Not the Same

Track Listings

1. Introduction
2. Create
3. Solid Rock
4. Your House
5. Glory and Honor (Intro)
6. Glory and Honor
7. I Found It So
8. I'm Not the Same
9. I'm Not the Same (Reprise)
10. Don't Take Him Lightly
11. I Am the Righteousness
12. Jesus Loves Me (Interlude)
13. Great Change

Not the Same, Music, St. Paul Sounds of Praise Chorale, Contemporary Gospel, Gospel, Gospel Choir, Gospel/Christian Music, Pop

Average customer rating: Greatest baby gift ever Great for the whole family More Great Fun One is better but this is still awesome!! Gotta have it! Absolute joy, and endless fun!

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Tracks:

1. Stuck In The Saddle Again (Light Cavalry March, Suppe)
2. Sing Verdi Very Loud (La donna e mobile, from Rigoletto, Verdi)
3. Its The Same Every Verse (In The Hall of The Mountain King, from Peer Gynt Suite, Grieg)
4. Musical Bs (Hungarian Dance #5, Brahms)
5. Dont Play That Violin (Violin Concerto #2, Paganini)
6. Schuberts Trout (Trout Quintet, Schubert)
7. Dvorak The Czechoslovak (Humoresque #7, Dvorak)
8. A Fan of Chopin (Prelude 7, Op. 28, Chopin)
9. Please Do Not Tease The Viennese (Blue Danube Waltz, Strauss)
10. Its Spring! (Spring, from The Four Seasons, Vivaldi)
11. Wow What a Wedding Cake (Wedding March, from A Midsummer Nights Dream,. Mendelssohn)
12. Instrumental Performances:
13. Light Cavalry March, Suppe
14. La donna e mobile, from Rigoletto, Verdi (with vocals)
15. In The Hall of The Mountain King, from Peer Gynt Suite, Grieg
16. Hungarian Dance #5, Brahms
17. Violin Concerto #2, Paganini
18. Trout Quintet, Schubert
19. Humoresque #7, Dvorak
20. Prelude 7, Op. 28, Chopin
21. Blue Danube Waltz, Strauss
22. Spring, from The Four Seasons, Vivaldi

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Customer Reviews:

Greatest baby gift ever.......2007-03-15

Great for the whole family.......2007-01-04

More Great Fun.......2006-03-13

One is better but this is still awesome!! Gotta have it!.......2006-01-10

Absolute joy, and endless fun!.......2005-11-15

Average customer rating: Instruments of the Orchestra - Great Reference Material! Beginner or Expert Very Informative and Enjoyable Frank's view Excellent Intro for Those Not Familiar with the Orchestra

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Tracks:

1. Overture To 'Tannhauser'
2. Domna, Pos Vos Ay Chausida
3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
4. Hungarian Dance No.7
5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
6. Violin Concerto In D Major (Adagio)
7. But For A Long Time It Was Seen As The Instrument Of The Devil.
8. The Soldier's Tale: Triumphal March Of The Devil
9. The Manipulative Seductiveness Of The Gypsy Violin.
10. Csardas Music
11. The Violin And The Initiation Of Nature
12. The Four Seasons (Spring, Mvt 1)
13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
14. The Four Seasons (Summer, Mvt 1)
15. Like The Devil, The Violin Is A Master Of Disguise.
16. Old Viennese Dance No.3 'Schon Rosmarin'
17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
18. Tzigane
19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
20. Caprice No.24
21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
22. Variations On A Theme Of Frank Bridge (No.7)
23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
24. Romeo And Juliet: Act IV
25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
26. The Four Seasons (Winter, Mvt 1)
27. The Violin Muted
28. Clair De Lune
29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
31. The Pizzicato Violin
32. Pizzicato Polka
33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
34. Violin Concerto No.2 In G Minor (Slow Mvt)
35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
36. The Planets (Mars - The Bringer Of War)
37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
38. Hungarian Dance No.4
39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
40. The Four Seasons (Autumn, Mvt 1)
41. Now The Same Technique, But The Sound Might Have Come From Another World.
42. Bolero
43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
44. Cadenza To The Violin Concerto By Brahms
45. Now Compare That With A Real Violin Duet.
46. Forty-Four Duos (No. 1: Teasing Song)
47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
48. Forty-Four Duos (No.2: Maypole Dance)
49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
50. Concerto In D Minor For Two Violins (Largo)
51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
52. Violin Concerto No.1 In D Major (Mvt 2)
53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
54. Symphony No.1 'Titan' (Mvt 1, Opening)
55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
61. Also Sprach Zarathustra (Of The Afterworldsmen)
62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
63. Variations On A Theme Of Frank Bridge (No. 4)
64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
65. Four Sea Interludes (Dawn) From 'Peter Grimes'
66. To End This Outing With The Violins, A Charming Little Elfin Dance
67. Elfenreigen

Tracks:

1. Introduction To The Viola
2. Viola Concerto (Mvt 1)
3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
4. Gayane Suite No.1 (Armen's Solo)
5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
6. Passacaglia, Op.33b From 'Peter Grimes'
7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
8. Harold In Italy (Mvt 4)
9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
10. Cypresses (No.9)
11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
12. Symphony No.4 (Mvt 3)
13. The 'Period' Viola In Bach
14. Brandenburg Concerto No.6 (Last Mvt)
15. The Cello: A Voice Of Unique Nobility
16. Suite No.1 For Unaccompanied Cello (Prelude)
17. Brahms And The 'Soul' Of The Cello
18. Piano Concerto No.2 In B Flat Major (Mvt 3)
19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
22. Symphony No.3 'Eroica' (Finale)
23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
24. Elfentanz, Op.39
25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
26. The Protecting Veil (Opening)
27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
28. Flamenco
29. Double-Stopping In The Lower Reaches Of The Cello's Range
30. Solo Suiet For Cello And Piano (Sardana)
31. It's In The Middle Register That The Cello Really Comes Into Its Own.
32. Oriental Dance, Op.2 No.2
33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
34. Symphony No.9 (Finale)
35. Introduction To The Double-Bass
36. The Carnival Of The Animals (The Elephant)
37. But The Double-Bass Can Be Intensely Expressive And Graceful.
38. Elegy No.1 In D Major
39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
40. Capriccio Di Bravura
41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

1. The Antiquity And Magic Of The Flute
2. Prelude A L'Apres-Midi D'Un Faune
3. The Versatility And Agility Of The Flute
4. Orchestral Suite No.2 In B Minor (Badinerie)
5. The Flute In Fifteenth-Century Spain
6. Sa'Dawi
7. Other Flutes: The Bass And Alto
8. Chamber Music No.II
9. The Piccolo - Aptly Named
10. La Naissance D'Osiris (Mvt 6)
11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
12. Suite No.1 For Small Orchestra (Valse)
13. A Variety Of Techniques
14. Chamber Music No.II
15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
16. The Nutcracker (Act II, No.2: Scene)
17. From The Transverse To The Vertical: The Baroque Recorder
18. Recorded Suite In A Minor (Menuet II)
19. An Unfamiliar, Early Vision Of The Instrument
20. Naelden, Naelden
21. The Bachian Oboe
22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
23. Introduction To The Cor Anglais Or 'English Born'
24. Symphony No.9 'From The New World' (Mvt 2)
25. The Loneliness Of The Cor Anglais
26. The Swan Of Tuonela
27. The Cor Anglais Joins The French Horn In Haydn.
28. Symphony No.22 'The Philosopher' (Opening)
29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
30. Bolero
31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
34. Gayane Suite No. 1 (Mvt 5)
35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
36. The Range Of The Normal Clarinet Parts Goes Quite High...
37. The Snow Maiden (Scene 5: Melodrama)
38. ...And Quite Low.
39. Peter And The Wolf (The Cat)
40. The Clarinet As Concerto Soloist
41. Clarinet Concerto In A Major (Rondo)
42. But That's Not The Instrument Mozart Wrote It For; This Is:
43. Clarinet Concerto In A Major (Rondo)
44. Introduction To The Saxophone
45. Hary Janos Suite (Mvt 4)
46. The Soprano Saxophone Has Quite A Different Feel To It.
47. L'Arlesienne Suite No.1 (Minuet)
48. The Little Sopranino Sax Goes Even Higher.
49. Bolero
50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
51. Pictures At An Exhibition (The Old Castle)
52. The Saxophone Can Be Quite Contagiously Good-Humoured.
53. Sax-O-Phun
54. The Puffa-Puffa Image Of The Bassoon
55. Peter And The Wolf (Grandfather)
56. The Bachian Bassoon, In Accompanimental Mode
57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
59. And Ravel, Also In Spanish Mode, Does Likewise.
60. Bolero
61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
62. Symphony No.3 (Opening)
63. The Eerie Bassoon In Its Highest Register
64. The Rite Of Spring (Opening)
65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
66. The Firebird Suite (1919, Berceuse)
67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
68. Bassoon Concerto In G Minor (Finale)
69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
71. The French Horn Under Its Woodwind Hat
72. Wind Quintet, Op.43 (Last Mvt)
73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
75. The Horn In Harmonious Blend With Strings In Another Quintet
76. Horn Quintet, K.407 (Finale)

Tracks:

1. The Trumpet As Virtuoso Soloist
2. Brandenburg Concerto No.2 (Last Mvt)
3. The Special Brillance Of Paired Trumpets
4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
5. The Ceremonial Trumpet
6. Fanfare For The Common Man
7. Trumpets And Drums - An Incomparable Alliance
8. Messiah (The Trumpet Shall Sound)
9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
10. Piano Concerto In F (Slow Mvt)
11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
12. Carmen Suite No.2 (Habanera)
13. The Trumpet As The Voice Of Strength And Courage
14. Carmet Suite No.2 (Toreador's Song)
15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
16. Billy The Kid
17. The Trumpet As Character Actor
18. Pictures At An Exhibition (No.6)
19. The Trumpet As The Voice Of God
20. Mass In B Minor ('Et Exspecto')
21. The Birth Of The Trombone
22. Aenmerckt Nu Hier
23. The Birth Of The Brass As A Family
24. Canzon 12 In Double Echo
25. The Trombone In The Eighteenth Century
26. Trombone Concerto In B Flat Major (Finale)
27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
28. Hosannah
29. The Trombones Become Part Of The Orchestra.
30. Symphony No.5 (Finale)
31. The Wagnerian Trombone:/Overture To 'Tannhauser'
32. The Trombone As Caricaturist
33. Pulcinella (No.19: Vivo)
34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
35. The Horn And The Hunt
36. Horn Concerto No.4 In E Flat, K.495 (Finale)
37. The Challenging Horn Of The Baroque
38. Abaris Ou Les Boreades (Menuet)
39. The Scarcity Of First-Rate Players In Handel's Time
40. Walter Music (Minuet 1)
41. The Horn As Magician/The Firebird Suite (1919, Finale)
42. Horns And The Sound Of Nobility
43. Overture To 'Tannhauser' (Opening)
44. The Special Sound Of The Horn In Its Higher Register
45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
46. The Trumpet-Like Sound Of Massed Horns
47. Symphony No.3 (Mvt 1, Opening)
48. The Tuba - Unfairly Maligned?
49. Symphony No.6 (Mvt 3)
50. The Tuba Perfectly Cast By Ravel
51. Pictures At An Exhibition (Bydlo)

Tracks:

1. Introduction. And We Begin With A Bang.
2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
3. At The Opposite Extreme Is The Triangle.
4. Piano Concerto No.1 In E Flat (Scherzo)
5. Categories Of Percussion: Tuned And Untuned. The Side Drum
6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
8. The Tambourine. One Of The Oldest Instruments In The World
9. Den Hoboecken Dans
10. Even Older Is The Originally Oriental Gong.
11. Ma Mere L'Oye - Mother Goose (Laideronette)
12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
13. Gymnopedie No.2
14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
17. Rodeo (Hoe-Down)
18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
19. Scherzi Musicali (Damigella Tutta Belle)
20. A Still Earlier Example From Fifteenth-Century Spain
21. Yo M'Enamori D'Un Aire
22. The Birth Of The Bongo
23. Symphonic Dances From 'West Side Story'
24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
27. Onwards To The Tuned Percussion. First, The Timpani
28. Also Sprach Zarathustra (Introduction)
29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
31. Taking Advantage Of Tunability
32. Music For Strings, Percussion And Celeste (Mvt 2)
33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
35. Saint-Saens And The Xylophone
36. The Carnival Of The Animals (Fossils)
37. Ravel And The Xylophone
38. Ma Mere L'Oye - Mother Goose (Laideronette)
39. Introducing The Marimba/Carmen Suite (First Intermezzo)
40. Introducing The Vibraphone
41. The Treasure Of The Sierra Madre (Narange Dolce)
42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
43. Introducing The Hungarian Cimbalom
44. Folk Dances
45. The Cimbalom And The Symphony Orchestra
46. Hary Janos Suite (Mvt 3)
47. Introducing The Tubular Bells
48. Hary Janos Suite (Viennese Musical Clock)
49. A More 'Up-Front' Approach From Rodion Shchedrin
50. Carmen Suite (Introduction)
51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
52. Introducing The Celeste
53. The Nutcracker (Dance Of The Sugar Plum Fairy)
54. Magic, In The Use Of Collective Percussion
55. Miroirs (La Vallee Des Cloches)
56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
59. Brandenburg Concerto No.2 (Slow Mvt)
60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
61. Petrushka (Russian Dance)
62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
2. Symphony No.3 'Organ' (Finale)
3. But Things In Handel's Day Were Very Different.
4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
5. The Organ Is Difficult To Classify.
6. An Unexpected, Organ-related Guest
7. Concerto Pour Zampogna (Last Mvt)
8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
9. Les Miserables (Drink With Me)
10. Outside Artefacts And The Power Of Association
11. Mahler's Sleighbells
12. Symphony No.4 (Opening)
13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
16. Don Quixote (Variation VIII)
17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
23. The Sitar Of India/Evening Raga: Bhapoli
24. The Accordion For France (Especially Paris)/Paris Canaille
25. The Zither For Vienna/The Third Man (Theme)
26. The Cimbalom For Hungary/Folk Dances
27. The Guitar As An Integral Part Of The Orchestra/Rondena
28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
30. Nocturnes
31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
32. The Carnival Of The Animals (The Cuckoo)
33. The Flute As An All-purpose Aviary
34. The Carnival Of The Animals (The Aviary)
35. The Oboe As Duck
36. Peter And The Wolf (The Duck)
37. The Recording Of Reality. Does It Work As Well?
38. The Pines Of Rome (The Pines Of The Janiculum)
39. The Recording Of Reality Electronically Reborn In New Guises
40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
43. Some Improbable Casting: The Violin As Braying Donkey
44. The Carnival Of The Animals (Persons With Long Ears)
45. A Truly Orchestral Hee-haw To Be Reckoned With
46. Overture To 'A Midsummer Night's Dream'
47. A Thunderstorm In A Million
48. Symphony No.6 'Pastoral (Allegro-Allegretto)
49. the Instrumental Depiction Of A Silent World
50. The Carnival Of The Animals (The Aquarium)
51. Saint-Saens' Menagerie Takes A Curtain Call.
52. The Carnival Of The Animals (Finale)

Tracks:

1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
2. Forty-Four Duos (No.4)
3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
6. String Trio In B Flat (Menuetto)
7. The String Quartet: Two Violins, Viola, And Cello
8. String Quartet In F, Op.18 No.1 (Mvt 3)
9. The String Quintet - When The Extra Instrument Is A Second Viola
10. String Quartet No.5 In D, K.593 (Adagio)
11. The String Quintet - When The Extra Instrument Is A Second Cello
12. String Quintet In C (Mvt 3)
13. The String Sextet: Two Violins, Two Violas, And Two Cellos
14. String Sextet In B Flat (Mvt 2)
15. The String Octet: The Standard String Quaret Times Two
16. Octet In E Flat, Op.20 (Mvt 1)
17. Double The String Octet: A Fully Fledged String Orchestra
18. String Symphony No.2 (Finale)
19. The Massed Strings Of A Symphony Orchestra
20. Fantasia On A Theme Of Thomas Tallis
21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
23. In The First Variation It's The Horn That Gets The Lion's Share.
24. Wind Quintet In A Minor, Variation 1
25. In Variation Two The Torch Is Handed To The Bassoon.
26. Wind Quintet In A Minor, Variation 2
27. In Variation Three The Oboe Leads.
28. Wind Quintet In A Minor, Variation 3
29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
30. Wind Quintet In A Minor, Variation 4
31. And Variation Five is Dominated By The Clarinet.
32. Wind Quintet In A Minor, Variation 5
33. The Next To Be Featured Is The Virtuoso Flute.
34. Wind Quintet In A Minor, Variation 6
35. Individual Farewells And A Closing Chorus
36. Wind Quintet In A Minor, Variation 7
37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
38. Octet In F (Mvt 3)
39. The Early Classical Symphony Orchestra Of Haydn And Mozart
40. Symphony No.29 In A, K.201 (Finale)
41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
42. Canzon 28
43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
44. Symphony No.5 (Finale)
45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
47. Symphoy No.6 'Tragic' (Mvt 1)
48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
50. When Large Doesn't Necessarily Mean Loud: Debussy
51. Images (Gigues)
52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
53. Turangalila Symphony (Chant D'amour 1)
54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
55. Balle De Xerxes (Gavotte En Rondeau)
56. Computer And Synthesiser: Friends Or Foes?
57. Concerto In D Minor For Two Violins (Largo)
58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

Beginner or Expert.......2007-03-12

Very Informative and Enjoyable.......2006-11-20

Frank's view.......2006-08-19

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Average customer rating: Not your father's blues Nicely off-mainline Just plain crap The real stuff Meet The Resurrection Of The Blues - Cheap!

Not the Same Old Blues Crap Various Artists Manufacturer: Fat Possum ProductGroup: Music Binding: Audio CD Delta Blues | Blues | Styles | Music General | Blues | Styles | Music General | Compilations | Blues | Styles | Music Modern Blues | Compilations | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music Modern Blues | Blues | Styles | Music 1990s | By Decade | Pop | Styles | Music 1990-1999 | Decades | Compilations | Miscellaneous | Styles | Music CDs Under $7 | Blues General | Blues | Today's Deals in Music | Formats | Music All Bargain Titles | Blues General | Blues | Today's Deals in Music | Formats | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Not The Same Old Blues Crap II Not the Same Old Blues Crap, Vol. 3 You Better Run: The Essential Junior Kimbrough Worried Remember Me ASIN: B0000061VH Release Date: 1998-02-24

Tracks:

1. I'm Insane - T-Model Ford
2. Meet Me In The City - Junior Kimbrough
3. Come Right In From - 20 Miles
4. Snake Drive - R.L. Burnside
5. Crack Whore Blues - The Neckbones
6. Lonesome Road - Junior Kimbrough
7. Have Mercy Baby - Jelly Roll Kings
8. Come On In - R.L. Brunside
9. Been Here And Gone - Elmo Williams
10. Little Eddie Blues - Robert Cage
11. Your Memories - Hasil Adkins

Customer Reviews:

Not your father's blues.......2004-05-30

The blues. A genre which can communicate untold pain, depthless heartache and a universe of suffering. Or it can encompass songs like "Crack Whore Blues", which is exactly what you would expect it to be from the title. The tracks on here are vibrant and alive. This is wonderfully thrilling, foot-tapping stuff that can be serious on the few occasions that it wants to be.

Since this is a sampler compilation containing disparate artists, it's difficult to sum up this album in a few paragraphs. We go all the way from rompy throwaway musical jokes right into genuinely soulful lyrics. But the one constant is quality. What many of the performers lack in technical ability, they more than make up for in enthusiasm. This is a release from a tiny record label with no terribly big names, which goes a long way towards explaining the emotion.

The liner notes are absolutely hideous -- green text written on a purple background. It makes my eyes water just thinking about it. There's also a funny gag on the back, which I shall not spoil here.

As a sampler, the idea is to throw as much onto the disc as possible and hope that the customer likes at least one or two selections enough to purchase a full album. They've convinced me; I have some shopping to do. Anyone with even a passing interest in the blues should pick up this one. You can do it without breaking the bank, and, unless you're familiar with the artists already, you'll be hearing the blues like you haven't quite heard them before.

Nicely off-mainline.......2003-01-18

Just plain crap.......2002-10-05

The real stuff.......2001-07-23

Meet The Resurrection Of The Blues - Cheap!.......2000-07-22

Average customer rating: Fat Possum Primer good stuff, lousy title (it's dirt cheap, too)

Not The Same Old Blues Crap II Various Artists Manufacturer: Fat Possum ProductGroup: Music Binding: Audio CD Punk | Hardcore & Punk | Alternative Rock | Styles | Music Delta Blues | Blues | Styles | Music General | Blues | Styles | Music Traditional Blues | Blues | Styles | Music General | Compilations | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music Modern Blues | Blues | Styles | Music CDs Under $7 | Blues General | Blues | Today's Deals in Music | Formats | Music All Bargain Titles | Blues General | Blues | Today's Deals in Music | Formats | Music 4-for-3 Alternative Rock | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Not the Same Old Blues Crap, Vol. 3 Not the Same Old Blues Crap You Better Run: The Essential Junior Kimbrough Worried Remember Me ASIN: B00005KJ0I Release Date: 2001-06-19

Tracks:

1. Easy Rider - Scott Dunbar
2. Goin' Down South - R.L. Burnside
3. Walkin' Blues - R.L. Burnside
4. I Feel Good Again - Junior Kimbrough/Charlie Feathers
5. Meet Me In The City - Junior Kimbrough
6. Black Mattie - Robert Belfour
7. Goin' Back To The Bridge - Asie Payton
8. Please Tell Me You Love Me - Asie Payton
9. Goin' Back Home - Paul Jones
10. I'm Gonna Leave - Paul Jones
11. Sail On - T-Model Ford
12. House Where Nobody Lives - King Ernest
13. El Camino - Super Chikan

Customer Reviews:

Fat Possum Primer.......2005-10-06

good stuff, lousy title (it's dirt cheap, too).......2002-03-25

Filter out all the Fat Possum trademark noise and leave that to the college students to whom it matters. This is a very fine collection of blues that any blues fan will thoroughly enjoy. Maybe a slight lean toward the rural and the rocky but so what?

Average customer rating: Excellent Blues Amazing Blues Rock Compilation! As far as compilations go this really good

Not the Same Old Blues Crap, Vol. 3 Various Artists Manufacturer: Fat Possum ProductGroup: Music Binding: Audio CD Delta Blues | Blues | Styles | Music General | Blues | Styles | Music Traditional Blues | Blues | Styles | Music Electric Blues Guitar | Blues | Styles | Music Acoustic Blues | Blues | Styles | Music Modern Blues | Blues | Styles | Music Pop Rock | Pop | Styles | Music Garage Rock | Rock | Alternative Styles | Alternative Rock | Styles | Music 4-for-3 Alternative Rock | 4-for-3 Music | Stores | Music 4-for-3 Pop | 4-for-3 Music | Stores | Music 4-for-3 Rock | 4-for-3 Music | Stores | Music 4-for-3 All Music | 4-for-3 Music | Stores | Music Similar Items: Not The Same Old Blues Crap II Not the Same Old Blues Crap You Better Run: The Essential Junior Kimbrough Remember Me Burnside on Burnside ASIN: B0002ZDWEY Release Date: 2004-09-28

Tracks:

1. Hadn't I Been Good To You - Charles Caldwell
2. Set You Free - The Black Keys
3. I Found Out - Nathaniel Mayer
4. You Better Run - Iggy And The Stooges
5. Crack Head Joe - Little Freddie King
6. Goin' Down South - R.L. Burnside
7. You Want It - Thee Shams
8. Cocaine Bill - Kenny Brown
9. Boob Scotch - Bog Log III
10. Vampires And Failures - Grandpa Boy
11. Bad Man - T-Model Ford
12. Pushin' My Luck - Robert Belfour
13. Frankie And Albert - Joe Callicot
14. Just Like A Bird Without A Feather - R.L. Burnside
15. Mam Says I'm Crazy - Fred McDowell
16. Good Morning Judge - Furry Lewis
17. Hoot Your Belly - Jimmy Lee Williams
18. Goodbye Slim Harpo - Robert Pete Williams

Customer Reviews:

Excellent Blues.......2006-03-11

Amazing Blues Rock Compilation!.......2005-03-27

As far as compilations go this really good.......2004-10-24

Average customer rating:

Not the Same Benny Lackner Trio Manufacturer: Nagel-Heyer Germany ProductGroup: Music Binding: Audio CD General | Jazz | Styles | Music ASIN: B0002YCW0A Release Date: 2004-09-28

Tracks:

1. 99 Luftballoons
2. Will It Matter
3. Unlaut
4. If Six Was Nine
5. Not the Same
6. Moanin'
7. Bushisms
8. Bemsha Swing
9. Riverman
10. Red Hook
11. Sheep's Dog
12. Cherokee
13. Monday Morning

Average customer rating: If You Are An Aero Fan STAY AWAY FROM THIS! DIO delivers the best of an okay tribute cd. Tribute.....NOT a "Greatest Hits" Album AEROSMITH RULES! I think this CD is evil.

Aerosmith Tribute: Not The Same Old Song & Dance Various Artists Manufacturer: Cleopatra ProductGroup: Music Binding: Audio CD Jazz Fusion | Jazz | Styles | Music General | Pop | Styles | Music Pop Rock | Pop | Styles | Music Tributes | Pop | Styles | Music Blues Rock | Rock | Styles | Music General | Rock | Styles | Music Rockabilly | Oldies & Retro | Rock | Styles | Music General | Rock Guitarists | Rock | Styles | Music General | Hard Rock & Metal | Styles | Music Compilations | Hard Rock & Metal | Styles | Music Hard Rock | Hard Rock & Metal | Styles | Music Album-Oriented Rock (AOR) | Classic Rock | Styles | Music Arena Rock | Classic Rock | Styles | Music Metal | Hard Rock & Metal | Rock | Indie Music | Stores | Music Similar Items: One Way Street: Tribute to Aerosmith Bat Head Soup: A Tribute to Ozzy Numbers from the Beast: An All-Star Tribute to Iron Maiden ASIN: B00000K07E Release Date: 1999-09-07

Tracks:

1. Back in the Saddle
2. Rag Doll
3. Chip Away the Stone
4. Last Child
5. Sweet Emotion
6. Dream On
7. Walk This Way
8. Draw the Line
9. Same Old Song and Dance
10. No Surprise
11. Toys in the Attic

Album Description

Customer Reviews:

If You Are An Aero Fan STAY AWAY FROM THIS!.......2000-05-29

DIO delivers the best of an okay tribute cd........2000-05-23

Tribute.....NOT a "Greatest Hits" Album.......2000-01-04

AEROSMITH RULES!.......1999-12-28

I think this CD is evil........1999-12-23

Average customer rating: This is the country side of John Berry.

Things Are Not the Same John Berry Manufacturer: Capitol ProductGroup: Music Binding: Audio CD General | Contemporary Country | Country | Styles | Music General | Country | Styles | Music Contemporary | Bluegrass | Country | Styles | Music CDs $7 - $10 | Country General | Country | Today's Deals in Music | Formats | Music All Bargain Titles | Country General | Country | Today's Deals in Music | Formats | Music Similar Items: Saddle the Wind John Berry Wildest Dreams All the Way to There Faces ASIN: B000002TUH Release Date: 1994-11-15

Tracks:

1. Things That Just Don't Matter Anymore
2. Two Steps in Front of a Broken Heart
3. I Know That You Know
4. (You Were A) Friend of Mine
5. Things Are Not the Same
6. Longing for Home
7. So Much Like Heaven
8. If I Ever Do Get Famous
9. Things Are Not the Same (Reprise)

Customer Reviews:

This is the country side of John Berry........2001-10-27

Average customer rating: TERRIFIC MUSIC FROM A MARVELOUS TALENT In her Prime

Because of You Lucie Blue Tremblay Manufacturer: Maggie & Shandi ProductGroup: Music Binding: Audio CD General | Folk | Styles | Music Traditional Folk | Folk | Styles | Music Singer-Songwriters | Pop | Styles | Music Similar Items: Tendresse/Tenderness I'm Ready Lucie Blue Tremblay Transformations It's Got to Be About Love ASIN: B00005JG8T Release Date: 2001-08-02

Tracks:

1. Voie Douce
2. When You Can't Hear the Music Inside
3. Letting You Go
4. She Sings in a Chorus
5. Vent du Sud
6. Home Is Where You Are
7. Buzz in the City
8. Because of You
9. Is This Some Kind of Love?
10. Mrs. Klein
11. House on a Lake
12. Your Precious Love
13. Say Goodnight

Customer Reviews:

TERRIFIC MUSIC FROM A MARVELOUS TALENT.......2002-02-20

In her Prime.......2001-11-02

Average customer rating: Enchanté, Mlle Graham! excellent singing, not so great programming A CD full of scrumptious French chocolates! REYNALDO AND SOME LIGHT STUFF C'est magnifique!!

"C'est ca la vie, c'est ca l'amour": French Operetta Arias Reynaldo Hahn , Andre Messager , Susan Graham , Yves Abel , and City of Birmingham Symphony Manufacturer: Erato ProductGroup: Music Binding: Audio CD All Works by Honegger | Honegger, Arthur | ( H ) | Featured Composers, A-Z | Classical | Styles | Music General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music General | Classical | Styles | Music General | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music Romances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music General | Arias | Opera & Vocal | Styles | Music General | Opera & Vocal | Styles | Music French | Languages | Opera & Vocal | Styles | Music Operettas | Opera & Vocal | Styles | Music Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music Similar Items: Susan Graham - La Belle Époque (The Songs of Reynaldo Hahn) Susan Graham ~ Berlioz - Les nuits d'été Poèmes de l'Amour Susan Graham - Mozart & Gluck Arias ~ Il tenero momento Artist Portrait: Susan Graham ASIN: B00005UW0Z Release Date: 2002-04-02

Tracks:

1. "C'est ca la vie, c'est ca l'amour" (Moises Simons, from Toi c'est moi, 1934)
2. "J'ai deux amants" (Andre Messager, from L'Amour masque, 1923)
3. "Yes" (Maurice Yvain, from Yes, 1928)
4. "Si vous saviez" (Arthur Honegger, from Les Aventures du roi Pausole, 1930)
5. "O mon bel inconnu" (Reynaldo Hahn, from O mon bel inconnu, 1933)
6. "Je ne vois rien..Lorsque je n'etais qu'une enfant" (Andre Messager, from Fortunio, 1907)
7. "Les hommes sont biens tous les memes" (Andre Messager, from Coups de roulis, 1928)
8. "Air de la Lettre" (Reynaldo Hahn, from Brummell, 1931)
9. "L'amour est un oiseau rebelle" (Andre Messager, from Passionnement, 1926)
10. "Vois-tu, je m'en veux" (Andre Messager, from Les P'tites Michu, 1897)
11. "Etre adore" (Reynaldo Hahn, from Mozart, 1925)
12. "Je regrette mon Pressigny" (Andre Messager, from la Petite Fonctionnaire, 1921)
13. "Amour, amour, quel est donc ton pouvoir" (Andre Messager, from Les Dragons de l"Imperatrice, 1905)
14. "Mon reve" (Andre Messager, from L'Amour masque, 1923)
15. "C'est tres vilain d'etre infidele" (Reynaldo Hahn, from O mon bel inconnu, 1933)
16. "C'est pas Paris, c'est sa banlieue" (Reynaldo Hahn, from Ciboulette, 1923)
17. "Vagabonde" (Moises Simons, from Toi c'est moi, 1934)

Amazon.com

The arias on this program are thoroughly appealing and very different, ranging from frothy creampuffs to almost operatic dramas, from ingenuous simplicity to ironic sophistication. As one might expect, the texts, all written from a woman's point of view, focus on the relationships between men and women in all their infinite, subtle variety. Susan Graham uses her very beautiful voice and captivating charm to bring out the teasing humor, the intimacy, passion, joy, and regret in words and music. One song is a trio, but since no other singers are mentioned, one assumes that she covers all three parts! The first song is the only one in which the singing is artificial and exaggerated, as if Graham were feeling her way into the style. The orchestra is very good, but some of the arrangements are overloaded. --Edith Eisler

Customer Reviews:

Enchanté, Mlle Graham!.......2004-11-13

excellent singing, not so great programming.......2002-10-02

A CD full of scrumptious French chocolates!.......2002-09-03

Graham is a singer very much in the mold of Frederica von Stade - like von Stade, she is best known for trouser roles such as Octavian and Cherubino, but she has done some wonderful work in French music, especially as a recitalist. Her voice is firm and lustrous with an easy, sopranoish top, her phrasing is exquisite, and her French is excellent. By turns Graham is funny, ironic, sensual, wistful, charming, and heroic.

Most of the music on this CD was written between 1920 and 1935, although one selection here is from as early as 1897. The music actually has greater similarity to 'modern' musical comedy than to traditional operetta. Of course, the primary theme of these works is the travails of women in love - either they struggle with their (often illicit) passions - in one case attempting to invoke Joan of Arc! - or muse on the perfidy of men. My favorite song on the disc is the title track, a delightful samba take on 'Carmen' (from Cuban-born Moises Simons' 'Toi c'est moi') with a verse that sounds quite a bit like the 'Habanera' - only in this version, Carmen murders Escamillo! It actually occurred to me while listening to this disc that Graham might make an excellent Bizet Carmen on records or in a small theater. By the way, the 'Carmen' connection shows up again in a song entitled - you guessed it - 'L'amour est un oiseau rebelle'!

Other tracks which I love are `Yes', wherein a French woman goes to England knowing only that word and gets her self married - and more, and `O mon bel inconnu', where three women get letters from the same man (their husband, father, and employer respectively) through the lonelyhearts column. Thanks to the miracle (?) of multi-tracking, Graham gets to sing all three roles, and her `voices' blend together gorgeously. And in the final track, 'Vagabonde' (also from 'Toi c'est moi') is a delightfully whirling 'impatient, quivering, impulsive' plea from a woman who wants to find a man willing to marry before her 'orange-flower' wilts (wink, wink).

Despite the light tone of most of this music, there are several moments of high drama. `Lorsque je n'etais que enfant' is an aria from Messager's `Fortunio' where the heroine, berating herself for toying with her boyfriend, reminisces of her purer and more innocent childhood. Graham is back in her usual trouser-role territory for the heroic `Etre adore' from Hahn's `Mozart', where the composer effuses over Paris and willingly sacrifices his soul to be adored by its people. There is also sweet nostalgia and regret, such as in 'Je regrette mon Pressigny', 'Vois-tu, je m'en veux' and 'C'est pas Paris, c'est sa banlieu'.

Actually, the only track that I don't like is 'Si vous saviez' from Honneger's 'Les Aventures du Roi Pausole', which ironically enough is Graham's favorite. The aria, where the wife of a polygamous potentate begs her husband to sleep with her more than once a year, is meant to be sensuous but just drags. I suspect this his Honneger's fault, not Graham's.

The French-Canadian Yves Abel is an ideal conductor for this repertory. He has a strong affinity not only for French opera but also for comedy and light music in general; the latter two qualities were very evident at a Metropolitan Opera `Il Barbiere de Siviglia' this year. I also remember a fine performance of `La Grande-Duchesse de Gerolstein' he conducted with his company L'Opera Francais de New York and Stephanie Blythe. Under his baton the City of Birmingham Symphony Orchestra plays just like a French ensemble.

The documentation has full texts and translation of all the material and a fine essay on the works and the composers by Patrick O'Connor. Unfortunately, there is no biographical information for either Graham or Abel. Also, some people might have problems reading the white type on purple background for the translations (the type for the essay is the normal white-on-black), although I did not. As usual, my complaint about many modern CDs, especially those produced by Erato, applies here - there is less than an hour of music on a medium that can hold almost 80 minutes. I think it is unlikely that Graham and Abel couldn't find more good music in this vein, or even that they ran out of recording time. And speaking of Erato, I think it is a crime that that parent company Warner Classics dismissed not only Graham but many other fine operatic artists like Jose Cura, Daniel Barenboim, and Barbara Frittoli. At least the man now in charge of Warner regrets Graham's dismissal and is negotiating a new contract with her.

I am glad that so many star singers today are championing French rarities - not only Graham but also Roberto Alagna and Vesselina Kasarova, among others. I would recommend this not only to lovers of opera and operetta but also to fans of more 'popular' French music like Edith Piaf's and Jacques Brel's, or even to admirers of the American musical. It doesn't matter by which road you come to it - this material is delightful and the presentation is flawless. Most importantly, it is clear that everybody involved with the making of this disc had a great time, and anyone who listens to it will as well.

REYNALDO AND SOME LIGHT STUFF.......2002-08-02

C'est magnifique!!.......2002-06-29

Music Review:

1. Our Praise to You
2. Out Front
3. Papal Blessing/Ave Maria
4. Petra
5. Praise & Worship For Small Groups Volume I
6. Praise & Worship For Small Groups Volume IV
7. Promised Reunion [Live]
8. Reach Beyond the Break
9. Reverend George Searight & Royal Priesthood
10. Right Road

Music Review

Music Review