Solo a El

Track Listings
1. Con Regocijo en Su Presencia    
2. Haznos Uno    
3. Melodías de Amor: Te Amo/Oh Cuánto Amo a Cristo/Te Amo Hoy Mas Que Ayer    
4. Gloria Sea Al Nombre de Dios    
5. Sólo a el (Melodías Variadas)    
6. Me Alegré Al Oirles Decir    
7. Mi Dios Salva    
8. Melodías de Comunión: Oh, la Sangre de Jesus/Lávame en Tu Sangre/Quién    
9. Esperanza Tengo Hoy    
10. Su Nombre Alabaré    
11. Cordero Ya Venció    

Solo a El, Music, El Coro De Brooklyn Tabernacle, Gospel, Latin Music, Pop
Spanish Guitar Music
Average customer rating: 5 out of 5 stars
  • Excellent Introduction to Spanish Classical Guitar Music
  • The guitar is an orchestra in miniature!
  • GUITAR MAJESTY
  • Sweet, sweet music, an essential addition to your collection
  • A True Classic
Spanish Guitar Music

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00005YJ4Q
Release Date: 2002-01-29

Tracks:

  1. Albeniz: Asturias
  2. Albeniz: Tango
  3. Sanz: Canarios
  4. Rodrigo: Fandango
  5. Torroba: Nocturno
  6. Segreras - El Colibri
  7. Albeniz: Sonata in D
  8. De Falla: The Corregidor's Dance
  9. De Falla: Fisherman's Song
  10. De Falla: The Miller's Dance
  11. Torroba: Madronos
  12. La Nit de Nadal
  13. El Noy de la Mare
  14. Granados: Ma Maja de Goya
  15. Abeniz: Cordoba
  16. Tarrega: Recuerdos de la Alhambra
  17. Granados: Spanish Dance No. 5
  18. El Testamen de Amelia
  19. Villa-Lobos: Prelude No. 4 in E Minor
  20. Albeniz: Sevilla
  21. De Falla: Homanaje
  22. Mudarra: Fantasia
  23. Turina: Fandanguillo

Customer Reviews:

5 out of 5 stars Excellent Introduction to Spanish Classical Guitar Music.......2005-09-18

As a sampler, this CD is an excellent introduction both to Spanish classical guitar music and to guitarist John Williams.
The music ranges from Renaissance composers (Sanz, Mudarra) and harmonized folk melodies to standard 20th Century works (Rodrigo, Torroba etc).

John Williams is excellent throughout. The CD is also cheap, and can be used either just for enjoyment, or further to explore other recordings by Williams, the classical guitar repertoire, or other classical guitarists.

As a marketing ploy, it is very effective.

For the collector or classical guitar enthusiast, the chief disadvantages of the CD are duplication of other recordings, and that the way at least some of the works on this CD are listed isn't helpful in telling the listener the set(s) to which these pieces belong and how to find them (e.g. "from ______, Op # "). The font listing the titles and track numbers is small and somewhat hard to read.

However, this CD should attract many listeners and enthusiasts both to the classical guitar, the repertoire, and guitarist John Williams - and I'm all for that.

Over 70 minutes playing time.

Recommended.

5 out of 5 stars The guitar is an orchestra in miniature!.......2005-02-05

This admirable concept belongs to Hector Berlioz and it must not be a surprise the best guitarrists in the story have in common this trademark.

John Williams has always known the delicate equilibrium between the expresiveness and the glamouer. His impresive technique however is not exposed as his prima edonna. He goes directly to the soul of the composer, melts in his spirit and let the music sharp the qith eloquent conviction the composer's demanded atmosphere.

From Granados to Albeniz, from Rodrigo to Agustin Barrios - El indio Mangore -, from Moreno Torroba to Ponce , you will find the warmth, the passion and the Midas touch of this golden guitarrist.

5 out of 5 stars GUITAR MAJESTY.......2004-12-21

John Williams is a true Guitar virtuoso. His repetoire is very extensive and I use his music in my office while I work at my daily office duties. This album is a must for all guitar enthusiasts old or young.

5 out of 5 stars Sweet, sweet music, an essential addition to your collection.......2004-12-07

I originally bought this album three years ago, looking for a good introduction to Spanish guitar music. And this one fits that need perfectly. I still listen to and enjoy it today. I play this for guests at happy hour or dinner for a relaxed atmosphere. At Amazon's current price, this is a great value.

5 out of 5 stars A True Classic.......2004-01-26

This album/cd is extraordinary. All the songs are gorgeous and exciting to listen to. John Williams' interpretation and technique are perfect. After 22 years of listening to it, I still enjoy and appreciate it more every time. I love giving it as a gift.
Frida
Average customer rating: 5 out of 5 stars
  • Revolutionary times
  • Black Dove
  • makes me want to dance
  • Enjoy!
  • FRIDA would be proud
Frida

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

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  1. Frida
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ASIN: B00006LLNV
Release Date: 2002-10-22

Tracks:

  1. Benediction and Dream
  2. The Floating Bed
  3. El Conejo
  4. Paloma Negra
  5. Self-Portrait with Hair Down
  6. Alcoba Azul
  7. Carabina 30/30
  8. Solo Tu
  9. El Gusto
  10. The Journey
  11. El Antifaz
  12. The Suicide of Dorothy Hale
  13. La Cavalera
  14. La Bruja
  15. Portrait of Lude
  16. La Llorona
  17. Estrella Oscura
  18. Still Life
  19. Viva La Vida
  20. The Departure
  21. Coyoacan and Variations
  22. La Llorona
  23. Burning Bed
  24. Burn It Blue

Amazon.com

She was famous as both artist and model, infamous as political revolutionary and social libertine, and Frida Kahlo's controversial life couldn't help but seem the stuff of great musical theater. Her story is brought to the screen by director Julie Taymor, whose musical compatriot here is also her husband; Elliot Goldenthal, student of both Copland and Corigliani, shrewdly sublimates his modernism in service of the rich, evocative music and songs of Mexico and Central America. Utilizing performers that range from the contemporary (Lila Downs) to the folk-classic (Costa Rican legend Chavela Vargas; Brazilian star Caetano Veloso) and traditional (Los Cojolites, El Poder Del Norte, Trio Huasteca, Caimanes de Tanquin, and others), Goldenthal generously displays the true breadth of Mexican folk music, while seamlessly infusing it with the minimalist corners of his own underscore and some winning songwriting of his own. The result is one of 2002's most compelling soundtracks. The enhanced CD features include musical film excerpts, as well as a video conversation between Goldenthal and star Salma Hayek and text interviews with the composer and director Taymor. --Jerry McCulley

Customer Reviews:

5 out of 5 stars Revolutionary times.......2007-05-14

I absolutely love this soundtrack! Everytime I listen to it, I feel as though I am in Mexico during the revolution and Frida's life. Everyone should choose their own life soundtrack and this one allows us to see into Frida's life more clearly.

4 out of 5 stars Black Dove.......2007-05-13

Fell into the movie trying to avoid study and hang out with a jilted housemate. If I'm honest, Salma Hayek was the main draw. Wafer thin.
However, I was enraptured by the story of Frida and the amazing performance (no wonder she was oscar nominated).
I bought the soundtrack the next morning. It really got to me.This is a great soundtrack and, yes, it does help if you have seen the movie but not necessary. I loved the latin passion (highs and lows). Chervala Vargas as Elliot Goldenthal describes in the slieve was once Frida's lover. I loved her Paloma Negra. So powerful.
There is something for everyone in this long soundtrack.
Do as i have: watch the movie and buy the soundtrack. Worth the time and money.

5 out of 5 stars makes me want to dance .......2007-05-07

I really enjoyed the CD, the musical selection is great and it seems very authentic.

5 out of 5 stars Enjoy!.......2006-12-30

I purchased this CD after seeing the movie. The music is enjoyable to listen to and passionate as I would think Frida was. I purchased this CD a second time to give to a female Hispanic artist who identifies with the trials and tribulations of Frida. This artist now paints while listening to this CD. Her artwork not only has improved but has become popular. I defiantly recommend its purchase.

5 out of 5 stars FRIDA would be proud.......2006-10-20

Simply perfection. Each song will move you. I dont really even understand Spanish ( only simple conversational Spanish) and it strums my every emotion. I just LOVE it!
The Best of the Three Tenors
Average customer rating: 4 out of 5 stars
  • Not bad
  • The best from the three greatest...
  • Just Like the Real Thing!
  • Powerful and moving!
  • Great Compilation
The Best of the Three Tenors
Luciano Pavarotti , Placido Domingo , Jose Carerras , Zubin Mehta , and James Levine
Manufacturer: Decca
ProductGroup: Music
Binding: Audio CD

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ASIN: B00004UB8A
Release Date: 2002-06-11

Tracks:

  1. 'O sole mio
  2. Funiculi, funicula
  3. Libiamo ne' lieti calici (Brindisi)
  4. Sous le ciel de Paris
  5. Torero quiero ser
  6. Parlami d'amore, Mariu
  7. Manha de Carnaval
  8. Lolita
  9. Dicitencello vuie
  10. Core 'ngrato
  11. Because
  12. You'll Never Walk Alone
  13. Singin' In The Rain
  14. Maria
  15. Tonight
  16. 'O paese d' 'o sole
  17. Cielito lindo
  18. Ochi tchorniye
  19. Caminito
  20. La Vie en Rose
  21. Mattinata
  22. Wien, Wien, nur du allein
  23. Amapola
  24. Lippen schweigen
  25. Brazil
  26. Sous les ponts de Paris
  27. Torna a Surriento
  28. Nessun dorma
  29. La donna e mobile

Amazon.com

Back in 1990, three of the world's most celebrated tenors--namely, José Carreras, Plácido Domingo, and Luciano Pavarotti--combined forces to create the Three Tenors, now celebrated on a best-of CD. They gave their first concert in Rome. The event was recorded and went on to become one of the best-selling classical titles of all time.

This latest release brings together tracks from that night in Rome (including "Nessun dorma" and a competitive rendition of "O sole mio") with music performed in a 1994 concert in Los Angeles and at the 1998 event in Paris where the Three Tenors sang to an audience of thousands with the Eiffel Tower as their backdrop.

The 22 tracks making up The Best of the Three Tenors range from operatic standards, such as the joyful "Brindisi" from La Traviata, to popular songs like "Singin' in the Rain" and "You'll Never Walk Alone" (from Carousel). There are no solos on this disc; each piece is performed by all three singers. And with plenty of applause and cheering to be heard, not to mention the sense of fun in the singers' voices, the disc captures the atmosphere of these extraordinary musical events. --Rebecca Agnew

Customer Reviews:

4 out of 5 stars Not bad.......2006-03-18

This is a good recording. If you don't like the 3 tenors, then look else where. It's that simple. These are recordings from concerts where they WERE supposed to show off. This ain't opera. If you want opera, go out and attend one.

5 out of 5 stars The best from the three greatest..........2005-08-11

The first thing we must establish here is that this is not meant to be opera. This is three exceptionally talented tenors enjoying themselves and giving tremendous joy to those listening by singing mostly popular "evergreens" and also some operatic arias. The beauty in music lies in the diversity, in my opinion. One can better appreciate one type of music when one knows about the others. And why should we limit ourselves to listen to just one genre in music. It would be the same as having steak for dinner every day for the rest of your life, wouldn't it? So why should we limit three wonderful tenors to only sing operatic arias for the rest of their lives? If so we wouldn't have "Maria", "You'll never walk alone", "Singing in the rain" or any of the evergreens on this recording and that would be a shame.

There are no solos on the cd. I think I've read somewhere that they felt there had been enough "three tenors cd's" and if they were to release yet another one it would be one containing what the audience demands, the three of them joining forces and performing together in the songs.
The result, in my opinion is highly recommendable. The three voices blend perfectly together. I have to admit that I have a personal favourite among the tenors and that I would never buy an entire recording featuring only one of the two others, but I recognize their talents and -as stupid as it may sound- since they are performing together I can also appreciate the other two. (I like them too, but in smaller doses....)Some people have commented on their problems with mastering the english language. If anything, I think it just adds to their charm. By the way, who is perfect??

The songs on this cd is a mixture of beautiful songs, heartwrenching songs, toe-tapping songs and powerful songs. It's wonderful to just listen to the beauty in the three voices. It's fun hearing Pavarotti pushing his "high-note-button" in "O sole mio" and Carreras and Domingo copying his stunt. I have no idea what they're singing about in "Manha de Carnaval", but boy does it sound romantic...... And "Dicitencello vuie" brings tears to my eyes (even if I'm still left in the dark when it comes to understanding the meaning of the words...) In "Because" Carreras takes my breath away when singing "because God made thee mine, I'll cherish thee...through light and darkness, through all time to be, and pray his love may make our love divine...." (What woman wouldn't like to hear those words..??!?) Their rendition of "You'll never walk alone" should satisfy some of the soccer-fans since it's the anthem of a European football-club and "Nessun Dorma" will probably satisfy the rest of the soccer-fans, being the antheme of the 1998 world soccer championship. In short, there should be something for every taste on this cd.

It's a very "versatile" cd. You can play it almost everywhere. You can sing along to it in the car, you can dance around the house to it while doing your chores, you can put your feet up and unwind after a hectic week. Or you can write an Amazon review while listening to it.... (Feel free to add suggestions of your own here.....)

To make a long story short - a very enjoyable cd!

5 out of 5 stars Just Like the Real Thing!.......2005-07-14

A few years ago I was lucky enough to actually see a Three Tenors concert. The experience was amazing. Later I bought this CD. I was so happy when I listened to it because the CD captures the mood of being present at the concert. I like the variety and every time I play it, I am taken back to my personal experience at the concert. Hearing the audiences on the CD really gets you excited about hearing this amazing trio.

5 out of 5 stars Powerful and moving!.......2004-10-21

I got this CD as a gift and it changed my life! I was always a rocker and liked classical music, but never was much into this genre of music. This album changed all of that. Since getting the three tenors I've found a whole new world out there. Thank you guys!

5 out of 5 stars Great Compilation.......2003-07-16

Definitely worth purchasing. It is not an opera CD - it is a concert CD with 3 superb tenor voices that blend together so nicely. A wonderfully entertaining music CD with lots of variety and an opportunity for opera to grow on non-opera lovers. What else can you expect from the BEST. A DVD version would be wonderful.
Beverly Sills
Average customer rating: 4 out of 5 stars
  • Point of Information
  • Estrellita
  • Ugly
  • Carmen
  • Excellent disc
Beverly Sills

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000FCKP
Release Date: 1998-11-24

Tracks:

  1. Parlez-moi d'amour
  2. Ouvre ton coeur
  3. Oh, quand je dors
  4. Waltz From Mireille
  5. Si tu le veux
  6. Les filles de le Cadiz
  7. Les chemins de l'amour
  8. Plaisir d'amour
  9. Villanelle
  10. Goyescas: Interludio
  11. Goyescas: La maja y el ruisenior
  12. Estrellita
  13. La morena de mi copla

Customer Reviews:

5 out of 5 stars Point of Information.......2007-07-06

Folks, please read the recording data! This album does not present merely the "older Sills" of 1975. Tracks 10 to 13 were recorded in February 1961, when Sills was about three months shy of 32 years old. To hear her any younger on disc, you have to go to her splendid recording of *The Ballad of Baby Doe*, released in 1959. (If anyone knows of still earlier recordings, please holler!) So these 1961 tracks alone make the album priceless, especially since it offers vastly better sound than the slightly boomy acoustic of *Baby Doe*.

For me, the initial main attraction here was the Granados, and it was a hallelujah moment when I spotted this CD in the bins almost 10 years ago. While this disc represents the commercial first release of the *Goyescas* selections, they received limited issue around December 1963 on a holiday-bonus LP ("The Sound of Genius 1963") from the Columbia Record Club.

That LP was my introduction to Sills, and it made me fall in love with her voice. It was always a special treat to play her vocal track for those who had no idea it existed and watch their astonishment as Beverly's voice floated through sonic space like the very nightingale she sings about. It is simply some of the loveliest, most haunting singing I've ever heard. To get two additional tracks from the same recordings sessions -- especially "Estrellita" -- was an unexpected blessing.

So get this CD for the last three tracks, if nothing else (track 10 is purely orchestral). They capture Sills at a magical moment. Even if you like nothing else on the disc (and I think you'll like much more), you can claim these three special treasures for a mere pittance. How much more precious are they, now that she has gone on to sing, we pray, in other realms.

5 out of 5 stars Estrellita.......2006-12-07

The incomparable Beverly Sills beautifuly sings here a true bouquet of songs in French and Spanish. A pleasure to the ear.

Estrellita is not a Spanish song as claimed by some commentators, but a Mexican one, whose author is the late Manuel M. Ponce.

1 out of 5 stars Ugly.......2004-05-20

Sills screeching a mezzo-role? She already ruined belcanto with her puny, fake screeching!

5 out of 5 stars Carmen.......2004-04-26

She DID sing Michaela. And it's said that she also did Carmen. But if she did, she was completely miscast. She also did Aida, live-recording of her Aida is...interesting. Anyway, Sills rules in the French rep, esp. as Manon.

5 out of 5 stars Excellent disc.......2004-03-21

This is a fantastic disc and shows Beverly Sills at her interpretive best with zesty, go-for-broke vocalism that is truly wonderful to hear.

Sills DID sing Carmen. She sang it on tour in the 1950s.
The Military Band: Salute to the Services
Average customer rating: 4.5 out of 5 stars
  • Marching along
  • Traditional American marches
  • GREAT MUSIC!
  • Why not ZERO?
  • Great Military Music
The Military Band: Salute to the Services
Francis Saltus Van Boskerek , Robert M. Crawford , John Stafford Smith , John Philip Sousa , American Traditional , Joseph Franz Wagner , Charles A. Zimmerman , and Felix Slatkin
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

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  1. Sousa's Greatest Hits
  2. Stars & Stripes Forever and the Greatest Marches
  3. Music of the U.S. Armed Forces
  4. America's Bugle Calls
  5. God Bless America: Ult Patriotic Album

ASIN: B000006OGX
Release Date: 1998-06-02

Tracks:

  1. Reveille
  2. Salute To The Services: The US Field Artillery March
  3. Salute To The Services: Anchors Aweigh
  4. US Marines On Parade
  5. Salute To The Services: US Air Force Song
  6. Salute To The Services: Semper Paratus
  7. Salute To The Services: The Stars & Stripes Forever
  8. Salute To The Services: Semper Fidelis
  9. Salute To The Services: National Emblem
  10. Salute To The Services: El Capitan
  11. Salute To The Services: Washington Post
  12. Salute To The Services: The Thunderer
  13. Salute To The Services: Under The Double Eagle
  14. Salute To The Services: American Patrol
  15. Salute To The Services: The Star Spangled Banner
  16. Taps

Customer Reviews:

5 out of 5 stars Marching along.......2007-05-12

I am a walker..(up to 15 miles per week) Having made this purchase... I now march along with Sousa and the other greats on this fine album....I heartily recommend it to all....as well as Amazon's timely and fairly priced services...

4 out of 5 stars Traditional American marches.......2007-03-22

These are traditional American marches well played and stirring. The CD and case are of good quality, and the sound is excellent.

5 out of 5 stars GREAT MUSIC!.......2007-03-11

This is an unusual Music CD to a great price.
Something to celebrate July 4 and our nation.
Highly recommended.

1 out of 5 stars Why not ZERO? .......2007-01-27

I would give this one ZERO.....absolutely waste of money. The sound quality is terrible on my Made in Japan SONY / Kenwood / Panasonic CD / MP3 Players. Also, the collection of the noise is not all that impressive, I have seen much better calming peaceful MUSIC. Do not waste money, I think it is rediculous to have a band for military, How about a band for PEACE?

5 out of 5 stars Great Military Music.......2007-01-11

The CD was just what I needed for a special memorial tribute to our service people that have passed on. The recording was clear and bright. The music selections were well performed and TAPS was especially evoking.
Classic Williams: Romance of the Guitar
Average customer rating: 5 out of 5 stars
  • The Aranjuez Adagio is Perfection
  • Classic
  • Classic Williams: Romance of the Guitar
  • The Best One Disc Compilation of the Man That's Out There!
  • Excellent!!
Classic Williams: Romance of the Guitar

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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  1. Essential Guitar: 33 Guitar Masterpieces
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ASIN: B00004T0P4
Release Date: 2000-05-02

Tracks:

  1. Romance
  2. Pavane
  3. Sunburst
  4. Una Limosna Por el Amor de Dios
  5. Asturias
  6. Gymnopedie No. 3
  7. El Condor Pasa
  8. Verano Porteno
  9. Scherzino Mexicano
  10. Berceuse
  11. Natalia
  12. Dance from la Vida Breve
  13. Planxty Madame Maxwell
  14. Epitafios
  15. Prelude from Lute Suite
  16. I. Prelude from Suite for Lute (Guitar) No. 4 in E Major, BXV 1006a - From The Seville Concert
  17. Sonata in E Major, K. 380 (L. 23) - From The Baroque Album
  18. III. Allegro from Trio For Violin, Lute (Guitar) And Basso Continuo In C Major, RV 82 - From John Williams Plays Vivaldi Concertos
  19. II. Adagio From Conceirto de Aranjuez For Guitar And Orchestra

Amazon.com

Guitarist John Williams (no, not John Williams the soundtrack composer) adds to his fine catalog of impeccable recordings with Classic Williams: Romance of the Guitar. But this isn't just a best-of collection (though some of his greatest work is included here) since the disc contains three new recordings. Among the new tracks, Fauré's Pavane is a real stunner, a short but gorgeous piece originally meant for orchestra and choir, where Williams's guitar sounds as though it always belonged there. We get Williams at his most interpretative--his arrangements of Satie's Gymnopedie No. 3 and Piazzolla tango Verano porteno--and his most serene (the "Cavatina" theme from the movie Deer Hunter). Let's face it, some fine classical guitarists can lull their listeners into near comatose states with their instrument; Williams, on the other hand, is just the opposite. His gorgeous tone, inventive arrangements, and interesting repertoire continue to make the classical guitar sound exciting. In short, a great introduction to Williams and a real gem for lovers of classical guitar. --Jason Verlinde

Customer Reviews:

5 out of 5 stars The Aranjuez Adagio is Perfection.......2007-03-01

The second movement adagio of the Aranjuez concert is one of my favourite pieces, a very difficult one to get right. I've listened to well over a dozen variations, the one on this CD, track 19, is an absolute gem. Just by itself is reason enough to own this CD. The only other Aranjuez performance that's even worth mentioning in the same breath is Julian Bream's, track 2 of the CD titled just "Julian Bream", with the Monteverdi orchestra. Both are just stunning performances, as close to perfection as it gets. Julian's is a bit stronger on the guitar than the one here.

5 out of 5 stars Classic.......2007-01-26

Excellent CD for those interested in classical music. All the tracks are great in sound quality!

5 out of 5 stars Classic Williams: Romance of the Guitar.......2007-01-20

Loved the songs....loved the guitar renditions. Would highly recommend!

5 out of 5 stars The Best One Disc Compilation of the Man That's Out There!.......2006-04-19

If you had to call modern classical guitar by another name, it would be John Williams. A student of none other than the brilliant Andres Segovia himself, John has shown over the years to have learnt a great deal from the master and has himself developed simply impeccable technique.

As a guitarist myself who has been struggling all these years with "Cavatina", it always amazes me how effortlessly John makes the tune sound so simple and as if two guitarists are playing, one for the accompanyment and one for the melody and yet it's all him! Not only are the tracks representative of John's great talent but they also represent some of the most famous and challenging pieces to play.

Another great example of this is "Asturias(Leyenda) by Albeniz, a hauntingly beautiful and deceptively simple-sounding piece. We also get pieces that span the centuries from J.S. Bach and Vivaldi to Stanley Myers and York ending with the brilliant second movement of Rodrigo's "Concierto de Aranjuez".

Although the sound quality isn't brilliant as some tracks sound better mastered than others, overall this is a great one disc introduction to John Williams' work and comes highly recommended.

5 out of 5 stars Excellent!!.......2006-03-06

This is a delightful compilation. The music flows effortlessly and leaves the listener wanting more.
Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
Average customer rating: 5 out of 5 stars
  • Excellent recording
  • Highly Recommended!
  • Amazing
  • A gentleman musical agreement!
  • Extreme virtuosity
Christopher Parkening - The Great Recordings ~ By America's Preeminent Guitar Virtuoso
Johann Sebastian Bach , François Couperin , Gabriel Fauré , Isaac Albeniz , Anonymous , Francisco Tarrega (y Eixea) , Silvius Leopold Weiss , Claude Debussy , Maurice Ravel , Wolfgang Amadeus Mozart , Gordon Young , Georg Philipp Telemann , Heitor Villa-Lobos , Manuel de Falla , Manuel Ponce , Enrique Granados , Mario Castelnuovo-Tedesco , Andrew York , Fernando Sor , Gaspar Sanz , Joaquin Rodrigo , and Christopher Parkening
Manufacturer: EMI Classics
ProductGroup: Music
Binding: Audio CD

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ASIN: B000002RTR
Release Date: 1993-09-14

Tracks:

  1. Fugue From Violin Sonata No. 1, BWV 1001 - J S Bach
  2. Estudio brillante
  3. Etude No. 1 In E Minor
  4. Recuerdos de la Alhambra
  5. Leyenda
  6. Romance
  7. Rumores de la Caleta
  8. Capricho Arabe
  9. Cantata 147: Jesu, Joy Of Man's Desiring
  10. Well-Tempered Clavier: Prelude No. 1
  11. Well-Tempered Clavier: Prelude No. 6
  12. Cantata 140: Sleepers Awake
  13. Prelude, Fugue, And Allegro: Allegro
  14. Cantata 208: Sheep May Safely Graze
  15. Les Barricades mysterieuses
  16. Preambulo & Allegro vivo: Preambulo And Allegro vivo
  17. Passacaglia
  18. The Girl With The Flaxen Hair
  19. Gymnopedie No. 1
  20. Empress Of The Pagodas
  21. Afro-Cuban Lullaby

Tracks:

  1. Fourth Lute Suite: Praludium
  2. Fairest Lord Jesus
  3. Praise Ye The Lord, K. 339
  4. Simple Gifts
  5. Hymn Of Christian Joy
  6. Cantata 29: We Thank Thee, Lord
  7. Cantata 156: Arioso
  8. Cantata 99: What God Hath Done
  9. Canon
  10. Dolly Suite: Berceuse
  11. La Vida breve: Spanish Dance No. 1
  12. Terezinha De Jesus
  13. Prelude (In The Baroque Style)
  14. Goyescas: Intermezzo
  15. Prelude & Fugue No. 4 In E: Fugue
  16. Evening Dance
  17. Variations On A Theme Of Mozart
  18. Canarlos
  19. La Maja de Goya
  20. El Noi de la Mare
  21. Concierto de Aranjuez: Adagio - J. Rodrigo

Customer Reviews:

5 out of 5 stars Excellent recording.......2007-05-12

If you are a fan of classical guitar than this is a must own set. I enjoy every moment.

5 out of 5 stars Highly Recommended!.......2006-12-23

I would recommend this CD to anyone who loves music--period! Christopher Parkening is unquestionably one of the greatest classical guitarists of all-time. He embodies personal excellence like no other and is a brilliant artist. This CD is a must-have for any classical enthusiast. My favorite pieces include: Tárrega's "Recuerdos de la Alhambra," "Romance," Bach's "Prelude No. 6," and Rodrigo's "Concierto de Aranjuez." There are other versions of these pieces as well, but I always prefer Parkening's renditions, as they are oh so extraordinary--especially the recording of Aranjuez!! Other guitarists never seem to capture the essence of Rodrigo's musical masterpiece (e.g., Göran Söllescher in "Mad About Guitars"). But Parkening did! And the Royal Philharmonic Orchestra was a perfect accompaniment.

This CD is definitely worth buying. Included is a CD booklet, which illustrates the history of Parkening's illustrious career, interesting tidbits about all 25 recorded pieces, and several photos of his early life to his "breathtaking performance" at Rodrigo's 90th birthday celebration at the Royal Festival Hall in London, 1992.

5 out of 5 stars Amazing.......2006-05-08

I am not going to go into great detail. I am working on a degree in classical guitar and I can say this is something to strive for. His musical interpretation of the peices represented here are some of the best I've heard. His tone,color, and phrasing is incredible.

5 out of 5 stars A gentleman musical agreement! .......2006-03-16

In guitar ` s playing there have been many renowned performers, gifted of exuberant technique. But curiously the Apollonian playing is not by itself strictly enough. The guitar is the instrument which is closer to heart as any other one. It demands from you passion and sentiment. There have been three well known guitarists, one of them from England and the other one from Spain and the third one from Japan whose sensibility was totally absent in their performances.

But fortunately for us, there have been notable interpreters that have been maintained a desired balance and contrast between brain and heart, achieving great distinction and total acknowledgement around the world. I would name seven primordial names along the instrument `s story. First of all: the mythic soloist Andres Segovia, Regino Sainz de la Maza, John Williams, Alirio Diaz, Manuel Berrueco, Siegfried Behrend and Christopher Parkening, among the most representative ones of a great list.

Christopher Parkening `s career has made a brilliant colorist, an impeccable and sensitive interpreter of this well reduced repertoire. His profound artistic conviction and convincing phrasing has been a perpetual motive of constant invitations and presentations around the world.

5 out of 5 stars Extreme virtuosity.......2005-09-25

CP has become my chief inspiration to improve as a classical guitarist. His performances here are, without exception, phenomenal. He makes the most difficult pieces sound effortless. I prefer CP over John Williams because, while Williams is also unquestionably a master, he sounds a bit robotic to me at times. CP, on the other hand, never sacrifices musicality to precision. He sublimely maintains both.
Three Hit Albums from the U.S. Military Bands
Average customer rating: 4 out of 5 stars
  • Bicentennial Military Music
  • Disappointed listener
  • Classic US Service Band Recordings!
Three Hit Albums from the U.S. Military Bands

Manufacturer: Collector's Choice
ProductGroup: Music
Binding: Audio CD

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ASIN: B00020QWXW
Release Date: 2004-09-07

Tracks:

  1. Marines' Hymn (From The Hall Of
  2. Montezuma)
  3. Semper Fidelis
  4. Bugler's Holiday
  5. Commando March
  6. March Of The Women Marines
  7. March Of The Olympians
  8. Stars And Stripes Forever
  9. The Chimes Of Liberty
  10. American Patrol
  11. America The Beautiful
  12. The Star-Spangled Banner
  13. Anchors Aweigh
  14. El Capitan
  15. The Jack Tar Match
  16. U.S. Navy March
  17. Allies On The March (from "Victory At
  18. Sea")
  19. The Thunderer
  20. Washington Post March
  21. National Emblem
  22. The National Cultural Center March
  23. King Cotton March
  24. The Star-Spangled Banner
  25. The U.S. Air Force
  26. American Salute
  27. Boys Of The Old Brigade
  28. Oh, Men Who Fly
  29. Fairest Of The Fair
  30. Seventy-Six Trombones
  31. Liberty Bell
  32. U.S. Air Force Blue
  33. Bullets And Bayonets
  34. Falcons' Victory March
  35. The Star-Spangled Banner

Product Description

Disc 1:
1. Marine's Hymn
2. Semper Fidelis
3. Bugler's Holiday
4. Commando March
5. March of The Women Marines
6. March of the Olympians
7. Stars and Stripes Forever
8. Chimes of Liberty, The
9. American Patrol
10. America the Beautiful
11. Star-Spangled Banner, The
12. Anchors Aweigh
13. El Capitan
14. Jack Tar March, The
15. U.S. Navy March
16. Allies on the March

Disc 2:
1. Thunderer, The
2. Washington Post March
3. National Emblem
4. National Cultural Center March, The
5. King Cotton March
6. Star-Spangled Banner, The
7. U.S. Air Force, The
8. American Salute
9. Boys Of The Old Brigade
10. Oh, Men Who Fly
11. Fairest of the Fair
12. Seventy-Six Trombones
13. Liberty Bell
14. U.S. Air Force Blue
15. Bullets and Bayonets
16. Falcons' Victory March
17. Star-Spangeld Banner, The


Format: CD

Customer Reviews:

5 out of 5 stars Bicentennial Military Music.......2007-03-28

The music from these three US Military Bands was originally released in 1977 as single Long Playing Records to celebrate the Nation's Bicentennial Celebration. It is missing the US ARMY BAND (which I regret) but otherwise the music is GREAT and the Bands are FIRST CLASS as you might expect. Except for the different services renderings of THE NATIONAL ANTHEM, no marches are duplicated. If you enjoy good foot tapping Martial Music...this 2-CD set is worth the price.

2 out of 5 stars Disappointed listener.......2006-05-13

I have been listening to military band music for years, and am rarely disappointed. However, this compendium of music by the U.S. Navy, Army, and Marine bands and associated choral groups is not to my taste. Many of the arrangements are strange, and there is much too much vocal music when what I want to hear is the bands play. I would not have bought this album hhad I known beforehand what I know now.

5 out of 5 stars Classic US Service Band Recordings!.......2005-08-10

Its nice to see these old RCA recordings brought out on CD. These were originally released on LP back in the early 1960s to help finance the Kennedy Center in DC. They were popular recordings then. Unfortunatley only three out of the original four are offered here. Missing is the US Army Band which also recorded as part of this series. The sound qaulity has been left largely as it was, which wes pretty good for early 1960s. The only problem with the original recordings was that they tended to sound poor on the inner tracks of the LP. Fortunately that problem no longer exists on CD. Due to the format there tends to be some repeat material here. How many times do we have to hear the national anthem played by each band! Still, there are some good selections played when these bands were in their prime and larger than they are today. Its good to see recordings being re-issued on US service bands other than Altissimo! which tends to use just in-the-can material from band libraries. Here we have the original stuff played in a manner which is no longer done today. For those seeking vintage recordings of US service bands you can't go wrong here.
Instruments of the Orchestra
Average customer rating: 4.5 out of 5 stars
  • Instruments of the Orchestra - Great Reference Material!
  • Beginner or Expert
  • Very Informative and Enjoyable
  • Frank's view
  • Excellent Intro for Those Not Familiar with the Orchestra
Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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ASIN: B00006O0NT
Release Date: 2002-12-03

Tracks:

  1. Overture To 'Tannhauser'
  2. Domna, Pos Vos Ay Chausida
  3. We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
  4. Hungarian Dance No.7
  5. The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
  6. Violin Concerto In D Major (Adagio)
  7. But For A Long Time It Was Seen As The Instrument Of The Devil.
  8. The Soldier's Tale: Triumphal March Of The Devil
  9. The Manipulative Seductiveness Of The Gypsy Violin.
  10. Csardas Music
  11. The Violin And The Initiation Of Nature
  12. The Four Seasons (Spring, Mvt 1)
  13. Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
  14. The Four Seasons (Summer, Mvt 1)
  15. Like The Devil, The Violin Is A Master Of Disguise.
  16. Old Viennese Dance No.3 'Schon Rosmarin'
  17. The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
  18. Tzigane
  19. Do We Now Have The True Measure Of This Instrument? Not Just Yet.
  20. Caprice No.24
  21. The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
  22. Variations On A Theme Of Frank Bridge (No.7)
  23. Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
  24. Romeo And Juliet: Act IV
  25. Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
  26. The Four Seasons (Winter, Mvt 1)
  27. The Violin Muted
  28. Clair De Lune
  29. The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
  30. Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
  31. The Pizzicato Violin
  32. Pizzicato Polka
  33. In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
  34. Violin Concerto No.2 In G Minor (Slow Mvt)
  35. Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
  36. The Planets (Mars - The Bringer Of War)
  37. The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
  38. Hungarian Dance No.4
  39. Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
  40. The Four Seasons (Autumn, Mvt 1)
  41. Now The Same Technique, But The Sound Might Have Come From Another World.
  42. Bolero
  43. Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
  44. Cadenza To The Violin Concerto By Brahms
  45. Now Compare That With A Real Violin Duet.
  46. Forty-Four Duos (No. 1: Teasing Song)
  47. Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
  48. Forty-Four Duos (No.2: Maypole Dance)
  49. And Now What May Be The Most Beautiful Accompanied Violin Duet In History
  50. Concerto In D Minor For Two Violins (Largo)
  51. The Soul Of The Violin Is In Song; But What About This Weird Passage?
  52. Violin Concerto No.1 In D Major (Mvt 2)
  53. The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
  54. Symphony No.1 'Titan' (Mvt 1, Opening)
  55. Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
  56. The Sleeping Beauty (Act II, No.15: Entr'Acte)
  57. Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
  58. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  59. Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
  60. The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
  61. Also Sprach Zarathustra (Of The Afterworldsmen)
  62. Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
  63. Variations On A Theme Of Frank Bridge (No. 4)
  64. Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
  65. Four Sea Interludes (Dawn) From 'Peter Grimes'
  66. To End This Outing With The Violins, A Charming Little Elfin Dance
  67. Elfenreigen

Tracks:

  1. Introduction To The Viola
  2. Viola Concerto (Mvt 1)
  3. Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
  4. Gayane Suite No.1 (Armen's Solo)
  5. Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
  6. Passacaglia, Op.33b From 'Peter Grimes'
  7. The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
  8. Harold In Italy (Mvt 4)
  9. The Muted Viola: Intimate, Gentle, Poignant In Dvork
  10. Cypresses (No.9)
  11. The Massed Violas Of The Modern Symphony Orchestra In Mahler
  12. Symphony No.4 (Mvt 3)
  13. The 'Period' Viola In Bach
  14. Brandenburg Concerto No.6 (Last Mvt)
  15. The Cello: A Voice Of Unique Nobility
  16. Suite No.1 For Unaccompanied Cello (Prelude)
  17. Brahms And The 'Soul' Of The Cello
  18. Piano Concerto No.2 In B Flat Major (Mvt 3)
  19. Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
  20. Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
  21. In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
  22. Symphony No.3 'Eroica' (Finale)
  23. But The Cello Is Not Condemned To Spend Its Life In The Basement.
  24. Elfentanz, Op.39
  25. Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
  26. The Protecting Veil (Opening)
  27. A Cello With An Identity-Crisis: The Pizzicato Flamencan
  28. Flamenco
  29. Double-Stopping In The Lower Reaches Of The Cello's Range
  30. Solo Suiet For Cello And Piano (Sardana)
  31. It's In The Middle Register That The Cello Really Comes Into Its Own.
  32. Oriental Dance, Op.2 No.2
  33. It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
  34. Symphony No.9 (Finale)
  35. Introduction To The Double-Bass
  36. The Carnival Of The Animals (The Elephant)
  37. But The Double-Bass Can Be Intensely Expressive And Graceful.
  38. Elegy No.1 In D Major
  39. The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
  40. Capriccio Di Bravura
  41. Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
  42. The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
  43. Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds

Tracks:

  1. The Antiquity And Magic Of The Flute
  2. Prelude A L'Apres-Midi D'Un Faune
  3. The Versatility And Agility Of The Flute
  4. Orchestral Suite No.2 In B Minor (Badinerie)
  5. The Flute In Fifteenth-Century Spain
  6. Sa'Dawi
  7. Other Flutes: The Bass And Alto
  8. Chamber Music No.II
  9. The Piccolo - Aptly Named
  10. La Naissance D'Osiris (Mvt 6)
  11. From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
  12. Suite No.1 For Small Orchestra (Valse)
  13. A Variety Of Techniques
  14. Chamber Music No.II
  15. Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
  16. The Nutcracker (Act II, No.2: Scene)
  17. From The Transverse To The Vertical: The Baroque Recorder
  18. Recorded Suite In A Minor (Menuet II)
  19. An Unfamiliar, Early Vision Of The Instrument
  20. Naelden, Naelden
  21. The Bachian Oboe
  22. Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
  23. Introduction To The Cor Anglais Or 'English Born'
  24. Symphony No.9 'From The New World' (Mvt 2)
  25. The Loneliness Of The Cor Anglais
  26. The Swan Of Tuonela
  27. The Cor Anglais Joins The French Horn In Haydn.
  28. Symphony No.22 'The Philosopher' (Opening)
  29. Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
  30. Bolero
  31. The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
  32. Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
  33. As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
  34. Gayane Suite No. 1 (Mvt 5)
  35. The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
  36. The Range Of The Normal Clarinet Parts Goes Quite High...
  37. The Snow Maiden (Scene 5: Melodrama)
  38. ...And Quite Low.
  39. Peter And The Wolf (The Cat)
  40. The Clarinet As Concerto Soloist
  41. Clarinet Concerto In A Major (Rondo)
  42. But That's Not The Instrument Mozart Wrote It For; This Is:
  43. Clarinet Concerto In A Major (Rondo)
  44. Introduction To The Saxophone
  45. Hary Janos Suite (Mvt 4)
  46. The Soprano Saxophone Has Quite A Different Feel To It.
  47. L'Arlesienne Suite No.1 (Minuet)
  48. The Little Sopranino Sax Goes Even Higher.
  49. Bolero
  50. The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
  51. Pictures At An Exhibition (The Old Castle)
  52. The Saxophone Can Be Quite Contagiously Good-Humoured.
  53. Sax-O-Phun
  54. The Puffa-Puffa Image Of The Bassoon
  55. Peter And The Wolf (Grandfather)
  56. The Bachian Bassoon, In Accompanimental Mode
  57. Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
  58. Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
  59. And Ravel, Also In Spanish Mode, Does Likewise.
  60. Bolero
  61. The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
  62. Symphony No.3 (Opening)
  63. The Eerie Bassoon In Its Highest Register
  64. The Rite Of Spring (Opening)
  65. Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
  66. The Firebird Suite (1919, Berceuse)
  67. The Bassoon As Concerto Soloist, Avoiding All Exaggeration
  68. Bassoon Concerto In G Minor (Finale)
  69. The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
  70. Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
  71. The French Horn Under Its Woodwind Hat
  72. Wind Quintet, Op.43 (Last Mvt)
  73. Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
  74. Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
  75. The Horn In Harmonious Blend With Strings In Another Quintet
  76. Horn Quintet, K.407 (Finale)

Tracks:

  1. The Trumpet As Virtuoso Soloist
  2. Brandenburg Concerto No.2 (Last Mvt)
  3. The Special Brillance Of Paired Trumpets
  4. Concerto In C For Two Trumpets, RV537 (Mvt 1)
  5. The Ceremonial Trumpet
  6. Fanfare For The Common Man
  7. Trumpets And Drums - An Incomparable Alliance
  8. Messiah (The Trumpet Shall Sound)
  9. The Versatility Of The Trumpet, From The Most Public To The Most Lonely
  10. Piano Concerto In F (Slow Mvt)
  11. The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
  12. Carmen Suite No.2 (Habanera)
  13. The Trumpet As The Voice Of Strength And Courage
  14. Carmet Suite No.2 (Toreador's Song)
  15. The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
  16. Billy The Kid
  17. The Trumpet As Character Actor
  18. Pictures At An Exhibition (No.6)
  19. The Trumpet As The Voice Of God
  20. Mass In B Minor ('Et Exspecto')
  21. The Birth Of The Trombone
  22. Aenmerckt Nu Hier
  23. The Birth Of The Brass As A Family
  24. Canzon 12 In Double Echo
  25. The Trombone In The Eighteenth Century
  26. Trombone Concerto In B Flat Major (Finale)
  27. The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
  28. Hosannah
  29. The Trombones Become Part Of The Orchestra.
  30. Symphony No.5 (Finale)
  31. The Wagnerian Trombone:/Overture To 'Tannhauser'
  32. The Trombone As Caricaturist
  33. Pulcinella (No.19: Vivo)
  34. The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
  35. The Horn And The Hunt
  36. Horn Concerto No.4 In E Flat, K.495 (Finale)
  37. The Challenging Horn Of The Baroque
  38. Abaris Ou Les Boreades (Menuet)
  39. The Scarcity Of First-Rate Players In Handel's Time
  40. Walter Music (Minuet 1)
  41. The Horn As Magician/The Firebird Suite (1919, Finale)
  42. Horns And The Sound Of Nobility
  43. Overture To 'Tannhauser' (Opening)
  44. The Special Sound Of The Horn In Its Higher Register
  45. Mass In B Minor ('Quoniam Tu Solus Sanctus')
  46. The Trumpet-Like Sound Of Massed Horns
  47. Symphony No.3 (Mvt 1, Opening)
  48. The Tuba - Unfairly Maligned?
  49. Symphony No.6 (Mvt 3)
  50. The Tuba Perfectly Cast By Ravel
  51. Pictures At An Exhibition (Bydlo)

Tracks:

  1. Introduction. And We Begin With A Bang.
  2. Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
  3. At The Opposite Extreme Is The Triangle.
  4. Piano Concerto No.1 In E Flat (Scherzo)
  5. Categories Of Percussion: Tuned And Untuned. The Side Drum
  6. Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
  7. The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
  8. The Tambourine. One Of The Oldest Instruments In The World
  9. Den Hoboecken Dans
  10. Even Older Is The Originally Oriental Gong.
  11. Ma Mere L'Oye - Mother Goose (Laideronette)
  12. No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
  13. Gymnopedie No.2
  14. The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
  15. Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
  16. More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
  17. Rodeo (Hoe-Down)
  18. Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
  19. Scherzi Musicali (Damigella Tutta Belle)
  20. A Still Earlier Example From Fifteenth-Century Spain
  21. Yo M'Enamori D'Un Aire
  22. The Birth Of The Bongo
  23. Symphonic Dances From 'West Side Story'
  24. From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
  25. Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
  26. From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
  27. Onwards To The Tuned Percussion. First, The Timpani
  28. Also Sprach Zarathustra (Introduction)
  29. But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
  30. Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
  31. Taking Advantage Of Tunability
  32. Music For Strings, Percussion And Celeste (Mvt 2)
  33. The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
  34. Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
  35. Saint-Saens And The Xylophone
  36. The Carnival Of The Animals (Fossils)
  37. Ravel And The Xylophone
  38. Ma Mere L'Oye - Mother Goose (Laideronette)
  39. Introducing The Marimba/Carmen Suite (First Intermezzo)
  40. Introducing The Vibraphone
  41. The Treasure Of The Sierra Madre (Narange Dolce)
  42. The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
  43. Introducing The Hungarian Cimbalom
  44. Folk Dances
  45. The Cimbalom And The Symphony Orchestra
  46. Hary Janos Suite (Mvt 3)
  47. Introducing The Tubular Bells
  48. Hary Janos Suite (Viennese Musical Clock)
  49. A More 'Up-Front' Approach From Rodion Shchedrin
  50. Carmen Suite (Introduction)
  51. But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  52. Introducing The Celeste
  53. The Nutcracker (Dance Of The Sugar Plum Fairy)
  54. Magic, In The Use Of Collective Percussion
  55. Miroirs (La Vallee Des Cloches)
  56. Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
  57. A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
  58. The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
  59. Brandenburg Concerto No.2 (Slow Mvt)
  60. The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
  61. Petrushka (Russian Dance)
  62. The Anti-Romantic Piano As An Integral Part Of The Orchestra
  63. Music For Strings, Percussion And Celeste (Last Mvt)

Tracks:

  1. Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
  2. Symphony No.3 'Organ' (Finale)
  3. But Things In Handel's Day Were Very Different.
  4. Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
  5. The Organ Is Difficult To Classify.
  6. An Unexpected, Organ-related Guest
  7. Concerto Pour Zampogna (Last Mvt)
  8. Peasant-Fancying... And A Touch Of The Roaming Cowboy
  9. Les Miserables (Drink With Me)
  10. Outside Artefacts And The Power Of Association
  11. Mahler's Sleighbells
  12. Symphony No.4 (Opening)
  13. A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
  14. Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
  15. Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
  16. Don Quixote (Variation VIII)
  17. National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
  18. And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
  19. And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
  20. The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
  21. The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
  22. The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
  23. The Sitar Of India/Evening Raga: Bhapoli
  24. The Accordion For France (Especially Paris)/Paris Canaille
  25. The Zither For Vienna/The Third Man (Theme)
  26. The Cimbalom For Hungary/Folk Dances
  27. The Guitar As An Integral Part Of The Orchestra/Rondena
  28. There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
  29. The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
  30. Nocturnes
  31. Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
  32. The Carnival Of The Animals (The Cuckoo)
  33. The Flute As An All-purpose Aviary
  34. The Carnival Of The Animals (The Aviary)
  35. The Oboe As Duck
  36. Peter And The Wolf (The Duck)
  37. The Recording Of Reality. Does It Work As Well?
  38. The Pines Of Rome (The Pines Of The Janiculum)
  39. The Recording Of Reality Electronically Reborn In New Guises
  40. Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
  41. Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
  42. Symphony No.6 'Pastoral' (Andante Molto Mosso)
  43. Some Improbable Casting: The Violin As Braying Donkey
  44. The Carnival Of The Animals (Persons With Long Ears)
  45. A Truly Orchestral Hee-haw To Be Reckoned With
  46. Overture To 'A Midsummer Night's Dream'
  47. A Thunderstorm In A Million
  48. Symphony No.6 'Pastoral (Allegro-Allegretto)
  49. the Instrumental Depiction Of A Silent World
  50. The Carnival Of The Animals (The Aquarium)
  51. Saint-Saens' Menagerie Takes A Curtain Call.
  52. The Carnival Of The Animals (Finale)

Tracks:

  1. The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
  2. Forty-Four Duos (No.4)
  3. A Great Contrast, Of Both Pitch And Character: Violin And Viola
  4. Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
  5. Arrival Of The Standard String Trio: Violin, Viola, And Cello
  6. String Trio In B Flat (Menuetto)
  7. The String Quartet: Two Violins, Viola, And Cello
  8. String Quartet In F, Op.18 No.1 (Mvt 3)
  9. The String Quintet - When The Extra Instrument Is A Second Viola
  10. String Quartet No.5 In D, K.593 (Adagio)
  11. The String Quintet - When The Extra Instrument Is A Second Cello
  12. String Quintet In C (Mvt 3)
  13. The String Sextet: Two Violins, Two Violas, And Two Cellos
  14. String Sextet In B Flat (Mvt 2)
  15. The String Octet: The Standard String Quaret Times Two
  16. Octet In E Flat, Op.20 (Mvt 1)
  17. Double The String Octet: A Fully Fledged String Orchestra
  18. String Symphony No.2 (Finale)
  19. The Massed Strings Of A Symphony Orchestra
  20. Fantasia On A Theme Of Thomas Tallis
  21. Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
  22. Wind Quintet In A Minor, Op.100 No.5 (Theme)
  23. In The First Variation It's The Horn That Gets The Lion's Share.
  24. Wind Quintet In A Minor, Variation 1
  25. In Variation Two The Torch Is Handed To The Bassoon.
  26. Wind Quintet In A Minor, Variation 2
  27. In Variation Three The Oboe Leads.
  28. Wind Quintet In A Minor, Variation 3
  29. Variation Four: Conversation Before Returning To A Solo-dominated Texture
  30. Wind Quintet In A Minor, Variation 4
  31. And Variation Five is Dominated By The Clarinet.
  32. Wind Quintet In A Minor, Variation 5
  33. The Next To Be Featured Is The Virtuoso Flute.
  34. Wind Quintet In A Minor, Variation 6
  35. Individual Farewells And A Closing Chorus
  36. Wind Quintet In A Minor, Variation 7
  37. A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
  38. Octet In F (Mvt 3)
  39. The Early Classical Symphony Orchestra Of Haydn And Mozart
  40. Symphony No.29 In A, K.201 (Finale)
  41. Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
  42. Canzon 28
  43. Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
  44. Symphony No.5 (Finale)
  45. From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
  46. Beethoven Changed The Face Of The Symphony And The Orchestra Forever
  47. Symphoy No.6 'Tragic' (Mvt 1)
  48. The Cult Of Orchestral Elephantiasis Reaches Its Peak.
  49. Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
  50. When Large Doesn't Necessarily Mean Loud: Debussy
  51. Images (Gigues)
  52. A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
  53. Turangalila Symphony (Chant D'amour 1)
  54. The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
  55. Balle De Xerxes (Gavotte En Rondeau)
  56. Computer And Synthesiser: Friends Or Foes?
  57. Concerto In D Minor For Two Violins (Largo)
  58. A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')

Customer Reviews:

5 out of 5 stars Instruments of the Orchestra - Great Reference Material!.......2007-04-04

This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!

5 out of 5 stars Beginner or Expert.......2007-03-12

This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!

5 out of 5 stars Very Informative and Enjoyable.......2006-11-20

Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!

3 out of 5 stars Frank's view.......2006-08-19

This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.

5 out of 5 stars Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08

I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.

The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!

I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.

The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Most Romantic Classical Music in the Universe
Average customer rating: 5 out of 5 stars
  • very romantic to make love by
  • Great Mood Music
Most Romantic Classical Music in the Universe
Gabriel Faure , Felix Mendelssohn , Pyotr Il'yich Tchaikovsky , Fryderyk Chopin , Franz Liszt , Erik Satie , Robert Schumann , Antonin Dvorak , Gustav Mahler , Sergey Rachmaninov , Leos Janacek , Cesar Franck , George Frideric Handel , Jules Massenet , Sergey Prokofiev , Catalan Traditional , and Various Artists
Manufacturer: Denon Records
ProductGroup: Music
Binding: Audio CD

BalletsBallets | Ballets & Dances | Classical | Styles | Music
All Works by BeethovenAll Works by Beethoven | Beethoven, Ludwig van | ( B ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by ChopinAll Works by Chopin | Chopin, Frédéric | ( C ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Dvorák, Antonín | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by DebussyAll Works by Debussy | Debussy, Claude | ( D ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Fauré, Gabriel | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Franck, César | ( F ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by HandelAll Works by Handel | Handel, George Frideric | ( H ) | Featured Composers, A-Z | Classical | Styles | Music
Janácek, LeosJanácek, Leos | ( J ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by LisztAll Works by Liszt | Liszt, Franz | ( L ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MahlerAll Works by Mahler | Mahler, Gustav | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MassenetAll Works by Massenet | Massenet, Jules | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by MendelssohnAll Works by Mendelssohn | Mendelssohn, Felix | ( M ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Saint-Saëns, Camille | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by SatieAll Works by Satie | Satie, Erik | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by Robert SchumannAll Works by Robert Schumann | Schumann, Robert | ( S ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TarregaAll Works by Tarrega | Tarrega, Francisco | ( T ) | Featured Composers, A-Z | Classical | Styles | Music
All Works by TchaikovskyAll Works by Tchaikovsky | Tchaikovsky, Peter Ilyich | ( T ) | Featured Composers, A-Z | Classical | Styles | Music