Even Me

Track Listings

1. Lord I Love you

2. And I'll Praise

3. Just For A Season

4. Even Me

5. Instant Praise

6. I Surrender

7. Jesus In Me

8. God Is Always There

9. Reprise

10. Great is thy faithfulness

Editorial Reviews
About the Artist
Lecresia Campbell is one of the unsung diva's in gospel music. She spends most of her time on the gospelmusic circuit doing plays like David Talberts "Mr. Right Now" and "Only The Strong" and performing at crusades and conventions. She is best known for her work with the Wilmington Chester Mass Choir and songs like the Stellar Award winning "Stand Still Until His Way Is Clear" and "Even Me". Lecresia studied music in college and her range extends four octaves. Ms. Campbell recorded live and was produced by the producer who knows her best, Chris Squire (Stellar Award Winner Wilmington Chester). Her project includes a Carol Antrum song, her signature song "Even Me" and a jazzy tune Ella Fitzgerald style. To say Lecresia can carry a tune would be an understatement. BAND_MEMBERS: Lecresia Campbell and Various Musicians.

Album Description
1998 Stellar Award Nominated Gospel Music Album

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.

Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Average customer rating:

Nice Collection

PERFECT!

Great singing and excellent value for money

More than two hours of beautiful 17th century 'ayres'

Purcell: Songs & Airs / Argenta, North, Boothby, Nicholson, Toll
Henry Purcell , Nancy Argenta , and Nigel North
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

Purcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
General | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
General | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
General | Classical | Styles | Music
General | Opera & Vocal | Styles | Music
Odes | Vocal Non-Opera | Opera & Vocal | Styles | Music
General | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

Essential Purcell

Purcell: The Fairy Queen

Purcell: Odes for St. Cecilia's Day - Music for Queen Mary / Taverner Consort

English and Italian Renaissance Madrigals

Gabrieli · Monteverdi · Vivaldi - Venetian Church Music / Taverner Consort, Choir & Players · Andrew Parrott

ASIN: B000059LOH
Release Date: 2001-06-05

Tracks:

O Solitude - Nancy Argenta/Nigel North
Ah! How Sweet It Is To Love - Nancy Argenta/Richard Boothby/Paul Nicholson
Not All My Torments - Nancy Argenta/Nigel North/Paul Nicholson
Stripp'd Of Their Green - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
Tell Me, Some Pitying Angel - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
If Music Be The Food Of Love - Nancy Argenta/Richard Boothby/Paul Nicholson
Hark! Hark! The Echoing Air - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
The Fatal Hour Comes On Apace - Nancy Argenta/Nigel North
Incassum, Lesbia - Nancy Argenta/Nigel North/Paul Nicholson
Sweeter Than Roses - Nancy Argenta/Nigel North/Richard Boothby
Cupid, The Slyest Rogue Alive - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
From Silent Shades - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
Dear Pretty Youth - Nancy Argenta/Nigel North/Richard Boothby
From Rosy Bow'rs - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
Now That The Sun Hath Veil'd His Light - Nancy Argenta/Paul Nicholson
Beneath A Poplar's Shadow - Nancy Argenta/Nigel North/Richard Boothby
I Attempt From Love's Sickness To Fly - Nancy Argenta/Paul Nicholson
Let Us Dance - Nancy Argenta/Nigel North/Richard Boothby/Paul Nicholson
Fairest Isle - Nancy Argenta/Nigel North
O Solitude - Nancy Argenta/Richard Boothby

Tracks:

Nymphs And Shepherds - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
Amidst The Shades And Cool Refreshing Streams - Nancy Argenta/Nigel North
Love In Their Little Veins Inspires - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/Nigel North
Fly Swift, Ye Hours - Nancy Argenta/Richard Boothby/Nigel North/John Toll
They Tell Us That Your Mighty Powers - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North/John Toll
The Plaint: O Let Me Weep - Nancy Argenta/Pauline Nobes/Richard Boothby/Nigel North/John Toll
In The Black, Dismal Dungeon Of Despair - Nancy Argenta/Nigel North/John Toll
See, Even Night Herself Is Here - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones
Why Should Men Quarrel? - Nancy Argenta/Rachel Becket/Marion Scott/Richard Boothby/John Toll
Seek Not To Know - Nancy Argenta/Paul Goodwin/Sophia McKenna/Richard Boothby/Nigel North/John Toll
Retir'd From Mortals' Sight - Nancy Argenta/Nigel North
To Arms, Heoric Prince - Nancy Argenta/Mark Bennett/Richard Boothby/Nigel North/John Toll
O Lead Me To Some Peaceful Gloom - Nancy Argenta/Richard Boothby/Nigel North/John Toll
Halcyon Days - Nancy Argenta/Paul Goodwin/Pauline Nobes/Richard Boothby/Nigel North/John Toll
Bid The Virtues - Nancy Argenta/Paul Goodwin/Richard Boothby/Nigel North/John Toll
Lord, What Is Man? (A Divine Hymn) - Nancy Argenta/Richard Boothby/Nigel North/John Toll
Music For A While - Nancy Argenta/John Toll
If Music Be The Food Of Love (1st Setting) - Nancy Argenta/Richard Boothby/John Toll
Sawney Is A Bonny Lad (A Scotch Song) - Nancy Argenta/Nigel North
When I Have Often Heard Young Maids Complaining - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Richard Boothby/Nigel North/John Toll
Ah! Cruel, Bloody Fate - Nancy Argenta/Nigel North/John Toll
Thy Hand, Belinda... When I Am Laid In Earth - Nancy Argenta/Nicholas Robinson/Fiona Huggett/Trevor Jones/Richard Boothby/Nigel North

Customer Reviews:

Nice Collection.......2007-03-05

I have many collections of Purcell's Music. This collection stands up to them at half the price. Solid buy.

PERFECT!.......2006-10-26

There is only a word with which I can describe this set of discs: perfect!
The only flaw there is, is not related to the singing or playing: no text enclosed.

Great singing and excellent value for money.......2004-09-19

This is probably one of the best anthologies of Purcell songs around, and not just because it's two-for-one pricing means it contains twice as much music (CD1:74'24" & CD2: 77'41")! Nancy Argenta has an irrepressible sense of style and crystal clear diction. But unlike Emma Kirby, whose vocal purity can become tiresome, these renditions radiate warmth. She is also, I have found, more consistently involving than any one of the singers in Hyperion's three disc survey of Complete Secular Songs (recently reissued as a single set). One marvels at how she judiciously balances restraint and emotional forthrightness. The accompaniments (archlute, viola da gamba, harpsichord, and organ) are well judged and blend with the voice, all helped by an excellently defined recording acoustic. This is an absolute winner at any price!

More than two hours of beautiful 17th century 'ayres'.......2001-08-02

Two CDs, totaling more than 150 minutes of sparsely-arranged (never more than 3-5 instruments at a time), sweetly-sung, 350 year old 'ayres' (a typically English form of secular music). Nancy Argenta's soprano voice is lovely, silvery indeed as her name implies. The instruments are a discreet but friendly accompaniment to her solo voice. Perhaps the instruments are a little too discreet -- there are times when I wish they were a touch more prominent. But that is a very, very minor complaint. A beautiful collection, and quite well worth the money.

Another Place Another Time/She Even Woke Me Up to Say Goodbye

Average customer rating:

Killer packs raw tenderness into these.
Killer Country
A Great Cd
Some of his best work, and thus among THE BEST
killer country

Another Place Another Time/She Even Woke Me Up to Say Goodbye
Jerry Lee Lewis
Manufacturer: Raven [Australia]
ProductGroup: Music
Binding: Audio CD

General | Country | Styles | Music

Honky-Tonk | Country | Styles | Music

General | Traditional Country | Country | Styles | Music

General | Rock | Styles | Music

General | Oldies & Retro | Rock | Styles | Music

Pop Rock | Pop | Styles | Music

General | Oldies | Pop | Styles | Music

General | Country | Indie Music | Stores | Music

Oldies & Retro | Rock | Indie Music | Stores | Music
Similar Items:

Sings the Country Music Hall of Fame Hits 1 & 2
Killer Country
Country Songs for City Folk/Memphis Beat
The Best of Jerry Lee Lewis
The Session

ASIN: B00006RHRV
Release Date: 2002-11-05

Tracks:

What's Made Milwaukee Famous (Has Made a Loser Out of Me)
Play Me a Song I Can Cry To
On the Back Row
Walking the Floor Over You
All Night Long
I'm a Lonesome Fugitive
Another Place, Another Time
Break My Mind
Before the Next Teardrop Falls
All the Good Is Gone
We Live in Two Different Worlds
Once More With Feeling
Workin' Man Blues
Waiting for a Train
Brown Eyed Handsome Man
My Only Claim to Fame
Since I Met You Baby
She Even Woke Me Up to Say Goodbye
Wine Me Up
When the Grass Grows Over Me
You Went Out of Your Way (To Walk on Me)
Echoes
She Still Comes Around (To Love What's Left of Me) [*]
Today I Started Loving You Again [*]
There Stands the Glass [*]
Listen, They're Playing My Song [*]
Let's Talk About Us [*]
To Make Love Sweeter for You [*]

Product Description

Disc 1: Another Place Another Time (1968)
1. What's Made Milwaukee Famous (Has Made A Loser Out Of Me)
2. Play Me A Song I Can Cry To
3. On The Back Row
4. Walking The Floor Over You
5. All Night Long
6. I'm A Lonesome Fugitive
7. Another Place Another Time
8. Break My Mind
9. Befor The Next Teardrop Falls
10. All The Good Is Gone
11. We Live In Two Different Worlds (Duet with Linda Gail Lewis)

Disc 2: She Even Woke Me Up To Say Goodbye (1970)
1. Once More With Feeling
2. Workin' Man Blues
3. Waiting For A Train
4. Brown-Eyed Handsome Man
5. My Only Claim To Fame
6. Sine I Met You Baby
7. She Even Woke Me Up To Say Goodbye
8. Wine Me Up
9. When The Grass Grows Over Me
10. You Went Out Of Your Way (To Walk On Me)
11. Echoes

Bonus Tracks from She Still Comes Around (To Love What's Left of Me)(1969)

She Still Comes Around (To Love What's Left Of Me)

Today I Started Loving You Again

There Stands The Glass

Listen, They're Playing My Song

Let's Talk About Us

To Make Love Sweeter For You

Format: CD

Customer Reviews:

Killer packs raw tenderness into these. .......2006-12-31

The Killer is My Man. Jerry Lee was a rocker when I was in highschool. When I got older I moved into classical music and opera. In the last decade I have been listening to country as well. And that's where I rediscovered the Killer. He is the Best. When he sings country standards he makes them his own, making me forget who first made the song famous. On this CD Jerry Lee puts his own stamp on two famous Merele Haggard standards, done differently but as well as Hag. Jerry Lee sings with open human abandon, which makes him so easy to love, his songs so easy to relate to. He is also a genius. When I was a girl he was thought to be too naughty, but my life experience has shown that we are on the same field, no one better than another. However, musically speaking, Jerry Lee is the Best. Listen to him and stomp and weep.

Killer Country.......2004-11-28

In the late 1960s Jerry Lee Lewis moved back to the music he grew up with--country music. This disc brings together 2 of his very best country albums for Smash/Mercury plus few cuts from a third. The music is fine late 1960s honky tonk style, with excellent readings of some Merle Haggard, Webb Pierce, and Jimmie Rodgers songs. Some of Lewis' finest country titles are here, including "Another Time, Another Place." I especially enjoy his performance with Linda Gail Lewis on "We Live In Two Different Worlds," simply one of the best songs Fred Rose ever wrote. Of course some rockabilly rowdiness slips in, it would not be the Killer without it. Essential country music for the true country fan.

A Great Cd.......2004-04-28

It's Sad that "The Killer" is always over looked, but this cd makes his statement of "Elvis may be the greatest, but I'm the best." true. "There stands the glass," and "Waiting for a train." Is enough reason to buy this cd alone. The problem of why he is often overlooked may have to do with the amount of poor quality bootleg cds that bares his name. Unlike Elvis who's estate clamped down on the bootleg and poor quaility music, Jerry Lee Lewis's bootlegs are all over the place and his great studio work is hard to find. This is impart do to the many different labels that he has been signed to. I hope at some point he will get control of his music catalog and re-release his great studio work from the sun records era and those of his country recordings era, but until that happens this cd is a great place to start.

Some of his best work, and thus among THE BEST.......2003-06-06

These recordings are among the most commercially successful country records ever done. Moreover, they are among the most artistically successful recordings done by anyone doing straight bar brand country music. JLL just kills these songs, he makes them all personal, he makes them all live, and makes you believe he has lived them.
Contrary to what some others say, JLL has been doing his own interpretations of the country classics since his original sun records the 1950s. His version of Crazy Arms (from 56 or 57 I believe) redefined the song. his version of You Win Again did something rare. He took a song away from Hank Williams. Today if you played or sang Hanks version of the song anywhere, it wouldnt be recognized, and wouldn't be as good as the standard way JLL does it. He did all kinds of country standards during the late 50s and early 1960s when Sun had him doing hundreds of recordings to be salted away until he made a come back.
JLL's work in the 1960s before these country recordings was not "in the wilderness." Some of the rock albums he did for Mercury Smah and Mercury represent some of the best rock and rockabilly recordings ever made, more mature musically, but wilder than things he did in the 1950. Get the two live recordings, one from Panther Hall in Houston, the other from Birmingham if you want to see the light.
It is interesting that these country side are a triumph of JLL as a singer. he barely plays the piano on some selections, on the last selections he plays no piano at all, but these are all classics. Anyone around anywhere where any music was coming off a radio or a juke box anywhere during the late 1960s and eary 1970s heard these songs.
This is among Jerry's best. That means it is among the world's greatest.
Dont forget JLL is still rocking his life away at 66 years old he is still pounding that piano!

killer country.......2003-06-01

Jerry Lee finally made it to Finland 10 years ago. And the audience loved him. Not so much for his old rockers (his age started to show on those numbers) but for the real country tunes that he suddenly started to play. The audience in the huge Hartwall arena listened in awe: this was a man who had walked through hell and made a mess out of his personal life in the early 60's, then made a comeback and in the early 90's could still sing about heartbreak and being on the dole like nobody else on this planet. A stunning and captivating performance! And this album, this 2fer is just great, it has some of those songs he sang that night,like "What made Milwaukee famous" (we Finns love that one!)and the ironic "She even wake me up...". They say Jerry Lee was a bad boy. Maybe so, but he sure gave us some great music!

Average customer rating:

The Soundtrack to Cinderella Man is great
Another good score from Thomas Newman.
Very nice
Why...
A fairly conventional score for Thomas Newman, but enjoyable nonetheless

Cinderella Man
Thomas Newman
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Movie Scores | Soundtracks | Styles | Music

Movie Soundtracks | Soundtracks | Styles | Music

General | Soundtracks | Styles | Music

General | Vocal Pop | Pop | Styles | Music

The Decca Records Store | Specialty Stores | Music
Similar Items:

Road to Perdition (Score)
Angels in America
The Green Mile: Score from the Motion Picture
The Horse Whisperer: Original Score
The Shawshank Redemption: Original Motion Picture Soundtrack

ASIN: B0008ENHX0
Release Date: 2005-05-24

Tracks:

The Inside Out
Shim-Me-Sha-Wobble
Mae
Change Of Fortune
Weehawken Ferry
Cold Meat Party
All Prayed Out
Tillie's Downtown Now
Three Bucks Twenty
Corn Griffin
Shoe Polish
Londonderry Air
The Hope Of The Irish
Hooverville Funeral
Fight Day
Good As Murder
We've Got To Put That Sun Back In The Sky
No Contest
Pugilism
Bulldog Of Bergen
Big Right
9, 4, 2 Even
Cinderella Man
Turtle
Cheer Up! Smile! Nertz! - Eddie Cantor

Amazon.com

For this movie about 1930s boxer Jim Braddock (Russell Crowe), director Ron Howard interrupted his longtime collaboration with composer James Horner and teamed up with Thomas Newman. It's a wise decision: Newman has a lighter touch and his somber palette emphasizes the fact that Cinderella Man is more thoughtful drama than mere brawling flick (even a track titled "Pugilism" eschews obvious punchiness in favor of ominous, rolling tribal-like percussion. Elsewhere, "Weehawken Ferry" illustrates Newman's ability to write swelling, majestic music that's not bombastic. Typical of the subdued approach is Paul Giamatti's version of "Londonderry Air," which he delicately whistles. The score is interspersed with a few lovely Depression-era tunes such as Chicago tenor saxist Bud Freeman's "Tillie¹s Downtown Now," Roane's Pennsylvanians' "We've Got to Put that Sun Back in the Sky," and especially Eddie Cantor's wonderfully biting "Cheer Up, Smile, Nertz" ("Our judges are queer/Our banks disappear/And all the while they tell us to smiiiiile"). --Elisabeth Vincentelli

Customer Reviews:

The Soundtrack to Cinderella Man is great.......2007-01-11

Cinderella Man is one of my favorite movies of all time. And the soundtrack does not disappoint. They have all of the powerful songs heard on the DVD. It even has the songs that you could barely hear in the movie because they were simply background music to the scenes. For instance, when Mike Wilson and Jim Braddock sit down together after work and have a drink and discuss the troubled times their nation was facing during the depression, you can faintly hear a song called, "We've Got to Put that Sun Back in the Sky" by Roane's Pennsylvanians. That song is on here in its entirety.

The other example is found in the scene where Joe Gould is seen driving off after just speaking with Jim about his hopes of getting him another fight after Jim had defeated Corn Griffin. Joe is trying to leave before Mae can see him because he knows she would not approve of his talking with Jim and the potential of another fight for her husband. Anyway, just as he gets in the car, and as he drives off, you can here Bud Freeman's "Tillie's Downtown Now" being played--another great song from that era.

Every sound of Cinderella Man is found on this soundtrack. The lone downside to this CD is that the songs are not found in the order they appear in the movie. The first four songs are in order and the last five or so are in order, and the rest is thrown in the middle. They are all there, but as is typical for most soundtracks, they don't all coincide with the order presented in the picture.

This soundtrack is a terrific purchase for any fan of this movie. You will not be disappointed.

Another good score from Thomas Newman........2006-11-07

Thomas Newman is becoming quite the composer. He has such a unique style, but is able to use it to compliment the movies he scores without the music sounding out of place or out of period. The tracks "Turtle" and "Pugilism" are fun to listen to. The first track is short and yet somehow moving. There are enough songs from the period to lend the right flavor to the soundtrack (including a track of Paul Giamatti whistling "Londonderry Air"). This one's definitely worth having if you're a fan of Thomas Newman.

Very nice.......2006-08-03

I suppose this would have been better, like another reviewer said, if some of the tracks had been more than minute-long cuts of the music from Cinderella Man. Still, it's a fantastic soundtrack!--I don't know what "conventional" meant when someone called it that, but if you like sad and somber music, you'll certainly like this. Try it. It's almost better than the movie itself, and the movie was great. After this, I have to hear Thomas Newman's other work.

Why..........2006-07-11

I dearly loved the movie, "Cinderella Man," and the music in it. However, why on earth, on the CD, did they play only a minute, or less, of some of the best music? Like, "Hope of the Irish," I liked that so much, but 52 seconds dosn't do it. In the film it was at least 3 minutes or more. I have decided not to buy the soundtrack simply because of this.

A fairly conventional score for Thomas Newman, but enjoyable nonetheless.......2006-03-25

Cinderella Man is, in a way, a return to conventional scoring for Thomas Newman. For a long while we've heard world instruments and percussion banging it out before stopping to allow beautiful themes to grasp our souls, but in Cinderella Man the effort is more restrained. It is largely a score for piano and strings, and fans of Thomas Newman will have heard the sound before. But, all the same, it is an enjoyable score for Newman fans of both kinds, and while it does take a while to get into a full expression of the story, it is definitely worth the wait.

The piano is used a lot in the score, making appearances across most of the tracks, including the gentle "The Inside Out" or in "Mae", appear with the delicate strings that we have come to expect from Newman. "Pugilism" makes use of pizzicato movements, whereas the two Irish influenced tracks, "Hope of the Irish" and "Turtle", bring back some more unconventional instruments as one would expect. But largely, the score meanders in the background, establishing a delicate tone and texture, but never really taking a forefront. Of course, I must make mention of the wonderful "Weehawken Ferry", which presents a crisp walking movement of strings, similar to what was heard in Shawshank Redemption. However, it is not until the final few tracks that the music finally free's itself from it's subdued nature and reaches out. "Big Right" explodes with blaring french horns and sharp strings, until it finally fades off and allows the highlight track, "Cinderella Man", to come in. This track is Newman at his best, with his typical soaring string arrangement of the main theme introduced in "The Inside Out", before finally reverting back to quiet woodwinds and piano near the end.

Cinderella Man is by no means an innovative or groundbreaking score - it's a fairly conventional drama score. The same adjectives could be applied to the movie as well. Is it worth the pick-up? Definitely, if you are looking for more Newman goodness. However, if you're looking to get into the world of Newman with a more colorful score - try "Angels in America" or "Road to Perdition".

- prasanth1111@gmail.com

Average customer rating:

A Comic-Opera Treasure!
an obscure delight!

Dittersdorf: Arcifanfano, King of Fools

Manufacturer: Video Artists Int'l
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music
Similar Items:

Anna Russell Takes On... Nabucco & The Magic Flute
The Anna Russell Album
Anna Russell Again?
Encore?
Anna Russell - Crown Princess of Musical Parody: Her Television Appearances 1964, 1976, 1977

ASIN: B000003LIK
Release Date: 1994-12-12

Tracks:

Arcifanfano, King Of Fools: Act I: Overture
Arcifanfano, King Of Fools: Act I: Chorus - We've Traveled Far (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
Arcifanfano, King Of Fools: Act I: Recitative - Approach! What Is Your Name, Sir? (Furibondo)
Arcifanfano, King Of Fools: Act I: Aria - With A Sword That Is Sterner Than Moses (Furibondo)
Arcifanfano, King Of Fools: Act I: Recitative - Unhappy Oddling (Gloriosa)
Arcifanfano, King Of Fools: Act I: Aria - My Fair Skin, My Bare Chin (Gloriosa)
Arcifanfano, King Of Fools: Act I: Recitative - Was Ever There Insanity (Sordidone)
Arcifanfano, King Of Fools: Act I: Aria - Snugly Hidden Safe From Prying (Sordidone)
Arcifanfano, King Of Fools: Act I: Recitative - Madness Beyond All Measure (Malgoverno)
Arcifanfano, King Of Fools: Act I: Aria - When The Purse Is Clinking (Malgoverno)
Arcifanfano, King Of Fools: Act I: Recitative - There, Like A Vapor (Semplicina)
Arcifanfano, King Of Fools: Act I: Aria - O Look So Woeful (Semplicina)
Arcifanfano, King Of Fools: Act I: Recitative - Such As She Seems To Be Frigid (Garbata)
Arcifanfano, King Of Fools: Act I: Aria - Let's Sing, Let's All Be Jolly (Garbata)
Arcifanfano, King Of Fools: Act I: Recitative - For All Types Of Confusion
Arcifanfano, King Of Fools: Act I: Aria - The Fierce One Lives Only For The Slaughter
Arcifanfano, King Of Fools: Act II: Recitative - I Beg You To Stop (Malgoverna, Gloriosa, Garbata)
Arcifanfano, King Of Fools: Act II: Aria - We Praise The Sun For Beauty (Malgoverna)
Arcifanfano, King Of Fools: Act II: Recitative - Bumpkin, Coarse-grained (Gloriosa, Garbata)
Arcifanfano, King Of Fools: Act II: Aria - If You Will Love Me, I Will Love You (Garbata)
Arcifanfano, King Of Fools: Act II: Recitative - No, They Cannot Persuade Me! (Gloriosa)
Arcifanfano, King Of Fools: Act II: Aria - Lovely Ladies, You Enjoying (Gloriosa)
Arcifanfano, King Of Fools: Act II: Recitative - Where's My Lover, Sweetheart (Sordidone)

Tracks:

Arcifanfano, King Of Fools: Act II: Aria - Sordidone, Be A Bunny
Arcifanfano, King Of Fools: Act II: Recitative - Are You Hiding? (Sordidone, Garbata)
Arcifanfano, King Of Fools: Act II: Duet - See Comely Phyllis Wander (Garbata, Sordidone)
Arcifanfano, King Of Fools: Act II: Recitative - Don't Come Near Me (Semplicina, Furibondo)
Arcifanfano, King Of Fools: Act II: Aria - The High And Mighty Lion (Furibondo)
Arcifanfano, King Of Fools: Act II: Recitative - Quiet At Last (Semplicina)
Arcifanfano, King Of Fools: Act II: Duet - Semplicina, Do You Hear Me? (Semplicina)
Arcifanfano, King Of Fools: Act II: Quartet - Ever More Bitter Shall Be My Raging (Gloriosa, Garbata, Malgoverno, Furibondo)
Arcifanfano, King Of Fools: Act II: Recitative - What Now? What New Forms Of Madness? (Gloriosa, Sordidone, Malgoverno, Furibondo)
Arcifanfano, King Of Fools: Act II: Chorus - Long Live King Arcifanfano (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
Arcifanfano, King Of Fools: Act III: Aria - Earth, Our Dearest, Good And Nearest (Sordidone)
Arcifanfano, King Of Fools: Act III: Aria - That His Sowing Yield A Growing (Malgoverno)
Arcifanfano, King Of Fools: Act III: Recitative - What Has The Fool Committed (Malgoverna, Gloriosa)
Arcifanfano, King Of Fools: Act III: Aria - Ask Of Beauty, She Will Answer (Gloriosa)
Arcifanfano, King Of Fools: Act III: Recitative - Hop And Stop It! (Furibondo, Gloriosa)
Arcifanfano, King Of Fools: Act III: Aria - All Of This Planet, I Cry To Each Man (Furibondo)
Arcifanfano, King Of Fools: Act III: Recitative - What's Unleashed These Dreadful Roars? (Garbata, Furibondo)
Arcifanfano, King Of Fools: Act III: Aria - I'm Simple And I'm Candid (Garbata)
Arcifanfano, King Of Fools: Act III: Recitative - What Mischief And Load This Purse Is!
Arcifanfano, King Of Fools: Act III: Aria - Goddess Bright As Morning
Arcifanfano, King Of Fools: Act III: Recitative - Mother Always Used To Tell Me (Sordidone, Semplicina)
Arcifanfano, King Of Fools: Act III: Aria - What A Lot I Need What I Need Lot's Of! (Sordidone)
Arcifanfano, King Of Fools: Act III: Recitative - May He Not Come To Harm (Semplicina)
Arcifanfano, King Of Fools: Act III: Aria - There's A Devil In A Ducat (Semplicina)
Arcifanfano, King Of Fools: Act III: Recitative - Gather, O Subjects, About Us (Gloriosa, Garbata, Semplicina)
Arcifanfano, King Of Fools: Act III: Duet - If You Marry Me (Semplicina)
Arcifanfano, King Of Fools: Act III: Chorus - With Curiosity All Aflame (Semplicina, Gloriosa, Garbata, Sordidone, Malgoverno, Furibondo)
Arcifanfano, King Of Fools: Act III: Recitative - Quiet, Please, We Implore You!
Arcifanfano, King Of Fools: Act III: Chorus - The Wise And The Mad Have Got One Word For Their Dwelling

Customer Reviews:

A Comic-Opera Treasure!.......2007-01-28

Dittersdorf is a sort of working-man's Mozart; in fact, this opera sounds similar to some of Mozart's early operas. But Mozart sought to break the rules and to explore new musical ideas; Dittersdorf is not an innovator...yet he is no less a master! This performance, too, is a materpiece of refined (not always!) comedy; the arias include some extremely difficult vocal leaps and trills, yet the primary joy is the witty verse. W.H. Auden (no less!) ramrodded this translation to English. And Anna Russell, famed for her "Analysis of Wagner's Ring Cycle" steals every scene she's in! Ad-libbing shamelessly, her introductory aria, all by itself, is worth more than the purchase price!

an obscure delight!.......2002-07-31

Eleanor Steber's image on the cover of this set caught my eye while rummaging through the cut-out bins of San Francisco on a recent opera whirlwind. What a lost treasure this performance is - recorded "LIVE" in NYC 1965! All the principles shine, their energy ebullient. Don't hesitate, buy it and smile before it disappears.

Average customer rating:

Even If It Kills Me
Motion City Soundtrack
Manufacturer: Epitaph
ProductGroup: Music
Binding: Audio CD

General | Alternative Rock | Styles | Music

General | Rock | Styles | Music

Pop Rock | Pop | Styles | Music
ASIN: B000PWQOF8
Release Date: 2007-07-23

Average customer rating:

English Choral Music, 1514-1682

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Anthems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Chants | Vocal Non-Opera | Opera & Vocal | Styles | Music

Magnificats | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Motets | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music

Renaissance (c.1450-1600) | Historical Periods | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music

European Choral Music 1525 - 1751
Treasures of English Church Music
Abide With Me
A Vaughan Williams Hymnal
The Music of St. Paul's Cathedral

ASIN: B0000064AT
Release Date: 1998-02-17

Tracks:

Alleluja, I Heard A Voice - Christ Church Choir
Give Ear O Lord - Christ Church Choir
Evening Services For Five Voices: Magnificat - Christ Church Choir
Evening Services For Five Voices: Nunc Dimittis - Christ Church Choir
Evening Services For Five Voices: Hosanna To The Son Of David - Christ Church Choir
Evening Services For Five Voices: When David Heard - Christ Church Choir
Evening Services For Five Voices: O Lord, Grant The King A Long Life - Christ Church Choir
Evening Services For Five Voices: Give The King Thy Judgements - Christ Church Choir
Evening Services For Five Voices: Gloria In Excelsis Deo - Christ Church Choir
Ninth Service: Magnificat - Christ Church Choir
Ninth Service: Nunc Dimittis - Christ Church Choir

Tracks:

Missa Mater Christi: Introitus: Rorate coeli desuper - ENGLISH CHORAL MUSIC
Missa Mater Christi: Kyrie: Rex splendens - ENGLISH CHORAL MUSIC
Missa Mater Christi: Gloria - ENGLISH CHORAL MUSIC
Missa Mater Christi: Oratio: Deus, qui de beatae Mariae - ENGLISH CHORAL MUSIC
Missa Mater Christi: Epistola: Lectio Esaie prophete - ENGLISH CHORAL MUSIC
Missa Mater Christi: Alleluya, Ave Maria - Alleluya, Christus resurgens - ENGLISH CHORAL MUSIC
Missa Mater Christi: Sequentia: Ave mundi spes Maria - ENGLISH CHORAL MUSIC
Missa Mater Christi: Evangelium: Sequentia sancti evangelii secundum Lucam - ENGLISH CHORAL MUSIC
Missa Mater Christi: Credo - ENGLISH CHORAL MUSIC
Missa Mater Christi: Offertorium: Ave Maria - ENGLISH CHORAL MUSIC
Missa Mater Christi: Oratio Secreta - Praefatio - ENGLISH CHORAL MUSIC
Missa Mater Christi: Sanctus - Benedictus - ENGLISH CHORAL MUSIC
Missa Mater Christi: Canon - Pater noster - Pax Domini - ENGLISH CHORAL MUSIC
Missa Mater Christi: Agnus Dei - ENGLISH CHORAL MUSIC
Missa Mater Christi: Communio: Ecce virgo concipies - ENGLISH CHORAL MUSIC
Missa Mater Christi: Post Communio: Gratiam tuum quaesumus Domine - ENGLISH CHORAL MUSIC
Missa Mater Christi: Ite missa est - ENGLISH CHORAL MUSIC
Antiphon: O Wilhelme, pastor bone - ENGLISH CHORAL MUSIC
Antiphon: Mater Christi sanctissima - ENGLISH CHORAL MUSIC

Tracks:

Mass Propers For All Saints: Introitus: Gaudeamus omnes - Christ Church Choir
Mass For Five Voices: Kyrie - Christ Church Choir
Mass For Five Voices: Gloria - Christ Church Choir
Mass Propers For All Saints: Gradualis: Timete Dominium - Christ Church Choir
Mass For Five Voices: Credo - Christ Church Choir
Mass Propers For All Saints: Offertorium: Justorum animae - Christ Church Choir
Mass For Five Voices: Sanctus; Benedictus - Christ Church Choir
Mass Propers For All Saints: Communio: Beati mundo corde - Christ Church Choir
Mass For Five Voices: Agnus Dei - Christ Church Choir
Motet: Laudibus in Sanctis - Christ Church Choir
Motet: Laudate pueri Dominum - Christ Church Choir
Motet: Laudate Dominum - Christ Church Choir

Tracks:

Mass Propers For The Feast Of Corpus Christi: Introitus: Cibavit eos - Byrd
Mass for four voices: Kyrie - Byrd
Mass for four voices: Gloria - Byrd
Mass Propers For The Feast Of Corpus Christi: Gradualis: Oculi omnium - Byrd
Mass Propers For the Feast Of Chorpus Christi: Sequentia: Lauda Sion salvatorem (Plainsong) - Byrd
Mass for four voices: Credo - Byrd
Mass Propers For The Feast Of Corpus Christi: Offertorium: Sacerdotes Domini - Byrd
Mass for four voices: Sanctus - Benedictus - Byrd
Mass Propers For The Feast Of Corpus Christi: Communio: Quotiescunque manducabitis - Byrd
Mass for four voices: Agnus Dei - Byrd
Processional Hymn: Pange lingua gloriosi - Byrd
Hymn To The Blessed Sacrament: Ave verum corpus - Byrd
Hymn To The Blessed Sacrament: O salutaris hostia - Byrd

Tracks:

Propers For The Nativity: Introitus: Puer natus est nobis - CHRIST CHURCH CATHEDRAL CHOIR
Mass For Three Voices: Kyrie - CHRIST CHURCH CATHEDRAL CHOIR
Mass For Three Voices: Gloria - CHRIST CHURCH CATHEDRAL CHOIR
Propers For The Nativity: Gradualis: Viderunt omnes fines terrae - Dies sanctificatus - CHRIST CHURCH CATHEDRAL CHOIR
Mass For Three Voices: Credo - CHRIST CHURCH CATHEDRAL CHOIR
Propers For The Nativity: Offertorium: Tui sunt coeli - CHRIST CHURCH CATHEDRAL CHOIR
Mass For Three Voices: Sanctus - Benedictus - CHRIST CHURCH CATHEDRAL CHOIR
Propers For The Nativity: Communio: Viderunt omnes fines terrae - CHRIST CHURCH CATHEDRAL CHOIR
Mass For Three Voices: Agnus Dei - CHRIST CHURCH CATHEDRAL CHOIR
Antiphon: Hodie Christus Natus est - CHRIST CHURCH CATHEDRAL CHOIR
Hymn: Christe redemptor omnium - CHRIST CHURCH CATHEDRAL CHOIR
Antiphon: O admirabile Commertium - CHRIST CHURCH CATHEDRAL CHOIR
Hymn: A solis ortus cardine - CHRIST CHURCH CATHEDRAL CHOIR
Response: O magnum misterium - CHRIST CHURCH CATHEDRAL CHOIR

Tracks:

Music For Our Lady And Divine Office: Ex eius tumba: Sospitati dedit aegros - ENGLISH CHORAL MUSIC
Music For Our Lady And Divine Office: Dum transisset sabbatum (I) - ENGLISH CHORAL MUSIC
Music For Our Lady And Divine Office: Audivi vocem de caelo - ENGLISH CHORAL MUSIC
Music For Our Lady And Divine Office: Dum transisset sabbatum (II) - ENGLISH CHORAL MUSIC
Music For Our Lady And Divine Office: Kyrie le Roy - ENGLISH CHORAL MUSIC
Music For Our Lady And Divine Office: Alleluya V. Veni electa mea - ENGLISH CHORAL MUSIC
Music For Our Lady And Divine Office: Magnificat a5 - ENGLISH CHORAL MUSIC
Music For Our Lady And Divine Office: Ave Dei Patris filia - ENGLISH CHORAL MUSIC

Tracks:

The Lord Even The Most Mighty - John Taverner
O Lord, Thou Hast Searched Me - John Taverner
I Will Love Thee - John Taverner
O Lord Our Governor - John Taverner
How Doth The City - John Taverner
Blessed Is He Whose Righteousness - John Taverner
Hear, O Heav'ns - John Taverner
Who Hath Believed - John Taverner
Out Of The Deep - John Taverner
Hear Me O Lord - John Taverner

Tracks:

The Lord's Prayer - Christ Church Choir
The Second Service: Magnificat - Christ Church Choir
The Second Service: Nunc Dimittis - Christ Church Choir
Gaude, gaude, gaude Maria - Christ Church Choir
Filie Ierusalem - Christ Church Choir
Reges Tharsis et insule - Christ Church Choir
Spiritus sanctus procedens - Christ Church Choir
Laudem dicite Deo nostro - Christ Church Choir
Hec dies - Christ Church Choir
Impetum fecerunt unanimes - Christ Church Choir
Libera nos, salva nos - Christ Church Choir

Amazon.com

It doesn't get much more authentic than this! These eight CDs present music by William Byrd, Thomas Weelkes, Henry Purcell, John Blow, Matthew Locke, the little-known Pelham Humfrey, John Sheppard, and John Taverner--all recorded in Dorchester Abbey, Oxford, England, and sung by the Christ Church Cathedral Choir, Oxford's great all-male choir. Their heritage goes back to Taverner himself. Their sound is both pure and lush, their singing immaculate. This is music in the finest English tradition, beautiful, devotional music for all seasons. --Robert Levine

Average customer rating:

A good collection
A Musician of Great Dignity and Style
Passed the "Opera in English" test with flying colors.

Great Operatic Arias

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Arias | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

English | Languages | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

A Treasury of English Song
Songs My Father Taught Me
More Songs My Father Taught Me
On the Idle Hill of Summer: Song Cycles & Songs by Vaughan Williams, Butterworth, Quilter, Peel
Great Baritone Arias

ASIN: B0006SGF1Y
Release Date: 2005-02-22

Tracks:

'Even Bravest Heart My Swell'
'I Am The Barber Everyone Wants, I Am!
'Must I Be Made To Suffer'
'Look Down, Oh Gentle Evening Star'
'You Have My Love And My Devotion
'Oh Wine, Deliver Me From Sadness' - Geoffrey Mitchell Choir
'Marriage Is Sacred' - I Was Right To Be So Suspicious'
'Turning My Gaze Upon This Proud Assembly'
'O Nadir, Best Of Friends'
Billy In The Darbies
'Though I'm Somewhat Out Of Practice' - Janice Watson
'Hello, Here's A Soldier Bold' - Janice Watson
'I Wonder What He'll Think Of Me!'
'In Visions, Illusions'

Customer Reviews:

A good collection.......2007-05-14

Unlike the huge names, collections by Allen are not many - plenty of his opera performances are recorded, but there are only a few collections. My voice teacher recommended I listen to him to understand better how to deliver power without weight, something we've been working on. Yes, it's all in English, but that's fine, and the quality of Allen's instrument comes through very well.

A Musician of Great Dignity and Style.......2005-07-27

Sir Thomas Allen is one of the enduring baritones who has been able to move throughout the operatic repertoire and the recital stage with intelligence, informed characterization, and immaculate musicianship. To have a recording of some of the roles he has inhabited at this point in his career is a gift (this CD was recorded in 2003). To have the added challenge of retaining the stature of the roles while sung in English translations at the request of Chandos is a credit to his abilities and communicative powers.

English is a difficult language to make musical, though saying that abruptly is countered by the fact that some of the most beautiful operas in history are by Benjamin Britten, a composer who truly understood his native tongue and kept it as fluid as the soaring melodies he wrote, as Thomas Allen proves here in 'Billy in the Darbies' from Britten's 'Billy Budd'. It is the other major arias from Korngold to Wagner to Tchaikovsky to Rossini, Bizet, Mozart, Gounod, Verdi, Thomas, Strauss, and Lehar that Allen proves that English translations do not detract at all from the performances!

For those purists who prefer opera sung in the original language (and for those who don't even need supertitles in the opera house!), then this recording may provide a temporary barrier to respecting Allen's singing. But once caught up in the ease with which he moves from style to style and comedy to drama, it is hard not to relinquish old preferences and not be wholly impressed with the beauty of the voice and the warmth and dignity of this fine musician. Highly recommended. Grady Harp, July 05

Passed the "Opera in English" test with flying colors........2005-07-04

For me, the test here was Figaro's Cavatina, from Rossini's Barber of Seville - sung in English, as is this entire compilation of 14 operatic favorites, sung by baritone Sir Thomas Allen. Could he pull it off? Could Chandos pull it off? The answer is an unequivocal, unqualified yes! The secret in singing classics in English, that were written and scored in another language, is in three things: pacing, vocal agility and appreciation for "fit", and what greater test for tongue and timing than Figaro? When you listen to this one song, you will understand why Chandos and its benefactor, Sir Peter Moores have such a passion for their Opera in English series. Sir Allen's voice is a matured unmistakably settled baritone voice that contains a lifetime's worth of understanding of the music and words he imparts through his magnificent delivery. For example, when he sings, Tchaikovsky's "You have my love and devotion" from The Queen of Spades, he delivers a smooth and deeply emotional rendition that lacks nothing in translation. Wagner's "Turning my gaze upon this proud assembly", from Tannhäuser is another example of how fine, full orchestration behind a seasoned voice that waxes eloquent with every phrase, can create a mood of relaxed familiarity with word and music, that may be lacking when sung in another tongue. Great Operatic Arias, serves up a smorgasbord of tunes that are familiar, made more so by the care and attention given to creating a place for the Opera in English series in every home library. The mood here is romantic, relaxed and with few exceptions consistent throughout. If you haven't heard Opera in English, this might be a good way to start, given the fact that the listener gets to sample how different composers might sound in other than German, Italian or French. You might be surprised to discover that when done with care, as is obviously the case here, the sound is about as good as it gets. As an added bonus, the booklet that comes with the CD is full of pictures, libretto in English, and biography that gives us a good insight into history of the singer and his identifying rolls.

Average customer rating:

Very nice 1st try in Czech
Good performance, but no libretto in booklet
Short and simple children's opera

Krása: Brundibár

Manufacturer: Channel Classics Nl
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Operettas | Opera & Vocal | Styles | Music

General | Children's Music | Styles | Music

General | Classical | Styles | Music

Children's Music | Imports | Stores | Music

Classical | Imports | Stores | Music

Opera & Vocal | Imports | Stores | Music
Similar Items:

Brundibar (New York Times Best Illustrated Books (Awards))
Hans Krása: Brundibár
I Never Saw Another Butterfly
Chamber Music From Theresienstadt 1941-1945
Special Topics in Calamity Physics

ASIN: B000003UYD
Release Date: 1993-08-19

Tracks:

Brundibar: Act I, Scene 1
Brundibar: Act I, Scene 2
Brundibar: Act I, Scene 3
Brundibar: Act I, Scene 4
Brundibar: Act I, Scene 5
Brundibar: Act I, Scene 6
Brundibar: Act I, Scene 7
Brundibar: Act I, Scene 8
Brundibar: Act II, Scene 1
Brundibar: Act II, Scene 2
Brundibar: Act II, Scene 3
Brundibar: Act II, Scene 4
Brundibar: Act II, Scene 5
Brundibar: Act II, Scene 6
Brundibar: Act II, Scene 7
Czech Songs For Children's Chorus With A String Quartet Accompaniment: I Was Waiting, I Did Not Sleep
Czech Songs For Children's Chorus With A String Quartet Accompaniment: You Look Beautiful To Me
Czech Songs For Children's Chorus With A String Quartet Accompaniment: Don't Even Think Of It, My Parents
Czech Songs For Children's Chorus With A String Quartet Accompaniment: What's With You?
Czech Songs For Children's Chorus With A String Quartet Accompaniment: Oh Mountain, How Tall You Are
Czech Songs For Children's Chorus With A String Quartet Accompaniment: You Are Not What You Pretend To Be
Czech Songs For Children's Chorus With A String Quartet Accompaniment: Lads, Don't Stand Under The Window
Czech Songs For Children's Chorus With A String Quartet Accompaniment: Black Wool On The White Lamb

Amazon.com

Czech composer Hans Krása wrote the children's opera Brundibar before his World War II incarceration in the Theresienstadt concentration camp. The opera not only became a big hit in the camp, but its theme of good against seemingly insurmountable evil served to reassure the doomed prisoners. This essential, lovingly produced recording is the first authentic and complete version, in the original Czech. --David Vernier

Customer Reviews:

Very nice 1st try in Czech.......2006-03-15

The performance in Czech is necessary to fully appreciate charm of songs and rhyme schemes, even if you don't know Czech. Good recording of a very decent (but not the very best) Czech children's chorus. To compound lack of libretto, the track titles for operetta are completely useless. Fortunately the pronounciation is very clear. The folk songs are a nice compliment to the opera and emphasize Czech children's connection.

Good performance, but no libretto in booklet.......2002-10-02

It's wonderful to be able to hear a recording of this piece, and this one is quite well done. I only wish that the text/translation were to appear in the CD booklet. You may find it very frustrating not to know what is being sung. I know I do.

Short and simple children's opera.......2000-06-14

This short (less than 25 minutes) children's opera was composed in 1938 by Krasa and was performed more than 50 times in the tragic circumstances in Terezin. As expected from a children's opera, the music is very simple, appealing and vivid. This performance is the first substantial performance and the music is delivered very convincingly. If you want to sample the music which was composed or performed in Terezin you shouldn't hesitate in srarting right here.

Average customer rating:

W.C. Fields

Manufacturer: Original Cast Record
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music

General | Classical | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Traditional Pop | Oldies | Pop | Styles | Music

Broadway & Vocalists | Indie Music | Stores | Music
ASIN: B000004CPR
Release Date: 2003-06-17

Tracks:

W.C.: Fifty Years - Al Carmines/Paul Rounsaville
W.C.: I'll Still Be There - Alice Playten
W.C.: You Could - Al Carmines/Alice Playten
W.C.: Give Me An Old Tune - Al Carmines
W.C.: NEver Give A Sucker An Even Break - Debbie Damp
W.C.: Why Do Women Always Choose The Wrong Man? - Bill Daugherty
W.C.: You Come First - Debbie Damp
W.C.: Bring On The Booze - Al Carmines/Quartet
W.C.: I'll Follow My Star - Alice Playten
W.C.: Serenade - Bill Daugherty
W.C.: Love Can Get You Down - Alice Playten
W.C.: Dummy Juggler - Al Carmines
Promenade: Promenade - Theme - Maria Irene Fornes/Al Carmines
Promenade: I Saw A Man - Alice Playten
Promenade: Capricious And Fickle - Alice Playten
A Carmen's Bouquet: Wedding Blues - Al Carmines
A Carmen's Bouquet: My Old Man - Al Carmines
A Carmen's Bouquet: No Room At The Inn - Al Carmines/Quartet

Music Review:

Music Review

Music Review

1. Lord I Love you
2. And I'll Praise
3. Just For A Season
4. Even Me
5. Instant Praise
6. I Surrender
7. Jesus In Me
8. God Is Always There
9. Reprise
10. Great is thy faithfulness