Handel's Young Messiah

Track Listings
1. Overture    
2. And the Glory of the Lord    
3. Comfort Ye My People - Matthew Ward    
4. Every Valley Shall Be Exalted - First Call    
5. O Thou That Tellest Good Tidings to Zion - The Imperials    
6. For Unto Us a Child Is Born    
7. Glory to God    
8. He Shall Feed His Flock Like a Shepherd - Russ Taff, Sheila Walsh    
9. He Was Despised and Rejected of Men - Wayne Watson    
10. Surely He Hath Borne Our Griefs    
11. Behold the Lamb of God    
12. How Beautiful Are the Feet - Twila Paris    
13. Lift up Your Heads, O Ye Gates    
14. I Know That My Redeemer Liveth - Cynthia Clawson    
15. Trumpet Shall Sound - Phil Driscoll    
16. Worthy Is the Lamb    
17. Hallelujah Chorus    

Handel's Young Messiah, Music, George Frideric Handel, CCM, Christmas, Christmas / Chanukkah, Classical, Inspirational, Oratories
Instruments of the Orchestra
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Manufacturer: Naxos
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Binding: Audio CD

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  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Simply the Best Classical Anthems
Average customer rating: 4.5 out of 5 stars
  • perfect selection for commencement/ graduation
  • Great Starting Point for Classical Music Novices
  • **An Exquisite Album**
  • Samples
  • Great Sampler!
Simply the Best Classical Anthems

Manufacturer: Erato
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
PolkasPolkas | Ballets & Dances | Classical | Styles | Music
QuartetsQuartets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BerliozAll Works by Berlioz | Berlioz, Hector | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BrittenAll Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by CharpentierAll Works by Charpentier | Charpentier, Marc-Antoine | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by CoplandAll Works by Copland | Copland, Aaron | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ElgarAll Works by Elgar | Elgar, Sir Edward | ( E ) | Featured Composers, A-Z | Classical | Styles | Music
Grieg, EdvardGrieg, Edvard | ( G ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HolstAll Works by Holst | Holst, Gustav | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by KhachaturianAll Works by Khachaturian | Khachaturian, Aram | ( K ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MussorgskyAll Works by Mussorgsky | Mussorgsky, Modest | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by OrffAll Works by Orff | Orff, Carl | ( O ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by PucciniAll Works by Puccini | Puccini, Giacomo | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ProkofievAll Works by Prokofiev | Prokofiev, Sergei | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by StraussAll Works by Strauss | Strauss, Richard | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VerdiAll Works by Verdi | Verdi, Giuseppe | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by WagnerAll Works by Wagner | Wagner, Richard | ( W ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by RachmaninovAll Works by Rachmaninov | Rachmaninov, Sergei | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
DivertimentosDivertimentos | Serenades & Divertimentos | Forms & Genres | Classical | Styles | Music
SuitesSuites | Forms & Genres | Classical | Styles | Music
ClassicalClassical | Symphonies | Forms & Genres | Classical | Styles | Music
RomanticRomantic | Symphonies | Forms & Genres | Classical | Styles | Music
MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
OverturesOvertures | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Tone PoemsTone Poems | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
RequiemsRequiems | Forms & Genres | Early Music | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
VariationsVariations | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General ModernGeneral Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Ballets & DancesBallets & Dances | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
OrganOrgan | Keyboard | Instruments | Classical | Styles | Music
PianoPiano | Keyboard | Instruments | Classical | Styles | Music
ViolinViolin | Strings | Instruments | Classical | Styles | Music
Berlin Philharmonic OrchestraBerlin Philharmonic Orchestra | ( B ) | Featured Performers, A-Z | Classical | Styles | Music
London Philharmonic OrchestraLondon Philharmonic Orchestra | ( L ) | Featured Performers, A-Z | Classical | Styles | Music
National Philharmonic Orchestra LondonNational Philharmonic Orchestra London | ( N ) | Featured Performers, A-Z | Classical | Styles | Music
Paris Symphony OrchestraParis Symphony Orchestra | ( P ) | Featured Performers, A-Z | Classical | Styles | Music
GeneralGeneral | Symphonies | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
CompilationsCompilations | Classical | Styles | Music
RomancesRomances | Classical (c.1770-1830) | Historical Periods | Opera & Vocal | Styles | Music
Baroque (c.1600-1750)Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music
Romantic (c.1820-1910)Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music
GeneralGeneral | Opera & Vocal | Styles | Music
FrenchFrench | Languages | Opera & Vocal | Styles | Music
GermanGerman | Languages | Opera & Vocal | Styles | Music
ItalianItalian | Languages | Opera & Vocal | Styles | Music
RussianRussian | Languages | Opera & Vocal | Styles | Music
OratoriosOratorios | Opera & Vocal | Styles | Music
AnthemsAnthems | Vocal Non-Opera | Opera & Vocal | Styles | Music
CantatasCantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music
OratoriosOratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
RequiemsRequiems | Vocal Non-Opera | Opera & Vocal | Styles | Music
MarchesMarches | Miscellaneous | Styles | Music
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  1. Thunderous Classics
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  4. Time Life Presents: Classical Thunder
  5. Best of the Millennium: Top 40 Classical Hits

ASIN: B00004SUVI
Release Date: 2000-04-25

Tracks:

  1. Requiem: Dies Irae
  2. Carmina Burana: O Fortuna
  3. The Planets: Mars
  4. The Ride Of The Valkyries
  5. Chorus Of The Hebrew Slaves
  6. Fanfare For The Common Man
  7. Pomp And Circumstance March No. 1
  8. Aida: Grand March
  9. Summer - Four Seasons: Presto
  10. Te Deum: Prelude
  11. The Young Person's Guide To The Orchestra
  12. Toccata And Fugue In D Minor
  13. Symphony No. 5: First Movement
  14. Spartacus: Adagio
  15. Sabre Dance
  16. Symphony No. 40: First Movement
  17. Zadok The Priest
  18. Turandot: Nessun Dorma

Tracks:

  1. Also Sprach Zarathoustra
  2. Romeo And Juliet: Dance Of The Knights
  3. Requiem: Dies Irae
  4. 1812 Overture
  5. Piano Concerto
  6. Spring - Four Seasons: Allegro
  7. Messiah: Hallelujah Chorus
  8. The Royal Fireworks: La Ruissance From Music
  9. Flight Of The Bumble Bee
  10. Symphonie Fantastique: March To The Scaffold
  11. Carmen: Overture
  12. Eine Kleine Nachtmusik
  13. Jerusalem
  14. The Planets: Jupiter
  15. Symphony No 9, 'Ode To Joy'
  16. Swan Lake: Scene
  17. Enigma Variations: Nimrod
  18. Rhapsody On A Theme Of Paganini [Variation 18]
  19. Pictures At An Exibitions: Promenade
  20. Symphony For Organ No 3: Finale, Symphony For Organ No 3

Customer Reviews:

5 out of 5 stars perfect selection for commencement/ graduation.......2007-06-11

We were concerned after reading some other reviews that this version of Pomp and Circumstance wouldn't be the correct movement or the full length version. This selection has the song for graduation AND the extended length, so it gives plenty of time for processionals. If this is what you need, this is the CD to get.

4 out of 5 stars Great Starting Point for Classical Music Novices.......2004-08-13

"Simply the Best Classicial Anthems" is exactly what the title indicates. This is a collection of what the CD says are "36 of the most powerful classics on Earth". My review of this CD comes from someone who is a Classical Music Novice. I'm familiar with some of the composers, musical styles, musical periods, and some of the terminology that is key to understanding Classical Music. By no means am I an expert. I have basically popped in this two CD collection into my player and have enjoyed the sounds it produces. If you are in the same category as I am or maybe just wanting to be introduced to Classical Music - this is going to be a very good CD to have in your collection. For the more seasoned Classical Music fan, this could be either enjoyable or overkill.

The CD contains 36 songs composed by the legends of Classical Music Composers from the past. The bulk of the works come from Composers in the the 19th and 20th century, but there are works from the Romantic and Classical eras of the late 18th and early 19th century (such as Beethoven and Mozart). In general you will find most of the major names of Composers you would expect to find - names such as Tchiakovsky, Handel, Verdi, Strauss, Elgar, and Bach are all there. The only major composer who I would have expected to see on this CD that I don't see is Frederic Chopin. The composers of the late 20th century are not included on this collection - so you won't see Leonard Bernstein or John Williams on this set. While these Composers are excellent, I do think style of the tracks on this collection pre-date their style.

The recordings themselves are done by the great Orchestras around the world. For the most part, European Orchestras were used to deliver the tracks. There are a few exceptions: The Chicago Symphony Orchestra delivers "The Ride of the Valkyries"; The Toronto Symphony Orchestra delivers "Dance of the Knights"; and the Israel Philharmonic Orchestra delivers Tchaikovsky's "1812 Overture". Some of the European Orchestras that are well known include: BBC Symphony Orchestra, London Philharmonic, Bolshoi Symphony Orchestra, Choeur Philhamonique de Strasbourg, and more. Also included are performances by well known names in the Classical space such as Marie-Claire Alain (Bach's "Toccate and Fogue in D Minor" and Saint-Saens' "Symphony for Organ No 3"), Piero Toso (Vivaldi's "Allegro From Spring - Four Seasons"), and Placido Domingo appears on Puccini's "Nessun Dorma".

The 2 Disc collection contains a total of over 2 hours and 6 minutes of music. The selections that are included in the set will sound very familiar to you when you play them. You probably have both heard and seen the names of tracks such as: Oref's "O Fortuna"; Copland's "Fanfare for the Common Man"; Beethoven's "First Movement from Symphony Number 5" and "Ode To Joy"; Elgar's "Pomp and Circumstance", and Tchaikovsky's "1812 Overture". Many of the other tracks will also sound familiar, but maybe not so much by name - such as Wagner's "The Ride of the Valkyries", Strauss' Also Sprach Zarathoustra"; Grieg's "Piano Concerto", and "Dies Irae" (versions included by Mozart and Verdi - you can compare the two and judge for yourself). As for the Discs themselves, I think most of the casual fans will like the selections on Disc Two better, but Disc One is still very good. On a sidebar, the Israel Philharmonic's version of "1812 Overture" is by far the best you will hear - particularly at the end, the booming drums create almost a 3 dimensional vision of fireworks being launched into the air.

There one big negative on this collection is some of the recording quality. The clarity of the recording is there, but some of the recording levels leave a lot to be desired. On some of the softer parts, it is barely audible without significantly turning up your volume. This is very evident on "O Fortuna" where you will hear almost dead silence during from the 30 second to 1:30 mark of the track unless you crank your volume up. Same with the first few seconds of Strauss' "Also Sprach Zarathoustra" and Tchiakovsky's "1812 Overture". When the volume is cranked up you will hear them - but then the other sections will be way too loud. I'm surprised with modern technology that this couldn't be addressed better.

The liner notes are pretty thin. You do get the Composers, Performers/Orchestras, and recording dates. There isn't any more details than that and you won't learn anymore insight on the tracks than this information. Despite some of the shortcomings of the liner notes and recording volume, I still think this is an excellent place to start and do recommend this CD if you are a novice to Classical Music and are looking for a great place to start listening to what the Classics have to offer.

5 out of 5 stars **An Exquisite Album**.......2004-02-21

Simply The Best Classical Anthems

Simply The Best Classical Anthems is a compilation album of `36 of the most powerful Anthems on Earth'. But, it is also said to be something else. It is said to be a gateway. A gateway to another world. A world where our imagination can run free without being shackled down by any borders or boundaries or rules or limits. A world that we have all seen or perhaps more accurately have all heard of but for many of us a world that we have never dared to enter. Never dared to enter because of fear. The fear of being ostracised and shunned by our community.

THE MYTH
`Classical Music!', I can hear some of you cry. `That isn't another world. That's just music for the upperclass, the high-brow, and the pompous.' Surprisingly, I too felt this way for a long time until I accepted the invitation made to me by Simply The Best Classical Anthems. I always felt that Classical Music was nice to listen to as background music for a Levis ad or a Car ad but I would consider people strange if they chose to hear it on its own. However, after having listened to this album I realised how wrong I was in my assumptions.

THE TRUTH
Music as with all forms of amusement helps to take you away from where you are now. It helps to relax you when you are stressed with anger; it helps to give you strength when you are vulnerable; it helps to keep your spirits up when you have faced tragedy or loss. It helps. And, for me the type of music that best conjures up the most passionate emotions (love, hate, courage and anger) at our most testing times is Classical Music.
How? I don't know.
Why? I don't know.
I can only promise you that in my experience it does.

THE CHEST
The album, in visual terms, is very difficult to overlook amongst the plethora of records that may surround it. This is because the album has a very distinct purple sleeve cover. Not any kind of purple mind you but the Cadbury's kind of purple. The kind of purple that carries with it an invitation. An invitation that if accepted promises you a treasure inside.
And since, I have always enjoyed the treasure within the purple Cadbury's Dairy Milk wrapper, I asked myself why would an album carrying the same invitation promise to be anything different? Thus, I parted with my tuppence worth and went back home to open this purple chest of promised treasures.

THE PROMISED TREASURE
As you may have guessed, the contents of the album are somewhat different to the contents of a Cadbury's bar. When I opened the album, I was presented with two compact discs. At first glance, there did not seem to be anything special about them. They were just your average, everyday, run of the mill compact discs. To tell you the truth, I was a bit disappointed because I suppose I had hoped for something more.
However, looks can be deceptive. (Afterall, a Cadbury's Dairy Milk does not seem very appetising until you taste it!) And, also come November each year, I am always bemused and surprised at how the shabby contents of a cardboard box can both light up the sky and light up the faces of the neighbourhood. Thus, I pushed aside my assumptions and I ignited the discs (not literally of course, I just pressed the play button on the CD player). And, I let the fireworks begin.

THE KEY
From the very beginning, you will feel like you have unlocked the doorway to something special. And, after a full two hours of listening to both discs, you will feel like you have been taken out of this world and transported to another. Welcome to the world of Classical Music.

GUIDANCE
In the beginning, continue to listen to both discs in one go (i.e. one after the other). After a while, you will know which tracks you enjoy listening to the most. For those tracks you enjoyed the most make a promise to yourself that you will listen to the whole of the piece from which that track came from.
Good Luck on your quest if you choose to accept it.
Ride amongst the Valkyries, listen to the Flight of the Bumblebees, and use The Planets to keep you on the path.

I am not a good reviewer because as with all of my reviews I refuse to comment too much about what is inside the product but rather more about what effect the product has had on me. (Me, me, me. Vain & Egotistic, I know, so my friends and family keep telling me). But, I just want to cause a raucous about the product, enough not to spoil but enough of a raucous to let you experience it for yourself.

So my final words are:
Simply The Best Classical Anthems is an invitation. An invitation to the world of classical music. A world where you can begin a never-ending quest of curiosity. A curiosity that will always be rewarded with fulfilment.

Do you accept such an invitation?

Hope you found this review helpful.

3 out of 5 stars Samples.......2003-11-23

The samples are too short and the quality leaves a lot to be desired. Having said that the choices are wonderful and the price is great. If you're looking for a overview of the best of classical music then this is for you. However if it's quality you're looking for then spent the extra money and look at other choices.

5 out of 5 stars Great Sampler!.......2002-03-20

This is a good sampler, since it covers what you would want in a classical music CD. Looking at the tracks, it has the classic hits, such as "Ride of the Valkyries," "Toccata and Fugue," "Fanfare for the Common Man," "'Jupiter' from `The Planets,'" "Eine Klein Nachtmusik," and "Hallelujah Chorus."

There are also some new pieces that I have fallen in love with, such as "The Young Person's Guide to the Orchestra," "'Promenade' from Pictures at an Exhibition." The compilers did an interesting double take by including both Verdi's and Mozart's "Dies Ire." I'm not sure which is better.

This music is good for the brain and good for the soul. There is a power and passion that the blaring and glaring music that makes up most of the FM band. I'm reminded of the religious man who said that there is no music in hell. Probably because they wouldn't appreciate it there.

These CDs has a good transfer from the analogue tapes; there is no hiss or fuzziness. The packaging hearkens back to 2001: A Space Odyssey, with the black monolith. And appropriately, "Also Sprach Zarathustra" is the opening track on Disk 2.
Classical Music Start-Up Kit, Vol. 1 (1500-1825)
Average customer rating: 5 out of 5 stars
  • Good
Classical Music Start-Up Kit, Vol. 1 (1500-1825)

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

All Works by J.S. BachAll Works by J.S. Bach | Bach, Johann Sebastian | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by BrittenAll Works by Britten | Britten, Sir Benjamin | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by CorelliAll Works by Corelli | Corelli, Arcangelo | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Couperin, François | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DowlandAll Works by Dowland | Dowland, John | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Franz Joseph HaydnAll Works by Franz Joseph Haydn | Haydn, Franz Joseph | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
Telemann, Georg PhilippTelemann, Georg Philipp | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by VivaldiAll Works by Vivaldi | Vivaldi, Antonio | ( V ) | Featured Composers, A-Z | Classical | Styles | Music
Concerto GrossiConcerto Grossi | Concertos | Forms & Genres | Classical | Styles | Music
GeneralGeneral | Concertos | Forms & Genres | Classical | Styles | Music
Character PiecesCharacter Pieces | Short Forms | Forms & Genres | Classical | Styles | Music
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ASIN: B0000014CD
Release Date: 1996-01-04

Tracks:

  1. The Young Person's Guide to the Orch: Final Fugue - Czechoslovak RSO/Ondrej Lenard
  2. Pope Marcellus Mass: Kyrie - Oxford Camerata
  3. Galliard a 5 - Capella Istropolitana/Adrian Leaper
  4. Les Barricades Misterieuses - Alan Cuckston
  5. Con Grosso, Op.6 No.4: Adagio-Allegro - Capella Istropolitana/Jaroslav Krechek
  6. The Four Seasons: 'Spring' - Takako Nishizaki
  7. Toccata and Fugue in d - Wolfgang Rubsam
  8. Brandenburg Con No. 3: Allegro - Capella Istropolitana/Richard Edlinger
  9. Cant No.208: 'Sheep May Safely Graze' - Phil SO/Hayman
  10. Water Music: Bourree - Capella Istropolitana/Bohdan Warchal
  11. Messiah: Hallelujah Chor - Bratislava City Choir
  12. Rcr Ste in a - Jiri Stivin
  13. Sym No.104 in D, 'London' - Capella Istropolitana/Barry Wordsworth
  14. Pno Con No.21 in C, K.467: Second movt - Jeno Jando
  15. Sym No.35 in D, K.385: Thrid movt - Capella Istropolitana/Barry Wordsworth
  16. Cl & Orch in A, K.622: Rondo from Con - Ernst Ottensamer
  17. Sym No.5 in c, Op.67: First movt - Zagreb Phil/Richard Edlinger
  18. Sym No.9 in d, 'Choral': Finale - Gabriele Lechner/Michael Pabst/Diane Elias/Robert Holzer

Customer Reviews:

5 out of 5 stars Good.......2000-12-27

This CD is great. It covers a lot of different areas of classical and uses songs that act as a good introduction.
Handel's Young Messiah
Average customer rating: Not rated
    Handel's Young Messiah

    Manufacturer: Word
    ProductGroup: Music
    Binding: Audio CD
    ASIN: B000F5BX2O

    Product Description

    "This Is A Proper Production", performed by various Christian and Gospel artists and narrated by Barry MaGuire . The tracks are: 1. Overture, 2. And The Glory Of The Lord, 3. Comfort Me (Mathew Ward), 4. Every Valley Shall Be Exalted (First Call), 5. O Thou Shalt Tellest (The Imperials), 6. For Unto Us A Child Is Born, 7. Glory To God, 8. He Shall Feed His Flock, 9. He Was Despised (Wayne Watson), 10. Surely He Has Borne Our Griefs , 11. Behold Unto The lamb (Annie Herring), 12. How Beautiful Are The Feet (Twila Paris), 13. Lift Up Your Heads (Whiteheart), 14. I Know That My Redeemer Liveth (Cynthia Clawson), 15. The Trumpet Shall Sound (Phil Driscoll), 16. Worthy Is The Lamb, 17 Hallelujah Chorus.
    I Do: Classical Wedding Music
    Average customer rating: Not rated
      I Do: Classical Wedding Music

      Manufacturer: Golden Stars
      ProductGroup: Music
      Binding: Audio CD

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      ASIN: B00005RVUF
      Release Date: 2001-12-04

      Tracks:

      1. Bridal Chorus From "Lohengrin"
      2. Allegro From "Brandenburg" Concerto No.4 In G Major Bwv 1049
      3. Wedding Dance From "Swan Lake Suite" Op. 20
      4. Clair De Lune From "Suite Bergamasque"
      5. Canon In D Minor
      6. La Rejouissance: Allegro From "Royal Fireworks Music: Concerto No.26"
      7. Ave Maria
      8. Concerto For Guitar And String Orchestra In D Major
      9. Liebestraum No.3 In A Flat Major
      10. Parla Mi D'amore
      11. Overture (Andante-Allegro) From "Water Music Suite" In D/G Major Hwv 349/350
      12. Pifa-Sinfonia Pastorale From "Messiah"
      13. Young Prince And The Young Princess From "Scheherazade"
      14. "O Soave Fanciulla" From "La Boheme"
      15. Wedding March: Allegro Vivace From "A Midsummer Night's Dream" Op.61
      16. Air On The G String 2nd Movement From "Orchestral Suite No.3" In D Major Bwv 1068
      17. First Meeting From "Two Melodies For String Orchestra" Op.53
      18. Menuet From "Water Music Suite No.1" In F Major Hwv 348
      19. Ave Maria In B Flat Major D 839
      20. Allegro From "Brandenburg Concerto No.1" In F Major Bwv 1046
      21. Adagio Sostenuto From "Moonlight Sonata"
      22. Trumpet Voluntary
      23. Largo From "Xerxes"
      24. Liebeslieder Waltz Op.114
      25. Agagio Allegretto From "Piano Sonata No.4" In F Major Kv 282
      26. Arrival Of The Queen Of Sheba From "Solomon"
      27. Secret Marriage Overture
      28. Entry Of The Guests From "Tannhauser"
      29. Overture Kv 492 From "Le Nozze Ki Figaro"
      30. Air From "Water Music Suite No.1" In F Major Hwv 348
      31. Jesu Joy Of Man's Desiring
      32. Allegro From "The Four Seasons: Spring"
      33. Chorale St Antoni: Andante From "Variations On A Theme Of Joseph Haydn" Op.56a
      34. Marche Joyeuse
      35. Adaigo In G Minor For Organ & Strings
      36. Alla Hornpipe From "Water Music Suite" In D/G Major Hwv 349/350
      37. Gymnopedie No.1 Lent Et Douloureux
      38. O Sole Mo
      39. Triumphal March And Chorus Act.2 From "Aida"
      40. "Exsultate, Jubilate" Motet In F Major K 165
      Handel: Messiah
      Average customer rating: Not rated
        Handel: Messiah

        Manufacturer: Artemis Records
        ProductGroup: Music
        Binding: Audio CD

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        ASIN: B000FFL31A
        Release Date: 2006-08-22
        Handel: The Messiah (Complete)
        Average customer rating: 4.5 out of 5 stars
        • Exceelent performance - tech of recording so-so
        • A UNIQUE, HOMESPUN MESSIAH
        • Handel's Messiah at its Best
        • Sargent at his best
        • The finest edition of The Messiah available.
        Handel: The Messiah (Complete)

        Manufacturer: Chesky Records
        ProductGroup: Music
        Binding: Audio CD

        All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
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        General ChristmasGeneral Christmas | Holiday Music | Special Features | Music
        Opera & VocalOpera & Vocal | Holiday Music | Special Features | Music
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        1. Beethoven: Symphony No. 9

        ASIN: B000003GE4
        Release Date: 1994-06-23

        Tracks:

        1. Messiah: Overture
        2. Messiah: Recit - 'Comfort Ye'
        3. Messiah: Air - 'Every Valley'
        4. Messiah: Chorus - 'And The Glory Of The Lord Shall Be Revealed'
        5. Messiah: Recit - 'Thus Saith The Lord'
        6. Messiah: Air - 'But Who May Abide The Day Of His Coming'
        7. Messiah: Chorus - 'And He Shall Purify'
        8. Messiah: Recit - 'Behold! A Virgin Shall Conceive'
        9. Messiah: Air - 'O Thou that Tellest Good Tidings To Zion'
        10. Messiah: Recit - 'For Behold, Darkness Shall Cover The Earth'
        11. Messiah: Air - 'The People That Walked In Darkness'
        12. Messiah: Chorus - 'For Unto Us A Child Is Born'
        13. Messiah: Pifa (Pastoral Symphony)
        14. Messiah: Recit - 'There Were Shepherds Abiding In The Field'
        15. Messiah: Recit - 'And Low The Angel'
        16. Messiah: Recit - 'And The Angel Said Unto Them'
        17. Messiah: Recit - 'For Unto You'
        18. Messiah: Recit - 'And Suddenly There Was With The Angel'
        19. Messiah: Chorus - 'Glory To God'
        20. Messiah: Air - 'Rejoice Greatly O Daughter Of Zion'
        21. Messiah: Recit - 'Then Shall The Eyes Of The Blind Be Open'd'
        22. Messiah: Air - He Shall Feed His Flock Like A Shepherd'
        23. Messiah: Chorus - 'His Yoke Is Easy'
        24. Messiah: Part II: Chorus - 'Behold The Lamb of God'

        Tracks:

        1. Messiah: Part II: Air - 'He Was Despised'
        2. Messiah: Part II: Chorus - 'Surely He Haith Borne Our Griefs'
        3. Messiah: Part II: Chorus - 'All We, Like Sheep Have Gone Astray'
        4. Messiah: Part II: Recit - 'All That They See Him To Scorn'
        5. Messiah: Part II: Chorus - 'He Trusted In God That He Would Deliver Him'
        6. Messiah: Part II: Recit - 'Thy Rebuke Hath Broken His Heart'
        7. Messiah: Part II: Air - 'Behold And See If There Be Any Sorrow'
        8. Messiah: Part II: Recit - 'He Was Cut Off Out Of The Land Of The Living'
        9. Messiah: Part II: Air - 'But Thou Didst Not Leave His Soul In Hell'
        10. Messiah: Part II: Chorus - 'Who Is The King Of Glory'
        11. Messiah: Part II: Chorus - 'The Lord Gave The Word'
        12. Messiah: Part II: Air - 'How Beautiful Are The Feet Of Them'
        13. Messiah: Part II: Chorus - 'Their Sound Is Gone Out Into All Lands'
        14. Messiah: Part II: Air - 'Why Do The Nations So Furiously Rage'
        15. Messiah: Part II: Chorus - 'Let Us Break Their Bonds Asunder'
        16. Messiah: Part II: Recit - 'He That Dwelleth In Heaven'
        17. Messiah: Part II: Air - 'Thou Shalt Break Them'
        18. Messiah: Part II: Chorus - 'Hallelujah!'
        19. Messiah: Part III: Air - 'I Know That My Redeemer Liveth'
        20. Messiah: Part III: Chorus - 'Since By Man Came Death'
        21. Messiah: Part III: Recit - 'Behold, I Tell You A Mystery'
        22. Messiah: Part III: Air - 'The Trumpet Shall Sound'
        23. Messiah: Part III: Chorus - 'Worthy Is The Lamb'
        24. Messiah: Part III: Chorus - 'Amen'

        Customer Reviews:

        3 out of 5 stars Exceelent performance - tech of recording so-so.......2003-12-23

        The performance of this version of Handel's Messiah is outstanding, especially Elizabeth Harwood's soprano voice. Malcom Sargent was the expert for this particular piece, and his interpretation does not disappoint. But, the quality of the recording has suffered somewhere. The performance was done in 1965, and the liner notes indicate that it was transferred using a customized "state of the art" Ampex tube tape recorder and an "extraordinary analog to digital converter", apparently in 1993 according to the copyright. All that may have been true ten years ago, but the recording mixing levels were managed incorrectly at times. It varies noticeably in several places, even to the point that some solos start out as if they were singing into a tunnel somewhere and then the sound level increases after a few seconds. I'm still looking for the "definitive Messiah" on CD.

        5 out of 5 stars A UNIQUE, HOMESPUN MESSIAH.......2003-01-10

        A most heart-warming issue from the adventurous Chesky label, amazing in its immediacy and humanity, derived from Sir Malcolm's landmark analogue English recording of 1965.

        I've heard my share of MESSIAH recordings, on both LP and CD, and by far this production captures the rarest of Handelian qualities: absolute grace. The "spirit" that moves Sir Malcolm's vision of this work is evident in every note, every section. There is an intimacy here that is absolutely unique; an intimacy that is utterly moving and spiritually restorative.

        Consider, for example, the gorgeous singing of soprano Elizabeth Harwood in Part 3, Section 19 ("I Know That My Redeemer Liveth") or tenor Alexander Young's heartfelt opening Part 1 recitative, "Comfort Ye." The rapt singing of the chorus throughout, as well, the antiphonal voicing incredibly lifelike on both sides of the orchestra, particularly evident in Part 1, Section 4 ("And The Glory of the Lord Shall Be Revealed") and Part 2, Section 13 ("Their Sound Is Gone Out into All Lands").

        What, above all, moves the listener is the feeling that Sir Malcolm is performing his version of Handel's MESSIAH personally for him. The experience is undeniably magnetic. It goes right to the heart. Sir Malcolm eschews pomp and circumstance; he revels in the simplicity of Handel's oratorio, and the simplicity of his vision is what makes this MESSIAH so down-to-earth, accessible and unforgettable.

        The sound is remarkably present, detailed, vivid, with soloists, chorus and orchestra balanced outstandingly. Through the efforts of Chesky Records, this landmark 1965 recording is just as vital as it was thirty-eight years ago.

        [Running time--- CD 1: 76:28 CD 2: 75:23]

        5 out of 5 stars Handel's Messiah at its Best.......2002-11-25

        I have to believe that Sir Malcom Sargent's interpretation of The Messiah in this 1965 recording has got to be what Handel would have applauded. Sargent spent 4 decades polishing this jewel. I purchased the original vinyl in 1978 on the Quintessence label(#P3C-2701). Previous reviewers have said it all, but let me add a few thoughts. Conductor Sargent, The Royal Philharmonic, The Royal Choral Society, and especially the soloists have woven a beautifully balanced version of this classic. And the Recording Engineers at both Quintessence and Chesky have done outstanding work producing both the original and the digital versions.

        5 out of 5 stars Sargent at his best.......2001-01-06

        I own this on the original Reader's Digest vinyl and have been searching for it for years on CD! Chesky have done a truly great job in transferring this. All the magic is still there - close your eyes and the Royal Chorus Society step into your room - goosebumps are guaranteed. Nothing has been lost in the transfer and much has been gained in clarity. This is the recording to own if you only want one Messiah (no religious pun intended). Anyone want to buy the vinyl version!

        5 out of 5 stars The finest edition of The Messiah available........2000-04-27

        This is without doubt, the finest available version of Handel's Messiah. It was released in 1965, by Reader's Digest as a promotional recording around Christmas. It would not see the kiss of digital technology untill 1993, when Chesky Records released it in this form. It has been as digitally enhanced as it can possibly be, and sounds as if it was recorded yesterday. ... Amazon is offering a treasure here that deserves to be trumpeted come Christmas time 2001!
        Brahms: Life & Works
        Average customer rating: Not rated
          Brahms: Life & Works
          Brahms
          Manufacturer: Naxos
          ProductGroup: Music
          Binding: Audio CD

          Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
          GeneralGeneral | Classical | Styles | Music
          GeneralGeneral | Chamber Music | Classical | Styles | Music
          GeneralGeneral | Instructional | Miscellaneous | Styles | Music
          Spoken WordSpoken Word | Poetry, Spoken Word & Interviews | Miscellaneous | Styles | Music
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          1. The Life and Works of Franz Schubert
          2. The Life and Works of Pyotr Il'yich Tchaikovsky
          3. Life & Works of Bach
          4. The Life and Works of Franz Liszt
          5. Life & Works of Verdi

          ASIN: B00006RHPY
          Release Date: 2003-01-21

          Tracks:

          1. Destiny, Birth And Childhood
          2. From Brothel To Beethoven
          3. Hungarian Dance No. 1
          4. A Life-Changing Tour
          5. The Meeting With Joachim
          6. Piano Sonata No. 3
          7. Joachim Weighs In
          8. Enter The Schumanns
          9. Piano Sonata No. 3
          10. Prophecy And Tragedy: A Double Yoke
          11. Piano Trio No. 2
          12. Brahms And Clara
          13. Piano Sonata No. 1
          14. A Triangular Bond
          15. The Death Of Schumann - A Fateful Decision

          Tracks:

          1. The Young Messiah
          2. Piano Concerto No. 1
          3. The Virtuoso Takes Flight
          4. Variations On A Theme By Paganini
          5. Detmold And Distraction
          6. Serenade No. 1
          7. Birth Of The D Minor Concerto
          8. Piano Concerto No. 1
          9. The Taste Of Failure - And Of New Love
          10. String Sextet
          11. Love, Folly And A New Calling
          12. Motet 'Ich Aber Bin Elend'
          13. Brahms And Wagner
          14. Variations And Fugue On A Theme By Handel
          15. Frustrated Hopes And A Mother's Death
          16. Trio For Horn, Violin And Piano

          Tracks:

          1. The Road To The Requiem
          2. A German Requeim ('Denn Alles Fleisch Es Ist Wie Gras')
          3. The Wanderer
          4. Waltz In E
          5. The Consummate Performer
          6. Five Studies For Piano
          7. Paradox Personified: The Tender Savage
          8. Piano Concerto No. 2
          9. A Demanding Friend
          10. Variations On A Theme By Haydn (Or Variations On The St Antony Chorale
          11. The Eternal Child
          12. The Ghost Exorcised / Beethoven: Symphony No. 9 (Finale: 'Ode To Joy') / Symphony No. 1 (Finale: Opening)
          13. Symphony No. 1

          Tracks:

          1. A Watershed In Brahm's Career
          2. Symphony No. 2
          3. The External Brahms
          4. A Free Man At Last / Piano Sonata No. 1
          5. Violin Concerto / The Rift With Joachim
          6. The Composer At Work
          7. Academic Festival Overture
          8. Celebrity And Scholar
          9. Motet 'Wenn Ein Starker Gewappneter'
          10. Love, Loss And Reconciliation
          11. Concerto For Violin And Cello
          12. The Greatest Living Composer - But A Difficult Friend
          13. The Philanthropist
          14. Decline And Death
          15. Piano Concerto No. 2
          Handel's Young Messiah
          Average customer rating: 3.5 out of 5 stars
          • Love it or hate it - I love it
          • The lights in Westminster Abbey...
          • Upbeat and uplifting
          • I'm not a Handel Purist
          • A worthy effort
          Handel's Young Messiah
          George Frideric Handel
          Manufacturer: Sony
          ProductGroup: Music
          Binding: Audio CD

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          Similar Items:
          1. The New Young Messiah
          2. Young Messiah
          3. Handel's Messiah: A Soulful Celebration
          4. Mannheim Steamroller Christmas Celebration
          5. A Christmas Album

          ASIN: B00000282Z
          Release Date: 1991-09-10

          Tracks:

          1. Overture
          2. And the Glory of the Lord
          3. Comfort Ye My People - Matthew Ward
          4. Every Valley Shall Be Exalted - First Call
          5. O Thou That Tellest Good Tidings to Zion - The Imperials
          6. For Unto Us a Child Is Born
          7. Glory to God
          8. He Shall Feed His Flock Like a Shepherd - Russ Taff, Sheila Walsh
          9. He Was Despised and Rejected of Men - Wayne Watson
          10. Surely He Hath Borne Our Griefs
          11. Behold the Lamb of God
          12. How Beautiful Are the Feet - Twila Paris
          13. Lift up Your Heads, O Ye Gates
          14. I Know That My Redeemer Liveth - Cynthia Clawson
          15. Trumpet Shall Sound - Phil Driscoll
          16. Worthy Is the Lamb
          17. Hallelujah Chorus

          Customer Reviews:

          4 out of 5 stars Love it or hate it - I love it.......2006-03-12

          Seems from the reviews so far you can only love it or hate it. I love it, although my musically educated super-ego tells me I shouldn't. So why do I love it? I listen to it in the car and I sing along, loud, if not very beautifully - something I would not dare to do with classically trained singers. I like the instrumentation and voices, too. The only thing is the rhythm section that in my view is too pronounced sometimes - baroque music has got enough rhythm of its own!
          The singers have more sincere feeling, I believe, than perfectly trained voices striving for a timeless recording usually allow themselves to show.

          1 out of 5 stars The lights in Westminster Abbey..........2005-12-09

          ...are powered by Handel spinning in his grave.

          My uncle, a semi-professional opera singer, introduced me to this monstrosity years ago. He had something better than the CD - he had a videotape of the performances. And oh my, were they bad. They were so bad, they actually wrapped all the way back around to funny.

          This album suffers from the worst flaws of "contemporary Christian" music. Off-key soloists. Strange instrumentations. Soulless, metronomic rhythms. Weird phrasings ("Eh-heh-VREE va-ha-LEE"). And earnestness that makes your teeth hurt.

          The capper was the repeated insistence by the performers that this was exactly the way Handel would have done things if he had access to modern instruments. EXACTLY.

          With so many fine recordings of "The Messiah" available, why on earth would you choose this one?

          5 out of 5 stars Upbeat and uplifting.......2005-12-07

          I have enjoyed this CD for over 15 years. I now find that I have to order another copy since mine is completely worn out. I have loaned it to friends over the years who have subsequently gone and bought their own copies. It's great to hear the master's works done in a different way so as to really make one think about what you are listening to and enjoying. If you are not a purist, give this upbeat version a listen.

          1 out of 5 stars I'm not a Handel Purist.......2005-09-12

          But, honestly, this album stinks. I'm listening to it right now to be sure that I'm not unduly biased in my review - but a couple of words spring to mind, but foremost are Casiotone and Muzak - and that's being uncharitable to both. It's not to say that some talented people aren't featured here, but the backing music is just way off course.

          Makes a great christmas gift for people you don't like.

          I'm glad I'm finished with this review, so I can pitch this stinker in the trash.

          3 out of 5 stars A worthy effort.......2005-01-21

          If this is the only way some people will hear Handel's Messiah, then that's not a bad thing. I can appreciate a range of music, and I enjoy the upbeat style this version attempted. And sometimes the solos appeal to me more than the traditional ones. I am not a fan of electric guitar, however, and there are a few electric guitar excursions. Also, the trumpet song is entertaining in its own way, but seems out of step with the more reverent tone of the rest of the songs. I like the narrator Barry McGuire a lot in a more casual setting, but here he doesn't always seem a good fit and a couple times sounds too much like a TV preacher. Still, several songs are good enough, and some have an interesting, haunting wood-knock sound. "He shall feed his flock" (Walsh/Taff) and especially "Behold the Lamb of God" (Herring) touch the soul.
          Handel: Messiah Highlights
          Average customer rating: Not rated
            Handel: Messiah Highlights

            Manufacturer: Vanguard
            ProductGroup: Music
            Binding: Audio CD
            ASIN: B000636HSA

            Product Description

            Highlights from The Messiah: Sinfonia; Comfort ye; Every valley; For unto us; And suddenly; Glory to God; Rejoice greatly; Surely he hath borne; All we like sheep; Why do the nations; Hallelujah; I know that my redeemer liveth; worth is the Lamb; Amen

            Music Review:

            1. Have Thine Own Way [Live]
            2. He Cares
            3. Healing Grace Alive at Saddleback [Live]
            4. Heart in Motion
            5. Hearts Aflame Awards Collection: Southern Gospel Music Guild
            6. Higher [Live]
            7. How Excellent Is Thy Name
            8. Hymns You Know & Love: Hope
            9. Hymns You Know & Love: Praise
            10. Hymns You Know & Love: Worship

            Music Review