God Is Real
Track Listings
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1. Every Time I Feel the Spirit
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2. Does Jesus Care?
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3. Coming Home
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4. God Is Real
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5. I'm Trampin'
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6. Milky White Way
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7. Just a Closer Walk With Thee
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8. Precious Lord
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9. I Want Jesus to Walk With Me
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10. Jesus Walked This Lonesome Valley
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God Is Real, Music, Little Richard, Black Gospel, Gospel, Gospel/Christian Music, New Orleans R&B, Pop, R&B, Rock & Roll
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
the rebellion is here.
The Hanslick Rebellion
Manufacturer: Eschatone Records
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
ASIN: B000CAKOPE
Release Date: 2007-07-10 |
Tracks:
- Grub
- The Four-Minute Mile
- Starlet
- Rump (Da Butt)
- Smoke
- Pablo Picasso
- Natural Selection
- Now I Have a Job
- Medea My Mistress
- We Wait and We Wait
- Big Hot Monday
- Leave Your Boyfriend
- Vegetable Man
- Sugar Smack
- Why James Likes Indie Rock
- Runaway
Album Description
Spend one hot night with The Hanslick Rebellion! In an age of tweezed and tuned tracks and shamelessly calculated lo-fi pretensions, the rebellion is here is just what the doctor ordered: 16 scorching tracks of pure, furious rock n' roll, recorded live and raw before a capacity crowd. Brutal, honest, and bursting with visceral-yet-thoughtful lyrics, dark humor, old-school anthemic choruses, and cover tunes nobody else would have the balls to even attempt.
Average customer rating:
|
World Soccer Anthems
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
General
| Symphonies
| Classical
| Styles
| Music
General
| Classical
| Styles
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London Philharmonic Orchestra
| ( L )
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Compilations
| Classical
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General
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| Styles
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ASIN: B00006466P
Release Date: 2002-05-21 |
Tracks:
- France
- Denmark
- Spain
- Slovenia
- South Africa
- Brazil
- Turkey
- People's Republic Of China
- Costa Rica
- Republic Of Korea
- Poland
- United States Of America
- Portugal
- Germany
- Ireland
- Argentina
- United Kingdom
- Sweden
- Italy
- Croatia
- Mexico
- Japan
- Belgium
- Nessun dorma
- The Great Escape
- Va, pensiero, sull'ali dorate
- Vedi! Le fische notturne spoglie
- Zadok The Priest
Average customer rating:
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My God Is Real/I Walk Alone
Don Gibson
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD
General
| Country
| Styles
| Music
General
| Traditional Country
| Country
| Styles
| Music
ASIN: B0002IQJDM
Release Date: 2004-08-17 |
Tracks:
- Satisfied
- My God Is Real
- That Lonesome Valley
- Where No One Stands Alone
- Climbing Up the Mountain
- Canaan's Land
- Lord I'm Coming Home
- (Prayer Is the Key to Heaven) Faith Unlocks the Door
- Known Only to Him
- Wait for the Light to Shine
- I Walk Alone
- Thing Called Sadness
- What Locks the Door
- Don't Rob Another Man's Castle
- Headin' Down the Wrong Highway
- I'm So Lonesome I Could Cry
- What Now My Love
- Someday You'll Call My Name
- I Just Said Goodbye to My Dreams
- Low and Lonely
Customer Reviews:
My God Is Real-----.......2007-03-19
I have had this LP vinyl album in my collection since 1968. It was on RCA's Camden label on that particular issue. I've always enjoyed the raw, rockin' gospel tunes on that record. I am so glad to find it on CD.
The record, oops, CD, sounds just as good now as it did then, without all the pops & clicks. Don't get me wrong, I still love to pull out the old vinyl, it has a much warmer sound than the CD. Too bad the engineers can't capture the warmth of analog vinyl, although I've found running the CD mix through a good tube preamp does recapture the warmth, but then again I ain't fussing. I give this record, (I know, old school, a high rating because of the talent. Don Gibson was one of the best songwriters country music ever had. I Can't Stop Loving You, probably recorded by more artists than one would care to count speaks of this.
As far as the other country album, it's good, but these two albums should have been reissued seperately. Kinda eclectic mixing gospel with honky tonk beer drinking music, but then again, it might be a good idea for the honky tonkin' people to hear a good old country rock gospel record, again sorry for the old school reference.
Dave
Average customer rating:
- Talk about soul!
- Rarely Reissued Richard
- Terrible production
|
God Is Real
Little Richard
Manufacturer: Mca
ProductGroup: Music
Binding: Audio CD
Christian Rock
| Christian & Gospel
| Styles
| Music
General
| Christian & Gospel
| Styles
| Music
Gospel
| Christian & Gospel
| Styles
| Music
General
| R&B
| Styles
| Music
General
| Rock
| Styles
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Similar Items:
- Pure Faith
ASIN: B00000JC9W
Release Date: 1999-06-15 |
Tracks:
- Every Time I Feel The Spirit
- Does Jesus Care
- Coming Home
- God Is Real
- I'm Tramping
- Milky White Way
- Just A Closer Walk With Thee
- Precious Lord, Take My Hand
- I Want Jesus To Walk With Me
- Jesus Walked This Lonesome Valley
Customer Reviews:
Talk about soul!.......2007-03-29
I had never heard Little Richard's work outside his well-known rock records. This album is a fantastic collection of gospel, all very sincerely performed with Richard's powerful voice and persona. A little-known album but very highly recommended.
Rarely Reissued Richard.......2001-09-30
Little Richard recorded gospel for Little Star ('59), Mercury ('61-'62), Atlantic ('63), World ('79) and Warner Brothers ('85-'86), and only the first session has made it to CD, at least domestically to my knowledge. It's too bad that the later recordings remain unreleased because they are better produced. But these '59 efforts should not be overlooked. They are completely "traditional", and this point should not be a deterrant: Richard sings beautifully on songs he must have sung as a child and which served him well on his first return to his spiritual roots on record. His sincerity is never in doubt although his voice on occasion makes an uncomfortable shift from baritone to tenor ("Everytime I Feel The Spirit", etc.). When he is in control on numbers like "Does Jesus Care?" and "God Is Real" *any* fan of any genre should realize that some very important music is being made. The minimalist production takes some getting used to - indeed, many reissue labels overdubbed many of these tracks. Maybe someday the whole End Records session(s) will be released and two incredible efforts will finally be available again: the uptempo "Certainly, Lord" [aka "Save Me Lord"], the closest sound to the Specialty Records Richard, and two versions of the rare "I'm Quitting Show Business", written by Maybelle Jackson, who also wrote the flipside of the rock and roll "She's Got It" called "Heeby-Jeebies". These notable '59 efforts should be heard especially by those who enjoy putting together the pieces of the grand puzzle called Little Richard's Career.
Terrible production.......2000-08-28
The production on this album is so horrible, it even makes Little Richard sound terribly bad. Which is hard to do. But, amazingly, they succeeded. It sounds like it was recorded in a closet, each song done in one take with a portable tape recorder with one tiny built-in microphone. The sound is muddy and primitive. And the backing musicians are amateurish. ("Produced" by George Goldner, a small-time record executive, NOT a real record producer. I met Goldner once, by the way, ahh but that's a whole other story.) Only a diehard L.R. fan, if he or she searched hard, might find a good moment or two on this album. If you want to hear Little Richard sing some incredibly beautiful spirituals with fine quality production (albeit with rather dated orchestration), there is an old album on Mercury produced by Quincy Jones, believe it or not. (Originally titled, "It's Real.") On that one, Richard's voice is ethereal, soaring, heartfelt and inspiring. On this one, he may have intended that, but it never got anywhere near the recording.
Average customer rating:
- Wilmot
- Delightful colletion of Scott Joplin's music
- Avoid
- One Star for Pity
- The Complete Works?? I think not
|
The Complete Works of Scott Joplin, Vol. 1-5
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD
Waltzes
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| Languages
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| Songs & Lieder
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Similar Items:
- Complete Piano Music of Scott Joplin
- Scott Joplin: The Complete Rags, Marches, Waltzes & Songs
- James Scott: The Complete Works 1903-1922
ASIN: B000001VWW
Release Date: 1993-11-30 |
Tracks:
- Please Say You Will
- A Picture Of Her Face
- The Great Crush Collision March
- Harmony Club Waltz
- Combination March
- Original Rags
- Maple Leaf Rag
- Swipesy-Cake Walk
- Sunflower Slow Drag
- Peachtree Rag
- Augustan Club Waltz
- The Easy Winners
- Cleopha
- The Strenuous Life
Tracks:
- I Am Thinking Of My Pickanniny Days
- The Ragtime Dance
- A Breeze From Alabama
- Elite Syncopations
- March Majestic
- The Entertainer
- Something Doing
- Weeping Willow
- Little Black Baby
- Palm Leaf Rag
- The Favorite
- The Sycamore
- The Cascades
- The Chrysanthemum
Tracks:
- Rosebud March
- Bethena
- Leola
- Sarah Dear
- Binks Waltz
- Eugenia
- Antoinette
- Snoring Sampson
- Gladiolus Rag
- Searchlight Rag
- The Nonpareil (Equal To None)
- When Your Hair Is Like The Snow
- Lose Leaf Rag
- Heliotrope Bouquet
Tracks:
- School Of Ragtime
- Fig Leaf Rag
- Sugar Cane
- Pine Apple Rag
- Wall Street Rag
- Solace
- Pleasant Moments
- Country Club
- Paragon Rag
- Euphonic Sounds
- Stoptime Rag
- Felicity Rag
- Lovin' Babe
- Scot Joplin's New Rag
Tracks:
- Highlights From Treemonisha
- A Real Slow Drag
- Prelude to Act 3
- Frolic Of The Bears
- Kismet Rag
- Magnetic Rag
- Reflection Rag
- Silver Swan Rag
- Lily Queen
- Sensation
Customer Reviews:
Wilmot.......2007-01-10
Well done, with the only drawback that Joshua Rifkind is not at the piano. Sometimes the pace is too frenetic.
Delightful colletion of Scott Joplin's music.......2006-08-17
This is a wonderful collection of Scott Joplin's music. Delightful to own, to play over and over and over.
Avoid.......2004-10-30
I have to agree with "A music fan" is his review of March 2003.
The piano used is poor, and not even all that well in tune. The recorded sound quality is muffled and 'processed'-sounding.
And the playing, I am afraid, is an insult to Joplin. What a pity to produce so full a set, and to do it so badly. A travesty.
If you want a superb Joplin set, played "as wrote", on a good concert grand and played with verve and style, and well-recorded, it's got to be the new Guido Nielsen 4 CD set on the Basta label (Basta 30-91262).
For a really fine single CD recorded on a top-notch piano and with playing that brings out all the elegance in Joplin's music (which it isn't wrong to do - Joplin put it in there), try the new Naxos CD played by Alexander Peskanov (Naxos 8.559114).
The Zimmerman set, I am afraid, must be consigned to the dustbin. A pity.
One Star for Pity.......2003-05-05
My review in two statements: DON'T BUY IT. EVER.
One star for pity - and for the effort of going to the trouble of learning Scott Joplin's complete works. I know it must have been quite a task getting the sheet music for these works and it must have been quite a task learning them, but I cannot honestly say that this is a good recording. Richard Zimmerman plays these works on a piano with bad quality sound, and he plays these works with his own embellishments and in his own style. If you're going to take liberties with a written score, you'd might as well not even try to play it at all. Either play it as written, or don't play it. Why can't people understand that?
The Complete Works?? I think not.......2002-08-06
I bought the CD entitled the Complete Works of Scott Joplin but upon receiving it I found that it only contained 14 tracks from the Complete Works book. The CD at the price is certainly a good buy even with the 14 tracks but it should be more correctly labled as the "Almost" complete works - "Sort - Of" Complete works or maybe A Partial Compilation of the Complete Works but a Complete Works it is not. It appears that a more Complete Works also has the same label.. Or maybe I am missing something..
Average customer rating:
|
Marvin Gaye : His Greatest Hits
Manufacturer: Cedar/Going For A Song & MCPS Records
ProductGroup: Music
Binding: Audio CD
Classic R&B
| R&B
| Styles
| Music
Motown
| R&B
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
Quiet Storm
| R&B
| Styles
| Music
ASIN: B000BH30FY |
Product Description
1.) I Heard It Through he Grapevine
2.) Come Get To This
3.) Let's Get It On
4.) God Is Love
5.) What's Going On
6.) Inner City Blues (Make Me Wanna Holler)
7.) Joy
---- Medley ----
a.) Ain't Nothing Like The Real Thing
b.) Your Precious Love
c.) Love Twins
d.) If This World Were Mine
9.) Rockin' After Midnight
10.) Distant Love
11.) Sexual Healing
Average customer rating:
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God Is Real
Affirmatives
Manufacturer: Christ Church Unity
ProductGroup: Music
Binding: Audio CD
Pop Rock
| Pop
| Styles
| Music
ASIN: B000CAACYM
Release Date: 2004-01-20 |
Tracks:
- God Is Real
- Spirit Is Joy
- Questions About the Kingdom
- Christmas Is Coming
- Slow Down
- What Would Jesus Do?
- So What?
- Thank You Father
- What Would You Ask of the Father?
- Wake Up My Soul
- Part of Me Part of You
- I Am Anointed
Average customer rating:
|
National Anthems of the World
Manufacturer: Madacy Records
ProductGroup: Music
Binding: Audio CD
All Works by Glinka
| Glinka, Mikhail
| ( G )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
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All Works by Kuhlau
| Kuhlau, Friedrich
| ( K )
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Smith, John Stafford
| ( S )
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4-for-3 Classical
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4-for-3 All Music
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ASIN: B00027JZ6G
Release Date: 2004-05-25 |
Tracks:
- Star Spangled Banner
- Oh! Canada
- Marseillaise
- Inno de Mameli
- God Save the Queen
- Patriotic Song
- Patriotic Song
- Marcha Real
- Kimigayo
- Hatikvoh
- National Anthem
- Deutchesland Lied
- National Anthem
- Hino Nacional
- Advance, Australia Fair
- Diestem Van Suid Afrika
- Libertad!
- Himnusz
- Ja VI Elsker Dette Landet
- Ukraine Is Still Alive
- Gloria Al Bravo Pueblo
- Brabanne
- Wilhelmus Van Nassouwe
- Still Alive
- Land Der Berge
- Himmo Nacional
- Imnul de Stat
- Kde Domov Nuj?
- Bjorn Bjornson
- Dear Fatherland
- Mamme
- Kong Kristian
- Independence March
Average customer rating:
|
Secret Agent
Vision
Manufacturer: Vision
ProductGroup: Music
Binding: Audio CD
General
| Country
| Styles
| Music
Christian Rock
| Christian & Gospel
| Styles
| Music
ASIN: B000CADOGU
Release Date: 2002-04-23 |
Music Review:
- Gospel Choirs: Through the Years
- Great Gospel Songs
- Hall of Fame
- Harlem Gospel Choir
- He's Able
- Homecoming Hymns
- Homecoming [Live]
- Hymns We Love
- I Belong to God
- I Won't Turn Back
Music Review
Music Review