More to This Life

Track Listings
1. More to This Life    
2. Love You With My Life    
3. Waiting for Lightning    
4. Living for the Moment    
5. I Will Be Here    
6. Who Makes the Rules    
7. Treasure Island    
8. Way Beyond the Blue    
9. In This Little Room    
10. More Than Words    
11. Out in the Highways    

More to This Life, Music, Steven Curtis Chapman, CCM, Country Gospel, Gospel/Christian Music, Inspirational, Pop, Religious / Contemp. Christian
Instruments of the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Dowland - The Collected Works / The Consort of Musicke, Rooley
Average customer rating: 5 out of 5 stars
  • A musical treasure-box
  • a beautiful journey into melancholy
Dowland - The Collected Works / The Consort of Musicke, Rooley
John Dowland , Anthony Rooley , Emma Kirkby , Christopher Wilson , The Consort of Musicke , Colin Tilney , Anthony Bailes , Jakob Lindberg , Nigel North , Glenda Simpson , Peter Holman , and John Donne
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Dowland: Complete Lute Works, Vol.1-5
  2. William Byrd: Consort Songs
  3. Bach: The Landowska Recordings
  4. Britten Conducts Britten
  5. Janácek: Operas

ASIN: B000004CYV
Release Date: 2007-03-13

Tracks:

  1. First Booke Of Songes: I. Unquiet Thoughts
  2. First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
  3. First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
  4. First Booke Of Songes: IV. If My Complaints Could Passions Move
  5. First Booke Of Songes: V. Can She Excuse My Wrongs
  6. First Booke Of Songes: VI. Now, O Now, I Needs Must Part
  7. First Booke Of Songes: VII. Dear, If You Change
  8. First Booke Of Songes: VIII. Burst Fourth My Tears
  9. First Booke Of Songes: IX. Go Crystal Tears
  10. First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
  11. First Booke Of Songes: XI. Come Away, Come Sweet Love
  12. First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
  13. First Booke Of Songes: XIII. Sleep, Wayward Thoughts
  14. First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
  15. First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
  16. First Booke Of Songes: XVI. Would My Conceit
  17. First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
  18. First Booke Of Songes: XVIII. His Golden Locks
  19. First Booke Of Songes: XIX. Awake, Sweet Love
  20. First Booke Of Songes: XX. Come, Heavy Sleep
  21. First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

  1. Second Booke Of Songs: I. I Saw My Lady Weep
  2. Second Booke Of Songs: II. Flow My Tears
  3. Second Booke Of Songs: III. Sorrow, Stay
  4. Second Booke Of Songs: IV. Die Not Before Thy Day
  5. Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
  6. Second Booke Of Songs: VI. Time's Eldest Son
  7. Second Booke Of Songs: VII. Then Sit Thee Down
  8. Second Booke Of Songs: VIII. When Others Sing Venite
  9. Second Booke Of Songs: IX. Praise Blindness Eyes
  10. Second Booke Of Songs: X. O Sweet Woods
  11. Second Booke Of Songs: XI. If Floods Of Tears
  12. Second Booke Of Songs: XII. Fine Knacks For Ladies
  13. Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
  14. Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
  15. Second Booke Of Songs: XV. White As Lilies Was Her Face
  16. Second Booke Of Songs: XVI. Woeful Heart
  17. Second Booke Of Songs: XVII. A Shepherd In A Shade
  18. Second Booke Of Songs: XVIII. Faction That Ever Dwells
  19. Second Booke Of Songs: XIX. Shall I Sue
  20. Second Booke Of Songs: XX. Toss Not My Soul
  21. Second Booke Of Songs: XXI. Clear Or Cloudy
  22. Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

  1. Third Booke Of Songs 1603: I. Farewell, Too Fair
  2. Third Booke Of Songs 1603: II. Time Stands Still
  3. Third Booke Of Songs 1603: III. Behold A Wonder Here
  4. Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
  5. Third Booke Of Songs 1603: V. Me, Me, And None But Me
  6. Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
  7. Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
  8. Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
  9. Third Booke Of Songs 1603: IX. What If I Never Speed?
  10. Third Booke Of Songs 1603: X. Love Stood Amazed
  11. Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
  12. Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
  13. Third Booke Of Songs 1603: XIII. O What Hath Overwrought
  14. Third Booke Of Songs 1603: XIV. Farewell, Unkind
  15. Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
  16. Third Booke Of Songs 1603: XVI. Fie On This Feigning!
  17. Third Booke Of Songs 1603: XVII. I Must Complain
  18. Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
  19. Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
  20. Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
  21. Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

  1. A Pilgrimes Solace: I. Disdain Me Still
  2. A Pilgrimes Solace: II. Sweet Stay Awhile
  3. A Pilgrimes Solace: III. To Ask For All Thy Love
  4. A Pilgrimes Solace: IV. Love, Those Beams That Breed
  5. A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
  6. A Pilgrimes Solace: VI. Were Every Thought An Eye
  7. A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
  8. A Pilgrimes Solace: VIII. Tell Me, True Love
  9. A Pilgrimes Solace: IX. Go Nightly Cares
  10. A Pilgrimes Solace: X. From Silent Night
  11. A Pilgrimes Solace: XI. Lasso vita mia
  12. A Pilgrimes Solace: XII. In This Trembling Shadow Cast
  13. A Pilgrimes Solace: XIII. If That A Sinner's Sights
  14. A Pilgrimes Solace: XIV. Thou Mighty God
  15. A Pilgrimes Solace: XV. When David's Life
  16. A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

  1. A Pilgrimes Solace: XVII. Where Sin Sore Wounding
  2. A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
  3. A Pilgrimes Solace: XIX. Up Merry Mates
  4. A Pilgrimes Solace: XX. Welcome Black Night
  5. A Pilgrimes Solace: XXI. Cease, Cease These False Sports
  6. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
  7. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
  8. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
  9. Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
  10. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
  11. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
  12. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
  13. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
  14. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
  15. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
  16. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
  17. Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

  1. Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
  2. Mr. Henry Noell Lamentations: II. Domine ne in furore
  3. Mr. Henry Noell Lamentations: III. Miserere mei Deus
  4. Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
  5. Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
  6. Mr. Henry Noell Lamentations: VI. De profundis
  7. Mr. Henry Noell Lamentations: VII. Domine exaudi
  8. Lachrimae: Lachrimae Antiquae
  9. Lachrimae: Lachrimae Antiquae Novae
  10. Lachrimae: Lachrimae Gementes
  11. Lachrimae: Lachrimae Tristes
  12. Lachrimae: Lachrimae Coactae
  13. Lachrimae: Lachrimae Amantis
  14. Lachrimae: Lachrimae Verae
  15. Lachrimae: Mr. John Langton's Pavan
  16. Lachrimae: Mr. Nicholas Gryffith His Galiard
  17. Lachrimae: Sir John Souch His Galiard
  18. Lachrimae: Semper Dowland Semper Dolens
  19. Lachrimae: Mr. Giles Hobies Galiard
  20. Lachrimae: The King Of Denmark's Galiard
  21. Lachrimae: Sir Henry Umpton's Funerall
  22. Lachrimae: Mr. Henry Noell His Galiard
  23. Lachrimae: The Earl Of Essex Galiard
  24. Lachrimae: Mr. Bucton His Galiard
  25. Lachrimae: Mr. George Whitehead His Almand
  26. Lachrimae: Captain Digorie Piper His Galiard
  27. Lachrimae: Mr. Thomas Collier His Galiard
  28. Lachrimae: Mrs. Nichols Almand

Tracks:

  1. Sacred Songs: Sorrow, Come!
  2. Sacred Songs: I Shame At Mine Unworthiness
  3. Sacred Songs: An Heart That's Broken And Contrite
  4. Psalms: Psalm 100: All People That On Earth Do Dwell
  5. Psalms: Psalm 38: Put Me Not To Rebuke O Lord
  6. Psalms: Psalm 130: Lord To Thee I Make My Moan
  7. Psalms: Psalm 104: My Soul Praise The Lord
  8. Psalms: Psalm 100: All People That On Earth Do Dwell
  9. Psalms: Psalm 134: Behold And Have Regard
  10. A Prayer For The Queen's Most Excellent Majesty
  11. Instrumental Music: Solus cum sola pavan
  12. Instrumental Music: Lachrimae
  13. Instrumental Music: Galliard
  14. Instrumental Music: Pipers Pavan
  15. Instrumental Music: Lachrimae
  16. Instrumental Music: Lady Rich Galliard
  17. Instrumental Music: Earl Of Essex Galliard
  18. Instrumental Music: If My Complaints
  19. Instrumental Music: Lachrimae Doolande
  20. Instrumental Music: Lord Willoughbie's Welcome Home
  21. Instrumental Music: My Lord Chamberlaine His Galliard
  22. Instrumental Music: Comagain
  23. Instrumental Music: Pavan Lachrymae
  24. Instrumental Music: Sorrow Stay

Tracks:

  1. Lute Music: Preludium
  2. Lute Music: Lachrimae
  3. Lute Music: Can She Excuse
  4. Lute Music: Dr. Case's Pavan
  5. Lute Music: Melancholy Galliard
  6. Lute Music: Sir John Smith, His Almain
  7. Lute Music: Fantasia
  8. Lute Music: A Dream
  9. Lute Music: Almain
  10. Lute Music: The Queen's Galliard
  11. Lute Music: Coranto
  12. Lute Music: Resolution
  13. Lute Music: Mrs. Vaux Galliard
  14. Lute Music: Almain
  15. Lute Music: Mr. Dowland's MIdnight
  16. Lute Music: Fantasia
  17. Lute Music: Loth To Depart
  18. Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
  19. Lute Music: The Earl Of Essex, His Galliard
  20. Lute Music: Pavan
  21. Lute Music: John Dowland's Galliard
  22. Lute Music: Aloe
  23. Lute Music: The Lady Clifton's Spirit
  24. Lute Music: What If A Day
  25. Lute Music: Mr. Giles Hobie's Galliard
  26. Lute Music: Come Away (Song arrangement)
  27. Lute Music: Galliard
  28. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Lachrimae (Basic Version)
  2. Lute Music: Galliard To Lachrimae
  3. Lute Music: [Jig]
  4. Lute Music: Galliard On 'Wasingham'
  5. Lute Music: Complaint (Ballad Setting)
  6. Lute Music: Mignarda (Galliard)
  7. Lute Music: Semper Dowland Semper Dolens (Pavan)
  8. Lute Music: The Frog Galliard
  9. Lute Music: A Fancy (Fantasia)
  10. Lute Music: Fancy (Fantasia)
  11. Lute Music: Piper's Pavan
  12. Lute Music: Captain Digorie Piper's Galliard
  13. Lute Music: Lady Laiton's Almain
  14. Lute Music: Dowland's Galliard
  15. Lute Music: Dowland's First Galliard
  16. Lute Music: Tarleton's Jig
  17. Lute Music: Walsingham (ballad Setting)
  18. Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
  19. Lute Music: Sir Henry Guilforde, His Almain
  20. Lute Music: Pavan (Related To 'Lachrimae')
  21. Lute Music: Mr. Langton's Galliard
  22. Lute Music: Mrs. Clifton's Almain
  23. Lute Music: Galliard
  24. Lute Music: Lady Hunsdon's Puffe (Almain)
  25. Lute Music: Galliard
  26. Lute Music: Go From My Window (Ballad Setting)
  27. Lute Music: Fancy (Fantasia)

Tracks:

  1. Lute Music: Pavana Johan Douland
  2. Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
  3. Lute Music: La mia Barbara
  4. Lute Music: Sir Henry Umpton's Funeral (Pavan)
  5. Lute Music: Lachrimae
  6. Lute Music: Farewell Fancy (Chromatic Fantasia)
  7. Lute Music: Farewell (On The 'In Nomine' Theme)
  8. Lute Music: The King of Denmark's Galliard
  9. Lute Music: Mrs. Vaux's Jig
  10. Lute Music: Mrs. Nichol's Almain
  11. Lute Music: Galliard
  12. Lute Music: Lord Strang's March
  13. Lute Music: Mrs. Winter's Jump
  14. Lute Music: Can She Excuse (Galliard)
  15. Lute Music: The Shoemaker's Wife, A Toy
  16. Lute Music: Mrs. Norrish's Delight
  17. Lute Music: Galliard
  18. Lute Music: Mrs. White's Thing (Almain)
  19. Lute Music: Mrs. White's Nothing
  20. Lute Music: The Frog Galliard
  21. Lute Music: Solus cum sola
  22. Lute Music: The Lord Viscount Lisle, His Galliard
  23. Lute Music: Orlando Sleepeth (Ballad Setting)
  24. Lute Music: Robin (Ballad Setting)
  25. Lute Music: Galliard (On A Galliard By Daniel Bacheler)
  26. Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

  1. Lute Music: The Lady Russell's Pavan
  2. Lute Music: Fancy (Fantasia)
  3. Lute Music: Sir John Langton's Pavan
  4. Lute Music: Earl Of Derby, His Galliard
  5. Lute Music: A Coy Toy
  6. Lute Music: Fortune My Foe
  7. Lute Music: [Almain]
  8. Lute Music: Mr. Knight's Galliard
  9. Lute Music: Sir John Souch His Galliard
  10. Lute Music: Tarletone's Riserrectione
  11. Lute Music: The Lady Rich, Her Galliard
  12. Consort Music: Lachrimae Pavan
  13. Consort Music: Can She Excuse Galliard
  14. Consort Music: Captain Piper's Pavan And Galliard
  15. Consort Music: The Frog Galliard
  16. Consort Music: Round Battell Galliard
  17. Consort Music: Fortune My Foe
  18. Consort Music: Dowland's First Galliard
  19. Consort Music: Katherine Darcie's Galliard
  20. Consort Music: Tarleton's Jigge
  21. Consort Music: Almain a 2
  22. Consort Music: Mistress Nichols Almain a 2
  23. Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
  24. Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
  25. Opusculum: Mr. John Langton Pavan And Galliard
  26. Opusculum: La mia Barbara Pavan and Galliard
  27. Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

  1. Consort Music: Mistress NIchols Almain
  2. Consort Music: Volta a 4 ('Ioh. Douland')
  3. Consort Music: Were Every Thought an Eye
  4. Consort Music: Lady If You So Spite Me
  5. Consort Music: Pavan a 4
  6. A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
  7. A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
  8. A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
  9. A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
  10. A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
  11. A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
  12. A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
  13. A Musicall Banquet: VIII. Far From Triumphing Court
  14. A Musicall Banquet: IX. Lady, If You So Spite Me
  15. A Musicall Banquet: X. In Darkness Let Me Dwell
  16. A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
  17. A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
  18. A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
  19. A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
  20. A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
  21. A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
  22. A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
  23. A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
  24. A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
  25. A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

5 out of 5 stars A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

5 out of 5 stars a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).
More to This Life
Average customer rating: 4.5 out of 5 stars
  • Good Album
  • A Universal Message
  • Perfect
  • Better than Speechless?
  • this one's too soft...
More to This Life
Steven Curtis Chapman
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD

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  1. For the Sake of the Call
  2. Heaven in the Real World
  3. The Great Adventure
  4. Signs of Life
  5. Speechless

ASIN: B000005KVZ
Release Date: 1993-01-12

Tracks:

  1. More To This Life
  2. Love You With My Life
  3. Waiting For Lightning
  4. Living For The Moment
  5. I Will Be Here
  6. Who Makes The Rules
  7. Treasure Island
  8. Way Beyond The Blue
  9. In This Little Room
  10. More Than Words
  11. Out In The Highways

Customer Reviews:

4 out of 5 stars Good Album.......2006-04-21

The songs "more To This Life" and "I Will Be Here" are the most inspirational songs of this album.

5 out of 5 stars A Universal Message.......2006-03-22

Released in '89 under the Sparrow Records label, 'More To This Life' was the third album/CD by Christian songwriter/singer Steven Curtis Chapman. Containing -11 tracks- of not only enjoyable, uplifting music and lyrics, but also conveying a level of depth and introspection that set this collection of songs above most of the other contemporary Christian music being released at the time.

'More To This Life' was not formula-matic and predictable and it fully displayed Steven's ability to touch on so many different concerns in life and present the gospel message in an intelligent, unoffensive manner. I think the biggest praise I could give this CD is that you don't have to be a Christian to enjoy it. After all, isn't that the true intent of Christian music? You can't convert anyone if you can't get them to listen.

5 out of 5 stars Perfect.......2005-06-29

This CD is perfect. I wouldn't change a single thing. I thought this the first time I heard it in 1989, and I still feel that way! There are only 2 other CD's I find perfect: Amy Grant's "Lead Me On" and Allan Hall's (from Selah) "House of a Thousand Dreams". If you like Steven Curtis Chapman but are bored with his new stuff, or just want an inspiring, wonderful CD, I would get "More to This Life" right now! My all time favorite song on the planet is "Way Beyond the Blue". As a teenager, I made a cassette (didn't have a CD player then!) of this song, filling up an entire side, so I could listen to it at night over and over without having to rewind after each play, until I fell asleep to the words "His love is wider than the sky above you/And He has plans for you that go way beyond the blue". Words can't describe the impact this song and entire CD had and still has on my Christian walk, and actually making me believe in a very real way that God knows who I am and cares for ME (and you) with a love that is beyond human comprehension. I would recommend this CD to anyone of any age. I liked it at 16, 25 and now at 31!

5 out of 5 stars Better than Speechless?.......2004-11-22

This CD is truly unbelievable. When Speechless was released, I thought it was SCC's best work, but after attending a SCC concert recently, I pulled out his older CDs. More to this Life has 10 tremendous songs that just grip my soul.

The title track was a much-played radio hit that did not lose its appeal despite massive airplay. It is still a great tune. Love You with My Life is one of the most fun Chapman songs ever, right up there with Dive. Waiting for Lightning still speaks strongly to my innermost being after 15 years. I Will be Here is a classic. Treasure Island is a tremendously moving tribute to God's Word. Way Beyond the Blue is one of the most personally inspiring songs I've ever heard, making you sense the strong love God has for you. In This Little Room is a very fun nostalgic song. And More than Words is deeply moving, riveting, bring you to bittersweet tears song.

It is amazing that this CD was released in '89. I like First Hand and Real Life Conversation, the first two Chapman CDs I owned, but SCC makes a tremendous progression on this CD, released the same year as First Hand. Same producer, same label, but these songs could be played on the radio today and people would think they were brand new releases, unlike many of his earlier songs, where SCC was still developing his style.

If I could only have one SCC CD, this would be the one. Speechless is tremendous, but More to this Life really does leave me speechless.

4 out of 5 stars this one's too soft..........2004-10-05

Where, oh where, are the teeth on this album? As with much of Chapman's early releases, there are some good songs here (More To This Life, I Will Be Here), but he hasn't quite broken through and found his musical identity yet. For the most part, these songs are safe, soft and formulaic.

For the fan of later Steven Curtis Chapman releases, this may be a step backward. While lyrically strong, there are no songs here with any musical edge. You wouldn't be missing much if you stuck with the tracks from his Greatest Hits album. Nothing wrong with vanilla ice cream, but wouldn't you rather have a double scoop of "heavenly hash" instead?

Larry Hehn, author of Get the Prize: Nine Keys for a Life of Victory
Moondog 1 & 2
Average customer rating: 5 out of 5 stars
  • This needs a more articulate review...
  • happy music
Moondog 1 & 2
Moondog
Manufacturer: Beat Goes On
ProductGroup: Music
Binding: Audio CD

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  1. Moondog
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  3. The German Years 1977-1999
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  5. Rare Material

ASIN: B00004YU0K
Release Date: 2000-11-06

Tracks:

  1. Theme
  2. Stamping Ground
  3. Symphonique No. 3 (Ode to Venus)
  4. Symphonique No. 6 (Good for Goodie)
  5. Minisym No. 1
  6. Lament, No. 1
  7. Witch of Endor
  8. Symphonique No. 1 (Portrait of a Monarch)
  9. Bells Are Ringing
  10. Voices of Spring
  11. What's the Most Exciting Thing
  12. All Is Loneliness
  13. My Tiny Butterfly
  14. Why Spend a Dark Night With Me
  15. Coffee Beans
  16. Down Is Up
  17. Be a Hobo
  18. Remember
  19. I Love You
  20. Nero's Expedition
  21. No, The Wheel Was Never Invented
  22. With My Wealth
  23. This Student of Life
  24. Some Trust All
  25. Wine, Women and Song
  26. Sadness
  27. Maybe
  28. Each Today Is Yesterday's Tomorrow
  29. Imagine
  30. You the Vandal
  31. Trees Against the Sky
  32. Behold
  33. Sparrow
  34. Pastoral

Customer Reviews:

5 out of 5 stars This needs a more articulate review..........2005-12-10

To tell the truth, the only reason I even listened to this disc in the store is because I spotted the cover, and wondered what the hell a guy who looked like that could sound like. I had a gushing smile on my face as I realized there was real talent and expression behind Moondog's odd facade. The first album on this disc (there are two herein) is made up of more "orchestral" material like none you've ever heard before (one of these tracks "stamping Grounds" is in "The Big Lebowski". The second album is made up of a series of short "rounds"; cyclical songs with naturally repetitive compositions (think row row row your boat, or three blind mice). Due to the familiar nature of such song forms, and the unique compositions employed by Moondog, the second album is quite buoyant and joyful. This is an all around great and very familiar listening experience, and quite a timeless set of albums. Get it while you still can!

5 out of 5 stars happy music.......2002-12-28

Moodog is a realy composer of all time. Is create a new conception of street music and universal sound
Paris, 27/12/02 France
Puccini - Madam Butterfly / Cheryl Barker, PO, Yves Abel [in English]
Average customer rating: 3 out of 5 stars
  • A touching English Butterfly
Puccini - Madam Butterfly / Cheryl Barker, PO, Yves Abel [in English]
Giacomo Puccini , Yves Abel , Cheryl Barker , Paul Charles Clarke , and Simon Birchall
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005QF3K
Release Date: 2001-11-20

Tracks:

  1. Act I: Introduction - Cheryl Barker
  2. Act I: 'So The Walls And The Ceiling...' - Ann Taylor/Stuart Kale
  3. Act I: 'I Think Your Honour's Smiling' - Jean Rigby/Ann Taylor/Stuart Kale
  4. Act I: 'It Can't Be Much Further Now!' - Gregory Yurisich/Stuart Kale/Ann Taylor
  5. Act I: The Whole World Over - Ann Taylor/Gregory Yurisich
  6. Act I: 'Fate Can't Crush Him' - Ann Taylor/Gregory Yurisich
  7. Act I: 'Is The Bride Very Pretty?' - Gregory Yurisich/Stuart Kale/Ann Taylor
  8. Act I: 'True Love Or Fancy' - Ann Taylor/Gregory Yurisich
  9. Act I: 'See Them! They're Climbing The Summit Of The Hill!' - Gregory Yurisich/Cheryl Barker/Gregory Yurisich
  10. Act I: 'We Are Honoured' - Cheryl Barker/Ann Taylor/Gregory Yurisich/Stuart Kale
  11. Act I: 'The Imperial Commissioner' - Stuart Kale/Ann Taylor/Cheryl Barker/Simon Birchall
  12. Act I: 'Oh, Indeed, My Friend, You're Lucky!' - Gregory Yurisich/Cheryl Barker
  13. Act I: 'Come, My Beloved' - Ann Taylor/Cheryl Barker/Stuart Kale
  14. Act I: 'My Fate I Have To Follow' - Cheryl Barker
  15. Act I: 'Silence! Silence!' - Stuart Kale/Roland Wood/Cheryl Barker
  16. Act I: 'Congratulations' - Roland Wood/Ann Taylor/Gregory Yurisich/Frances Brett/Clive Bayley/Stuart Kale
  17. Act I: 'Dearest, My Dearest, Weep No More' - Roland Wood/Ann Taylor/Jean Rigby
  18. Act I: 'Evening Is Falling...' - Roland Wood/Ann Taylor/Jean Rigby
  19. Act I: 'Child, From Whose Eyes The Witchery Is Shining' - Ann Taylor/Cheryl Barker
  20. Act I: 'Ah, Love Me A Little' - Cheryl Barker/Ann Taylor
  21. Act II Part I: 'Izaghi Izanami' - Jean Rigby/Cheryl Barker
  22. Act II Part I: 'One Fine Day' - Cheryl Barker

Tracks:

  1. Act II Part I: 'Come, Let's Enter' - Stuart Kale/Gregory Yurisich/Cheryl Barker
  2. Act II Part I: 'Yamadori, And Has your Unrequited Love Not Yet Released You? - Cheryl Barker/D'Arcy Bleiker/Gregory Yurisich/Stuart Kale
  3. Act II Part I: 'Now, At Last!' - Gregory Yurisich/Cheryl Barker
  4. Act II Part I: 'Just Two Things I Could Do' - Cheryl Barker/Gregory Yurisich
  5. Act II Part I: 'This Child! This Child, Then!' - Cheryl Barker/Gregory Yurisich
  6. Act II Part I: 'Do You Know, My Darling' - Cheryl Barker
  7. Act II Part I: 'I Must Be Going' - Gregory Yurisich/Cheryl Barker/Jean Rigby
  8. Act II Part I: 'Ah! Ah!' - Stuart Kale/Jean Rigby/Cheryl Barker
  9. Act II Part I: 'Look, It's A Man-of-war!' - Jean Rigby/Cheryl Barker
  10. Act II Part I: Flower Duet: 'Shake The Cherry Tree' - Cheryl Barker/Jean Rigby
  11. Act II Part I: Humming Chorus - Geoffrey Mitchell Choir
  12. Act II Part 2: Prelude - Jean Rigby/Cheryl Barker
  13. Act II Part 2: Daybreak Over Nagasaki - Jean Rigby/Cheryl Barker
  14. Act II Part 2: 'It's Morning' - Jean Rigby/Cheryl Barker
  15. Act II Part 2: 'Who Is It?...' - Jean Rigby/Ann Taylor/Gregory Yurisich
  16. Act II Part 2: 'I Know For Such Misfortune There Is No Consolation' - Gregory Yurisich/Jean Rigby/Ann Taylor
  17. Act II Part 2: 'Farewell, Oh Happy Home!' - Ann Taylor/Gregory Yurisich
  18. Act II Part 2: 'Then Will You Tell Her?' - Ann Taylor/Jean Rigby
  19. Act II Part 2: 'Suzuki, Where Are You?' - Cheryl Barker/Jean Rigby
  20. Act II Part 2: 'You, Suzuki, You're Always So Faithful' - Cheryl Barker/Jean Rigby
  21. Act II Part 2: 'Viper! I Want You To Answer' - Cheryl Barker/Jean Rigby/Gregory Yurisich/Ann Taylor
  22. Act II Part 2: 'Your Little Fluttering Heart Is Beating' - Jean Rigby/Cheryl Barker
  23. Act II Part 2: 'Death With Honour Is Better Than Life With Dishonour' - Cheryl Barker

Amazon.com

This performance, the only one available in English, is problematic. Best is Yves Abel's leadership of the orchestra, which sounds wonderful, imbuing Puccini's lush score with just the right exoticism and emphasis. But aside from Gregory Yurisch's fine Sharpless, the singers don't please. Paul Charles Clarke as Pinkerton is lacking stylistically and vocally, and as Butterfly, Cheryl Barker sounds under strain and never pretty. While she has the power and feeling for the big second-act climax (the sighting of the ship), she never for a moment sounds fragile or girlish, not even in the all-important early scenes. English or not, this set isn't in the running. Stick with Callas or Scotto in Italian, and follow the libretto. --Robert Levine

Customer Reviews:

3 out of 5 stars A touching English Butterfly.......2002-03-27

Anyone familiar with Cheryl Barker's Butterfly will be interested in hearing this recording. I have heard her in the role twice - in Auckland and London - and her voice has filled out as the years have gone on. She hasn't a large italianate soprano; the sound is too slender somehow. Yet there is the paradox - it has great carrying power and a decent cutting edge to make itself heard above the orchestral climaxes. What really impresses is the sense of vulnerability and moral strength she imparts, making sense of the big moments of the secong act. The sound in Act one is gorgeous (and a super D flat in theentrance aria) and she differentiates impressively between the child-bride and the embittered woman of the two acts.

She is surrounded by a mixed supporting cast. Jean Rigby is maternal, warm and affecting as Suzuki. Gregory Yurisich makes Sharpless' dilemma more understandable than usual, rather than being completely ineffectual. Paul Charles Clarke perhaps illustrates Pinkerton's arrogance with a degree of vocal swagger, but the sound is rough-hewn and unlovely save for some moments in the love duet. Stuart Kale's Goro is suitable ingratiating and oily.

Abel's conducting is the other chief draw of this set. That he has experience of the score in the theatre means that his pacing is really superb, and the lush orchestration is given its due, the potent intermezzo during the overnight vigil sounding suitably ominous.

This won't replace the classic Butterfly recordings, but in the absendce of any new ones recently, and for acceptable diction in an English version, it is certainly worth the (not very high) price. Recommended.
Shakespeare's Songbook, Vols. 1 & 2
Average customer rating: Not rated
    Shakespeare's Songbook, Vols. 1 & 2

    Manufacturer: Azica
    ProductGroup: Music
    Binding: Audio CD

    GeneralGeneral | Opera & Vocal | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    Similar Items:
    1. Shakespeare's Songbook
    2. Songs and Dances from Shakespeare
    3. Shakespeare Songs
    4. Shakespeare's Musick (Songs & Dances from Shakespeare's Plays) / Pickett, Musicians of the Globe
    5. William Shakespeare's Hamlet (Two-Disc Special Edition)

    ASIN: B0002IQL08
    Release Date: 2004-07-06

    Tracks:

    1. Ah Robin (Round)
    2. And Let Me The Cannikin Clink
    3. And Will He Not Come Again
    4. Be Merry, Be Merry
    5. Black Spirits
    6. Blow, Blow Thou Winter Wind
    7. Bonny Sweet Robin
    8. But Shall I Go Mourn
    9. Can'st Thou Not Hit It
    10. Come Away
    11. Come Away, Hecate
    12. Come Live With Me
    13. Come O'er The Burn
    14. Come Thou Monarch (Version 2)(Round)
    15. Come Unto These Yellow Sands
    16. A Cup Of Wine
    17. Farewell, Dear Heart
    18. Fathers That Wear Rags
    19. Fear No More
    20. Fie On Sinful Fantasy
    21. Fill The Cup (Round)
    22. Flout 'Em And Cout 'Em (Round)
    23. Fools Had Ne'er Less Grace
    24. For I'll Cut My Green Coat
    25. The Friar And The Nun
    26. Full Fathom Five
    27. The George Alow (Version 1)
    28. Get You Hence
    29. The God Of Love
    30. Hark, Hark The Lark
    31. Have I Caught My Heavenly Jewel
    32. Heart's Ease
    33. Hold Thy Peace (Version 2)(Round)
    34. Honor, Riches
    35. I Am Gone Sir
    36. I Loathe The I Did Love
    37. It Was A Lover And His Lass
    38. Jepha
    39. Jog On
    40. Jolly Shepherd (Round)
    41. King Stephen Was A Worthy Peer
    42. Lawn As White
    43. Love, Love, Nothing But Love (Version 2)
    44. The Master, The Swabber (Version 2)
    45. No More Dams
    46. An Old Hare Hoar (Version 1)
    47. O Mistress Mine (Version 1)
    48. Orpheus With His Lute
    49. O Sweet Oliver
    50. Pardon Goddess Of The Night
    51. Roses Their Sharp Spines
    52. Sigh No More, Ladies
    53. Some Men For Sudden Joy (Version 1)
    54. Take, O Take Those Lips
    55. Tell Me, Where Is Fancy Bred
    56. That Sir Which Serves
    57. There Dwelt A Man In Babylon (Version 1)
    58. There Was Three Fools
    59. Three Merry Men (Round)
    60. Tomorrow Is St. Valentine's Day
    61. Under The Greenwood Tree
    62. Up And Down (Round)
    63. Urns And Odours Bring Away
    64. Walsingham
    65. Was This Fair Face
    66. Wedding Is Great Juno's Crown
    67. What Shall He Have (Round)
    68. When Arthur First In Court
    69. When Daffodils Begin To Peer
    70. When Daisies Pied
    71. When Griping Grief
    72. When Icicles Hang By The Wall
    73. When That I Was And A Little Tyne Boy
    74. Where The Bee Sucks
    75. While You Here Do Snoring Lie
    76. Who Is Silvia
    77. Why Let The Strucken Deer
    78. Willow, Willow (Version 1)
    79. Will You Buy Any Tape
    80. The Woosel Cock
    81. You Spotted Snakes

    Tracks:

    1. Awake, Awake
    2. Battle Of Agincourt
    3. Bride's Goodmorrow
    4. Broom
    5. Callino
    6. Carmen's Whitle
    7. Chi Passa
    8. Come Kiss Me, Kate (Round)
    9. Come Thou Monarch (Version 1)
    10. Cup Of Wine (Version 1)
    11. Damon
    12. Daphne
    13. Diana (2 Versions)
    14. Dulcina
    15. Eglamore
    16. Eighty-Eight
    17. Fortune My Foe
    18. George Alow (Version 2)
    19. Glass Doth Run
    20. Goddesses
    21. Go From My Window
    22. Greensleeves (2 Versions)
    23. Guy Of Warwick
    24. Hem Boys (2 Versions)
    25. Hey Ho for A Husband (2 Versions)
    26. Hobbyhorse
    27. Hold Thy Peace (Versions 1 & 3)
    28. Hunt's Up
    29. I Cannot Come Every Day (2 Versions)
    30. In Crete
    31. In Peascod Time
    32. Jack Boy (Round)
    33. King Cophetua
    34. King Lear
    35. King Solomon
    36. Light O Love
    37. Loath To Depart (2 Versions)
    38. Love, Love (Version 1)
    39. Master, Swabber (Version 1)
    40. Mounsier Mingo
    41. Mounsieur's Almaine
    42. My Mind To Me
    43. Nutmegs (Of All The Birds)
    44. Nutmegs (Wooing Of The Baker's Daughter)
    45. O Death (2 Versions)
    46. Old Hare Hoar (Version 2)
    47. O Mistress Mine (Version 2)
    48. O' The Twelfth Day Of December
    49. Oyster Pie
    50. Peg A Ramsey (2 Versions)
    51. Phillida (3 Versions)
    52. Please One
    53. Pyramus
    54. Queen Dido (2 Versions)
    55. Ratcatcher
    56. Rich Jew
    57. Robin Goodfellow
    58. Robin Hood
    59. Rogero
    60. Rowland
    61. Sellenger's Round
    62. Shore's Wife (2 Versions)
    63. Sick, Sick (3 Vesions)
    64. Some Men For Sudden Joy (Round)
    65. There Dwelt A Man (Version 2)
    66. Titus Andronicus
    67. Tom A Bedlam (2 Versions)
    68. Troilus
    69. Troy Town
    70. Wellady
    71. Whenas We Sat In Babylon
    72. Where Is The Life
    73. Whoop
    74. Why Let The Strucken (If Care Do Cause)
    75. Willow, Willow (Version 2)
    76. Will Ye Buy A Fine Dog
    77. With A Fading
    Complete Secular Songs (3cd)
    Average customer rating: Not rated
      Complete Secular Songs (3cd)

      Manufacturer: Hyperion UK
      ProductGroup: Music
      Binding: Audio CD

      Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
      GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
      GeneralGeneral | Early Music | Historical Periods | Classical | Styles | Music
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      5. Rogue's Gallery: Pirate Ballads, Sea Songs, and Chanteys

      ASIN: B0000DJENT
      Release Date: 2004-01-13
      Seasons for Singing: A Celebration of Country Life
      Average customer rating: 5 out of 5 stars
      • Great music - fun to singalong
      • Very fresh and fun.
      • Refreshing Change from Tired Carols
      Seasons for Singing: A Celebration of Country Life

      Manufacturer: Revels Records
      ProductGroup: Music
      Binding: Audio CD

      Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
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      Similar Items:
      1. The Wild Mountain Thyme
      2. Revels Celebration Of Spring Summer & Fall

      ASIN: B0000002BD
      Release Date: 1995-03-21

      Tracks:

      1. Now We Are Met
      2. Good Ale
      3. Speed The Plough
      4. Hal-And-Tow
      5. Well Rung, Tom
      6. Under This Stone Lies Gabriel John
      7. Hark! The Bonny Christ Church Bells Ring
      8. Byrd One Brere
      9. The Turtle Dove
      10. Jones's Ale
      11. Dance Reels: The Wind That Shakes The Barley/Harvest Home
      12. On Ilkla Moor Bah T'at
      13. Mairi's Wedding
      14. Say, Mighty Love
      15. Say, Mighty Love
      16. The Wedding Hymn
      17. In Wisdom's Lovely, Pleasant Ways
      18. The Earth Is Our Mother
      19. The Rivers Of Texas
      20. Palms Of Victory
      21. Once More A-Lumbering Go
      22. Fare You Well, Mary Ann
      23. Fathom The Bowl
      24. The Farmer
      25. As I Was Going To Banbury
      26. Green Broom
      27. Bridgwater Fair
      28. One April Morning
      29. Miri It Is
      30. Sellenger's Round
      31. The Padstow Mayers' Song

      Customer Reviews:

      5 out of 5 stars Great music - fun to singalong.......2007-03-10

      We have the Christmas Revels CD and loved that, but I can't stand Christmas music in February, so I bought this CD. My family adores it -- my kids, 4 and 6, love to sing along to it. There are a few drinking songs that praise alcoholic beverages (Good Ale, Jone's Ale), but I'm not sure my kids get the gist and it doesn't bother me.

      I felt this was well worth the cost -- there are a lot of songs on here. I love that we can sing along to music that isn't sacchrine, dumb-downed, kids music and I like the historical nature of the tunes (the liner notes are great -- they give background on the May festival and each song has a few sentences of background, as well as providing the lyrics. There are a few songs that are instrumental, but most have singing).

      Another album my family is enjoying is Dean Shostack Davy Crockett's Fiddle - they are instrumental early American fiddle tunes.

      5 out of 5 stars Very fresh and fun........2001-09-06

      I defy you to not sing along with this album. The songs are catcy without being tiring, folksy without being simple, nostalgic without being sentimental. The Revel Singers make you feel like you're in the midst of a big party full of boisterous people having a great time. I was introduced to this album via my local eclectic radio station that played "Jones's Ale" one morning and I was hooked.

      5 out of 5 stars Refreshing Change from Tired Carols.......1999-12-29

      Probably taken from one of the delightful annual Revels Christmas/holiday musicals, the sound is Christmas-y without being cloying. It's joyful, fresh and charming.
      Sure on This Shining Night: 20th-Century Romantic Songs of America
      Average customer rating: 4 out of 5 stars
      • A Spectrum of Romance in American Musical Composition
      • a rare gem of a CD
      Sure on This Shining Night: 20th-Century Romantic Songs of America

      Manufacturer: Hyperion UK
      ProductGroup: Music
      Binding: Audio CD

      All Works by BarberAll Works by Barber | Barber, Samuel | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
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      Similar Items:
      1. Songs from the Labyrinth (Music by John Dowland)

      ASIN: B000002ZYW
      Release Date: 1997-04-10

      Tracks:

      1. The Children
      2. The Year's At The Spring
      3. When Stars Are In The Quiet Skies
      4. Orpheus With His Lute
      5. Rose Marie
      6. Ives
      7. Song To The Witch Of The Cloisters
      8. Sure On This Shining Night
      9. Sigh No More, Ladies
      10. Come Away, Death
      11. On Hearing 'The Last Rose Of Summer'
      12. Echo
      13. If I Could Tell You
      14. The Collection
      15. The Lord's Prayer
      16. Nature, The Gentlest Mother
      17. The Tiger
      18. Never More Will The Wind
      19. Little Elegy
      20. One Alone
      21. Do Not Go, My Love
      22. To A Stranger
      23. When I Have Sung My Songs
      24. These, My Ophelia
      25. An Old Song Re-sung
      26. Ah! Sweet Mystery Of Life
      27. June Night
      28. Triolet

      Customer Reviews:

      5 out of 5 stars A Spectrum of Romance in American Musical Composition.......2006-01-15

      Often American music is thought to be jaunty, combative, or tragic in content, especially when it comes to songs/lieder for the classical repertoire. This engaging CD takes umbrage with that misconception and in presenting some twenty-eight songs by various composers clearly identifies the romantic side of American composers.

      Here are songs well known and not so well known by familiar and not so familiar composers, and in the hands of tenor Robert White and pianist Samuel Sanders they all come across as important. Included are rarities by composers such as Amy Beach, Theodor Chanler, Isabelle Firestone, Eric Ewazen, Albert Hay Malotte, Marc Marder, John Musto and Richard Hageman, with popular composers Rudolf Friml and Sigmund Romberg, along with the greats: Ives, Schuman, Hindemith, Barber, Thomson, Korngold, Copland. Rorem, Bolcom, Corigliano, and Griffes. It is a huge spectrum of work and while some are less successful than other, they all are given respectful and loving renditions by White and Sanders. It is great fun to hear Firestone's famous 'If I could tell you' that opened the Voice of Firestone for so many years along side Samuel Barber's gorgeous 'Sure on this shining night' and Aaron Copland's settings of Emily Dickinson's poems.

      This a rare treat for connoisseurs of lieder and for lovers of beautiful songs. Recommended. Grady Harp, January 06

      3 out of 5 stars a rare gem of a CD.......2002-07-08

      Sure On This Shining Night is not my usual musical cup of tea...yet, it has become one of my favorite CDs. This collection of American Romantic songs has burrowed its way into my heart.

      There is a universality to the longing involved in Romanticism. These songs capture this feeling perfectly. From the first song to the last, these songs do one thing perfectly: evoke an emotional response.

      This is due in no short measure to the wonderful performance Robert White gives. Rather than being merely technically accurate, White actually gives each of these songs a life of their own. He achieves this effect by getting inside not only the words, but the feelings involved.

      Some of the highlights for me are: the lovely and memorable "Rose Marie," Ewazen's setting of Blake's "The Tiger," a moving version of "The Lord's Prayer" and the haunting "Never More Will the Wind."

      Samuel Sanders is a worthy musical companion to White. His playing is reciprocally lovely and introspective. The notes are extensive and informative as well.

      Even though it may be an acquired taste in our postmodern age, I give Sure On This Shining Night my full recommendation.
      More to Life Than This
      Average customer rating: 4.5 out of 5 stars
      • It sounds like the previous two albums
      • The third and (so far) best Tramp solo album
      • mature album from ex-White Lion frontman
      • this is the best Tramp solo
      More to Life Than This
      Mike Tramp
      Manufacturer: Ulftone
      ProductGroup: Music
      Binding: Audio CD

      GeneralGeneral | Rock | Styles | Music
      GeneralGeneral | Hard Rock & Metal | Styles | Music
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      Similar Items:
      1. Songs I Left Behind
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      3. Outcasts
      4. Rocking the USA

      ASIN: B00007EMUG
      Release Date: 2003-03-20

      Tracks:

      1. More To Life Than This
      2. Lay Down My Life For You
      3. Dont Want To Say Goodnight
      4. Nothing At All
      5. Day By Day
      6. Live For Today
      7. Back From The Dead
      8. I Wont Let Go
      9. Goodbye Song
      10. The Good The Sad And The Ugly

      Album Description

      More To Life Than This, Mike Tramp's 2003 album, has been born under a good sign due to various circumstances. It has the potential to finally eliminate misjudgments from the past and is being released at a time where one of Tramp's older songs is once again rocketing up the European charts. With classic American Hard-Rock, the cult-classic debut 'Fight To Survive' and the sufficient major label support, White Lion reached platinum-plus status with their album Pride. Ulftone.

      Customer Reviews:

      3 out of 5 stars It sounds like the previous two albums.......2004-05-05

      This is ex White Lion singer Mike Tramp's third solo album. If you like his earlier work ("CAPRICORN" 1998 & "RECOVERING THE WASTED YEARS" 2001) you shouldn't hesitate buying this album because Tramp continues in the same (adult rock) direction. I wouldn't call "MORE TO LIFE THAN THIS" an effort in world class but songs like the title track, "Live for today" and "Goodbye song" stand out a bit from the rest. Critic voices might say that Tramp is writing the same song over and over again, and one can't deny that it's slightly true.

      5 out of 5 stars The third and (so far) best Tramp solo album.......2003-12-06

      Former vocalist/songwriter of White Lion and Freak of Nature, Mike Tramp, has been doing solo albums since 1997. More To Life Than This marks his third record, excluding the Remembering White Lion compilation which consisted of re-recorded versions of his previous band. I can easily say that out of the three CDs, More To Life Than This is Mike Tramp's best offering to date. I still like Remembering White Lion the best, but I don't necessarily consider it a real solo album--it's more like a re-worked album by Tramp to me.

      After a long search for labels, Tramp finally decided to ink a deal with the German indie label Ulftone and has released two albums in the last two years. Considering that we had to wait for five years for the release of Recovering the Wasted Years, it is quite a surprise to see his new label supporting him the best they can. While the previous album Recovering was good in its own right, it did contain some unfocused material that seemed unnecessary, and it lacked the punch in melodies, guitar riffs and solos, hooks, etc. On More To Life Than This, Tramp has obviously noticed this problem, since he got back to working with several talented guitarists: his old bandmate from Freak of Nature, Oliver Steffensen, the well-known guitarist Steve Lukather, the Danish axeman Wolfe, and one of the best guitar virtuoses to ever walk on earth, Eric Johnson. Needless to say it was a much anticipated change in Tramp's solo career, since some of his songs seemed to suffer in the lack of melodic hooks, sharp guitar solos and an overall more guitar-driven sound. The album starts off with the title track, which in my opinion is the best opening song in his solo career: both musically and lyrically. It deals with various subject matters, stuff with more substance. More thought provoking ideas. Tramp wrote some of the best lyrics in his former bands White Lion and especially Freak of Nature, and honestly I was a little disappointed when his solo albums, despite being mature, were a bit too single-minded. They were introspective, moody, personal, but also a bit too average by Tramp's standards. So, I welcome this song all the way. The depiction of once-a-rock-star's life and the current condition of rock'n'roll music is awesome. It's a much better way of writing than composing songs titled "Rock'N'Roll Forever" or "Don't Take My Rock".

      Some of the songs still sound like Tramp's first two albums, with the vocals being very focal, lots of melodic choruses, which can be a tad repetitive at times, though not to bore the listener. This is good melodic rock music with one of my most favourite singers in the world. Tramp has got a very emotional voice and he never fails to deliver with the utmost sentiment. The fact that Steve Lukather has played quite a few solos on the album pushes this CD a step ahead from the others. Mike also experiments a bit on this album. I love it when he tries to do different things, because the outcome is invariably impressive. It's a shame he isn't as experimental as he was back in the FON days. The song "Nothing At All" features keyboards and Tramp's bare vocals with some layered synth effects. It's not really something I'd like, but it suits the album very well. Moreover we hear a Danish female singer who actually duets with Mike. It's not the typical background female vocals like the ones on "Running out of Life"--this time Mike and her really duet. It's not the best song on the album, but a very bold attempt on Mike's part. The best track, however, is the closing song "The Good The Sad And The Ugly" featuring Eric Johnson on guitars. Not only is it my favourite song on this album, this is perhaps Tramp's angriest and most aggressive track since FON. The dynamics in this composition are really fluid and Tramp's articulation hits hard. The song makes references to his loved ones, his wife; his fans; his friends, perhaps his counterpart from White Lion, Vito Bratta. Though that's just my intuition, I could be wrong. No matter what Mike had on his mind when writing his dark album, I think he has released his best solo album to date. I hope he continues to work with high calibre guitar players to keep up his performance.

      5 out of 5 stars mature album from ex-White Lion frontman.......2003-09-11

      Looking for a finely crafted, honest, solid rock album? Then save yourself some bother and pick up Mike Tramp's new album "More to life than this" from your local CD emporium or favourite mail-order house. After 1996's "Capricorn" and the album "Recovering the Wasted Years" released in 2001, this is the third solo work from the former White Lion and Freak of Nature singer. By now everyone probably realises that a Mike Tramp solo disc does not sound like White Lion. All the songs on the new album plough a very melodic furrow. Naturally the unique and charismatic voice of Mike Tramp is centre stage but all ten songs on "More to life than this" earn top marks for the quality of the song writing. The lyrics themselves are also top notch. Most of the tracks feature acoustic guitar parts endowing the songs with a certain intelligence and flair and their special quality. The opener and title track "More to life than this" is the albums first smash and kicks off after a short intro with some rocking guitar before soaring to the beautifully melodic chorus. Next up, " Lay down my life for you" and " Don't want to say goodnight", are relatively similar to the opener but just as good. " Nothing at all " is the first ballad. With the spotlight firmly on Mike Tramp's vocal talents, the song invites the listener to forget their problems and their environment for a few minutes. On "I Won't Let Go" Steve Lukather (Toto) lays down a first-class guitar solo. Eric Johnson is another well-known guitarist guesting with a beautiful part on the balladesque "The Good The Sad and The Ugly". Even those songs not mentioned individually are no slouches; in fact there's not a bad track here. The album had me hooked even on first play back and nothing has changed since. Without a doubt Mike Tramp's best solo album and his most melodic. Here is an artist en route back to renewed success. Mike Tramp rules OK !!!!

      5 out of 5 stars this is the best Tramp solo.......2003-03-31

      This album rocks.
      From the moment I listened to the album, I find myself singing the songs.I go everywhere with my discman.
      The songs are wonderful and very powerful, the lyrics are great.
      Nothing at all, more to life than this, day by day, the good the sad and the ugly, don't want to say goodnight and the goodbye song are the best ones.
      I love all albums by Mike but this album is special for me.
      I rank it as 2nd among all of his albums.
      (1st one is always "mane attraction")

      Music Review:

      1. My Beloved Be Still and Know
      2. My Refuge
      3. Nearer My God to Thee: The Gospel Series
      4. Not Just Another Song
      5. Peace In The Valley
      6. Portrait
      7. Power of Praise: Faith
      8. Pure Vintage
      9. Remember New Orleans [Import]
      10. Singing at the National Quartet Convention, Vol. 3 (1996) [Live]

      Music Review

      Music Review