Reconciliation

Track Listings

1. DJ Intros

2. Try

3. You Are the One

4. Thank You

5. Reconciliation

6. Twenty Four and Back Again

7. For Old Times Sake

8. Tell Me What You Thinkin' 'Bout

9. Rainbow

10. Love Will Change Things

11. Don't Be Afraid to Dream

12. Straight Ahead

13. Reconciliation Blues

14. Sounds of Blackness/Take the 'A' Train

Reconciliation, Music, Sounds Of Blackness, CCM, Contemporary Gospel, Pop, R&B, Soul/Reggae/Rhythm & Blues, Urban, World Fusion

Truth and Reconciliation
Average customer rating:

Dig Jarrett? Check out Grant!

Truth and Reconciliation
Darrell Grant
Manufacturer: Origin Records
ProductGroup: Music
Binding: Audio CD

Bebop General | Bebop | Jazz | Styles | Music
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ASIN: B000N69P02
Release Date: 2007-04-17

Tracks:

Reconciliaton
Ubuntu
The Way You Look Tonight
Tight
Introduction
Fils du Soleil (For Tony Williams)
Day of Grace
Resolution
King of Pain

Tracks:

King of Pain (reprise)
Cross of Gold
When I See the Water
Blues for the Masters
I Shall Believe
The Geography of Hope (I Am Music)
Algo Bueno

Amazon.com

Pianist (and college professor) Darrell Grant's social-mindedness is at full sail on the double-disc Truth and Reconciliation, a suite-like work that employs sound bytes by Martin Luther King, Nelson Mandela, Gandhi, John F. Kennedy, and Franklin D. Roosevelt to promote humanism and civil liberties and commemorate the end of apartheid. But if these themes are heavy, this Portland, WA artist's music couldn't be lighter on its feet. A likable young veteran of the hard-bop movement, Grant is an engaging tunesmith whose playing is lyrical but forceful and whose pop-style singing voice (limited to a few tracks) is natural and relaxed. Varying his instrumental settings, he makes the most of a stellar lineup including bassist John Patitucci and drummer Brian Blade (recently heard together in the employ of Wayne Shorter), two very different guitarists in Bill Frisell and Adam Rogers, saxophonist Steve Wilson, and vibraphonist Joe Locke. The material ranges from blues- and gospel-touched originals by the pianist, a jazzworthy reading of Sting's "King of Pain," and a song by his old boss, Betty Carter. --Lloyd Sachs

Customer Reviews:

Dig Jarrett? Check out Grant!.......2007-06-22

Make that five really large stars, please...

I've been listening to Keith Jarrett & his group since the seventies.

This Darrell Grant CD will fit right up there on the same shelf where you have your Keith Jarrett CDs stacked all neatly side-by-side.

In fact, this CD BELONGS up there. IF you like KJ... you are going to enjoy the heck outta this Darrell Grant joint! { 'scuse me got carried away with my enthusiasm... heh }

This is a 2-disc set of 16 tracks. ALL solid material, no fluff. Real musicianship. No sleight-of-hand, no loops, no tricks. Flawless recording work too.

Money WELL spent!

I highly recommend getting it.

Irish Songs of Rebellion, Resistance and Reconciliation

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Irish Songs of Rebellion, Resistance and Reconciliation
Ron Kavana & The Alias Acoustic Band
Manufacturer: Primo
ProductGroup: Music
Binding: Audio CD

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ASIN: B000IB0DS0
Release Date: 2007-01-08

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Easter 1916
To Welcome Paddy Home
Boolavogue
Shan Van Vocht
Erin's Lovely Lee
Boys Fo Barr Na Sraide
Johnny I Hardly Knew Ya
Brennan On The Moor
Wind That Shakes The Barley
Reconciliation
Grand Auld Dame Britannia
Glory O To The Bold Fenian Men
Pursuit Of Farmer Michael Hayes
James Connoly
Roddy Mccorley
Dunlavin Green
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Wearing Of The Green
Patriot Game
Skibereen
Medley: Home Fire/ Beyond The Pale
Foggy Dew
Boys Of The County Cork
Follow Me Up To Carlow
Four Green Fields
God Bless England
Boys Of Mullaghbawn
Praties They Grow Small
Truth And Understanding
Mountains Of Pomeroy
Medley: Sands Of Time/ Kesh Jig
Rocks Of Bawn
Sea Around Us
Medley: A Nation Once Again/ Amhran Na Bhfiann

The Complete Gilbert & Sullivan (Box Set)

Average customer rating:

Don't underestimate those "unknown" Operettas!!
A few details
Wonderful set, if a little inconsistent at times.

The Complete Gilbert & Sullivan (Box Set)

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Ballets | Ballets & Dances | Classical | Styles | Music

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Operas of Gilbert and Sullivan
Gilbert & Sullivan - Master Collection (Opera World)

ASIN: B00008LJEO
Release Date: 2003-05-13

Customer Reviews:

Don't underestimate those "unknown" Operettas!!.......2005-07-07

This is, as far as I know - the only way of buying the "official" recordings of "The Grand Duke" and "Utopia" - which seem to be otherwise out of print!! Several of the others are not that easy to get either.

In any case - most people getting this set will already have the Mikado, and very probably Pirates and Pinafore for that matter, so you're really getting it for the others.

So just for the record - someone has to say this!

The Mikado is (of course) a wonderful piece, but it enjoys its long running status as the most successful of all the G&S operettas very largely for "extra-musical" reasons. It is visually so wonderful, with all those great authentic costumes, and the whole idea of satirising English institutions by pretending they are Japanese is of course brilliantly funny.

Again, Pirates and Pinafore enjoy a lot of their acclaim simply because we have heard them so often. And at least part of the initial success of these (admittedly very funny and entertaining) pieces was the vogue for "nautical drama" on the popular Victorian stage.

Iolanthe, Ruddigore, and Yoemen are all MUCH stronger musically than any of what another reviewer here keeps calling the "trilogy". Patience, Princess Ida, and the Gondoliers all excel either "nautical" operetta, at least musically, although not, perhaps, the Mikado. And I have had a lot of fun listening to my recording of the Sorcerer - although I think most at least of the other G&S operettas are even more interesting.

As for "Trial by Jury" it is really another thing altogether - but in its kind the most perfect thing either Gilbert or Sullivan had anything to do with!

This leaves Utopia and the Grand Duke.

Both of these were produced after the long running friendship between G&S had soured, and they have been sadly neglected ever since. Utopia is none the less both musically beautiful and very funny, and well worth taking an effort to come to grips with. The main point of the satire (which many commentators and reviewers seem to miss) is the way that the English language and British (especially English) institutions were being adopted, often rather uncritically, by countries around the world (most, but not all, of them members of the British Empire, of course). India is perhaps the country Gilbert had most in mind, but you could set it in any of a dozen other countries. The residual problems this has left in the post-colonial world ensure that this work is still far from dated. In some ways this operetta is about globalisation! What could possibly be LESS dated than that!

The Grand Duke, on the other hand, is a bit of an odd man out - I suppose you still have to say it is the weakest of all the G&S efforts. It's the ONLY one that didn't score a very respectable run on its first outing. Surprisingly, however, if an attempt is made to duplicate the musical and (especially) dialogue cuts that G&S would have done themselves if they had not by this time been at each other's throats all the time, a very entertaining piece can be made of it. I was very agreeably surprised by the Ohio Light Opera recording, which does just that - and I am coming round to the idea that the only thing really wrong with the Duke is that it is too long.

ANYWAY:

For all people (especially callow youth) who remain convinced that G&S only wrote three operettas worth listening to - all I can say is, buy this set, and give the lesser known ones a chance. Make sure you have a libretto in your hands as you listen, of course. It may even just need a single hearing in some cases, but otherwise, be patient. In the meantime, you really cannot have any conception of what you are missing.

A few details.......2004-03-28

This 24-CD album consists of 12 plastic cases, each with a thin booklet giving background and plot summaries for the works on its 2 enclosed CD's. Most of the album consists of 15 operettas, 2 of which (Cox and Box, The Zoo) have texts not by Gilbert and 7 of which (The Sorcerer, Princess Ida, The Mikado, Ruddigore, Yeomen of the Guard, Utopia Limited, The Grand Duke) omit most of the spoken dialogue. Before listening to any of these operettas that you don't know well, you'll want to obtain a copy of its text so you can read along and not miss any of the words or the wit.

Wonderful set, if a little inconsistent at times........2003-07-07

If you thought that the Sargent set of G&S opera recordings was gargantum enough, then this D'Oyly Carte cycle is even more gargantum. Although it is more expensive (because of the four extra operas that the Sargent cycle did not include), this complete 24-CD set is like a joy to behold. There is a debate as to whether this is better than the Sargent cycle, but I like to think that this is a delight from first disc to last, because of the idiomatic sense of polish that these recordings seem to have, and are given a life that makes them able to breathe well. This is all thanks to Isidore Godfrey and Royston Nash's conducting. I know that the performances may not be entirely consistent (this is evident when you compare the performance and recording quality of Mikado and Pirates with those of Gondoliers and Pinafore), but this is only a matter of personal preference. The 1960s performances were given more sumptuous and well-detailed recordings than the 1970s recordings, made when the performing style was not so fresh. But anyway, I still think that this is definitely a good buy for anyone who loves G&S. Even with the consistency of Sargent's cheaper EMI set, I would still say: do go ahead to invest in the set because of the liveliness and style in this complete G&S cycle that Sargent never (hardly ever) tackles. The only thing is: I would also like to suggest complementing it with the 1957 Decca D'Oyly Carte recordings of Mikado and Pirates, recently released by the Sounds on CD label, so that these recordings can do justice to the enormous spirit of these operas.

Average customer rating:

Actually, it gets 3.5 stars!
listen to this!
Absolutely Stunning!

Reconciliation
Sounds Of Blackness
Manufacturer: Zinc
ProductGroup: Music
Binding: Audio CD

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ASIN: B00001XDNR
Release Date: 1999-09-28

Tracks:

Dj Intros
Try
You Are The Ones
Thank You
Reconciliation
Twenty Four & Back Again
For Old Times Sake
Tell Me What You Thinkin' 'Bout
Rainbow
Love Will Change Things
Don't Be Afraid To Dream
Straight Ahead
Reconciliation Blues (interlude)
Sounds Of Blackness/Take The 'a' Train

Customer Reviews:

Actually, it gets 3.5 stars!.......2003-02-16

Only about half of the songs on the group's fifth studio album are up to the group's standards ("Try", "Reconciliation", "Twenty Four & Back Again", "Rainbow", "Love Will change Things" and "Don't Be afraid to Dream"). The remaining songs, though enjoyable, lack the power and production values that one comes to expect from the multi-talented organization.

Thankfully, Sounds of Blackness rebounded with the recently released and much superior "Soul Symphony".

But, for fans, "Reconciliation" is still a necessary entry to the ever-developing and one-of-a-kind musical troupe.

listen to this!.......2002-01-13

I don't know why I didn't hear about this CD over & over again. Although I think SOB are at their best when they sing about God, they are also quite beautiful when singing about love & friendship. "Twenty four & back again" is as solid an anthem to friendship as I've heard. (Don't you wish there were more of them?) It doesn't quite measure up in my mind to "Evolution of Gospel," but then, almost nothing I've heard does. Went to the MLK Day concert in Minneapolis just after this was released , and I have to say that if you like music that makes your eyes tear up, your body bounce from side to side, and your brain think, you need to get to one of their concerts!

Absolutely Stunning!.......1999-12-01

Give me SOB anytime and I will thank you everytime. This lovely group has shown that they are a force to be reckon with in the music industry. Especially if one, as a Christian, born-again and spirit filled and loves good music wants to listen to music without necessarily listening to the filth on the street. This is IT! . From the second track to last (my favorite is the title track), the album is a must-listen to. Keep it up folks, even us folks down in Africa are solidly behind you.

Average customer rating:

A vocally disappointing and musically frustrating album
Not For Everyone, But Give It A Try
Captures the essence of rock
my new STAPLE diet
Even Better than their Debut

Of Truth + Reconciliation
Staple
Manufacturer: Flicker Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B000AHJ84C
Release Date: 2005-08-30

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Customer Reviews:

A vocally disappointing and musically frustrating album.......2007-05-25

Compared to their first album, 'Of Truth and Reconciliation' is a horrible listening experience, to say the least.

In my opinion, with this album Staple fell straight into the trap of trying to 'mature' from their previous album but in fact they appear to have lost everything that made their previous album so addictive and fun to listen to.

'Of Truth...' in my opinion marks a huge departure from what made Staple's previous album the amazing listening experience that it was. The first album was characterized by intensely screamed vocals with catchy choruses and significant verses, all accompanied by heavy guitar and drum riffs. 'Of truth', on the other hand, ditches most of that.
If it's Staple's trademark screaming that you're looking for, you'll be disappointed because in this new album the screaming has been used to augment regular vocals rather than as an attraction of its own, as it was in their previous album.
I was thinking about it and the best sound I can compare this album to is that it's sort of like a bad rock sound mixed with a barbershop quartet. Screaming vocals are few and far between, which is a shame because the lead vocalist on the album (can't be bothered to check his name), proves that he is entirely not up to the task of lead vocals. His high pitched voice sounds strained and generally unpleasant throughout the album.

I really believe that Staple tried to do too much with this album. The worst part though is that everything that they tried to do, they failed miserably at, ultimately producing a sound that is bizarre and generally lacking in any identity. There is no real solid metal - done so well on their first album - to be found on this album, sadly enough. So if you're looking for something hard and fast that you'll listen to over and over again, then don't buy this album.

And the most disappointing part of all of this? The album has a very strong, clear Christian (I'm Christian)message which is lost somewhere inside a confusing, chaotic, unpleasant listening experience that a true Staple fan probably will not listen to more than once.

Not For Everyone, But Give It A Try.......2007-03-07

Now that it's official that Staple is no longer a band, I am proud to say that this cd is one of my prized possessions and my favorite cd. Staple is an incredibly unique sound for metal. The vocals are very emotionally powerful, and the band itself carries a very dramatic sound. With lyrics that stretch far beyond silly repetition, Staple does more than enough to try and share their viewpoint and do so in an educated and sophisticated manner. A lot of people will not like the sound of this band, but thosethat do will love it with all their hearts.

Captures the essence of rock.......2006-04-24

What is the essence of rock? Easy. It's lyrics tell you everything. The style that Staple plays it out makes it eerie, and haunting, like a challenge to you. This album stands out among my albums because of it's message it conveys. I suggest you compare this with the other bands your'e comparing with, and think it through. Not just because it is christian, but because of its lyrics, and its rhythm. If any band out there has real talent, it'll be Staple. So, if you ever think that christian rock is just for christians, that's not true.

my new STAPLE diet.......2006-02-16

I enjoyed the sound of staples debut , but only liked a few of the songs . That being said , I was slightly doubtful of their second effort and made no effort to hear it or purchase it , thinking it wouldnt reaaly be worth my while . Boy , was I wrong . "Of truth and reconciliation " is absolutely fabulous and leaves you wanting more . The band have matured incredibly and this cd is incredibly richer and deeper on so many levels . The songs are thoughtfully put together and there is more variation in each song . Darin uses his unique voice to greater levels and depths - hearing great flowing harmonies in the choruses , to gut renching guitar riffs and emotional vocals , provide the listener with perfect listening enjoyment . the production maintains the raw sound we heard in " Staple " but includes a diverse sound . I cant get enough of this cd - I can only describe it like being on a roller coaster ride - one moment you are travelling at an exilirating pace only to slow down to catch you breath and enjoy the moment , only to be whisked off in another direction of pure joy . This cd will keep you on your toes and have you guessing as to whats coming next . A great experience , amidst a music industry that pumps out the monotonous and predictable . Darin Kiem calls a generation to stand and be counted for truth and justice and to fight for the absolute . A head banging , heart wrenching , spirit lifting , life changing album !

Even Better than their Debut .......2006-01-05

I really like the changes Staple made on this CD. Many hooks and catchy riffs really sets this recording apart. Same bold, loud, tight, hard rockin as the first - but BETTER. They've reached a new level. Need it for your library!!

Barber: Prayers of Kierkegaard/Bartok: Cantata profanna/Vaughan Williams: Dona nobis pacem

Average customer rating:

Lesser-known Choral Masterpieces
Samuel Barber's "Prayers of Kierkegaard", Shaw
Excellent Chorale Pieces Performed Impeccably
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Barber: Prayers of Kierkegaard/Bartok: Cantata profanna/Vaughan Williams: Dona nobis pacem

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000064U9
Release Date: 1998-03-24

Tracks:

O Thou Who Art Unchangeable
Lord Jesus Christ, Who Suffered All Life Long
Father In Heaven, Well We Know That It Is Thou
Father In Heaven! Hold Not Our Sins Up Against Us
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Part III - Nathan Gunn
I. Agnus Dei
II. Beat! Beat! Drums!
III. Reconciliation
IV. Dirge For Two Veterans
V. The Angel Of Death
VI. O Man Greatly Beloved

Amazon.com

It's unclear why this program works so well, but it does. It may be because all three composers resolutely affirmed the virtues of tonality at a time when it was terribly out of fashion, though each did it in his own way. Barber was a genuine neo-Romantic before we had the term to describe him, so his heartfelt and emotional music was simply called "backward looking" while he was alive. Vaughan Williams and Bartók were both authorities on folk song who used the "uncouth vocal utterance of the people" to forge fresh and contemporary musical styles. Robert Shaw, one of the great choral music conductors of all time, plays all three works with a near ideal combination of clarity and intensity, and, of course, the chorus is sensational. --David Hurwitz

Customer Reviews:

Lesser-known Choral Masterpieces.......2005-12-13

A disk of lesser-known choral/orchestral works by great masters of composition are always a welcome addition, and this CD doesn't fail, perhaps giving these works new life and hopefully a new future of performances.

The Danish-born theologian Soren Kierkegaard and his prayers from various writings are the subject of Samuel Barber's Prayers of Kierkegaard. The prayers are very personal, having to do with redemption and God's love, a keen insight to existentialism, and Barber's music expresses it well. While a unified whole, the 15+ minute work is divided into four separate prayers, each a style and a setting different from one another. Barber lets the listener know this is religious music by setting the opening text in chanting men's voices in an old church mode. But when the orchestra comes in, a 20th century declamatory statement changes the mood. Barber again looks to the past with simple contrapuntal choral writings. The second prayer is a supplicatory soprano solo sung by Carmen Pelton. A 20th century chanting chorus, reminiscent of thick Russian orthodox music opens the third prayer. Barber again brings back contrapuntalism and a great dissonant melody eventually dividing into two choruses. The final prayer begins with a wild instrumental modal dance section, and the end brings back the simple chant-like feel of the beginning, and the final, modern chorale ending with a positive outlook. Scored for orchestra, soprano, alto, and tenor soloists, and chorus, Barber's unique, and often intimate compositional styles, shine through here. The motives used throughout are enjoyable, the music creates great drama, and the work is quite inspired. It is very much spiritual and artistically pleasing.

Bartok's Cantata Profana is a different matter. It tells the story of nine sons who were taught nothing but to wander the forest and hunt stags. One day they wander too far into the enchanted part of the forest, only to be turned into stags themselves. Bartok sets this 20 minute work in three parts. The first showcases the double, sometimes antiphonal, chorus in thick imitation and dissonance. The chorus explains the back-story and relays the wandering in the forest, including a rather frenzied rhythmical jaunt. The second section is a feature for tenor and bass soloists, the tenor being the best-loved brother turned stag, and the bass being the father who went wandering looking for them. The father pleads with them, but as stags, they can't go home to their weeping mother. The short third section brings back themes and texts from the first and the second with tenor soloist exclamation. This music is interesting, not as folk-like as I expected, very modern sounding with dissonance leading the tonality. The soloists are required to sing some extreme ranges for the angst of the text and the chorus parts are difficult as well. The demonic chanting in the third section show the unusual harmonies and subject matter, not to mention musical virtuosity, of this very unusual, yet interesting choral work.

Unfortunately, Walt Whitman's poems about war and Vaughan Williams' music of the same vein, will probably never have little meaning for the public. The six movement Dona Nobis Pacem is the most stirring work on this disk, with various perspectives of war; texts by Walt Whitman primarily, some biblical texts, and an impassioned British speech. The Agnus Dei states the suffering and sacrifice of Christ, but ends with grant us peace. Beat! Beat the Drums! is a bombastic march about how war affects all citizens, not just those who fight. Reconciliation is a lush and somewhat haunting song on the tides of war, in a personal perspective. The Dirge for Two Veterans is a procession which builds to a great climax and dies away; the text visualizing a community honoring the passing of two local veterans. The Angel of Death and O Man Greatly Beloved is a magnum opus of contrasting moods, which erupts into a paean of "Glory to God in the Highest, and peace and goodwill to man". Even today, well after WWII when the music was written, certainly well after Walt Whitman's Civil War era's words, these performances of Dona Nobis Pacem is so personal, not a dry eye leaves the concert hall. The disk presents a moving and electrifying performance.

All the works on this disk, especially with the wide range of styles, is performed flawlessly. As always, Robert Shaw's choruses have clean and crisp diction, with good vocal technique. The Atlanta Symphony Orchestra gives these works a Romantic fullness needed, and the soloists are fine as well. While together, the program seems odd, the works in themselves deserve more popularity. A nice addition to the choral/orchestral library.

Samuel Barber's "Prayers of Kierkegaard", Shaw.......2005-09-25

This recording track seems to be lower in quality than most of Shaw's. Both the recording and the chorale singing is of lesser quality than the other selections and most of Shaw's works.

However, I can still recommend this CD overall.

Excellent Chorale Pieces Performed Impeccably.......2005-06-26

Three composers, who don't seem to have a lot in common, are on display here, and yet the cumulative effect is quite stirring thanks to the late Robert Shaw, as he masterfully leads the Atlanta Symphony Orchestra and Chorus in this splendid 1998 recording. Samuel Barber's "Prayers of Kierkegaard" is a powerful chorale work that is almost cinematic in its dramatic effect. Commissioned by the Koussevitsky Foundation during WWII, the composer did not complete the work until 1954. The piece is in the form of a single-movement cantata, of four prayers by the Danish theologian Søren Kierkegaard. Soprano Carmen Pelton has a lovely solo on "Lord Jesus Christ, Who suffered all life long" and joins the chorus for the haunting "Father in Heaven, well we know that it is Thou".

Béla Bartók's "Cantata profana" ("The Nine Enchanted Songs") possesses strong rhythmic vitality in this arrangement, especially the harp glissandos implying supernatural forces at work, and is given a fine reading by tenor Richard Clement and baritone Nathan Gunn providing superb vocal turns as son and father, respectively, in the middle section. The most affecting set is the last, Ralph Vaughan Williams' "Dona nobis pacem", which was composed in the mid-1930's as a warning of the threat of war in Europe. His sources were diverse - the poetry of Walt Whitman, the Bible, the Latin Mass, and from a speech made in the British House of Commons during the Crimean War in the 1850s by John Bright - but the sound is consistently mesmerizing. Pelton particularly shines on "Agnus dei", and the concluding "O man greatly beloved" is awe-inspiring. However, the most impressive passage is the "Dirge for Two Veterans", which effortlessly goes from patriotic wartime fervor to mournful prayer. This is a clean recording with especially impressive singing.

Terrible Recording of the Barber.......2002-01-10

I will disagree with the other reviewers here. The Barber is a wonderful piece, dreadfully and lifelessly performed here. The chorus has no emotion. The recording is unfocused...the strings sound absolutely amateurish throughout. Schenck's work on Koch is much superior, even though rough at the edges; it bristles with electricity, and the soprano is just perfect for the second section.

Evocation of the Spirit (2).......2001-02-25

Following the wonderful Evocation of the Spirit CD (Gorecki, Part, Martin, Barber and Shoenberg) this is an ideal follow up. The twentieth century really did produce some wonderful choral music and although the Barber and Bartok here are not totally consistent, the Vaughan-Williams is great.

Average customer rating:

A Noble Effort by Richard Gregoire !

Napoleon

Manufacturer: Virgin Records Us
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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Napoleon (TV Miniseries) (3-Disc Collector's Edition)

ASIN: B00006UZNG
Release Date: 2003-06-24

Tracks:

Napoleon
La Visite A Josephine
Le Mariage
La Rencontre Avec Talleyrand
La Visite A La Malmaison
Vers L'Egypte
La Reconciliation Avec Josephine
La Rencontre Avec Le Pape
Le Sacre
La Grande Armee
Vers Strasbourg
Austerlitz
La Partie D'Echec
La Bataille D'Iena
Maria Waleska
La Batalle D'Eylau
Te Deum
Marie-Louise
La Naissance Du Roi De Rome
Vers La Russie
La Reddition Du Mchal Ney
La Retraite De Napoleon
Miss Betsy
La Meche De Cheveux
Napoleon Enfant
Napoleon Adolescent
La Mort De Napoleon
Le Tombeau Des Invalides

Customer Reviews:

A Noble Effort by Richard Gregoire !.......2004-06-27

It's a pleasure to finally hear a fully-orchestrated score by this talented Quebec film composer...previously his fine efforts for "L'Enfant D'eau " and " Marguerite Volant" were mostly synthesized affairs that cried out for full orchestral treatment !
This "Napoleon" TV score has a suitably tragic tone and the music has a fair amount of variety so it's not just repeating the main theme. I'm unaware if the series has been run in the U.S. yet. Recommended !

Average customer rating:

In the Silence of the Night

Manufacturer: Video Artists Int'l
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
ASIN: B000003LLZ
Release Date: 1996-10-07

Tracks:

Reconciliation (Op. 25, No. 1)
None But The Lonely Heart (Op. 6, No. 6)
Why Did I Dream Of You (Op. 28, No. 3)
At The Ball (Op. 38, No. 3)
Does The Day Reign (Op. 47, No. 6)
We Sat Together (Op. 73, No. 1)
Night (Op. 73, No. 2)
In This Moonlight (Op. 73, No. 3)
The Sun Has Slipped From Sight (Op. 73, No. 4)
'Mid The Sombre Days (Op. 73, No. 5)
Once Again, Alone (Op. 73, No. 6)
Again, I Am Alone (Op. 26, No. 9)
Lilacs (Op. 21, No. 5)
Loneliness (Fragment From Musset) (Op. 21, No. 6)
In The Silence Of The Night (Op. 4, No. 3)
On The Death Of A Linnet (Op. 21, No. 8)
Oh No, I Beg You, Forsake Me Not (Op. 4, No. 1)
Spring Waters (Op. 14, No. 11)
Six Poems Of Marina Tsvetayeva (Suite For Voice And Piano), Op. 143: To My Verses
Six Poems Of Marina Tsvetayeva (Suite For Voice And Piano), Op. 143: Whence Such Tenderness?
Six Poems Of Marina Tsvetayeva (Suite For Voice And Piano), Op. 143: Dialogue Between Hamlet And His Conscience
Six Poems Of Marina Tsvetayeva (Suite For Voice And Piano), Op. 143: The Poet And The Czar
Six Poems Of Marina Tsvetayeva (Suite For Voice And Piano), Op. 143: No, Drums Were Beating
Six Poems Of Marina Tsvetayeva (Suite For Voice And Piano), Op. 143: To Anna Akhmatova

Amazon.com

Russian-born Irina Mishura has been unaccountably neglected in the onslaught of mezzo-sopranos, even though her voice has more size and dimension than her sometimes dour-sounding countryman, Olga Borodina. This program of songs includes Tchaikovsky, Rachmaninoff, and Shostakovich's Six Poems of Marina Tsvetayeva, which Mishura encompasses with deep feeling and authority. Her accompanist doesn't have the greatest piano in the world but one can't complain too loudly about one of the few recordings by this treasurable singer. --David Patrick Stearns

Average customer rating:

I've known him and his life and also mine that love Russian music so much.
An Overlooked Treasure
magnificent !
The Essential Dmitri CD
Wonderful and should be on the Essential List!

Russian Romances

Manufacturer: Polygram Records
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
Similar Items:

Moscow Nights
Dmitri Hvorostovsky - Songs and Dances of Death / Gergiev
I Met You, My Love
Kalinka: Russian Folk Songs
Dmitri Hvorostovsky: Portrait

ASIN: B00000413C
Release Date: 1991-05-10

Tracks:

(Snova, kak prezhde'e, adin), Op. 73 No. 6
(Salavej), Op. 60 No. 4
(Podvik), Op. 60 No. 11
(Rastvaril ja akno...), Op. 63 No. 2
Serenada Don Zhuana, Op. 38 No. 1
Son, Op. 8 No. 1
(Ana kak polden' harasha), Op 14 No. 9
(Ne poj, krasavitsa, pri mne), Op. 4 No. 4
(O, net, mal'u, ni uhadi!), Op. 4 No. 1
Primiren'je, Op. 25, No. 1
(Sieza drazhyt f tvajom rivnivam zvore), Op. 6 No. 4
(Net, tol'ka tot, kto znal), Op. 6 No. 6
Strashnaja minuta, Op. 28 No. 6
(Fchira my fstretilis'), Op. 26 No. 13
V malchan'ji nochi tajnay, Op. 4 No. 3
(Fs'o otn'al u min'a), Op. 26 No. 2
Atryvak iz A. Musset: (Shto tak usilenna), Op. 21 No. 6
(Hristos vaskres), Op. 26 No. 6

Customer Reviews:

I've known him and his life and also mine that love Russian music so much........2005-09-12

I am a mezzo-soprano singer and love Italian opera and German Lieder. But I haven't known how beautiful Russian Romances are. Maybe because many male low voice singers have just good voices but beautiful legato phrasing with the hottest heart as Dmitri Hvorostovsky sings on this CD.
His amazing earthquaking low tone and heavenly elegant high tone are based on his deep breathing of his own. His sweet but excellent expressions moved me and my life. I recognized these Romances are his foundation of whole his musical life. I felt his deep love to Russia and his family, and it impressed me as a Lieder singer.
It is a huge contribution to many foreigners including me got to love Russian music who haven't liked them before.

An Overlooked Treasure.......2004-08-05

Even major fans of Tchaikovsky and Rachmaninoff may be unfamiliar with these works, but I think this CD perfectly captures what these artists sought to convey musically. The songs are mostly "torch songs" with text by major Russian poets. The piano and voice work together very well to build to "the point" of every work. The deep male voice we hear is just right for the material. After reading the text along with the music a few times, the listener can most fully appreciate this artwork, even if one may not philosophically enjoy the explicit message of the words, the music clearly delivers an artistic expression of intense longing.

magnificent !.......2000-06-19

This recording was my introduction to the glorious voice of this Siberian baritone, and it continues to overwhelm me with its passion and soul. These are mostly songs of love unrequited and love departed, sung with emotion and sensitivity by one of the most extraordinary singers of our generation. The simplicity and beauty of the solo piano accompaniment by Oleg Boshniakovich only adds to the power of this CD. It's a must for anyone who loves Russian music and appreciates Hvorostovsky's amazing talent.

The Essential Dmitri CD.......1999-08-25

The repertoire for Dmitri's second solo album was chosen with great care. The title "romances" can be somewhat misleading, though. This is not a collection of "touchy-feely" love songs. The lieder-style songs by Tchaikovsky and Rachmaninov deal with anguish, suffering, reflective melancholy and the kind of love that leaves a heart scarred and bleeding forever. One exception - the bravura of Don Juan, sung with gusto and thirst for life. These songs are dear to every educated Russian. Much like Schubert, who composed the lieder to the poetry of Goethe and Shakespeare, the Russian composers selected works by Pushkin, Pleschcheyev, Fyet, and others to communicate the intense emotions or dreamy reflections. The incredible "Christ is Risen", is written by D. Myeryezhkovsky, a man far ahead of his time, lamenting the irony of hearing the happy church hymns and praises set against the background of our brutal age. Everyone who has ever experienced utter loneliness, despair, melancholy mixed with expectations of a way out will be touched by these songs, that cross the language barriers and speak to the heart with the help of today's greatest baritone. You don't have to be a native speaker like me to appreciate them. Dmitri's voice never fails to explore the very core of the human soul. It can expand thunderously or soften to the sensuous pppp with perfect control and clarity. The high notes are triumphant and soaring with none of the coarseness that so many baritones have. The lower notes impress with their basso-like quality. His passion and intelligence are reminiscent of such great singers as Boris Christoff and Nicolai Ghiaurov, yet the range of the baritone allows for new, unusual, and welcome interpretations. He receives warm, thoughtful, and lively support from pianist Oleg Boshniakovich. Philips provides great sound and a nice booklet amiss any Cyrillic texts (which is thankfully corrected in their latest releases) and, alas, with a few minor spelling mistakes. The cover features, quite appropriately, Dmitri singing, looking out into the morning mist. Great artist and great achievement!

Wonderful and should be on the Essential List!.......1998-09-11

This is a wonderful collection of Tchaikovsky and Rachmaninoff songs and is one of my favorites. Dmitri does the full-out dramatic songs as well as the folk-song-style songs (like "She is as fair as day"). All are well suited to his (bass/baritone) voice and artistry.

Tracks:

Destiny, Birth And Childhood
From Brothel To Beethoven
Hungarian Dance No. 1
A Life-Changing Tour
The Meeting With Joachim
Piano Sonata No. 3
Joachim Weighs In
Enter The Schumanns
Piano Sonata No. 3
Prophecy And Tragedy: A Double Yoke
Piano Trio No. 2
Brahms And Clara
Piano Sonata No. 1
A Triangular Bond
The Death Of Schumann - A Fateful Decision

Tracks:

The Young Messiah
Piano Concerto No. 1
The Virtuoso Takes Flight
Variations On A Theme By Paganini
Detmold And Distraction
Serenade No. 1
Birth Of The D Minor Concerto
Piano Concerto No. 1
The Taste Of Failure - And Of New Love
String Sextet
Love, Folly And A New Calling
Motet 'Ich Aber Bin Elend'
Brahms And Wagner
Variations And Fugue On A Theme By Handel
Frustrated Hopes And A Mother's Death
Trio For Horn, Violin And Piano

Tracks:

The Road To The Requiem
A German Requeim ('Denn Alles Fleisch Es Ist Wie Gras')
The Wanderer
Waltz In E
The Consummate Performer
Five Studies For Piano
Paradox Personified: The Tender Savage
Piano Concerto No. 2
A Demanding Friend
Variations On A Theme By Haydn (Or Variations On The St Antony Chorale
The Eternal Child
The Ghost Exorcised / Beethoven: Symphony No. 9 (Finale: 'Ode To Joy') / Symphony No. 1 (Finale: Opening)
Symphony No. 1

Tracks:

A Watershed In Brahm's Career
Symphony No. 2
The External Brahms
A Free Man At Last / Piano Sonata No. 1
Violin Concerto / The Rift With Joachim
The Composer At Work
Academic Festival Overture
Celebrity And Scholar
Motet 'Wenn Ein Starker Gewappneter'
Love, Loss And Reconciliation
Concerto For Violin And Cello
The Greatest Living Composer - But A Difficult Friend
The Philanthropist
Decline And Death
Piano Concerto No. 2

Music Review:

Music Review

Music Review

1. DJ Intros
2. Try
3. You Are the One
4. Thank You
5. Reconciliation
6. Twenty Four and Back Again
7. For Old Times Sake
8. Tell Me What You Thinkin' 'Bout
9. Rainbow
10. Love Will Change Things
11. Don't Be Afraid to Dream
12. Straight Ahead
13. Reconciliation Blues
14. Sounds of Blackness/Take the 'A' Train