Children of the King
Track Listings
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1. God Made Me
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2. Shepherd Song
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3. Twelve Gates
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4. There Is Hope
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5. Blessed Is the One
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6. Child of the King
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7. Thank You Lord
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8. All These Blessings
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Children of the King, Music, The Mississippi Children's Choir, Children's Chorus, Contemporary Gospel, Gospel Choir
Average customer rating:
- FINALLY, KEER AND NIXON BOTH SING
- The King and I--a distinguished, beautiful score laced with tenderness and sorrow
- A fine King and I soundtrack reissue
- great album
- a classic
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The King and I (1956 Film Soundtrack)
Deborah Kerr , Yul Brynner , Marni Nixon , Rita Moreno , and Alfred Newman
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD
Rodgers, Richard
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Similar Items:
- Oklahoma! (1955 Film Soundtrack)
- South Pacific (1958 Film Soundtrack)
- Carousel (1956 Film Soundtrack)
- My Fair Lady (1964 Film Soundtrack)
- The Music Man (1962 Film Soundtrack)
ASIN: B00005A7XC
Release Date: 2001-03-13 |
Tracks:
- Main Title - 20th Century-Fox Orchestra/Alfred Newman
- I Whistle A Happy Tune - Marni Nixon/Rex Thompson
- My Lord And Master - Rita Moreno
- The March Of The Siamese Children - 20th Century-Fox Orchestra/Alfred Newman
- Anna And The Royal Wives - 20th Century-Fox Orchestra/Alfred Newman
- Hello, Young Lovers - Marni Nixon
- A Puzzlement - Yul Brynner
- Getting To Know You - Deborah Kerr/Marni Nixon
- Garden Rendezvous - 20th Century-Fox Orchestra/Alfred Newman
- We Kiss In A Shadow - Leona Gordon/Reuben Fuentes
- I Have Dreamed - Leona Gordon/Reuben Fuentes
- Shall I Tell You What I Think Of You? - Deborah Kerr/Marni Nixon
- Something Wonderful - Terry Saunders
- Prayer To Buddha - Yul Brynner
- Waltz Of Anna And Sir Edward - 20th Century-Fox Orchestra/Alfred Newman
- The Small House Of Uncle Thomas - Rita Moreno
- Song Of The King - Yul Brynner/Marni Nixon
- Shall We Dance? - Deborah Kerr/Marni Nixon/Yul Brynner
- The Letter - 20th Century-Fox Orchestra/Alfred Newman
- Something Wonderful (Finale) - Chorus/Alfred Newman
- Overture (LP Version) - 20th Century-Fox Orchestra/Alfred Newman
Amazon.com essential recording
Compared with the Broadway cast recording, the 1956 soundtrack to the film version of The King and I wins hands down. Yul Brynner is the king (literally and figuratively) in both formats (how could anyone else own such a role?), but the movie's score has better sonics, Brynner's voice is stronger, and the tunes are more memorable (thanks to Alfred Newman's conducting and Ken Darby's scoring) than on any of the various cast recordings. Marni Nixon sings the role of Anna (played onscreen by Deborah Kerr), Brynner delivers his hallmark performance, and the best-loved tunes--"Hello, Young Lovers," "Getting to Know You," and "I Whistle a Happy Tune" are the versions we'll always remember. A classic. --James Hendrickson
Customer Reviews:
FINALLY, KEER AND NIXON BOTH SING.......2007-05-26
WHAT A COMPLETE JOY TO HEAR MARNI NIXON AND
DEBORAH KERR BOTH SING. TRULY A COLLECTORS
ITEM WITH ALL THE NOSTALGIA, OUTSHINES ALL
OTHER ATTEMPTS TO RE-MASTER THIS MAGNIFICANT
MUSIC.
The King and I--a distinguished, beautiful score laced with tenderness and sorrow.......2007-04-08
The King And I soundtrack is presented magnificently on this excellent 76 minute CD. This CD offers us much music and vocals that were cut from the film as well as material that never made it to the record album release of the soundtrack back in 1956. We get stunning performances by giants including Yul Brynner, Terry Saunders and Marni Nixon. This CD is so complete and generous with it's treatment of the soundtrack that it must be considered as the definitive soundtrack edition of the music from The King And I.
The CD starts off with the music for the "main title" of the film; and this also serves as an appetizer to whet out appetites for what's to come. "I Whistle A Happy Tune" gives us Marni Nixon singing the vocals for Deborah Kerr; the melody is infectiously catchy; this song is one of the highlights of the CD. "My Lord And Master," performed by Leona Gordon who sang the vocals for Rita Moreno, is another masterpiece with a softness to it that belies the pain Rita's character Tuptim feels because she is separated from her one true love. "The March Of The Siamese Children" is performed by the 20th Century Fox Orchestra to perfection without a single superfluous note; the melody infuses this number with an Asian flavor as well.
Other gems on this CD--and that would, quite honestly, include every single track--include "Hello, Young Lovers" sung by Marni Nixon as Deborah Kerr's character Anna Leonowens laments a love gone awry back in England; the touching and heartrending "We Kiss In A Shadow;" Terry Saunders as Lady Thiang performing "Something Wonderful" with exceptional sensitivity and "Shall We Dance?" which is performed by Deborah Kerr, Marni Nixon and Yul Brynner. As you listen to numbers like "Shall We Dance?" that calls for Anna, played by Deborah Kerr, to speak and then sing, you will have a hard time discerning where Deborah Kerr leaves off speaking and Marni Nixon starts singing. It's THAT good.
As long as I include the words "Something Wonderful" when writing this review I must add that the extras you get are stupendous. As I stated above, the CD boasts much that the record album soundtrack never included. Indeed, we get music that didn't even make it to the final cut of the movie! I loved the beautiful and sensitive rendition of "The Small House Of Uncle Thomas" which was previously unreleased and "Shall I Tell You What I Think Of You" is a marvelous song--cut from the final edited edition of the film--that highlights Anna's contempt for the King's backward ways.
The CD package offers more still. Along with the CD comes a generous 32 page booklet with an extensive essay by Charles L. Granata that tells the history of both the stage play and the making of the stage play into a major motion picture at Fox. In addition, you get the song credits and there are rarely seen photographs as well.
The quality of the sound shines like solid gold. These performances reflect great sensitivity to the emotions each character felt. It is a special treat to listen to Yul Brynner's songs; he infuses each song and even every word with just the right emotions so that the listener experiences exactly what his character feels at every turn.
This CD is one of the very few that truly remind me of the old MGM logo which boasted of having "more stars than there are in the heavens." Indeed, five stars are nowhere near enough for this treasure. I highly recommend this CD for people who truly loved and appreciated The King And I both in its several onstage productions as well as on the big screen; and fans of show tunes will delight in this CD soundtrack with its' diamonds scattered broadly in all directions.
A fine King and I soundtrack reissue.......2007-02-10
Of the three recent EMI-Angel R&H film soundtrack reissues, I find that this reissue of the King & I soundtrack is the best-executed. The King and I shows a new maturing of the R&H element and this superb 1956 film adaptation more than certainly does it justice. The superb soundtrack presented here includes the complete score, along with some of Alfred Newman's underscoring, and boasts splendid performances by Marni Nixon and Yul Brynner. And of course the orchestra is sumptuous and properly lush, enveloping us in sweltering renditions of some of Rodgers' most heartfelt melodies.
I won't reiterate the critic-proof performances here. Other reviewers have covered them elsewhere. Nixon as a voice-dubber is in her element as Anna, and portrays her characterfully. Brynner is in his element as the King, as firm, commanding and authoritative as we've always known him to be. This performance shows him at his best, ripe, fresh and mature. Leona Gordon and Reuben Fuentes shine as the star-crossed lovers Tuptim and Lun Tha, bringing a melancholic quality to their brief numbers. It's really a treat to hear their renditions of the omitted songs My Lord and Master and I Have Dreamed. Rita Moreno as the real Tuptim acquits herself well when narrating the Uncle Tom's Cabin ballet sequence, presented for the first time on an official soundtrack recording. It's good to also hear Terry Saunders as Lady Thiang, in a heartfelt, humane and imploring rendition of Something Wonderful, and she is the icing on the cake of this superb soundtrack recording.
This EMI-Angel R&H soundtrack offers an extra benefit in addition to the extra musical sequences. Unlike the companion CDs of Oklahoma and Carousel, it presents the extra material from the original unmixed studio vault masters, except for the Prayer to Buddha and the Uncle Tom's Cabin ballet. This means that this reissue is blessedly free of the extraneous sound effects that plague the Oklahoma and Carousel CDs. I know that the sound effects and little snippets of dialogue drown out the music, but at least these reissues are a start in presenting comprehensive R&H soundtracks worthy of their films. What a pity that none of these R&H soundtrack reissues aren't 2-CD sets, otherwise we would have been able to hear the underscore.
In short, this is a superb presentation of a fine R&H film soundtrack.
great album.......2006-07-15
Great songs for kids to learn to sing along, instead of bubble gum fluff.
a classic.......2006-06-05
A true musical theater classic. Wonderful melodies that will last for years to come.
Other classics not to forget about are:
Mary Poppins
My Fair Lady
The Wizard of Oz
Chitty Chitty Bang Band
The first Charlie and the Chocolate Factory
The Sound of Music
Oliver
West Side Story
Fiddler on the Roof
Singing in the Rain
The Wiz
Little Mermaid
Aladdin
Beauty and the Beast
Grease
The King and I
Oklahoma
The Music Man
South Pacific
My Voice Students are always asking me for recommendations so I though I'd post it for all! We can't forget about these great musicals!
Average customer rating:
- Disney's greatest hits, volum 3
- Timeless Disney Music
- Disney songs are the best
- Great Disney Music
- Not as good as Vol 1 and Vol 2
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Disney's Greatest 3
Various Artists
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006EXKT
Release Date: 2002-08-20 |
Amazon.com
Cynical types will accuse Disney of milking the "greatest" concept until it's drier than Tinkerbell's fairy dust ("Supercalafragilisticexpealidocious," "Zip-a-Dee-Doo-Da," and "Heigh Ho" were hits off of Vol. 1; "Bare Necessities," "It's a Small World," and "Some Day My Prince Will Come" stole the show on Vol. 2), but a glimpse of this installment's track listing is all it'll take to squash their suspicions. Once again running reverse-chronologically, Vol. 3 opens with Jonatha Brooke's gorgeously achy ballad "I'll Try," from 2002's arguably not-so-great Return to Neverland, and gradually reaches back through the years to re-raise the curtain on Toy Story 2 ("When She Loved Me," performed by Sarah McLachlan), The Lion King ("Can You Feel the Love Tonight"), Mary Poppins (Julie Andrews's classic "A Spoonful of Sugar"), Pinocchio ("Give a Little Whistle"), and a bundle of treasured others, bottoming out at 1933's "Who's Afraid of the Big Bad Wolf" from The Three Little Pigs. Vol. 3 is not without its weak moments--would a G-rated movie-goers' poll produce Beauty and the Beast's "Gaston" or The Hunchback of Notre Dame's "Topsy Turvy" on a hits list? Seems unlikely. Still, the bulk of these tracks are, as the included Little Mermaid song goes, "Part of Your World," and the spread of decades they represent proves their staying power. Don't expect Disney to latch the lid on its inexhaustible archives until a dozen or so of these records, each as strong as the next, beckon you back for more. --Tammy La Gorce
Customer Reviews:
Disney's greatest hits, volum 3.......2007-05-13
This is one of the better volums for kids and for those who are
above 18 but still have some kid in them
Timeless Disney Music.......2007-05-07
Nothing brings sweet recollection of Disney movies like hearing the wonderful songs. In an age where there so much music with no redeeming qualities, these Disney CDs are priceless. Wonderful for the entire family to listen to around the house or in the car while traveling. We can't help but sing along. We love that these are the original tracks from the movies! Wonderful! We now have all three volumes.
Disney songs are the best.......2006-03-18
I love the songs on this volume. I'll Try by Jonatha Brooke is such an amzing somg. I especially bought this CD fort that song but, was pleasantly surprsed by the rest of the playlist.
Great Disney Music.......2006-02-21
I have bought the first 2 volumes of Disney's Greatest Hits and the 3rd volume doesn't disapoint. My 2 young children love to listen to this CD and talk about the movies that they come from. A definate must have!
Not as good as Vol 1 and Vol 2.......2005-09-11
This Disney CD represents the "leftovers" that didn't make it on Vol 1 and Vol 2 of this series. Although it has some of my favorites, I don't listen to the entire CD often. Disney could have done a better job of editing the which sound files should make the cut on this one. Still, it's nice to have all 3 CDs.
Average customer rating:
- Amazing and beautiful
- Another Bela Fleck Masterpiece!
- Definitely a Winner
- Soul Food
- AN AMAZING WORK ! ! !
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Perpetual Motion
Bela Fleck , Edgar Meyer , Evelyn Glennie , Joshua Bell , Gary Hoffman , John [guitar] Williams , Domenico Scarlatti , Johann Sebastian Bach , Claude Debussy , Fryderyk Chopin , Pyotr Il'yich Tchaikovsky , Johannes Brahms , Niccolo Paganini , and Ludwig van Beethoven
Manufacturer: Sony
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Similar Items:
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ASIN: B00005OSX6
Release Date: 2001-10-02 |
Tracks:
- Scarlatti: Keyboard Sonata in C Major K. 159
- Bach: Two-Part Invention No. 13
- Debussy: "Doctor Gradus ad Parnassum" from Children's Corner
- Chopin: Mazurka in F-sharp Minor
- Bach: "Prelude" from Partita No. 3 for Solo Violin
- Chopin: Etude in C-sharp Minor
- Chopin: Mazurka in F-sharp Minor
- Bach: Three-Part Invention No. 10
- Tchaikovsky: Melody in E-flat
- Brahms: "Presto in G-Minor I after Bach"
- Bach: "Prelude" from Suite for Unaccompanied Cello 1
- Bach: Three-Part Invention No. 15
- Paganini: Moto Perpetuo
- Scarlatti: Keyboard Sonata in D Minor K. 213
- Bach: Two-Part Invention No. 6
- Beethoven: "Adagio sostenuto" from "Moonlight" Sonata
- Bach: Two-Part Invention No. 11
- Beethoven: Seven Variations on "God Save The King"
- Bach: Three-Part Invention No. 7
- Paganini: Moto Perpetuo (Bluegrass version)
Amazon.com
Bela Fleck is one of the greatest five-string banjo players performing today. Beginning in the 1970s, he honed his lightning-fast chops performing bluegrass, then moved on to contemporary jazz and fusion sounds. With this album, he broadens his horizons once again by performing an entire program of classical music transcriptions. Reminiscent of classical guitar albums by John Williams (who makes a guest appearance here), the disc traverses a wide range of repertoire--from Chopin mazurkas to Bach's Two and Three Part Inventions. Throughout, Fleck displays a feathery touch on his banjo, and his instrument offers a pleasant, brassy tone with very little twang. The technique he displays on Perpetual Motion is astounding and a refreshing change of pace from the smooth grooves found on the banjoist's Flecktones recordings. The arrangements are generally minimalist and understated, but violinist Joshua Bell, bassist Edgar Meyer, mandolinist Chris Thile, and percussionist Evelyn Glennie join in on this groundbreaking disc. Bluegrass purists may be disappointed (this is a far cry from the free-spirited, folksy abandon found on Sony's Short Trip Home and Appalachian Journey CDs), but classical fans will be astounded by how perfectly natural Fleck's banjo sounds on these works. --Jason Verlinde
Customer Reviews:
Amazing and beautiful.......2007-01-02
Fleck's 2001 disc `Perpetual Motion' is by far his most ambitious foray into virtuosity, performing classical works by Bach, Scarlatti and Chopin.
And he does it without really showing off. He only tackles mazurkas, fugues and Bach classical inventions on the five-string banjo, a simple instrument for which this music was never conceived.
I once flirted with playing the banjo, and it wasn't an easy task, even trying to play 'Uncle Pen'.
But the man must be possessed to play it like Bela does. Alternating between delicate and complicated, slow to fast, Fleck gets about as much out of the humble banjo as anyone possibly could. He plays it precisely and with a light touch, with respect for the music and his instrument.
Some reviewers think it pretentious of Fleck to attempt a banjo foray into the classical genre. That's bunk. How is virtuosity measured, after all? By playing many genres: classical, bluegrass, pop, jazz, Indian, fusion. And by playing them well.
Fleck wasn't awarded a Grammy for this recording just by looking pretty. He earned it.
Another Bela Fleck Masterpiece!.......2006-09-17
Who knew there could be classical banjo. It may sound dumb to some of you, but Bela Fleck pulls it off perfectly. I prefer the jazz fusion of his work with the Flecktones, but that does not mean this is not brilliant. Technically speaking, Bela and all of his collaborators are the best around, and who can argue with the songwriting of the classical composers(no one openly insults Mozart). If you haven't heard Bela Fleck, here's some advice. Get one of his Flecktones albums if you're into jazz, rock, or funk, this if you like classical, and his Newgrass Revival, Strength in Numbers, or Sam Bush stuff if you're a bluegrass fan.
Definitely a Winner.......2006-07-05
It is apparent to my ears why this CD won a Grammy. It takes familiar classical music pieces and puts the distinct Bela Fleck style on them. The pairing of the banjo with different instruments makes this album texturally interesting for the ear and one does not tire of the selections, even if they are familiar. My favorite pairing is the marimba with the banjo. The liner notes are interesting, as is Bela's story on how difficult it was to make the album. It was definitely worth his time and the listener's .
Soul Food.......2006-01-30
This is exquisite! The best of human experience encoded on a simple CD disk.
AN AMAZING WORK ! ! !.......2005-11-12
I was searching a classical music CD for a long time which is something different.Which consists variety of instruments. Like guitar,violin,banjo,mandolin...for example.Something different and also exiting music.This CD fullfills my wishes. The music like this doesn't come up very often I suppose!
Béla Fleck did a great job by working with people who is masters of their instruments like John Williams etc. This causes the CD to be more joyful.You won't get bored to listen it again and again!
Anyway ,either you are a fan of classical music or not, you won't be dissapointed with this.I guarantee :)
Average customer rating:
- Just for kids?? No way!!
- The best classical album for kids!
- Great for Preschool Children
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Classics for Kids
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Similar Items:
- Classical Music for Children: A Toddler's Introduction to Classical Music
- Children's Favorites
- Bernstein Favorites: Children's Classics
- Pavarotti's Opera Made Easy-My Favourite Opera For Children
- Prokofiev: Peter and the Wolf; Britten: Young Person's Guide to the Orchestra Op34
ASIN: B000003FE3
Release Date: 1993-06-08 |
Tracks:
- The Nutcracker Excerpts (Tchaikovsky)
- The Nutcracker Excerpts (Tchaikovsky)
- The Nutcracker Excerpts (Tchaikovsky)
- Parade of The Wooden Soldiers (Jessel-MacDonald)
- Carnival of The Animals Excerpts (Saint-Saens)
- Carnival of The Animals Excerpts (Saint-Saens)
- Carnival of The Animals Excerpts (Saint-Saens)
- THe Girl With The Flaxen Hair (Debussy)
- Hoedown from Rodeo (Copland)
- Little Waltz from The Toy Box (Debussy)
- Viennese Musical Clock from Hary Janos (Kodaly)
- Mother Goose Suite Excerpts (Ravel)
- Mother Goose Suite Excerpts (Ravel)
- March of the Siamese Children from The King and I (Rogers)
- Dreams frin Scenes From Childhood ( Schumann)
- March of The Toys from Babes In Toyland (Herbert)
- Childhood Games Excerpts (Bizet)
- Childhood Games Excerpts (Bizet)
- The Toy Trumpet Al Hirt, trumpet (Scott)
- The Little Train of Caipira (Villa-Lobos)
- The Sorcerer's Apprentice (Dukas)
- Waltz from The Sleeping Beauty (Tchaikovsky)
- Lullaby (Brahms)
Customer Reviews:
Just for kids?? No way!!.......2005-04-08
This is wonderful classical music. If the kids like it, great! But, make no mistake about it, this is good for anyone. This is wonderful study music, reading music, or just plain relaxing music. Highlights include "Parade of the Wooden Soldiers"; "March of the Toys" (from BABES IN TOYLAND -- the reason I bought this CD); "The Sorcerer's Apprentice"; "The Little Train of Caipira" (no longer little when the music is over); and the audience favorite "Hoedown" (i.e. "Beef, it's what's for dinner!").
If you're into that whole thing of classical music sharpening a youngster's intellect, then this won't disappoint. If you're just into good old fashioned classical music in general, it won't disappoint you either. Also, I highly recommend to both groups the classical CD BUILD YOUR BABY'S BRAIN.
The best classical album for kids!.......2002-12-12
This is a wonderful album. Very high quality, and every selection is beautiful. My daughter (who usually asks me to turn my classical music off) loves to pretend to gallop like a horse during "Rodeo" and march like a soldier during "Parade of the wooden soldiers". This is a pleasure for the whole family!
Great for Preschool Children.......2000-10-12
I use this CD with my preschool music group. The kids love it! This CD enables children learn about classical music without over extending their attention spans.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
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Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Britten: Young Person's Guide to the Orchestra Op34; Simple Symphony Op4
- The Life and Works of Ludwig van Beethoven
- What to Listen for in Music
- Study of Orchestration, Third Edition
- The Life and Works of Frédéric Chopin
ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
|
100 Hymns & Songs of Inspiration
Manufacturer: Castle Music UK
ProductGroup: Music
Binding: Audio CD
All Works by Arne
| Arne, Thomas Augustin
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Similar Items:
- A Heritage of Hymns: Classic Recordings of the Great Songs of Faith and Inspiration
- Abide with Me and other favourite hymns
- Best Loved Hymns
- 101 Classic Piano Hymns
- Praise to the Lord - Hymns From St. Paul's Cathedral
ASIN: B00008GEKT
Release Date: 2003-04-14 |
Tracks:
- Love Divine All Loves Excelling - Choir Of Gloucester Cathedral
- Father Hear the Prayer We Offer - Choir Of Gloucester Cathedral
- Now Thank We All Our God - Choir Of Gloucester Cathedral
- This Day, The First of Days - Choir Of Gloucester Cathedral
- Stars of the Morning So Gloriously Bright - Choir Of Gloucester Cathedral
- God Save the Queen - Choir Of Gloucester Cathedral
- Day of Resurrection - Choir Of Gloucester Cathedral
- God Rest You Merry Gentlemen - Choir Of Gloucester Cathedral
- Of the Father's Heart Begotten - Choir Of Gloucester Cathedral
- O Come All Ye Faithful - Choir Of Gloucester Cathedral
- Awake My Soul and With the Sun - Choir Of Norwich Cathedral
- Thine Arm O Lord in Days of Old - Choir Of Norwich Cathedral
- All People That on Earth Do Dwell - Choir Of Norwich Cathedral
- Good Christian Men Rejoice and Sing - Choir Of Norwich Cathedral
- There Is a Green Hill - Choir Of Norwich Cathedral
- Lord of Beauty - Choir Of Sheffield Cathedral
- Rejoice Today With One Accord - Choir Of Sheffield Cathedral
- New Every Morning - Choir Of Sheffield Cathedral
- Lead Us Heavenly Father Lead Us - Choir Of Sheffield Cathedral
- O God Our Help in Ages Past - Choir Of Sheffield Cathedral
Tracks:
- Morning Has Broken - Choir Of Marlborough College Chapel
- Happy Are They - Choir Of Marlborough College Chapel
- In Christ There Is No East or West - Choir Of Marlborough College Chapel
- Silent Night - Choir Of Marlborough College Chapel
- Be Thou My Guardian - Choir Of Marlborough College Chapel
- Ye Servants of the Lord - Choir Of Marlborough College Chapel
- At the Name of Jesus Every Knee Shall Bow - Choir Of Marlborough College Chapel
- To Thee O Lord Our Hearts We Raise - Choir Of Marlborough College Chapel
- Behold the Great Creator Makes - Choir Of Marlborough College Chapel
- Rejoice the Lord Is King - Choir Of Marlborough College Chapel
- Creator of the Stars of Night - Ely Cathedral Choir
- He Comes With Clouds Descending - Ely Cathedral Choir
- O Little Town of Bethlehem - Ely Cathedral Choir
- Alleluya Alleyluya Alleyluya - Ely Cathedral Choir
- This Is the Day the Lord Hath Made - Ely Cathedral Choir
- How Sweet the Name of Jesus Sounds - Ely Cathedral Choir
- Lord Thy Word Abideth - Ely Cathedral Choir
- Jesus Lord We Look to Thee - Ely Cathedral Choir
- O Lord Our God Arise - Ely Cathedral Choir
- Lord of All Hopefulness - Ely Cathedral Choir
Tracks:
- Soldiers of Christ Arise - Choir Of Wakefield Cathedral
- Lift Up Your Hearts - Choir Of Wakefield Cathedral
- Holy Father, Cheer Our Way - Choir Of Wakefield Cathedral
- Maker of the Sun - Choir Of Wakefield Cathedral
- O King Most High - Choir Of Wakefield Cathedral
- O Praise Our Great and Glorious Lord - Choir Of Wakefield Cathedral
- Forgive Our Sins as We Forgive - Choir Of Wakefield Cathedral
- We Love the Place O God - Choir Of Wakefield Cathedral
- Let Us With a Gladsome Mind - Choir Of Wakefield Cathedral
- Give Rest O Christ - Choir Of Wakefield Cathedral
- Come Holy Ghost Our Hearts Inspire - Choir Of Truro Cathedral
- O Thou in All Thy Might So Far - Choir Of Truro Cathedral
- O Christ, Who Art the Light and Day - Choir Of Truro Cathedral
- O God Thy Soldiers' Crown and Guard - Choir Of Truro Cathedral
- Strife Is O'er the Battle Done - Choir Of Truro Cathedral
- O Christ Our Hope, Our Hearts' Desire - Choir Of Truro Cathedral
- Jesus Shall Reign - Choir Of Truro Cathedral
- God of Love My Shepherd Is - Choir Of Truro Cathedral
- O Jesu Saviour of Mankind - Choir Of Truro Cathedral
- Immortal Invisible God Only Wise - Choir Of Truro Cathedral
Tracks:
- Ride on Ride on in Majesty - Choir Of All Saints - Margaret Street, London
- All Glory Laud and Honour - Choir Of All Saints - Margaret Street, London
- Come Rejoicing - Choir Of All Saints - Margaret Street, London
- God Is Love and Where True Love Is - Choir Of All Saints - Margaret Street, London
- Magnificat: The Great Advent Antiphons - Choir Of All Saints - Margaret Street, London
- Come, Christ's Beloved - Choir Of All Saints - Margaret Street, London
- Children of the Hebrews (Palm Procession) - Choir Of All Saints - Margaret Street, London
- Veneration of the Cross/The Reproaches (Veneratum and Reproaches) - Choir Of All Saints - Margaret Street, London
- Once in Royal David's City - Choir Of Keble College
- God Be in My Head - Choir Of Keble College
- O Thou Who Camest from Above - Choir Of Keble College
- Judge Eternal Throned in Splendour - Choir Of St Edmunsbury Cathedral
- Christ the Lord Is Risen Again - Choir Of St Edmunsbury Cathedral
- For All the Saints - Choir Of St Edmunsbury Cathedral
- Thy Hand O God Has Guided - Choir Of St Edmunsbury Cathedral
- Christ the Dawn of Our Salvation - Choir Of Eastbourne College Chapel
- I Was Glad - Choir Of Eastbourne College Chapel
- Dear Lord and Father of Mankind - Choir Of Eastbourne College Chapel
- Locus Iste - Choir Of Eastbourne College Chapel
- Praise My Soul the King of Heaven - Choir Of Eastbourne College Chapel
Tracks:
- Stand Up! Stand Up for Jesus! - The Choir of the Abbey School, Tewkesbury
- While Shepherds Watched Their Flocks - The Choir of the Abbey School, Tewkesbury
- O Worship the King - The Choir of the Abbey School, Tewkesbury
- O Heavenly Word of God on High - Choir Of The Collegiate Church Of St Mary
- Praise to the Lord, The Almighty - Choir Of The Collegiate Church Of St Mary
- Jesus Christ Is Risen Today - The Choir of York Minister
- First Nowell - The Choir of York Minister
- Abide with Me - The Choir of York Minister
- Breathe on Me Breath of God - Choir Of Keble College
- Rock of Ages - Choir Of Keble College
- On This Day, The First of Days - Choir Of Keble College
- Jesu Sweet and Mary - Choir Of Eastbourne College Chapel
- O Quam Gloriosum - Choir Of Eastbourne College Chapel
- Ye Holy Angels Bright - Choir Of Eastbourne College Chapel
- O for a Closer Walk With God - Choir Of Eastbourne College Chapel
- Prayer of St Patrick - Choir Of Eastbourne College Chapel
- Lord's Prayer - Choir Of Eastbourne College Chapel
- Blessed Be the God and Father - Choir Of Eastbourne College Chapel
- Day Thou Gavest Lord Is Ended - Choir Of Eastbourne College Chapel
- Jerusalem (And Did Those Feet in Ancient Times) - Choir Of Eastbourne College Chapel
Album Description
Full Title - 100 Hymns & Songs Of Inspiration. UK box-set featuring 100 tracks performed by Britain's finest Cathedral Choirs including, Gloucester Cathedral, Norwich Cathedral, Sheffield Cathedral, & many more. Five standard jewel cases housed in a slipbox. Castle Pulse. 2003.
Customer Reviews:
The picture.......2006-12-11
I haven't purchased the CD but the picture of the inside of a church on the cover is not of a British church, like one would assume since it says its a recording of British choirs. This picture is of Notre Dame Basilica in Montreal, Quebec, Canada. Just thought i'd let you know. I'll be honest; I'm one to judge things by it's cover and if the company took such care to choose a 'British' church for their British choir CD, I'm willing to bet the music is equally well selected... I'm being sarcastic. But I gave the product 5 stars because I didn't want to hurt its ratings just because i'm cynical. But check out the church if you're ever in Montreal, it's truly beautiful... here I'm not being sarcastic.
Average customer rating:
- Adiemus IV
- whaaaaaat?????
- Good...Although two of the Songs are on my Ipod...
- New Age with an eclectic blend of styles from across the musical map!
- Unimaginative
|
Adiemus IV: The Eternal Knot
Manufacturer: Higher Octave
ProductGroup: Music
Binding: Audio CD
Film Scores
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Similar Items:
- Adiemus III: Dances of Time
- Adiemus II: Cantata Mundi
- Songs of Sanctuary
- Vocalise
- The Journey: The Best of Adiemus
ASIN: B00004WC6I
Release Date: 2001-01-23 |
Tracks:
- Cu Chullain
- The Eternal Knot
- Palace Of The Crystal Bridge
- The Wooing Of Etain
- King Of The Sacred Grove
- Saint Declan's Drone
- Salm O 'Dewi Sant'
- Connla's Well
- The Dagda
- Children Of Dannu
- Ceridwen's Curse
- Hermit Of The Sea Rock
- Isle Of The Mystic Lake
- Math Was A Wizard
Amazon.com
When British composer Karl Jenkins launched Adiemus with the Songs of Sanctuary album in 1995, it was a fresh and exhilarating take on global music. Jenkins used choral vocals similar to Enya's, but spiked with a language of the imagination (merging African and Latin phonemes) and stoked by Jenkins's pastoral arrangements. Never wholly original--Lisa Gerrard and Elizabeth Fraser had already worked out fantasy vocal designs and the 1960s African mass "Missa Luba" effected a similar choral/African/Latin sound--Adiemus nevertheless found a new take on English composers' penchant for choirs. However, after six years and four albums mining this vein, Jenkins's sound rings more hollow with each recording.
The Eternal Knot is drawn from Jenkins's soundtrack to a BBC documentary called The Celts. You might recall that Enya also evolved her sound in the late 1980s doing a soundtrack for another documentary called The Celts. Taking his titles from the Celtic legends that populate the documentary, Jenkins orchestrates cinematic landscapes full of swelling crescendos and dynamic cadences. Less oppressive than the heavily orchestrated Adiemus II, The Eternal Knot still wears thin. He casts Miriam Stockley's voice into a boys-choir register, turning her staccato phonemes into incessant prattle. But when she's in her warmer middle range, her layered voice is enveloping. Despite the theme of the album, Celtic music is only used as an occasional touchstone, with uilleann piper Davy Spillane, a few bodhran-style percussion grooves, and harpist Catrin Finch providing some relief from Jenkins's string-laden classical pretensions. --John Diliberto
Customer Reviews:
Adiemus IV.......2007-05-07
This is another celtic cd which stirs the blood to your core. It has great melodies and wonderful arrangements to compliment the vocals. I will look forward to purchasing more of Adiemus in the future.
whaaaaaat?????.......2007-01-06
that was the first thing that popped into my head when i heard this album. i loved `songs of sanctuary' and was heartily disappointed not to also love this album. while it is obvious that the music is celtic-inspired, it is *only* the music that is so. the vocals seem to float along on their own with no relevance to the instrumentals beneath them. the language, which is the same play-language as `sanctuary', is blatantly out of place here. while with `sanctuary', despite the make-believe quality of the words, the quality of the vocal sound was instantly recognizable as south african. but those nasal tones and front-of-the-mask, brassy notes don't translate well to a celtic sound. (in fact, the whole album sounds like a clash of two cultures. as if a south african choir accidentally got routed to the shannon airport and collided with the chieftans.) on the whole, a disappointing album. if you want celtic music, buy a putumayo collection or *anything* by narada, clannad, celtic woman, etc. don't buy this album.
Good...Although two of the Songs are on my Ipod..........2006-01-24
My favorite songs are "Cu Chullain" and "Math was a Wizard". Cu Chullain is a good song for a ballet performance.
By the way, I own these two songs on my Ipod!
Meghan :)
New Age with an eclectic blend of styles from across the musical map!.......2005-11-23
Some earlier reviewers would suggest that this isn't up to the standards that Karl Jenkins achieved in some of his earlier output. I couldn't respond to that because this is the first Adiemus recording I've ever heard and, frankly, I loved every second of it. I'm thrilled that other listeners think the earlier recordings are better because I've now got something to really look forward to.
For me this recording evinced a blend of emotional responses - quiet contemplation, relaxation, toe-tapping, a satisfied smile, that whole body moving response to a driving rhythm and a joyful sense of participation in an all-encompassing musical experience. The recording is an eclectic blend of styles that cover an enormous range - Celtic rhythms and fiddling tunes in the style of River Dance; hard rock and steady beats that took a page out of Enigma's play book; a beautifully blended chorus of female voices that might well have included Enya, Diane Arkenstone and Loreena McKennitt; orchestral backgrounds that ranged from lush full orchestral accompaniment to pizzicato violin arpeggios that would have done Tchaikovsky proud in The Nutcracker; simple but effective, pleasing blues style acoustic guitar; full-bodied high speed choral sections that might have been penned by Karl Orff as part of the unforgettable Carmina Burana; and, a very effective seven beat piece that reminded me of the rhythms of Dave Brubeck's Unsquare Square Dance or Moe Kaufman's Swingin' Shepherd Blues!
Well, to each their own I suppose. It's certainly possible that this CD suffered by comparison to the quality of his other works but as a first time listener, I've got nothing but praise for it!
Paul Weiss
Unimaginative.......2004-06-14
Unlike 'Songs of Sanctuary', this album lacks imagination and invention. It comes across as somewhat monotonous and overly 'camp'.
Cu Chulain is a reasonable start but even there the urgent contribution by the violins comes too early, and by the end of the 'song', the concept becomes tiresome. The title track seems to be depicting something monumental in its climatic outbursts but if so, the effect is more visual (the documentary itself) than aural. It's odd how there is apparently no language used here yet 'Palace of the Crystal Bridge' manages to sound like some clueless surfer-girl taking herself way too seriously.
'The Wooing of Etain' is a beautiful instrumental and one of the very few pieces on the album that is thought-provoking, as is 'King of the Sacred Grove' (which is mellow and sounds suitably regal)....this is more of what I've come to expect/appreciate in Jenkins. Even so, he could have done more to build a climax towards the end of this, the third longest piece on the album.
'Songs' such as 'The Dagda' would be interesting diversions/fillers for the album if it wasn't for the synthesized, mass-product result of the album overall. Less 'ethnic-sounding' and more towards 'tacky' (e.g., the duo separated by 1 octave sung in unison at the end of 'Hermit of the Sea Rock'), this isn't as moving an experience as some would laud it to be.
Average customer rating:
- Flashy, Fun, and Flamboyant
- stunning musical review
- Nice and lively!
- Sounds even better than when I first heard it
- A staple
|
Screamers (Circus Marches)
Manufacturer: Philips
ProductGroup: Music
Binding: Audio CD
Rodgers, Richard
| ( R )
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Similar Items:
- Fennell Conducts Sousa
- Fennell Conducts Hands Across the Sea
- Under the Big Top: 100 Years of Circus Music
- The Grand Old Circus Band
- Circus Music from the Big Top
ASIN: B0000057L1
Release Date: 1991-02-08 |
Tracks:
- In Storm And Sunshine
- Whip And Spur
- Invictus
- The Big Cage
- Bones Trombone
- Them Basses
- The Circus Bee
- The Screamer
- Thunder And Blazes
- Robinson's Grand Entree
- Circus Days
- Bombasto
- The Squealer
- Rolling Thunder
- Bennett's Triumphal
- Bravura
- Bugles And Drum
- Illinois March
- Children's March
- The Interlochen Bowl
- Onward-Upward
- Boy Scouts Of America
- Americans We
- Officer Of The Day
- March
- Second Regiment, Connecticut National Guard March
- The Mad Major
- Guadalcanal March From
Customer Reviews:
Flashy, Fun, and Flamboyant.......2007-05-31
The Circus March is unfortunately a style of music that is often ignored, yet can be one of the most difficult things to play. Musicians almost have to have a feel for it to achieve the desired effect. Each march contained herein captures both excitement, showmanship, and even a certain degree of comedy that is associated with this style. Listening to these brings back a by-gone era of bearded ladies, roller coasters, and kettle corn. If you play this regularly, you may even begin to smell the peanuts roasting....
stunning musical review.......2005-09-27
This is music I have not heard, or played, for years. Most impressive musicianship. And the tempos are unbelievable! For this size group, it is amazing--and nothing less would be expected.
I am a retired music teacher, and this brought me back to the times when I played in large marching bands, or smaller groups for the local rodeo, as a college student. Great excitement in listening, and being swept away to a time when I had less to worry about.
The music itself has a great affect on me, besides the impressive way in which it is delivered. Great sound. Great precision. Great music that just isn't played or used much anymore. How fun to relive those moments--especially the ones featuring the trombone.
Nice and lively!.......2004-04-28
I was specifically looking for music of the circus and this recording just blew me away. It is clean and well done -- technically speaking. The Eastman Wind Ensemble is spectacular! If you are looking for something that sounds like a circus band, this is NOT it. This is a very professional, high quality recording of some of the best march music ever composed.
Sounds even better than when I first heard it.......2004-03-01
When I first heard the last eleven marches on this recording; I heard them on tape, and I really enjoyed them, this was back in 1988 when I was in the seventh grade. When I moved in the winter of 1988, I lost that tape. I was very sad when I did, and it was not until the summer of 2002 that I saw this recording at amazon; 14 years later still great, and sounds even better on CD than it did on tape. This time was even better, because it has even more marches, in the old tape, it had what on this recording are tracks 17-28. Tracks 1-16 are equally good, this recording is of a great sentimental value for me...I hope you enjoy as much as I have 14 years later....
A staple.......2003-06-14
A great collection of marches not by Sousa conducting by none other than Fennell. You can't go wrong having this in your band CD collection.
Average customer rating:
- Not much of a Disney Princess CD!
- The Real Reason to Get This CD
- Another Repackaging Of Princess Favorites
- Whose Princess Favorites???
- Save your money!
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Princess Favorites
Various Artists
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Disney's Princess Collection: The Music of Hopes, Dreams and Happy Endings
- Disney's Princess Sing-Along Album
- Princess Lullaby Album
- Disney Princess Tea Party
- Disney's Princess Christmas Album
ASIN: B00005Y1ZG
Release Date: 2002-02-05 |
Tracks:
- I Won't Say (I'm In Love)
- Belle
- Can You Feel The Love Tonight
- If I Can't Love Her
- Reflection
- Out Of Thin Air
- Kiss The Girl
- Once Upon A Dream
- Follow Your Heart
- The World Is Looking Up To You
- It's What's Inside That Counts
- Put It Together (Bibbidi Bobbidi Boo)
Customer Reviews:
Not much of a Disney Princess CD!.......2006-05-04
Well, Disney has done this again... How can this thing earn money?
Only "Kiss the Girl" "Reflection" and "Once Upon a Dream" are favorites. It was so strange that "Can You Feel the Love Tonight" which was from "The Lion King" was in this album. This was not from a Disney Princess Movie! And why the song from "Aladdin & the King of Thieves" can be recorded in a Disney Princess album?
I love Disney Princess very much, and I love listening to the wonderful and sweet voices of the Princesses, for example, Ariel, Belle and Pocahontas, even Mulan. Well, where are the songs of the Princesses? And I don't like the songs from "Cinderella-2: Dreams Come True", I think they wouldn't be so terrible if there were no classic Princess songs as reference substance!
This album is really unworthy. It was neither fit for adults nor children, even a Disney fan won't love this. This album might make Disney fans and your kid disappointed, even angry. We want to listen to REAL Disney Princess songs! What we want is not this confusing album. I hope that there won't be any Disney Favoties albums like this. It's really disappointing. I have to say this even though it's not nice: If you buy this, you might be taken in by this. Save your money to buy other better off Disney albums!
The Real Reason to Get This CD.......2005-12-31
I'm going to say it right now --- this CD is good. It's very good. If you're looking for true "Disney princess" tracks and you don't consider Cinderella II, Aladdin and the King of Thieves or Mulan/Lion King to count, then stop now. But it seems like most people are basing their opinions on the sorts of songs they expected from the CD, rather than what's actually on it.
The CD begins with "I Won't Say (I'm in Love)" by Meg(ara) from Disney's "Hercules." This is one of my favorite Disney movies and this is an excellent track. Meg tries to deny her feelings for Hercules, before finally sort of admitting that she is in love.
Next is "Belle" from "Beauty and the Beast." A wonderful tune of dreams and romance that was nominated for an Academy Award.
Who doesn't enjoy "Can You Feel the Love Tonight?" Featuring funny bits by Timon and Pumbaa, excellent harmonies and singing by both Simba and Nala.
"If I Can't Love Her" is from the stage show of "Beauty and the Beast." It's my least favorite track on the CD, but it's still fairly decent and interesting to hear for those who haven't seen this stage show.
"Reflection" is from "Mulan" and I consider it to be possibly be the best track from that movie. Is Mulan is a Disney princess? Well, you can debate that all you want --- I suppose at this point, she's royalty, so I guess she counts.
"Out of Thin Air" is my favorite song "Aladdin and the King of Thieves." Aladdin and Jasmine sing about what it would be like for Aladdin to finally find his father. Jasmine tells Aladdin that he doesn't just come out of thin air. The music on this recalls "A Whole New World" for me.
"Kiss the Girl" is from "The Little Mermaid." It's not my favorite song from that movie --- I would have preferred "Part of Your World." But it'll do all right. And it can't be said that Ariel isn't a Disney princess --- after all, she does marry Prince Eric.
"Once Upon a Dream" is a classic! It's from "Sleeping Beauty." Sure, the little kiddies today may not entirely appreciate this, but I think it's wonderful that they would include a classic like this.
Now, part of the reason for this CD's release was to have a place for the music from the Disney "Cindrella" sequel "Cindrella II." Yes, this is a direct-to-DVD release, but it's a good one. This CD is the only place to find these excellent songs, all performed by Brooke Allison. They also all (except the last one) follow a theme of "being yourself:"
"Follow Your Heart" is about a time when Cinderella was assigned to the preparations for the royal ball. She was given all sorts of instructions, such as not opening the curtains and not inviting commoners in. Finally, she decided to just do things her own way. A lively, upbeat, positive theme.
"The World Is Looking Up To" is about the mouse Jaq and when he decides to become human. Another fun track about being yourself.
"It's What's Inside That Counts" comes from when Cinderella's stepsister Anastasia fell in love. She thought she'd get all dolled up, but learned that she can be loved just for being her.
Finally, "Put It Together" is a wonderfully fun techno remix of the classic "Bibbidi Bobbidi Boo." I was surprised this works, but it does, splendidly.
So if you're looking for a Disney CD with great music and are willing to look past any preconceived ideas, then snap this CD up.
Another Repackaging Of Princess Favorites.......2004-04-21
When is Disney ever going to realize that recycling Disney Princess songs aren't such a good idea? As a Disney Princess fan since I was really little I have always enjoyed Disney princess songs. But i am so so so so sick and tired about on just about every Disney album dedicated solely to the Disney Princesses Disney always always ALWAYS has a habit of recycling old princess songs instead of adding new princess songs. I mean people already own half the songs on Princess Favorites and can buy them on the film soundtracks or the Disney princess collection cd. Why I think this cd was released is that Disney was trying to promote the movie Cinderella II Dreams Come True as the songs from that movie are on this cd. But heck one of the songs Put it Together is also on the SUPERSTAR HITS cd. So while this cd may be a redone version of Princess Collection Volume #2 please Please Please PLEASE do not buy,
Thank you very much for your time
Whose Princess Favorites???.......2003-10-15
I would classify only 3 of the songs on this CD as Princess Favorites - Belle, Kiss The Girl and Once Upon A Dream. The rest are either not Princess songs or not favorites.
My daughter is a huge Disney Princess fan, and wants to hear the songs from the Princess movies non-stop. She's only 3, but she does know her princesses, and the girl from Hercules and Nala from the Lion King are definitely NOT princesses! This is also the first time that I've seen Mulan grouped with the princesses.
We wanted music from the classic Disney Princess movies that she loves - Cinderella, Snow White, Bea