Hell Is for Whimps

Track Listings

1. Stand Up for Jesus

2. In the End

3. Simple Man!

4. All I Can See

5. Ten Thousand Miles

6. Somethin's Missing

7. Get Up for Love

8. Sea of Love

9. Love You Tomorrow

10. Victory

Album Description

Music can be both calming and relaxing, or invigorating and passionate...this phenomenal 20-CD set is definitely the latter. This amazing collection brings together for the first time the most passionate music of all time, from Ravel's Bolero, Tchaikovsky's Swan Lake, Wagner's Magic Fire Music to Ravel's La Valse, Orff 's Carmina Burana and Stravinsky's Rite of Spring. This is a must have collection for every passionate music lover.

Customer Reviews:

A good gift for novice.......2007-05-12

This was a good gift for somebody learning about Classical music in Japan.

Average customer rating:

early Priest at its best.
Priest...Priest..Priest!!!!!!!!!!!!!!!!
A headbanging classic.
A must-have for Priest fans
A very small step back, but undeniably good.

Hell Bent for Leather
Judas Priest
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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Stained Class
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Sin After Sin
Point of Entry
Screaming for Vengeance

ASIN: B00005R62M
Release Date: 2001-11-06

Tracks:

Delivering The Goods
Rock Forever
Evening Star
Hell Bent For Leather
Take On The World
Burnin' Up
The Green Manalishi (With The Two-Pronged Crown)
Killing Machine
Running Wild
Before The Dawn
Evil Fantasies
Fight For Your Life
Riding In The Wind (Live)

Customer Reviews:

early Priest at its best........2007-06-19

This is my favorite 70s Priest album, and for good reason. Hell Bent For Leather takes the heavyness of earlier albums and speeds it up. Cross "Sinner" with "Exciter," and that's kind of what you've got. "Delivering The Goods" is a kick-@ss opener and one of my five favorite Priest songs. It's an overlooked classic. The variety between the tracks while still maintaining a constant aggressive attitude is amazing. "Evening Star" is a bit more commercial, but still kicks along. Then, of course, there's the title track and "The Green Manalishi," both of which are very good as well. "Before The Dawn" is a beautiful ballad sort of thing that feels just a bit out of place, but the musicianship and emotion more than makes up for that. Essential Priest.

Priest...Priest..Priest!!!!!!!!!!!!!!!!.......2007-04-24

A great album of course. Just received my cd version and it rocks!!!! Knew many of the tunes already."Delivering The Goods","Hell Bent For Leather","Take On The World","The Green Manalishi"(cover of The Mac),"Killing Machine" and "Before The Dawn" are the standouts.get it if you love Priest and re-visit the oldies. They are well worth it.
Look out for "Nostradamus" in the middle of the year or so.
Long live Priest and HALFORD!!!!!!!!!!!!!!!!!!!

A headbanging classic........2007-03-20

Hell Bent was my first Judas Preist album and it was quite good, to me it seems like Judas were one of the most influential heavy metal bands of all time, they basicly reinvented speed metal and thrash. Every one from Iron Maiden to Metallica have been influenced by this group anyway Hellbent for leather was released in 1979 right after Stained Class it was a strong album but not as good as the previous one an album that sounded a bit darker and heavier. Hell Bent was aiming for a heavy metal and rock'n'roll type of sound and was more about staying up all night and partying which is great cause I like those things I mean who doesn't, there are alot of great tracks in this that make you want to headbang like Delivering the goods, Burning up, Green manalishi and Hellbent for leather and if you want the more slower but still excellent songs like the ballad Before the dawn and Evening star which has more of a commercial sound to it but its still very catchy, the song Take on the world is the only song I didn't like cause of its sing-a-long chorus line that sounds like a rip of from Queen's We will rock you. As time progressed throughout the 80's Judas Priest were one of the biggest heavy metal bands of all time, if you're looking for a fast, aggresive and brutally intense album then check this out the two guitar attack of Glen Tipton and K.K. Downing is characteristically blistering and they often come up with the most amazing solos and not to mention Rob Halford with his great high pitched voice and signature scream makes for a great combination, make sure that you get this album if your interested in Judas Priest becaues its very essential and make sure that you also get these other great releases from JP like Stained Class, British Steel, Screaming For Vengeance and Angel Of Retribution alot of people didn't like Turbo but I thought it was pretty good even though during that time they did sound like a cheesy 80's hair metal group it was still a fun album to listen to.

A must-have for Priest fans.......2007-02-17

What can I say? Classic Priest with all the hard-driving sound you would expect. Besides the several top 40 hits you're familiar with, it's got some underplayed gems that I can't live without. (Burnin'Up, Killing Machine....) This was a -rebuy for me, since I've worn out a copy on vinyl and one on cassette tape. Have to have this in my collection.

A very small step back, but undeniably good........2006-07-12

How could Judas Priest follow "Stained Class"? Either by cloning it, or by doing something different. They did the latter, with slightly-mixed results, though "Hell Bent..." is still a worthy disc. However, one thing I've never figured out is why the U.S. record company made them change the title...I did see a "Killing Machine" LP in Canada years ago...should have got it for the collectible aspect alone...

This is more experimental than "Stained Class" was in that they tried a few more commercial songs. Sometimes it was good ("Evening Star" is very catchy whilst still remaining heavy) and sometimes less so ("Before The Dawn" just isn't Priest, despite an operatic vocal from "Robert" Halford).

Overall, though, if you get this, you'll get standard Priest fist-pumpers like "Delivering The Goods", "Rock Forever", "Burnin' Up" and "Take On The World" (which they would virtually clone a few years later with "United" from "British Steel"). The Tipton/Downing guitar work is fine, Halford sings well, Les Binks is probably the best drummer they ever had (though Scott Travis comes close) and Ian Hill is solid if almost inaudible. The production from James Guthrie is clear but still allows the heaviness to come through.

I do have to say, though, that the outtakes added do not fit at all. The live "Riding On The Wind" shows them at a much later stage in their career, as does "Fight For Your Life", which is of course an embryonic version of "Rock Hard Ride Free" from "Defenders Of The Faith".

But still overall an essential part of the Priest canon.

Average customer rating:

Great Frankie Laine arrangements
Classic Frankie Laine
the way they should sound
Rockin'/ Hell Bent For Leather
Another great performer who's defined by what he isn't

Rockin'/Hell Bent for Leather!
Frankie Laine
Manufacturer: Collectables
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000K2MM
Release Date: 1999-09-28

Tracks:

By the River Sainte Marie
(What Did I Do to be So) Black and Blue
That's My Desire
Blue Turning Grey Over You
That Lucky Old Sun
That Ain't Right
Shine
Rockin' Chair
We'll be Together Again
West End Blues
Give Me a Kiss for Tomorrow
On the Sunny Side of the Street
Wanted Man
High Noon (Do Not Forsake Me)
Gunfight at the O.K. Corral
Bowie Knife
Along the Navajo Trail
The Cry of the Wild Goose
Theme From "Rawhide"
City Boy
Cool Water
The 3:10 to Yuma
The Hanging Tree
Mule Train

Customer Reviews:

Great Frankie Laine arrangements.......2007-03-31

Rockin' contains some great singing by Frankie Laine backed up by a wonderful Los Angeles studio orchestra (Conrad Gozza, et. al) led by Paul Weston. The arrangements are spectacular! I recognize some Billy May charts - Weston , probably, did the string arrangements. GREAT STUFF here.

Classic Frankie Laine.......2007-03-11

I was delighted to find this CD available on amazon.com as the quality of music these days has suffered so much as the level of talent is so often compromised to make a commercial disc.
The quality of this disc is outstanding musically as well as vocally !
I did enjoy the "Hell Bent For Leather" portion more than "the Rockin'" segment. I liked the old cowboy themes for what they are and the fact that they are definitive.
If you like classic cowboy music and good old vocals then get this disc !!

the way they should sound.......2007-03-09

I'm not too fond of the Rockin half. I've only heard of a couple of the songs, I love the "Hell Bent for Leather" part. The songs are from my childhood. Frankie Laine has a great voice so I do like to hear him sing.
My Mom sang along with him, so this is a good memory.
I've heard songs from the second half on other records and they just don't sound the same as the originals.

Rockin'/ Hell Bent For Leather.......2006-02-21

Frankie Laine at his best!! Perfect for anyone who loves the "old" music!

Another great performer who's defined by what he isn't.......2005-10-09

Mention Frankie Laine and most people think of somebody who appeared on TV too much, and especially as some clueless sap who recorded the title tune for the vulgar movie sitcom "Blazing Saddles," and that's that. That's not that. Laine was a powerhouse, and if his emoting may not appeal to all listeners, we cannot deny his magnetism. A man who co-wrote the outstanding "We'll Be Together Again" deserves his plaudits.

Inevitably some double albums mesh the unmeshable, and while this entire disc is quite entertaining, the first album is the better. Where "Hell Bent for Leather!" is Laine in his "yeeeeee-HAH!" mode (another reason the stereotype sticks too rigidly to him), slickly and conventionally led by Johnny Williams (before he became Erich Wolfgang Korngold -- er, John Williams), "Rockin'" is a first-rate jazz album, and proves that with the right song and the right backing no one could surpass him. You have to wonder why Laine hasn't gotten his due. Is it the Mitch Miller angle? The fact that he recorded "I Believe"? Whatever, it's unjust, and anyone who brings two open ears to this recording will discover a supreme entertainer.

Average customer rating:

Lousy - don't buy it!
Lackluster
Great music; forgettable setting
Fun, but not the best of PDQ Bach
Some good tracks

P.D.Q. Bach: The Short-Tempered Clavier

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

General | Comedy | Miscellaneous | Styles | Music

1712 Overture & Other Musical Assaults
Music for an Awful Lot of Winds and Percussion
The Wurst of P.D.Q. Bach
Ill-Conceived PDQ Bach Anthology
Oedipus Tex & Other Choral Calamities

ASIN: B000003D0T
Release Date: 1995-08-29

Tracks:

Opening And Introduction
I. C Major
II. C Minor
III. C-Sharp Major
IV. D Major
V. D Minor
VI. E-Flat Major
VII. F Major
VIII. G Minor
IX. G Major
X. A Major
XI. A minor
XII. B-Flat Major
Introduction
I. Toccata Et Fuga Obnoxia
II. Chorale Prelude (Ave Maria Et Agnus Dei)
III. Fantasia Sopra
IV. Lullaby And Goodnight
Introduction
I. Spiel Vorspiel
II. Entrada Grande
III. Smokski The Russian Bear
IV. Toccata Ecdysiastica
Calliope Frustration
Introduction
I. Chorale 'Orally'
II. Chorale Prelude On An American Hymn For The Last Sunday Before The Fourth Day Of The Seventh Month After New Year's Eve
III. Chorale Variations On 'In Der Nacht So Hell, Der Petrus Ist Mein Freund'
Epilogue

Customer Reviews:

Lousy - don't buy it!.......2007-05-04

My boyfriend listened to the whole disc, and hated every bit of it.
I heard a couple tracks, and wanted to turn it off after two songs.
Not anywhere near as clever or entertaining as his ILL-CONCEIVED album,
which is the first PDQ we've listened to.

Hello, hello hello howdy do,
my name is Zinging-able-nessedly,
but my frrrrrieeeeeeeeennnndddsss, just call me Zing!

Lackluster.......2003-03-07

I agree with most of the other individuals who have written comments. The first piece, "The Short Tempered Clavier" is, by far, the best piece on the CD. The other works seem oddly derivative of it. There isn't the usual variety in the pieces which Schickele includes (one or two instrumental, one or two vocal). My personal suspicion is that since, years ago, Schickele announced his intention to stop his P.D.Q. Bach work in order to focus on serious compositions, this CD may have been part of a contractual obligation, or, perhaps, just an effort to get the last of the P.D.Q. Bach pieces recorded.

While the "Short Temepered Clavier" is a good piece, its probably not worth the price of the CD. If you were looking for a good P.D.Q. Bach album, I'd buy "Oedipus Tex" or "1712 Overture" or even the lesser-known (but really funny) "Lieberslieder Polkas and Twelve Quite Heavenly Songs".

Great music; forgettable setting.......2003-02-14

I'll get the bad news out of the way first. The "setting" for this performance is allegedly a Senate committee hearing room, where they are debating some ridiculous amendment to the Constitution. All of the sections of the CD where the Professor is just talking to the Senators are rather dull -- I guess Schickele was trying to get in his verbal jokes, like he does in his (hilarious) live performances, but it just falls flat here.

On to the good stuff. The Short-Tempered Clavier is some of PDQ's most inventive writing yet. Of all the solo piano PDQ music that Schickele has put out, this is some of the most cerebral ... There are quotes from other works that you don't hear until you've listened 3 or 4 times -- they're deeply imbedded. The fugue subjects are all quite ridiculous -- Beethoven's 5th, "The Worms Crawl In...", etc. (except for the last), and they are given the full PDQ treatment. The last one (in B-flat) is notable in that the fugue subject is B-A-C-H (see J.S. Bach's "Art of the Fugue", Liszt's treatment, etc.), which PDQ also manages to *invert* (something that old J.S. did once in a while, to show off his stuff). But as soon as you think the fugue might be getting serious, there is an outburst of "For He's a Jolly Good Fellow". Then back to the fugueing. Marvelous stuff.

PDQ does the same thing in the Toccata -- it starts out with the theme of Dad's warhorse Toccata & Fugue in D minor -- only the subject is inverted (it goes up instead of down). This is an example of the oft-mentioned principle that the more you know about music theory and history, the funnier PDQ's stuff is.

Not PDQ's best work, but some of it is close. Not Schickele's best CD, but not bad, either.

Fun, but not the best of PDQ Bach.......2002-04-18

Others have written here of the slight difference between Peter Schickele's "early" and "late" PDQ Bach performances, hence it is slightly surperfluous to say that the more recent Telarc recordings (of which this is one) lack the sparkle and 'zany' character of the earlier ones from the 1970s.

They are certainly still as clever: "The Short-Tempered Clavier" is of course a spoof of J. S. Bach's "Well-Tempered Keyboard", laced with quotations from other areas of the pianists repertoire as well as having the odd snatch of a very familiar tune here and there.

The whole disc is set out as the document of a lecture given by Peter Schickele to a group of skeptical, 'unmusical' US senators, with the PDQ Bach keyboard works woven in as musical examples. Hence, as well as the title work (played on piano), the programme also features appearances by a theatre organ (on which is played the "Pochelbuchlein" - "The Little Pickle Book"), a calliope (used for the "Sonata da Circo" - "Circus Sonata" - the rendition of which is cut short by the explosion of the instrument!) and the organ of the King Congregational Church (get it?!) which is little more than two synthesisers stacked on top of each other.
Each piece is fun, although the impact of the musical jokes will vary depending upon how musically-minded the listener is. In other words, musicologists, pianists and organists are likely to get the most laughs out of the programme. The liner notes add an extra dimension to the fun by containing, as well as a "scholarly essay" on the history, discovery and publication of the music, various quips about those involved in the production of the recording, with in-jokes including a 'specification' of the King Congregational Church organ...

Take it or leave it ... as a Christmas or birthday gift for a musical friend or family-member, it wouldn't be a bad choice.

Some good tracks.......2002-03-01

I enjoyed the Short-Tempered Clavier pieces tremendously. Played masterfully by Christopher O'Reilley, they are witty and delightful. A new suprise is always around the corner, and upon my first listen I found myself grinning and sometimes laughing out loud.

Then comes the rest of the album.

In the succeeding pieces, Schickele uses the same jokes, the same tunes, and crummy synthesized instruments that become so annoying that I just want to turn the thing off.

Do yourself a favor and leave after the first act.

Mahler: Lieder eines fahrenden Gesellen; Kindertotenlieder; Rückert-Lieder
Average customer rating:

One of the Greatest Mahler Lieder Recitals

On The Kindertotenlieder Performance

Grieving

Wonderful performance

This is 70% conducting, 30% singing

Mahler: Lieder eines fahrenden Gesellen; Kindertotenlieder; Rückert-Lieder

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

All Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
Hampson, Thomas | ( H ) | Featured Performers, A-Z | Classical | Styles | Music
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Great Recordings Of The Century - Janet Baker Sings Mahler / Barbirolli, et al

ASIN: B000001GET
Release Date: 1991-09-12

Tracks:

Songs Of A Wayfarer: 1. Wenn mein Schatz Hochzeit macht
Songs Of A Wayfarer: 2. Ging heut' morgen ubers Feld
Songs Of A Wayfarer: 3. Ich hab' ein gluhend Messer
Songs Of A Wayfarer: 4. Die zwei blauen Augen
Songs On The Death Of Children: 1. Nun will die Sonn' so hell aufgehn
Songs On The Death Of Children: 2. Nun seh' ich wohl, warum so dunkle Flammen
Songs On The Death Of Children: 3. Wenn dein Mutterlein
Songs On The Death Of Children: 4. Oft denk' ich, sie sind nur ausgegangen
Songs On The Death Of Children: 5. In diesem Wetter, in diesem Braus
5 Lieder nach Gedichten von Friedrich Ruckert: 1. Liebst du um Schonheit
5 Lieder nach Gedichten von Friedrich Ruckert: 3. Blicke mir nicht in die Lieder
5 Lieder nach Gedichten von Friedrich Ruckert: 2. Ich atmet' einen linden Duft
5 Lieder nach Gedichten von Friedrich Ruckert: 4. Um Mitternacht
5 Lieder nach Gedichten von Friedrich Ruckert: 5. Ich bin der Welt abhanden gekommen

Customer Reviews:

One of the Greatest Mahler Lieder Recitals.......2007-07-07

I've always had an affinity for the alto voice when it comes to Mahler's music. I find that altos are always able to bring this quality of tragedy to their singing that I don't really hear in many baritones. That said, I believe Thomas Hampson is an exception to the rule. I would say that he is much better than Dietrich Fischer-Dieskau for the reason that his singing doesn't quite sound so artificial. The voice has a haunting quality about it, and I don't think Thomas Hampson is an artist who is afraid to let his voice sound hollow for the sake of expressivity. Because of this, there is a sense of loss and abandon that I hear in this recital that I would normally hear in many a great Mahler alto. I still love Christa Ludwig and Dame Janet Baker in these songs, but Thomas Hampson sings Mahler's songs excellently and I would highly recommend this CD for anyone who wishes to hear an alternative to the usual alto cycle. In this CD, we get an exemplary Lieder Eines Fahrenden Gesellen, perhaps the best of them all. The Kindertotenlieder are sung with a haunting beauty that is further accentuated by Hampson's intelligence with the text. Listen to his "Wenn dein Mutterlein" and you will know what I mean. The Rückertlieder too, are one of the very greatest and you must listen to the last song, Ich bin der Welt abhanden gekommen, to understand how much tragedy and loss were Mahler's two greatest companions during his tragic life. Hampson is perhaps the greatest lieder singer alive today (in the baritone department), and how fortunate we are that we can hear this Mahler cycle recorded with one of its greatest exponents. Add to that Bernstein's natural feeling for Mahler's music and the fantastic playing of the Vienna Philharmonic and you have a recording which will stand the test of time as a classic.

On The Kindertotenlieder Performance.......2007-02-23

First, let me say that I can not yet review the recording, I have only now ordered it. I can tell you about the performance, however. I had the good fortune of attending this live performance at the Musikverein in Vienna. I was also privileged to have been given one of Maestro Berstein's personal seats in the front row. This was in 1991, however, I have never forgotten the emotion that filled the room during and after this work was performed. It goes without saying that there was an enthusiastic standing ovation which wasn't surprising in view of the great love the orchestra and the people of Vienna felt for Bernstein. The fact there was hardly a dry eye in the audience gave testimony to the quality of the performance of the orchestra, Thomas Hampson and Maestro Bernstein. I might even suggest that Leonard Bernstein himself appeared to have been equally moved. I looked for this specific recording for 15+ years off and on. I am eagerly anticipating at least a partial reprise of what was a performance that I will remember the rest of my life.

Grieving.......2007-01-09

This was a very beautiful piece reccommended to me by a family member after the death of my son. It's rare and was good to find it so easily.

Wonderful performance.......2006-12-30

I became a Mahler fan a couple of years ago when I bought a recording of his first and ninth symphonies. Earlier this year I purchased Bernstein's complete symphony cycle on DVD, and was further drawn into the wonderful music of Mahler. In my quest for recordings of every piece Mahler ever wrote, I encountered this CD and didn't hesitate. I'd heard Thomas Hampson sing Bernstein's Arias and Barcaroles, and I had already experienced Bernstein's excellent conducting (and composition). It came as no surprise that this recording was such a wonderful one. I really enjoyed the Lieder eines fahrenden Gesellen, and it was doubly delightful to again hear Mahler's symphonies incorporating the same sprightly melodies. The Kindertotenlieder are perhaps not extraordinary, but are by no means lacking. I think that a soprano sometimes might better express these songs, but here Hampson does an ample job.

Overall, I give this recording five stars. Five for the conductor, five for the composer, and four and a half for the singer. RECOMMENDED!

This is 70% conducting, 30% singing.......2006-03-22

Mahler's orchestral songs present such a complex and colorful instrumental part--fascinating enough on their own to do without a singer--that it takes a dominant voice to find the right balance. Here the young Thomas Hampson seems at times overhwlemed by Bernstein's highly personal interpretation, and his singing is strained by the slow tempos Bernstein has chosen.

Before 1991 Hampson had shown his capacity for Mahler, but on this CD he veers between an excellent, deeply felt Wayfarer cycle to a Kindertotenlieder where he struggles just to keep singing--admittedly, it's singing of a plush, refined kind--without finding the right emotional key. I don't find real depth of feeling or the ability to characterize the poetry, which is extremely important in thise songs. Bernstein's conceptions are beautiful, and that may carry the day for many listeners, but this CD is up against Fischer-Dieskau and Furtwangler, Janet Baker and Barbirolli, Kathleen Ferrioer and Bruno Walter. By those exalted standards it barely holds its own.

Average customer rating:

Elly Ameling now more available
Delight in every note
While they last...
Treasures From a Treasure
More than fully earned praise for an exceptional singer.

Artistry of Elly Ameling (Coll)
Elly Ameling
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

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Ave Maria--Lieder

ASIN: B00007KMSJ
Release Date: 2003-10-14

Tracks:

Matthaus-Passion
Johannes-Passion
Weihnachts-Oratorium
Juditha Triumphans
Messiah
Crudel Tiranno Amor
Die Schopfung
Orlando Paladino
7 Lieder
Le Nozze Di Figaro
Exsultate, Jubilate Ch'io Mi Scordi Di Te, K505
Misera! Dove Son! K369
18 Lieder
Frauenliebe Und- Leben
11 Lieder
20 Morike-Lieder

Customer Reviews:

Elly Ameling now more available .......2007-03-07

I had a 33 rpm album of Elly Ameling singing Schubert lieder accompanied by piano and clarinet at times. It was one of my all time favorite albums so I have been disappointed that I have not been able to find it anywhere on CD.

Now I can just buy this excellent collection. So much music in one place! Since I confess that I am far from an expert on the rest of her records, I look forward to hearing her sing many other styles and composers.

I think it is silly to criticize her for not singing Wagner, for example, since her version of many songs, especially lieder, are nothing short of sublime. I would like to hear how many Wagnerians sing Schubert or Mozart.

I doubt if they could approach the skill and soul with which Elly Ameling sings lieder.

Delight in every note.......2006-03-10

To speak as briefly as possible about this superb collection from an equally superb singer, what can I say but that Ms Ameling possessed a voice that shone with radiant warmth and star-like shimmer? And unlike many another light lyric soprano, Elly Ameling was possessed of a very high standard of musicianship, considerable intelligence, and a sort of immediate charm that captivates the listener.

So many of her recordings have still to be released on CD, but this 5CD-set goes some way towards remedying the situation. The repertoire spans a wide variety - French mèlodies, Lieder, light-hearted "sentimental" songs, Bach, etc. - and in each piece, Ms Ameling shows that quality of pearl-like beauty. It is a beauty which is also extremely pretty - a beauty of voice that is never overbearing and over-ripe, but perfectly blossoming upon the tree of inspiration.

I recommend this set unequivocally. It truly is sheer delight.

While they last..........2005-05-17

Elly Ameling held the quiet stage for recitals of great artistry and dignity for several decades and sadly most of the enormously successful CDs of her long career output are now unavailable. For those who have little access to the documentation of this very special artist, this box set is a must. It is a compilation of many of her recordings with differing accompanists, conductors, orchestras and composers. And while not all of the choices for inclusion here would be considered her greatest moments, there are enough works that sustain the warm memories of the little Dutch hausfrau who quietly and simply paid homage to composers with her clear and intelligent musicianship and radiant voice.

Ameling was known to schedule recitals of Schubert cycles and songs and in the afterglow of her performance answer the demand for curtain calls with additional Schubert melodies: she gifted her audience with the dignity of honoring a composer's works by maintaining the focus on that composer rather than milk the audience with the usual encore applause-getting favorites. And special moments such as quietly and pensively strolling through the orchestra during the Mahler 4th symphony to arrive at front stage, unapplauded, just in time for the opening line of her singing - those simple homage to composers and collaborators made her selfless manner endearing to audiences.

Despite the fact that Ameling's voice was on the small side she was always able to muster the projection to carry her message solidly in context with an orchestra. Yes, other more famous singers have recorded Ravel's quintessentially French SHEHERAZADE, but few have the perfection of diction and aura of mystery that Ameling maintained. Whether singing with piano or orchestra, or interpreting Bach, Mozart, Handel, and Vivaldi with the same degree of involvement as Brahms and Schumann and Schubert, Elly Ameling spanned a career that engendered passionate commitment from her fans. And this boxed set is a pocket full of memories to be treasured. Buy it before this too becomes unavailable. Grady Harp, May 05

Treasures From a Treasure.......2004-09-25

Treasures from a Treasure.

Ameling, one of the world's most beloved recitalists is captured here in a 5 CD collection offering some of her most beautiful recordings of song. While we are used to her perfection in songs of Bach, Mozart, Schubert, Schumann, Faure and Hahn, an added joy is her "pop" side, tackling - without a whiff of pretension, Porter, Kern, Gershwin, Ellington, et al.

What an absolute joy it is listening to this amazing artist sing these songs with an almost uncanny natural ease. There is no resorting to a "pop" voice and yet most of these pop standards songs sound as though they could have been written for her. Clean attacks, sometimes a bit of the pop technique of hanging on to a consonant longer than a classical artist normally would shows an appreciation and understanding of the style. Still, there is never once a compromise of her vocal beauty.

I like the way the songs have been arranged for her voice in that she sort of sings them clean, unaffected in the first half and then lets loose and kinda "swings" with it adding embellishments but never really changing her voice (Price, von Stade and other favorite singers of mine seem to have always added a breathy quality to much of their crossover material.)

Ameling doesn't resort to trying to "let her hair down" or get down and dirty, but rather the honest with which she approaches every one of these songs shows how much she enjoys singing them and her style is as refreshing as stumbling onto a cool spring on a sweltering summer's afternoon. A wonderful surprise.

More than fully earned praise for an exceptional singer........2003-07-15

As I had the privilige of hearing this outstanding Lied-singer during her long career in Holland and being the proud possessor of almost all her recordings, I cannot but fully agree with the professional and joyful review of Mr. Robert Holliston from Victoria, B.C. Canada.
Yes, it is unbelievable that of about the 150 recordings Mrs. Ameling made during her long career (for the greater part of course on the 'oldfashioned' LP's, as well as the innumerable Dutch live-recorded radio-concerts), so few CD's have been released.
Speaking of tradition: it was the page-turner of the Wigmore Hall in London who told Mrs. Ameling after her first recital in this hall, that she reminded him of Elisabeth Schumann. (And he certainly didn't mean her looks only!)
For those who are eager to hear her singing Ravel's Shéhérazade (just one example of stirring imagination combined with her Art of Singing) I can tell you that Philips released a 2-box CD of this work in 1999, combined with Debussy's La Damoiselle élue and a compilation of French mélodies, i.e. Debussy, Fauré, Duparc, Satie. One of the gems is Caplet's Le Corbeau et le Renard which even make children, who know the fables of La Fontaine, revel in the singing of the quarrelsome birds....
Her brilliant accompanyist is Rudolf Jansen. Let us cherish great artists in their art!

Average customer rating:

Great Mahler and Bernstein, not so great lieder
short recommendation
Groundbreaking performance! But sound quality...
Bernstein in an Historical Recording of Mahler's Third Symphony
very good overall

Mahler: Symphony No. 3 / Lieder

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000JQGV
Release Date: 1999-07-27

Tracks:

Symphony No. 3 In D Minor: Part One - Movement I: Kraftig. Entschiedne
Symphony No. 3 In D Minor: Part One - Movement I: Langsam. Schwer
Symphony No. 3 In D Minor: Part One - Movement I: Tempo I
Symphony No. 3 In D Minor: Part One - Movement I: a tempo
Symphony No. 3 In D Minor: Part One - Movement I: Immer dasselbe Tempo (Marsch). Nicht eilen
Symphony No. 3 In D Minor: Part One - Movment I: Imalten Marschtempo (Allegro moderato)
Symphony No. 3 In D Minor: Part One - Movement I: Tempo I
Symphony No. 3 In D Minor: Part Two - Movement II: Tempo di Menuetto. Sehr massig
Symphony No. 3 In D Minor: Part Two - Movement II: a tempo
Symphony No. 3 In D Minor: Part Two - Movement II: Ganz plotzlich gemachlich. Tempo di menuetto
Symphony No. 3 In D Minor: Part Two - Movement III: comodo. Scherzando. Ohne Hast
Symphony No. 3 In D Minor: Part Two - Movement III: Wiedersehr gemachlich, wie zu Anfang
Symphony No. 3 In D Minor: Part Two - Movement III: Etwas zuruckhaltend - Sehr gemachlich
Symphony No. 3 In D Minor: Part Two - Movement III: Tempo I. Mit geheimnisvolles Hast!
Symphony No. 3 In D Minor: Part Two - Movement III: Wieder sehr gemachlich, beinahe langsam
Symphony No. 3 In D Minor: Part Two - Movement IV: Sehr langsam. Misterioso. Durchaus ppp
Symphony No. 3 In D Minor: Part Two - Movement IV: Piu mosso subito
Symphony No. 3 In D Minor: Part Two - Movement V: Lustig im Tempo und keck im Ausdruck

Tracks:

Symphony No. 3 In D Minor: Part Two - Movement VI: Langsam. Ruhevoll. Empfunden
Symphony No. 3 In D Minor: Part Two - Movement VI: Nicht mehr so briet
Symphony No. 3 In D Minor: Part Two - Movement VI: Tempo I. Ruhevoll!
Symphony No. 3 In D Minor: Part Two - Movement VI: a tempo (Etwas bewegter)
Symphony No. 3 In D Minor: Part Two - Movement VI: Tempo I
Symphony No. 3 In D Minor: Part Two - Movement VI: Langsam. Tempo I
Three Ruckert-Lieder: Ich atemt einen linden Duft
Three Ruckert-Lieder: Ich bin der Welt abhanden gekommen
Three Ruckert-Lieder: Um Mitternacht
Des Knaben Wunderhorn: Das irdische Leben
Kindertotenlieder: Nun will die Sonn so hell aufgehn
Kindertotenlieder: Nun seh ich wohl, warum so dunkle Flammen
Kindertotenlieder: Wenn dein Muterlein
Kindertotenlieder: Oft denk ich, sie sind nur ausgegangen
Kindertotenlieder: In diesem Wetter

Customer Reviews:

Great Mahler and Bernstein, not so great lieder.......2007-02-13

This CD package has a superb interpretation of a Mahler symphony by one of his best interpreters (see other reviews) with a few bits and pieces of his lieder suites tacked on at the end by B list performers. This is a great buy if you can get it at a bargain price for a single disk, not at a premium price.

short recommendation.......2006-05-10

There are numerous fine performances of Mahlers 3rd symphony, to name a few of my favourites:
Kubelik (DG and Audite), Haitink (RCO studio and live), Boulez (DG).

This performance by Bernstein ranks at the top in my opnion
(Which I like best I don't know, probably Kubelik live or Haitink live)

Never did I hear Bernstein give such a natural reading of a Mahler symphony, his spontaneity this time is more subtle, it doesn't interfere with the music or with the natural pulse of the music.
I particuarly am very impressed with the performance of the second and 3rd movement. (my favourite movements of this symphony), the right balance between refinement, subtlety (beauty of tone) and sharper edges, brighter colors.

(The perfect balance between Haitink and Kubelik if you like)

The sound of this recording however isn't that good...

Groundbreaking performance! But sound quality..........2000-07-19

Bernstein's performance of Mahler's 3rd is groundbreaking! Truly powerful! But the quality of the sound can be a little distracting from time to time. You hear that "sshhhh" sound throughout the symphony. Don't get me wrong. This is the best performance of the 3rd that you can pay for. The next best thing would have to be London/Decca's Solti interpretation. The performance is top notch and the sound quality is crisp and clear. I have to admit the third is my true favorite. If you're going to enjoy it on CD, either find another excellent Bernstein interpretation of Mahler's third, or buy London/Decca's Solti interpretation.

Bernstein in an Historical Recording of Mahler's Third Symphony.......2000-05-21

Bernstein is rightly regarded as the conductor who championed all of Mahler's symphonies in the 1960s when most were unfamiliar to audiences. That so many Mahler symphonies appear each year on every American orchestra's schedule is one of the great, but often overlooked, Bernstein legacies. His recordings of all the Mahler symphonies in the 1960s was an historical landmark, and the lesser-known of the symphonies (such as the 3rd, 6th, and 9th) had the most to gain by their new found exposure at the hands of a master conductor at the top of his form.

The New York Philharmonic musicians in 1961 were probably far less familiar with the long and complicated Mahler's 3rd than they are today. As an apparent result, there are many places throughout the performance where everything doesn't quite line up correctly. There are several key, extended solos in the 3rd symphony---the violin and posthorn (trumpet) solos are outstanding, but the trombone solo suffers from inconsistent intonation (as do the trumpet and horn sections elsewhere).

The orchestra plays quite well throughout---particularly the woodwind section---and Bernstein leads them in a well constructed and often joyous performance. The first movement has a very nice pace to it and an exciting ending. The 3rd movement, however, seems a bit labored and slow, rather than rolling along with the lilting pastoral feeling at its heart. The finale is extremely successful in Bernstein's hands, with a slow and measured pace leading up to a gorgeous climax.

At times Bernstein seeks the broad gesture instead of carefully crafted ensemble work from his musicians. I had very high expectations of this recording when I purchased it, primarily because it has been so favorably mentioned over the years. The recording is exciting and well worth investigating, but I was still slightly disappointed that it did not live up to my hyped-up expectations.

While this recording may be of particular interest to Bernstein fans or Mahler afficionados, it is not the best recording of the 3rd symphony around. Better to buy Horenstein's with the London Symphony Orchestra or James Levine's with the Chicago Symphony Orchestra; apparently Salonen's recording with the Los Angeles Philharmonic Orchestra is fine, but I was not overwhelmed when I heard them perform the work live.

The recording is supplemented by a series of songs: one from Des Knaben Wunderhorn (another poem from this set is used in the 5th movement of the 3rd symphony); the three Rueckert-Lieder; and the desolate Kindertotenlieder. All are well sung by Jennie Tourel and convey the beauty of Mahler's compositional style even in the shorter forms.

very good overall.......2000-01-20

Interpretively this is an excellent recording. Bernstein broke a lot of new ground with this release in the 60's. The ensemble is not as good as in Bernstein's second version, but the many of the solos and the general sound of the orchestra are better in this version. One thing that surprised me was two audible coughs, one in the first movement and one in the last. Considering this is a studio recording this is very surprising. Overall, this is a great recording to own, but if you only want one version of this, there are other performances available that are more insightful. check out Bernstein's second recording, Salonen's new recording with the LA Phil, Horenstein's with the London Symphony, or Lopez-Cobos's with the Cincinnati symphony.

Average customer rating:

A Major Document of an Incredible Oeuvre...

Schubert: Lieder

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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ASIN: B000AYQCIK
Release Date: 2005-12-13

Customer Reviews:

A Major Document of an Incredible Oeuvre..........2007-03-12

.
Of over 600 songs, Fischer-Dieskau and Gerald Moore realized over three-quarters: these are those. Gerald Moore was of course as important to this project as Fischer-Dieskau.

DGG's sound is excellent.

This set is a remarkable document of art.
.

Mahler: Urlicht - Primal Light / Caine, Bensoussan, et al.

Average customer rating:

jaw-dropping interpretation of Mahler
Mahler revered
Uri Caine's mutiny against Mahler
raw, gritty and fertile freshly tilled earth
The New quintessential performance of Mahler

Mahler: Urlicht - Primal Light / Caine, Bensoussan, et al.
Uri Caine
Manufacturer: Winter & Winter
ProductGroup: Music
Binding: Audio CD

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Plays Mozart
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ASIN: B000007RYQ
Release Date: 1998-06-23

Tracks:

Sym No.5: Funeral March
The Boy's Magic Horn: The Drummer Boy
Songs Of The Death Of Children: Now Will The Sun Rise As Brightly
Songs Of The Death Of Children: I Often Think They Have Merely Gone Out!
Sym No.1 'Titan': 3rd Movt
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The Song Of The Earth: The Drunkard In Spring
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The Song Of The Earth: The Farewell

Amazon.com

This auspicious, surprising, release debuted the Winter & Winter imprimatur, which carries on German producer Stefan Winter's longstanding role in blurring musical boundaries, as he did for so many years with the jazz label JMT. Pianist Uri Caine, known mainly for playing in the polystylistic mode of New York's downtown jazz scene, steeped himself in Mahler's music in preparation for the 1995 series of concerts leading up to this CD. Caine's ensemble--14 members strong, at points--recasts portions of Mahler's symphonic cloudbursts into a setting that smacks of klezmer, jazz, and crazy combinations of the scores' lavish bombastics. It's clear that Mahler's works tested the boundaries of so many available sounds at the turn of the century, from cantors to martial brass to Wagnerian bulk. Caine attempts it all, succeeding most somberly in the sections based on the Resurrection Symphony and most clangorously in the First Symphony's third movement, transformed into a serious klezmer bash by Caine, clarinetist Don Byron, and drummer Joey Baron. --Andrew Bartlett

Customer Reviews:

jaw-dropping interpretation of Mahler.......2006-12-03

I am a Mahler fan - and I don't like jazz! So I was rather nervous at listening to this first time around. But I found it simply stunning. The resurrection symphony slow movement, complete with screeching solo violin emulating a searingly distorted electric guitar was, in fact, profoundly moving. And the sheer musicianship of the performers, in the more sensitive sections earned my utmost respect. This album is shocking, unbearable, gripping, lighthearted, exciting, mocking, reverential, tender - everything Mahler was. Fantastic buy!

Mahler revered.......2006-11-16

On his 1997 release Urlicht / Primal Light, Uri Caine took some of Gustav Mahler's most famous compositions, and, well, jazzed them up, with some of the most prominent musicians on the downtown New York scene, including Dave Douglas and Joey Baron.

What still surprises me about this beautiful album is just how faithful Caine is to Mahler. Unlike his later Goldberg Variations, this isn't Mahler deconstructed, it's Mahler revered, in a small group jazz (and at times, thanks to Don Byron , klezmer) setting. It makes perfect sense -- if some of the greatest jazz performances have come from mediocre show tunes, why not use symphonies and lieder as a starting point for improvisation?

Uri Caine's mutiny against Mahler.......2006-09-30

I've been a big Mahler fan since Bernstein's first recording (4th Symphony) as well as a knowledgeable follower of jazz. These pieces are grotesque caricatures of Mahler melodies and while I have not heard Caine's other depredations, after listening to this one I think I'll pass. If this is something released after a jam session that somehow was rescued from the cutting room floor, my apologies. But Mahler's melodies do not belong in a setting like this and who is Caine to try to improve on Mahler's orchestrations? Save your money.

raw, gritty and fertile freshly tilled earth.......2005-12-13

it's not pure as in so many anally treated works of Mahler. admittedly i am not interested in listening to see if the sonority of the instruments is perfect to some pompous standard, and it's not but there is another dedication here and an unmeasurable energy. i love the youthfulness of this work.

The New quintessential performance of Mahler.......2005-07-06

This is the story i was told when buying this record, it's been many years so this is as close as i could remember it:

"There is an annual competition where orchestras from all over the world come together to perform Mahler pieces. It's been going many many years... then along came Uri Caine. His orchestra included Cantors (jewish religious singers) and a cacophony of other messy instruments and ideas to perform with. They won to competition to the horror of stuffy stuck-up Mahler purists the world over.. How could this horrible mess win over all ther other very traditional (very similar and boring) performances!? Uri Caine's orchestra has continued to win every year since. Why? Because Uri's interpretation gives a fuller understanding of Gustav Mahlers background, his roots, he brings so much life to the music."

So then i actually listened to the music myself and it was breathtaking, funny, it told stories, it had personality, it was bursting at the seams with new ideas.

I listen to all kinds of music, but rarely jazz and rarely classical. I was not familiar with Uri Caine or Gustav Mahler, but after hearing that story, then listening for myself i had to have this cd. And while often my purchases are terrible mistakes, this one was a resounding success. This cd is my most treasured.

Average customer rating:

Superb collection
Boskovsky and the Strauss Family of Vienna.
Strauss's Lover Must Own!!!!!

Strauss: Waltzes, Polkas & Marches

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

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ASIN: B0000042GN
Release Date: 1997-11-11

Tracks:

Walzer, Op. 314: An der schonen, blauen Donau
Polka schnell, Op. 373: Auf der Jagd
Walzer, Op. 410: Fuhlingsstimmen
Pizzicato-polka
Op. 335: Egyptischer Marsch
Op. 214: Tritsch-Tratsch-Polka
Op. 173: Dynamiden-Waltzer
Polka-Mazurka, Op. 144: Die Schwatzerin
Walzer, Op. 270: Carnavals Botschafter
Op. 117: Annen-Polka
Walzer, Op. 75: Fesche Geister
Polka schnell, Op. 278: Jokey Polka
Walzer, Op. 235: Spharenklange
Polka francaise, Op. 269: Feuerfest
Op. 29a: Wettrennen-Galop

Tracks:

Walzer, Op. 325: Geschichten aus dem Wienerwald
Polka schnell, Op. 240: Eingesendet
Op. 228: Radetzky-Marsch
Op. 269: Demolirer-Polka
Walzer, Op. 367: Du und Du
Polka-Mazurka, Op.129: Brennende Liebe
Op. 433: Spanischer Marsch
Polka schnell, op.45: Bahn frei!
Walzer, Op.258: Aquarellen
Polka schnell, Op.393: St|rmisch in Lieb' und Tanz
Polka-Mazurka, Op.166: Frauenherz
Op. 411: Lagunen-Walzer
Polka francaise, Op. 235: Piefke un Pufke
Freuet euch des Lebens Walzer, op.340
Musikalischer Scherz, Op.257: Perpetuum mobile

Tracks:

Walzer, Op. 333: Wien, Weiss und Gesang
Polka francaise, Op. 336: Im Krapfenwaldl
Walzer, Op. 346: Tausend und ein Nacht
Op. 156: Napoleon Marsch
Walzer, Op. 364: Wo die Citronen blueh'n!
Polka-Mazurka, Op. 204: Die Libelle
Polka francaise, Op. 57: Moulinet
Walzer, Op. 443: Seid umschlungen, Millionen
Polka schnell, Op. 413: So angstlich sind wir nicht
Polka-Mazurka, Op. 315: Lob der frauen
Op. 43: Explosions Polka
Walzer, Op. 184: Transactionen
Polka francaise, Op. 281: Heiterer Mut
Op. 42: Sperl Galopp

Tracks:

Walzer, Op. 354: Wiener Blut
Op. 211: Champagner-Polka
Walzer, Op. 307: Wiener Bonbons
Op. 449: Neue Pizzicato-Polka
Walzer, Op. 114: Liebeslieder
Ungarische Polka schnell, Op. 332: Eljen a Magyar
Walzer, Op. 316: Krleben
Op. 378: Banditen-Galopp
Op. 426: Russischer Marsch
Polka schnell, Op. 324: Unter Donner und Blitz
Walzer, Op. 279: Morgenbler
Polka schnell, Op. 133: Auf Ferienreisen
Walzer, Op. 164: Dorfschwalben aus terreich
Op. 126: Kaiser Franz Joseph I. Rettungs-Jubel-Marsch

Tracks:

Walzer, Op. 388: Rosen aus dem S
Polka schnell, Op. 281: Vergnzug
Op. 437: Kaiserwalzer
Polka schnell, Op. 319: Leichtes Blut
Walzer, Op. 154: Loreley-Rhein-Kle
Polka, Op. 291: 'S gibt nur a Kaiserstadt, 's gibt nur a Wien !
Walzer, Op. 143: Schneeglhen
Polka-Mazurka, Op. 282: Die Emancipirte
Polka schnell, Op. 259: Mit Extrapost
Walzer, Op. 234: Accelerationen
Polka Francaise, Op. 372: Bitte Sch
Op. 289: Persischer Marsch
Walzer, Op. 212: Delirien
Op. 365: Tik-Tak-Polka

Tracks:

Op. 363: Fledermaus-Quadrille - Various Artists
Polka, Op. 271: Ohne Sorgen - Various Artists
Walzer, Op. 263: Mein Lebenslauf ist Lieb und Lust - Various Artists
Op. 236: Orpheus-Quadrille - Various Artists
Polka, Op. 230: Im Fluge - Various Artists
Walzer, Op. 361: Bei uns z'Haus - Various Artists
Schutzen-Quadrille - Various Artists
Polka, Op. 241: Extempore - Various Artists
Walzer, Op. 390: Nordseebilder - Various Artists
Polka, Op. 241: Freikugeln - Various Artists
Walzer, Op. 101: Mephistos Hollenrufe - Various Artists
Marsch, Op. 478: Aufs Korn - Various Artists
Walzer, Op. 329: Erinnerung an Covent-Garden - Various Artists
Op. 152: Rudolfsheimer-Polka - Various Artists

Amazon.com

Boskovsky's encyclopedic collection with the Vienna Philharmonic, recorded between 1957 and 1976, is as close to definitive as one is likely to get. There was a special camaraderie between Boskovsky and the Philharmonic--he was a member of the orchestra's violin section for 37 years and conducted their New Year's Day concerts from 1955 until 1979. There was also a special empathy that these performers, as custodians of a tradition going back to its origins, felt for the music of the Strauss family. It comes across quite wonderfully on these mid-price CDs, which have been painstakingly remastered for an edition every collector should have. --Ted Libbey

Customer Reviews:

Superb collection.......2006-03-07

If you love or are just curious about the music of Vienna's Strauss family, this is the box set for you. You need look no further. Willi Boskovsky and the Vienna Philharmonic set the standards for the performance of these sublime waltzes, polkas and marches. The sound is fine, too, even though the recordings are not new. This is, quite simply, a magnificent set. I cannot recommend it highly enough.

Boskovsky and the Strauss Family of Vienna........2003-06-12

A long series of Strauss music recordings conducted by Willi Boskovsky provides the contents of this slender, super-compact box of 6 CDs. Those who collected the original issues should check the contents before jettisoning them, because not everything has been reissued here. I especially regret that the vocal version of "An der schönen blauen Donau" has been omitted.

No combination has ever excelled Willi Boskovsky and the Vienna Philharmonic Orchestra in performing this repertoire. Although the waltzes, polkas, quadrilles, marches and overtures were performed over and over again by these musicians, there is never a hint of workaday routine or staleness to be heard here. Everything seems to unfold naturally. Each item's inherent character is displayed. Tiny nuances and felicities of phrasing and a balance that favors the melody and reduces the accompaniment make these performances inimitable. The performance of "Morgenblätter" seems to provide a tad more excitement and impact than the other 85 items.

The recordings were made between 1960 and 1976. They are studio recordings, not deriving from the famous New Year concerts, and all but the few items from the very earliest year provide excellent sound.

Strauss's Lover Must Own!!!!!.......2001-10-09

Budget Price..... Recording and sound are good to excellence .... Let's enjoy and touch the spirits of Vienna now.....

Music Review:

Music Review

Music Review

1. Stand Up for Jesus
2. In the End
3. Simple Man!
4. All I Can See
5. Ten Thousand Miles
6. Somethin's Missing
7. Get Up for Love
8. Sea of Love
9. Love You Tomorrow
10. Victory