We Are at War

Track Listings
1. Introduction    
2. We Are at War    
3. Blood    
4. Too Close    
5. I Want to Go    
6. Take Him at His Word    
7. I Want to Live So    
8. I Owe You So Much    
9. I Owe You So Much (Reprise)    
10. God Specializes    
11. Hide Me    
12. Anchor By and By    
13. So Good    
14. We Are at War, Pt. 2    

We Are at War, Music, James Hall, Black Gospel, Gospel, Gospel/Christian Music, Pop, Praise & Worship
Instruments of the Orchestra
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Manufacturer: Naxos
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Binding: Audio CD

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  2. The Life and Works of Ludwig van Beethoven
  3. What to Listen for in Music
  4. Study of Orchestration, Third Edition
  5. The Life and Works of Frédéric Chopin

ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Glasscuts, Philip Glass Remixed
Average customer rating: 1.5 out of 5 stars
  • This is just awful - I was suckered by the excellence Reich Remixed
  • a huge letdown...
  • The Ever Recyclable Glass
  • Pop music with only a hint of Philip Glass
  • Sound Effects
 Glasscuts, Philip Glass Remixed

Manufacturer: Orange Mountain Music
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Philip Glass : Orion
  2. Symphony No. 6, Plutonian Ode
  3. Philip Glass : Symphony No. 8
  4. Roving Mars
  5. Philip Glass : Les Enfants Terribles

ASIN: B0009Y8I0G
Release Date: 2005-09-13

Tracks:

  1. Another Look at Harmony
  2. Piano Etude No.2
  3. Saxophone Concerto
  4. Tirol Concerto for Piano and Orchestra
  5. Etude No.1
  6. Houston Skyline
  7. Dance from Act II, Scene III of Akhnaten
  8. Etude No.5
  9. Channels and Winds
  10. Why Are We Here?
  11. Thin Blue Line
  12. Saxophone Concerto
  13. 2nd Perception of Light, Moon, Mist and Rainbow

Album Description

It has been said that Philip Glass is the `Godfather of Trance' and evidence of that is found in the remixes that a number of young producers/musicians began sending to Orange Mountain Music as early as 2002. These unsolicitated mixes became the genesis for Glasscuts, Philip Glass Remixed (release date Sept 2005). This CD presents a very diverse program without any one dominant style. The artists are Androoval from Uruguay, Robert Bell from Australia, Brian Bender from the US, Hector Castillo from Venezuela, Taylor Dupree from the US, Sebastian Escofet from Argentina, impLOG, from the US, Woody McBride DJ ESP from the US, Marcos Romero from Uruguay, Kate Simko from the US, Dietrich Schoenemann from the US, Luciano Supervielle from Uruguay and Dave Wesley from the US.

We invite you to immerse yourself in Glasscuts, Philip Glass Remixed with open ears to experience a Glass that is reminiscent of the past, but with an adventurous contemporary twist.

Customer Reviews:

1 out of 5 stars This is just awful - I was suckered by the excellence Reich Remixed.......2006-07-23

I just assumed that this would be as equally wonderful, and that Glass' music would be even more translatable into the "trance" genre, or whatever the kids are calling it nowadays.

Sadly, it seems that this was done by junior high kids with a computer and Acid Foundry or whatever that cheap software is.

No creativity, and, oddly enough, not even any real sense of Glass' music still being in the "remix".

I am a huge fan of Glass; I am not a fan of this kind of music, but since I am also a fan of Reich and since, to my total surprise, I am quite enthralled by the Reich Remixed CD, I figured I really needed to give this CD a shot.

What a waste. This is totally amateur, but without the occasional genius that some amateur can manage. Strictly, totally, and banal amateur yuckiness.

1 out of 5 stars a huge letdown..........2005-12-21

Yeah, it's fun and easy to beat up on remix albums since there are so many mediocre and terrible ones out there... but, wait: here's a great idea... let's give the pioneering, repetitive, trance-like minimalist music of Philip Glass the remix treatment... after all, Reich: Remixed was fabulous... surely the same kind of creativity can be unleashed in this project... But alas, something went terribly wrong here... these are mostly unbearably monotonous, grating, overlong, amateurish productions by remixers who don't seem to even GET (or enjoy?) Glass' music. A real missed opportunity and a huge letdown... ick...

1 out of 5 stars The Ever Recyclable Glass .......2005-11-20

This is just another insipid release from the Orange Mountain label, which keeps putting out anything with the Philip Glass
name on it - even if it is flagrant garbage. Several releases have been issued which about 90% have the same old songs, just performed by different people. In fact, Philip Glass has become more banal and bovine in the last few years because he knows anything with his name on it will sell to the trendy modernistic music crowd. Overall, I believe it is time to stop
recycling Glass.

1 out of 5 stars Pop music with only a hint of Philip Glass.......2005-10-28

This music should be categorized under the "popular music" category, not "classical". All the pieces have an incessant drum beat typical of popular music. This is unlike any other Philip Glass CD that I have and I have about a dozen of them. Where can I get rid of this?

3 out of 5 stars Sound Effects.......2005-09-24

When this album was announced, I was quite looking forward to it; before hearing anything, I compared it to the wonderful work done on "Reich Remixed" which takes some daring approaches to Reich's music and does an excellent job (with a few exceptions) of being new and exciting. Unfortunately, Glass Remixed isn't as daring or as good.

Much of the music is overshadowed with Glass's music and themes. It's as if someone was playing the original music in the background and sound effects were added to it. Throughout listening to Remixed, these sound effects got in the way of the music and I ended up digging out the original pieces and listening to them. However, there are some excellent pieces of interpretation contained within: Etude #2, the Tirol Concerto, and the Saxophone Concerto stand out (especially the Saxophone Concerto since I don't care for the original piece).

The other mark against this effort is all the work had to come from the Orange Mountain Music catalog due to ownership complications. This is not to say there aren't outstanding pieces in the catalog, but this restriction limits most of Glass's seminal works from being considered.

As a huge Glass fan, I was mildly disappointed, but I applaud the effort and the concept behind it.
Puccini - Madam Butterfly / Cheryl Barker, PO, Yves Abel [in English]
Average customer rating: 3 out of 5 stars
  • A touching English Butterfly
 Puccini - Madam Butterfly / Cheryl Barker, PO, Yves Abel [in English]
Giacomo Puccini , Yves Abel , Cheryl Barker , Paul Charles Clarke , and Simon Birchall
Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Turandot (Chandos Opera in English)
  2. Puccini - La bohème / Haymon · O'Neill · Opie · McLaughlin · A. Miles · Dazeley · Shore · PO · Parry
  3. Verdi: La Traviata
  4. Tchaikovsky - Eugene Onegin / Te Kanawa · Hampson · Rosenshein · Gedda · Sir Charles Mackerras [in English]

ASIN: B00005QF3K
Release Date: 2001-11-20

Tracks:

  1. Act I: Introduction - Cheryl Barker
  2. Act I: 'So The Walls And The Ceiling...' - Ann Taylor/Stuart Kale
  3. Act I: 'I Think Your Honour's Smiling' - Jean Rigby/Ann Taylor/Stuart Kale
  4. Act I: 'It Can't Be Much Further Now!' - Gregory Yurisich/Stuart Kale/Ann Taylor
  5. Act I: The Whole World Over - Ann Taylor/Gregory Yurisich
  6. Act I: 'Fate Can't Crush Him' - Ann Taylor/Gregory Yurisich
  7. Act I: 'Is The Bride Very Pretty?' - Gregory Yurisich/Stuart Kale/Ann Taylor
  8. Act I: 'True Love Or Fancy' - Ann Taylor/Gregory Yurisich
  9. Act I: 'See Them! They're Climbing The Summit Of The Hill!' - Gregory Yurisich/Cheryl Barker/Gregory Yurisich
  10. Act I: 'We Are Honoured' - Cheryl Barker/Ann Taylor/Gregory Yurisich/Stuart Kale
  11. Act I: 'The Imperial Commissioner' - Stuart Kale/Ann Taylor/Cheryl Barker/Simon Birchall
  12. Act I: 'Oh, Indeed, My Friend, You're Lucky!' - Gregory Yurisich/Cheryl Barker
  13. Act I: 'Come, My Beloved' - Ann Taylor/Cheryl Barker/Stuart Kale
  14. Act I: 'My Fate I Have To Follow' - Cheryl Barker
  15. Act I: 'Silence! Silence!' - Stuart Kale/Roland Wood/Cheryl Barker
  16. Act I: 'Congratulations' - Roland Wood/Ann Taylor/Gregory Yurisich/Frances Brett/Clive Bayley/Stuart Kale
  17. Act I: 'Dearest, My Dearest, Weep No More' - Roland Wood/Ann Taylor/Jean Rigby
  18. Act I: 'Evening Is Falling...' - Roland Wood/Ann Taylor/Jean Rigby
  19. Act I: 'Child, From Whose Eyes The Witchery Is Shining' - Ann Taylor/Cheryl Barker
  20. Act I: 'Ah, Love Me A Little' - Cheryl Barker/Ann Taylor
  21. Act II Part I: 'Izaghi Izanami' - Jean Rigby/Cheryl Barker
  22. Act II Part I: 'One Fine Day' - Cheryl Barker

Tracks:

  1. Act II Part I: 'Come, Let's Enter' - Stuart Kale/Gregory Yurisich/Cheryl Barker
  2. Act II Part I: 'Yamadori, And Has your Unrequited Love Not Yet Released You? - Cheryl Barker/D'Arcy Bleiker/Gregory Yurisich/Stuart Kale
  3. Act II Part I: 'Now, At Last!' - Gregory Yurisich/Cheryl Barker
  4. Act II Part I: 'Just Two Things I Could Do' - Cheryl Barker/Gregory Yurisich
  5. Act II Part I: 'This Child! This Child, Then!' - Cheryl Barker/Gregory Yurisich
  6. Act II Part I: 'Do You Know, My Darling' - Cheryl Barker
  7. Act II Part I: 'I Must Be Going' - Gregory Yurisich/Cheryl Barker/Jean Rigby
  8. Act II Part I: 'Ah! Ah!' - Stuart Kale/Jean Rigby/Cheryl Barker
  9. Act II Part I: 'Look, It's A Man-of-war!' - Jean Rigby/Cheryl Barker
  10. Act II Part I: Flower Duet: 'Shake The Cherry Tree' - Cheryl Barker/Jean Rigby
  11. Act II Part I: Humming Chorus - Geoffrey Mitchell Choir
  12. Act II Part 2: Prelude - Jean Rigby/Cheryl Barker
  13. Act II Part 2: Daybreak Over Nagasaki - Jean Rigby/Cheryl Barker
  14. Act II Part 2: 'It's Morning' - Jean Rigby/Cheryl Barker
  15. Act II Part 2: 'Who Is It?...' - Jean Rigby/Ann Taylor/Gregory Yurisich
  16. Act II Part 2: 'I Know For Such Misfortune There Is No Consolation' - Gregory Yurisich/Jean Rigby/Ann Taylor
  17. Act II Part 2: 'Farewell, Oh Happy Home!' - Ann Taylor/Gregory Yurisich
  18. Act II Part 2: 'Then Will You Tell Her?' - Ann Taylor/Jean Rigby
  19. Act II Part 2: 'Suzuki, Where Are You?' - Cheryl Barker/Jean Rigby
  20. Act II Part 2: 'You, Suzuki, You're Always So Faithful' - Cheryl Barker/Jean Rigby
  21. Act II Part 2: 'Viper! I Want You To Answer' - Cheryl Barker/Jean Rigby/Gregory Yurisich/Ann Taylor
  22. Act II Part 2: 'Your Little Fluttering Heart Is Beating' - Jean Rigby/Cheryl Barker
  23. Act II Part 2: 'Death With Honour Is Better Than Life With Dishonour' - Cheryl Barker

Amazon.com

This performance, the only one available in English, is problematic. Best is Yves Abel's leadership of the orchestra, which sounds wonderful, imbuing Puccini's lush score with just the right exoticism and emphasis. But aside from Gregory Yurisch's fine Sharpless, the singers don't please. Paul Charles Clarke as Pinkerton is lacking stylistically and vocally, and as Butterfly, Cheryl Barker sounds under strain and never pretty. While she has the power and feeling for the big second-act climax (the sighting of the ship), she never for a moment sounds fragile or girlish, not even in the all-important early scenes. English or not, this set isn't in the running. Stick with Callas or Scotto in Italian, and follow the libretto. --Robert Levine

Customer Reviews:

3 out of 5 stars A touching English Butterfly.......2002-03-27

Anyone familiar with Cheryl Barker's Butterfly will be interested in hearing this recording. I have heard her in the role twice - in Auckland and London - and her voice has filled out as the years have gone on. She hasn't a large italianate soprano; the sound is too slender somehow. Yet there is the paradox - it has great carrying power and a decent cutting edge to make itself heard above the orchestral climaxes. What really impresses is the sense of vulnerability and moral strength she imparts, making sense of the big moments of the secong act. The sound in Act one is gorgeous (and a super D flat in theentrance aria) and she differentiates impressively between the child-bride and the embittered woman of the two acts.

She is surrounded by a mixed supporting cast. Jean Rigby is maternal, warm and affecting as Suzuki. Gregory Yurisich makes Sharpless' dilemma more understandable than usual, rather than being completely ineffectual. Paul Charles Clarke perhaps illustrates Pinkerton's arrogance with a degree of vocal swagger, but the sound is rough-hewn and unlovely save for some moments in the love duet. Stuart Kale's Goro is suitable ingratiating and oily.

Abel's conducting is the other chief draw of this set. That he has experience of the score in the theatre means that his pacing is really superb, and the lush orchestration is given its due, the potent intermezzo during the overnight vigil sounding suitably ominous.

This won't replace the classic Butterfly recordings, but in the absendce of any new ones recently, and for acceptable diction in an English version, it is certainly worth the (not very high) price. Recommended.
Purcell: Theatre Music
Average customer rating: 5 out of 5 stars
  • Fine reissue of a classic set
 Purcell: Theatre Music

Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
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  1. Cantatas for Solo Countertenor
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  5. Lute Music, Vol. 2

ASIN: B0001Y4JHA
Release Date: 2004-10-12

Customer Reviews:

5 out of 5 stars Fine reissue of a classic set.......2006-05-24

Think about the stupidest, most formulaic Hollywood movies you can think of: cheesy action pictures, fluffy, unfunny comedies, big but stiff epics. Now imagine that one of the greatest living composers was working in Hollywood, turning out astonishing, hauntingly beautiful and stirring musical scores for these throwaway movies. That's what you get with this set: music Henry Purcell composed for some two dozen often utterly forgettable plays (trust me--I've read a number of them!) Occasionally, when he teams up with a playwright worthy of his stature, such as John Dryden, Aphra Behn, or William Congreve, the results are even better, but for the most part you can enjoy the music here without knowing anything about the original plays.

This set originally appeared as separate LPs in the 70s and 80s, and has been long out of print. That's a pity, since Purcell spent a good deal of his short professional life in the theatre, either writing the incidental music contained on these CDs, or the music for his larger works, the semi-operas (King Arthur, The Fairy Queen, and the like). Almost all of these works are enjoyable gems; certainly, they represent a pinnacle of English 17th century music. Purcell had a genius for spinning musical gold out of the most leaden lyrics (check out his Odes and Welcome Songs on Hyperion if you don't believe me), and he does the same with the song texts in these plays.

Hogwood and the AAM offer clean, listenable performances, and the sound on these old analog discs has been cleaned up and brightened--although they were pretty good, even in the late 70s. As with most Hogwood, emotional extremes are kept to a minimum, so the "otherworldly" nature of late 17th century music, so often emphasised in more recent Baroque performances, doesn't come across here. It would be interesting to see what a group like The King's Consort would do with this music, but this set fills the major gap in the Purcell canon quite nicely.

My only beef with the reissue, as with many reissues, is that the liner notes are rather thin for a 6-cd set--the lyrics to the songs, for example, are especially missed. Still, it's a worthwhile set, and a must for fans of Purcell, English Baroque music, or anyone who just wants to experience a taste of the last days of the Restoration stage.
We Are at War
Average customer rating: 5 out of 5 stars
  • James Gets Better and Better!!
  • GREAT CD
  • INCREDIBLE
  • I have had enough!
  • The Diabolical Response to the Enemies " Diabolical Plot"
 We Are at War
James Hall
Manufacturer: Dmg
ProductGroup: Music
Binding: Audio CD

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  1. According to James Hall, Chapter 3
  2. Live from New York at Lincoln Center
  3. Best of James Hall & Worship and Praise
  4. No Limit
  5. King of Glory

ASIN: B00005J71Y
Release Date: 2001-05-08

Tracks:

  1. Introduction
  2. We Are At War
  3. The Blood
  4. Too Close
  5. I Want To Go There
  6. Take Him At His Word
  7. I Want To Live So
  8. I Owe You So Much
  9. I Owe You So Much (Reprise)
  10. God Specializes
  11. Hide Me
  12. Anchor By And By
  13. So Good
  14. We Are At War - Part II

Customer Reviews:

5 out of 5 stars James Gets Better and Better!!.......2007-06-15

Wow this cd is AWESOME. James Hall has the best choir in gospel music 2day.From beginning 2 end this cd was awesome. My favorites are Hide Me, I Owe You So Much, and of course The Blood. The Entire cd is awesome there was not one song that I had 2 skip! Get it you won't be disappointed

5 out of 5 stars GREAT CD .......2005-11-02

THIS IS A MUST HAVE. I LOVE THIS CD. ALL OF THE SONGS EXPECT FOR TAKE HIM AT HIS WORLD IS GOOD. EVERY SONG IS AWESOME. GOD SPECAILZES IS THE BEST SONG. I LISTEN TO THIS SONG ALMOST EVERYDAY. THIS IS A WONDERFUL SONG. I NEVER BOUGHT ONE OF JAMES HALL CD. I WANT TO BUT I JUST COULDNT FIND ANY OF HIS CD ANYWHERE AND WHEN I SAW THIS I BOUGHT RIGHT AWAY. THIS CD IS FOR EVERYBODY. I DIFFERNT THEN YOU OTHER GOSPEL CD. THIS WOULD ATTRACT MORE YOUNG PEOPLE SNICE THIS IS YOUNG PEOPLE. THIS IS A MUST HAVE.

5 out of 5 stars INCREDIBLE.......2003-03-25

I absolutely love it! God has truely blessed this ensamble with an awesome ministry!

5 out of 5 stars I have had enough!.......2002-05-24

This is the second CD I've managed to get my hands on (hey, England hasn't heard of James Hall yet. Don't mock). All I can say is "WOW". Where do those musicians come from? Melvin can I have some lessons? Reggie Young - my husband is considering putting his Musicman into retirement because of you.

An excellent CD that has it all. Great singers, great musicians and most of all heart-felt worship. Look forward to y'all coming to London, England sometime...

4 out of 5 stars The Diabolical Response to the Enemies " Diabolical Plot".......2002-05-22

"the Diabolical Plot " That was A phrase That Pastor Kevin Bond used In the introdution of "We are at War" and he used it to describe The wicked Plan of the enmy to fight and to destroy us Christian Saints. But The Musical Masterminds Of James Hall and Melvin Crispel came In response with the God anointed Album "We are At War" This album Is Of the chains with Minor Keys and chromatic Chords That get you In the fighting Mode. God realy used them. The look of the Cd made me laugh a little I was truthfully I thought It to be a little corney but thats Just my opinion. (It broadened the title of the CD). Anyway I've been a James And WAP Fan scince "God Is in control" And on Every Cd they Move a step of the Mediocre Gospel sound And this time they took a bigg step off. Starting with "we are at War" To ME- the choir and every thing was banging and of the chains and the song just over proved James Title as the proffessor But the Star Of the song to Me was -JOHN PETERS- yeeees lawd! unexplainable......... OK I Love James Halls Ballads Like "For Your Name Is to be Praised" and all time and foever Favorite "Blessed be The Name" His Arrangement of "Hold to Gods unchanging Hand" and I thought He couldn't out Do "Great Is Our God" but James out did himself with His Newest Ballad "The Blood" Oh Oh oh Oh Oh the Blood My God this Song dosen't really have many words but the way the song was arranged it s pause ggives you time to praise and halla and thank God for his Saving Grace. Melvin's "to close" is a tight little hype song the voices are tight I love this Cd james out did himself again with his broadway Jazz set take him at his word and I Love Melvin " Hide Me" unexplainably tight groovy and jazzy Love it

This Cd Is the Hot Mess
Starship - Greatest Hits
Average customer rating: 1.5 out of 5 stars
  • Rerecorded and chopped up songs
  • Pretty ordinary or worse - even the big hits
 Starship - Greatest Hits
Starship
Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

GeneralGeneral | Pop | Styles | Music
Pop RockPop Rock | Pop | Styles | Music
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ASIN: B0000A4GB4
Release Date: 2003-07-08

Tracks:

  1. We Built This City
  2. Find Your Way Back
  3. Sara
  4. Nothing's Gonna Stop Us Now
  5. Jane
  6. It's Not Over ('Til It's Over)
  7. No Way Out
  8. Fooled Around and Fell in Love
  9. Layin' It on the Line
  10. Stranger

Customer Reviews:

2 out of 5 stars Rerecorded and chopped up songs.......2004-06-29

This cd is culled from the import-only Starship release titled, 'Greatest and Latest.' Vocalist Mickey Thomas released 'Greatest and Latest' in 2003 (never in the US) with a different lineup of Starship. The songs were all rerecorded versions of Starship, Jefferson Starship and Mickey Thomas tracks, under the Starship banner with the current lineup. The new studio recordings happened in 2002. That 'Greatest and Latest' cd contained fourteen songs and came packaged with a dvd, I have the songs from that album.

On the plus side, the rerecorded songs sound great. "We built this city" and "Nothing's gonna stop us now", given all the times I heard them, sound quite different with a stripped down production, louder guitars and minus Grace Slick's voice. Without Grace being there, Mickey Thomas handles all lead vocals. It's interesting to hear him sing verses in songs that were originally handled by Grace Slick.

So the new versions of the songs sound good, which is why I give the album two stars. The songs from 'Greatest and Latest' were licensed for several Starship budget compilations in the US, such as 'Forever Gold', 'Greatest Hits-Delta' (this compilation right here) and 'Greatest Hits-Brilliant.'

The Delta company that put out this cd, for some reason, decided to cut short three of the tracks on this cd. The rerecorded version of "We built this city" runs over six minutes long on 'Greatest and Latest' as well as the other US budget compilations. On this cd it is under five, as the label chops out the great closing instrumental to the song. The new recording of "Fooled around and fell in love" was originally five and a half minutes long on other cd's it appeared on, but here it is again under five minutes. Additionally, the rerecorded track "Stranger" is also five and a half minutes long, or so, and that is also chopped up to under five minutes.

I don't understand the decision since it is only ten tracks and the cd clocks in at roughly fifty minutes. They could have fit the extra 40 or so seconds cut out of those 3 tracks. It all sounds like a hatchet job or bad radio edit. Additionally, the 'Greatest and Latest' import has the full set of 14 rerecorded songs and this one only uses ten of those new recordings.

The point is, the rerecorded tracks sound great. This collection of them, though, sucks. If you want to hear the new versions, get the import 'Greatest and Latest' off Ebay, which has all 14 rerecorded songs. Otherwise, pick up 'Forever Gold' or 'Greatest Hits-Brilliant' (both under the Starship name).

1 out of 5 stars Pretty ordinary or worse - even the big hits.......2004-03-10

Having seen Starship ranked by Blender as the fifth worst artist in music history, it is embarrasing to recall and admit that I once bought a "Greatest Hits" compilation by them.

However, as a child I must admit to adoring their hits "We Built This City", "Sara" and "Nothing's Gonna Stop Us Now" as a child, so that my interest in them when I was wanting to collect the commercial music of that decade is understandable.

It was clear to me even back in 1996, though, that whatever the catchiness and apparent (not real) charisma of Grace Slick on "We Built This City" and especially "Nothing's Gonna Stop Us Now", the rest of the material included on Starship compilations (they're all naturally much the same) was horrible by any standards. Basically, it had the loud pomposity and thickly produced electric guitars that even then I could recognise as having almost no substance or feeling in them. Thus, even before I began exploring new styles of music, it appeared to me that Starship had nothing to offer me.

There was nothing memorable about any of their earlier songs with Paul Kantner - not one remotely memorable hook - and his vocals and those of Mickey Thomas sounded mumbled with thinner (but no less airy) production. Indeed, as they are produced, most of the material on this album sounded and sounds literally featureless and really boring. Even the two ballads "Sara" and "Nothing's Gonna Stop Us Now" have lost the tenderness and beauty they once gave me.

Whilst Starship might not deserve to be so high on Blender's list of the worst bands ever, their music was still of little if any value.
The Civil War
Average customer rating: 5 out of 5 stars
  • Historical Time Capsule
 The Civil War
Douglas Jimerson
Manufacturer: Amerimusic
ProductGroup: Music
Binding: Audio CD

QuartetsQuartets | Chamber Music | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
All Works by FlotowAll Works by Flotow | Flotow, Friedrich von | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
Foster, StephenFoster, Stephen | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
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All Works by Wolfgang Amadeus MozartAll Works by Wolfgang Amadeus Mozart | Mozart, Wolfgang Amadeus | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
MarchesMarches | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
Chamber MusicChamber Music | Forms & Genres | Romantic (c.1820-1910) | Historical Periods | Classical | Styles | Music
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FrenchFrench | Languages | Opera & Vocal | Styles | Music
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Folk SongsFolk Songs | Songs & Lieder | Vocal Non-Opera | Opera & Vocal | Styles | Music
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GeneralGeneral | Vocal Pop | Pop | Styles | Music
Traditional PopTraditional Pop | Oldies | Pop | Styles | Music
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ASIN: B00004SU99
Release Date: 2000-04-18

Tracks:

  1. Tenting on the Old Camp Ground
  2. Wait for the Wagon
  3. Clari: Home, Sweet Home
  4. Oh! Susanna
  5. The Bonnie Blue Flag
  6. Do They Miss Me at Home?
  7. Yellow Rose of Texas
  8. Goober Peas
  9. When Johnny Comes Marching Home
  10. Aura Lee
  11. Marching Through Georgia
  12. Just Before the Battle, Mother
  13. That's What's the Matter
  14. We are Coming Father Abraham
  15. Gentle Annie
  16. I'll be a Sergeant
  17. Dixie
  18. Tramp, Tramp, Tramp "The boys are coming"
  19. For the Dear Old Flag I Die
  20. Battle Hymn of the Republic
  21. The Battle Cry of Freedom
  22. America
  23. The Bonnie Blue Flag
  24. My Maryland
  25. Yellow Rose of Texas
  26. Woodman, Spare that Tree
  27. Juanita
  28. Green Grow the Lilacs
  29. Lorena
  30. Come Where My Love Lies Dreaming
  31. Rock'd in the Cradle of the Deep
  32. How Firm a Foundation
  33. Blue Bell of Scotland
  34. Storming of Monterey
  35. Joys that We've Tasted
  36. Polly Hopkins and Tommy Tompkins
  37. Drummer Boy of Shiloh
  38. Roll, Alabama, Roll
  39. Weeping, Sad and Lonely
  40. Vaccant Chair
  41. Goober Peas
  42. All Quiet Along the Potomac Tonight
  43. Dixie
  44. Oh! Susanna
  45. Massa's in de Cold, Cold Ground
  46. Old Folks at Home
  47. Camptown Races
  48. Beautiful Dreamer
  49. Nelly Bly
  50. Jeannie with the Light Brown Hair
  51. Gentle Annie
  52. Hard Times Come Again No More
  53. Swing Low, Sweet Chariot
  54. Deep River
  55. He's Got the Whole World in His Hands
  56. If You've Only Got a Moustache
  57. Old Dog Tray
  58. The Glendy Burk
  59. My Old Kentucky Home, Good Night
  60. Some Folks
  61. When This Dreadful War Is Ended
  62. Was My Brother In The Battle?
  63. Nothing, But a Plain Old Soldier
  64. Battle Hymn of the Republic
  65. America
  66. Barbara Allen
  67. Skip to my Lou
  68. Kathleen Mavoureen
  69. Adam and Eve's Wedding Song
  70. Old Sister Phoebe
  71. Oh! Susanna
  72. Twenty Years Ago
  73. The Ship on Fire
  74. Silver Bell Waltz
  75. Your Mission
  76. Dixie
  77. Go Down Moses
  78. Nobody Knows the Trouble I've Seen
  79. Free at Last
  80. Martha: Ach, so fromm
  81. Die Zauberflote, K 620: Dies Bildnis ist bezaubernd schon
  82. Faust: Salut! demeure chaste et pure
  83. Faust: Gloire immortelle [Soldiers' Chorus]
  84. Hail, Columbia
  85. We are Coming Father Abraham
  86. Columbia, the Gem of the Ocean
  87. Taps

Customer Reviews:

5 out of 5 stars Historical Time Capsule.......2000-08-12

This is the most comprehensive recording I've found of songs popular during the Civil War period. The performances are a time capsule of Civil War music.
Romantic Broadway
Average customer rating: Not rated
    		Romantic Broadway

    Manufacturer: Naxos International
    ProductGroup: Music
    Binding: Audio CD

    WaltzesWaltzes | Ballets & Dances | Classical | Styles | Music
    GeneralGeneral | Lehár, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
    Romberg, SigmundRomberg, Sigmund | ( R ) | Featured Composers, A-Z | Classical | Styles | Music
    Chamber MusicChamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    Vocal & SongVocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
    GeneralGeneral | Classical | Styles | Music
    GeneralGeneral | Theatrical, Incidental & Program Music | Forms & Genres | Classical | Styles | Music
    GeneralGeneral | Opera & Vocal | Styles | Music
    Modern & 20th CenturyModern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
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    GeneralGeneral | Easy Listening | Pop | Styles | Music
    ASIN: B00002723P
    Release Date: 1994-02-15

    Tracks:

    1. The Student Prince
    2. The Merry Widow Waltz
    3. The New Moon
    4. Hit The Deck
    5. The Chocolate Soldiers
    6. No, No, Nanette
    7. Showboat

    Music Review:

    1. 3 for 3
    2. 4 Him
    3. Absolutamente Lo Mejor
    4. All Day Singin' with Dinner on the Ground
    5. All Time Southern Gospel Collection
    6. Always
    7. America's 25 Favorite Christmas Songs
    8. America's 25 Favorite Hymns, Vol. 2
    9. At Her Best
    10. Bare My Soul

    Music Review

    Music Review