Anthem of the Sun [Original recording remastered]

Editorial Reviews
Album Description
Expanded & remastered (HDCD) version of the band's 1968 album, plus a wild 34-minute version of the 'Alligator'/'Caution'/'Feedback' suite recorded live at Los Angeles' Shrine Auditorium in 1968. Digipak. Warner/Rhino. 2003.

Anthem of the Sun, Music, The Grateful Dead, Album Rock, Folk-Rock, Pop, Psychedelic, Rock, Rock/Pop
Anthem of the Sun
Average customer rating: 4.5 out of 5 stars
  • ANTHEM OF THE SUN BABY!
  • I Don't Know What The Bad Reviews Are For
  • Revolutionary Music in Psychedelic Clothing
  • Can you pass the Anthem test?
  • A Bit TOO Raw and Experimental
 Anthem of the Sun
Grateful Dead
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. Aoxomoxoa
  2. Grateful Dead
  3. Live / Dead
  4. Workingman's Dead
  5. Grateful Dead (Skull & Roses)

ASIN: B00007LTIH
Release Date: 2003-02-25

Tracks:

  1. That's It For The Other One I. Cryptical Envelopment II. The Faster We Go, The Rounder We Get III.Quadlibet For Tender Feet IV. We Leave The Castle
  2. New Potato Caboose
  3. Born Cross-Eyed
  4. Alligator
  5. Caution (Do Not Step On Tracks)
  6. Alligator (Live)
  7. Alligator
  8. Caution (Do Not Step On Tracks) (Live)
  9. Feedback (Live)

Album Description

Expanded & remastered (HDCD) version of the band's 1968 album, plus a wild 34-minute version of the 'Alligator'/'Caution'/'Feedback' suite recorded live at Los Angeles' Shrine Auditorium in 1968. Digipak. Warner/Rhino. 2003.

Customer Reviews:

5 out of 5 stars ANTHEM OF THE SUN BABY!.......2007-04-10

this is a great great album, such a good psychedellic album one of my favirote psychedellic albums. if you like the grateful dead buy this one you will be very very satisfied i was so buy it today and you'll be glad you did!!!!!

5 out of 5 stars I Don't Know What The Bad Reviews Are For.......2007-01-22

This is the Dead's second album, and for me my favorite. It really is a mind changer and what I love about it is that it lacks all the things regular songs have...the songs don't even have melodies.. It's a collision of notes that makes for me the best music in the world.

5 out of 5 stars Revolutionary Music in Psychedelic Clothing.......2007-01-18

The Grateful Dead were one of the first bands to be signed in the San Francisco deluge that happened from late '65 through '66. Shortly after their first record came out, Jerry and crew claimed that they wanted to get REALLY experimental by recording, among other things, the sound of the animals gooving at the Zoo and the "thick air" of Los Angeles (gee, could they have been talking to Brian Wilson about this?) Who knows if either one of those soundscapes made it onto "Anthem", but if not this second studio/live effort from the band never suffers from their absence. It's best to look at "Anthem" as an experiment not ony with different instruments (prepared piano and various exotic percussion are added to the usual electrified mix) but with different forms of music all rolled into one. It succeeds on every level...there are individual songs but they're more like distinct movements in a classical piece rather than three minute pop gems. Those with the patience to stick to it will find themselves rewarded by "Anthem" with subsequent listenings, which reveal the songcraft and musical detail embedded in the record the way multiple viewings of "Godfather" movies only add to the enjoyment of what you thought you knew before. This mix-the original-is essential and makes the '71 remix completely unnecessary. So if you have yet to hear it and you're a fan of the band, do not stop on tracks!

5 out of 5 stars Can you pass the Anthem test?.......2006-10-13

The band's first truely great album. Very creative and different from anything else. This album mixed live and studio recordings together to create a seemless jam that sounds like nothing else. The only breaks are the brief pause between Born Cross-Eyed and the break for the side change. The new bonus songs are from the night before Two From The Vault was recorded. Back in 1971, both Anthem and Aoxomoxoa were remixed, Anthem by Phil and Aoxomoxoa by Jerry. Phil later regretted remixing this album promising that next time it came out it would be the original mix. Thankfully, they went for the original July '68 mix for the cd versions of this release and not the crappy 7/71 remix.

3 out of 5 stars A Bit TOO Raw and Experimental.......2006-06-02

Here they are, only one studio album into their career, and for their second album, the Grateful Dead decide to dive headfirst into a sea of weirdness that is almost unfathomable. To anybody who listens to music in a linear fashion, this album is just too difficult to comprehend, or appreciate. Instead of compiling an album by arranging songs side by side, Anthem of the Sun is one gigantic collage of sound, weaving elements of studio recordings in and out, around live takes and then over and under random noise and processed sounds. For a casual listener, it's a mess. For a person in the throes of a hallucinogenic experience (which was admittedly their intended audience) it was a catalyst to another world.

Anthem of the Sun can only be said to `work' if the listener takes a semi-active role. It is by no means necessary to take acid to follow along on this trip (although God knows that would probably help), but it does take some patience and an open mind. There is little melody here to hum, and few musical passages that invite you to tap along. Lyrical ideas are opaque as well, leaving the listener to create the proper frame of mind to let such weirdness unfold on its own terms. In one spot, guitars reel about over a sea of percussion, only to dissolve into a chorus of kazoos. Elsewhere, a song fragment drifts in and out of the mix, as a live version of the same fragment competes for attention. Somewhere else, a live, bluesy jam featuring Pigpen suddenly vanishes underneath a song segment that runs by at three or four times its natural speed. If you can relax and hear Anthem of the Sun as a hippie-fied action painting done with sound and faders, then you'll do just fine and you'll probably appreciate what you hear. Casual listeners should be forewarned, though, that unless they can adapt their way of thinking, they might find themselves frustrated that there is hardly a single cohesive idea anywhere on the entire record. B Tom Ryan
Praise to the Lord - Hymns From St. Paul's Cathedral
Average customer rating: 5 out of 5 stars
  • a voice teacher and early music fan
  • Hymns for every one
  • Super Praise!
 Praise to the Lord - Hymns From St. Paul's Cathedral

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

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Similar Items:
  1. The Music of St. Paul's Cathedral
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ASIN: B00002EIUG
Release Date: 1999-10-12

Customer Reviews:

5 out of 5 stars a voice teacher and early music fan.......2007-02-09

'The HYMN-a word derived from the Greek 'hymnos'-has been defined as 'a term of unknown origin applied from ancient times to a wide variety of songs in honor of gods, heroes or notable men.'
The founder of English hymnody is Isaac Watts (1674-1748), whose work in reforming congregational song texts culminated in the publication of his 'Hymns and Spiritual Songs' in 1707. Watts' collection was as complete and comprehensive a set of hymns as had ever been proposed for English worship and it raised the profile of the hymn sufficiently to overcome the prevailing psalmody. The great flowering period of English hymnody began with the work of the Methodist hymn-writers John Wesley (1703-1791) and his brother Charles (1707-1788). The Wesleys gave great prominence to hymns within their Methodist worship and published many books.
The modern hymn book is a collection of hymns drawn from various times and places. This most accomplished recording by St. Paul's Cathedral Choir presents 16 well-loved hymns from 'The New English Hymnal'. A great number of the hymns, which originate from many different eras and traditions, are given an extra musical dimension by John Scott's original descants and thrilling brass arrangements.
Over the years, I have found myself purchasing mostly the recordings of English choirs. They seem to have incredible vocal skills, perfectly executed phrases, flawless diction and some unidentifiable ingredient that makes them very appealing to hear. Of course, I personally enjoy the all male choirs sound; boy sopranos and male altos make the difference. This is a very appealing group of hymns!!!!!

5 out of 5 stars Hymns for every one.......2002-12-01

As I have said already..I am from espiscopal church..these my songs are well know by me...these songs give encouragement when it seems that all hope is lost..these are tunes that are well received....they are also very simple for the every day person to gain strength from day to day..they will become your daily prayer.....

5 out of 5 stars Super Praise!.......2000-06-10

Praise The Lord offers the listener traditional hymns in the English/British tradition. the clarity of the voices make it possible for the listener to follow the words distinctly. The organ soars as accompaniment. the CD provides organ and choral quality for the novice and the experienced musician.
100 Hymns & Songs of Inspiration
Average customer rating: 5 out of 5 stars
  • The picture
 100 Hymns & Songs of Inspiration

Manufacturer: Castle Music UK
ProductGroup: Music
Binding: Audio CD

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ASIN: B00008GEKT
Release Date: 2003-04-14

Tracks:

  1. Love Divine All Loves Excelling - Choir Of Gloucester Cathedral
  2. Father Hear the Prayer We Offer - Choir Of Gloucester Cathedral
  3. Now Thank We All Our God - Choir Of Gloucester Cathedral
  4. This Day, The First of Days - Choir Of Gloucester Cathedral
  5. Stars of the Morning So Gloriously Bright - Choir Of Gloucester Cathedral
  6. God Save the Queen - Choir Of Gloucester Cathedral
  7. Day of Resurrection - Choir Of Gloucester Cathedral
  8. God Rest You Merry Gentlemen - Choir Of Gloucester Cathedral
  9. Of the Father's Heart Begotten - Choir Of Gloucester Cathedral
  10. O Come All Ye Faithful - Choir Of Gloucester Cathedral
  11. Awake My Soul and With the Sun - Choir Of Norwich Cathedral
  12. Thine Arm O Lord in Days of Old - Choir Of Norwich Cathedral
  13. All People That on Earth Do Dwell - Choir Of Norwich Cathedral
  14. Good Christian Men Rejoice and Sing - Choir Of Norwich Cathedral
  15. There Is a Green Hill - Choir Of Norwich Cathedral
  16. Lord of Beauty - Choir Of Sheffield Cathedral
  17. Rejoice Today With One Accord - Choir Of Sheffield Cathedral
  18. New Every Morning - Choir Of Sheffield Cathedral
  19. Lead Us Heavenly Father Lead Us - Choir Of Sheffield Cathedral
  20. O God Our Help in Ages Past - Choir Of Sheffield Cathedral

Tracks:

  1. Morning Has Broken - Choir Of Marlborough College Chapel
  2. Happy Are They - Choir Of Marlborough College Chapel
  3. In Christ There Is No East or West - Choir Of Marlborough College Chapel
  4. Silent Night - Choir Of Marlborough College Chapel
  5. Be Thou My Guardian - Choir Of Marlborough College Chapel
  6. Ye Servants of the Lord - Choir Of Marlborough College Chapel
  7. At the Name of Jesus Every Knee Shall Bow - Choir Of Marlborough College Chapel
  8. To Thee O Lord Our Hearts We Raise - Choir Of Marlborough College Chapel
  9. Behold the Great Creator Makes - Choir Of Marlborough College Chapel
  10. Rejoice the Lord Is King - Choir Of Marlborough College Chapel
  11. Creator of the Stars of Night - Ely Cathedral Choir
  12. He Comes With Clouds Descending - Ely Cathedral Choir
  13. O Little Town of Bethlehem - Ely Cathedral Choir
  14. Alleluya Alleyluya Alleyluya - Ely Cathedral Choir
  15. This Is the Day the Lord Hath Made - Ely Cathedral Choir
  16. How Sweet the Name of Jesus Sounds - Ely Cathedral Choir
  17. Lord Thy Word Abideth - Ely Cathedral Choir
  18. Jesus Lord We Look to Thee - Ely Cathedral Choir
  19. O Lord Our God Arise - Ely Cathedral Choir
  20. Lord of All Hopefulness - Ely Cathedral Choir

Tracks:

  1. Soldiers of Christ Arise - Choir Of Wakefield Cathedral
  2. Lift Up Your Hearts - Choir Of Wakefield Cathedral
  3. Holy Father, Cheer Our Way - Choir Of Wakefield Cathedral
  4. Maker of the Sun - Choir Of Wakefield Cathedral
  5. O King Most High - Choir Of Wakefield Cathedral
  6. O Praise Our Great and Glorious Lord - Choir Of Wakefield Cathedral
  7. Forgive Our Sins as We Forgive - Choir Of Wakefield Cathedral
  8. We Love the Place O God - Choir Of Wakefield Cathedral
  9. Let Us With a Gladsome Mind - Choir Of Wakefield Cathedral
  10. Give Rest O Christ - Choir Of Wakefield Cathedral
  11. Come Holy Ghost Our Hearts Inspire - Choir Of Truro Cathedral
  12. O Thou in All Thy Might So Far - Choir Of Truro Cathedral
  13. O Christ, Who Art the Light and Day - Choir Of Truro Cathedral
  14. O God Thy Soldiers' Crown and Guard - Choir Of Truro Cathedral
  15. Strife Is O'er the Battle Done - Choir Of Truro Cathedral
  16. O Christ Our Hope, Our Hearts' Desire - Choir Of Truro Cathedral
  17. Jesus Shall Reign - Choir Of Truro Cathedral
  18. God of Love My Shepherd Is - Choir Of Truro Cathedral
  19. O Jesu Saviour of Mankind - Choir Of Truro Cathedral
  20. Immortal Invisible God Only Wise - Choir Of Truro Cathedral

Tracks:

  1. Ride on Ride on in Majesty - Choir Of All Saints - Margaret Street, London
  2. All Glory Laud and Honour - Choir Of All Saints - Margaret Street, London
  3. Come Rejoicing - Choir Of All Saints - Margaret Street, London
  4. God Is Love and Where True Love Is - Choir Of All Saints - Margaret Street, London
  5. Magnificat: The Great Advent Antiphons - Choir Of All Saints - Margaret Street, London
  6. Come, Christ's Beloved - Choir Of All Saints - Margaret Street, London
  7. Children of the Hebrews (Palm Procession) - Choir Of All Saints - Margaret Street, London
  8. Veneration of the Cross/The Reproaches (Veneratum and Reproaches) - Choir Of All Saints - Margaret Street, London
  9. Once in Royal David's City - Choir Of Keble College
  10. God Be in My Head - Choir Of Keble College
  11. O Thou Who Camest from Above - Choir Of Keble College
  12. Judge Eternal Throned in Splendour - Choir Of St Edmunsbury Cathedral
  13. Christ the Lord Is Risen Again - Choir Of St Edmunsbury Cathedral
  14. For All the Saints - Choir Of St Edmunsbury Cathedral
  15. Thy Hand O God Has Guided - Choir Of St Edmunsbury Cathedral
  16. Christ the Dawn of Our Salvation - Choir Of Eastbourne College Chapel
  17. I Was Glad - Choir Of Eastbourne College Chapel
  18. Dear Lord and Father of Mankind - Choir Of Eastbourne College Chapel
  19. Locus Iste - Choir Of Eastbourne College Chapel
  20. Praise My Soul the King of Heaven - Choir Of Eastbourne College Chapel

Tracks:

  1. Stand Up! Stand Up for Jesus! - The Choir of the Abbey School, Tewkesbury
  2. While Shepherds Watched Their Flocks - The Choir of the Abbey School, Tewkesbury
  3. O Worship the King - The Choir of the Abbey School, Tewkesbury
  4. O Heavenly Word of God on High - Choir Of The Collegiate Church Of St Mary
  5. Praise to the Lord, The Almighty - Choir Of The Collegiate Church Of St Mary
  6. Jesus Christ Is Risen Today - The Choir of York Minister
  7. First Nowell - The Choir of York Minister
  8. Abide with Me - The Choir of York Minister
  9. Breathe on Me Breath of God - Choir Of Keble College
  10. Rock of Ages - Choir Of Keble College
  11. On This Day, The First of Days - Choir Of Keble College
  12. Jesu Sweet and Mary - Choir Of Eastbourne College Chapel
  13. O Quam Gloriosum - Choir Of Eastbourne College Chapel
  14. Ye Holy Angels Bright - Choir Of Eastbourne College Chapel
  15. O for a Closer Walk With God - Choir Of Eastbourne College Chapel
  16. Prayer of St Patrick - Choir Of Eastbourne College Chapel
  17. Lord's Prayer - Choir Of Eastbourne College Chapel
  18. Blessed Be the God and Father - Choir Of Eastbourne College Chapel
  19. Day Thou Gavest Lord Is Ended - Choir Of Eastbourne College Chapel
  20. Jerusalem (And Did Those Feet in Ancient Times) - Choir Of Eastbourne College Chapel

Album Description

Full Title - 100 Hymns & Songs Of Inspiration. UK box-set featuring 100 tracks performed by Britain's finest Cathedral Choirs including, Gloucester Cathedral, Norwich Cathedral, Sheffield Cathedral, & many more. Five standard jewel cases housed in a slipbox. Castle Pulse. 2003.

Customer Reviews:

5 out of 5 stars The picture.......2006-12-11

I haven't purchased the CD but the picture of the inside of a church on the cover is not of a British church, like one would assume since it says its a recording of British choirs. This picture is of Notre Dame Basilica in Montreal, Quebec, Canada. Just thought i'd let you know. I'll be honest; I'm one to judge things by it's cover and if the company took such care to choose a 'British' church for their British choir CD, I'm willing to bet the music is equally well selected... I'm being sarcastic. But I gave the product 5 stars because I didn't want to hurt its ratings just because i'm cynical. But check out the church if you're ever in Montreal, it's truly beautiful... here I'm not being sarcastic.
Mnemosyne / Garbarek, Hilliard Ensemble
Average customer rating: 4 out of 5 stars
  • A winter"s night
  • horrible
  • Lovely indeed
  • Uplifting
 Mnemosyne / Garbarek, Hilliard Ensemble

Manufacturer: Ecm Records
ProductGroup: Music
Binding: Audio CD

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ASIN: B00000K2AC
Release Date: 1999-10-05

Tracks:

  1. Quechuna Song - Anonymus
  2. O Lord In Thee Is All My Trust
  3. Estonian Lullaby
  4. Remember Me My Dear - Anonymus
  5. Gloria
  6. Fayrfax Africanus
  7. Agnus Dei
  8. Novus novus - Anonymus
  9. Se je fayz dueil
  10. O ignis spiritus

Tracks:

  1. Alleluia nativitatis - Anonymus
  2. Delphic Paean
  3. Strophe and Counter-Strophe
  4. Mascarades - Anonymus
  5. Loiterando
  6. Estonian Lullaby
  7. Russian Psalm - Anonymus
  8. Eagle Dance
  9. When Jesus Wept
  10. Hymn To The Sun

Amazon.com

It's been six years since these same performers got together to create one of the decade's more unusual experiments in musical alchemy. Beginning with the raw materials of early music and modern jazz, the four male voices of the Hilliard Ensemble joined with jazz saxophonist Jan Garbarek to see what would happen when the proper measure of old music and new style were combined, shaped by the performers' considerable experience and collective aesthetic vision. The success of that recording, titled Officium, and subsequent concert performances paved the way for this second effort, continuing the performers' search for artistically meaningful, musically satisfying combinations of written music and improvisatory elements. The odd title of the new recording comes from a mystical poem by Friedrich Hölderlin, quoted in the liner notes and accompanied by pictures from Ingmar Bergman's The Seventh Seal. Officium aficionados will notice that Mnemosyne is even more adventurous in its explorations, which range farther and farther from the printed page. Musical fragments and a general outline are the starting points for several pieces. Improvisation is more frequently and freely employed, but always adheres to an agreed stylistic framework. Alongside a Tallis hymn or a chant by Hildegard, we hear Iroquois and Peruvian song fragments, an ancient Greek tune, and a beautiful lullaby by Veljo Tormis. Garbarek's tasteful improvisations are appropriate additions, inspired commentaries. The Hilliards are even better than on Officium; their awareness and sensitivity brings everything together into a truly unified expression that shows the timelessness of music and reminds us that where rhythm, melody, and musical imagination join, different styles, centuries, and genres are not necessarily obstacles to compatibility. --David Vernier

Customer Reviews:

5 out of 5 stars A winter"s night.......2005-07-23

Though I am not much of an expert in music as to write a good review, I have enjoyed Jan Garbarek's saxo for many years now, and most recently his previous work with the Hilliard Ensemble, "Officium".
What else can I say?
Just imagine a cold winter's night (and nights are cold these day in the Southern Hemisphere), cudled inside your home, by the fireplace, with the company of a good book, smoking your pipe, sipping some good french brandy and listening this marvelous music.
What else can compare to such an experience?
Tomás Linn

1 out of 5 stars horrible.......2005-01-13

Cheesy saxophone and Gregorian chants do not go together, or if they do, they'll end up sounding like this. The Hilliard Ensemble is wonderful and I love to listen to it, but not with a bunch of tacky and unnecessary smooth jazz lines over top.

5 out of 5 stars Lovely indeed.......2002-02-25

I was fortunate enough to see Garbarek and the Hillard Ensemble perform pieces from this disc in Tokyo; one of the true surprises and delights of the evening (which I haven't found on the CD yet) was Garbarek's decision to quote from Albert Ayler's "Ghosts" on one piece. You might wonder with a classical vocal group who focus on early music and modern avant-garde choral composition have to do with Albert Ayler -- it seems a difficult gap to bridge. Hearing this two disc set will do much to make it clear. There is something genuinely spiritually uplifting in this music; it never approaches the New Agey wallpaper of Garbarek's weakest disc, VISIBLE WORLD, however -- it's not a tritened, mass-consumable spirituality at work here. There is grief, suffering, sorrow, pain, and fear acknowledged and embraced in this music; and yet it is still life affirming and inspiring (and beautiful to dream to). The spiritual aspect of Ayler's music, of free jazz itself, deserved the acknowledgement; Ayler was one of the most spiritually uplifting jazzmen of the movement, which often spoke in the idiom of the spiritual -- it would have been just as well (though far less moving, somehow, and far less musically appropriate) to quote "A Love Supreme"). Don't be worried by the unusual combination of jazz and classical elements; as another reviewer notes, Garbarek's voice blends in perfectly with the rest of the group, sounds a part of the whole. You'll forget that choral music usually doesn't include a soprano sax in a surprisingly short time. (Note - Garbarek brought a tenor to do the Ayler bit; I really don't know if it's on these discs, as I haven't listened to them in completion yet, but he does play tenor sax on them, so we can hope). Highly recommended stuff. The art for the booklet, by the way, is taken from Ingmar Bergman's SEVENTH SEAL, which is very, very appropriate. People who like and admire Meredith Monk's music (particularly BOOK OF DAYS, her finest work, by me) will appreciate this greatly, too. And vice-versa.

5 out of 5 stars Uplifting.......2000-02-21

A fantastic journey through time and space, ranging from ancient Greece to present-day compositions by Garbarek. No less spirited than Officium, but much more varied. Whereas Officium was very much the Hilliards with Garbarek adding (at times rather exhibitionist) comments, here they play together almost as a band - and what a band! With beautiful packaging and stunning production, this is immensely enjoyable and uplifting.
Anthem of the Sun
Average customer rating: 4.5 out of 5 stars
  • Death and Rebirth
  • Check out the remastered version instead
  • The first Dead album I fell in love with
  • Wild Experience
  • Hey, Man, Try the Kool-Aid...
 Anthem of the Sun
The Grateful Dead
Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

Folk RockFolk Rock | Rock | Styles | Music
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Similar Items:
  1. Aoxomoxoa
  2. Workingman's Dead
  3. Live/Dead
  4. The Grateful Dead
  5. Grateful Dead (Skull & Roses)

ASIN: B000002KAN
Release Date: 1990-10-25

Tracks:

  1. That's It For The Other One/I. Cryptical Envelopment/II. Quadlibet For Tender Feet/III. The Faster We Go, The Rounder We Get/IV. We Leave The Castle
  2. New Potato Caboose
  3. Born Cross-Eyed
  4. Alligator
  5. Caution (Do Not Stop On Tracks)

Customer Reviews:

5 out of 5 stars Death and Rebirth.......2005-08-17

"That's it for the Other One" is the best musical evocation of death and rebirth I know of. It is trip through the Tibetan Book of the Dead. No wonder the Dead are Grateful.

4 out of 5 stars Check out the remastered version instead.......2003-10-07

This is the Grateful Dead's second album. They have added Mickey Hart on drums, Tom Constanten on keyboards and Robert Hunter writing lyrics. The original LP cover had a blue background, but later versions of the LP had a white background. The CD cover has gone back to the original blue. This is the original CD. There is a new, remastered CD which contains 40 extra minutes of live material (mostly an extended version of Alligater).

This is one of the Dead's wierdest and wildest albums. There's a lot of space and psychodelic music. It is a mixture of studio and live recordings. There is only one real song on this album. The rest are long, extended suites. The Dead even goes back to it's jugband origins, playing Kazoos on one track.

The album starts out with the suite, That's It For the Other One, which bounces around in style. As this piece evolved in concert, much of the middle part would be dropped and the band would concentrate on the driving, simple "The Other One" part of the piece.

Alligater is a 15 minute live track. The middle of it sounds an awful lot like the Allman Brothers' Mountain Jam. The Allman Brothers took Donavan's song (First There is a) Mountain and stretched it out to 35 to 45 minutes. Since the Allman Brothers weren't formed until a year after Anthem of the Sun came out, it makes me think that they were influenced by the Dead.

Jerry Garcia's guitar playing was always evolving as he kept experimenting. Here, he sometimes sounds like the Allman Brothers, and sometimes sounds like the typical San Francisco psychodelic guitar player, similar to the Jefferson Airplane or Big Brother. Later, he would drop both those styles as he moved on to new things.

Overall, this is an interesting but wierd album. If you like the space music, this is the one to get. If you prefer songs, then get Aoxomoxoa or American Bueaty.

5 out of 5 stars The first Dead album I fell in love with.......2002-09-13

I was a 14 year old hippie back in 1968, and this was the first Grateful Dead album I'd ever heard. It was at one of those parties that lasted for days, people coming and going, and one record playing over and over on the stereo... The next day I sat down at my guitar and picked out "That's It For the Other One". The melody is still indelibly stuck in my mind.

This is the early dead at its finest- soaring melodies, extended compositions and solos, music you could just close your eyes and get inside. It still takes me back.

4 out of 5 stars Wild Experience.......2002-08-13

The Dead at their most "psychedelic", weaving together live and studio recordings, phasing things in and out, and generally trying their best to make some "trippy" music. This is the original "trippy" mix, not the more crisp and conservative mix that the band reissued later.

"Cryptical Envelopment"/"That's It For the Other One" is timeless. "New Potato Caboose, unfortunately, is more aimless. "Born Cross-Eyed" is a wild impressionistic finish to Side 1.

Side 2 combines live tapes of "Alligator" and "Caution" with the drum soloing and skitterish blues-based jamming that characterized performance of these tunes. As a bonus, the new (currently comes with the box set; will be the new version in future) digipack version of the CD contains about 30 minutes of the band playing this material live. It's a bit hard to hang with, it kind of puts me to sleep, but it's interesting to hear what they doing with this material live. Another version of "Caution", even more extended and very worth hearing, is on the Dick's Picks 16 CD (from 11/8/69).

5 out of 5 stars Hey, Man, Try the Kool-Aid..........2002-05-27

I'm really not a Grateful Dead fan, but I still consider this a classic. No other single record I know of captures the spirit of the '60's San Francisco music scene better than this...and besides that, the music is great, consistently interesting and engaging. A band who's second album was their best...imagine that!
The King's Consort Baroque Collection
Average customer rating: 5 out of 5 stars
  • Going for Baroque
 The King's Consort Baroque Collection

Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

DuetsDuets | Chamber Music | Classical | Styles | Music
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Similar Items:
  1. The King's Consort Collection
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ASIN: B000002ZDW
Release Date: 1997-09-09

Tracks:

  1. Dixit Dominus
  2. Welcome As The Dawn Of Day
  3. Harlequinade & Aeolus
  4. Who Is Like Unto Thee, O Lord?
  5. Musette
  6. Gloria in excelsis Deo
  7. Esurientes implevit
  8. To God Who Made The Radiant Sun
  9. Hear My Prayer, O Lord
  10. Andante From Trio Sonata In D Minor
  11. Oh! Fair Cedaria
  12. In Jehovah's Awful Sight
  13. In furore iustissimae irae
  14. Alla Hornpipe
  15. Be Welcome Then, Great Sir
  16. Country Dances I And II
  17. Erbarme dich
  18. Overture To The Summer's Absence Unconcerned
  19. La Rejouissance
  20. Salvator noster
  21. Dona nobis pacem

Customer Reviews:

5 out of 5 stars Going for Baroque.......2003-01-09

Here lies master collection from ten years and fifty discs of examples from baroque era performed by choirs, soloists and instrumentalists.

Conducted by energetic Robert King and his King's Consort, this is just superb!

It will introduce one to baroque or add to one's enjoyment. Especially enjoyed Purcell's "Hear my prayer, O Lord" and Gabrieli's "Salvator noster."
Evening Prayer
Average customer rating: 4 out of 5 stars
  • a voice teacher and early music fan
  • Excellent.
  • Phil Meets Chanticleer
 Evening Prayer
Henry Purcell , Skip Sempe , Francoise Johannel , Chanticleer , and Olivier Fortin
Manufacturer: Teldec
ProductGroup: Music
Binding: Audio CD

Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
GeneralGeneral | Purcell, Henry | Composers | Baroque (c.1600-1750) | Historical Periods | Classical | Styles | Music
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  5. Palestrina: Missa Pro Defunctis; Motets

ASIN: B0000AOVT3
Release Date: 2003-10-07

Tracks:

  1. Rejoice In The Lord Alway
  2. Remember Not, Lord, Our Offences
  3. I Was Glad
  4. O Lord, Rebuke Me Not
  5. Praise The Lord, O My Soul, And All That Is Within Me
  6. Now That The Sun Hath Veiled His Light
  7. Hear My Prayer, O Lord
  8. My Heart Is Inditing

Customer Reviews:

5 out of 5 stars a voice teacher and early music fan.......2006-12-01

"Henry Purcell looked like a Florentine prince, was hail-fellow-well-met in taven and taproom, wrote for the Church and also the stage and salon, was in fact, a most likeable young man as well as a great Master of Musick". Thus saith the historians, to which I heartily agree. For anyone to compose all the music that he did in a life-span of only 36 years is astounding to say the least! Except for his appointment as organist at the Chapel Royal and other churches, his compositions are the chief events of his life. His skill in counterpoint,his unique expressive voice and unparallelled gift for English text-setting appear in happy combination in his church music, and what better group to sing it, than Chanticleer!!!Chanticleer's male sopranos help create a timbre whose intensity and clarity make a fascinating alternative to the classic English cathedral sound with which this music is normally associated, thereby bringing to the forefront the more universal qualities of Purcell's art.
All of the selections on this disc are much recorded and quite famlliar to the early music 'crowd'. "Rejoice in the Lord alway" and "I was glad' were 2 anthems written for the coronation of James II.
A very notable selection is 'Now that the sun has veiled his light' best known as "An Evening Hymn". This is not strictly speaking a church piece, but rather a sacred song for solo voice intended for domestic use; very popular with countertenors.
The selection "O Lord, rebuke me not" is sung on this disc by 2 sopranists ( the term usually used for male sopranos). and it is hauntingly lovely.
Purcell's final anthem (not included in this collection) entitled 'Thou knowst Lord, the Secrets of our Hearts' was written for the funeral of Queen Mary in 1694;six months later it again drew tears when it was sung for the composer's buriel in Westminster Abbey.
Chanticleer is perfection; the individual voices are top quality displaying clear diction, sonorous tone quality and as a group, the perfect blend.

5 out of 5 stars Excellent........2005-10-09

OK, I'm confused. Was that supposed to be a review? Phil Spector?!?

Anyway, on to something that makes sense. This is a wonderfully made recording that illustrates Purcell's unique and striking personality. Excellent performance of the standard you expect from Chanticleer. Two tracks are a cappella and ravishing, particularly "Hear My Prayer", a piece of music so daring, soaring, and ahead of its time that it can only be described as a singular work of art. The instrumental compliment on the rest of the disc is not only very prudent and well performed, but is also balanced to perfection with the voices in a way very rarely heard on CD. A must for any Baroque choral lover.

2 out of 5 stars Phil Meets Chanticleer.......2003-12-30

Phil Spector meets Chanticleer. Why in the world would a group so musically gifted as Chanticleer not let the words and music speak for themselves? I am sure many who are unfamiliar with Tudor and similar music from the C of E will think this is terrific. For them, listen to the pure simplicity of Men & Boys from St. Pauls, Kings College, etc.
Sacred Music Complete
Average customer rating: 5 out of 5 stars
  • great, great!!!
  • ALL THE MUSIC YOU EVER NEED!!
 Sacred Music Complete
Purcell , King , and Kings Consort
Manufacturer: Hyperion UK
ProductGroup: Music
Binding: Audio CD

Chamber MusicChamber Music | Forms & Genres | Classical (c.1770-1830) | Historical Periods | Classical | Styles | Music
GeneralGeneral | Classical | Styles | Music
GeneralGeneral | Chamber Music | Classical | Styles | Music
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ASIN: B00006RHQJ
Release Date: 2002-12-10

Customer Reviews:

5 out of 5 stars great, great!!!.......2006-12-05

This is the way ,I think, Purcell should sound. No pomp and surcomstance but only great music.

5 out of 5 stars ALL THE MUSIC YOU EVER NEED!!.......2003-05-23

This boxed set is by far one of the best purchases I have ever made. As a Purcell freak, this hits every button I have. The cast of characters include the inequitable Robert King, New College Choir, Bowman, and a host of other venerable persons. Likewise the attention to period performance of these works makes it an essential addition to the library of any serious anglophile/Musicologist etc. Now if only the Britten Realizations of all Purcell's songs could be recorded alongside the originals! You will Love this set!
100 Golden Classics
Average customer rating: Not rated
    		100 Golden Classics

    Manufacturer: Madacy Records
    ProductGroup: Music
    Binding: Audio CD

    BalletsBallets | Ballets & Dances | Classical | Styles | Music
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    ASIN: B000026EEJ
    Release Date: 2000-06-20
    Music For Queen Mary-A Celebration Of The Life And Death Of Queen Mary
    Average customer rating: 4.5 out of 5 stars
    • a voice teacher and early music fan
    • Joy and sadness perfectly combined
    • Good music, okay performances
    		 Music For Queen Mary-A Celebration Of The Life And Death Of Queen Mary

    Manufacturer: Sony
    ProductGroup: Music
    Binding: Audio CD

    Purcell, HenryPurcell, Henry | ( P ) | Featured Composers, A-Z | Classical | Styles | Music
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    ASIN: B000002AP6
    Release Date: 1995-04-04

    Tracks:

    1. Anthem: I Was Glad
    2. Anthem: Praise The Lord, O Jerusalem
    3. Whilst He Abroad Does Like The Sun
    4. The Sullen Years Are Past
    5. Stript Of Their Green Our Groves Appear
    6. ODE FOR QUEEN MARY'S BIRTHDAY: Symphony
    7. ODE FOR QUEEN MARY'S BIRTHDAY: Chorus: Now Does The Glorious Day Appear
    8. ODE FOR QUEEN MARY'S BIRTHDAY: Verse: Not Any One Such Joy Could Bring
    9. ODE FOR QUEEN MARY'S BIRTHDAY: Tenor Solo: This Does Our Fertile Island With Glory Crown
    10. ODE FOR QUEEN MARY'S BIRTHDAY: Chorus: Now Does The Glorious Day Appear
    11. ODE FOR QUEEN MARY'S BIRTHDAY: Bass Solo: It Was A Work Of Full As Great A Weight
    12. ODE FOR QUEEN MARY'S BIRTHDAY: Countertenor Solo: By Beauteous Softness Mixt With Majesty
    13. ODE FOR QUEEN MARY'S BIRTHDAY: Verse: Her Hero, To Whose Conduct And Whose Arms
    14. ODE FOR QUEEN MARY'S BIRTHDAY: Verse: Our Dear Religion
    15. ODE FOR QUEEN MARY'S BIRTHDAY: Tenor Solo: No More Shall We The Great Eliza Boast
    16. ODE FOR QUEEN MARY'S BIRTHDAY: Symphony
    17. ODE FOR QUEEN MARY'S BIRTHDAY: Chorus: Now With One United Voice
    18. ODE FOR QUEEN MARY'S BIRTHDAY: O Dive Custos - Elegy On The Death Of Queen Mary
    19. ODE FOR QUEEN MARY'S BIRTHDAY: Incassum, Lesbia - The Queen's Epicedium
    20. The Queen's Farewell. March
    21. The Queen's Farewell. March
    22. March
    23. THE BURIAL SERVICE: I Am The Resurrection (Morley)
    24. THE BURIAL SERVICE: Thou Knowest, Lord (Purcell)
    25. THE BURIAL SERVICE: Canzona (Purcell)
    26. THE BURIAL SERVICE: I Heard A Voice (Morley)

    Customer Reviews:

    5 out of 5 stars a voice teacher and early music fan.......2006-01-27

    Purcell compositions for Queen Mary span the whole of her brief reign. He provided music for her coronation, on April 11,1689; for the formal celebraton of her birthday on April 30 each year; and for her funeral, on March 5, 1695. At the coronation of William and Mary his 'I was glad' was one of 9 anthems performed during this ceremony. Purcell, in his position as Abbey Organist had tailored the music with precision. The opening passage is in stately block chords-straightforward for the choir to co-ordinate while proceeding along the nave, and arriving in their places just in time to watch the conductor for the closing bars. Later in the service the 2nd anthem by Purcell was sung:"Praise the Lord, O Jerusalem",
    The centerpiece of this disc is the Ode for Queen Mary's birthday"Now does the glorious day appear" and glorious it is!!! It is divided into 14 sections; some solos, some duets and some choruses. It was easily the finest royal ode he had as yet composed, and also the most richly scored; laid out for five part strings, the violas being divided. Thanks to this exotic scoring, the ode abounds in moments of gorgeous opulence. For Mary's funeral services (she died at the age of 33) Purcell composed 3 pieces all included in this disc and all memorable.
    The performers include Westminster Abbey Choir; the New London Consort; soloists: sopranos Emma Kirkby and Evelyn Tubb-countertenor Michael Chance-tenor Ian Bostridge-basses Stephen Richardson and Simon Birchall. All of this under the direction of Martin Neary.
    The notable distinction of this recording is as follows and I quote from the accompanying jacket:"Complete music for Queen Mary's funeral, newly assembled and edited, and performed in Westminster Abbey by the Abbey Choir for the first time since 1695". The recording is beautifully adorned inside and out, and the sticker on the outside proclaims that it is music featured in the Westminster Abbey Funeral service fo Diana, Princess of Wales.

    5 out of 5 stars Joy and sadness perfectly combined.......2000-02-19

    This CD is subtitled "A Celebration of the Life and Death of Queen Mary" and it thus divides into two sections. To begin with, we hear a number of works written for the Queen during her life, among which are short songs by John Blow (including "The sullen years are past" which has never been recorded before) and a massive setting of one of many odes for the royal birthday celebrations by Henry Purcell - "Now does the glorious day appear," which is a sweeping and powerful work with a variety of ground bass arias, duets, recitatives, choruses and orchestral symphonies - all making for a fine and rewarding listening experience.

    In the second section, the focus moves onto music written during the mourning period after Queen Mary's death. Purcell continues to prove himself the greatest composer of the time, in his semi-sacred songs (in Latin) mourning her death, and in the music he wrote for her funeral. This section is indeed a highlight of the disc as it attempts, in a very scholarly way, to recreate the funeral in the Abbey as it might have sounded in 1695, with the Funeral Sentences by Thomas Morley interspersed with Purcell's own material and a number of Farewell Marches for trumpets and drums only.

    The members of the Abbey Choir under Martin Neary do an admirable job of stepping into the shoes of their forebears under Purcell; accompanied by the period instrument-equipped New London Consort, the sound is truly magnificent. In addition, a number of prestigious soloists appear, including Emma Kirkby and Ian Bostridge (undoubtedly key performers for capturing the purity and delicacy of this music), Michael Chance (who seems a little under-utilised), Stephen Richardson (a rich and profound bass voice if ever I heard one) along with members of the Abbey Choir itself. Of special note- one does not often find a choral CD on which all three senior musical officials at the cathedral (Organist, Assistant Organist and Organ Scholar) are heard playing, but this is one such recording: Martin Baker and Stephen Le Prevost fill in organ continuo parts in various places, as does Dr Neary himself (who also plays the harpsichord for most of the solo pieces).

    Arc of Light have done it again- a recording of extreme loveliness, going right down to the packaging which features some beautiful artistry (in fact, the main cover photograph is given an explanation in the booklet notes owing to the special way in which it was produced). A true gem in all respects.

    4 out of 5 stars Good music, okay performances.......1999-03-26

    This disc presents a somewhat eclectic collection of music devoted to Queen Mary (mostly by Purcell, but by some other contemporaries as well). Despite the common theme I couldn't get rid of the feeling that the pieces didn't "click." Neither did the soloists sound at ease. Michael Chance, perhaps, deserves the most praise. But alas, some of the pieces that he normally sings (e.g. Incassum Lesbia) were given to sopranos, who couldn't do them nearly as much justice. The voice of one of the sopranos kept cracking up (don't know which one: the past-her-prime Emma Kirkby or whoever-she-is Evelyn Tubb). Ian Bostridge is undeniably a great performer, mainly known for his brilliant lieder interpretations. I don't want to say that baroque is not his cup of tea because he is vocally well suited to this repertory. Yet I didn't think he was as great in Purcell as many of his countrymen, such as John Mark Ainsley, Charles Daniels or Mark Padmore (to the extent one recording is enough of a basis to judge, which perhaps it is not). I don't want to be unfair, but I've heard Purcell performed better. This is not a bad recording, just not the best.

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