I Feel Good
Track Listings
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1. What He's Done for Me
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2. This Old Building
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3. Center of My Joy
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4. Peace Be Still
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5. Can't Nobody Do Me Like Jesus
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6. I Feel Good
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7. Jesus Christ Is the Way
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8. God Has Smiled on Me
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9. Going up Yonder
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10. It Won't Be Long
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I Feel Good, Music, The Myra Walker Singers, Gospel, Gospel/Christian Music, Pop
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Instruments of the Orchestra
Various Artists
Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Very Best of Broadway Music
|
Very Best Of Broadway Musicals
Various Artists
Manufacturer: Metro Music
ProductGroup: Music
Binding: Audio CD
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Soundtracks
| Styles
| Music
Broadway & Vocalists
| Indie Music
| Stores
| Music
Similar Items:
- Greatest Songs from the Musicals
- The Best of Broadway - The American Musical (PBS Series)
- Only Broadway CD You'll Ever Need
- The Best Of Broadway (Cast Recording Anthology)
- Ultimate Broadway
ASIN: B000068CC4
Release Date: 2002-06-25 |
Tracks:
- All That Jazz
- If I Can't Love Her
- Maybe This Time
- People Will Say We're In Love
- The Impossible Dream
- Seventy Six Trombones
- Can You Feel The Love Tonight?
- Still
- Send In The Clowns
- One
- Younger Than Springtime
- This Is The Moment
- Good Morning Starshine
- Your Getting To Be A Habit With Me
- Wunderbar
- Maria
- I Could Have Danced All Night
- Singin' In The Rain
- Written In The Stars
- One Song Glory
Customer Reviews:
Very Best of Broadway Music.......2007-05-08
I really like Broadway music so this is the BEST!!!!!!
I let someone else borrow this to listen at her house--She liked it also
Average customer rating:
- One of our favorites
- Ok, not great
- Children's music that is fun for all ages
- Your kids will love it and so will you!
- so glad I FOUND IT!
|
I Found It!
Brady Rymer
Manufacturer: Bumblin' Bee Records
ProductGroup: Music
Binding: Audio CD
General
| Children's Music
| Styles
| Music
Folk Rock
| Folk
| Indie Music
| Stores
| Music
Similar Items:
- Look At My Belly
- Every Day Is A Birthday
- Good Morning, Gus
- Happy Songs
- Bottle Of Sunshine
ASIN: B0006HTYTA
Release Date: 2004-11-01 |
Tracks:
- Drawing on the Sidewalk
- I Found It!
- Cookin' Saturday
- I'm a Little Raindrop
- Bathtub Soup
- Under the Bed
- Eatin' Animal Crackers
- One Little Letter
- Ding Dong
- Hey, Mr. Moonlight
- Turn the World Around
Album Description
This is music for kids with a rock `n' roll heart. Brady Rymer's Parent's Choice Recommended, iParenting Media Hot Product Award, and NAPPA Honors Award-winning "I Found It!" is a hip descendant of the happy, sing-along spirit of Motown, the party atmosphere of the E Street Band and Bruce Springsteen, and the warmth and heart of Bob Marley. Says Rymer, formerly of the RCA roots rock band From Good Homes, "I wanted this CD to be a soulful, funky, feel-good party for kids and their raised-on-radio parents, to show folks just how much fun they can have listening to good, happy music with people they love!" The songs encourage children to creatively explore new and familiar aspects of the world around them, and celebrate small but momentous achievements in a child's world. The infectious "Drawing on the Sidewalk" invites kids to show the world all that's in their hearts by using their imagination; "I Found It!" turns the loss of a loved toy into a celebration of! finding it; "Bathtub Soup" creates a deliciously silly meal from the stuff children bring to bathtime.
Customer Reviews:
One of our favorites.......2006-06-21
My 6 and 8 year old, love this CD. He's also great in concert if you get a chance to see him.
Ok, not great.......2005-09-16
After reading all the reviews, I was expecting to love this CD. But the music starts to all sound the same. It's Brady's version of Bob Dylan-ish music with kid-like beats and words - but much of it is boring. It's not terrible, and my daughter gets a kick out of some of the words, but all in all, I suggest her other music CDs and I wouldn't recommend someone buy this one.
Children's music that is fun for all ages.......2005-02-15
WOW! Brady's latest album is his best. The tunes are growing up (as are our kids). They are still young and fun, and yet "cool" enough to keep our 6 and 8 year old boys' attention.
I especially enjoy the title track "I Found It'.
Your kids will love it and so will you!.......2005-01-06
This is one of those situation where a few years from now, you'll say, "I knew him when..." because there is no better kids music out there. The tunes are great and the lyrics capture the sweetness, silliness, and innocence of youth. Brady has 2 kids of his own and is well aware that kids' music is listened to by both kids AND parents. If your kids are like most, not only do they not mind repetition, they relish it, so it is a huge bonus that this music is so great to listen to. I really like this album, with Look at My Belly a close second, while my son's favorite is Fall Leaves. Buy 'em all and you won't be sorry.
so glad I FOUND IT!.......2004-12-30
This is the children's album we've been looking for. "I Found It" is a pretty apt title. The kids adore Brady's tunes and-- incredibly-- so do we. Nothing against Raffi or baby belugas, but a lot of music aimed at kids is pretty hard to take. Some of Brady's stuff, on the other hand, stands up to the best of adult rock. If your own idea of great music is Neal Young or Dave Mathews, you are in for a treat. We stumbled upon this, then went and bought the other albums by Brady. All are wonderful.
Average customer rating:
- Great compilation
- A disappointment
|
DRG 25th Anniversary Show Stopping Performances
Manufacturer: Drg
ProductGroup: Music
Binding: Audio CD
All Works by Porter
| Porter, Cole
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
General
| Previn, André
| ( P )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Rodgers, Richard
| ( R )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Film Scores
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
General
| Theatrical, Incidental & Program Music
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Vocal & Song
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
Modern & 20th Century
| Historical Periods
| Opera & Vocal
| Styles
| Music
Musical Theater
| Vocal Non-Opera
| Opera & Vocal
| Styles
| Music
Movie Soundtracks
| Soundtracks
| Styles
| Music
General
| Soundtracks
| Styles
| Music
General
| Musicals
| Broadway & Vocalists
| Styles
| Music
General
| Broadway & Vocalists
| Styles
| Music
General
| Vocal Pop
| Pop
| Styles
| Music
Broadway & Vocalists
| Indie Music
| Stores
| Music
General
| Soundtracks
| Indie Music
| Stores
| Music
Similar Items:
- Barbara Cook at the Met with Special Guests
- Curtains (2007 Original Broadway Cast)
- 110 in the Shade (2007 Broadway Revival Cast)
- ABC (Adler, Bock, Coleman)
- The Drowsy Chaperone (2006 Original Broadway Cast)
ASIN: B00005Q6IN
Release Date: 2001-10-23 |
Tracks:
- A Day In Hollywood A Night In Ukraine: Just Go To The Movies - Priscilla Lopez/David Garrison/Frank Lazarus/Stephen James/Peggy Hewett/Kate Draper
- Babes In Arms: I Wish I Were In Love Again - Christopher Fitzgerald Jessica Stone
- Pal Joey: Bewitched, Bothered And Bewildered - Patti LuPone
- Gentlemen Prefer Blondes: Diamonds Are A Girl's Best Friend - KT Sullivan
- Nunsense: I Just Want To Be A Star - Christine Anderson
- Louisiana Purchase: Wild About You - Debbie Gravitte & New York Voices
- Oil City Symphony: Beaver Ball At The Bug Club - Mike Craver/Mark Hardwick/Debra Monk/Mary Murfitt
- Falsettoland: The Baseball Game - Michael Rupert/Chip Zien/Faith Prince/Janet Metz/Heather MacRae/Stephen Bogardus
- Very Good Eddie: Isn't It Great To Be Married? - Virginia Seidel/Spring Fairbank/Charles Repole/Nicholas Wyman
- The Fantasticks: A Perfect Time To Be In Love - Harvey Schmidt
- Call Me Madam: You're Just In Love - Tyne Daly/Lewis Cleale
- Taking My Turn: Fine For The Shape I'm In - Margaret Whiting/Marnie Nixon/Cissy Houston
- A Party With Betty Comden & Adolph Green: The French Lesson - Betty Comdon/Adolph Green
- The Madwoman Of Central Park: Better - Phyllis Newman
- Greenwillow: Never Will I Marry - Anthony Perkins
- Song Of Singapore: I Can't Remember - Loretta Swit & Company
- Tintypes: Elite Syncopation/I'm Goin' To Live Anyhow, 'Til I Die - Lynne Thigpen
- I Love My Wife: Someone Wonderful I Missed - Joanna Gleason/Ilene Graff
- The Good Companions: The Pleasure Of Your Company - Malcolm Rennie/Christopher Gable
- Forbidden Broadway 20th Anniversary: Liza One-Note - Christine Pedi
- Meet Me In St. Louis: The Trolley Song - Donna Kane & Ensemble
Tracks:
- 4 Guys Named Jose...And Una Mujer Named Maria!: Feel It - Philip Anthony/Henry Gainza/Allen Hidalgo/Ricardo Puente
- Fame - The Musical: There She Goes!/Fame - Natasha Rennalls & Ensemble
- Do Re Mi: What's New At The Zoo? - Heather Headley/The Animal Girls
- High Society: Once Upon A Time/True Love - Melissa Errico/Daniel McDonald
- Tenderloin: Artificial Flowers - Patrick Wilson
- State Fair: Driving At Night/Our State Fair - Company
- Kiss Me, Kate: Were Thine That Special Face - Brian Stokes Mitchell
- Black And Blue: Black And Blue - Linda Hopkins/Ruth Brown/Carrie Smith
- The Green Bird: O Foolish Heart - Company
- Out Of This World: From This Moment On - Marin Mazzie/Gregg Edelman
- The Boys From Syracuse: This Can't Be Love - Davis Gaines/Sarah Berry
- Snoopy!!!: Poor Sweet Baby - Pamela Myers
- SeesawNobody Does It Like Me - Michele Lee
- March Of The Falsettos: I Never Wanted To Love You - Michael Rupert/Stephen Bogardus/Alison Fraser/Chip Zien/James Kushner
- Lunch: Perfectly Alone - Carol Burnett
- 3hree: Foolish Dreamin'/Something Beautiful/Real Enough To Change My Mind - Jessica Molaskey/Will Gartshore/Rachel Ulanet
- Lucky In The Rain: Love Me As If There Were No Tomorrow - Barbara Cook
- Godspell: All Good Gifts - Sal Sabella & Company
- The Act: Walking Papers - Liza Minnelli & Company
Customer Reviews:
Great compilation.......2002-05-10
I don't actually own this particular compilation, however, since I own nearly every recording represented on these discs...I think I'm qualified to comment. This is a wonderful representation of the high quality of work that DRG Records does.
The previous review is way off the mark. This is definitely not a waste of time or money. This is 25 years of preserving Broadway shows, Off-Broadway shows, studio recordings (mostly from the city center concerts), etc. So what if they "aren't as good as the original", DRG is preserving many recordings and artists that other mainstream labels don't or won't. You have wonderful recordings from Brian Stokes Mitchell, Nathan Lane, Debbie Gravitte, Tyne Daly, Anthony Perkins, Joanna Gleason, Marin Mazzie, Carol Burnett, Heather Headley, Patti LuPone, Barbara Cook, etc., and many of these are from Original Cast Recordings just as they appeared on Broadway. This is an excellent sampler of the work going on at DRG. No...I'm not an employee...just an avid listener and collector of theatre recordings.
A disappointment.......2001-12-15
There's a reason you've probably never heard of most of the songs and shows on this album, not to mention most of the artists. This is a second-rate collection of second-rate numbers performed by mostly second-rate artists. In the case of the shows that were revivals, the performances on the original cast recordings were better. Don't waste your money.
Average customer rating:
- Words Unspoken
- Television Introduced Us!
- On a winning streak in the 90s
- On a winning streak in the 90s
- She can write too!
|
I Feel So Good
Tracy Nelson
Manufacturer: Rounder / Umgd
ProductGroup: Music
Binding: Audio CD
Contemporary Blues
| Blues
| Styles
| Music
General
| Blues
| Styles
| Music
General
| Country
| Styles
| Music
Contemporary
| Bluegrass
| Country
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
Rounder Records
| Specialty Stores
| Music
Similar Items:
- In the Here and Now
- Move On
- Ebony & Irony
- Live from Cell Block D
- Homemade Songs/Come See About Me
ASIN: B00000036A
Release Date: 1995-02-07 |
Tracks:
- I Want To Know
- I Need All The Help I Can Get
- Don't Go No Farther
- Send Me To The 'Lectric Chair
- Words Unspoken
- The Fool
- Living Off The Love You Give Me
- I Feel So Good
- Meet Me Halfway
- Love Won't Come - Maura O'Connell
Customer Reviews:
Words Unspoken.......2003-05-03
One of my favorite albums from the best (and probably most underrated) singer who ever lived. Buy it for Words Unspoken and enjoy it for every other track. It's that good.
Television Introduced Us!.......2001-09-05
Several years ago I was channel-surfing. As I passed through, I heard this very distinctive voice. Lo and behold it was Tracy wailing and playing her piano on Nashville Now. That voice was singing like I'd turned my insides out and she had put them on her back to relate to the world. Lord, if my blues and my experiences were a singer--of course, it would be Tracy Nelson.
This was my first of many CDs and now MY blues have a voice, Tracy, thank you....CRC
On a winning streak in the 90s.......2000-06-07
I'm concerned to learn that Tracy Nelson, who has a new record due shortly, has left Rounder Records. It seems like they were such a good fit. After all but disappearing in the 80s, Tracy resurfaced on Rounder in the 90s and released three great albums (a term I still prefer over CD, since it stresses form not format). She wound up the decade recording and touring (to great acclaim) with two of label-mates and kindred spririts, Marcia Ball and Irma Thomas. I can only hope that as she moves on to a new label, Tracy Nelson remains on the artistic roll she's been on for nearly a decade.
"I Feel So Good" was Tracy's second release for Rounder, and you could tell that she was genuinely feeling good about being back. She had sounded a wee bit tentative on the first Rounder album ("In the Here and Now") but just listen to how she kicks up her heels on "Feel So Good."
If you see Tracy live (which I recommend), you'll note that at least seven of these tracks remain in her standard repertoire. Although she can get into a slow blues or a modern ballad like nobody's business, she tends go with the uptempo knock-your-socks-off numbers live. And this release is choc-a-block with powerhouse tracks. From the openening strains of "I Want to Know" (Tracy double-tracked, my definition of heaven) to the rollicking "Meet Me Halfway," this album cooks! I originally had this release on cassette and was almost grateful that each side ended in a down tempo number (the reflective "Words Unspoken" and "Love Won't Come," a beautiful duet with Maura O'Connell). The rest of the album is such a work-out, I needed the rest.
On a winning streak in the 90s.......2000-06-07
I'm concerned to learn that Tracy Nelson, who has a new record due shortly, has left Rounder Records. It seems like they were such a good fit. After all but disappearing in the 80s, Tracy resurfaced on Rounder in the 90s and released three great albums (a term I still prefer over CD, since it stresses form not format). She wound up the decade recording and touring (to great acclaim) with two of label-mates and kindred spririts, Marcia Ball and Irma Thomas. I can only hope that as she moves on to a new label, Tracy Nelson remains on the artistic roll she's been on for nearly a decade.
"I Feel So Good" was Tracy's second release for Rounder, and you could tell that she was genuinely feeling good about being back. She had sounded a wee bit tentative on the first Rounder album ("In the Here and Now") but just listen to how she kicks up her heels on "Feel So Good."
If you see Tracy live (which I recommend), you'll note that at least seven of these tracks remain in her standard repertoire. Although she can get into a slow blues or a modern ballad like nobody's business, she tends go with the uptempo knock-your-socks-off numbers live. And this release is choc-a-block with powerhouse tracks. From the openening strains of "I Want to Know" (Tracy double-tracked, my definition of heaven) to the rollicking "Meet Me Halfway," this album cooks! I originally had this release on cassette and was almost grateful that each side ended in a down tempo number (the reflective "Words Unspoken" and "Love Won't Come," a beautiful duet with Maura O'Connell). The rest of the album is such a work-out, I needed the rest.
She can write too!.......1999-07-13
I reviewed this after only hearing it once, and it has grown on me, especially the song she penned herself, "Words Unspoken"...every bit as good as "Down So Low" in my opinion. "Words Unspoken" and "Love Won't Come" are worth the price all by themselves.
Average customer rating:
|
Elmer Iseler Singers: Spirituals
William Levi Dawson , Thomas Kerr , Robert Missen , Lydia Adams , and Nelson Lohnes
Manufacturer: Marquis Music
ProductGroup: Music
Binding: Audio CD
General
| Christian & Gospel
| Styles
| Music
General
| Opera & Vocal
| Styles
| Music
General
| Classical
| Styles
| Music
General Christmas
| Holiday
| Miscellaneous
| Styles
| Music
General Christmas
| Holiday Music
| Special Features
| Music
ASIN: B000003WGP
Release Date: 1993-09-18 |
Tracks:
- Ain' A that Good News
- Swing Low, Sweet Chariot
- Ol' Time Religion
- Mary Had A Baby
- Git On Board
- Do Down Moses
- Listen To De Lambs
- Ain't Got Time To Die
- Go Tell It On The Mountain
- Deep River
- Poor Man Lazrus
- Nobody Knows The Trouble I've Seen
- Same Train
- Lit'le David
- Sometimes I Feel Like A Motherless Child
- Let Me Fly
Average customer rating:
|
I Feel Good
James Brown
Manufacturer: Legacy
ProductGroup: Music
Binding: Audio CD
General
| R&B
| Styles
| Music
General
| Soul
| R&B
| Styles
| Music
4-for-3 Pop
| 4-for-3 Music
| Stores
| Music
4-for-3 R&B
| 4-for-3 Music
| Stores
| Music
4-for-3 All Music
| 4-for-3 Music
| Stores
| Music
ASIN: B0009X76FA
Release Date: 2005-03-09 |
Average customer rating:
- wonderful!!!!!!!!!!!!!!!!!!!!!
|
I Feel Good
The Myra Walker Singers
Manufacturer: Intersound Records
ProductGroup: Music
Binding: Audio CD
General
| Christian & Gospel
| Styles
| Music
Gospel
| Christian & Gospel
| Styles
| Music
ASIN: B000000BSD
Release Date: 1995-08-21 |
Tracks:
- What He's Done For Me
- This Old Building
- Center Of My Joy
- Peace Be Still
- Can't Nobody Do Me Like Jesus
- I Feel Good
- Jesus Christ Is The Way
- God Has Smiled On Me
- Going Up Yonder
- It Won't Be Long
Customer Reviews:
wonderful!!!!!!!!!!!!!!!!!!!!!.......1998-07-02
More people should know this womans' music!
Average customer rating:
- Solid CD from an up & coming Artist
- I'm Feelin' Good About This CD!
|
I Feel Good with the Blues
Lorna Willhelm
Manufacturer: The Orchard
ProductGroup: Music
Binding: Audio CD
General
| Blues
| Styles
| Music
General
| Blues
| Indie Music
| Stores
| Music
ASIN: B00004U383
Release Date: 2000-05-31 |
Tracks:
- Fool In Love
- My Man Called Me
- Good Girl Feelin' Blue
- Just Like Dynamite
- Fat Cat's Tattoos
- Hey Now
- Good Rockin' Daddy
- Soul Shake
- Cry Me A River
- I Feel Good With The Blues
Customer Reviews:
Solid CD from an up & coming Artist.......2003-10-30
I've had the pleasure of getting this cd to airplay on my blues station. This is a solid cd. Lorna brings easy listening blues/oldies styling with solid vocals. I would suspect jazz lovers will like this cd as well as blues lovers, probably even folks that are into easy country.
Lorna's definitely someone that will be making more. This is a very solid start, no fillers. I highly recommend buying this cd.
www.blueicewater.com (Blue IceWater Radio)
I'm Feelin' Good About This CD!.......2000-07-29
First let me say I've seen Lorna Willhelm's live performance; I don't feel the album quite conveys the energy she gives at a live show. That said the album is still great; I love listening to it. Overall the sound reminds me of r & b material recorded in the sixties; the sound has a live feel without all the techno gimmicks and compression common on a lot of todays recordings. The album is not a technical gem but then neither are some albums by the Stones and Dylan. It's these tiny imperfections that keep me interested; rather than distract they give Lorna's performance a feeling of intimacy.
The selection of songs is nice; it seems as if there is a theme to the album: you feel bad with the blues/you feel good with the blues. The arrangemnts are fresh and the album flows easily from song to song. This album may not appeal to traditional blues lovers as it is a fusion of blues, jazz and rock complete with scat on the track "Fat Cats Tattoos".
One of the standout songs is "Just Like Dynamite" a cover tune also recorded by Roomful of Blues. I kept thinking the Dixie Chicks singin' the blues. Also the title track could certainly cross over into something you might hear on "Jammin' Country".
And wow can that sax man play! He and the guitarist are certainly standouts.
The only gripe I really have is that the album seems too short even with over forty minutes of material; time sure flies when you're havin' fun. All in all I Feel Good With the Blues shows the potential of a new blues diva.
Average customer rating:
|
I Feel So Good: The 1951-54 J.O.B. Sessions
J.B. Lenoir
Manufacturer: Universe Italy
ProductGroup: Music
Binding: Audio CD
Chicago Blues
| Blues
| Styles
| Music
General
| Blues
| Styles
| Music
Electric Blues Guitar
| Blues
| Styles
| Music
General
| Jazz
| Styles
| Music
Blues
| Imports
| Stores
| Music
Similar Items:
- Vietnam Blues: The Complete L&R Recording
ASIN: B0000ZMH06
Release Date: 2004-08-09 |
Tracks:
- Let's Roll [Take 2]
- People Are Meddling (In Our Affairs)
- (I Wanna) Play a Little While
- Louise
- How Much More?
- Mountain
- I Have Married
- I'll Die Tryin'
- Mojo [Take 4]
- How Can I Leave
- I Want My Baby [Take 4]
- Slow Down Woman [Take 2]
- Let's Roll [Take 1]
- Mojo [Take 1]
- I Want My Baby [Take 1]
- Slow Down Woman [Take 1]
- I Sing Um the Way I Feel [Take 18]
- I Feel So Good [Take 21]
Album Description
Subtitled - The 1951-54 J.O.B. Sessions. Born in Mississippi in 1929, J.B. Lenoir learned to play the guitar at a very young age. Influenced by bluesmen like Blind Lemon Jefferson, Arthur 'Big Boy' Crudup, Lightning Hopkins & his friend Big Bill Broonzy, one of his first hits was the song 'The Mojo', recorded in 1953 for the then active label JOB. This marked the beginning of a long relationship between Lenoir & JOB, for whom he released many singles. Unfortunately, in 1967 Lenoir died in a tragic car accident. He was only 38 years old. 18 tracks packaged in heavy cardboard digipak with a brief history. Universe. 2003.
Music Review:
- In Loving Memory
- In the Light
- Inspirational Homecoming: A Tribute to the Gaither Legacy
- Inspite of It All
- Keep on Believin'
- Life Raft [Live]
- Lonely House
- Mercy Came Down
- Mindy's Revenge: 20 Killer Cuts
- Music
Music Review
Music Review