Sound of the Future
Track Listings
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1. Adonai Intro - Adonai
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2. Heartbreak Hotel
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3. Scream and Run - Mr. Vegas
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4. Redder Now [Adonai Dub] - Lexxus
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5. What's You Wish
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6. Bow City - Elephant Man
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7. Development - Beenie Man
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8. Circumstances - Ras Moses, Ricky Rudy
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9. Nah Support Dem
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10. Girls Time - Mr. Vegas
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11. Yuh No Beg - Hawkeye
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12. Full Hundred - Lexxus
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13. Hurt Dem - Elephant Man
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14. Business - General B, Patchy
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15. Not This Face - Mad Cobra
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16. I Pray - Hawkeye
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17. Bun Yuh Out - Harry Toddler
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18. Peace - Beenie Man
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19. Work Round Dem - Delly Ranks
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20. War Start - Lexxus
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See all 26 tracks on this disc
Sound of the Future, Music, Adonai, Pop, Reggae
Average customer rating:
- still a classic
- One of my favorite albums - Disc 1 especially
- Another top album of the 1990's
- Great album that can be expanded
- Lifeforms is the best album ever.
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Lifeforms
The Future Sound of London
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Dead Cities
- 76:14
- Cascade
- The Orb's Adventures Beyond The Ultraworld
- Lifeforms (Remixes)
ASIN: B000003RVR
Release Date: 1994-05-27 |
Tracks:
- Cascade
- Ill Flower
- Flak
- Bird Wings
- Dead Skin Cells
- Lifeforms
- Eggshells
- Among Myselves
Tracks:
- Domain
- Spineless Jelly
- Interstat
- Vertical Pig
- Cerebral
- Life Form Ends
- Vit
- Omnipresence
- Room 208
- Elaborate Burn
- Little Brother
Amazon.com
Compared to the minimalist plonk typical of the genre, this is a Technicolor epic and perhaps the only ambient techno opus you'll ever need. --Jeff Bateman
Customer Reviews:
still a classic.......2007-07-11
I decided to write a review for this since I did not see too many
recent ones. This album holds a special place for me and every time I
listen to it I am reminded of worlds I had forgotton. FSOL never did
top this, but one amazing album is no small feat. This is more of a
soundscape disc so if you are wanting something similar to FSOLs more
upbeat tracks like "We Have Explosive"--stay away. The albums artwork
still effects me. I am a 3d artist, and despite being obviously dated
(technically) the art on the inner sleeve of the girl reaching out
to the weird alien orb is still a powerful image--and sums
of the themes of this album very well. I own a lot of cds
but there are a select few which will always be on rotation--Lifeforms
will always be one of them.
One of my favorite albums - Disc 1 especially.......2007-05-01
Lifeforms Disc 1 is one of my favorite albums' of all time. It paints such a dreamy scape where you can let your imagination run wild. For me, I get lost in a very comfortable place so far away from the daily grind. You can't rush through this album either, it all builds up, and for me piece # 5 is the pinnacle. Enjoy.
Another top album of the 1990's.......2006-10-09
This is another great from the 1990's deserving a top slot. This would be unrecognizable to the post 9-11 dance music period where conservatism and market segement guarding is the order of the day. This is way "out-there" yet totally consistent with the ethos of electronic dance music. While mainly in the "ambient-techno" realm, this far -out interplanetary, interdimensional journey would make Miles Davis listen up. A much needed post-modern futurist philiosophical oddessy melding indiginous philosophy, "cyber-culture", impressive technique (which is a doubledged sword at times), bio-astronomy, geniusly subtle ecological statements and just plain super cool psychedelic art. This has aged very well and represents the very best of what "ambient-techno" is capable of. Oh for a dance music scene as adventurous as this was. Excellent. Very trippy. A classic.
Great album that can be expanded.......2006-04-18
This album always conjures up strange visions for me. The soundscape is so vivid that it actually distracts me if I leave it playing as background music.
I would say that this is the best album FSoL has created to date, but that assumes that their albums can be compared to each other. Like so many great musicians, each of their albums has a distinct feel to it and, once the album is done, there will never be anything else quite like it. One nice thing about this album is that besides two wonderful discs, you can also get the remixes of Lifeforms and Cascade which are wonderful almost album-length works that stand on their own.
I have (as far as I know) all of the FSoL/AA CDs up through Alice in Ultraland and when I run Lifeforms through my mp3 player, I always end up listening to the Cascade remixes, then Lifeforms, then the Lifeforms remixes and turn it into a nearly 3 hour experience.
Anyway, the upshot of this is that I would recommend this album to anyone who has an imagination, and if you love it, Cascade and Lifeforms.
Lifeforms is the best album ever........2006-01-25
This album was my introduction to electronic music, and I have yet to find any electronica that exceeds it. Lifeforms makes insanity sound glorious. I have listened to it more than any other album in my collection. It is truly unsurpassed. It sounds like enlightened honey. Listen to it - in order - at least three times on a good system before you form an opinion of it because it is organic, layered, and tells a sensory story.
Average customer rating:
- Classic techno fun
- Real Cool Soundtrack
- "Cool" Soundtrack.
- Bad movie, great soundtrack
- Musical Ecstasty
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Songs From Cool World
David Bowie , Thompson Twins , Electronic , Future Sound of London (FSOL) , Ministry , The Cult , My Life with the Thrill Kill Kult , Moby , Mindless , and Brian Eno
Manufacturer: Warner Bros / Wea
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- Cool World
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ASIN: B000002MF2
Release Date: 1992-07-14 |
Tracks:
- Real Cool World - David Bowie
- Play With Me - Thompson Twins
- Disappointed - Electronic
- Papua New Guinea (7' Original) - The Future Sound of London
- N.W.O. - Ministry
- The Witch - The Cult
- Sex On Wheelz (Glamour Dyke Mix) - My Life With The Thrill Kill Kult
- Ah-Ah (Mix 1) - Moby
- Mindless - Mindless
- Next Is The E (Long Arms Mix) - Moby
- Do That Thang (Polite Mix) - Da Juice
- Her Sassy Kiss - My Life With The Thrill Kill Kult
- Greedy - Pure
- Under - Brian Eno
- Industry And Seduction - Tom Bailey
Customer Reviews:
Classic techno fun.......2007-05-06
This CD brings back so many memories. It is filled with techo/dance music from the late 80's early 90's. If you like techno/house/dance club music then this is the perfect CD for you.
Real Cool Soundtrack.......2002-04-12
One of the first techno/electronica soundtracks to gain prominence was the soundtrack to Ralph Bakshi's Cool World, which garnered mixed reviews. I'm ambivalent about it myself today, but my love of the soundtrack has not diminished, but actually gained higher levels of appreciation.
David Bowie leads off with "Real Cool World" in yet another one of his chameleonic incarnations. Even though clocking in at over five minutes, its quick-beat techno rhythm is not prolonged agony. It's the next track, the Thompson Twins' "Play With Me," my favorite by the way, that is unlike anything Tom Bailey and Alannah Currie have ever done. Sure, they ruled with Here's To Future Days, but in terms of keeping with the thematic sound and feeling of the movie, this song succeeds admirably.
When are the Pet Shop Boys not the Pet Shop Boys? Answer: when Neil Tennant does lead vocals in "Disappointed," in his side project Electronic, also with Bernard Sumner and Johnny Marr.
The hardest song is the Ministry's Psalm 69 song, "N.W.O." and that boosts the album as well. It's the next song, the Cult's "The Witch," which is unlike anything from the new-wavy Love or AC-DC crunch of Electric. There's an industrial buzzing punctuated by chords slightly reminiscent of Electric. Ian Astbury sounds muted by the fuzz and buzz of this song. Still worthwhile, though.
Moby contributes two songs here, "Ah Ah" and "Next Is The E." This is early Moby at his best, and his triple figure BPM and soul-tinged female vocalist is in its best in "Next Is The E."
"Do That Thang" out-kapow's "Next Is The E" in its energetic vivaciousness, hard guitar chords, funky vocals, electronic effects on overdrive chaos. I dare anyone to hear this song and not feel energized.
Sassy is the key with My Life With The Thrill Kill Kult, especially with the guitar crunchy "Sex On Wheelz," with its hard-driving vocals. "Her Sassy Kiss" is different, with whirly synthesizers and brassy inclusions.
The last three songs belong to the ambient category, with Pure's "Greedy," Brian Eno's "Under" and Tom Bailey's sexy and seductive "Industry And Seduction," complete with grinding metal on rock, whizzing sounds, sirens, light whips, and panting. "Under" brings about the contemplative image of staring at the stars, with the neon lights aglitter below in the never sleeping city from a high floor apartment window.
A case where the soundtrack is leagues more superior than the movie, and where the techno/industrial/ambient unity is achieved.
"Cool" Soundtrack........2002-03-06
I thought the movie was good, but this cd is great. It's pretty much a good sampler of early 90's electronica and industrial music. "David Bowie" starts with a song that's as good as anything he's done in the past 11 years. There's a couple early tracks from "Moby" that are sweet. The whole disc is suprisingly good, right to the last instrumental track, which jumps from speaker to speaker. But the real punch comes from "Ministry", "The Cult", and "My Life With The Thrill Kill Kult". Those three songs are awesome. If all soundtracks were this good, it really would be a "Cool World".
Bad movie, great soundtrack.......2001-02-18
Too often, great movies produce soundtrack albums that don't reflect the quality of the movies they come from. Sometimes, though, lousy movies have wonderful soundtracks that deserve to exist separately from the dreck that spawned them, and "Songs from The Cool World" is one such album. The movie it comes from might be weak, but the CD represents a terrific sampler of early technodance songs from the likes of Thompson Twins, Mindless, The Future Sound of London and, of course, the acknowledged master of techno, Moby; a couple of his earliest hits can be found here. There are also tunes from David Bowie (who does the lead track), Ministry and Brian Eno. My fave track, though, and the reason I bought the album in the first place, is "Sex on Wheelz," a fun, rowdy, nasty song that plays hard from beginning to end.
In short, this is a fun, varied, thoroughly danceable soundtrack CD that far exceeds the quality of the movie it's attached to. Skip "Cool World," but buy the album and dial it up.
Musical Ecstasty.......2000-04-15
This is a Must-Have soundtrack if you like New Wave, electronic/techno music - almost every song is outstanding. Especially cool tracks are Electronic's Disappointed (side project of New Order's Benard Sumner and Smith's Johnny Marr, guest vocals Pet Shop Boys' Neil Tennant), Moby's Ah-Ah, David Bowie's 'Real Cool World', & Future Sound of London's Papua New Guinea.
Average customer rating:
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Resurrections: Past, Present and Future
Pettidee
Manufacturer: Beatmart Recordings and Soldier Sound
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Similar Items:
- After the Music Stops
- Thug Love
- Redemption
- 13 Letters
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ASIN: B000OHZKF4
Release Date: 2007-05-08 |
Tracks:
- I'm a Vet
- The Bands Up
- Dope Boy
- I Can't - Leon Timbo
- Throw Ya Hands Up
- Static
- Uh! Oh!
- No Wed, No Bed
- We Ain't Scared
- Blood Shed
- My Life
- Medley: From the Heart/Soul Food
- All Alone
- Choppin' Blades
- Untitled Track
Average customer rating:
- Relive you movie experiences
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The Ultimate Movie Music Collection
Erich Kunzel
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- The Incredible Film Music Box
- Hollywood's Greatest Hits, Vol. 2
- Simply the Best Movie Themes
- Hollywood's Greatest Hits, Vol. 1
- Paramount 90th Anniversary Collection: Scores
ASIN: B000BFH26Y
Release Date: 2005-10-25 |
Tracks:
- The Imperial March: The Empire Strikes Back
- Main Theme: Jurassic Park
- Main Title: Shakespeare In Love
- Themes: Crouching Tiger, Hidden Dragon
- Main Title: The Last Of The Mohicans
- Theme: The Godfather
- Unchained Melody: Ghost
- Theme: Goldfinger
- We're Losing Him: Somewhere In Time
- Space Camp
- Opening And Closing Titles: Henry V
- Theme: The Thorn Birds
- Suite: Moonwalker
- The Time Of Your Life: A Bugs Life
Tracks:
- Batman Theme: Batman
- Bicycle Chase: E.T. The Extra Terrestrial
- Suite: Independance Day
- Love Theme: Romeo & Juliet
- Theme: Back To The Future
- End Credits: Contact
- Theme: Breakfast At Tiffany's
- Main Theme: Star Trek
- May It Be And Themes: Lord Of The Rings: The Fellowship Ring
- Love Theme: Cousins
- Sean's Theme: Minority Report
- I Will Wait From You: The Umbrellas Of Cherbourg
- Theme: Rocky
- The Sand Volcano: The Mummy
- The Raider's March: Raiders Of The Lost Ark
Tracks:
- Theme: Mission Impossible
- Casablanca Suite
- Book Of Days: Far And Away
- Love Theme: Superman
- Tara's Theme: Gone With The Wind
- Don't Mess With: Z
- Main Title: The Mask Of Zorro
- Finale: Victor / Victoria
- Carol Ann's Theme: Poltergeist
- Love Theme: Star Wars: Episode ll: Attack Of The Clones
- Main Theme: Willow
- Main Title: Star Trek ll: The Wrath Of Kahn
- MAin Theme: On Golden Pond
- Theme: A Summer Place
- Theme: Chariots Of Fire
Tracks:
- Iceberg!
- Back To Titanic
- Main Themes: Hook
- Theme: Pink Panther
- Lara's: Doctor Zhivago
- Theme: Love Story
- Right Stuff
- Theme: Jaws
- When You Believe: The Prince Of Egypt
- Smile: Modern Times
- The Apollo 13 Mission
- Re-Entry And Splashdown: Apollo 13
- Main Title: Beetlejuice
- War: Pearl Harbor
- Cavatina: The Deer Hunter
- Throne Room And End Title: Star Wars: Episode lV: A New Hope
Customer Reviews:
Relive you movie experiences.......2006-01-24
This collection of movie themes, will allow you to relive the chilling experiences from practically all (4 CDs)of the great movies. Great movies would not be great without great music. The Cincinnati Pop with Eric Kunzel are unbeatable recordings. Every minute is more beautiful and inspiring to the next. If you love Pops music, this is the begin all, end all.
Average customer rating:
- quality techno before techno was cliche
- Future Sound Of London - 'Accelerator' (Cleopatra)
- Lacklustre with the exception of Papua New Guinea
- Ecstatic Genius
- A good, if atypical, start
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Accelerator
The Future Sound Of London
Manufacturer: Cleopatra
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Similar Items:
- Dead Cities
- Lifeforms
- ISDN
- Cascade
- My Kingdom
ASIN: B000001D7E
Release Date: 1996-03-19 |
Tracks:
- Expander
- Stolen Documents
- While Others Cry
- Calcium
- It's Not My Problem
- Papua New Guinea
- Moscow
- 1 in 8
- Pulse State
- Central Industrial
- Expander: Remix
- Moscow: Remix
- Papua New Guinea: Graham Massey Mix (Bonus Track)
Product Description
1. Expander
2. Stolen Documents
3. While Others Cry
4. Calcium
5. It's Not My Problem
6. Papua New Guinea
7. Moscow
8. 1 in 8
8. Pulse State
9. Central Industrial
10. Expander (Remix)
11. Moscow (Remix)
Format: CD
Customer Reviews:
quality techno before techno was cliche.......2005-08-15
This is a dance record. People who have first heard Future Sound of London's later phases of dub, noise, and psychedelic electro will find this as kind of a shock, but it's almost a continuous technofest. Here and there the deep, thick sonic soundscape mixes over the beats that hint at what would come later. But for the most part, it's straight infectious dance music that's a little dated but is still a quality work. "Papua New Guinea" is the most well known track but the rest is hardly filler. The whole thing still stands up well, even over a decade later.
Future Sound Of London - 'Accelerator' (Cleopatra).......2005-06-28
Good electronic/ambient artist's very first CD,originally put out in 1991.Took me awhile to land a copy of this title.FSOL is strictly a duo,members are Garry Cobain and Brian Douglas.Really quite a piece of work here,that is IF you dig this genre.Tracks that I remember to my liking were "Expander",their inspiring single "Papua New Guinea"(have seen this tune mentioned in magazine reviews and articles before),"1 To 8" and "Pulse State".Should appeal to some fans of The Orb,Meat Beat Manifesto,Sky Lab and Chemical Brothers.
Lacklustre with the exception of Papua New Guinea.......2004-06-29
I decided to pick this up after hearing Lifeforms, and hearing several great things about "Papua New Guinea". Believe the hype about "Papua New Guinea!" It's a mid-tempo ambient house masterpiece that has aged marvelously. The rest of the album however, is just kind of blah. FSOL try their hand at up-tempo acid house, and the results are mediocre at best. Some tunes are decent if unmemorable ("Calcium" and "Expander"), but most are just cheesy and un-catchy.
And while the album as a whole is lackluster, you still need to hear "Papua New Guinea", which can be done either by purchasing this album, or one of the two single releases for the song (of which Translations appears to be the better of). That song alone is worth the price.
Ecstatic Genius.......2003-02-09
Opening with "Expander" was a smart move. The song makes you get out of your seat and dance. The rest of the album differs in places, but stays along the same vein. The amazing thing about this album is FSOL's ability to make music with relatively little music. Some tracks have almost no melody, a bass line, and some awesome noises. Other great tracks are "When Others Cry," with the man singing that you can't understand, and of course, "Papua New Guinea." Tell me about an incredible piece of music. It is beautiful, haunting, strange, creepy, and also, at the same time... danceable. The song is relatively simple as well. It is just two different vocal samples, an extremely basic bassline, and a few chords given in a shimmering rythm. It evokes so many images, and so many differing images, that all that can be said is to listen to it. The same goes for the entire album.
A good, if atypical, start.......2003-01-30
All in all, a very good first effort, although, in light of thier later releases, a very atypical one in that it is very "club-ready," with a lot of pounding dance beats and simplistic melodies, entireely unlike later relases such as "Dead Cities" and "Lifeforms," which concentrate less on establishing dense dance beats and more on melodic development.
The opening track, "Expander," is a vibrant one, with smashing dance beats and beautifully conterposing melodies. "Stolen Documents" has more of a jazzy feel to it, while "While Others Cry" expresses Latin and Afro-Cuban influences. Tracks 4 and 5, "Calcium" and "It's not my problem" are rather boring drones. "Papua New Guinea" is a lush, evocative, beautiful, almost sensual song, with its choral vocalisations and its tribal breakbeats. "Moscow" is an angry song with a punishing rhythm; it foreshadows "We Have Explosive" in some ways. Both "1 in 8" and "Pulse State" are two more uninspired droning bores. "Central Industrial," with its industrial-tribal breakbeats and choral accents, is one of the best dance songs ever released.
The next few songs are remixes: "Expander:Remix" is one of those rare remixes that is better than the original, "Moscow:Remix" accentuates the gentler aspects of the original while retaining the punishing drive, and "Papua New Guinea: Grahm Massey Mix" is far too busy for my tastes.
Average customer rating:
- Good stuff...
- One of my top 5 albums of all time
- One of the top 10 cd's ever produced
- Better Than Great
- !
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Dead Cities
The Future Sound of London
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Lifeforms
- ISDN
- My Kingdom
- Accelerator
- Cascade
ASIN: B000003RY8
Release Date: 1996-10-29 |
Tracks:
- Herd Killing
- Dead Cities
- Her Face Forms In Summertime
- We Have Explosive
- Everyone In The World Is Doing Something Without Me
- My Kingdom/Max
- Antique Toy
- Quagmire
- In A State Of Permanent Abyss
- Glass
- Yage
- Vit Drowning/Through Your Gills I Breathe
- First Death In The Family
Amazon.com
This U.K. duo's landmark ambient techno album Lifeforms (1994) explored lush jungle vistas. Its follow-up opts for a much darker urban nightmare motif that makes it an ideal soundtrack while reading William Gibson. Progressive rockers by any other name, FSOL are highly respected innovators who rate with Orbital as the genre's leading exponent. --Jeff Bateman
Customer Reviews:
Good stuff..........2007-01-07
For those with a narrow musical mind, (i.e. the 'top 40' variety) this would be an unbearable CD to have to sit through, but for those with more open musical tastes, particularly in the lineage of ambient, acid techno , then this CD is for you. The soundscapes and musical textures on this masterpiece are eerie, haunting, beautiful, intricate, complex and dark. Hats off to Dougans and Cobain , the musical geniuses behind this production. I particularly enjoy the track 'Glass'. But the songs as a whole fit perfectly together and mesh well. For those looking for something similar, try Tangerine Dream's 'Ricochet'. This is the only album I can compare it to in terms of eerie, haunting, beautiful, intricate , complex and dark. And TG did it back in the 70's...live! Even the album cover , like Dead Cities, is ominous. Good stuff.....
One of my top 5 albums of all time.......2006-01-09
Even though I bought this album almost a decade ago I have to express how wonderful of an album it is. The brilliance of this album lies in the conjured images it leaves in ones mind after listening to it. It seems the music was composed for a noire sci-fi film yet to be made. One moment its hostile the next its absolutely beautiful. Each track fades into an other weaving in and out of you're subconcious. If you're to get one electronica album its this one. A timeless masterpiece of epic proportions. FSOL's most surreal album to date.....do yourself a favor and get it while you still can.
One of the top 10 cd's ever produced.......2005-10-10
There's some good songs on ISDN and some good ones on Lifeforms, but this entire album is creme de la creme. It is definitely one of my favorites of all time. Each track has it's own identity, you never know where the next one is going. In a good way.
Better Than Great.......2005-09-06
What's more to say about what may be the best "rock" album ever (especially if you consider the "My Kingdom" EP to be the second disc in a two disc set)? The most emotionally wide-ranging album from one of the best bands ever. Who else has ever made music like FSOL? The Beatles and Fripp&Crimson are the only possible contenders. I've never heard anything that does a better job of juxtaposing the terrifying and the unbearably beautiful. If I could pinpoint the one disinguishing feature of all FSOL/AA releases, it would be (as a line in "The Isness" goes) "...[a longing for] inexhaustible ecstasy." It's all the more poignant on this album because of its being interwoven with themes of terror, paranoia and a sense of unrecoverable loss of something without which life isn't worth living. It sounds hokey, but just opening up the booklet while listening to "Her Face Forms in Summertime" and reading the scrawled message "things are getting f*&ked up round here" makes my eyes a little watery. My CD developed a 2 second glitch and I just ordered another one--this is so incredible that nothing less than perfection will do.
Just a few points of note: if you're wondering why you spent all that money on your two channel stereo and you haven't heard this album yet, pick it up and turn it up. I've heard recordings with more bottom end and slam, but none with more depth, nuance and musicality. I've also found that one of the true tests of a Masterpiece is whether it's possible to really enjoy listening to anything else after its over. Play Coltrane's "Ascension," Beethoven's String Quartet in A Minor Op. 132, or Bruckner's Ninth and see what I mean. I played Dead Cities last night and everything to which I tried to listen sounded hopelessly trivial afterwards. In the early 80s, a lot of my friends used to speak of The Clash as "the only band that mattered." At the time, I didn't think any band had mattered all that much since '72. To my now-much-older ears, FSOL fits that description more accurately than any band to the last 35 years, and this is probably their best work (every single one of them is a desert island disc, however). One of the very few utterly timeless classics of modern music, and a record that belongs in the collection of anyone with ears.
!.......2005-03-08
For me, this is my favorite FSOL record. Leans heavily on trip hop flavors and does not sound like Lifeforms at all. Well performed and intellegently written.
Great spin!
Average customer rating:
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Star Tracks 2
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD
Film Scores
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Similar Items:
- Star Tracks
- Time Warp
- Fantastic Journey
- The Great Fantasy Adventure Album
- The Big Picture
ASIN: B000003CUD
Release Date: 1990-10-25 |
Tracks:
- Superman: The Planet Krypton
- Back To The Future
- Warp Drive
- Star Trek I: The Klingon Battle
- Star Trek II, The Wrath Of Khan: Main Title
- Star Trek II, The Wrath of Khan: Epilogue - End Credits
- Humpback Whale Song
- Star Trek IV, The Voyage Home: Main Title
- Music From 'Space Camp'
- Theme From 'Cocoon'
- Theme From 'Lifeforce'
- Return Of The Jedi: Parade Of The Ewoks
- Dimensions
- Music From 'The Right Stuff'
Average customer rating:
- Stories within !
- My personal favorite
- One of the best...
- Gritty soundscapes
- Take a look through the haunted house of music
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ISDN
The Future Sound of London
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD
Ambient
| Dance & DJ
| Styles
| Music
General
| Dance & DJ
| Styles
| Music
General
| Techno
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Electronica
| Dance & DJ
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Trip-Hop
| Dance & DJ
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House
| Dance & DJ
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General
| Dance Pop
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IDM
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General
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Ambient
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Techno-House
| Dance & DJ
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| Stores
| Music
Similar Items:
- Dead Cities
- Lifeforms
- Accelerator
- Cascade
- My Kingdom
ASIN: B000003RWM
Release Date: 1995-06-06 |
Tracks:
- Just A Fuckin Idiot
- The Far Out Son Of Lung And The Ramblings Of A Madman
- Appendage
- Slider
- Smokin Japanese Babe
- You're Creeping Me Out
- Eyes Pop - Skin Explodes - Everybody Dead
- It's My Mind That Works
- Dirty Shadows
- Tired
- Egypt
- Kai
- Amoeba
- A Study Of Six Guitars
- Snake Hips
Amazon.com
"They're so antisocial," said Mixmaster Morris of the reclusive Future Sound of London. "They won't even go to parties anymore--they do all their gigs over the telephone." After the success of their majestic "Papua New Guinea" single and the Accelerator album from which it was taken, FSOL retreated to the studio and never left. Their only communication with the outside world was through their music, an increasingly abstract Dadaist collage of overdubbed beats and noises that defied genres and stymied trend-happy journalists. While some of the material on ISDN was previously released under the pseudonym Far Out Son of Lung (the worst-kept secret in dance music), the bulk of the album was taped from performances delivered via digital telephone links to radio stations throughout Europe. Naturally, the ubiquitous and intrusive medium of radio encourages challenging and elaborate environmental music. So unlike their previous album, Lifeforms, whose closest earthly relation was techno, ISDN is the distant cousin of jazz, both in its blatant sampling of sax and drums and its freeform, exploratory nature. --Matthew Corwine
Customer Reviews:
Stories within !.......2007-03-04
With some imagination , together with this music , it brought me to another world . Yes , thats FOSL . This album was non-stop with song after song , just like telling you a story . Those who were looking for something different , then this must be the one . Its music never sound backdated and its always fresh !
My personal favorite.......2006-07-09
Of all the FSOL albums, this one is my personal favorite. Wild ambience to say the least. "The Black Hole" (Disney film) samples galore, and it's incredibly interesting, and varied.
Comical at times to boot. I just laughed with track #1 really hard the first time I heard it, and everything about this album is just awesome.
One of the best..........2005-08-25
I purchased this cd in 1998 , 4 years after its initial release and I just started listening to it again. Its still just as good as when I popped it in my stereo for the 1st time. I truely have respect for a group that can make music with limitless imagination and yet keep it from being a total pile of shiite. They weave in and out of genres and in the process create their own. They're 'live' sound is surprisingly crisp and inventive
(one of the 1st groups to play over the net). It fits this album perfectly. Like they knew something we didn't , something that we take for granted today. The internet and super computer revolution that has its tenticles in everything from the military to governments to the economy. The experimental vibe reflects the experimentalism of todays culture and makes the music that much more potent. Equal to 'Dead Cities' and 'Lifeforms' this album completes the alias of FSOL's best work to date. I highly recommend this album for electronic connaiseurs and amateurs alike.
Gritty soundscapes.......2005-08-14
When people talk about soundscapes, a lot of times you think disparagingly of those ambient chillout recordings that play in National Park gift shop, the ones that feature mindnumbingly simplistic classical arrangements with "nature sounds" in the background, sold at $25 a pop to gullible faux New Age tourists. Rest assured, this album is not like that.
Unlike the lightly echoing textures of the Future Sound of London's previous release "Lifeforms" this disc is a dirty, driving sonic mess, anchored around grindingly distorted samples of horns, guitars, voices, horses, space phasers and goodness knows what else. The result is a gritty, disorganized audio space that's far more visceral than any previous FSOL works. Funny how an album called "Lifeforms" can sound so electronic and detached while an album whose title is dedicated to a soulless, purely technological means of audio transmission (ISDN cables) can sound so down-to-earth and organic. In essence, this completes a major, 3-album shift for FSOL away from their early techno club roots to what I must hesitatingly liken to ambient, experimental dub. (And who could have guessed when this came out that within a decade they would have shifted completely from dub to neo-psychedelia!)
Granted, the length of this (70+ minutes) will drive a lot of listeners bonkers, but the end result is more rewarding to those who possess the patience for it. When the blips and squelches coalesce into a driving backbeat with gorgeously cascading samples, something the listener can actually almost identify as a "song," (Son of Lung, Slider, Dirty Shadows and Egypt are the best examples) the music feels more alive than ever. This is a unique and memorable release.
Take a look through the haunted house of music.......2005-08-09
This is one serious headtrip for the connoisseur. All the sounds blend in and out of each other. It feels almost darkly sensual how the sounds wrap around each other that it is slightly evocative of haunted house and ghosts in the mirror ( admittedly to my twisted imagination ). It manages to sound totally psychedelic ( to me ), haunted and truly emotional on occasions.
Some of you may remember my review of Lifeforms being less than impressed with it. This, however, is something to be impressed with. This truly is awe-inspiring. It truly is my favourite FSOL album of them all ( bar The Isness/Otherness because I haven't got it yet ). This is an album that works on many different levels. If you are feeling introspective, this is the album for you. If you want to take psychedelic drugs, it may not be the album for you but then it again it could be ( depends on how it affects you ). If you want to be lost in the sound of an album, this is the album for you. In fact, just buy the bloody thing. It'll be worth your while, trust me.
Average customer rating:
- damn good
- Sounds that Cascade through your mind...
- Moves energies you didn't know you had
- a stunning, landmark recording. unbelievable!
- An entrance into the ambient world
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Cascade
The Future Sound of London
Manufacturer: Astralwerks
ProductGroup: Music
Binding: Audio CD
Ambient
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Similar Items:
- My Kingdom
- Lifeforms (Remixes)
- Lifeforms
- Dead Cities
- We Have Explosive
ASIN: B000003RY1
Release Date: 1996-03-05 |
Tracks:
- Part 1
- Part 2
- Part 3
- Part 4
- Part 5
- Shortform
Customer Reviews:
damn good.......2005-05-31
Where has this been all my life? Its a stunning mix of ambient,techno and electronica. I stumbled upon this from one of those "best 20 cd's" personal lists that someone had up here. If you are into any kind of electronic/trance/ambient like The Orb, Aphex Twin etc, check this out. Its a tough cd to describe try downloading a track or two and check it out...this is top shelf material...
Sounds that Cascade through your mind..........2002-06-09
this ep collection of various versions of The Future Sound of London's amazing soundscape known as Cascade is, simply put: unbelievable. ambient backdrops...driving beats...swimming, pulsating synth...eerie trance-like soundscapes...there is literally sound all around...enveloping you. the music will, without a doubt, take you somewhere very far away. i can't put it into words too well...it's not easy...one has to listen to this 6 song ep to really understand and appreciate what's going on here.
Cascade is wonderful...it is an amazing feast for your auditory senses...it will carry you somewhere every time. what a treat. thank you Future Sound of London!!!
peace,
cic
Moves energies you didn't know you had.......1999-12-25
This album is awsome. No matter what mood I'm in it will take me somewhere I want to be. It's got some of the best mixes of feelings in it ever. It makes me want to just be. And when something does that for me, I'm grateful beyond words.
a stunning, landmark recording. unbelievable!.......1999-10-13
I can recall hearing the last 20 minutes of this on CBC's Brave New Waves years ago and being totally blown away. After finally figuring out what it was, years later, I can honestly say that "Cascade" is essential listening for anyone interested in ambient/techno/tribal/ethereal (did I miss any category?) music. Is there anything that can compare to "Cascade"? If there is, I love to hear it.
An entrance into the ambient world.......1999-07-22
This was the single album that launched me into the world of techno/ambient music. My friend was playing the CD in his car and I told him to stop as soon as possible at the nearest place where I could get my own copy. The album is never tiresome and will always have immense reply value. Truly transcending hymn.
Average customer rating:
- The penultimate collection ...
- Muisic of the Spheres
- The Ulllllltimate Sci-Fi Music Collection
- SciFi Album gift
- Away From to be a Collectible Peace
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The Science Fiction Album
Various Artists
Manufacturer: Silva America
ProductGroup: Music
Binding: Audio CD
Movie Soundtracks
| Soundtracks
| Styles
| Music
Star Wars
| Soundtracks
| Styles
| Music
Star Trek
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Similar Items:
- The Science Fiction Album, Vol. 1
- Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 1: Final Frontiers
- Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 4: Defenders Of Justice
- Fantastic Journey
- Sci-Fi Channel - Sci-Fi's Greatest Hits, Vol. 2: The Dark Side
ASIN: B000066HE5
Release Date: 2005-02-08 |
Tracks:
- 2001: A Space Odyssey
- Aliens
- Sound Effect - The Nostromo
- Alien
- A.I.
- Armageddon
- Sound Effect - Apollo 13 Lift-off
- Apollo 13
- Back To The Future
- Battle Beyond The Stars
- Battlestar Galactica
- The Black Hole
- Contact
- Capricorn One
- Close Encounters of the Third Kind
- The Day The Earth Stood Still
- Dune
Tracks:
- Galaxy Quest
- Sound Effect - Dogfight in Space
- Enemy Mine
- Ghostbusters
- Gremlins
- Heavy Metal
- Independence Day
- E.T.
- Judge Dredd
- The Last Starfighter
- Lifeforce
- Sound Effect - Crash Landing
- Lost In Space
- Mars Attacks
- The Matrix
- Predator
- The Right Stuff
Tracks:
- Moonraker
- Robocop
- Silent Running
- Sound Effect - Alien Organism
- Species
- Stargate
- Starship Troopers
- Starman
- Star Trek - TV Theme
- Star Trek: The Motion Picture End Title
- Klingon Attack
- Sound Effect - Warp Drive
- Star Trek II: The Wrath of Khan
- Star Trek: Deep Space Nine
- Star Trek: Generations
- Star Trek IV: The Voyage Home
Tracks:
- Star Trek VI: The Undiscovered Country
- Sound Effect - Transporter Crew
- Star Trek: Deep Space Nine - Main Theme
- Star Trek First Contact
- Star Wars
- The Empire Strikes Back
- The Empire Strikes Back
- Return of the Jedi
- Sound Effect - Battle Stations
- Star Wars Episode 1: The Phantom Menace - The Flag Parade
- Anakin's Theme
- The Adventures of Jar Jar
- Duel of the Fates
- The Time Machine
- Things to Come
- The Thing From Another World
- War of the Worlds
- When Worlds Collide
- Total Recall
- You Only Live Twice
- Superman
Customer Reviews:
The penultimate collection ..........2006-12-07
Generally I agree with Strategos in his ecstatic Spotlight Review above. It is a joy to here some of the most memorable themes and cues from some of the most memorable science fiction and fantasy movies (re)recorded in great sound and in lavish (re)orchestrations, played by renowned classical orchestras, namely the City of Prague Philharmonic Orchestra, the Royal Philharmonic Concert Orchestra and the Philharmonia Orchestra, no less.
I have always had a weak spot for (good, or maybe even intelligent) science fiction/fantasy and film music, especially its way of evoking mystery, grandure and wide open spaces. Call it a weakness if you want. But it was maybe really kick started off, for as far as I can remember, with Star Trek. But especially Star Trek II, III and IV - essentially a trilogy - because of their very romantic but very warm, human core, set on the broadest canvasses of unlimited and mysterious outer space. But then there was the music for adding that essential extra dimension of emotion and atmosphere. I am happy that much of the music on this album is from the Star Trek series and films, often equaling or sometimes even outclassing the original recordings.
This kind of music (for the movies) should be seen as an art on its own rights with its own merits and qualities. As such, the musical sequences on these CD's are a beautifully played cross section of some of the most evoking orchestral music for science fiction/fantasy film ever created. And I very much like the nicely blended, wide and deep orchestral soundpicture with enough reverberation to evoke a sense of wide open spaces.
I am quite thrilled by tracks like the evocative music from Dune, truly transporting one to the vastly sands of Arrakis (the music is wonderful, but to my great regret I think the movie itself is a flawed masterpiece at best, alas.). And then there is the very different, goofy music for Ghostbusters (memories of childhood), the spoofy but electrifying music from Mars Attacks (lovingly parodist music, this, with not a little touch of irony) and the happily adventurous, forward driving Theme from Galaxy Quest ('Never give up, never surrender!'), now also used for the internet-based fan-series Star Trek: The Hidden Frontier. On the other side of the spectrum we have the atmospheric music for Enemy Mine (an underestimated 'little' movie), the Theme from The Right Stuff (actually science FACT, not fiction, this film, just like Apollo 13, of course), the eerily attractive music for Species, the original End Title for Alien (not used in the theatrical version of the movie, where it was replaced by music from howard Hanson's Second Symphony), the exquisitely exotic music for Stargate, the sweet and warmly sympathetic, beautifully re-orchestrated, theme for Starman, the title cue for Star Trek: TOS (much more melodiously played than the original! If only a series nowadays could continue to be as thought provoking and as original as Star Trek was during its launch, fourty years ago ...) and a truly overpowering End Titles Suite from Star Trek VI: The Undiscovered Country. I especially like the thrillingly grandiloquent rendition here of the music for Star Trek II: The Wrath of Khan. And how nice it is to hear the (thematic) similarities between James Horner's music for The Wrath of Khan, his great break-through as a film music composer, and his (two years) earlier music for Battle Beyond the Stars (which did indeed help him earn the job for writing the music for Star Trek II) ...
But on the 'down side', if one is looking for - for example - the gorgeously expansively played End Titles from Cocoon, it is not included here: one has to acquire the album that 'kicked it all off', so to say, namely 'Space and Beyond', also on Silva Screen. I was very pleased also with the inclusion on that album of some of the music from the series Star Trek: The Next Generation, namely where one of the characters, Tasha Yar, in one of the episodes (Skin of Evil) is saying goodbye to her crewmmates: sweetly sentimental and simple music which I have always wanted to own on CD. I guess that a few cues from the other two sequals ('Alien Invasion: Space and Beyond II' and 'Space3: Beyond the Final Frontier') didn't make it onto this 4 CD collection-album as well, but I guess that it would be the 'better part of the bargain' to opt to buy this 'The Science Fiction Album' instead of buying all three albums separately. Well, of course it is for yourself to ultimately decide what you really want ;-)
If I were to nitpick (which is not easy with such a marvellous project as this one), then I would say that while all music is performed with magnificent grandure and with style, some of it is not performed as crisply and as technically 'on the spot' as some of the original recordings: ensemble is a little slack and the playing somewhat stilted sometimes, losing some of the edge and the originality of the writing. ET and Star Wars spring to mind, but then the soundtracks for Star Wars are traditionally recorded with the magnificent London Symphony Orchestra, conducted by maestro John Williams himself, and these superior recordings (especially the ones for Episode I, II and III) can't really be bettered, IMHO. Likewise for the music from Star Trek: The Motion Picture, I believe that in the end one really has to resort to the ultimate reference, namely the original recording (which is true in many other instances of 'original recordings'), and then the 20th anniversay colector's edition of this soundtrack on Columbia/Legacy (truly unmissable, this veritable classic of sci-fi/film music soundtracks!).
But all in all this 4CD-collection amounts to probably being the penultimate high quality sci-fi music album collection (I certainly know of no other project that comes as close quality as well as quantity wise), with some of the most memorable musical moments from classic to modern sci-fi/fantasy film captured in lavish orchestrations.
Collection-wise: five *stars*. Playing: generally four *stars*, sometimes more. The recording quality: five *stars*. The music (qualified on its own merits as film music) and its (re)orchestrations: generally five *stars*. In the end this is all highly recommended, and certainly not to be missed by science fiction and fantasy film music fans. Klaatu barada nikto.
Muisic of the Spheres.......2006-11-06
You wonderful four disk collection of SF music. It startsa up the the grand master of SF music, 2001: A space Odyssey all the way to Superman. This is all American SF music and several themes I would have liked to have included are not there. All in all though, a collection you will enjoy.
The Ulllllltimate Sci-Fi Music Collection.......2005-10-23
If one person gives great gifts, it's the illustrious Codemaster Talon. I've received a fair number of gifts in my lifetime, but so far, my older sister's take the cake. Take this one for instance. I'm real big on orchestral music, to the point where I listen to them more than any other kind of music. I've got orchestral versions of video game themes, orchestral soundtracks to truck-loads of anime shows (Big O, Escaflowne, and Giant Robo are incredible), and could probably spend the rest of my life just trying to study the nuances of all the classical music I've got. Being such a huge fan of orchestral music, I also have come to believe that orchestra music produced for movies and television is the new classical music (or as someone once said, Mozart would be making music for movies if he were alive today). Being a huge sci-fi fan, that kind of music has always been particularly near and dear to my heart. But were I to buy each and every soundtrack for every sci-fi I liked it would cost quite a bundle, and would include a lot of sub-par music along with the grandiose and fantastic main and memorable themes. That's where this beauty comes in.
The moment I ripped off the shrink-wrap and popped it into my cd player was a moment of great trepidation. Believe me when I tell that I've seen my fair share of sub-par orchestral recording in my lifetime. Very often they are in those big super-packs of music, and suffer from poor direction, improper mastering, and sometime even pathetic orchestration (or worse yet have something sounding like a cheap synthesizer and a kazoo in place of a full orchestra). I needn't have worried though. This sucker is fantastic.
Many people who are not audiophiles will probably miss the point of this cd collection. It is not the original versions of the pieces. It is re-orchestrations, mostly by the phenomenal Prague Symphony Orchestra. Many of these themes didn't sound all that hot in there original versions because they were low budget films or were not recorded in high-fidelity. Here they are given the full treatment, mastered with the most loving care imaginable. Often the version found in these cds is SUPERIOR to the original.
Remember the theme from 2001: A Space Odyssey? Of course you do. But how many times have you heard a cheap imitation of the original version from the movie, starting too low in volume and ending too high (and missing the essential pipe-organ that gives it that extra oomph)? Well, this first track in the entire collection is not only everything it should be instrumental and timing-wise, but it also has been oh-so-carefully adjusted during the mastering process so that at no time is the music either too low or too high in volume (surely a benchmark for every other recording ever to be made of the piece).
Or what about the theme from the (at-the-time) uber-creepy The Black Hole? The orchestration of this piece of music goes from tiumphant to terrifying and back again, with a splendor and cleanness that I CERTAINLY don't remember being in the original recording.
Then there's the new version of the theme from Independence Day, complete with a violin solo, a far more electrifying ending climax, and a chorus so thunderous that you feel like applauding at the end. Simply indescribable. Kind of like the MIND-BLOWING rendition of the theme from The Last Star Fighter. This has been one of my favorite themes for a long time now, but I've never heard it played like this. I think the original version of the theme is something like 1 minute long, but this new version doesn't just fade out (HAHAHAHA!!!!) THIS version is THREE minutes long, goes through the main theme THREE times, with the final strains being so triumphant and joyous I could not help but feel an electrifying charge the first dozen or so times (come to think of it, I still feel that way). This is superior to the original in EVERY way. AWESOME.
And let's not forget the incredible new rendition of Stargate with it's heavy use of clarinets (for Egyptian effect!) and a triumphant new ending (completely lacking the chanting from the original version. This version is so different that for the first minute it is very hard to tell that it is in fact Stargate. But then the main theme kicks in, and then you get this incredible flute solo for my favorite part of theme (the whole thing is played slower, but arguably more powerfully than the original). My goodness. At first I found the thing so different I didn't like it. But then I listened to it again. And again. And again.
I could go on and on, talking about the fantastic new rendition of Moon Raker, the ear-popping Battlestar Galactica, the classic Star Trek (First Contact has a minute or two of the theme from Star Trek:The Motion Picture before going into the main theme), or the sweet renditions of music from the Star Wars movies (or the music from E.T.).
I have to mention though that this collection was not picked based merely on what people want, or on what is popular. No, the people who made it obviously thought a GOOD music collection was better than a popular one. That's why you get a heartbreakingly beautiful theme from A.I. instead of the main theme. It's why you get music from movies that you probably never gave a second thought to the music (because the movie was lousy). It's why you get Armageddon, Judge Dredd, and Robocop (who would have guessed their music was so COOL when there was all that crazy action and bad-acting going on on-screen).
I said it before and I'll say it again. This cd-set was mastered with tender-loving-care, and it shows BIG-TIME. High-fidelity the likes of which I have not seen since the days when cds were brand-new in the world. Dolby Surround. Perfectly balanced. BEAUTIUFL orchestrations. About the only thing that makes me scratch my head is the weird sound-effect tracks (Oooookay.....). Other than that, it's PERFECT. Obviously they could not include every sci-fi theme ever (no one can), but this collection is REALLY GOOD. A lot of great themes that got away (forgotten gems :), new versions of old favorites, and under-appreciated classics aplenty, but ALWAYS the full and complete versions with nothing cut-out (the theme from Dune is quite extended).
If you love movie music (and sci-fi movie music in particular) you MUST buy this awesome collection). It is not the original recordings. Almost always the new ones are better (if they aren't better they're just equal). This is what you have been waiting for. I for one am going to be buying quite a few cds from this company in the future. Give your ears the treat they deserve. Buy it NOW.
SciFi Album gift.......2005-07-20
I bought the Science Fiction Album as a gift for my son who is twenty-one years old. He is a musician, and also a huge fan of many SciFi shows and movies. I thought this would be the perfect thing for him and I was right. He loves it!
Away From to be a Collectible Peace.......2004-12-16
If you like Sci-Fi movies and want a compilation of their important scores, this is the CD-set to buy. But let me warn you about that very few songs in the cds are from the original soundtracks. Most of them is re-recorded by The City of Prague Philharmonic Orchestra. But the sound quality of cds are very good, because they have HDCD and Dolby Surround labels. This set is away from to be a collectible peace, but it is a good general compilation of favorite Sci-Fi movie scores.
Music Review:
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Music Review
Music Review