIN: B000OYC3L6
Release Date: 2007-06-26

Tracks:

  1. We Got the Party
  2. Nobody's Perfect
  3. Make Some Noise
  4. Rock Star
  5. Old Blue Jeans
  6. Life's What You Make It
  7. One in a Million
  8. Bigger than Us
  9. You and Me Together
  10. True Friend

Tracks:

  1. See You Again
  2. East Northumberland High
  3. Let's Dance
  4. G.N.O. (Girl's Night Out)
  5. Right Here
  6. As I Am
  7. Start All Over
  8. Clear
  9. Good and Broken
  10. I Miss You

Amazon.com

Tweens aren't often heralded for their good judgment and excellent taste (Heelys--hello), but if any young starlet can redeem them, it's Hannah Montana. On this, the second soundtrack from the Disney Channel series, Miley Cyrus takes her cues from her TV alter ego, who has an alter ego of her own: Disc 1 features Miley as Hannah, hair-tossing pop princess by weekend, likable schoolgirl by weekday (see "Old Blue Jeans" and "True Friends" to get a sense of each episode's un-cloying sweetness). But disc 2 is the start of something new, as her friends over on the High School Musical set might say: Miley sings strictly as her spunky, truth-telling self. This yields a number of pepped-up pop tracks bound to vibrate through the walls of pink bedrooms everywhere--"See You Again" is a boy-centric song instantly relatable to anyone who's ever been in seventh grade and suffered a bout of bashfulness, "East Northumberland High" puts a punk spin on an I'm-just-not-into-you tale, and "Clear" bounces on a reggae beat while canceling any doubt about our heroine's ability to stand up for herself. Like Hannah before her, Miley makes the best of both worlds--this well-worth-it set, by turns rockin' and reflective, is a masterful example. --Tammy La Gorce

Hannah Montana Photos

Album Description

This 2-disc set features 10 all new Hannah Montana songs from the #1-rated Disney Channel series, as well as a 2nd CD including 10 brand-new original songs by Miley Cyrus!

Customer Reviews:

5 out of 5 stars My students love her.......2007-07-17

So many of my younger girl students are crazy for this album and want to learn its songs during our voice lessons. The songs are catchy and reel girls in.

4 out of 5 stars Hannah Montana.......2007-07-15

I really injoyed both CD's. I think this Cd set is very good for young people and people who like to stay in touch with young people. My husband really like it too.

5 out of 5 stars No. 1 With a Bullet. :).......2007-07-13

The two-disc _Hannah Montana 2: Meet Miley Cyrus_ release is a worthy successor to her no. 1 album of last year (see: the _Hannah Montana_ soundtrack album, 2006). As of this writing, at least seven of the songs from that first album have cracked the top 100 (Billboard). Additionally, the _Hannah Montana 2: Meet Miley Cyrus_ album placed no. 1 on the Billboard charts during its first week of release.

My family and I thoroughly enjoy this collection. There are twenty songs (ten by Hannah Montana and ten by Miley Cyrus), and the styles represented are quite eclectic. There appears to be a humble maturity occurring in her vocals and in a number of the 'Miley' texts being set to music; indeed, some of them are philosophical, while others are retrospective and (speculatively speaking) apparently prophetic, to a degree. Although the album is enjoyable to hear and digest on its own merits, in the opinion of this writer a number of tracks require repeated listenings in order to grasp some of the more subtle nuances, both musical and textual. Perhaps it is this aspect of the double-CD album that is most impressive: the quality of the work presented here by Miley and her entourage of writers is musically engaging and challenging to the listener.

The tunes on this double CD set, like those included on the initial soundtrack release, are again cleverly written. Among the genres and styles covered are ballads ("One In a Million" and "Make Some Noise"), rock, techno-pop, and a smidge of hip-hop, as well as songs containing both Spanish ("Let's Dance") and reggae ("Clear") elements. There are also some tracks (e.g. "Old Blue Jeans" and "See You Again," among others) which incorporate slightly more complex harmonies--harmonies that should keep those whom are musically inclined engaged and attentive. Among the ballads represented, it is pleasing to note that not all are about the all-too-common subject of love (e.g., "Make Some Noise").

Some semi-technical musical aspects:

The transition (from Hannah to Miley) I spoke of when reviewing her first album is deliberate on this stylistically-diverse collection. The new 'Hannah' tunes are as energetic and forward-moving as any of the power-rockish songs on the first album, while the cuts recorded by Miley continue to be imaginative and thought-provoking musically, especially with regard to the harmonic progressions being used. The melodies contain a relatively balanced mix of conjunct and disjunct movement, with some being diatonic (e.g., "Start All Over") and others encompassing more angular intervals (such as with the pronounced agogic accents that articulate the opening of "Life's What You Make It"). Particularly engaging and memorable to this listener, at least, is the unfolding locrian-esque ascending melodic line (built upon the third degree of the mode in which the tune resides) of "Start All Over" and the rhythmic movement accompanying the embedded pair of descending perfect fourths (F-C and C-G) included in the instrumental and vocal opening to "Life's What You Make It."

There is a decidedly less preponderant use of E major on this album, with keys such as C-sharp minor ("Nobody's Perfect"), G major ("Life's What You Make It"), A major ("Right Here"), A minor ("See You Again"), C major ("Clear"), G minor ("East Northumberland High"), and F-sharp minor ("Let's Dance") being used. {It must be noted that it was for me difficult to determine the precise key a given tune was written in as the tracks often sound a half step higher or lower depending upon the medium (DVD player, radio, or television) or format (CD or DVD) being used. But the relative, if not the absolute, pitch of the keys used is extremely varied.} The 'signature' E major framework is not entirely absent, however, as it is used on a couple of songs, one of which is "Bigger Than Us," a tune first heard by this writer performed in a different iteration (and in a different style and tempo) by Billy Ray Cyrus on the hit television show, "Hannah Montana." Speaking of which, another of the tunes on the 'Hannah' portion of this most recent effort, "Rock Star," is a trademark song of hers stylistically, and is sure to make its way to the television series as have several others to date.

As was the case with her first album, I again noticed--and appreciated--how different the vocal timbre of Miley Cyrus can be depending on the key being employed. Significantly, there are a few times where she cautiously extends her vocal range upward, and in so doing continues to attack her notes with excellent intonation and with what I perceive to be a modicum of ease. I am still hopeful that we will one day hear a more extensive (and melodically protracted) use of her lower range; the vocal quality is markedly different and may lend itself to a plethora of styles not yet represented on either of her first two albums.

The performances of "Nobody's Perfect" (the melody was heard initially as the "Bone Dance" on the television show, albeit with a different and more script-specific text) and "Life's What You Make It" are particularly engaging. It seems to me that both tunes (with a nod to "Make Some Noise" in 6/8 meter, and the harmonically compelling "Old Blue Jeans") are among the most imaginative and ambitious of any performed by Hannah thus far. Interestingly, "Make Some Noise" is the second tune of Miss Montana to use the barcarolle-like 6/8 meter; the first being the jointly-performed (with her father) "I Learned From You," the final cut to grace her premiere album, and a song which is interesting for its sporadic yet well-positioned use of hemiola. {N.B.: The songs by Miley are perhaps even more ambitious than those of Hannah Montana, with such gems as "See You Again," the dark (dare I say sardonic?) "East Northumberland High," and the somewhat flamenco-esque "Let's Dance" residing within and/or flirting tenuously with the minor mode; tangental cuts such as "Right Here" and the reggae-like "Clear" employ the unlikely melodic interval (performed vocally) of the ascending major seventh(!).} Curiously, and yet refreshingly, Miss Cyrus in some of the repeated sections of the pointedly melancholic "See You Again" chooses to vacillate between the raised (and eventually lowered) leading tone degree. The tension produced by the (albeit protracted, depending on one's musical memory) cross-relationship makes the tune somewhat modally ambiguous. Combined with her judiciously placed upward and downward slurring occurring on several of the phrases, and with the performance of the beginnings and endings of these segments being spot on with regard to pitch, the result tends to drive the music forward with a measured tenacity, which in the opinion of this writer is one mark of musicality occurring on the album. It is also noteworthy to mention that the first three tracks on the final CD--"See You Again," "East Northumberland High," and "Let's Dance"--each occupy a minor mode sound world.

Although I have given a cursory review of "Nobody's Perfect" elsewhere, it is important to reiterate that the tune is performed remarkably well, with Miss Montana's stage presence and accompanying rhythmic synchronizations (hand gestures and choreography) augmenting an already intriguing piece of writing. The track may interest those who enjoy relatively uncommon chord progressions in pop music. It begins and ends in C-sharp minor, but meanders effortlessly through a B minor/D major framework, eventually gravitating toward E major. The combination and succession of pitch centers--and especially the harmonic tension created between the opening and closing key of C-sharp minor and the B minor/D major/G(!) major constructs within which the second major section of this work vacillates--provides a stark yet musically engaging contrast.

I continue to appreciate the image Hannah Montana/Miley Cyrus has thus far portrayed as well. As a father of several children (including four daughters, each of whom loves her music), it is gratifying to see a positive role model (with talent to burn) coming out of the Disney stable. I and my family wish her all the best in the years to come.

4 out of 5 stars A Very Good Second Album .......2007-07-10

Miley/Hannah produce some catchy songs on this great follow-up to the first album. In many ways this two-disc set is better than the first Hannah Montana album (there is no filler from other groups or singers) and there are many age-appropriate songs that adults will find themselves singing along to. They have included so many songs that not every song is a winner (some of the slow ones are boring) and songs that Miley wrote show that she is still learning how to songwrite. She also oversings a couple tunes. But overall this is very good, well produced and recommended.

1 out of 5 stars can somebody..........2007-07-07

scan these plzzz

-Fron Cover
-Booklet
-Back of the Booklet
-CD
-Other CD
-Back Cover
-Anything Else Inside

It would be REALLY helpful, thanx!!!

P.S.:
I only rate it 1 star becuz i don't have the cd...yet
Traveling Wilburys (2 CD / 1 DVD)
Average customer rating: 5 out of 5 stars
  • Travelling Wilbury's Review
  • Hard not to like
  • Traveling Wilburys CD/DVD
  • Relax and Enjoy - It IS about the Music!
  • Great Sounds!!!!!
Traveling Wilburys (2 CD / 1 DVD)
The Traveling Wilburys
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
GeneralGeneral | Pop | Styles | Music
Singer-SongwritersSinger-Songwriters | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
GeneralGeneral | Adult Contemporary | Pop | Styles | Music
GeneralGeneral | Rock | Styles | Music
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  5. Icky Thump

ASIN: B000P0J024
Release Date: 2007-06-12

Tracks:

  1. Handle With Care
  2. Dirty World
  3. Rattled
  4. Last Night
  5. Not Alone Any More
  6. Congratulations
  7. Heading For the Light
  8. Margarita
  9. Tweeter And the Monkey Man
  10. End Of the Line
  11. Maxine - (previously unreleased, Bonus Track)
  12. Like A Ship - (alternate take, Bonus Track)

Tracks:

  1. She's My Baby
  2. Inside Out
  3. If You Belonged To Me
  4. Devil's Been Busy, The
  5. 7 Deadly Sins
  6. Poor House
  7. Where Were You Last Night?
  8. Cool Dry Place
  9. New Blue Moon
  10. You Took My Breath Away
  11. Wilbury Twist
  12. Nobody's Child - (Bonus Track)
  13. Runaway - (Bonus Track)

Amazon.com

The Traveling Wilburys were one of the few supergroups that lived up to their promise, because they didn't try to. Things started inauspiciously when George Harrison, needing a B-side for a 1988 single, called in friends Jeff Lynne, Bob Dylan, Tom Petty, and Roy Orbison for assistance. Two albums later--the second without Orbison, who had passed away shortly after the first was released--the loose-knit collective had recorded material that was as durable, and occasionally eclipsed, the participants' legendary solo work. The Wilburys succeeded due to a genial and contagious camaraderie that permeates both discs. What could have been a train wreck of ego clashes instead resulted in a frothy meeting of the minds. These guys are having a blast, trading lead vocals and harmonies on energetic folk-rock, quirky rockabilly, and Beatlesque pop that shimmers with the respect and esteem the members clearly hold for each other. Harrison and Lynne's rather slick production polishes off edges that might better have been left unvarnished, but there's no denying the loosey-goosey craftsmanship at work in tunes such as "Handle with Care," "End of the Line," and a striking Orbison performance on "Not Alone Anymore" that ranks with any of his finest. Both albums were million-sellers, but oddly went out of print for about a decade until Rhino resurrected them, adding two rare tracks per disc as well as a DVD of music videos and a band documentary. The resulting package is a comprehensive overview of a once--well, twice--in-a-lifetime project that, especially after Harrison's passing, will never be repeated. --Hal Horowitz

Album Description

Featuring classics like "Handle With Care," "End Of The Line," and "Heading For The Light," super-group Traveling Wilbury's Collection highlights all of the band's music and previously unreleased bonus tracks through this re-mastered double album. The DVD features behind the scenes footage of the band writing and recording, along with their 5 video clips.

Customer Reviews:

5 out of 5 stars Travelling Wilbury's Review.......2007-07-17

CD of excellent quality -- additional tracks are a real value add. The DVD is very well done. It gives an excellent history of the Travelling Wilbury's and included a nice tribute to Roy Orbison

5 out of 5 stars Hard not to like.......2007-07-16

The boys should have stopped after Roy died. Still there is some excellent work put forth on the second disk and the video documentary was good to see (once). All things said; the first disk is masterful.

5 out of 5 stars Traveling Wilburys CD/DVD.......2007-07-16

My husband had wanted this CD for years, but I had been unable to find it since it had been out of print for so long. He was so surprised when I gave it to him, and absolutely loves it. The quality is excellant and of course so is the music! We shared it with friends and they were all going to go out and get themselves a copy as well.

5 out of 5 stars Relax and Enjoy - It IS about the Music!.......2007-07-16

Don't listen to the hype or to the critics. When you look at Rock's recorded history (sorry 'bout that) the names behind the Wilburys didn't produce a lot of bad music. What they produced was frequently the best of the moment and every once in a while, they gave us nearly timeless music. And both of the albums in this 3 disk set give us that gift: a place and images in time and something timeless. Watch the train riding video and imagine Roy in that rocking chair. Whatever other deficiencies there are on the DVD, and there are some: spotty sound, jumpy shots and cuts, and no few almost corny 80's touches, it is worth the journey to get on that train.

Yea, everyone says album 1 is the best with Roy Orbison and that may be true but number three (two) is so close I think it is a wash. I grew with three of these guys. They grew up with me. Two came along later and belonged to the group regardless of age. It was and is the music that binds them together. It is the music that was the heart of a friendship. It was never about fame or their names or what could have been and were in other places and times, colossal ego clashes. When the Wilburys gathered, it was all about the music. Thank God.

Listen. Watch. Enjoy. It's not perfect but that's a tough label to get. The Traveling Wilburys set is close enough for me.

5 out of 5 stars Great Sounds!!!!!.......2007-07-15

Can't get enough of this collaberation of music greats! Being that I'm from that "era", it's just wonderful to hear Roy & George again, along with the others -- Petty, Dylan, & Lynne. The music is so fun to listen to & timeless!!! You'll not be sorry buying this amazing CD set!
The Essential Paul Simon (2 CD/DVD)
Average customer rating: 4 out of 5 stars
  • great compilation - particularly for a car trip
  • Sweet and Simple
  • Paul Simon Redux
The Essential Paul Simon (2 CD/DVD)
Paul Simon
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Contemporary Folk | Folk | Styles | Music
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ASIN: B000Q677EA
Release Date: 2007-06-26

Tracks:

  1. Mother And Child Reunion
  2. Loves Me Like A Rock
  3. Me And Julio Down By The School Yard
  4. Duncan
  5. Kodachrome
  6. 50 Ways To Leave Your Lover
  7. Slip Slidin' Away
  8. Gone At Last
  9. Something So Right
  10. Late In The Evening
  11. Hearts And Bones
  12. Take Me To The Mardi Gras
  13. That Was Your Mother
  14. American Tune
  15. Peace Like A River
  16. Stranded In A Limousine
  17. Train In The Distance
  18. The Late Great Johnny Ace
  19. Still Crazy After All These Years

Tracks:

  1. Graceland
  2. Diamonds On The Soles Of Her Shoes
  3. The Boy In The Bubble
  4. You Can Call Me Al
  5. Under African Skies
  6. The Obvious Child
  7. Born At The Right Time
  8. The Coo, Cool River
  9. Spirit Voices
  10. Adios Hermanos
  11. Born In Puerto Rico
  12. Quality
  13. Darling Lorraine
  14. Hurricane Eye
  15. Father And Daughter
  16. Outrageous
  17. Wartime Prayers

Album Description

In celebration of Paul Simon's Gershwin Prize for Popular Song from the Library of Congress, The Essential Paul Simon brings together all of his hits and favorite tracks in the most expansive, solo career-spanning compilation issued for the two-time Rock and Roll Hall of Famer.

Customer Reviews:

4 out of 5 stars great compilation - particularly for a car trip.......2007-07-14

I have a lot of Paul Simon CD's so you could say I didn't really need this two CD set. However, I make a 3 hour car trip a couple of times a year and when I saw this I immediately thought how great it would be to have these two CD's in the changer in the trunk for my next road trip. Its sort of a "greatest hits" but with some songs I've never heard before as well. It covers a long span of years and my only complaint is that it does not include the incredible song "Homeless".

4 out of 5 stars Sweet and Simple.......2007-07-03

When it comes to music right now, there just really isn't anything that is actually exciting. While there are so many acts that just seem to get by on gloss like Beyonce', Britney Spears, and Usher, there just really isn'y anything anymore about songs and artists that just comes from the simplistic words themselves. There have been acts that have made great records, they just missed the cut when it comes to sales last year from Elton John, Rod Stewart, and Paul Simon. Although Paul has been recognized with great acheivements in music on his own, as a member of Simon & Garfunkel, he has truly made the music of our times, and this collection shows it.

The 2007 Essential Paul Simon is a double album reflection of what made Paul Simon's solo career so dynamic and universal. This was made in honor of his recent inagural Gershwin Award for Song, as well as his 35th anniverasry as a acclaimed solo artist. This collection follows in suit very nicely, and expands the effort delightfully that was made so well on his last solo hits package, 2002's On My Way. The songs here flow very nicely, and have all been remastered very well. All of his classics are highlighted here including the guilty pleasures 50 Ways To Leave Your Lover, You Can Call Me Al, The Boy In The Bubble, as well as down to Earth gems like Mother and Child Reunion, and his Oscar-nominated Father and Daughter from the Nickelodeon animated film The Wild Thornberries Movie, and his recently overlooked track Outrageous from his overshadowed 2006 album Surprise. This version also add in on the fun, by including some great music videos of his work and craftsmanship in songwriting like Diamonds On The Souls Of Her Shoes, and a rendidtion of the Simon & Garfunkel gem, Mrs. Robinson from the classic 70's The Dick Cavett Show.

All in all, The Essential Paul Simon really captures a delightful reflection on a career that has acclaimed for so many years, and also does a wonderful job at reintroducing one of the most legendary artists of the past five decades. If you haven't heard any of Paul Simon's music, than you really don't know what you've missed from a great icon like Paul. I absolutely recommend this hits collection a whole lot. You can still call him Al, but just call him a legend.

Album Cover: B+

Songs: A-

Price: A-

Remastering: A-

DVD: B 1/2+

Overall: B+

4 out of 5 stars Paul Simon Redux.......2007-06-29

This is Paul simon cut right to the bone with no filler whatsoever! I enjoy everything on this collection and The Capeman stuff is good to finally have on cd! I compare this to the Traveling Wilbury's Collection that was recently released also w/ a DVD!! It's all very familiar but worth revisiting over and over again!
The Very Best of Beverly Sills
Average customer rating: 5 out of 5 stars
  • Beverly Sills - The Best
  • Beverly Sills' highs are breathtaking!
  • THE 2005 OPERA CD OF THE YEAR
  • EMI Does It Again: Beverly Sills - A Tribute
  • Glad To Be The First Review- Beverly Sills Treasury Of Arias
The Very Best of Beverly Sills

Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

All Works by DonizettiAll Works by Donizetti | Donizetti, Gaetano | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by RossiniAll Works by Rossini | Rossini, Gioacchino | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
Sills, BeverlySills, Beverly | ( S ) | Featured Performers, A-Z | Classical | Styles | Music
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ASIN: B0006VYELE
Release Date: 2005-04-26

Tracks:

  1. Una Voce Poco Fa - Sherrill Milnes
  2. Dunque Io Son - Sherrill Milnes
  3. Contro Un Cor - Sherrill Milnes
  4. Ah, Qual Colpo Inaspetatto! - Sherrill Milnes
  5. E Il Sol Dell'anima... Addio! Speranza Ed Anima - Ambrosian Opera Chorus
  6. Gualtier Malde... Caro Nome - Ambrosian Opera Chorus
  7. Tutte Le Feste Al Tempio... Compiuto Pur Quanto... Si, Vendetta - Ambrosian Opera Chorus
  8. V'ho Ingannato... Lassu In Cielo - Ambrosian Opera Chorus
  9. Quel Guardo Il Cavaliere... So Anch'io La Virtu Magica - Ambrosian Opera Chorus
  10. Pronta Io Son... Vado, Corro - Ambrosian Opera Chorus
  11. Via, Caro Sposino - Ambrosian Opera Chorus
  12. Tornami A Dir Che M'ami - Ambrosian Opera Chorus
  13. La Morale In Tutto Questo - Ambrosian Opera Chorus

Tracks:

  1. Vilia - Beverly Sills
  2. Ah! Je Suis Seule... Dis-Moi Que Je Suis Belle - Beverly Sills
  3. Cielo! Che Diverro?... Si, ferite... Dal Soggiorno... Ah! Che Spiegar - Beverly Sills
  4. Libiamo Ne' Lieti Calici - John Alldis Choir
  5. Un Di Felice, Eterea - John Alldis Choir
  6. E Strano... Ah, Fors'e Lui... Follie! Follie!... Sempre Libera - John Alldis Choir
  7. Pura Siccome Un Angelo... Ah! Dite Alla Giovine - John Alldis Choir
  8. Che Fai? - John Alldis Choir
  9. Addio Del Passato - John Alldis Choir
  10. Parigi, O Cara - John Alldis Choir

Amazon.com

Beverly Sills hardly needs an introduction. She sang on the radio as a child and on the operatic stage as a teenager; her meteoric international career was launched by appearances in several virtually unknown bel canto operas at the New York City Opera. This compilation of arias and ensembles from some of her signature roles, recorded in the 1970s, with splendid partners like Nicolai Gedda, Alfredo Kraus, and Sherrill Milnes, displays her unique vocal and dramatic artistry at its peak. Her voice, effortlessly produced over an enormous range, is bright, pure, infinitely variable in color, inflection and intensity. Her intonation is impeccable even in huge leaps, and her breath is endless. The coloratura roulades are like strings of perfect, luminous pearls, clearly articulated in seamless legato. But this stunning technique (whose only flaw is a sometimes wide, wobbly vibrato) is never used for show; every note has life and expression, serving the music and the dramatic situation. Indeed, her characters are flesh-and-blood human beings, whose thoughts, emotions and interactions, from inwardness to ecstasy, from lamentation to overflowing joy, she projects with riveting concentration. Rosina in Rossini's The Barber of Seville is a charming, mischievous minx who succumbs to delighted tenderness; Pamira's great scene from his Siege of Corinth shows clearly why her Metropolitan Opera debut in that role was a sensation. In Verdi's Rigoletto, Gilda's hopeful innocence turns into hopeless despair: she dies, palpably, on a floating, celestial pianissimo. In his La traviata, Violetta's initial cool, hesitant restraint gradually melts as she opens herself (and her voice) to Alfredo's ardor and the bliss of love. The vocal balance in their final duet is uncanny; its tremulous tenderness in the shadow of death breaks the heart, as does her duet with Germont. Massenet's Thais is sensuous; Donizetti's Don Pasquale and Lehár's The Merry Widow provide comic relief. --Edith Eisler

Album Description

Details TBA. EMI. 2005.

Customer Reviews:

5 out of 5 stars Beverly Sills - The Best.......2007-04-01

What a voice. No coloratura can compare, and she makes it seem so easy.

5 out of 5 stars Beverly Sills' highs are breathtaking!.......2006-09-18

Adio del Passato is incredible! Beverly's high, floating coloratura is no less than ethereal which takes you to another world. Her voice has given me so much joy that it is hard to say one recording is better than another because I love her Mozart album equally with her Bellini/Donizetti. It is so wonderful to have these recordings captured on CD! Enjoy!

5 out of 5 stars THE 2005 OPERA CD OF THE YEAR.......2006-08-19

THIS CD WAS THE BEST OPERA CD ISSUED LAST YEAR, AND HAS CAUGHT THE WORLD'S EAR IN NO TIME. I WAS BUSY WRITING IN SÃO PAULO, BRAZIL, WHILE THE STATEOWNED FM RADIOSTATION, DEDICATED TO CULTURE, WAS SOFTLY PLAYING OPERA ARIAS IN THE BACKGROUND. SUDDENLY I HEARD THE MOST FANTASTIC RENDERING OF "SEMPRE LIBERA" FROM "LA TRAVIATA". I GOT UP, SAT BY THE RADIO AND WAITED TO KNOW WHO WAS SINGING... THEN GOT BACK TO THE COMPUTER TO ORDER THIS CD FROM AMAZON! INCREDIBLE: ONLY 17 BUCKS FOR THIS, WHILE QUITE A BIT OF TRASH IS SOLD FOR 30.40 AND MORE...
A LADY FRIEND ONCE TOLD ME SHE COULD NOT LISTEN TO THE DUET IN "MADAMA BUTTERFLY" WITH MIRELLA FRENI AND LUCIANO PAVAROTTI (RECORDED IN 1974, BY VON KARAJAN) WITHOUT CRYING. WELL, YOU CANNOT LISTEN TO SILLS IN "LA TRAVIATA" DRY-EYED, NO MATTER WHO THE TENOR IS. SHE PROJECTS THE SAME DRAMATIC FEELING OF "LA DIVINA" CALLAS WITHOUT THOSE SHRIEKED HIGHNOTES; SHE OFFERS THE SAME COLORATURA VOCAL GYMNASTICS AS "LA STUPENDA" SUTHERLAND BUT WITH WARMTH... WHEN BEVERLY SANG, AS IN EVERYTHING ELSE SHE DID, SHE ALWAYS GAVE HER UTMOST. SHE WAS "LA GENEROSA" TO BE SURE.
DON'T JUST SIT THERE READING WHAT OTHERS THINK.
ORDER THIS CD NOW AND MARVEL AT HOW THIS GREAT AMERICAN LADY, IN SO MANY OTHER WAYS, ALSO COULD SING!

5 out of 5 stars EMI Does It Again: Beverly Sills - A Tribute.......2005-07-22

EMI's "Very Best Of" series are perfect introductions to operatic singers of the 20th century. Once you hear these artist tribute albums (much like The Singers series) you will get hooked on the singer and seek out their full-length studio recordings. Beverly Sills was the first truly famous American opera star. One may argue that she was not, that she was merely a continued tradition of American divas such as Mary Garden and Lily Pons and which still continues today with Renee Fleming, Elizabeth Futral and Susan Graham. Beverly was raised in New York City, which is still her home, and which is the home of the New York City Opera and the Met, opera houses which rocketed her to fame. Her first success (not featured in this recording...UH WHY ?) was Cleopatra of Handel's Julius Caesar, a performance she sang opposite the illustrious baritone Norman Treigle. Those performances were legendary because coincidentally at the same time the Met was opening its new theatre and season with what became a disastrous Samuel Barber's Antony and Cleopatra starring Leontyne Price in an overblown, big-budget, epic fiasco. The great roles that followed the 1965 Cleopatra were Manon, Queen Elizabeth I in Roberto Deveraux, Maria Stuarda and Anna Bolena in the Donizetti Tudor Queen operas, Pamira in The Siege of Corinth (which were Sill's La Scala and belated Met debut. None of the Queens are featured in this recording, though its supposedly the Very Best Of. An aria from Rossini's Siege of Corinth is featured here however. What we are treated to however are fine lyric roles- Beverly Sills shone brightly and acted convincingly as Gilda in Rigoletto (the final scene is featured here) as Violetta in La Traviata, Thais, The Merry Widow (the beautiful Vilja is featured here)and the ingenue role of Norina in Don Pasquale is also showcased here. To each of these roles, Beverly Sills delivered an authenticity and dramatic interpretation, not ot mention beautiful, sweet tone. I love her pianissimos, her high notes, her chest register. It was the voice of Beverly Sills who first hooked me into opera. For a recording that should showcase her best work, Manon is not featured nor any of her prized French heroines- Marie in The Daughter of the Regiment and the heroines in Tales of Hoffman. Also not in here is the role that was her first success- the Broadway opera Ballad of Baby Doe. Even as such, the arias here are gorgeous. The Barber of Seville is in here and as Rosina she is playful and charming. Sills was a modern singer, with a voice that was beautiful but willing to sacrifice beauty for the sake of dramatic content. When Sills was once asked what she thought of the supposed rivalry with Joan Sutherland (which was never real and only gossip from partisan fans) Beverly said something to this effect -Joan and I are apples and oranges in our take on opera, we are Picasso and Monet. She would do anything for the effect of beauty and tone, I'd sacrifice beauty for the sake of dramatic text. Even as such, I see no ugliness to any of the roles here. All of them are beautiful to hear, full of rich floating celestial tones. It would have been nice to hear the roles that did call for Sills to step up the tense drama - Norma, will her recording ever be reissued by EMI ? Also, few people know that Beverly Sills sung role most would consider dangerous for her voice (though she sang them long before her career even took off)- Aida and Carmen!!

5 out of 5 stars Glad To Be The First Review- Beverly Sills Treasury Of Arias.......2005-04-29

At last EMI's "The Very Best Of" series has issued some of the finer recorded documented arias of the incomparable soprano Beverly Sills. Fans of this down-to-earth, warm patron of music and the most unique lyric-coloratura-dramatic soprano, will be in Heaven. Sure, this is only some of the arias in only a small number of the many operas Sills performed. To be truthful, this is not what I'd personally regard as the best of Beverly Sills. Other albums of hers do use greater vocal masterpieces she sang- the best being "The Singers" Series, and another EMI edition called The Art of Beverly Sills Volume 2 and then there's the rare and brilliant "Sillsiana". Nevertheless, this album has its charm and appeal. Beverly Sills sings arias from Rossini's Barber of Seville, Verdi's Rigoletto and Traviata. This recording seems to highlight mostly her mastership of the bel canto repertoire and Verdi. Gilda and Violetta were roles she sang with supreme dramatic integrity and sweetness and purity of vocal line. Yet, it is hardly "the best of". Where are scenes from the masterful interpretations of Donizetti, truly Sills strongest suit- Lucia Di Lammermoor, Anna Bolena, Maria Stuarda and Roberto Devereaux, where is Sills' Manon, which even she hails as her best ? And when will her recorded Norma ever see the light of day ? Sills also excelled in the French repertoire- Faust, Thais, La Fille Du Regiment, The Tales of Hoffman and she was an incredible Queen Shemakha in Korsakov's Coq D'Or. True, Sills had a light, girlish, delicate voice, bright and small, but this worked in her favor in tragic roles. Dramatically, she could get into character as passionately and convincingly as Maria Callas. When she could darken her voice and use her chest voice for dramatic effect it was often thrilling. This is the latest recording in a number of recordings that are coming out, further promoting a great singer of the past. Beverly Sills. She was the working man's soprano. She worked hard to get to the top. She was the reigning singer of the NYC Opera where she starred in such great operas as Handel's Giulio Ceare Sills as Cleopatra (also not on this recording) and Tales of Hoffman singing opposite the great but underrated bass Norman Treigle. Sills is a wonderful human being and she has a beautiful voice that I cannot get out of my mind. She will always be the greatest to me. She got me hooked into opera.
Born 2 Groove
Average customer rating: 5 out of 5 stars
  • LOVE IT! LOVE IT! LOVE IT!
  • Euge has done it again!
  • Smoothjazz.com Review
  • Tasteful and unaffected.
Born 2 Groove
Euge Groove
Manufacturer: Narada
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Jazz | Styles | Music
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ASIN: B000QCU9UI
Release Date: 2007-06-19

Tracks:

  1. A Summer Night's Dream
  2. Mr. Groove
  3. Cafe Del Soul
  4. Slow Jam
  5. Born 2 Groove
  6. Religify
  7. Geez Spot
  8. I Love You More Than You'll Ever Know
  9. Movin' On
  10. Baby If You Only Knew (What I Could Do)

Customer Reviews:

5 out of 5 stars LOVE IT! LOVE IT! LOVE IT!.......2007-06-28

LOVE IT! LOVE IT! LOVE IT! describes my review of "Born 2 Groove". There isn't one song on the CD that I don't like. The order of the songs is perfect for listening too. I think Euge Groove outdid himself on this album, as impossible as that may seem, in light of the quality of his other albums. We have all of Euge Groove's music, enjoy it all, and it just depends what mood we are in as to which CD gets put into the player. We haven't stopped playing "Born 2 Groove" though since it was released. One other suggestion would be to go see Euge Groove live in concert if you get the opportunity. In addition to being a wonderful musician, he is clever and witty and a definite crowd pleaser. If you want to get up and dance at his concert, you won't be out of place. He is a phenomenal entertainer!

5 out of 5 stars Euge has done it again!.......2007-06-20

Quite simply, another masterpiece. Euge has the proven formula for producing hit, after hit, after hit. His style is smooth, his songs are tight, and his concerts are awesome. This is yet another stellar CD. Thanks for giving your all, with every project Euge. Hurry and make it back to Houston for another live concert!

5 out of 5 stars Smoothjazz.com Review.......2007-06-20

What a great album this is! It's Euge at his absolute best, rising still another notch on the groove meter and totally nailing this one. It's Paul Brown, with his fifth successful collaboration with Euge Groove in seven years, demonstrating beyond any doubt that he is the Smooth Jazz producer par excellence. As for the music, the title track (and first radio single) says it all... top 10 and still rising. What strikes me as I listen to BORN 2 GROOVE is that not only is it soulful, and not only does it display groove, panache and, yes, Euge's trademark funk, but it has more of... an indefinable vibe to it that is a reflection of the soul of the musician. I hesitate to say spiritual, but I think that's really what's going on here. Euge Groove is fulfilling his purpose in a really powerful, positive way. He's communicating with us like he was meant to, providing yet another collection of pure joy and good feelings, delivered in a classy, uplifting package that will become one of this genre's forever classics. Euge believes strongly that everyone comes into this world with unique abilities and special gifts. "If we are fortunate enough to have great people around us, those natural abilities can be nurtured along," he says. Euge Groove has the gifts, has surrounded himself with professionals who have the passion for using their gifts, and together they have created a truly outstanding collection of sax-driven Smooth Jazz. BORN 2 GROOVE rocks! ~SCOTT O'BRIEN

4 out of 5 stars Tasteful and unaffected........2007-06-19

With a pleasingly unaffected, natural-sounding delivery and a considerable talent for writing original songs ranging from soulful ballads to funky shuffles or relatively conventional standard-influenced material, Euge Groove has made another great recording with "Born 2 Groove".
The aforementioned range of his material is what immediately impresses ­but this eclecticism is entirely unforced, enabling him to express straightforward heart-on-sleeve emotion one minute ("I Love You More Than You'll Ever Know") and emulate the penchant for "gospel/R&B" songs the next ("Café del Soul" and "Religify") without any undue abruptness of transition.
The neat tastefulness of his bandmates and the controlled power of his arrangements help in this process. But overall it is the clear commitment and patent sincerity of Euge himself ("Baby If You Only New"), for instance, contains some of the most unaffected passages you're ever likely to hear in the current saccharine Smooth Jazz trend ), not to mention his sheer musicality and ability to deliver a song in a variety of modes and moods, that make this album so attractive.
Throughout, Euge's emotional saxophones (he is one of the surest-toned sax players currently operating and his playing is both subtle and assured) are artfully blended with striking, alternately delicate and robust orchestral colours and vocals ( the great Jeffrey Osborne and the former Temptations lead singer Ali "Ollie" Woodson perform on two tracks) so that each piece becomes an organic whole rather than (as too often in such projects) a too easy, sugary confection in which shimmering strings are the icing on a relatively bland jazz cake.
Intelligently paced like a well-arranged club set, this is his most personal statement to date as an artist and an assured recording from a musician to watch.
Hannah Montana: 2-Disc Special Edition Soundtrack
Average customer rating: 5 out of 5 stars
  • Excellent
  • A Great CD for Tweens and Teens
  • Can't Go Wrong
  • HANNAH MONTANA CD TOTALLY 5 STAR
  • Hannah Montana 2 Disc Special CD/DVD pack
Hannah Montana: 2-Disc Special Edition Soundtrack
Original TV Soundtrack
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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ASIN: B000N4SA8W
Release Date: 2007-03-20

Tracks:

  1. Best of Both Worlds - Hannah Montana
  2. Who Said - Hannah Montana
  3. Just Like You - Hannah Montana
  4. Pumpin' Up the Party - Hannah Montana
  5. If We Were a Movie - Hannah Montana
  6. I Got Nerve - Hannah Montana
  7. The Other Side of Me - Hannah Montana
  8. This Is the Life - Hannah Montana
  9. Pop Princess - The Click Five
  10. She's No You - Jesse McCartney
  11. Find Yourself in You - Everlife
  12. Shining Star - B5
  13. I Learned from You - Miley Cyrus and Billy Ray Cyrus
  14. BONUS TRACK - Nobody's Perfect - Hannah Montana

Tracks:

  1. Exclusive Hannah Montana Backstage Secrets (30 min.)
  2. Live Performance of "Nobody's Perfect"

Amazon.com

The Hannah Montana special edition soundtrack arrives so coolly p ackaged and with such a bonanza of extras that it might even induce budget-conscious tweens who already own the original to break open their piggy banks a second time. All the same hyper-charged, deliriously fun songs are here--the Radio Disney hit "If We Were a Movie" and the speaker-hazardous "Pumpin' up the Party" included--but so is a new number, "Nobody's Perfect," that again reaches out with a message from Miley Cyrus, a.k.a. Hannah, without mitigating the sky-high mood. Toe-tapping, indeed, is mandatory. Throughout. Other deluxe-edition tack-ons include signed snaps of the double-life-leading superstar, a certificate for a free "This Is the Life" ringtone, and a starter course of celebrity dish: in addition to a concert sliver featuring "Nobody's Perfect" on disc two (the DVD), Miss Cyrus leads her breathless fans on chummy, if minimally revealing, backstage tour. --Tammy La Gorce

Hannah Montana Photos

Customer Reviews:

5 out of 5 stars Excellent.......2007-07-06

This album is better than the 2nd one. This is the house favorite! this album is more suitable for smaller kids.

5 out of 5 stars A Great CD for Tweens and Teens.......2007-06-13

I like the songs by Hannah Montana on this CD because they don't talk about boys and relationships but are focused more on a positive self image. There are a few songs at the end by other artists which aren't as good.

5 out of 5 stars Can't Go Wrong.......2007-06-04

If you (or your kids) are (bubblegum) pop music, Hannah Montana/Miley Cyrus, or Disney fans, this is definitely a soundtrack for you. Like the regular soundtrack, this 2-Disc Special Edition Hannah Montana CD is full of fun, get-your-body-moving songs that kids and adults can relate to. The bonus track and the extra features (backstage secrets hosted by Miley Cyrus herself, a live performance of "Nobody's Perfect," and 4 polaroid-style pictures) make it well worth shelling out that extra ten dollars.

This is a must buy!

5 out of 5 stars HANNAH MONTANA CD TOTALLY 5 STAR.......2007-05-25

The Hannah Montana Double CD/DVD totally rocks. It is fantastic,
fun filled and awesome music. GREAT JOB !!!

5 out of 5 stars Hannah Montana 2 Disc Special CD/DVD pack.......2007-05-21

Great CD and DVD combination! Great birthday gift!
Pirates Of The Caribbean: Dead Man's Chest
Average customer rating: 4.5 out of 5 stars
  • sort-of-good
  • Pirates of the Caribbean: Dead Man's Chest
  • The movie would be incomplete without it!
  • Enchanting, captivating
  • Not as good as the original too much percussion & distraction
Pirates Of The Caribbean: Dead Man's Chest

Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Pirates Of The Caribbean: The Curse Of The Black Pearl
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  3. Pirates of the Caribbean - Dead Man's Chest (Two-Disc Collector's Edition)
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  5. Pirates of the Caribbean - The Curse of the Black Pearl (Two-Disc Collector's Edition)

ASIN: B000FTCF2M
Release Date: 2006-07-04

Tracks:

  1. Jack Sparrow
  2. The Kraken
  3. Davy Jones
  4. I've Got My Eye On You
  5. Dinner Is Served
  6. Tia Dalma
  7. Two Hornpipes (Tortuga)
  8. A Family Affair
  9. Wheel Of Fortune
  10. You Look Good Jack
  11. Hello Beastie
  12. ****Bonus Track: He's A Pirate - Tiesto Remix

Amazon.com

The soundtrack for the first Pirates of the Caribbean movie was infamous for having been whipped up rather hastily. For the sequel, Hans Zimmer takes the reins and comes up with his best effort in ages. Things start off with a nice cello theme for Johnny Depp's character, "Jack Sparrow." After that, it's high gear all the way, beginning with "The Kraken," on which Zimmer unleashes gales of symphonic aggro. Even when he closely follows what Hollywood execs clearly believe are set-in-stone rules for contemporary soundtracks, he throws in interesting wrenches. He does cram in both wailing female vocals and stomping percussion in "Dinner Is Served," but then the track abruptly turns into the kind of demented waltz you usually get from Danny Elfman. As usual with sequels, winks to the first movie pop in and out--the Black Pearl theme reappears in "I've Got My Eye on You" and "Hello Beastie"--but overall this album is more consistent. At least until you get to the final track, that is, a pounding offering by melodic-trance overlord DJ Tiësto. Pirates, wave your arms in the air like you just don't care. --Elisabeth Vincentelli

Album Description

Captain Jack Sparrow is back for more action and adventure on the high seas! Once again thrown into the world of the supernatural, Captain Jack Sparrow (Johnny Depp) finds out that he owes a blood debt to the legendary Davey Jones (Bill Nighy), captain of the ghostly Flying Dutchman. And as if this weren't enough, the captain's problems manage to wreck the wedding plans of a certain Will Turner (Orlando Bloom) and Elizabeth Swann (Keira Knightly), who are forced to join Jack on yet another misadventure.

Soundtrack features original score by Hans Zimmer plus a bonus remix track by the world-renowned DJ Tiesto.

More Pirates and Hans Zimmer

Pirates of the Caribbean: The Curse of the Black Pearl
Score

Pirates of the Caribbean: The Curse of the Black Pearl
DVD

The Da Vinci Code
Score

The British Years

Gladiator
Score

The Lion King
Soundtrack

Customer Reviews:

4 out of 5 stars sort-of-good.......2007-07-16

I have all three soundtracks and this is the least pleasing of the three. There are still a few moving tracks, but overall, it left me wanting. The third cd is the best of all!

3 out of 5 stars Pirates of the Caribbean: Dead Man's Chest.......2007-07-07

Of the 3 Pirates cd's this is my least favorite, the first being my favorite because of the rousing music, this is good, but not great. Not quite as good as the PotC At World's End. However, to get the full impact of Pirates, I recommend that you get all three cd's.

5 out of 5 stars The movie would be incomplete without it!.......2007-06-03

Although the soundtrack is always key to the movie, the Pirates of the Caribbean movies seem be the quintessential example of this rule. The soundtrack is a brilliant work of art the perfectly compliments the action and romance of the movie.

4 out of 5 stars Enchanting, captivating.......2007-05-27

This was a very enjoyable and captivating cd. Has a few diverse moods. My two young daughters love it.

3 out of 5 stars Not as good as the original too much percussion & distraction.......2007-05-26

I was really looking forward to the score for Dead Man's Chest, particularly when I found out that Hans Zimmer would be writing it. I really like much of his work, however, I was ultimately disappointed with this cd. There was too much percussion, too much elecronics & too little music from the movie in it. I also saw little point in the final track on the cd, I would much rather have had the end credit music. I liked Jack's new theme, it fit him & while the themes for JOnes & the Dutchmen fit them well, I still found this cd lacking. I admit however I really enjoyed the Tortuga music.
Led Zeppelin II
Average customer rating: 4.5 out of 5 stars
  • Can I give it six stars?
  • one of zep's best
  • Great Vibes, Inspiring, Effective
  • As hard-rocking as it gets. Led Zeppelin's best album.
  • All hail the riff king!
Led Zeppelin II
Led Zeppelin
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002J03
Release Date: 1994-06-21

Tracks:

  1. Whole Lotta Love
  2. What Is And What Should Never Be
  3. The Lemon Song
  4. Thank You
  5. Heartbreaker
  6. Living Loving Maid (She's Just A Woman)
  7. Ramble On
  8. Moby Dick
  9. Bring It On Home

Amazon.com essential recording

Riff rock had been what Jimmy Page's former band, the Yardbirds, were all about, and on Led Zeppelin's second album, released, like its predecessor, in 1969, the inventive guitarist demonstrated that he'd indeed learned his lessons well. Witness "Whole Lotta Love," a woozy epic based on one simple, head-banging-friendly guitar riff. Or the mock-dramatic "Heartbreaker," propelled by far more intricate but similarly effective note squashing. Between Page's sonic wizardry, John Bonham beating his drums into submission ("Moby Dick"), and the juice running down Robert Plant's leg ("The Lemon Song"), Led Zeppelin here just about succeeded in raising rock & roll excess to an art form. --Billy Altman

Amazon.com

Led Zeppelin II is an album of Jimmy Page riffs so huge, and John Paul Jones/John Bonham rhythms so deep, that the heavy metal genre this classic helped create has tried for decades to catch up, mostly without success. And no wonder: since II catches the band before they'd headed too far into their ridiculous medieval fancies, this might be as good as Zep would ever be. Regardless, the thunderous "Whole Lotta Love," a Top 5 hit, and "Bring It on Home" are very nearly as fierce and twisted as British white blues would ever get. --David Cantwell

Customer Reviews:

5 out of 5 stars Can I give it six stars?.......2007-07-17

The only way to get the great classic combo (heard primarily on the radio) that transitions the song "Heartbreaker" to "Living and Loving" is on Led Zeppelin II.

5 out of 5 stars one of zep's best.......2007-06-07

Zep II finds the band still tapping the primordial riff mine that page opened up in their debut. this is still super tight bluesy hard rock focused on sex and relationships, preceding the more eclectic and experiment zep 3 & physical graffiti.

from whole lotta love to bring it on home, there's not a weak song in the group. page's irresistable riffs -- the dna for countless future metal and hard rock bands -- plant's howling wolf cum celtic hippy wail, backed by the rock-solid rhythm section of bonham/jones, makes this one of their best. just when you think they are slipping in the slow start to the album's final track, page, bonham and jones kick in with a thundering sound that reminds you what is great about rock n roll.

5 out of 5 stars Great Vibes, Inspiring, Effective.......2007-05-30

Another CD filled with GENIUS ! OH, and...LUST ! These two are so passionate,.

These songs REALLY COMMUNICATE !!!!!

I painted one room's mural to this CD.

Truly effective music.

5 out of 5 stars As hard-rocking as it gets. Led Zeppelin's best album........2007-05-28

Led Zeppelin's second album is sure to please all music fans of any genre. Led Zeppelin II, released in the same year as the first album in 1969, is as hard-rocking as it gets when it comes to Zeppelin. All nine tracks are Led Zeppelin at their best, whether it's world-renowned blues rock ("Whole Lotta Love"), racing guitar play ("Heartbreaker"), or awesome, creative drum solos ("Moby Dick"). This album is a representative of late-60s rock, and I find it quite similar to Axis Bold As Love, by The Jimi Hendrix Experience. The album starts to amaze you with the recognizable blues-rocker "Whole Lotta Love," which has a creative interlude consisting of distorted radio waves; after said song, Zeppelin attempts to cool you down a bit with the bluesy ballad "What is and What Should Never Be," which, like "The Rain Song" from the Houses Of The Holy album, is where you'll find Robert Plant's vocals at their peak. This is followed by "The Lemon Song," which actually sounds like something Jimi Hendrix would play. "Thank You" is also a very nice Led Zeppelin song and is a very easy listen. The album's turning point is at track five, which happens to be the instant rocker "Heartbreaker". It's definately one of the band's greatest songs, and Jimmy Page is at his best in it. The hard-rocking Sabbath-like main riff is a great combination with John Bonham's rapid drumming, and the solo is easily one of the best of all time, as it is not only awesome and awestriking, but it was improvised; that proves Page can ad-lib his way through solos and STILL make it sound good. "Living Loving Maid (She's Just a Woman)" is also a very easy listen, and quite catchy at that. "Ramble On," yet another acoustic song, also contains great vocals and guitar playing. "Moby Dick" is probably where drummer John Bonham is putting forth his best effort, as the song starts out with a guitar and drum combination and then drops into a complete drum solo where at first, Bonham plays with his hands, and about two and a half minutes into the song he picks up the sticks and delivers a heavy rain of thunderous drumming. The outro of the song is when Jimmy Page comes in again and finishes it off with John, making the song a very powerful instrumental. The last song, "Bring it on Home," is very convenient for the album, as it first leaves you with a blues impression, but later picks up in a hard rock style, just as Zeppelin would do. Overall, Led Zeppelin's second album is what I think is the crown jewel in their albumography. Whenever you get the chance, buy it--you'll be pleasently surprised.

5 out of 5 stars All hail the riff king!.......2007-05-14

Led Zeppelin II (1969) Led Zeppelin's second studio album.

Led Zeppelin had already shocked audiences with their controversial cover art and amazing blues-rock earlier in 1969, and later that same year they would churn out another classic album. "Led Zeppelin II" is one of the finer in their catalog, being the epitome of what Jimmy Page does best; sick and sexy blues riff-rock.

The first track is one of their most (in)famous songs, "Whole Lotta Love". A very slow-driving head-banging tune with a riff partly lifted from Willie Dixon. Page and the crew also drop crazy riffs on "Living Loving Maid", "Ramble On", and "Heartbreaker". Plant's vocals soar wildly on "What is and What Should Never Be" and "The Lemon Song" as Bonham blasts his beloved bass drum on each and every cut. What makes this album better than their debut is that it fully developed their sound. "I" had done a fairly good job of that, but "II" cut the pure blues-based pieces and instead gave it a more definitive rock edge.

As on all of the remasters, the sound quality is excellent. "II" is about on par with the original vinyl, and to untrained ears will sound just as good. This is an excellent place to start with Led Zeppelin, if not for the opening track alone. However, I would recommend to start with "Led Zeppelin IV" before coming to this gem. "II" is a cut that every classic/hard/blues/whatever rock fan should own.
Streisand: Live In Concert (2 CD's)
Average customer rating: 4.5 out of 5 stars
  • Wrong To Be Profane
  • STREISAND STILL THE BEST!
  • Not the Best of Barbra
  • Streisand: Live in Concert (2 CD's)
  • Streisand: Live in Concert (2 CD's)
Streisand: Live In Concert (2 CD's)
Barbra Streisand
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. Call Me Irresponsible
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ASIN: B000JBXXXG
Release Date: 2007-05-08

Tracks:

  1. Funny Girl Broadway Overture
  2. Starting Here, Starting Now
  3. Opening Remarks
  4. Down With Love
  5. The Way We Were
  6. Songwriting (Dialogue)
  7. Ma Premiere Chanson
  8. Evergreen
  9. Come Rain Or Come Shine
  10. Funny Girl
  11. Funny Girl
  12. The Music That Makes Me Dance
  13. My Man
  14. People
  15. People

Tracks:

  1. Entr'acte
  2. The Music Of The Night
  3. Jason's Theme
  4. Carefully Taught/Children Will Listen
  5. Unusual Way
  6. What Are You Doing The Rest Of Your Life?
  7. Happy Days Are Here Again
  8. (Have I Stayed) Too Long At The Fair?
  9. William Saroyan (Dialogue)
  10. The Time Of Your Life
  11. A Cockeyed Optimist
  12. Somewhere
  13. Somewhere
  14. My Shining Hour
  15. Don't Rain On My Parade
  16. Smile

Amazon.com

There's a reason Barbra Streisand's 2006 tour broke the arena house record in every city it visited, and it's because she's not only a legend but (still) a performer who effortlessly twists intimacy and friendliness and fierceness into a perfect, sturdy braid. This two-disc set, which pulls performances from dates in New York, Washington, D.C., and Fort Lauderdale, will raise its share of goosebumps. For longtime fans, they'll be a reaction to songs Streisand hasn't touched since the '70s and earlier, including "(Have I Stayed) Too Long At the Fair?" and "Unusual Way," from the Broadway musical Nine. For relative newbies, they'll be a response to her between-song patter, which touches with grace, wit, and sincerity on everything from her love for her son to her political leanings to her limitations as songwriter. The voice, of course, enthralls--there it is glowing on "Carefully Taught," one of four songs that have never before appeared on a Streisand recording, and there it is again wrapping luxurious tones all around "Evergreen," one of three songs she shares with Il Divo. Streisand--diva, political dynamo, superstar--still knows how to orchestrate a showstopper. --Tammy La Gorce

More from Barbra


A Star is Born


Duets


The Broadway Album


The Barbra Streisand Album


Guilty Pleasures


The Essential Barbra Streisand

Customer Reviews:

5 out of 5 stars Wrong To Be Profane.......2007-07-14

Despite habitually retractable tentative hints of private integrity and partly with a guise of ignorance regarding sacred sexualities in marital contexts, Ms. Streisand has, apparently yearning for ethical integrities of others and herself, completed another celebration of my and her own conceptions. I have neither attended any of her concerts nor, as of yet, watched any record of these from 2006, though I both watched her portral in New York City at the Winter Garden Theater of Ms. Fanny Brice and found most of this 2-CD set comparable to that 2-stars (rated) portrayal; some of the rest is so astonishingly beautiful, particularly the first 4 tracks of CD 2 involving the birthdays of Jason G. and his mother, it makes this set worthy of placement beside some of the music composed by Gustav Mahler, who referred to the deaths of some children musically.

5 out of 5 stars STREISAND STILL THE BEST!.......2007-07-13

Barbara Streisand and Il Divo what more could you ask for! Her best album in years and with Il Divo on numbers like There's A Place For Us it gives you chills. Buy this and you will enjoy it full volume year after year!

3 out of 5 stars Not the Best of Barbra.......2007-07-07

Streisand's lastest CD, *Guilty Pleasures* was a feast of songs she had never sung before, and a reunion with Barry Gibb, who writes for Barbra in a more contemporary way than the Bergmans or Marvin Hamlisch. It is a great CD, and her voice is sublime, aided, of course, by sound technicians. All artists owe their sound engineers their careers though. She and Barry have fun on it--it's fresh and alive. Not so much with the 2006 Concert CD, a recording of the concert tour, replete with IL Divo, a mostly unnecessary addition. They are wooden men with BIG, BORING voices.

From the beginning, Babs sounds tired, hoarse and raspy. I saw her in concert, where she sometimes sounded even worse than this recording. The engineers cleaned it up as well as they could, leaving more than a hint of breathiness and weariness. Fortunately, only about half of the songs are weakly rendered; the other half really are terrific experiences. I have no idea what is going on with her voice that from song to song there could be such differences, but if I were Streisand I would leave the belting behind. It wouldn't hurt for her to warm up before she comes onstage, not as she is giving the concert. For any price, a fan would expect the performer to be well prepared. When she sings a soft ballad, she often soars, and her magic is prominent. It's painful to watch her crumble under the memory of her once youthful voice (and it was only a few years ago that she sounded like a 25 year old songstress). Streisand knows how to play a song for all its worth, but she sometimes tramples it to death. *Don't Rain in My Parade* is just not what it used to be. She hits high notes, but without the characteristic force. And she can hold the notes, or seem to, when she takes little breaks before each song's finale. Her phrasing is impeccable when she is giving it all she has to give, but too often she seems bored. This is not a bad CD, just not as inspired as *The Concert.*

It also has to be said that it seems apparent Streisand is not taking care of her God-given voice, one she herself has said that she takes for granted (unimaginable!!).

The chatter inbetween songs is dull and preachy, and it was exactly the same in every city, except for blabbering about the fattening food she ate all across the US (excluded from the CD, thank the Lord). The fans are really the stars on this CD--they roar constantly, as if they had been starving to see Streisand all their lives. It's an odd treat. The orchestra is incredible, but live, it drowns her out at times (as does IL Divo). This recording does not relfect that though.

If you do not own *The Concert* CD, buy it and skip this one. This CD is for avid, adoration-is-blind Streisand fans only and those keeping track of Streisand's vocal history..

5 out of 5 stars Streisand: Live in Concert (2 CD's).......2007-06-27

Whenever I hear Barbra sing it feels as if I were listening to an angel....The depth of her voice, the feeling she caries in every song she sings makes you fall in love, feel despair, feel hapinness or sadness....She is capable of making you feel the letter of her songs....A true Diva....My only regret is that I will never be able to see her live.....I hope they make a DVD of this concert so I can see her perform live at least on the TV set...

5 out of 5 stars Streisand: Live in Concert (2 CD's).......2007-06-26

This concert is very unique.
You are able to hear her great, mellow voice and in between songs, she talk to the audience on a personal level.
Barbara explains why she sings some of her songs, and as she's talking, she makes you feel that she is talking directly to you.

Barbara Streisand is stylish, wonderful person and performer.

I LOVE these concert CD's!

MIKE
Baby Einstein: Lullaby Classics
Average customer rating: 4 out of 5 stars
  • Sounds like a cheap plastic toy
  • would make you sleepy..
  • Kid's Music
  • Not soothing
  • Great for bedtime, but wish it were a real piano
Baby Einstein: Lullaby Classics

Manufacturer: Buena Vista
ProductGroup: Music
Binding: Audio CD

All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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ASIN: B0001IXTU4
Release Date: 2004-03-16

Tracks:

  1. Variations (Twinkle, Twinkle), K265/300e
  2. Minuet In G From Anna Magdalena
  3. Piano Sonata In C, K 545, 2nd Movement
  4. Spring Song
  5. Piano Sonata In D, K 576, 3rd Movement
  6. Jesu, Joy Of Man's Desiring, BWV 147
  7. Canon
  8. The Moldau
  9. Preludes Book II, Clair De Lune
  10. Sonata No.14 (Moonlight), 2nd Movement, Op.27
  11. Symphony No.9, New World
  12. Fur Elise, WoO 59
  13. The Four Seasons, Winter, RV267, 2nd Movement
  14. Orchestral Suite No.3 In D, Air, BWV 1068
  15. Sonata No.8 (Pathetique), 2nd Movement, Op.13
  16. Kinderscene, Op.15
  17. Waltz No.15, Lullaby

Product Description

The Lullaby Classics A Concert for Little Ears music CD is a 17-track, 35-minute concert featuring a collection of soothing classical melodies perfect to calm little ones as they wind down for nap time, bedtime or a bit of quiet time. Each piece, re-orchestrated for little ears by the Baby Einstein Music Box Orchestra, was specially selected to lull babies into sweet, blissful dreams. Lullaby Classics opens with ?Ç£Twinkle, Twinkle?Ç¥ variations by Mozart and includes calming and delightful melodies from composers such as Bach, Beethoven, Dvorak and Debussy. It ends with Brahms' ?Ç£Lullaby?Ç¥ tucking baby in for a cozy, restful sleep.Musical Selections:1. Variations (Twinkle, Twinkle), K265/300e, Mozart2. Minuet In G From Anna Magdalena, Bach3. Piano Sonata In C, K 545, 2nd Movement, Mozart4. Spring Song, Mendelssohn5. Piano Sonata In D, K 576, 3rd Movement, Mozart6. Jesu, Joy Of Man's Desiring, BWV 147, Bach7. Canon, Pachelbel8. The Moldau, Smetana9. Preludes Book II, Clair De Lune, Debussy10. Sonata No. 14 (Moonlight), 2nd Movement, Op. 27, Beethoven11. Symphony No. 9, New World , Dvorak12. Fur Elise, WoO 59, Beethoven13. The Four Seasons, Winter, RV297, 2nd Movement, Vivaldi14. Orchestral Suite No. 3 In D, Air, BWV 1068, Bach15. Sonata No. 8 (Pathetique), 2nd Movement, Op. 13, Beethoven16. Kinderscene Op.15, Schumann17. Waltz No 15, Lullaby, Brahms Age: birth +Awards:* Oppenheim Toy Portfolio Gold Award (2005)* National Parenting Center Seal of Approval (2004)* National Parenting Publications Awards (2004)

Customer Reviews:

1 out of 5 stars Sounds like a cheap plastic toy.......2007-06-20

I have these DVD's and I can tell you that they will not be a huge part of my baby's development. I received them as a gift from someone that thinks that all you need to do is plunk your child in front of a TV all day without giving the baby any attention. You can see why these DVD's are popular at Day Care Centers or what I like to call, "Concentration camps for baby's with lazy parents", because they know that they can sit their kid/baby in front of the TV and let them turn into a thoughtless zombie while they listen to Baby Einstein totally ruin classics by Bach and DeBussy by playing the music with very cheap midi keyboards. I can get better quality music by whistling Dixie with a mouth-full of saltine crackers.

Also, it has been proven that classical music has nothing to do with the cognitive development of young people. Now, teach them how to play piano or violin and you have yourself an actual YOUNG EINSTEIN, but listening to this kind of music does nothing for the development of the brain. It is just for lazy parents that can't sit down with their kids and play with them or read them a book.

4 out of 5 stars would make you sleepy.........2007-06-15

its a good product with very fine music and my toddler realizes that it is sleep time, if I play it. he goes to bed and sleeps after a couple songs. I have trouble in some songs are some months.. dont know why.

4 out of 5 stars Kid's Music.......2007-06-08

I bought this CD for my grandniece, but after listening to it, I determined that no one would ever play this for her except me. I would have kept it for myself but I have the grown-up versions of each of the classical masterpieces on this CD. So, I ended up returning it for a full refund. If you want your kids to be exposed to classicl music, it's a great buy. But if you don't think they will get to listen to it, don't waste your time.

Baby Einstein: Lullaby Classics

1 out of 5 stars Not soothing.......2007-06-07

These synthesizer versions of classical songs get really old, really fast. Worse yet, the songs are sometimes not soothing at all, especially the very first song. The song seems to get particularly loud and uptempo, which is precisely what you don't expect in a lullaby. Please listen to the sample of the first song at least before you buy.

4 out of 5 stars Great for bedtime, but wish it were a real piano.......2007-06-01

This CD worked great to put my daughter to sleep while I rocked her in my arms, and I enjoyed the choices of songs and the arrangements. However, I would have preferred that real instruments were used.

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