God Gave the Song

Track Listings

1. God Gave the Song/Center of My Joy/Thanks for Sunshine - Becky Davis

2. I Lost It All to Find Everything/Hurt by Hurt/Then Came the Morning/Let - Bob Cain, Buddy Mullins, Amy Rouse

3. I Just Feel Like Something Good Is About to Happen/I Will Serve Thee/He - Terry Blackwood, Marshall Hall, Stephen Hill,

4. I Have Seen the Children/I Heard It First on the Radio/Dream On/Oh, the - David Phelps, Woody Wright

5. Feeling at Home in the Presence of Jesus/Old Friends/More of You/My Fai - Jessy Dixon, Gene McDonald

6. Come Sunday/To Get This Close/My Father's Angels/Lord, Send Your Angels - Marshall Hall, Amy Rouse

7. God Loves to Talk to Little Boys While They're Fishin'/Kids Under Const - Bob Cain, , , ,

8. I'll Worship Only at the Feet of Jesus/More Than Ever/I Walked Today Wh - Joy Gardner, Stephen Hill, David Phelps, Ladye Love Smith, Woody Wright

9. Ever So, Lord Jesus, Come/ This Could Be the Dawning of That Day/I'm Al - Marshall Hall

Tracks:

Overture To 'Tannhauser'
Domna, Pos Vos Ay Chausida
We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
Hungarian Dance No.7
The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
Violin Concerto In D Major (Adagio)
But For A Long Time It Was Seen As The Instrument Of The Devil.
The Soldier's Tale: Triumphal March Of The Devil
The Manipulative Seductiveness Of The Gypsy Violin.
Csardas Music
The Violin And The Initiation Of Nature
The Four Seasons (Spring, Mvt 1)
Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
The Four Seasons (Summer, Mvt 1)
Like The Devil, The Violin Is A Master Of Disguise.
Old Viennese Dance No.3 'Schon Rosmarin'
The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
Tzigane
Do We Now Have The True Measure Of This Instrument? Not Just Yet.
Caprice No.24
The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
Variations On A Theme Of Frank Bridge (No.7)
Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
Romeo And Juliet: Act IV
Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
The Four Seasons (Winter, Mvt 1)
The Violin Muted
Clair De Lune
The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
The Pizzicato Violin
Pizzicato Polka
In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
Violin Concerto No.2 In G Minor (Slow Mvt)
Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
The Planets (Mars - The Bringer Of War)
The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
Hungarian Dance No.4
Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
The Four Seasons (Autumn, Mvt 1)
Now The Same Technique, But The Sound Might Have Come From Another World.
Bolero
Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
Cadenza To The Violin Concerto By Brahms
Now Compare That With A Real Violin Duet.
Forty-Four Duos (No. 1: Teasing Song)
Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
Forty-Four Duos (No.2: Maypole Dance)
And Now What May Be The Most Beautiful Accompanied Violin Duet In History
Concerto In D Minor For Two Violins (Largo)
The Soul Of The Violin Is In Song; But What About This Weird Passage?
Violin Concerto No.1 In D Major (Mvt 2)
The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
Symphony No.1 'Titan' (Mvt 1, Opening)
Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
The Sleeping Beauty (Act II, No.15: Entr'Acte)
Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
Also Sprach Zarathustra (Of The Afterworldsmen)
Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
Variations On A Theme Of Frank Bridge (No. 4)
Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
Four Sea Interludes (Dawn) From 'Peter Grimes'
To End This Outing With The Violins, A Charming Little Elfin Dance
Elfenreigen

Tracks:

Introduction To The Viola
Viola Concerto (Mvt 1)
Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
Gayane Suite No.1 (Armen's Solo)
Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
Passacaglia, Op.33b From 'Peter Grimes'
The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
Harold In Italy (Mvt 4)
The Muted Viola: Intimate, Gentle, Poignant In Dvork
Cypresses (No.9)
The Massed Violas Of The Modern Symphony Orchestra In Mahler
Symphony No.4 (Mvt 3)
The 'Period' Viola In Bach
Brandenburg Concerto No.6 (Last Mvt)
The Cello: A Voice Of Unique Nobility
Suite No.1 For Unaccompanied Cello (Prelude)
Brahms And The 'Soul' Of The Cello
Piano Concerto No.2 In B Flat Major (Mvt 3)
Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
Symphony No.3 'Eroica' (Finale)
But The Cello Is Not Condemned To Spend Its Life In The Basement.
Elfentanz, Op.39
Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
The Protecting Veil (Opening)
A Cello With An Identity-Crisis: The Pizzicato Flamencan
Flamenco
Double-Stopping In The Lower Reaches Of The Cello's Range
Solo Suiet For Cello And Piano (Sardana)
It's In The Middle Register That The Cello Really Comes Into Its Own.
Oriental Dance, Op.2 No.2
It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
Symphony No.9 (Finale)
Introduction To The Double-Bass
The Carnival Of The Animals (The Elephant)
But The Double-Bass Can Be Intensely Expressive And Graceful.
Elegy No.1 In D Major
The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
Capriccio Di Bravura
Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

The Antiquity And Magic Of The Flute
Prelude A L'Apres-Midi D'Un Faune
The Versatility And Agility Of The Flute
Orchestral Suite No.2 In B Minor (Badinerie)
The Flute In Fifteenth-Century Spain
Sa'Dawi
Other Flutes: The Bass And Alto
Chamber Music No.II
The Piccolo - Aptly Named
La Naissance D'Osiris (Mvt 6)
From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
Suite No.1 For Small Orchestra (Valse)
A Variety Of Techniques
Chamber Music No.II
Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
The Nutcracker (Act II, No.2: Scene)
From The Transverse To The Vertical: The Baroque Recorder
Recorded Suite In A Minor (Menuet II)
An Unfamiliar, Early Vision Of The Instrument
Naelden, Naelden
The Bachian Oboe
Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
Introduction To The Cor Anglais Or 'English Born'
Symphony No.9 'From The New World' (Mvt 2)
The Loneliness Of The Cor Anglais
The Swan Of Tuonela
The Cor Anglais Joins The French Horn In Haydn.
Symphony No.22 'The Philosopher' (Opening)
Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
Bolero
The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
Gayane Suite No. 1 (Mvt 5)
The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
The Range Of The Normal Clarinet Parts Goes Quite High...
The Snow Maiden (Scene 5: Melodrama)
...And Quite Low.
Peter And The Wolf (The Cat)
The Clarinet As Concerto Soloist
Clarinet Concerto In A Major (Rondo)
But That's Not The Instrument Mozart Wrote It For; This Is:
Clarinet Concerto In A Major (Rondo)
Introduction To The Saxophone
Hary Janos Suite (Mvt 4)
The Soprano Saxophone Has Quite A Different Feel To It.
L'Arlesienne Suite No.1 (Minuet)
The Little Sopranino Sax Goes Even Higher.
Bolero
The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
Pictures At An Exhibition (The Old Castle)
The Saxophone Can Be Quite Contagiously Good-Humoured.
Sax-O-Phun
The Puffa-Puffa Image Of The Bassoon
Peter And The Wolf (Grandfather)
The Bachian Bassoon, In Accompanimental Mode
Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
And Ravel, Also In Spanish Mode, Does Likewise.
Bolero
The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
Symphony No.3 (Opening)
The Eerie Bassoon In Its Highest Register
The Rite Of Spring (Opening)
Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
The Firebird Suite (1919, Berceuse)
The Bassoon As Concerto Soloist, Avoiding All Exaggeration
Bassoon Concerto In G Minor (Finale)
The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
The French Horn Under Its Woodwind Hat
Wind Quintet, Op.43 (Last Mvt)
Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
The Horn In Harmonious Blend With Strings In Another Quintet
Horn Quintet, K.407 (Finale)

Tracks:

The Trumpet As Virtuoso Soloist
Brandenburg Concerto No.2 (Last Mvt)
The Special Brillance Of Paired Trumpets
Concerto In C For Two Trumpets, RV537 (Mvt 1)
The Ceremonial Trumpet
Fanfare For The Common Man
Trumpets And Drums - An Incomparable Alliance
Messiah (The Trumpet Shall Sound)
The Versatility Of The Trumpet, From The Most Public To The Most Lonely
Piano Concerto In F (Slow Mvt)
The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
Carmen Suite No.2 (Habanera)
The Trumpet As The Voice Of Strength And Courage
Carmet Suite No.2 (Toreador's Song)
The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
Billy The Kid
The Trumpet As Character Actor
Pictures At An Exhibition (No.6)
The Trumpet As The Voice Of God
Mass In B Minor ('Et Exspecto')
The Birth Of The Trombone
Aenmerckt Nu Hier
The Birth Of The Brass As A Family
Canzon 12 In Double Echo
The Trombone In The Eighteenth Century
Trombone Concerto In B Flat Major (Finale)
The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
Hosannah
The Trombones Become Part Of The Orchestra.
Symphony No.5 (Finale)
The Wagnerian Trombone:/Overture To 'Tannhauser'
The Trombone As Caricaturist
Pulcinella (No.19: Vivo)
The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
The Horn And The Hunt
Horn Concerto No.4 In E Flat, K.495 (Finale)
The Challenging Horn Of The Baroque
Abaris Ou Les Boreades (Menuet)
The Scarcity Of First-Rate Players In Handel's Time
Walter Music (Minuet 1)
The Horn As Magician/The Firebird Suite (1919, Finale)
Horns And The Sound Of Nobility
Overture To 'Tannhauser' (Opening)
The Special Sound Of The Horn In Its Higher Register
Mass In B Minor ('Quoniam Tu Solus Sanctus')
The Trumpet-Like Sound Of Massed Horns
Symphony No.3 (Mvt 1, Opening)
The Tuba - Unfairly Maligned?
Symphony No.6 (Mvt 3)
The Tuba Perfectly Cast By Ravel
Pictures At An Exhibition (Bydlo)

Tracks:

Introduction. And We Begin With A Bang.
Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
At The Opposite Extreme Is The Triangle.
Piano Concerto No.1 In E Flat (Scherzo)
Categories Of Percussion: Tuned And Untuned. The Side Drum
Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
The Tambourine. One Of The Oldest Instruments In The World
Den Hoboecken Dans
Even Older Is The Originally Oriental Gong.
Ma Mere L'Oye - Mother Goose (Laideronette)
No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
Gymnopedie No.2
The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
Rodeo (Hoe-Down)
Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
Scherzi Musicali (Damigella Tutta Belle)
A Still Earlier Example From Fifteenth-Century Spain
Yo M'Enamori D'Un Aire
The Birth Of The Bongo
Symphonic Dances From 'West Side Story'
From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
Onwards To The Tuned Percussion. First, The Timpani
Also Sprach Zarathustra (Introduction)
But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
Taking Advantage Of Tunability
Music For Strings, Percussion And Celeste (Mvt 2)
The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
Saint-Saens And The Xylophone
The Carnival Of The Animals (Fossils)
Ravel And The Xylophone
Ma Mere L'Oye - Mother Goose (Laideronette)
Introducing The Marimba/Carmen Suite (First Intermezzo)
Introducing The Vibraphone
The Treasure Of The Sierra Madre (Narange Dolce)
The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
Introducing The Hungarian Cimbalom
Folk Dances
The Cimbalom And The Symphony Orchestra
Hary Janos Suite (Mvt 3)
Introducing The Tubular Bells
Hary Janos Suite (Viennese Musical Clock)
A More 'Up-Front' Approach From Rodion Shchedrin
Carmen Suite (Introduction)
But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Introducing The Celeste
The Nutcracker (Dance Of The Sugar Plum Fairy)
Magic, In The Use Of Collective Percussion
Miroirs (La Vallee Des Cloches)
Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
Brandenburg Concerto No.2 (Slow Mvt)
The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
Petrushka (Russian Dance)
The Anti-Romantic Piano As An Integral Part Of The Orchestra
Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
Symphony No.3 'Organ' (Finale)
But Things In Handel's Day Were Very Different.
Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
The Organ Is Difficult To Classify.
An Unexpected, Organ-related Guest
Concerto Pour Zampogna (Last Mvt)
Peasant-Fancying... And A Touch Of The Roaming Cowboy
Les Miserables (Drink With Me)
Outside Artefacts And The Power Of Association
Mahler's Sleighbells
Symphony No.4 (Opening)
A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
Don Quixote (Variation VIII)
National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
The Sitar Of India/Evening Raga: Bhapoli
The Accordion For France (Especially Paris)/Paris Canaille
The Zither For Vienna/The Third Man (Theme)
The Cimbalom For Hungary/Folk Dances
The Guitar As An Integral Part Of The Orchestra/Rondena
There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
Nocturnes
Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
The Carnival Of The Animals (The Cuckoo)
The Flute As An All-purpose Aviary
The Carnival Of The Animals (The Aviary)
The Oboe As Duck
Peter And The Wolf (The Duck)
The Recording Of Reality. Does It Work As Well?
The Pines Of Rome (The Pines Of The Janiculum)
The Recording Of Reality Electronically Reborn In New Guises
Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
Symphony No.6 'Pastoral' (Andante Molto Mosso)
Some Improbable Casting: The Violin As Braying Donkey
The Carnival Of The Animals (Persons With Long Ears)
A Truly Orchestral Hee-haw To Be Reckoned With
Overture To 'A Midsummer Night's Dream'
A Thunderstorm In A Million
Symphony No.6 'Pastoral (Allegro-Allegretto)
the Instrumental Depiction Of A Silent World
The Carnival Of The Animals (The Aquarium)
Saint-Saens' Menagerie Takes A Curtain Call.
The Carnival Of The Animals (Finale)

Tracks:

The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
Forty-Four Duos (No.4)
A Great Contrast, Of Both Pitch And Character: Violin And Viola
Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
Arrival Of The Standard String Trio: Violin, Viola, And Cello
String Trio In B Flat (Menuetto)
The String Quartet: Two Violins, Viola, And Cello
String Quartet In F, Op.18 No.1 (Mvt 3)
The String Quintet - When The Extra Instrument Is A Second Viola
String Quartet No.5 In D, K.593 (Adagio)
The String Quintet - When The Extra Instrument Is A Second Cello
String Quintet In C (Mvt 3)
The String Sextet: Two Violins, Two Violas, And Two Cellos
String Sextet In B Flat (Mvt 2)
The String Octet: The Standard String Quaret Times Two
Octet In E Flat, Op.20 (Mvt 1)
Double The String Octet: A Fully Fledged String Orchestra
String Symphony No.2 (Finale)
The Massed Strings Of A Symphony Orchestra
Fantasia On A Theme Of Thomas Tallis
Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
Wind Quintet In A Minor, Op.100 No.5 (Theme)
In The First Variation It's The Horn That Gets The Lion's Share.
Wind Quintet In A Minor, Variation 1
In Variation Two The Torch Is Handed To The Bassoon.
Wind Quintet In A Minor, Variation 2
In Variation Three The Oboe Leads.
Wind Quintet In A Minor, Variation 3
Variation Four: Conversation Before Returning To A Solo-dominated Texture
Wind Quintet In A Minor, Variation 4
And Variation Five is Dominated By The Clarinet.
Wind Quintet In A Minor, Variation 5
The Next To Be Featured Is The Virtuoso Flute.
Wind Quintet In A Minor, Variation 6
Individual Farewells And A Closing Chorus
Wind Quintet In A Minor, Variation 7
A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
Octet In F (Mvt 3)
The Early Classical Symphony Orchestra Of Haydn And Mozart
Symphony No.29 In A, K.201 (Finale)
Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
Canzon 28
Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
Symphony No.5 (Finale)
From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
Beethoven Changed The Face Of The Symphony And The Orchestra Forever
Symphoy No.6 'Tragic' (Mvt 1)
The Cult Of Orchestral Elephantiasis Reaches Its Peak.
Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
When Large Doesn't Necessarily Mean Loud: Debussy
Images (Gigues)
A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
Turangalila Symphony (Chant D'amour 1)
The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
Balle De Xerxes (Gavotte En Rondeau)
Computer And Synthesiser: Friends Or Foes?
Concerto In D Minor For Two Violins (Largo)
A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

Tracks:

Behold Man
Song of Democracy
The Pasture (Frostiana)
Stopping By Woods On A Snowy Evening (Frostiana)
Allelujah
The Promise of Living (The Tender Land)
Simple Gifts
Make Our Garden Grow
The Testament Of Freedom: The God Who Gave Us Life
The Testament Of Freedom: We Have Counted The Cost
The Testament Of Freedom: We Fight Not For Glory
The Testament Of Freedom: I Shall Not Die Without A Hope

Customer Reviews:

Testament of Freedom.......2007-07-12

I sung the Testament in a men chorus in 1966.Most of the men were veterans as was I. I only wish the powers to be would include it in the July celebration in Washington D.C.

Wonderful Piece of Americana.......2007-01-27

I bought, and was very disappointed in, the New York Choral Society's recording of "Testament of Freedom" a couple of years ago. The diction was indisctinct, the voices were overpowered by the instruments, and the sound in general left a lot to be desired. I was delighted when I accidentally stumbled on this CD and found out that "Testament of Freedom" was included.

The Turtle Creek Chorale does an excellent job with the title piece. The vocal sound of the group is wonderfully rich, and the balance between the instruments and voices is about as good as you can get with a piece that calls for such a large instrumental ensemble. Plus, I prefer the men's choir arrangement of "Testament," largely because I remember singing it for Region Choir auditions over 10 years ago. My only complaint is that in some parts of "We Have Counted the Cost," it's hard to understand the words if you don't already know them; same thing with "We Fight Not For Glory." But these are minor quibbles.

"Testament" is a must-own CD for any American music lover, as it feautures the work of a criminally-underperformed composer. It's worth buying for the performance "Testament of Freedom" alone, although all the tracks are excellent, particularly the "Alleluia". 5 out of 5.

A Great Recording of Great Choral Works.......2006-01-02

I had to write this review because it is a crime that this wonderful CD has a ho-hum overall rating just because one of the two previous reviewers didn't bother to find out what it was before he ordered. Yes, Amazon had it mislabled (it's better now, but still misleading by putting Bernstein's name first), but I had no trouble figuring out that it was a men's ensemble. In fact, that's the primary reason I chose this CD.

The feature work on this CD is the "Testament of Freedom" by Randall Thompson. For this work, Mr. Thompson chose to set various writings of Thomas Jefferson to music. In doing so, he has helped preserve these sometimes forgotten texts and at the same time, demonstrated why he is one of America's best loved choral composers. Unfortunately, there are not many recordings of this work, and many of those you'll find are sung by mixed choirs. This work was intended for, and sounds best when sung by, a men's chorus. That alone sets this CD apart.

The biggest weakness of this recording is the balance between the wind ensemble and the chorus. In the forte sections, the chorus gets drowned out a bit. That's always a danger in master works, particularly when you pit voices against winds. However, I found this to be a minor flaw and have heard much worse examples.

I recommend this CD for all who love choral music and particularly for those who have yet to experience the music of Randall Thompson. It is also interesting to note that the words of Thomas Jefferson, written so long ago, still ring true in these trying times (especially the third and fourth passages).

(The following acquired from http://www.turtlecreek.org/music/linerpages/testament.htm)
Lyrics:

The Testament of Freedom
Text: Thomas Jefferson

The God who gave us life gave us liberty at the same time; the hand of force may destroy but cannot disjoin them.

---A Summary View of the Rights of British America (1774)

We have counted the cost of this contest, and find nothing so dreadful as voluntary slavery. Honor, justice, and humanity forbid us tamely to surrender that freedom which we received from our gallant ancestors, and which our innocent posterity have a right to receive them from us. We cannot endure the infamy and guilt of resigning succeeding generations to that wretchedness which inevitably awaits them if we basely entail heredity bondage upon them. Our cause is just. Our union perfect. Our internal resources are great...We gratefully acknowledge, as signal instances of the Divine favor towards us, that His Providence would not permit us to be called into this severe controversy until we were grown up to our present strength, and been previously exercised in warlike operation, and possessed of the means of defending ourselves. With hearts fortified with these animating reflections, we most solemnly, before God and the world, declare that, exerting the utmost energy of those powers which we have been compelled by our enemies to assume, we will, in defiance of every hazard, with unabating firmness and perseverance, employ for the preservation of our liberties; being with one mind resolved to die freemen rather than to live as slaves.

---Declaration of Causes and Necessity of Taking up Arms (1775)

We fight not for glory or for conquest. We exhibit to mankind the remarkable spectacle of a people attacked by unprovoked enemies, without any imputation or even suspicion of offense. They boast of their privilege and civilization, and yet proffer no milder conditions than servitude or death. In our native land, in defense of the freedom that is our birthright and which we ever enjoyed until the late violation of it; for the protection of our property, acquired by the honest industry of our forefathers and ourselves; against violence actually offered; we have taken up arms. We shall lay them down when hostilities shall cease on the part of the aggressors and all danger of their being renewed shall be removed, and not before.

---Declaration of Causes and Necessity of Taking up Arms (1775)

I shall not die without hope that light and liberty are on steady advance... And even should the cloud of barbarism and despotism again obscure the science and liberties of Europe, this country remains to preserve and restore light and liberty to them... The flames kindled on the 4th of July, 1776, have spread over too much of the globe to be extinguished by the feeble engines of despotism; on the contrary, they will consume these engines and all who work them.

---Letter to John Adams, Monticello (1821)

One of my favorite CD's.......2005-08-10

The actual title of this CD is Testament, and the principle performing group is the Dallas-based Turtle Creek Chorale. I am perplexed by Amazon's listing this magnificent recording under a generic descriptive title and then naming the accompanying Dallas Wind Symphony as the only "performer." Someone must have been asleep at the wheel.

Now to the recording itself -- I love choral music, and am especially drawn to male voices. I even enjoy hearing all-male college glee clubs singing their boisterous drinking songs. What a joy then to happen upon this recording which features strong, well trained voices in addition to exquisite pieces of music, some of which are among my favorites. The highlight of the CD for me is Randall Thompson's, "Testament of Freedom." The CD is worth its price just for this one 24-minute jewel. The rest is like tasty icing on a cake.

Disappointing.......2002-02-20

I was disappointed with this album. First, it did not notice that the Turtle Creek Chorale is an all male ensemble. ... Secondly, the quality of the recording is poor. The sound is muddy and lacks brightness. I had to turn my stereo way up just to hear it. The orchestra sounds great, but the mix of the voices is very poor. I definately do not recommend.

Average customer rating:

Moravian songs, via Janacek, Godar, Bittova and Skampa
Skampa Quartet is great - the singer... yikes

Janácek: Moravian Folk Poetry in Songs
Leos Janacek , Iva Bittová , ¿kampa Quartet , Vladimír Godár , and Skampa Quartet
Manufacturer: Supraphon
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Folk | Styles | Music

General | International | Styles | Music

General | Opera & Vocal | Styles | Music

General | Vocal Pop | Pop | Styles | Music

Adult Alternative | Pop | Styles | Music

Experimental Music | Miscellaneous | Styles | Music
Similar Items:

Elida
Cikory
Peter Lieberson: Neruda Songs

ASIN: B00061X9YC
Release Date: 2005-03-01

Tracks:

Tuzba (Desire)
Stst'/Steadiness
Lavecka (Bench)
Stesk (Woe) - Skampa Quartet
Obrk Mileho (Lover's Likeness)
Svatba Kom (Gnats Wedding)
Kouzlo (Charm)
Slib (Promise)
Orisek Lovy (Hazel Nut) - Skampa Quartet
La (Love)
Jablunka (Apple Tree)
Jabucko (Sweet Apple)
Co Je to Za Nebe (What Sky)
Safva C (Alderman's Daughter)
Cervenab(Little Red Apples)
Dobr(Good Hunt)
He Warden)
Kony Mil [My Lover's Horses]
Kv MilodejnLove Herbs)
Pcko (Posy)
LoucenMilou
Jindy a NynThen and Now)
T (Uneasy)
VzknMessage)
Belegrade (Belgrade) - Skampa Quartet
Milenec Vrah (Lover Killer)
Pomluva (Calumny)
LoucenParting)
Sirota (Lonely Soul)
Osamel Alone)
Komu Kytka (For Whom the Posy)
Z Od Mil (Love Shining)
Polajka (Thyme)
Kol(KolTown)
Psano (Love Letter)
Karafi(Carnation)
Rozmarsemary)
Pamy (Mementos)
Zpevulenka (Tender Little Tune)
Nejistota (Uncertainty)
Kukacka (Cuckoo)
Zahrcka (Fence)
Muzikanti (Musicians)
Vernost' (Faithfulness)
Bolavlava (Headache)
Osud (Fate)
Daleko ProvdanWedded Far Away)
Budk (Wakening)
Dobrada (Sound Advice)
Slzy echou (Tears of Comfort)
Koukol (Corncockle)
Kalina (Guelder Rose)
Pohreb Zbojnv

Customer Reviews:

Moravian songs, via Janacek, Godar, Bittova and Skampa.......2006-05-09

This is a unique recording of Janacek's transcriptions of Moravian folk songs. Originally for piano and voice, they have been transcribed by Slovak composer Vladimir Godar for string quartet and (occasionally) three-voice male chorus. Here they are performed by renowned Czech singer and violinist Iva Bittova, accompanied by the Skampa Quartet and chorus. The effect is not so much of classical liede, but of authentic eastern European "popular" songs - the sonority of the string quartet adds to this in no small part. Janacek would be proud.

Skampa Quartet is great - the singer... yikes.......2005-07-28

I honestly did not know what I was getting myself into when I bought this CD. I love Janacek, I love folk songs... how could I go wrong? Iva Bittova! I was concerned that she would have a 50yr old woobly voice, but instead what exists is a thin VERY nasal tone... perhaps she should be singing traditional Bulgarian music! The voice is expressive, just ugly.
The recording quality is not very good, either. On many of the tracks, Iva seems to be muffled and in the background of the recording.
Really - dont waste your time and money, unless you really would just like to have a recording of over 50 Janacek songs.

New Britain: The Roots of American Folksong

Average customer rating:

Charming, simple & striking. Full of delightful surprises!
Tour de Force of American Musical Roots!
Astonishing

New Britain: The Roots of American Folksong

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Folk | Styles | Music

General | Opera & Vocal | Styles | Music

Chansons | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music
Similar Items:

American Christmas
Rivers of Delight (American Folk Hymns From the Sacred Harp Tradition)

ASIN: B000005E75
Release Date: 1991-06-25

Tracks:

Judicii Signum -- The Great Day
Calenda Maia - Cuando por el oriente
Rossignolet du bois joli - Rossignolet del bos jolin
Das Paris y-at-un'barbiere - Allons-nous faire faire la barbe
Mon pere m'a mariee - Mon pere m'a mariee
Gabriel Nazareth - Une nymphe jolie
C'est en passant par Varennes - Margo labours les vignes
Bransles de village - Il etait une Cendrillon
C'est dans la ville de Bytowm
Il est venu le petit oysillon - An jenem Tag, nach Davids sag - Barbara Allen - Heavenly Dove
Chevy Chase -The Kinges hunt is upp - The English hunt's up
My Love Gave Me A Cherry - I Gave My Love A Cherry
Hey, Ho, Nobody At Home
There Were Three Crows - There Were Three Ravens
Lady Cassilles Lilt - Gipsy Davy
The Jolly Beggar
Billy Boy - Billy Boy
Ricerada premera - Betty Anne
Singing School
Thomas-Town
New Britain (Amazing Grace)
Parting Friends
Hallelujah

Amazon.com

Exploring the connections between early music and what we know as folksong, Joel Cohen and his very adventurous and competent band of musicians not only show us where many familiar tunes come from, they also give us fresh and illuminating renditions of songs from the 10th century to the middle of the 20th century. Besides the recording's obvious educational value, its primary purpose, according to Cohen, is "to give pleasure." That it does, often in amusing ways, as when a song with religious origins is transformed into a ribald descendant. It's also fun to see how widespread some songs are, with different versions common to many countries. Cohen demonstrates how songs that came from Renaissance forms were preserved by common folk long after the "elite" classes abandoned them. The songs are enhanced by excellent instrumental playing and well-conceived arrangements. --David Vernier

Customer Reviews:

Charming, simple & striking. Full of delightful surprises!.......2002-11-29

Many early music groups these days explain cross-cultural musical influences in their program notes, and proceed to play their selections accordingly. Joel Cohen and the Boston Camerata take it the logical step further by actually performing the "root" pieces side by side with the later music that reflects their particular influence. The result is inspired, thought-provoking groupings of related tunes and texts that span not only centuries but continents. The Boston Camerata is primarily a vocal ensemble, with a sound that is spare, pure and direct. Some of their renditions are performed a cappella, while others are accompanied by light, period instrumentation. If you've ever heard this group live in concert, you may recall the surreal effect of sitting in a theater that is pin-drop quiet, waiting for one or two musicians at a time to step forward and break the silence with a clarity and presence that holds the entire audience spellbound from first note to last. The effect of listening to this recording is much the same. My favorites on this release are the groupings of different versions of the same ballad--"Three Ravens", "Gypsy Davy", and "Barbara Allen", for example. The pairing of the Appalacian song "Betty Anne" with its exact harmonic match--a 16th century ricercada for viols by Diego Ortiz--is also quite striking, and I also enjoyed the "shape-note" and "Fa-sol-la" singing-school selections representative of early American music. In the insert, director Joel Cohen explains: "This unorthodox recording, an intentionally provocative mix of early art song and modern folksong, is meant first of all to give pleasure - but it is also a meditation on history, on archetypes, and on the transmission of human culture." The Boston Camerata succeeds admirably here on both counts!

Tour de Force of American Musical Roots!.......2001-01-05

Prepare to go on an amazing, haunting musical tour when you put this disc on your player. Joel Cohen (bless him) has once again assembled a group of musicians and singers who are up to the task of taking themselves, and you the listener, back through the mists of musical time. This disc contains songs that span hundreds of years, many of which actually originate in other lands. Yet, these songs would find their way into the early diverse fabric of colonial America, and go on to inspire much of emerging folk music in this country. Some of these songs are secular, but others have a distinctly religious flavor (as in the first piece on Judgment Day and the "stars falling"). Others are merry, dance-like tunes, and remind one of what might have been performed in medieval courts in Europe. Some are sung in english, others in different languages. The range of musical style and vocal interpretation is incredible. This wonderful diversity reminds the listener that America always had diverse roots, and even in colonial times, we were a nation that drew its strength and inspiration from many cultural sources. I like to listen to this disc during the bleak nights of winter, but it is wonderful music for any occasion. If you really are intrigued by the historical development of American music -- or any music -- then this disc is a "must" for your collection. Also recommended: "The World Turned Upside Down" (Barry Philips), "A Land of Pure Delight" (His Majestie's Clerkes), and "Simple Gifts: Shaker Cbants and Spirituals" (Joel Cohen and Boston Camerata).

Astonishing.......2000-03-25

The album is astonishing. It is rare to find a continuous line of musical thought from the turn of the previous millenium to its end. This album demonstrates the evolution of music over about a thousand year period and includes some very early versions of what we would call modern songs.

Tracks:

God Gave The Song/Center Of My Joy/Thanks For Sunshine - Becky Davis
I Lost It All To Find Everything/Hurt By Hurt/Then Came The Morning/Let Freedom Ring - Bob Cain/Amy Rouse/Buddy Mullins
I Just Feel Like Something Good Is About To Happen/I Will Serve Thee/He Touched Me - Terry Blackwood/Stephen Hill/Ladye Love Smith/Becky Davis/Wesley Pritchard/Marshall Hall
I Have Seen The Children/I Heard It First On The Radio/Dream On/Oh, The Precious Blood Of Jesus - David Phelps/Woody Wright
Feeling At Home In The Presence Of Jesus/Old Friends/More Of You/My Faith Still Holds - Jessy Dixon/Gene McDonald
Come Sunday/To Get This Close/My Father's Angels/Lord, Send Your Angels - Choir/Marshall Hall/Amy Rouse
God Loves To Talk To Little Boys While They're Fishin'/Kids Under Construction/You're Something... - Bob Cain/Rachel Donaldson/Libby Hodges/Bob Cain/Caroline Fisher
I'll Worship Only At The Feet Of Jesus/More Than Ever/I Walked Today Where Jesus Walks/Welcome... - Ladye Love Smith/Woody Wright/Stephen Hill/Joy Gardner/David Phelps
Even So, Lord Jesus, Come/This Could Be The Dawning Of That Day/I'm Almost Home/Resurrection - Marshall Hall

Customer Reviews:

looking for help.......2001-09-19

hi
my name is lisa cummings and i trying to get in touch with the gaither singer.
iam a gospel promoter here in columbus ohio and i would love the bring them here to columbus ohio .
in the 4th sunday injune in next year . if you know how to get intouch with them please let me know as soon as posible.
thank you very much

Good CD.......2001-08-20

This CD is very well thought out and put together. they have different songs on one number very good.

Average customer rating:

John McCormack-Aris, Recitals And Songs

Manufacturer: Nimbus Records
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

General | Classical | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

Romantic (c.1820-1910) | Historical Periods | Opera & Vocal | Styles | Music

General | Opera & Vocal | Styles | Music

French | Languages | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music

Tracks:

Lucia Di Lammermoor: Fra Poca A Me Ricovero
Lucia Di Lammermoor: Tu Che A Dio Spiegasti L'ali
Lucia Di Lammermoor: Una Furtiva Lagrima
La Traviata: De' Miei Bollenti Spiriti
La Traviata: Parigi O Cara
La Boheme: Che Gelida Manina
Carmen: Il Fior Che Avevi A Me Tu Dato
Lakme: Vieni Al Contento Profondo
Faust: Salve, Dimora Casta E Pura
La Figlia Del Reggimento: Per Viver Vicino
La Gioconda: O Grido Di Quest' Anima - John McCormack/Mario Sammarco
Mefistofele: Dai Campi, Dai Prati
Mefistofele: Giunto Sul Passo Estremo
I Pescatori Di Perle: Mi Par D'udir Ancora
Manon: Il Sogno
Rigoletto: Questa O Quella
Don Giovanni: Il Mio Tesoro
Die Meistersinger: Prize Song (Sung In English)
Natomah: Paul's Address
Semele: O Sleep, Why Dost Thou Leave Me?
Atlanta: Come, My Beloved - John McCormack/Edward Schneider

Tracks:

Acoustic Recordings: Killarney
Acoustic Recordings: The Minstrel Boy
Acoustic Recordings: I Hear You Calling Me
Acoustic Recordings: Kathleen Mavourneen
Acoustic Recordings: Macushla
Acoustic Recordings: Ben Bolt
Acoustic Recordings: She Is Far From The Land
Acoustic Recordings: The Snowy Breasted Pearl
Acoustic Recordings: Come Where My Love Lies Dreaming - John McCormack/Harry Macdonough/Lambert Murphy/Reinald Werrenrath
Acoustic Recordings: The Vacant Chair - John McCormack/Harry Macdonough/Reinald Werrenrath/William F. Hooley
Acoustic Recordings: Somewhere A Voice Is Calling
Acoustic Recordings: The Last Chord
Acoustic Recordings: Rivers To The Sea: Swans - John McCormack/Edwin Schneider
Electric Recordings: Norah O'Neale - John McCormack/Francis J. Lapitino
Electric Recordings: The Rose Of Tralee
Electric Recordings: She Rested By The Broken Brook - John McCormack/Edwin Schneider
Electric Recordings: God Gave Me Flowers - John McCormack/Edwin Schneider
Electric Recordings: The Wind Among The Reeds: The Cloths Of Heaven - John McCormack/Edwin Schneider
Electric Recordings: Songs Of The Western Isles: Song To The Seals - John McCormack/Edwin Schneider
Electric Recordings: The Little Boats - John McCormack/Gerald Moore
Electric Recordings: Songs Of Four Nations: The Gentle Maiden - John McCormack/Gerald Moore

Tracks:

Le Portrait - John McCormack/Edwin Schneider
Le Nil - John McCormack/Fritz Kreisler/Vincent O'Brien
Caprice Antique - John McCormack/Carl Lamson
Jocelyn: Beneath The Quivering Leaves...Angels Guard Thee - John McCormack/Fritz Kreisler/Vincent O'Brien
Ser - John McCormack/Fritz Kreisler
Liebesfreud - John McCormack/George Falkenstein
Carme - John McCormack/Fritz Kreisler
Cradle Song
Caprice Viennois - John McCormack/George Falkenstein
Morgen - John McCormack/Fritz Kreisler/Edwin Schneider
O Cease Thy Singing, Maiden Fair - John McCormack/Fritz Kreisler/Edwin Schneider
When Night Descends - John McCormack/Fritz Kreisler/Edwin Schneider
Chanson Meditation - John McCormack/George Falkenstein
Lily Of Killarney: The Moon Hath Raised Her Lamp Above - John McCormack/Reinald Werrenrath
Rosamunde Von Cypern: No.9 Ballet Music II in G
Hungarian Dance No.5 in F# - John McCormack/Carl Lamson
Goodbye
Angel's Ser - John McCormack/Fritz Kreisler/Vincent O'Brien
I Saw From The Beach - John McCormack/Fritz Kreisler/Edwin Schneider
Padraic The Fiddler - John McCormack/Fritz Kreisler/Edwin Schneider

Amazon.com

John McCormack's career as an opera star was relatively brief, though it included a number of engagements at Covent Garden and the Met between 1907 and 1919. It was as a recitalist, from about 1910 until the mid-1930s, that he enjoyed his greatest success. Yet he might have ended up a footnote in musical history had it not been for one thing: the phonograph. McCormack's 791 surviving recordings, made between 1904 and 1942, cover a formidable range of material, showing what a versatile artist he was. His vibrant timbre and clarion brilliance--so refreshing to encounter, even in 70-year-old transcriptions--utterly annihilate the wimpy efforts of such popular modern-day "voices" as Andrea Bocelli. Here was someone who really knew how to sing, who cultivated a burnished beauty of tone from bottom to top, whose delivery sparkled. All of that can be heard on this three-CD compilation from Nimbus, with individual discs showcasing the Irish-born tenor in operatic selections, popular and Irish song, and recital repertory recorded with the violinist Fritz Kreisler. The choice of material proves thoroughly representative, and the remasterings are more than satisfactory. --Ted Libbey

Average customer rating:

Truly Divine!

The English Madrigal School

Manufacturer: Vanguard Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Partsongs | Vocal Non-Opera | Opera & Vocal | Styles | Music
ASIN: B0000023C5
Release Date: 1995-02-07

Tracks:

Ho! Who Comes Here?
Cease Sorrows Now
Mother, I Will Have A Husband
In Going To My Naked Bed
To Shorten Winter's Sadness
O Care, Thou Wilt Despatch Me
Of All The Birds That I Do Know
All Creatures Now Are Merry-Minded
Sweet Nymph
Weep O Mine Eyes
The Ape, The Monkey, And The Baboon
Oft Have I Vowed
Strike It Up, Tabor
Hope Of My Heart
Sweet Honey-Sucking Bees
Defiled Is My Name
On The Plains, Fairy Trains
When Griping Griefs
All At Once Well Met
Like As The Doleful Dove
The Bitter Sweet

Tracks:

Flora Gave Me Fairest Flowers
O Happy Dames
Young Cupid Hath Proclaimed
The Happy Life ('My Friends')
Thule, The Period Of Cosmography
I Smile To See How You Devised
Benedicam Domino
Lady, When I behold
Adieu, Sweet Amaryllis
Now Is The Month Of Maying
In Dew Of Roses
Shoot, False Love, I Care Not
Miraculous Love's Wounding!
Hark, Alleluia Cheerly
Arise, Get Up, My Dear
Leave This Tormenting
I Go Before, My Darling
Say, Gentle Nymphs
Good Morrow, Fair Ladies
April Is In My Mistress' Face
Though Philomela Lost Her Love
Hard By A Crystal Fountain
Whither Away, So Fast
I Follow, Lo, The Footing
O Grief!
When, Lo, By Break Of Morning
Besides A Fountain
Fire! Fire! My Heart!

Customer Reviews:

Truly Divine!.......2001-07-24

I was pleased with the bountiful variety of madrigals which were provided. The singers were quite good! Although, I could have have used much more presence within the bass parts. Also, "Hark, Alleluia Cheerly!" was not sung in its original key of e minor! After being exposed to many interpretations of "O Grief evn on the Bud" I would have enjoyed a more "swelling experience" for this album. Overall, the album provides a stellar and solid performace on the most popular madrigal works.

Average customer rating:

God Gave The Song

Manufacturer: Lamon Records
ProductGroup: Music
Binding: Audio CD
ASIN: B0000C2VSJ
Release Date: 2003-08-01

Tracks:

Come On Children Let's Sing
Enjoy Your Day
Breath Of The Spirit
Everytime I Fall
You Bless Me
Only Through The Blood
The Kiss Of God
God Gave The Song
He Saw Me
Most Holy Lamb

Album Description

By popular demand from the many Hayes Family fans and friends, Wendy Hayes has released her first album. Let's hope there are many more to follow!

Average customer rating:

A Touch of Country

ProductGroup: Music
Binding: Audio CD
ASIN: B000CS79MC

Product Description

1.god gave the song medley.2.his hand in mine.3.ten thousand angels cried.4.what sin.5.there is a river.6.the first moment of eternity.7.when anymore looks at me.8.when he was on the cross.9.i'll fly away medley.10.master of the wind.11.could you walk a mile.12.o more tears.13.precious lord take my hand

Average customer rating:

Art Songs in English

Manufacturer: Symposium
ProductGroup: Music
Binding: Audio CD

General | Symphonies | Classical | Styles | Music

General | Classical | Styles | Music

General | Folk | Styles | Music

General | Celtic | International | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music

Nostalgia | Miscellaneous | Styles | Music

General | Oldies | Pop | Styles | Music
ASIN: B00000FDGF
Release Date: 1998-11-24

Tracks:

Mary Gray Of Allendale
The Philosophy Of Love
Take, O Take Those Lips Away
Goodbye Sweetheart, Goodbye
The Swans
The Night Hymn At Sea
She Rested By The Broken Brook
Love's Secret
A Dream Of Spring Op.2 No.2
Desolation Op.2 No.3
The Song To The Seals
Since First I Saw Your Face
Annie Larie
Bird Songs At Eventide
Under The Spell Of The Rose
Three Aspects
The Bitterness Of Love
God Gave Me Flowers
The Cloths Of Heaven
The Sweetest Flower That Blows
Down By The Salley Gardens
Loveliest Of Trees
White In The Moon The Long Road Lies
The Street Sounds To The Soldiers' Tread
Silent Noon
Linden Lea
The White Peace
A Rose Still Blooms In Picardy

Music Review:

Music Review

Music Review

1. God Gave the Song/Center of My Joy/Thanks for Sunshine - Becky Davis
2. I Lost It All to Find Everything/Hurt by Hurt/Then Came the Morning/Let - Bob Cain, Buddy Mullins, Amy Rouse
3. I Just Feel Like Something Good Is About to Happen/I Will Serve Thee/He - Terry Blackwood, Marshall Hall, Stephen Hill,
4. I Have Seen the Children/I Heard It First on the Radio/Dream On/Oh, the - David Phelps, Woody Wright
5. Feeling at Home in the Presence of Jesus/Old Friends/More of You/My Fai - Jessy Dixon, Gene McDonald
6. Come Sunday/To Get This Close/My Father's Angels/Lord, Send Your Angels - Marshall Hall, Amy Rouse
7. God Loves to Talk to Little Boys While They're Fishin'/Kids Under Const - Bob Cain, , , ,
8. I'll Worship Only at the Feet of Jesus/More Than Ever/I Walked Today Wh - Joy Gardner, Stephen Hill, David Phelps, Ladye Love Smith, Woody Wright
9. Ever So, Lord Jesus, Come/ This Could Be the Dawning of That Day/I'm Al - Marshall Hall