Allen & Allen

Track Listings
1. Lost Without You    
2. No, Not One    
3. Trouble in My Way    
4. I Shall Wear a Crown    
5. Walk With Me Lord    
6. Anyway You Bless Me    
7. Can't Nobody Do Me Like Jesus    
8. I'm in Love    
9. Wounded for Me    
10. Medley: Hard the Herald Angels Sing/O Come, All Ye Faithful    
11. Voice Angel    

Allen & Allen, Music, Allen & Allen, Black Gospel, Contemporary Gospel, Gospel, Gospel/Christian Music, Pop
Alright, Still
Average customer rating: 4.5 out of 5 stars
  • The Most Fun of Them All
  • Cheeky and Fun
  • Fun, catchy music
  • Really enjoyable to listen
  • Cute but not for everyone...
 Alright, Still
Lily Allen
Manufacturer: Capitol Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000KG5EQE
Release Date: 2007-01-30

Tracks:

  1. Smile
  2. Knock 'Em Out
  3. LDN
  4. Everything's Just Wonderful
  5. Not Big
  6. Friday Night
  7. Shame For You
  8. Littlest Things
  9. Take What You Take
  10. Friend Of Mine
  11. Alfie
  12. Nan You're A Window Shopper (US Bonus Track)
  13. Smile (Version Revisited) (US Bonus Track)

From Amazon.co.uk

Being, as she is, the daughter of prominent British actor Keith Allen, the cynics could easily dismiss the rise of Lily Allen as an act of backroom nepotism, a talent-free starlet helped to the stage by the right connections. But one listen to her debut album Alright, Still dispels any doubts about young Ms. Allen's star quality. Possessed of a feisty wit and taste for urban storytelling that should see her compared to Mike "The Streets" Skinner, these 11 tracks of sunshine-friendly reggae-pop cover topics including frustrating potential closing-time suitors ("Knock 'Em Out"), being happy when your ex is having a bad time ("Smile"), and having a little brother who likes a bit of a smoke--and not just of the tobacco variety ("Alfie"). Wisely, however, Allen doesn't let the grittiness of the subject matter tarnish the golden pop suss of the songs, a suite of gleaming productions by names including Mark Ronson and Gwen Stefani collaborator Greg Kurstin that take inspiration from the lighter end of reggae and vintage rocksteady. Doubtless some corners of the press will pillory her as a poor role model, but there's an engaging honesty to the likes of "LDN"--a love song to a city filled with teenage muggers, pimps, and crack whores, narrated by someone who's cycling because "the filth took away my license." Like father, like daughter. --Louis Pattison

From Capitol Records

The 21-year-old Lily Allen, pronounced by NME "the archetypal singer-songwriter for the iPod generation," took Britain by storm in summer 2006 with her debut album Alright, Still rocketing onto the U.K. Album chart at No. 2 and her first U.K. single, "Smile," topping the U.K. Airplay chart for six weeks in a row. Now she's set her sights on America--and early reports indicate she won't exactly be flying under the radar here either. "She symbolizes a new blogging-age, middle-class girl: cockily ambitious, skeptical yet enthusiastic, technically savvy, musically open, obsessed with public expression and ready to fight back," said The New York Times in a feature on Lily.

Allen was born in Hammersmith, a borough in Greater London, and grew up all over London - Shepherds Bush, Bloomsbury, Islington. "I went to 13 different schools so I never had time to make enduring friendships. Music became a lifeline to me. I listened to punk, ska and reggae, courtesy of my parents' record collections," she says, which explains why, in addition to numerous up-and-coming dance artists, she counts The Specials, T. Rex, The Slits, and Blondie as favorites.

"I got expelled from various schools and was sent to boarding school as they thought it would be a restraining influence, but I ran away when I was 14," she recalls. "It was obvious I didn't like authority." Although she dropped out of school, Allen continued to have a voracious appetite for books and music. "I always felt I couldn't articulate my feelings as much as I wanted to. Books and music helped me do that," she says. "I started to feel like I could have a voice."

Lily's incisive lyrical observations belie her years. "With the kind of music I do you have to be direct and quite literal," she says. "I don't play an instrument, which really makes me focus on the vocal melody, and the lyrics are incredibly important to me. I don't want to be part of a scene - the whole idea of that makes me feel sick - and most of the music I listen to is by outsider figures, which is where I feel happiest."

There was a little old lady who was walking down the road She was struggling with bags from Tesco There were people in the city having lunch in the park I believe that is called alfresco Then a kid came along to offer a hand But before she had time to accept it Hits her over the head, doesn't care if she's dead 'Cause he's got all her jewelry and wallet (from "LDN")

In November 2005, Allen started posting tracks on her MySpace site to see what fans thought of them. "Since then it's gone mad," she says. (Her songs have received over five million total plays to date.) "The online support I got for my music grew quickly, then the next thrill was hearing it on the radio. The reaction has been so positive it's left me reeling a bit. But I'm happy and I know the songs can live up to people's expectations."

And indeed they have. "Through and through, it sounds like part Millie Small, part Gwen Stefani, part Blondie, without ever really sounding much like anything other than Allen's own mash-up of cool," said Rolling Stone. The New Yorker has praised her "delightful, ska-inflected songs" and Pitchfork said "Alright, Still isn't anything else but a fantastic success. Not only does Allen deliver on the musical promise hinted at in her MySpace demos, she also acquits herself as a genuine personality with wit and attitude to spare."

Allen's cheeky, street-smart observations imbue Alright, Still with an unerringly modern female point-of-view. On "Smile," Lily admits to feeling guilty - but not that guilty - for feeling good when an ex-boyfriend cries because she won't give it another go. Perhaps he shouldn't have slept with her neighbor. On "Knock 'Em Out," a lame pick-up line is met with a litany of bogus reasons (ranging from various sexually transmitted diseases to a house fire) why "it's not gonna happen/not in a million years." And while the chorus of "LDN" brims with unabashed affection for London, the verses are a deft social commentary exposing the warts of a town intent on keeping up appearances. Cynicism and a sunny outlook aren't mutually exclusive in Allen's world, which goes a long way towards explaining her unbridled confidence and contagious joie de vivre. The world is still her oyster - even if it was dredged from murky waters.

Lily Allen Photos

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Customer Reviews:

5 out of 5 stars The Most Fun of Them All.......2007-07-17

Short Version: BUY THIS ALBUM...YOU WON'T BE DISAPPOINTED!

Long Version: Lily is the british version of Pink in my mind because of the attitude she brings to her music. I love this chick. She has a maturity that I think will sustain her as an artist for a lot of years. We may never really get to know her in America, and that is too bad (I hope differently though). However, of the 15 albums I brought, this is honestly my favorite. Any chick who sings "...you must be joking me, if you think that you'll be poking me" has something I want to her more of down the road.

Mostly, she is really refreshing change of pace. Part of me want to know what she listens too when she has time.

Kevin

5 out of 5 stars Cheeky and Fun.......2007-07-13

Lily Allen is probably one of the most talented young artists around. Her lyrics are hilarious and the music is very upbeat and fun. I haven't taken in out of my CD changer since I bought it.

4 out of 5 stars Fun, catchy music.......2007-07-07

I really like this album by Lily Allen. It is really fun to listen to. She's a cute, sassy singer. Check her out!

4 out of 5 stars Really enjoyable to listen.......2007-06-22

This is different from most of the mainstream music that is out there right now. Lily Allen definitely has some mixes in her music that make the songs stand out. If you want something upbeat to listen to when you are in the car or even at the house, this is a good buy. LDN is one of my favorites to listen to when I am in a bad mood. All in all....a good buy.

3 out of 5 stars Cute but not for everyone..........2007-06-21

I actually play a couple of Lily's tunes at my club( usually during the begining sets ). It's a really cute Cd. For example, my 16 year old daughter digs it and my 14 year old son hates it. That's how it's supposed to be. This wasn't recorded for the males out there, especially the younger ones. I think she has done a descent job with what she was going after here. NO SHE'S NOT aMY wINEHOUSE, OR jOSS sTONE but she does have the same energetic style of a younger Gwen. I'm not convinced that she'll have the same staying power. I'm open minded because i'm a DJ, which means i have to give everything a try and play the stuff i don't like a lot of the times. I do like "Smile" and "LDN" and yes i do laugh at "Alfie" but no she won't be in my rotation next to Amy Winehouse but i'm not hatin" this CD. She is for the younger Feme's and the more mature Teens. "Littlest Things" is pretty mellow~cool and for a while she graduates lyrically but for the foremost the CD sounds the same the hole way through...Not a bad thing because she displays more talent then the "USUAL CRAP" that's out today. like i said ...this is CUTE...but not for everyone...
Alright, Still
Average customer rating: 4.5 out of 5 stars
  • Good girl fun!
  • 70's music snob finally finds SOME REALLY GREAT MUSIC
  • Good [grief] man, what the [heck] is this? Clean? Explicit? BAD!
  • Irreverent and just plain fun
  • this cd is awesome
 Alright, Still
Lily Allen
Manufacturer: Capitol Records
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
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Pop RockPop Rock | Pop | Styles | Music
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ASIN: B000KGGF12
Release Date: 2007-01-30

Tracks:

  1. Smile
  2. Knock 'Em Out
  3. LDN
  4. Everything's Just Wonderful
  5. Not Big
  6. Friday Night
  7. Shame For You
  8. Littlest Things
  9. Take What You Take
  10. Friend Of Mine
  11. Alfie
  12. Nan You're A Window Shopper
  13. Smile (Version Revisited)

From Amazon.co.uk

Being, as she is, the daughter of prominent British actor Keith Allen, the cynics could easily dismiss the rise of Lily Allen as an act of backroom nepotism, a talent-free starlet helped to the stage by the right connections. But one listen to her debut album Alright, Still dispels any doubts about young Ms. Allen's star quality. Possessed of a feisty wit and taste for urban storytelling that should see her compared to Mike "The Streets" Skinner, these 11 tracks of sunshine-friendly reggae-pop cover topics including frustrating potential closing-time suitors ("Knock 'Em Out"), being happy when your ex is having a bad time ("Smile"), and having a little brother who likes a bit of a smoke--and not just of the tobacco variety ("Alfie"). Wisely, however, Allen doesn't let the grittiness of the subject matter tarnish the golden pop suss of the songs, a suite of gleaming productions by names including Mark Ronson and Gwen Stefani collaborator Greg Kurstin that take inspirat! ion from the lighter end of reggae and vintage rocksteady. Doubtless some corners of the press will pillory her as a poor role model, but there's an engaging honesty to the likes of "LDN"--a love song to a city filled with teenage muggers, pimps, and crack whores, narrated by someone who's cycling because "the filth took away my license." Like father, like daughter. --Louis Pattison

Amazon.com

The 21-year-old Lily Allen, pronounced by NME "the archetypal singer-songwriter for the iPod generation," took Britain by storm in summer 2006 with her debut album Alright, Still rocketing onto the U.K. Album chart at No. 2 and her first U.K. single, "Smile," topping the U.K. Airplay chart for six weeks in a row. Now she's set her sights on America--and early reports indicate she won't exactly be flying under the radar here either. "She symbolizes a new blogging-age, middle-class girl: cockily ambitious, skeptical yet enthusiastic, technically savvy, musically open, obsessed with public expression and ready to fight back," said The New York Times in a feature on Lily.

Allen was born in Hammersmith, a borough in Greater London, and grew up all over London - Shepherds Bush, Bloomsbury, Islington. "I went to 13 different schools so I never had time to make enduring friendships. Music became a lifeline to me. I listened to punk, ska and reggae, courtesy of my parents' record collections," she says, which explains why, in addition to numerous up-and-coming dance artists, she counts The Specials, T. Rex, The Slits, and Blondie as favorites.

"I got expelled from various schools and was sent to boarding school as they thought it would be a restraining influence, but I ran away when I was 14," she recalls. "It was obvious I didn't like authority." Although she dropped out of school, Allen continued to have a voracious appetite for books and music. "I always felt I couldn't articulate my feelings as much as I wanted to. Books and music helped me do that," she says. "I started to feel like I could have a voice."

Lily's incisive lyrical observations belie her years. "With the kind of music I do you have to be direct and quite literal," she says. "I don't play an instrument, which really makes me focus on the vocal melody, and the lyrics are incredibly important to me. I don't want to be part of a scene - the whole idea of that makes me feel sick - and most of the music I listen to is by outsider figures, which is where I feel happiest."

There was a little old lady who was walking down the road She was struggling with bags from Tesco There were people in the city having lunch in the park I believe that is called alfresco Then a kid came along to offer a hand But before she had time to accept it Hits her over the head, doesn't care if she's dead 'Cause he's got all her jewelry and wallet (from "LDN")

In November 2005, Allen started posting tracks on her MySpace site to see what fans thought of them. "Since then it's gone mad," she says. (Her songs have received over five million total plays to date.) "The online support I got for my music grew quickly, then the next thrill was hearing it on the radio. The reaction has been so positive it's left me reeling a bit. But I'm happy and I know the songs can live up to people's expectations."

And indeed they have. "Through and through, it sounds like part Millie Small, part Gwen Stefani, part Blondie, without ever really sounding much like anything other than Allen's own mash-up of cool," said Rolling Stone. The New Yorker has praised her "delightful, ska-inflected songs" and Pitchfork said "Alright, Still isn't anything else but a fantastic success. Not only does Allen deliver on the musical promise hinted at in her MySpace demos, she also acquits herself as a genuine personality with wit and attitude to spare."

Allen's cheeky, street-smart observations imbue Alright, Still with an unerringly modern female point-of-view. On "Smile," Lily admits to feeling guilty - but not that guilty - for feeling good when an ex-boyfriend cries because she won't give it another go. Perhaps he shouldn't have slept with her neighbor. On "Knock 'Em Out," a lame pick-up line is met with a litany of bogus reasons (ranging from various sexually transmitted diseases to a house fire) why "it's not gonna happen/not in a million years." And while the chorus of "LDN" brims with unabashed affection for London, the verses are a deft social commentary exposing the warts of a town intent on keeping up appearances. Cynicism and a sunny outlook aren't mutually exclusive in Allen's world, which goes a long way towards explaining her unbridled confidence and contagious joie de vivre. The world is still her oyster - even if it was dredged from murky waters.

Lily Allen Photos

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Corinne Bailey Rae
The Crane Wife, the Decemberists
LeToya

Customer Reviews:

5 out of 5 stars Good girl fun!.......2007-07-08

These songs are great to share with all of your girl friends! We have all been there one time or another! It has a lot of variety of music and the lyrics are hysterical. ENJOY!

5 out of 5 stars 70's music snob finally finds SOME REALLY GREAT MUSIC.......2007-06-21

LILY ALLEN is very talented (ok; i admit she does need to find a better back up band); her music is funny and a fun sticky treat of yummy smack; kindof like cotton candy with a swig of vodka after it. I havent heard 1 new artist in 6 years that i adore and my sister and i have been laughing, dancing and grooving to this CD for months now. Lily has amazing wit and wisdom beyond her years.
i grew up on Blondie, The Specials, English Beat and Bob Marley so this albulm balms my old tattered soul. This girl is going far! catch her now as she will be a huge star in 2009. "smile" is an amazing tune, but "alfie" "Knock em out" and "nan, you're a window shopper" are my favorites; i crack up every time i hear them.

2 out of 5 stars Good [grief] man, what the [heck] is this? Clean? Explicit? BAD!.......2007-06-15

This was compared to Amy Winehouse????? Why on earth are the 2 mentioned in the same sentence?????

I now see why the uproar over the 2 new artists. They should never be compared. Yeah, they're both British and female; that is where it ends.

This CD sounds like The Spice Girls got together one night and recorded some covers of Gwen Stefani songs written by Gnarls Barkley (I like Gnarls Barkley, but Lily Allen isn't pulling off what they did). It's just not good music, lyrics, mixing or production.

Worse still, every song on the album sounds about the same. Her "singing" is more of an attempt at talking over the music (can't really call it rap) and it just comes off as poetry (bad poetry) over drum machines and loops of boring, unemotional, uncreative, synthesized music (let's say it's Def Jam lite backed up by Blondie or Devo).

This has been very enlightening however because when I read reviews from people who liked this album and didn't like "Back to Black" by Winehouse, I wondered why. Now I know. They are nothing alike; polar opposites.

I guess it just comes down to taste, preference. This ain't my preference. I'll give it 2 stars for the effort, but I don't get this sound, this album or this "artist".

So, be forewarned. Don't buy this just because it is recommended as a companion to "Back to Black" by Winehouse (or "Introducing" by Joss Stone, for that matter). You may well be very, very, very disappointed.

Sorry Lily; this just doesn't do it for me. And if you take a look at the response to the 4 and 5 star ratings of this album, it may give an indication of what this album really accomplished. Pretty much every person that has given this album a 4 or 5 star review has gotten about 50% helfpulfness votes on their reviews. That should say something about this album. It is not for everyone, and I would say it is not for most.

4 out of 5 stars Irreverent and just plain fun.......2007-06-08

21 yr. old Lily Allen shot out of nowhere last year in the UK with a number 1 hit "Smile" and her debut album "Alright, Still". After it became clear that this was not a one hit wonder, and single after single kept riding the UK charts, the decision was finally made to also release the album in the US earlier this year.

"Alright, Still" (13 tracks; 43 min.) starts off with that smash-single "Smile" and it immediately sets the tone for the album: the song has an easy flowing reggae undertone (though not all songs on the album are reggae-flavored), and it deals with guys and a failed relationship, both of the singer's favorite topics throughout. "Ldn" (2nd UK single) is an ode to Allen's hometown of London, and another irresitable reggae hum-along, with a splash of Spanish/Mexican musical undertones. "Shame for You" (4th single) is something that Fiona Apple could've done. "Littlest Things" (3rd single) is the most introvert song on the album, a ballad Lily Allen-style. "Alfie" (to be released in July in the UK as the 5th single) is another little ditty. Not to say that the non-single tracks are no good. Check out for example "Friend of Mine", "Friday Nights" and the closer, a souped-up reprise of "Smile".

In all, this is really fun album to listen to, and at 43 min. it clips by in no time. I happen to catch Lily Allen at the Coachella festival in late April, and her live show is simply irresitable, she won the crowd over with her easy going manner and her live band was just outstanding.

5 out of 5 stars this cd is awesome.......2007-06-08

Its good to hear that there is talent in todays youth, and this artist fills the bill quite nicely. My favorite tunes are Friday Night, Littlest Things and Alfie. There isn't a loser on the whole cd, though. I have diverse tastes in music, from Pink Floyd, the Police, Beatles and Beach Boys, to Avril Leveign (sp?) Led Zep and Eminem, and I liked this cd from the first listen. You'll either love it, or hate it. I say give it a try!!
My Son, The Greatest: The Best Of Allan Sherman
Average customer rating: 5 out of 5 stars
  • Hello Mother Hello Father
  • Allan Sherman in glorious STEREO!
  • Allen Sherman was a Genius!
  • Muddah Faddah Kindly Disregard Dis Lettah!
  • Love this CD!!!!
 My Son, The Greatest: The Best Of Allan Sherman
Allan Sherman
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000348Q
Release Date: 1990-10-25

Tracks:

  1. Hello Muddah, Hello Fadduh!
  2. Crazy Downtown
  3. A Waste of Money
  4. Harvey And Shelia
  5. Good Advice
  6. Sarah Jackman
  7. You Went The Wrong Way, Old King Louie
  8. One Hippopotami
  9. Shake Hands With Your Uncle Max
  10. You're Getting To Be A Rabbit With Me
  11. Shticks Of One And Half A Dozen Of The Other
  12. Al 'N Yetta
  13. The Rebel
  14. Pop Hates The Beatles
  15. The Twelve Gifts Of Christmas
  16. Chim Chim Cheree
  17. Lotsa Luck
  18. The Streets Of Miami
  19. Hail To Thee, Fat Person

Amazon.com

This collection gathers 19 of Sherman's humorous story-songs. The comic uses original lyrics and pre-existing tunes to poke fun at television shows and consumer items, to send-up the kids and generally riff on early and mid-'60s American pop culture. On tracks like "Pop Hates the Beatles" and "Crazy Downtown," his subject is the generation gap. "Al 'n Yetta" portrays a TV-dependent couple while "Lotsa Luck" describes the complicated hassles of dealing with faulty TVs and new-fangled tape recorders. Sherman assumed his audience had a little knowledge of history, too. On "Good Advice" and "You Went the Wrong Way, Old King Louie," he sings about inventors and French history, respectively. It's hard to imagine contemporary comedians working the historical beat. "One Hippopatami" is a delightfully goofy festival of wordplay that requires only a love of language and a tolerance for schmaltz. --Fred Cisterna

Customer Reviews:

4 out of 5 stars Hello Mother Hello Father.......2007-05-14

If you remember Hello Mother Hello Father Here I am at camp Greanada. The Alum only gets better.
Lenny

5 out of 5 stars Allan Sherman in glorious STEREO!.......2007-02-18

Describing his singing voice, Allan Sherman accurately compared himself to an average guy warbling badly in the bathtub. Yet, as Steve Allen writes in the liner notes for "MY SON THE GREATEST," Allan's odd pipes were perfect for the strange parodies, puns and wordplays that were his stock-in-trade.

This reviewer owned six of Sherman's WARNER BROTHERS LPs way back then, and over 40 years later can still sing most of his lyrics (just ask me- I dare you!). Allan Sherman had that sort of effect on you - loving to laugh at his silly songs made folks want to commit them to memory. But, the one thing that wasn't available in the early 60's (as any avid fan will tell you), were STEREO mixes. For some reason, WARNER must have pressed ten times as many monaural copies, so we had to make do with those.

This RHINO records "Best of" has corrected that situation in marvelous fashion. Our favorite Allan Sherman tracks have never sounded so "fine" (a loaded word, when describing Allan's music!). Highlights here are the exuberant "Good Advice," the schlamozzel's theme song "Lotsa Luck," and "Schticks Of One And Half A Dozen Of The Other," which has more bad puns packed into it than any recording in history.

Oh no-- stand back! I feel a song coming on---
"On top of old Smokey, all covered with hair;
Of course I'm referrin'.... to Smokey da Bear..." (oy!)

TOTAL RUNNING TIME -- 66:23

5 out of 5 stars Allen Sherman was a Genius!.......2007-02-17

I have been a fan of Allan Sherman almost my entire life. What a funny, funny guy! It is wonderful to have this CD with most of his very best work on it readily available to enjoy. I suppose some of the humor would not appeal to some very young listeners - sadly it is linked to a period of time that they will never relate to in our rapidly changing world. But for the most part, it is timeless, FUNNY, and delightfully silly stuff.

4 out of 5 stars Muddah Faddah Kindly Disregard Dis Lettah!.......2007-01-31

Listening to Dr. Demento shows or singing songs around the campfire may have acquainted you with one or more of these gems. They are all Allan Sherman originals, and he delivers them in his own unequivecal way. My main reason for purchasing this CD was, as a Beatles memento-fiend, to grab the cut, "Pop Hates the Beatles", which, as you can imagine, tells of the agony of the American father anticipating the British invasion (Parents of America,/It's time to do it again, folks./When they come back, here's how we'll begin,/We'll throw 'em in Boston harbor./But please, before we toss 'em all in,/Let's take 'em to a barber). But
in doing so, I've added a number of childhood favorites to my collection, especially the perennial, "Hello Muddah, Hello Faddah", the chronicle of a youngster fearful of camp who decides camp isn't so bad by the time the letter is done. This was our family anthem as we set out camping each summer, one that is sure to serve the same function for other families. The songs all are based on well-known, often classical melodies, with Mr. Sherman's lyrics. The humor ranges from silly to hilarious. Some, like the Beatles' number, are dated; some, like "Hello Muddah", are timeless.

5 out of 5 stars Love this CD!!!!.......2007-01-25

I love this CD! It's in my car and I even put in on my ipod!! Allan Sherman was a genius!!
Alright, Still
Average customer rating: 4.5 out of 5 stars
  • I love Lily Allen
  • Great CD!
  • AWESOME!
  • Love it!
  • a very well-executed album......
 Alright, Still
Lily Allen
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Alternative Rock | Styles | Music
GeneralGeneral | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
Adult AlternativeAdult Alternative | Pop | Styles | Music
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Similar Items:
  1. Begin to Hope
  2. Back to Black
  3. Return to Cookie Mountain (with Bonus Tracks)
  4. The Crane Wife
  5. The Reminder

ASIN: B000FMGWRS
Release Date: 2006-08-01

Tracks:

  1. Smile
  2. Knock 'Em Out
  3. LDN
  4. Everything's Just Wonderful (Explicit Version)
  5. Not Big
  6. Friday Night
  7. Shame For You
  8. Little Things
  9. Take What You Take
  10. Friend Of Mine (Explicit Version)
  11. Alfie (Explicit Version)

From Amazon.co.uk

Being, as she is, the daughter of prominent British actor Keith Allen, the cynics could easily dismiss the rise of Lily Allen as an act of backroom nepotism, a talent-free starlet helped to the stage by the right connections. But one listen to her debut album Alright, Still dispels any doubts about young Ms. Allen's star quality. Possessed of a feisty wit and taste for urban storytelling that should see her compared to Mike "The Streets" Skinner, these 11 tracks of sunshine-friendly reggae pop cover topics including frustrating potential closing-time suitors ("Knock 'Em Out"), being happy when your ex is having a bad time ("Smile"), and having a little brother who likes a bit of a smoke--and not just of the tobacco variety ("Alfie"). Wisely, however, Allen doesn't let the grittiness of the subject matter tarnish the golden pop suss of the songs, a suite of gleaming productions by names including Mark Ronson and Gwen Stefani collaborator Greg Kurstin that take inspiration from the lighter end of reggae and vintage rocksteady. Doubtless some corners of the press will pillory her as a poor role model, but there's an engaging honesty to the likes of "LDN"--a love song to a city filled with teenage muggers, pimps, and crack whores, narrated by someone who's cycling because "the filth took away my license." Like father, like daughter. --Louis Pattison

Album Description

Debut album by this critically adored British female pop vocalist. 11 tracks including the single 'Smile'. It's been a whirlwind couple of months for Lily Allen. After signing a low key deal with Regal, late last year, no one could have predicted how quickly she'd make an impression on the nation. Lily, like many artists, started posting tracks on her Myspace site in November 2005, so she could gauge what people thought. The response has been phenomenal. Listens on her Myspace site now are staggering, over 2 million and rising. The support from the press, radio and TV has been fantastic. She is already a 'red top' favorite with her honesty and sharp tongue, but also has fans across the digital world and within cult publications. Regal. 2006.

Album Details

The Outstanding 2006 Debut Full Length CD featuring the Single "Smile". "Lily Allen - the Cool as F**k Sound of the Summer" - Nme.

Customer Reviews:

5 out of 5 stars I love Lily Allen.......2007-07-11

Great cd. Her songs will make you smile, and her attitude is unique. Her music is sure to please. I play it in my car all day long. Good stuff!

5 out of 5 stars Great CD!.......2007-06-13

This album is fun! The songs are upbeat and funny. None of the lyrics are very deep or insightful, but they're catchy! You'll probably be able to relate to quite a few of them as well.

5 out of 5 stars AWESOME!.......2007-05-08

This is the best CD I have bought in years. I can't get the songs out of my head. Lily Allen rocks!

5 out of 5 stars Love it!.......2007-04-05

I can't stop listening, she is a great artist. Cheerful, fun and different.

4 out of 5 stars a very well-executed album.............2007-04-05

Twenty year old Lily Allen has the knack for performing deceptively cutesy tunes with lyrics that cut like a knife, and they run rampant on this album. This CD starts off on a high note with "Smile," the ultimate ex-girlfriend revenge song. Yes, it sounds as bright as a sunny day in London, but when you listen carefully to the lyrics, Lily is bent on getting even with her ex-boyfriend (the jerk!). This is probably the revenge anthem of the year (or of 2006, when it was first released). The rest of the songs are equally deceptively bright and upbeat, but then you hear Lily's disenchanted thoughts on society ("LDN"), and a beautiful ode to a romance that ended way too quickly ("Littlest Things") with a gorgeous classical music sample (I wish I knew what this was, but it's fantastic).

I really reccomend this album because Lily's future is so bright she needs shades, and, for good reason. Check it out......
David Allan Coe - 17 Greatest Hits
Average customer rating: 4 out of 5 stars
  • David Allan Coe 17 Greated Hits
  • Losers, Boozers, And Lonely Old Men
  • Coe's good
  • Racist
  • You Didn't Even Call Me By My Name
 David Allan Coe - 17 Greatest Hits
David Allan Coe
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000265D
Release Date: 1990-10-25

Tracks:

  1. She Used To Love Me A Lot
  2. Mona Lisa Lost Her Smile
  3. The Ride
  4. Now I Lay Me Down To Cheat
  5. Tennessee Whiskey
  6. If That Ain't Country
  7. Longhaired Redneck
  8. Jody Like A Melody
  9. Please Come To Boston
  10. You Never Even Called Me By My Name
  11. This Bottle (In My Hand)
  12. Would You Lay With Me (In A Field Of Stone)
  13. Jack Daniel's, If You Please
  14. Take This Job And Shove It
  15. Wille, Waylon, And Me
  16. Pledging My Love
  17. Hack WIlliams Junior - Junior

Customer Reviews:

4 out of 5 stars David Allan Coe 17 Greated Hits.......2007-05-13

I just happen to be a big fan of David. He has a few tunes you can feel and I have most all of his records.

5 out of 5 stars Losers, Boozers, And Lonely Old Men.......2007-04-19

A cocky loser who thinks he knows women pretty well happens to see an old flame sitting in the "Silver Spoon Cafe." Apparently he's treated her badly in the past but he's shocked--shocked--that she doesn't want to start over by spending the night with him. "I used to love you a lot," she says as she walks out the door. From this well done opener the CD runs through the gamut of country music themes--homespun stories of drunks and ex-drunks, losers, grinding poverty, jail, and country music itself.

The songs are well written, well performed, well sung, and thoroughly entertaining. Mr. Coe's voice is a great instrument, sometimes "as smooth as Tennesse whiskey," other times a menacing snarl. This was my first exposure to David Allen Coe, and I can say I'm already a fan. I recommend this recording highly. If you are squeamish about certain words, though, it may not be for you. Reviewed by Louis N. Gruber.

4 out of 5 stars Coe's good.......2006-11-03

If you like David Allen, this is a good buy. I zillion tracks of this best material.

3 out of 5 stars Racist.......2006-10-02

If I had read all the reviews of this CD before purchasing it, I would have realized that there are some racial lyrics that I am not comfortable with. I do like some of the songs on the CD, but I cringe when I hear the "N" word, and certainly can't play this in mixed company.

3 out of 5 stars You Didn't Even Call Me By My Name.......2006-07-29

I've been a customer for 10 years, and you didn't even call me by my name.
The Best Opera Album in the World...Ever!
Average customer rating: 3.5 out of 5 stars
  • Latter-day also-rans
  • A well-sung compilation
  • This cant be the best
  • TRUE OPERA LOVERS CANNOT POSSIBLY LIKE THIS!
  • Even if you Hate Complilations, Get This One
 The Best Opera Album in the World...Ever!

Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. The Most Famous Opera Arias
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ASIN: B0000084JD
Release Date: 1999-07-27

Tracks:

  1. La Traviata: Libiamo Ne'lieti Calici (Brindisi) (Atto I) - Alfredo Kraus
  2. Il Barbiere Di Siviglia: Largo Al Factotum (Atto I) - Thomas Hampton
  3. La Boheme: Che Gelida Manina (Atto I) - Roberto Alagna
  4. La Boheme: Si. Mi Chiamano Mimi (Atto I) - Mirella Freni
  5. L'amico Fritz: Suzel, Bon Di (Cherry Duet) (First Part) (Atto II) - Bernard Haitink
  6. Nabucco: Va, Pensiero (Chorus Of Hebrew Slaves) (Atto III) - Bernard Haitink
  7. Rigoletto: La Donna E Mobile (Atto III) - Roberto Alagna
  8. Lakme: Viens, Mallika (Flower Duet) (Acte I) - Mady Mesple
  9. Gianni Schicchi: O Mio Babbino Caro - Victoria De Los Angeles
  10. Tosca: Recondita Armonia (Atto I) - Placido Domingo
  11. Tosca: Vissi D'arte (Atto II) - Maria Callas
  12. Tosca: E Lucevan Le Stelle (Atto III) - Placido Domingo
  13. Adriana Lecouvreur: Ecco: Respiro Appena ... Lo Son L'umile Ancella (Atto I) - Dame Kiri Te Kanawa
  14. Les Pecheurs De Perles: Au Fond Du Temple Saint (Acte I) - Nicolai Gedda
  15. Le Nozze Di Figaro: Non Piu Andrai (Atto I) - Thomas Allen
  16. Le Nozze Di Figaro: Voi Che Sapete (Atto II) - Ann Murray
  17. Le Nozze Di Figaro: E Susanna Non Vien!...Dove Sono (Atto III) - Elisabeth Schwarzkopf
  18. Martha: M'appari (Ach So Fromm) (Akt III) - Roberto Alagna
  19. Tristan Und Isolde: Mild Und Leise (Liebestod) (Akt III) - Helga Dernesch

Tracks:

  1. Aida: Se Quel Guerrier Io Fossi!...Celeste Aida (Atto I) - Placido Domingo
  2. Il Trovatore: Vedi! Le Fosche Notturne Spoglie (Anvil Chorus) (Atto II) - Bernard Haitink
  3. Samson Et Dalila: Mon Coeur S'ouvre A Ta Voix (Acte II) - Maria Callas
  4. Carmen: L'amour Est Un Oiseau Rebelle (Habanera) - Victoria De Los Angeles
  5. Carmen: Votre Toast (Toreador's Song) (Acte II) - Maria Callas
  6. Carmen: La Fleur Que Tu M'avais Jetee (Acte III) - Roberto Alagna
  7. Les Contes D'Hoffman: Belle Nuit, O Nuit D'amour (Barcarolle) (Acte II) - Elisabeth Schwarzkopf
  8. Andrea Chenier: La Mamma Morta (Atto III) - Maria Callas
  9. Pagliacci: Recitar!...Vesti La Giubba (Atto I) - Jose Carreras
  10. Madama Butterfly: Un Bel Di Vedremo (Atto II) - Renata Scotto
  11. Cosi Fan Tutte: Soave Sia Il Vento (Atto I) - Margaret Marshall
  12. La Rondine: Chi Il Bel Sogno Di Doretta (Atto I) - Montserrat Caballe
  13. Die Zauberflote: Der Vogelfanger Bin Ich Ja (Akt I) - Walter Berry
  14. Die Zauberflote: Der Holle Rache (Akt II) - Edita Gruberova
  15. Rusalka: Song To The Moon (Act I) - Lucia Popp
  16. La Wally: Ebben? Ne Andro Iontana (Atto I) - Maria Callas
  17. Werther: Toute Mon Ame Est La!...Pourquoi Me Reveiller? (Acte III) - Roberto Alagna
  18. Turandot: Signore, Ascolta! (Atto I) - Montserrat Caballe
  19. Turandot: Nessun Dorma (Atto III) - Jose Carreras

Customer Reviews:

1 out of 5 stars Latter-day also-rans.......2007-05-28

There will always be arguments for this or that singer, but this title is absurd. I didn't see a single Jussi Bjoerling, George London, Leonard Warren, or Zinka Milanov, and only one mention of Del Monaco. These were singers. Bjoerling and London were in a class by themselves. I saw all of these folks live on stage. London and Del Monaco had stage presence you don't get now. Di Stefano, Kirsten, de los Angeles should be on any best list. Play any tenor aria by any tenor; then play Bjoerling's. Play any bass/baritone aria by any singer; then play London's. Jussi and George will knock your socks off. They sang everything in every language. Tebaldi and Pavarotti sang only Italian, much easier.

4 out of 5 stars A well-sung compilation.......2003-09-15

Compilations usually receive negative feedback from experienced opera listeners. However, this compilation by no means should be only welcomed by opera listeners, it should be welcomed by all music listeners. This CD is a great one to own for a first time opera listener. Also, for the person who wants to listen to opera once in a while and who does not want to buy a myriad of CD's in order to have the same amount of arias as this CD has. Eighty-percent of the singers are high-quality singers in this CD and the orchestras along with their respective conductors, do justice to the songs. All of the arias in this CD are what we in the field call, standard repertoire, and therefore are a good source for a beginning musician to help him or her listen to phrasing, colour, dynamics, language etc. I certainly recommend it, without a doubt.

1 out of 5 stars This cant be the best.......2003-04-20

Elisa from Italy is absolutely right--well, the present generation may not be able to listen the golden oldies and the grand masters in person but it is still true that the past masters far surpassed the new. De Stefano had a magnetic voice, but listen to Gigli singing Puccini's La boheme and you will melt away, though it is v v v difficult to get hold of his mono recordings, even in CD. I disagree with Elisa only on one point: Tebaldi is good, but Victoria de Los angeles' Mimi is better. And the indulgent Thomas Beecham is my favourite conductor of this opera, way ahead of Toscannini, but De Stefano's Boheme is worth keeping and listening to again and again....

1 out of 5 stars TRUE OPERA LOVERS CANNOT POSSIBLY LIKE THIS!.......2002-11-27

True opera lovers (I won't say "experts" 'cos I dislike the word) cannot possibly like this ... ! Apart from Callas, here there is none of the greatest artists! Callas may be great in Carmen but nobody can beat RENATA TEBALDI and her angel-like voice in all of Puccini's operas or in GIORDANO's Andrea Chénier. No Carreras can beat MARIO DEL MONACO in Leoncavallo's Pagliacci, or Verdi's Otello. And finally, NO ALAGNA, or PAVAROTTI, or LICITRA, or whatever CHEAP TENOR or CROOK can ever beat the greatest tenor of all times: GIUSEPPE DI STEFANO!
Come on! You can't like crook Pavarotti once you have heard Giuseppe Di Stefano!! You can't like ... connductor Riccardo Muti if you have listened to Arturo Toscanini!!
True opera lovers, especially lovers of Puccini, go for the Immortal, the Sublime, the Beautiful in opera: GO FOR GIUSEPPE DI STEFANO!
Go hear his performance of "E lucevan le stelle" as in EMI Callas/Di Stefano "Tosca" or "Che Gelida manina" always as in EMI Callas/Di Stefano "La Boéme" and you'll know what I mean.

5 out of 5 stars Even if you Hate Complilations, Get This One.......2002-06-21

This is a marvelous collection of better known arias and duets in Opera. The singers are those famous for setting, and raising, the bar in their field and for their times: Renata Scotto, Maria Callas, Dame Kiri Te Kanawa, Elisabeth Schwarzkopf, Jose Carreras, Placido Domingo, Luciano Pavarotti. If you are only somewhat familiar with opera, these recordings give you the highest feeling of what an aria or duet can sound like when sung and interpreted at its best. If you are already familiar with these songs, then you will appreciate this collection all the more for having gathered them in one place. I play both discs all the time. I've especially appreciated being able to compare vocal qualities side by side, so to speak, as Maria Callas can be heard next to Mirella Freni and Victoria de los Angeles. Even if you are not familiar with these singers, this is the way to meet them. Maria Callas has a much darker, back of the throat tone. Mirella Freni is pure, clear and light floating up in the higher notes. You can almost visualize the singers as they place the notes in their throats and set them out in the air to vibrate.
Yeah!
Average customer rating: 4 out of 5 stars
  • Cover tunes
  • Rock Gods did it once again!
  • Another Turkey from Def Leppard
  • FINALLY, a complete review of
  • Not Rockin
 Yeah!
Def Leppard
Manufacturer: Island / Mercury
ProductGroup: Music
Binding: Audio CD

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ASIN: B000FC2HT0
Release Date: 2006-05-23

Tracks:

  1. 20th Century Boy
  2. Rock On
  3. Hanging On The Telephone
  4. Waterloo Sunset
  5. Hell Raiser
  6. 10538 Overture
  7. Street Life
  8. Drive-In Saturday
  9. Little Bit Of Love
  10. The Golden Age Of Rock 'n' Roll
  11. No Matter What
  12. He's Gonna Step On You Again
  13. Don't Believe A Word
  14. Stay With Me

Amazon.com

While most of their teen peers were embracing nascent '70s U.K. punk with all the snotty 'tude they could muster, Sheffield's Def Leppard instead infused then-moribund metal with bracing pop smarts. Having long since sold a gazillion or two records with that formula, the '80s superstars pay homage to the eclectic, chart-savvy tastes that spawned it on this collection of covers, recharging their contemporary fortunes a bit in the bargain. Their takes on Me Decade standards like The Faces' "Stay With Me," Badfinger's "No Matter What," and T Rex's "20th Century Boy" may be arguably too faithful, right down to Joe Elliot's often dead-on vocal chameleon routine. But elsewhere they perform some admirable pop archaeology, imparting a darker edge to David Essex's spooky "Rock On" and pumping Blondie's "Hanging on the Telephone," one-hit-wonder John Kongos's riff-fest "He's Gonna Step On You Again," and Sweet's "Hell Raiser" full of patent Lep energy. --Jerry McCulley

Album Description

On their highly anticipated new album, Def Leppard have created a heartfelt and hard rocking tribute to their musical heroes of the late 60's and 70's - the Kinks, Badfinger, T. Rex, David Bowie, Sweet, Roxy Music, Mott the Hoople, Free, Faces, and Thin Lizzy. Recording essential versions of the music that influenced their youth, the band have brilliantly merged the 'Now with the 'Then' to create a buzz that can only be summed up in one word: YEAH!

Customer Reviews:

5 out of 5 stars Cover tunes.......2007-07-16

Def Leppard does cover album. Not a bad album. The cover songs are done tastefully. If you like Def Leppard you'll like this album

5 out of 5 stars Rock Gods did it once again!.......2007-07-08

Anything Def Leppard touches turns to gold.
Joe Elliot's vocals are over the top on this cd. The melodic guitars from Phil and Viv have a delightful cutting edge. Sav on Bass... What more could I say? He is a genius! Rick allen is a God himself.
Their vocal styles blend and carry each tune to higher lofts than ever before imagined. What I found most stunning.... Phil's voice on lead vocals for "Stay with me". Even my 14 year loves this CD! it rates up there with her fixation of My Chemical Romance.
I have yet to hear a bad Def Leppard song! Each cover tune they do, They leppardize it!
A loyal Leppard Fan from 1981!!!!

1 out of 5 stars Another Turkey from Def Leppard.......2007-06-26

1.5 stars

In theory, a Def Leppard album covering classic songs from the 1970s should be great, in reality; however, it is not so great.

After a string a mediocre to horrible albums that went nowhere (with the exception of 1996's underrated "Slang") Def Leppard shows the world their roots--where they came from and what influenced them with their covers albums "Yeah!" (2006).

You can't argue with the band's choices--Blondie, Bowie, T-Rex, ELO, Roxy Music, etc. It's all good stuff. The problem with "Yeah!" isn't a lack of good songs; rather the problem lies with Def Leppard themselves and their execution of the songs.

Def Leppard used to be a great band, no denying that. Their first four albums, specifically "High N' Dry" (1982) and "Pyromania" (1983) are two of the greatest hard-rock albums of the 1980s. That said, Def Leppard have sucked for years. "Slang" and the "Retroactive" (1993) compilation album aside, everything the band has released since the death of Steve Clarke has ranged from mediocre (1992's Adrenalize, 1999's "Euphoria") to downright horrid (2002's atrocious "X"). In short, it's been a long time since Def Leppard knew how to rock and they have long since lost their balls. So even when Def Leppard tries to cover rocking songs, they can't, they just don't know how.

If Def Leppard had released the same collection of songs on a covers album twenty-five years ago, (when they had Pete Willis and Steve Clarke on guitar) it would have been great. Now, however, it just sounds weak. As previously noted, the band no longer has any balls; the performance of the songs on this album is too smooth, with no sense of urgency, no teeth, no rock n' roll spirit. Most of the time the songs sound either forced, i.e., Sweet's "Hell Raiser" or too sugary, i.e., The Kinks "Waterloo Sunset." This album sounds like a bunch of over-the-hill rockers trying to sound vigorous and it just doesn't work. "Yeah!" is an album for soccer moms and Bryan Adams fans, not for people who wanna rock.

There are some decent moments on "Yeah!" Blondie's "Hanging on the Telephone," ELO's "10538 Overture" and Badfinger's "No Matter What" aren't bad, although not as good as the originals. Everything else on this album is totally lame.

5 out of 5 stars FINALLY, a complete review of .......2007-05-09

OK, first off, been a fan of the Leps since I was 15 and "Pyromania" was first released and "Bringin' On The Heartbreak" was all over MTV...twas 1983 and my impressionable mind was molded by the Leps music, just like what happened to the Leps themselves with the bands and who's songs the Leps cover all over "Yeah!!"

This record makes a whole lot of sense and squashes many things that people mistakenly think the Leps are, musically. NWOBHM or pop-metal??!!?? BAH!!

Try glam-influenced powerpop, or a British, glam-influenced Cheap Trick, and you're on target. And honestly, I think it's a mistake that the Leps are constantly on nostalgic summer package tours with horrible corporate rock bands like Journey...shoot me, Journey fans, I don't care, your band and taste is terrible!!! Same with KISS!!! If anything, the Leps should play with musically-compatible bands like Cheap Trick, or newer Britpop bands like the Arctic Monkeys or the Kaiser Chiefs or great new Scottish bands like the View or the Fratellis, to show these younger bands and fans they are still vital...not just for their parents' generation. Gosh, I feel old.

Anyhoo, about the Leps' recent covers album, "Yeah!!!", from 2006, it's possibly the best covers album in recent memory, if not EVER. It's totally fun, not obvious, has many of my fave bands and shows the band's impeccable taste and ability to rock out and have a good time...it probably made the band feel like kids again. The album artwork and nods to the classics is a nice fun touch...the liner notes are informative and infectiously written by Phil and Joe, both obviously music connosseurs and collectors. The intros by Sav and Viv are cool as well.

Now, there are 4 different versions of the album...the regular 14-tracker, the BestBuy version with 2 bonus tracks, the Target edition with 2 completely DIFFERENT bonus tracks, and the Japanese edition has 2 bonus tracks. PLUS Walmart had a separately-sold companion bonus DISC with 8 more tracks (5 additional covers and 3 interviews) which put the whole project into proper perspective. The Japanese disc has only 2 of these Walmart tracks as bonuses. Here's my take on the whole kitten caboodle:

REGULAR ALBUM:
1- "20th Century Boy"...the T-Rex song, an amazing song and great energetic cover...fits the Leps to a T.
2- "Rock On"...the David Essex song, also covered by Michael Damian (a #1 hit in the US but it was lame) and Toni Basil!?!?...her version was cool and on the US version of "Word Of Mouth" following "Mickey"...the Leps cover beats them all...love the way the song kicks in, AC/DC-style.
3- "Hanging On The Telephone"...the 1976 Nerves powerpop classic popularized by Blondie...surprisingly awesome.
4- "Waterloo Sunset"...the 1960s Kinks classic, originally placed on the Leps 2CD import "Best Of", in a better home here on "Yeah!!", great version that grows on you.
5- "Hell Raiser"...the Sweet classic...I know the Leps have cited Sweet as an influence, and they give a kicking rendition here...the funny, campy Steve Priest vocal lines are done here by, NOT Joe Elliot, but guest Justin Hawkins, former lead singer/songwriter of campy Brit hardrockers the Darkness, to fine fun effect...
6- "10538 Overture"...ELO's debut single, when Roy Wood was in the band, after the Move split up...GREAT and a surprisingly fitting choice for the Leps...great guitar work, and features guests on strings, the Stepaside Symphonia...
7- "Street Life"...the 1973 Roxy Music classic...shows the Leps are NOT a pop metal band, but a glam-influenced powerpop band, more taken by punk and new wave, as 1970s UK glam was the precursor to this inferior style of rock, and the Leps do some nice noise on their guitars...LOVE this song...
8- "Drive-In Saturday"...the obscure-in-the-US, HUGE-in-the-UK David Bowie classic from 1973's "Aladdin Sane"...see my take on previous song by Roxy Music.
9- "Little Bit Of Love"...the Free song, a big surprise for me, as I am NOT a Paul Rodgers/Bad Company fan at all...I think BC was probably the most overrated band of them all, really boring actually. Free, on the other hand, I have not heard much of, besides "All Right Now", which was decent but played out, yet still better than all of Bad Company combined. Perhaps, Paul Rodgers sounded great in this band, I don't know, but this song is actually a pretty good pop tune...I may have to investigate Free's catalogue now.
10- "The Golden Age Of Rock 'N' Roll"...the Mott The Hoople classic...probably my fave track on all of "Yeah!!"...just amazing, what rock & roll is all about...Ian Hunter is just swell, as a rock & roller, as a songwriter and as a person...I had the opportunity to see Ian live recently and he blew me away...pictures I took, I gave doubles to Joe himself when I met him at the aftershow party for the NYC "X" club gig at Irving Plaza, now the Fillmore, because I knew Ian was Joe's hero. Ian does the intro here...very cool...and features guests like Joe's wife on BV's, Viv's bro on honking sax and Canadian singer/songwriter Emm Gryner on BVs and piano...just awesome...and I can hear the Sex Pistols influence here too, as is mentioned in the liner notes.
11- "No Matter What"...the Badfinger powerpop classic...arguably the first ever true powerpop song, let alone hit, and yeah, the Leps' version is almost identical, which proves that the Leps are, at heart, a powerpop band, not a metal/pop metal band. Love this remix better than the version on the US 2CD "Rock Of Ages" collection...fits better here too, as this is, after all, an album of covers.
12- "He's Gonna Step On You Again"...the John Kongos classic...honestly, I thought I was the only one who knew who John Kongos was!!! I had the original album with this song, and "Tokoloshe Man", on it...both songs were covered by UK rave rockers Happy Mondays in the early 90s...the band recently reunited as well...turns out the Leps, espesh Joe, were big fans as well...possibly because of the "jungle drums"...great track.
13- "Don't Believe A Word"...the Thin Lizzy song...see my entry for the Sweet cover...I knew Phil Lynott was a big influence on the Leps as well, and this is a great song...I'm also happy they didn't do one of the obvious songs either...here or on the whole album really...
14- "Stay With Me"...the Faces song...featuring PHIL on lead vocals and Joe on Ian McLagen-ish keyboards...it kicks arse, nuff said...the Faces were the only time Rod Stewart was any good, and I do agree with Joe that "Pool Hall Richard" was their best song.

Now, the bonus tracks:
Target's CD:
15- "Action" (Live, 2005)...the Sweet song, and the studio version was a B-side and on 1993's "Retroactive" compilation...GREAT live version with lots of exuberant energy...being it's a live track, not studio, nothing has been recycled, and it's from the recent 2005 US Rock Of Ages tour.
16- "When I'm Dead And Gone"...an obscure 1970 UK hit by British duo McGUINNESS FLINT, written by Benny Gallagher and Graham Lyle. Before getting this CD, I had never heard this song or of the act before, but this cover is totally charming, a memorable and melodic, scruffy, acoustic, singalong, off-the-cuff track...a true gem with no pretentions whatsoever.

BestBuy's CD:
17- "No Matter What" (Live, 2005)...a cool live take of the Badfinger classic, probably from the same show, definitely the same 2005 US tour as the Leps cover of "Action".
18- "Winter Song"...another 1970 obscurity by UK band LINDISFARNE...like the McGuinness Flint song, I had never heard of this either, but it's equally as good, and makes me want to investigate further. The song is more reflective and is a moving Christmas-y type of song, not unlike something Cat Stevens would do...done acoustic style by the Leps...

WalMart CD:
19- "American Girl"...the Tom Petty classic...proves again how the Leps are more powerpop than metal...Joe sounds a bit like Tom here as well, and his jangly Byrds-y style fits the Leps much better than you would think...one of 2 bonus tracks on the Japanese edition of "Yeah!!"...
20- Backstage Interview #1...the band talks about the 2005 tour and their fanbase evolving & getting older.
21- "Search & Destroy"...the Iggy & The Stooges dangerous punk prototype from 1973's Bowie-produced landmark "Raw Power" album...with PHIL singing lead and playing all instruments...just proves that Phil comes from the punk world, whilst the rest of the Leps were from the glam and powerpop world...this track sounds like the Stooges themselves and Phil like Iggy that it's uncanny...it sounds vital and dangerous...this track is the second of 2 bonus tracks on the Japanese "Yeah!!"...
22- Backstage Interview #2...sums up the purpose of "Yeah!!", their inspirations, the rules for picking the tracks, and it shows how the Leps are more glam/powerpop than pop-metal...
23- "Space Oddity"...the second Bowie cover, done completely by Joe...shows how talented he really is as a 1-man band...doesn't sound far from the original at all, from the playing and arrangement to the atmosphere...pretty remarkable actually...
24- Backstage Interview #3...a conclusion to a swell interview...
25- "Dear Friends"...an obscure Queen song written by Brian May (whom I met in JFK airport in 2003, BTW, totally nice gracious guy), from Queen's 1974 debut album...sung and played completely by bassist Rick Savage...shows how talented and overlooked he is in the Def Leppard canon...the guy's a great singer in his own right and a talented multi-instrumentalist as well...who knew???
26- "Heartbeat"...an obscure 1974 song by [...] UK glamster JOBRIATH BOONE, who was always referred to as a poor man's David Bowie. Apparently, Morrissey was a huge Joby fan, that he reissued an album (or a compilation, I'm not sure) called "Jobraith" on his reactivated Attack label through Sanctuary. The guy died of AIDS in 1993 in NYC, depressed and broke...maybe he will get his due, I'm not sure, but Joe was apparently a fan...enough that he covered "Heartbeat", playing fairground organ and backed by Dave Browne on piano and Ronan McHugh on cellos...this cover is quite moving, maybe moreso that Joby died of AIDS...

Anyhoo, overall, possibly the best covers album ever recorded...now that Def Leppard got this long-gestating album out of their system...they've been wanting to do a covers album or their take on Bowie's "Pin-Ups"...since they got a record deal back in 1979, or at least Joe did...now, they can do a kickbutt album of new Lep originals...I heard the next album will be sort-of like "Back In Black"...

I think the band is revitalized...just like the Smithereens are after doing their recent cover album of the Beatles debut, "Meet The Smithereens"...that's what covers albums actually do when done right...they refresh the band and remind them of why they became a band in the first place...that's what happened with Def Leppard and "Yeah!!", but what makes this covers album better than most is that it's not just a footnote curio...it's a fun, rocking record that will be listened to many times in the future, as it stands up against the rest of Def Leppard's catalogue...

It will also remind people of what rock & roll is all about, period.

'Nuff said, I'm done.

2 out of 5 stars Not Rockin.......2007-03-10

Man, i was disappointed! Ive been a Lep fan for ages, i got all their cd's, and have to say this is their worst! This album should of been an addition to their new release! Then it would be okay, but for a new album? no way, this sucks, this aint def leppard.
The River in Reverse
Average customer rating: 4.5 out of 5 stars
  • Don't Overlook The CD/DVD Combo
  • More than easy listening from the Big Easy!
  • 4 1/2 stars.
  • real music...real songs
  • Elvis Costello and Allen Toussaint...it doesn't get much better than this....
 The River in Reverse

Manufacturer: Verve Forecast
ProductGroup: Music
Binding: Audio CD

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  1. All the Roadrunning
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ASIN: B000FA58IY
Release Date: 2006-06-06

Tracks:

  1. On The Way Down
  2. Nearer To You
  3. Who's Gonna Help A Brother
  4. Sharpest Thorn
  5. Tears
  6. River In Reverse
  7. Freedom For The Stallion
  8. Broken Promise Land
  9. Ascension Day
  10. International Echo
  11. All These Things
  12. Wonder Woman
  13. Six Fingered Man

Amazon.com

Some inspired music has arrived in the wake of Hurricane Katrina (mainly on New Orleans-themed benefit albums), but nothing as audaciously ambitious as this cross-generational collaboration between Crescent City mainstay Allen Toussaint and former British upstart turned adventurously eclectic veteran Elvis Costello. As a songwriter, producer, and arranger, Toussaint has been responsible for hits from artists ranging from Irma Thomas, Ernie K-Doe, and Lee Dorsey to the Pointer Sisters and Labelle. Costello, long a huge fan of Toussaint's music, sings relatively familiar fare such as "On Your Way Down" and "Freedom for the Stallion" from Toussaint's extensive songbook along with obscurities mainly recorded by Dorsey. Toussaint supplies his distinctive piano and horn arrangements--as well as lead vocals on "Who's Gonna Help Brother Get Further?"--with Costello's Imposters serving as the rhythm section. Yet the real revelation comes from the new material, including the title track (a searing Costello composition in the Toussaint soul-spiritual mode) and five new Costello/Toussaint compositions that spotlight Toussaint's signature sound without diminishing Costello's creative contributions. What could have been a curiosity is instead a hallmark in the catalog of each artist. --Don McLeese

Album Description

The River in Reverse is Elvis Costello and Allen Toussaint's spirited and deeply soulful new album, including seven songs from Toussaint's remarkable catalog; five newly written by the two; and one new song, the title track, written by Costello. Sessions for the album took place over a whirlwind two weeks late last year in Hollywood, CA and at Piety Street Studios in Toussaint's hometown of New Orleans. Produced by Joe Henry, the album masterfully combines Costello's band the Imposters with Toussaint's horn section (Amadee Castenell, Joe Smith, Sam Williams, and Brian Cayolle) and guitarist (Anthony Brown).

Toussaint led the ensemble from the piano, with Imposters keyboard player Steve Nieve switching to Hammond B3. The majority of the tracks were cut with the entire group in the room and Costello singing live, occasionally adding his guitar to the mix. Costello selected songs from deep within the Toussaint catalogue such as "Nearer To You," "Freedom for the Stallion," and "Tears, Tears and More Tears." Toussaint kicks off the lead vocal on his composition, "Who's Gonna Help Brother Get Further?" and trades vocal lines with Costello and bassist Davey Faragher on several other tracks.

All of the horn arrangements are marked with Toussaint's distinctive style and, commented Costello, "add a second voice" to the title track, the one song that Costello wrote alone. Just before the recording began, the duo holed up in New York to write together throughout October, a quick-moving process that resulted in four songs on the album of various combinations of words and music.

The songwriting collaboration began with Costello writing lyrics for Toussaint's beautiful minor key variation of Professor Longhair's "Tipitina." The resulting piece is now entitled "Ascension Day." Other new titles include "The Sharpest Thorn," "Broken Promise Land," and "International Echo."

Toussaint previously produced a 1983 Costello cover of Yoko Ono's "Walking on Thin Ice" with the Attractions and the T.K.O. Horns, and also contributed piano to the New Orleans-recorded "Deep Dark Truthful Mirror" from Costello's 1989 album Spike.

Immediately following Hurricane Katrina, Toussaint relocated to New York City, where the two renewed their musical friendship at several benefit concerts and club gigs during a seven-day period from the 17th of September, leading to discussions of this new album. The powerful song "The River in Reverse" was written by Costello on September 24th, 2005, and performed by him for the first time at that night's "Parting the Waters" benefit event organized by the The New Yorker magazine.

More Elvis Costello & Allen Toussaint

King of America
Elvis Costello
Imperial Bedroom
Elvis Costello & the Attractions
Painted from Memory
Elvis Costello & Burt Bacharach

The Wild Sound of New Orleans: The Complete 'Tousan' Sessions
Allen Toussaint
Finger Poppin' and Stompin' Feet: 20 Classic Allen Toussaint Productions for Minit Records 1960-1962
Various Artists
Connected
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Customer Reviews:

4 out of 5 stars Don't Overlook The CD/DVD Combo.......2007-05-05

Yes indeed! So you're thinking about getting this great collaboration that came out in 2006 on CD, which is a wonderful thing to be thinking about, as most of the other reviewers here will attest to. But hey, please don't forget to look in the next bin at THE EXACT SAME TITLE IN THE CD/DVD COMBO PACKAGE (ASIN: B000FBH476) AND IT'S FOR THE *EXACT SAME PRICE*!! What was that? Well SOMEBODY you know must have a DVD player, and they can invite you over for dinner! It's worth it on so many levels, just to see them starting the project in LA, see them at Sunset Sound breaking out the ever-so-soulful song "What Do You Want The Girl To Do" (not on the CD), see them talking about actually going to The Big Easy soon after Katrina and debating whether it's a good idea or not since it could be seriously discouraged by the authorities, not to mention real upsetting for Allen Toussaint (having just lost his house and possessions there), see them flying coach from LA to NO, and then see them pick up the sessions again at a studio right there in the Crescent City! The material from the CD comes to life ten-fold, and the city by (and still in) the river welcomes them with open arms! As Toussaint says at one point "There will always be a New Orleans, and now.. there will be a Very New Orleans!" It's a joy to watch.

So to re-cap: the CD's great, 4 stars. But don't forget to look one shelf over at the CD/DVD combo, an easy 5 star package. And at zero extra dollars, it's a no-brainer!

5 out of 5 stars More than easy listening from the Big Easy!.......2007-03-15

Elvis Costello teams up with legendary New Orleans jazz pianist Alain Toussant for a collection of beautiful songs with a quiet dignity beneath the riffs. A portion of the profits go to help New Orleans musicians who were Hurricane Katrina victims. But I never knew Big Easy jass could be so thoughtful and sophisticated.

4 out of 5 stars 4 1/2 stars. .......2007-03-13

my, mr costello is certainly prolific in the recording studio. yet another album. and hooray, i say. the man rarely, rarely lets one down. this time out he is paired with new orleans great allen toussaint. together they have crafted an extremely fun recording. rock, blues, and funky soul ring out here. mr toussaint's piano playing is filled with infectious enthusiasm and mr costello's vocals are filled with emotion. that costello voice, to me, is stunning. it's ablility to express different moods and a variety of emotions can hardly be bettered in rock music. his songwriting has always gotten attention, but i feel his singing has not recieved the full appreciation from critics that it deserves. anyway, this is a fantastic piece of work. selected by "no depression" magazine as the 4th best album of 2006, don't miss it.

5 out of 5 stars real music...real songs.......2007-01-11

very refreshing. Real songs and real musicians. Great live feeling. Great horns, keys, drums arrangement.

Thank god Costello is around to keep it high and real!

5 out of 5 stars Elvis Costello and Allen Toussaint...it doesn't get much better than this...........2007-01-06

This collaboration is totally AMAZING.....soulful...meaningful- probably on a personal as well as on a more alturistic/socially relevant level..and finally, very sexy. I've been a fan of Elvis since the late 70's...GOD am I that old?? He has always inspired and made me think beyond the borders. Now I am a fan of Mr. Toussaint's as well. The CD starts off wonderful and keep giving more and more. Even when you think you have already heard the best it can possibly offer, it then crescendos and ROCKS you with SIX FINGERED MAN..! It's really hard to pick a favorite on this one. FREEDOM FOR THE STALLION will make you stop in your tracks and THINK. It's is one of those basic...true...important pieces that make you take notice. THE SHARPEST THORN is extremely melancholy, and personal. BROKEN PROMISE LAND, THE RIVER IN REVERSE, ASCENSION DAY, and INTERNATIONAL ECHO (Love that one!!) have Elvis' print all over it...and can ONLY be made even better and just absolutely perfect with Mr. Toussaint's contribution. Mr. Toussaint's ALL THESE THINGS is totally amazing!!! Very true and just damn sexy. WONDER WOMAN will make you smile and just want to get up and dance. Just give yourself a gift this new year....and treat yourself to this CD. You will not be disappointed.
Standup Comic
Average customer rating: 4.5 out of 5 stars
  • Classic Comedy
  • hilarious!!!!!!!!!!!!
  • Don't Moose this one!
  • Buy the imported EMI double CD
  • Love the Movies? Buy the CD
 Standup Comic
Woody Allen
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000IMSB
Release Date: 1999-04-20

Tracks:

  1. The Vodka Ad
  2. Vegas
  3. Second Marriage
  4. The Great Renaldo
  5. Mechanical Objects
  6. The Moose
  7. Kidnapped
  8. Unhappy Childhood
  9. The Science Fiction Film
  10. Eggs Benedict
  11. Oral Contraception
  12. European Trip
  13. The Lost Generation
  14. Private Life
  15. Brooklyn
  16. The Army
  17. Pets
  18. My Grandfather
  19. My Marriage
  20. Bullet In My Breast Pocket
  21. N.Y.U.
  22. A Love Story
  23. The Police
  24. Down South
  25. Summing Up

Amazon.com

Compiled from Woody Allen's legendary standup routines of the mid 1960s, Standup Comic is an absolute necessity for any acolyte of the man's solid work from his Casino Royale and New Yorker phase.

"Here's a good example of oral contraception. I asked a girl to go to bed with me, and she said 'No.'"

Between a youthful stint as a TV gag man and his groundbreaking films of the 1970s, Allen tried his hand at standup. He was, predictably, a success. Taken from nightclub dates in 1964, '65, and '68, Standup Comic shows how stylistically similar he was to contemporaries like Bill Cosby but also how his absurd flights of imagination made him utterly unique.

"I took a puff of the wrong cigarette at a fraternity dance once. The cops had to come and get me. I broke two teeth trying to give a hickey to the Statue of Liberty."

Now that he's a junior-varsity Ingmar Bergman, it's easy to forget that Allen's first public face was that of a world-class zhlub--a rumpled redhead who shared stories of analysis, sexual frustration, and failure. The long-form tales featured on Standup Comic (including Allen's famous bit featuring a moose) provide plenty of laughs as well as an early glimpse at this protean comic genius. --Mike Gerber

Customer Reviews:

5 out of 5 stars Classic Comedy.......2007-06-08

This C.D. contains some of Woody Allen's best material from this early stand-up days. Listening to this material is crucial to hve any sort of well-rounded sense of humor. Classic sketches such as The Moose, told in Woody's semi-neurotic craze will keep you laughing for days.

5 out of 5 stars hilarious!!!!!!!!!!!!.......2006-07-10

For woody allen's fan, a must-have! soooo funny!!!!! you juste feel sorry you weren't there to watch!

5 out of 5 stars Don't Moose this one!.......2006-03-10

Extremely funny. If you like WA movies, you'll recognize some lines/themes. Must have for WA fans.

1 out of 5 stars Buy the imported EMI double CD .......2006-02-15

This is excellent material. Woody Allen was a brilliant stand-up comedian before he became a brilliant film-maker.
This single CD, however, is badly edited (sometimes in the middle of a routine) to reduce what was originally a double LP set of 93 minutes down to single CD length.

Search out the EMI import double CD of the same. Amazon has it. I just got mine. It is complete, and funny as hell as well as sophisticated.

Even at really reasonable used prices, you'll be missing too much if you get this single disc.

5 out of 5 stars Love the Movies? Buy the CD.......2005-11-22

Say "Woody Allen" to any ten people and you're likely to get five hates and five loves. There's not much middle ground; either he's hilarious and a brilliant filmmaker or he's an elitist degenerate. Myself, I think he's one of the funniest men alive, to which this CD gives perfect testament. Allen's humor wasn't particularly political or expansively social like Bruce, Sahl, or Gregory. He did mostly short bits, and the subject matter will be familiar to those who have seen his films; his family, Judaism, growing up in New York, being a nebbish, his mixed results with women, etc. "The Moose" and "Down South" are my favorites; the first may be The Perfect Bit, with one of the great payoff lines of all-time.

Basically, it depends on which side of the fence you stand, because this won't convert anyone. If you can't stand him, this probably won't change your mind. If you think his films are funny, you'll love this CD.
Once Upon A Mattress (1959 Original Broadway Cast)
Average customer rating: 4.5 out of 5 stars
  • "Mattress" CD was excellent
  • an oldie but a goodie
  • Nothing like the original --
  • Awesome
  • I saw the original on Broadway
 Once Upon A Mattress (1959 Original Broadway Cast)
Marshall Barer
Manufacturer: Decca U.S.
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002ONH
Release Date: 1993-04-13

Tracks:

  1. Overture - Orchestra
  2. Many Moons Ago - Harry Snow
  3. An Opening For A Princess - Joe Bova and Ensemble
  4. In A Little While - Allen Case, Anne Jones
  5. Shy - Carol Burnett, Joe Bova And Ensemble
  6. Sensitivity - Jane White, Robert Weil
  7. The Swamps Of Home - Carol Burnett, Joe Bova And Ensemble
  8. Normandy - Harry Snow, Matt Mattox, Anne Jones
  9. Spanish Panic - Jane White
  10. Song Of Love - Carol Burnett, Joe Bova And Ensemble
  11. Quiet - Jane White And Ensemble
  12. Studio Dialogue - Carol Burnett
  13. Happily Ever After - Carol Burnett
  14. Man To Man Talk - Matt Mattox, Joe Bova
  15. Very Soft Shoes - Matt Mattox And Ensemble
  16. Yesterday I Loved You - Allen Case, Anne Jones
  17. Nightingale Lullaby - Ginny Perlowin
  18. Finale - Joe Bova, Matt Mattox, Jack Gilford And Ensemble

Amazon.com

Based on Hans Christian Andersen's tale The Princess and the Pea, Once Upon a Mattress opened in May 1959 and was a solid success, if not a huge blockbuster. It did well enough, in any case, to warrant a 1997 revival starring Sarah Jessica Parker. The show was far from revolutionary, but it provided a really fun vehicle for a cast of top stage personalities, including black actress Jane White, who played Queen Aggravain (a part originally written for comedienne Nancy Walker) in whiteface. But of course, Once Upon a Mattress's heart and soul was Carol Burnett, who, in her Broadway debut created the part of Princess Winnifred and delivered two of Mary Rodgers's best songs, the hilarious "Shy" and the spunky "Happily Ever After," which sounds a bit like Jule Styne at his most rhythmic. Burnett's timing and performance remain as sharp as they were 40 years ago. --Elisabeth Vincentelli

Customer Reviews:

5 out of 5 stars "Mattress" CD was excellent.......2007-01-09

I've really enjoyed this CD. I only wish the play was available on DVD.

5 out of 5 stars an oldie but a goodie.......2006-03-15

Loved Carol Burnett then and love her now. This original cast CD is a lovely trip down memory lane.

5 out of 5 stars Nothing like the original -- .......2006-01-30

No offense to any of the subsequent "Freds" but Carol Burnett OWNS this role. The recording is as fresh and funny as anything being done today and this is the version musical theatre fans should have in their library. Get it.

5 out of 5 stars Awesome.......2006-01-22

My school did this musical last year (Spring 2005) and I had never heard of it before, so I bought both the Revial and the Original Cast Recordings. Fell in love. I was Sir Harry and loved both songs that I sang in. In my opinion, those are the two best songs in the entire musical, but then again, I'm biased.

Once Upon A Mattress OCR is by far the best out there. Don't get me wrong, the Revival Cast did a wonderful job (soundtrack at least) But There is something about Carol Burnett. She was meant to sing be Fred. But one thing that I didn't like is that "The Minstrel, the Jester & I" wasn't in this recording. But that is really the only problem I had with this.

My fav songs include:
In a Little While (because I sang it)
Yesterday I Loved You (again, I sang it)
Many Moons Ago
Shy

Would I recomend this CD? YES I WOULD!! I would shout it from the rooftops that people should by this CD! It's a funny, quaint little musical that people need to know about. I LOVE IT!

5 out of 5 stars I saw the original on Broadway.......2005-12-19

Once Upon a Mattress was one of the first Broadway shows that I ever saw and I was totally mesmorized and laughed so hard that my side hurt. Carol Burnett was the perfect person to play Fred and it was one of those magical performances that stays with you for a lifetime. The original cast album captures the fun and spirit of the show.

Later during the run of the show a friend of mine joined the chorus and when we talked about the experience, he told me that the joy that was on stage was similar to that felt by the cast and that was apparent on the album. They especially liked working with Ms. Burnett as she was a giving and caring actress.

I recommend this album to anyone who wants to spend some time just feeling good.

Music Review:

  1. America's 25 Favorite Hymns, Vol. 3
  2. America's 25 Favorite Praise & Worship Choruses, Vol. 4
  3. As We Enter In
  4. Best of the Best of Gospel
  5. Beyond a Dream
  6. Can't You See...
  7. Do You Still Remember Love
  8. Evening With Janet Paschal
  9. Everything's Gonna Be Alright [CD-single]
  10. Faith

Music Review

Music Review