Friends/20/20 [Extra tracks] [Original recording remastered]
Editorial Reviews
Amazon.com
What happens when the goose stops laying golden eggs? That's the dilemma the Beach Boys faced when Brian Wilson underwent a self-imposed creative cooling-off period after the mysterious Smile album debacle. And after producing what averaged to better than three albums a year for the previous half-decade, who could blame him? Nevertheless, the band's failure to capitalize on the musical revolution symbolized by Sgt. Pepper saw their American fortunes plummet from world-beaters to also-rans, seemingly overnight. But ironically, as the times were a-changin', so was the Beach Boys sound, even if few in America were listening. Friends is easily the band's most tranquil album, a missive of peaceful good tidings fatefully issued amidst the assassinations and street riots of 1968. And if Brian was absent from many of the group's photos during the troubled era, he was still involved behind the scenes, as the vocal harmonies of the title track, "Be Here in the Mornin'," and others attest; his instrumental arrangements may be low-key, though ever inventive, as "Diamond Head" also confirms. Still, the blunt, confessional message of Wilson's "Busy Doin' Nothin'" is equally hard to miss. 20/20 marked the 20th--and last--album of the band's first Capitol era. The album is a collection of singles (the nostalgic "Do It Again," Carl Wilson's vibrant showcase "I Can Hear Music") and a couple of key Smile scraps (the transcendent a cappella album intro "Our Prayer" and the American gothic-tinged "Cabinessence," with obtusely punning lyrics courtesy of Van Dyke Parks) set amidst productions that are mostly divided among various band members. Perhaps most notable is the continued blossoming of Dennis Wilson's talents on "Be with Me" and "Never Learn Not to Love" (the latter reputedly originally given to Wilson by temporary housemate Charles Manson; strange days, indeed). This digitally remastered edition of the long out-of-print twofer edition includes the reminiscences of Brian Wilson and insightful liner notes by Beach Boys and the California Myth author David Leaf and features five bonus cuts: "Break Away," the band's vocally spectacular, if woefully underappreciated, last Capitol single; the B-side "Celebrate the News," sung and produced by Dennis; the beautiful '68 outtake, "We're Together Again"; a snippet of Brian's soaring falsetto paying tribute to Bacharach's "Walk on By"; and a medley of "Old Folks at Home"/"Ol' Man River" that underscores the band's distinctly American historical and artistic heritage. --Jerry McCulley
Friends/20/20, Music, The Beach Boys, Pop, Pop/Rock, Popular Music, Psychedelic Pop, Rock, Rock & Roll, Rock/Pop, Sunshine Pop
Average customer rating:
- Friends is Meant For You if you're a fan
- 20/20... The Forgotten Gem
- Outrageously Great Albums- Well Kept Secret Among Elite Music Appreciaters
- Friends-Brian Wilson's favorite
- Two Gems on One CD!
|
Friends/20/20
The Beach Boys
Manufacturer: Capitol
ProductGroup: Music
Binding: Audio CD
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Similar Items:
- Smiley Smile/Wild Honey
- Sunflower/Surf's Up
- Today/ Summer Days (and Summer Nights)
- Carl & The Passions - So Tough / Holland
- Little Deuce Coupe/ All Summer Long
ASIN: B00005ABWY
Release Date: 2001-04-10 |
Tracks:
- Meant For You
- Friends
- Wake The World
- Be Here In The Mornin'
- When A Man Needs A Woman
- Passing By
- Anna Lee, The Healer
- Little Bird
- Be Still
- Busy Doin' Nothin'
- Diamond Head
- Transcendental Meditation
- Do It Again
- I Can Hear Music
- Bluebirds Over The Mountain
- Be With Me
- All I Want To Do
- The Nearest Faraway Place
- Cotton Fields (The Cotton Song)
- I Went To Sleep
- Time To Get Alone
- Never Learn Not To Love
- Our Prayer
- Cabinessence
- Break Away
- Celebrate The News
- We're Together Again
- Walk On By
- Old Folks At Home/Ol' Man River
Amazon.com
What happens when the goose stops laying golden eggs? That's the dilemma the Beach Boys faced when Brian Wilson underwent a self-imposed creative cooling-off period after the mysterious Smile album debacle. And after producing what averaged to better than three albums a year for the previous half-decade, who could blame him? Nevertheless, the band's failure to capitalize on the musical revolution symbolized by Sgt. Pepper saw their American fortunes plummet from world-beaters to also-rans, seemingly overnight. But ironically, as the times were a-changin', so was the Beach Boys sound, even if few in America were listening. Friends is easily the band's most tranquil album, a missive of peaceful good tidings fatefully issued amidst the assassinations and street riots of 1968. And if Brian was absent from many of the group's photos during the troubled era, he was still involved behind the scenes, as the vocal harmonies of the title track, "Be Here in the Mornin'," and others attest; his instrumental arrangements may be low-key, though ever inventive, as "Diamond Head" also confirms. Still, the blunt, confessional message of Wilson's "Busy Doin' Nothin'" is equally hard to miss.
20/20 marked the 20th--and last--album of the band's first Capitol era. The album is a collection of singles (the nostalgic "Do It Again," Carl Wilson's vibrant showcase "I Can Hear Music") and a couple of key Smile scraps (the transcendent a cappella album intro "Our Prayer" and the American gothic-tinged "Cabinessence," with obtusely punning lyrics courtesy of Van Dyke Parks) set amidst productions that are mostly divided among various band members. Perhaps most notable is the continued blossoming of Dennis Wilson's talents on "Be with Me" and "Never Learn Not to Love" (the latter reputedly originally given to Wilson by temporary housemate Charles Manson; strange days, indeed). This digitally remastered edition of the long out-of-print twofer edition includes the reminiscences of Brian Wilson and insightful liner notes by Beach Boys and the California Myth author David Leaf and features five bonus cuts: "Break Away," the band's vocally spectacular, if woefully underappreciated, last Capitol single; the B-side "Celebrate the News," sung and produced by Dennis; the beautiful '68 outtake, "We're Together Again"; a snippet of Brian's soaring falsetto paying tribute to Bacharach's "Walk on By"; and a medley of "Old Folks at Home"/"Ol' Man River" that underscores the band's distinctly American historical and artistic heritage. --Jerry McCulley
Customer Reviews:
Friends is Meant For You if you're a fan.......2006-07-10
Friends is the best BB album. It's 25 minutes of peace, positivity and the lost hippy masterpiece of 1968. The real fans best kept secret. If you're not a fan you'll hate it, if you're a real BB fan, it is meant for you.
20/20 is worth it for the lost Smile track Cabinessence.
20/20... The Forgotten Gem.......2006-05-22
The only reason I gave this four stars is because it's combined with Friends, which with the exception of Meant For You & the title song is just OK, in my opinion. 20/20, however is loaded with phenomenal songs. Do It Again,I Can Hear Music,Be With Me, Time To Get Alone,Our Prayer(a capella at it's best), etc. For some reason, critics never even gave this album a chance and I don't know why. Maybe it didn't fit the late 60's groove that was going on, but still the lyrics are strong and the harmonies are fantastic. Yes, there is that one song, "Never Learn not to Love", whose lyrics were written by Charles Manson, but the way the song is done by The Beach Boys is just too good to pass off just because of who wrote it. This 2 CD set also includes Break Away and We're Together Again, which are also excellent songs that never received any airplay. The only 2 songs that did were Do It Again and I Can Hear Music. My advice is to buy this while you can. You won't be disappointed!!
Outrageously Great Albums- Well Kept Secret Among Elite Music Appreciaters.......2005-11-06
In fact I have heard that "Friends" is Brian Wilson's favorite album. The songs on here that will hypnotize and captivate you are ones that you have probably never heard like "Anna Lee The Healer" on Friends. Or the minor hit "I can Hear Music" on 20/20. It's funny but on 20/20 the biggest hit is "Do it Again" and it is actually one of the weaker songs on the album. On Friends Denis Wilson starts to really emerge as a vocal talent and songwriter. And on 20/20 Bruce Johnston contributes something pretty special with the instrumental "The Nearest Faraway Place" which went on to become the title of the Timothy White biography about the Beach Boys. These albums are must haves because a lot of the best material on them is not found on any of the greates hits packages including the Brother Years compilation. Buy these NOW!
Friends-Brian Wilson's favorite.......2005-10-03
In addition to being Brian Wilson's favorite BB's album, Friends is quite possibly the best post Pet Sounds Beach Boy's album.
Two Gems on One CD!.......2005-09-21
"Friends" and "20/20" were the two last albums the Beach Boys recorded for Capitol before moving to Brother/Reprise Records.
Casual Beach Boys listeners probably know little about these two albums that did not do very well in the charts in 1968-69. At the time the Beach Boys had lost a lot of their popularity and leader Brian Wilson played only a minor role in the group compared to the days, when their were on top of their career.
None the less, both albums contain terrific material.
"Friends" is an album with no hit single ( the title track made it to # 47), and most of the songs are very short. But there is a charm to most tracks that make you think of the best material on "Pet Sounds" and "Smile". The production and instrumentation on most songs is sparse, almost minimalistic, and the structure relatively simple; but still mostly great. The title track is probably the most complex song, with great lead vocals from Brian and Carl. "Wake the World", "Meant For You", "When a Man Needs a Woman" and "Little Bird" are other highlights. Remarkable that all members contribute first class material and lead vocals.
"20/20" is a little more uneven. This album contains some fine singles like "Do It Again", "I Can Hear Music", "Bluebirds Over the Mountain" and "Cotton Fields". Other highlights are the two "Smile" leftovers "Our Prayer" and "Cabinessence". "I Went to Sleep" was recorded during the "Friends" sessions and probably should have been included there since it's a good song and the playing time on that album is very short. Another highlight is "Time to Get Alone" with beautiful vocals from Carl and Brian.
The bonus-tracks are all great. "Break Away" is probably their strongest post "Smile" single. Some of the lesser known tracks like "Celebrate the News" and "We're Together" are also fine.
Average customer rating:
- Instruments of the Orchestra - Great Reference Material!
- Beginner or Expert
- Very Informative and Enjoyable
- Frank's view
- Excellent Intro for Those Not Familiar with the Orchestra
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Manufacturer: Naxos
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ASIN: B00006O0NT
Release Date: 2002-12-03 |
Tracks:
- Overture To 'Tannhauser'
- Domna, Pos Vos Ay Chausida
- We Don't Merely Use Instruments, We Play On Them. And They Play On Us.
- Hungarian Dance No.7
- The Violin Is One Of The Most Tender And Beautiful Instruments Ever Invented.
- Violin Concerto In D Major (Adagio)
- But For A Long Time It Was Seen As The Instrument Of The Devil.
- The Soldier's Tale: Triumphal March Of The Devil
- The Manipulative Seductiveness Of The Gypsy Violin.
- Csardas Music
- The Violin And The Initiation Of Nature
- The Four Seasons (Spring, Mvt 1)
- Birds Are Again Evoked In The Second Concerto, Especially Music's Natural Favourite.
- The Four Seasons (Summer, Mvt 1)
- Like The Devil, The Violin Is A Master Of Disguise.
- Old Viennese Dance No.3 'Schon Rosmarin'
- The Menacing Sensuality Of Ravel's Tzigane: A Very Different Side Of The Violin:
- Tzigane
- Do We Now Have The True Measure Of This Instrument? Not Just Yet.
- Caprice No.24
- The Many Effects Of The String Tremolando: Brandenburg Concerto No.4 (Last Mvt)/From Joy To Fright/Quartettsatz In C Minor/The String Tremolo Practically Spells The World Agitato.
- Variations On A Theme Of Frank Bridge (No.7)
- Prokofiev's Tremolo In Romeo And Juliet Should Not Be Heard Just Before Bedtime.
- Romeo And Juliet: Act IV
- Vivaldi Use It To Illustrate The Shivering Of Travellers Crossing The Ice.
- The Four Seasons (Winter, Mvt 1)
- The Violin Muted
- Clair De Lune
- The Gentleness Of Muted Strings Persists Even When A Whole Orchestra Plays.
- Piano Concerto No.21 In C Major, K.467 (Slow Mvt)
- The Pizzicato Violin
- Pizzicato Polka
- In Prokofiev's Second Violin Concerto, The Accompaniment Is Pizzicato.
- Violin Concerto No.2 In G Minor (Slow Mvt)
- Varieties Of Pizzicato: Colas Breugnon (The People's Feast)/Now A Drier, Leaner, Hungrier Pizzicato. There's Not A Lot Of Comfort Here./Capriol Suite (Tordion)/The Use Of Pizzicato As 'Percussion'/Romeo And Juliet (Act I)/Mahler Used Pizzicato...
- The Planets (Mars - The Bringer Of War)
- The Technique Of Double-Stopping Enables The Violin To Play Duets With Itself./Sonata No.3 In C Major For Unaccompanied Violin (Fugue)/Now A Later Example Of The Same Technique
- Hungarian Dance No.4
- Double-Stopping Is A Standard Feature Of A Lot Of Folk Music.
- The Four Seasons (Autumn, Mvt 1)
- Now The Same Technique, But The Sound Might Have Come From Another World.
- Bolero
- Double-Stopping Can Only Approximate The Sound Of A Real Violin Duet.
- Cadenza To The Violin Concerto By Brahms
- Now Compare That With A Real Violin Duet.
- Forty-Four Duos (No. 1: Teasing Song)
- Another Duo By Bartok, Demonstrating The Violin's Rich Lower Register
- Forty-Four Duos (No.2: Maypole Dance)
- And Now What May Be The Most Beautiful Accompanied Violin Duet In History
- Concerto In D Minor For Two Violins (Largo)
- The Soul Of The Violin Is In Song; But What About This Weird Passage?
- Violin Concerto No.1 In D Major (Mvt 2)
- The Use Of Harmonies In The Orchestra Can Be Both Magical And Unsettling.
- Symphony No.1 'Titan' (Mvt 1, Opening)
- Tchaikovsky's Use Of Harmonics In The Sleeping Beauty Is Both Strange And Darling.
- The Sleeping Beauty (Act II, No.15: Entr'Acte)
- Ravel's Harmonics In Mother Goose Effect A Magical Transformation.
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- Stravinsky's Harmonics In The Firebird Transport Us Almost Into Another World./The Firebird (Introduction)
- The Natural Upper Notes Of The Violins Have A Unique Emotional 'Grab'.
- Also Sprach Zarathustra (Of The Afterworldsmen)
- Still In Their Upper Register, The Violins Unleash The Energy Of A Young Colt.
- Variations On A Theme Of Frank Bridge (No. 4)
- Elsewhere, Britten Uses The Same High Register To Create A Very Different Mood.
- Four Sea Interludes (Dawn) From 'Peter Grimes'
- To End This Outing With The Violins, A Charming Little Elfin Dance
- Elfenreigen
Tracks:
- Introduction To The Viola
- Viola Concerto (Mvt 1)
- Khatchaturian Gets A Very Different Sound From It: Fuller, Fruitier, More Exotic.
- Gayane Suite No.1 (Armen's Solo)
- Very Nearly The Whole Of The Violin's Upper Register Is Also Available To The Viola.
- Passacaglia, Op.33b From 'Peter Grimes'
- The Viola Can Bring A Special, Rich Twanginess To Pizzicato That The Violins Lack./Don Quixote/Berlioz Drew Sounds From It That Retain Their Metallic Strangeness Even Today.
- Harold In Italy (Mvt 4)
- The Muted Viola: Intimate, Gentle, Poignant In Dvork
- Cypresses (No.9)
- The Massed Violas Of The Modern Symphony Orchestra In Mahler
- Symphony No.4 (Mvt 3)
- The 'Period' Viola In Bach
- Brandenburg Concerto No.6 (Last Mvt)
- The Cello: A Voice Of Unique Nobility
- Suite No.1 For Unaccompanied Cello (Prelude)
- Brahms And The 'Soul' Of The Cello
- Piano Concerto No.2 In B Flat Major (Mvt 3)
- Most Orchestral Composers Tend To Emphasize The Cello's Lower Register.
- Cantata 'Herz Und Mund Und Tat Und Leben', BWV 147 (Soprana Aria: Bereite Dir, Jesu)
- In The Time Of Beethoven The Cello Remained As Fundamental As Ever.
- Symphony No.3 'Eroica' (Finale)
- But The Cello Is Not Condemned To Spend Its Life In The Basement.
- Elfentanz, Op.39
- Not Only In Recital Showpieces Like That Is The Cello Is Used In Its Highest Register.
- The Protecting Veil (Opening)
- A Cello With An Identity-Crisis: The Pizzicato Flamencan
- Flamenco
- Double-Stopping In The Lower Reaches Of The Cello's Range
- Solo Suiet For Cello And Piano (Sardana)
- It's In The Middle Register That The Cello Really Comes Into Its Own.
- Oriental Dance, Op.2 No.2
- It Was To The Cellos That Beethoven Gave Two Of His Most Famous Themes./Symphony No.5 (Mvt 2)/Still More Famous Than That Theme Is This One From The Ninth Symphony.
- Symphony No.9 (Finale)
- Introduction To The Double-Bass
- The Carnival Of The Animals (The Elephant)
- But The Double-Bass Can Be Intensely Expressive And Graceful.
- Elegy No.1 In D Major
- The Range Of The Double-Bass Is The Greatest Of All The String Instruments/Allegro Di Concerto, 'Alla Mendelssohn'/And It's Also Capable Of Very Considerable Virtuosity.
- Capriccio Di Bravura
- Double-Bass Solos In Orchestral Scores Are Rare But Often Memorable./Symphony No.1 'Titan' (Mvt 3)/In His Third Symphony Mahler Makes A Very Different Use Of The Instrument./Symphony No.3 (Mvt 1)
- The Double-Bass Muted In Prokofiev/Lieutenant Kije Suite (Kije's Wedding)/In Another Work Prokofiev Uses The Double-Bass To Enhance The Winds./Romeo And Juliet (Act III)/And He Combines The Bass Clarinet With A Shivering Tremolo From The Double-Basses....
- Symphony No.5 (Mvt 3)/So Much For The Strings/On Now To The Winds
Tracks:
- The Antiquity And Magic Of The Flute
- Prelude A L'Apres-Midi D'Un Faune
- The Versatility And Agility Of The Flute
- Orchestral Suite No.2 In B Minor (Badinerie)
- The Flute In Fifteenth-Century Spain
- Sa'Dawi
- Other Flutes: The Bass And Alto
- Chamber Music No.II
- The Piccolo - Aptly Named
- La Naissance D'Osiris (Mvt 6)
- From A Piccolo Of The Eighteenth Century To One Of Its Descendants In The Twentieth
- Suite No.1 For Small Orchestra (Valse)
- A Variety Of Techniques
- Chamber Music No.II
- Flutter-Tonguing. But Tchaikovsky Got There Eighty Years Before.
- The Nutcracker (Act II, No.2: Scene)
- From The Transverse To The Vertical: The Baroque Recorder
- Recorded Suite In A Minor (Menuet II)
- An Unfamiliar, Early Vision Of The Instrument
- Naelden, Naelden
- The Bachian Oboe
- Cantata 'Ein Feste Burg Ist Unser Gott', BWV 80 (No.7: Duetto)
- Introduction To The Cor Anglais Or 'English Born'
- Symphony No.9 'From The New World' (Mvt 2)
- The Loneliness Of The Cor Anglais
- The Swan Of Tuonela
- The Cor Anglais Joins The French Horn In Haydn.
- Symphony No.22 'The Philosopher' (Opening)
- Introduction To The Oboe D'Amore, Beloved Of Bach - But Also Of Ravel
- Bolero
- The Clarinet Family: Boxing The Compass, From The Depths Of The Bass Clarinet.../The Egyptian (Violence)/...To The Raucous And Squealy.../Taras Bulba (The Death Of Ostap)/...To The Shrill And Complaining...
- Petrushka (No.8: Peasant With Bear)/...To The High Sprits Of A Playful Puppy./Symphonie Fantastique (Last Mvt)/And To The Downright Jazzy/Romeo And Juliet (Act II)
- As The High Clarinets Tend To Be Loud, So The Bass Tends To Be Soft:
- Gayane Suite No. 1 (Mvt 5)
- The Bass Clarinet Is Used By Most Composers Mainly As A Colouring Agent.../Petrushka (No.4: The Blackamoor)/...But It Does Occasionally Get A Whole Tune To Itself./Iberia (Almeria).
- The Range Of The Normal Clarinet Parts Goes Quite High...
- The Snow Maiden (Scene 5: Melodrama)
- ...And Quite Low.
- Peter And The Wolf (The Cat)
- The Clarinet As Concerto Soloist
- Clarinet Concerto In A Major (Rondo)
- But That's Not The Instrument Mozart Wrote It For; This Is:
- Clarinet Concerto In A Major (Rondo)
- Introduction To The Saxophone
- Hary Janos Suite (Mvt 4)
- The Soprano Saxophone Has Quite A Different Feel To It.
- L'Arlesienne Suite No.1 (Minuet)
- The Little Sopranino Sax Goes Even Higher.
- Bolero
- The Most Famous Use Of The Saxophone Is In An Orchestration By Ravel.
- Pictures At An Exhibition (The Old Castle)
- The Saxophone Can Be Quite Contagiously Good-Humoured.
- Sax-O-Phun
- The Puffa-Puffa Image Of The Bassoon
- Peter And The Wolf (Grandfather)
- The Bachian Bassoon, In Accompanimental Mode
- Cantata 'Weichet Nur, Betrubte Schatten' ('Wedding Cantata'), BWV 202 (Aria No.1)
- Bizet Leaves The Puffa-Puffa Image Out, Allowing The Bassoon To Sing./Carmen Suite No.1 (Les Dragons D'Alcala)
- And Ravel, Also In Spanish Mode, Does Likewise.
- Bolero
- The Bassoon As A Voice Of High Seriousness, Indeed Desolate Loneliness
- Symphony No.3 (Opening)
- The Eerie Bassoon In Its Highest Register
- The Rite Of Spring (Opening)
- Stravinsky Now Draws On Its Lowest Register, Lonely And Melancholy.
- The Firebird Suite (1919, Berceuse)
- The Bassoon As Concerto Soloist, Avoiding All Exaggeration
- Bassoon Concerto In G Minor (Finale)
- The Deep-Voiced Contra-Bassoon, As A Fairy-Tale Beast
- Ma Mere L'Oye - Mother Goose (Beauty And The Beast)
- The French Horn Under Its Woodwind Hat
- Wind Quintet, Op.43 (Last Mvt)
- Now A More Prominent Role, In A Woodwind Quintet From An Earlier Era
- Wind Quintet In A Minor, Op.100 No.5 (Mvt 2)
- The Horn In Harmonious Blend With Strings In Another Quintet
- Horn Quintet, K.407 (Finale)
Tracks:
- The Trumpet As Virtuoso Soloist
- Brandenburg Concerto No.2 (Last Mvt)
- The Special Brillance Of Paired Trumpets
- Concerto In C For Two Trumpets, RV537 (Mvt 1)
- The Ceremonial Trumpet
- Fanfare For The Common Man
- Trumpets And Drums - An Incomparable Alliance
- Messiah (The Trumpet Shall Sound)
- The Versatility Of The Trumpet, From The Most Public To The Most Lonely
- Piano Concerto In F (Slow Mvt)
- The Trumpet As The Voice Of The City/An American In Paris/The Trumpet As Recruitment Officer/The Soldier's Tale (The March)/The Trumpet As Swaggerer
- Carmen Suite No.2 (Habanera)
- The Trumpet As The Voice Of Strength And Courage
- Carmet Suite No.2 (Toreador's Song)
- The Trumpet Muted/Petrushka (No.4: The Blackamoor)/Lieutenant Kije Suite (Opening)/The Trumpet As The Voice Of Weariness
- Billy The Kid
- The Trumpet As Character Actor
- Pictures At An Exhibition (No.6)
- The Trumpet As The Voice Of God
- Mass In B Minor ('Et Exspecto')
- The Birth Of The Trombone
- Aenmerckt Nu Hier
- The Birth Of The Brass As A Family
- Canzon 12 In Double Echo
- The Trombone In The Eighteenth Century
- Trombone Concerto In B Flat Major (Finale)
- The Tone Of The Tenor Trombone/Romance For Trombone And Organ/The Memorable Voice Of The Bass Trombone/Requiem (Mvt 2)/But The Bass Trombone Is More Than An Instrumental Bullfrog.
- Hosannah
- The Trombones Become Part Of The Orchestra.
- Symphony No.5 (Finale)
- The Wagnerian Trombone:/Overture To 'Tannhauser'
- The Trombone As Caricaturist
- Pulcinella (No.19: Vivo)
- The Trombone As Raspberry/Concerto For Orchestra (Intermezzo)
- The Horn And The Hunt
- Horn Concerto No.4 In E Flat, K.495 (Finale)
- The Challenging Horn Of The Baroque
- Abaris Ou Les Boreades (Menuet)
- The Scarcity Of First-Rate Players In Handel's Time
- Walter Music (Minuet 1)
- The Horn As Magician/The Firebird Suite (1919, Finale)
- Horns And The Sound Of Nobility
- Overture To 'Tannhauser' (Opening)
- The Special Sound Of The Horn In Its Higher Register
- Mass In B Minor ('Quoniam Tu Solus Sanctus')
- The Trumpet-Like Sound Of Massed Horns
- Symphony No.3 (Mvt 1, Opening)
- The Tuba - Unfairly Maligned?
- Symphony No.6 (Mvt 3)
- The Tuba Perfectly Cast By Ravel
- Pictures At An Exhibition (Bydlo)
Tracks:
- Introduction. And We Begin With A Bang.
- Fanfare For The Common Man/The Bass Drum On The Battlefields/Wellington's Victory, Op.91 (Opening)
- At The Opposite Extreme Is The Triangle.
- Piano Concerto No.1 In E Flat (Scherzo)
- Categories Of Percussion: Tuned And Untuned. The Side Drum
- Overture To 'La Gazza Ladra' - The Thieving Magpie (Opening)
- The Side Drum In An Effective But Unexpected Role/Clarinet Concerto (Mvt 1)
- The Tambourine. One Of The Oldest Instruments In The World
- Den Hoboecken Dans
- Even Older Is The Originally Oriental Gong.
- Ma Mere L'Oye - Mother Goose (Laideronette)
- No Single Instrument Can Match The Gong In Evoking The Breaking Of Waves./Passacaglia, Op.33b From 'Peter Grimes'/But Gongs Don't Have To Be Struck To Be Effective.
- Gymnopedie No.2
- The Cymbals Are Generally Discovered Early In Life./The Sanguine Fan/And They Do More Than Clash Together Loudly. They Can Be Clashed Together Softly./Studio Example: But They Needn't Be Clashed Together At All/Studio Example: They Can Be Lightly...
- Other Untuned Percussion Instruments Include The Whip.: Piano Concerto In G Major (Opening)/And Here Are No Fewer Than Twenty, Cracked By Tchaikovsky: The Nutcracker (Act I, Scene 5)
- More Versatile Than The Whip Are The Wood Blocks.../Studio Example/...Which Crop Up All Over The Place In Twentieth-Century American Music.
- Rodeo (Hoe-Down)
- Related To The Wood Blocks, By Sound, Are The Castanets./Jota Aragonesa/But The Castanets Were Also Used By Monteverdi Back In The Seventeenth Century.
- Scherzi Musicali (Damigella Tutta Belle)
- A Still Earlier Example From Fifteenth-Century Spain
- Yo M'Enamori D'Un Aire
- The Birth Of The Bongo
- Symphonic Dances From 'West Side Story'
- From The Streets Of New York To The Blacksmith's Shop/Il Trovatore ('Anvil Chorus')
- Desert-Island Decibels: Grand Canyon Suite (On The Trail)/Arcana
- From One Vegetable To Another: The Humble Squash, Or Marrow/Huapango
- Onwards To The Tuned Percussion. First, The Timpani
- Also Sprach Zarathustra (Introduction)
- But The Drum Roll Can Be More Effectively Frightening Than The Big Bang.: Symphony No.2 'Resurrection' (Mvt 3)
- Not One Drum Roll, But Many/Grand Canyon Suite (Sunrise)/Symphonie Fantastique (Last Mvt)
- Taking Advantage Of Tunability
- Music For Strings, Percussion And Celeste (Mvt 2)
- The Russian Composer Rodion Shchedrin Takes A Downward Turn./Carmen Suite (Changing Of The Guard)/Tuned, Yes; But For The Truly Melodic We Must Look Elsewhere.
- Introducing The Glockenspiel/Carmen Suite (Carmen's Entrance And Habanera)
- Saint-Saens And The Xylophone
- The Carnival Of The Animals (Fossils)
- Ravel And The Xylophone
- Ma Mere L'Oye - Mother Goose (Laideronette)
- Introducing The Marimba/Carmen Suite (First Intermezzo)
- Introducing The Vibraphone
- The Treasure Of The Sierra Madre (Narange Dolce)
- The Vibraphone Goes Russian.../Carmen Suite (Carmen's Entrance And Habanera)/...And Is Joined By The Marimba./Carmen Suite (Carmen's Entrance And Habanera)
- Introducing The Hungarian Cimbalom
- Folk Dances
- The Cimbalom And The Symphony Orchestra
- Hary Janos Suite (Mvt 3)
- Introducing The Tubular Bells
- Hary Janos Suite (Viennese Musical Clock)
- A More 'Up-Front' Approach From Rodion Shchedrin
- Carmen Suite (Introduction)
- But The Bells Can Also Make The Sinister Even More Sinister./Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Introducing The Celeste
- The Nutcracker (Dance Of The Sugar Plum Fairy)
- Magic, In The Use Of Collective Percussion
- Miroirs (La Vallee Des Cloches)
- Plucked Instruments: The 'Undercover Percussion'/Carmen Suite (Scene)
- A Prime Case In Point Is The Harp, Irresistible To The Romantics./The Nutcracker (Act II, No.1: Scene)/The Non-Solo Harp As An Integral Part Of The Orchestra/Hungarian Rhapsody No.1
- The Traditionally Subservient Role Of The Harpsichord In The Baroque Orchestra
- Brandenburg Concerto No.2 (Slow Mvt)
- The Piano: King Of The Tuned Percussion/Symphony No.3 'Organ' (Mvt 3)/And A Quarter Of A Century After That:
- Petrushka (Russian Dance)
- The Anti-Romantic Piano As An Integral Part Of The Orchestra
- Music For Strings, Percussion And Celeste (Last Mvt)
Tracks:
- Keyboard Instruments In The Orchestra - The Most Powerful Of Them All:
- Symphony No.3 'Organ' (Finale)
- But Things In Handel's Day Were Very Different.
- Organ Concerto In B Flat, Op.4 No.3 (Last Mvt)
- The Organ Is Difficult To Classify.
- An Unexpected, Organ-related Guest
- Concerto Pour Zampogna (Last Mvt)
- Peasant-Fancying... And A Touch Of The Roaming Cowboy
- Les Miserables (Drink With Me)
- Outside Artefacts And The Power Of Association
- Mahler's Sleighbells
- Symphony No.4 (Opening)
- A Roll-Call Of Some Unusual Guests/The Typewriter/Parade
- Chains, And More/Integrales/An American In Paris/Sandpaper Ballet
- Purpose-Built Oddities: Wind Machines/Symphony No.7 'Sinfonia Antartica' (Opening)
- Don Quixote (Variation VIII)
- National Calling Cards: The Guitar For Spain/Concierto De Aranjuez (Finale)
- And The Guitar's Poor American Relative, The Banjo/Washington Breakdown
- And Poorer Still, The Mouth Organ/The Treasure Of The Sierra Madre (Packing Up)
- The Balalaika For Russia/Romeo And Juliet (Act II: No.14)
- The Maracas For Mexico/The Treasure Of The Sierra Madre (El Desayuno)
- The Bongos And Congas And A Whole Wealth Of Other Drums For Africa And Central America/Studio Example
- The Sitar Of India/Evening Raga: Bhapoli
- The Accordion For France (Especially Paris)/Paris Canaille
- The Zither For Vienna/The Third Man (Theme)
- The Cimbalom For Hungary/Folk Dances
- The Guitar As An Integral Part Of The Orchestra/Rondena
- There Are Whole Orchestras Of Balalaikas./Sveit Mesiats
- The Effect Of The Wordless Human Voice, Used Purely As An Instrument/Symphony No.7 'Sinfonia Antartica' (Mvt 1)
- Nocturnes
- Instruments And the Imitation Of Nature. The Clarinet As Cuckoo
- The Carnival Of The Animals (The Cuckoo)
- The Flute As An All-purpose Aviary
- The Carnival Of The Animals (The Aviary)
- The Oboe As Duck
- Peter And The Wolf (The Duck)
- The Recording Of Reality. Does It Work As Well?
- The Pines Of Rome (The Pines Of The Janiculum)
- The Recording Of Reality Electronically Reborn In New Guises
- Cantus Articus - Concerto For Birds And Orchesra (Mvt 2)
- Beethoven Turns Avian: Cuckoo, Nightingale, And Quail
- Symphony No.6 'Pastoral' (Andante Molto Mosso)
- Some Improbable Casting: The Violin As Braying Donkey
- The Carnival Of The Animals (Persons With Long Ears)
- A Truly Orchestral Hee-haw To Be Reckoned With
- Overture To 'A Midsummer Night's Dream'
- A Thunderstorm In A Million
- Symphony No.6 'Pastoral (Allegro-Allegretto)
- the Instrumental Depiction Of A Silent World
- The Carnival Of The Animals (The Aquarium)
- Saint-Saens' Menagerie Takes A Curtain Call.
- The Carnival Of The Animals (Finale)
Tracks:
- The Grouping Of Instrumental Families. An Additive Approach. First, Two Violins
- Forty-Four Duos (No.4)
- A Great Contrast, Of Both Pitch And Character: Violin And Viola
- Duo For Violin And Viola In B Flat Major, K.424 (Finale, Vars 1 & 2)/Studio Example
- Arrival Of The Standard String Trio: Violin, Viola, And Cello
- String Trio In B Flat (Menuetto)
- The String Quartet: Two Violins, Viola, And Cello
- String Quartet In F, Op.18 No.1 (Mvt 3)
- The String Quintet - When The Extra Instrument Is A Second Viola
- String Quartet No.5 In D, K.593 (Adagio)
- The String Quintet - When The Extra Instrument Is A Second Cello
- String Quintet In C (Mvt 3)
- The String Sextet: Two Violins, Two Violas, And Two Cellos
- String Sextet In B Flat (Mvt 2)
- The String Octet: The Standard String Quaret Times Two
- Octet In E Flat, Op.20 (Mvt 1)
- Double The String Octet: A Fully Fledged String Orchestra
- String Symphony No.2 (Finale)
- The Massed Strings Of A Symphony Orchestra
- Fantasia On A Theme Of Thomas Tallis
- Contrasts Of Pitch And Instrumental 'Colour' In The Woodwind Section
- Wind Quintet In A Minor, Op.100 No.5 (Theme)
- In The First Variation It's The Horn That Gets The Lion's Share.
- Wind Quintet In A Minor, Variation 1
- In Variation Two The Torch Is Handed To The Bassoon.
- Wind Quintet In A Minor, Variation 2
- In Variation Three The Oboe Leads.
- Wind Quintet In A Minor, Variation 3
- Variation Four: Conversation Before Returning To A Solo-dominated Texture
- Wind Quintet In A Minor, Variation 4
- And Variation Five is Dominated By The Clarinet.
- Wind Quintet In A Minor, Variation 5
- The Next To Be Featured Is The Virtuoso Flute.
- Wind Quintet In A Minor, Variation 6
- Individual Farewells And A Closing Chorus
- Wind Quintet In A Minor, Variation 7
- A Mixed Group: Clarinet, Bassoon, Horn, String Quartet, And Double-Bass
- Octet In F (Mvt 3)
- The Early Classical Symphony Orchestra Of Haydn And Mozart
- Symphony No.29 In A, K.201 (Finale)
- Strings, Wind, But No Brass. What Haydn And Mozart Never Knew
- Canzon 28
- Beethoven's Fifth: Two Horns, Two Trumpets, And Three Trombones Join The Team.
- Symphony No.5 (Finale)
- From Beethoven To The Massive Orchestras Of Berlioz, Wagner, And Mahler
- Beethoven Changed The Face Of The Symphony And The Orchestra Forever
- Symphoy No.6 'Tragic' (Mvt 1)
- The Cult Of Orchestral Elephantiasis Reaches Its Peak.
- Symphony No.1 'Gothic' (VI: Te Ergo Quaesumus)
- When Large Doesn't Necessarily Mean Loud: Debussy
- Images (Gigues)
- A Crisis Of Confidence; The Orchestra's Survival Hangs In The Balance, But It Still Develops. The Ondes Martenot:
- Turangalila Symphony (Chant D'amour 1)
- The Advent Of The 'Early Music' Movement Brings A New Vitality And Freshness.
- Balle De Xerxes (Gavotte En Rondeau)
- Computer And Synthesiser: Friends Or Foes?
- Concerto In D Minor For Two Violins (Largo)
- A Speculative Look Ahead/Mass In B Minor ('Dona Nobis Pacem')
Customer Reviews:
Instruments of the Orchestra - Great Reference Material!.......2007-04-04
This set lends itself to greatly enhancing one's knowledge of the orchestra, instruments in it, and their usage. I am a huge music buff, and I still picked up a great deal I previously did not know. I highly recommend this for all who wish to understand the origin of music, as well as the processes that are employed to create music!
Beginner or Expert.......2007-03-12
This CD is excellent for the beginner or expert! To be able to haear the instrumets separately and then together really provides a good education. and/or refresher. The book thaty comes with the CD is alomost worth the price by itself!
Very Informative and Enjoyable.......2006-11-20
Whether you're a music novice or pro, "The instruments of the Orchestra" is a very worthwhile purchase. The 7 CDs, with a total of 8 hours, are expertly narrated by Jeremy Siepmann. He's a great speaker, very much like the late Leonard Bernstein was. Mr. Siepmann takes you on an unforgetable musical journey covering the origins and use of the various orchestral instruments throughout musical history. The balance between his narration and a wealth of musical examples, which range from snippets to entire movements, is superb. The comprehensive enclosed booklet is excellent and faithfully follows the 7 CDs in content. Even with my 40+ years of music training I still learned new things from this wonderful collection. Considering the excellence of the content, and a cost that translates to about $5 per disc, this collection is a great value. Grab it, you won't regret that you did. Five solid stars!
Frank's view.......2006-08-19
This boxed set of CD's with booklet achieved all I had hoped that it would. There are good samples of individual instruments and well done commentary on each. The only drawback was that some of the samples were too brief and could have been longer, hoiwever I guess this fits in with time constraints of the medium. It has given me a lot of clues as to future purchases of CD's for listening to individual instruments. Altogeth a satisfactory purchase and a welcome addition to my collection.
Excellent Intro for Those Not Familiar with the Orchestra.......2003-11-08
I've listened to classical music for years and am interested in composition. I bought this CD set to learn how an orchestra and its instruments work. I thought the CDs would be a nice but boring lecture. They aren't! Not only are they FUN but they are informative as well. I learned a huge amount from each CD and couldn't wait to listen to the next one.
The narrator and writer is a great speaker and holds your attention well. He is definitely knowledgeable. He provides musical examples for each point he makes, so you get to "hear" what he just talked about. I'd say the CDs are about 65% music and 35% narration. You'll learn about the range of instruments, some history, different ways to play them, how they sound, and how they are used in the orchestra. This CD set was a great learning experience and is sold at such a low price!
I recommend this CD for those who want to learn about classical music and those who know about it but are interested in learning more about the inner workings of an orchestra. You'll learn much useful information. For instance, the Rite of Spring (with that eerie start) is written for bassoon! I never knew a bassoon could sound like that but now I do.
The one complaint I have is the last CD. This deals with the orchestra. I wanted more of a tour of how the orchestra has been used through history up to the present. Instead, it was a tour of how different groups of instruments sound. I thought it could have been better. The other 6 CDs are excellent.
Average customer rating:
- Highly recommended
- Top-Notch Richter
- Excellent set for a great price
- Terrific Richter set
|
BBC Friends: Richter (Great Performers of the Twentieth Century)
Schumann
Manufacturer: BBC Legends
ProductGroup: Music
Binding: Audio CD
All Works by Beethoven
| Beethoven, Ludwig van
| ( B )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Chopin
| Chopin, Frédéric
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
All Works by Franz Joseph Haydn
| Haydn, Franz Joseph
| ( H )
| Featured Composers, A-Z
| Classical
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| Music
All Works by Robert Schumann
| Schumann, Robert
| ( S )
| Featured Composers, A-Z
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All Works by Rachmaninov
| Rachmaninov, Sergei
| ( R )
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| Classical
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Preludes
| Forms & Genres
| Classical
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Nocturnes
| Short Forms
| Forms & Genres
| Classical
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| Music
General
| Sonatas
| Forms & Genres
| Classical
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| Music
Sonatinas
| Sonatas
| Forms & Genres
| Classical
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| Music
Variations
| Variations
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
General Modern
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
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Chamber Music
| Forms & Genres
| Romantic (c.1820-1910)
| Historical Periods
| Classical
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General
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Richter, Sviatoslav
| ( R )
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General
| Classical
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General
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Similar Items:
- Beethoven: Sonatas for piano No29; Sonatas for piano No3
- Piano Sonatas Nos 40 41 44 48 52
- The Sofia Recital 1958
- Sviatoslav Richter Plays Beethoven, Schubert, Schumann
- Sviatoslav Richter Plays Chopin, Debussy, Beethoven
ASIN: B00005Y33C
Release Date: 2002-03-12 |
Tracks:
- Haydn: Piano Sonata No. 37 in E major: Allegro moderato
- Haydn: Piano Sonata No. 37 in E major: Andante
- Haydn: Piano Sonata No. 37 in E major: Finale. Tempo di Menuet
- Chopin: Nocturne in E minor, Op. posth. 72 No. 1: Andante
- Beethoven: Piano Sonata No. 11 in B flat major, Op. 22: Allegro con brio
- Beethoven: Piano Sonata No. 11 in B flat major, Op. 22: Adagio con molta
- Beethoven: Piano Sonata No. 11 in B flat major, Op. 22: Menuetto
- Beethoven: Piano Sonata No. 11 in B flat major, Op. 22: Rondo. Allegretto
- Beethoven: 15 Variationen mit einer Fuge: Introduzione col Basso del
- Beethoven: 15 Variationen mit einer Fuge: Tema
- Beethoven: 15 Variationen mit einer Fuge: Variotaion I
- Beethoven: 15 Variationen mit einer Fuge: Variation II
- Beethoven: 15 Variationen mit einer Fuge: Variation III
- Beethoven: 15 Variationen mit einer Fuge: Variation IV
- Beethoven: 15 Variationen mit einer Fuge: VAriation V
- Beethoven: 15 Variationen mit einer Fuge: Variation VI
- Beethoven: 15 Variationen mit einer Fuge: Variation VII. Canone
- Beethoven: 15 Variationen mit einer Fuge: Variation VIII
- Beethoven: 15 Variationen mit einer Fuge: Variation IX
- Beethoven: 15 Variationen mit einer Fuge: Variation X
- Beethoven: 15 Variationen mit einer Fuge: Variation XI
- Beethoven: 15 Variationen mit einer Fuge: Variation XII
- Beethoven: 15 Variationen mit einer Fuge: Variation XIII
- Beethoven: 15 Variationen mit einer Fuge: Variation XIV
- Beethoven: 15 Variationen mit einer Fuge: Variation XV
- Beethoven: 15 Variationen mit einer Fuge: Coda
- Beethoven: 15 Variationen mit einer Fuge: Finale. Alla Fuga. Allegro con
Tracks:
- Schumann: Etudes symphoniques, Op. 13: Thema. Andante
- Schumann: Etudes symphoniques, Op. 13: Etude I. Un poco piu vivo
- Schumann: Etudes symphoniques, Op. 13: Etude II
- Schumann: Etudes symphoniques, Op. 13: Etude III. Vivace
- Schumann: Etudes symphoniques, Op. 13: Etude IV
- Schumann: Etudes symphoniques, Op. 13: Etude V
- Schumann: Etudes symphoniques, Op. 13: Appendix: Variation I
- Schumann: Etudes symphoniques, Op. 13: Appendix: Variation II
- Schumann: Etudes symphoniques, Op. 13: Appendix: Variation III
- Schumann: Etudes symphoniques, Op. 13: Appendix: Variation IV
- Schumann: Etudes symphoniques, Op. 13: Appendix: Variation V
- Schumann: Etudes symphoniques, Op. 13: Appendix: Etude VI. Agitato
- Schumann: Etudes symphoniques, Op. 13: Appendix: Etude VII. Allegro
- Schumann: Etudes symphoniques, Op. 13: Appendix: Etude VIII
- Schumann: Etudes symphoniques, Op. 13: Appendix: Etude IX. Presto
- Schumann: Etudes symphoniques, Op. 13: Appendix: Etude X
- Schumann: Etudes symphoniques, Op. 13: Appendix: Etude XI
- Schumann: Etudes symphoniques, Op. 13: Appendix: Etude XII. Allegro
- Chopin: Nocturne in F major, Op. 15 No. 1: Andante cantabile
- Rachmaninov: Prelude Op. 23 No. 1 in F sharp minor: Largo
- Rachmaninov: Prelude Op. 32 No. 9 in A major: Allegro moderato
- Rachmaninov: Prelude Op. 32 No. 10 in B minor: Lento
- Rachmaninov: Prelude Op. 32 No. 12 in G sharp minor: Allegro
- Rachmaninov: Prelude Op. 23 No. 8 in A flat major: Allegro vivace
- Rachmaninov: Prelude Op. 32 No. 1 in C major: Allegro vivace
- Rachmaninov: Prelude Op. 32 No. 2 in B flat minor: Allegretto
- Rachmaninov: Prelude Op. 32 No. 6 in F minor: Allegro appassionato
- Rachmaninov: Prelude Op. 32 No. 7 in F major: Moderato
- Rachmaninov: Prelude Op. 23 No. 2 in B flat major: Maestoso
- Rachmaninov: Prelude Op. 23 No. 4 in D major: Andante cantabile
- Rachmaninov: Prelude Op. 23 No. 5 in G minor: Alla marcia
Amazon.com
This bargain-priced two-CD set makes Richter's performance of Haydn's Sonata No. 37 in E Major available for the first time in the compact disc era. The pianist performed this work only in the 1967 season. And his remarkable interpretation--imaginative, rhythmically expressive, and always sensitive to the play of Haydn's wit--has not been available since a Turnabout LP disappeared into vinyl oblivion about 20 years ago. The other repertory on these discs is available elsewhere, much of it (the Beethoven Sonata No. 11 and "Eroica" Variations, the 12 Rachmaninov Preludes, and Schumann's Symphonic Études) in superb studio versions. These concert performances, recorded in England during the late 1960s, are nonetheless indispensable to anyone interested in Richter.
The "Eroica" Variations, for example, have a Promethean quality and a manic energy that are missing in the studio versions. Richter's Schumann was never less than inspired and never more so than on this occasion in Royal Festival Hall, London, in 1968, when he played the Symphonic Études. There is technical control, variety of nuance, and grasp of design. And there is Richter's chord playing, which was one of the wonders of 20th century pianism. There are other great performances of this work, but none in which every chord in the insanely difficult finale rings out with such power, majesty, and clarity. It's impossible to think of another pianist--not even the composer himself--who ever played Rachmaninov's Preludes with such power and finesse. In the carillon display of the B-flat major Prelude, for example, Richter emphasizes the lower notes of chords in a manner that makes the bass sonorities all but seize the listener by the throat. Piano playing doesn't get any better than this. --Stephen Wigler
Customer Reviews:
Highly recommended.......2006-08-23
Jeff Lipscomb has done a great job reviewing this CD so I wanted to comment that the performances of the Rachmaninoff Preludes and the Schumann Symphonic Etudes by Richter here are the two best of that music I've ever heard. Can't say I've comapred it with every alternative but I've listened to a number of them and Richter's are just superb. "Magical" is another word that comes to mind in relation to the Rachmaninoff.
Top-Notch Richter.......2005-06-25
As with many listeners, my musical tastes were largely formed by the very first records I owned (in my case, that was back in the 1960's). My piano teacher idolized both the piano music of Schumann and the piano playing of Rachmaninov, so naturally my first-ever "Carnaval" was Rachmaninov's on an RCA Camden LP (still un-matched imho). Soon after, I bought a mono Decca LP of "Waldscenen," performed to perfection by a Russian pianist whose name was then new to me: Sviatoslav Richter.
This extraordinary 2-disc BBC Legends set presents some of Richter's very finest playing. Like many of the greatest conductors (e.g., Furtwangler, Schuricht, Ancerl, etc.), Richter was usually more adventuresome and imaginative when playing "live" in front of a concert audience. Such is the case here. What follows is a brief rundown of this set's contents:
1. This marvelously alert and rhythmically inflected Haydn Sonata No. 37 is probably my favorite Richter performance of ANY Haydn. As Stephen Wigmore's excellent Amazon editorial here points out, this was once available on a long-gone Turnabout LP that was another of my earliest Richter records.
2. Richter's Chopin tended to be rather uneven from one performance to the next, but here the two Nocturnes are turned out as beautifully as any I have heard, right up there with the likes of Stefan Askenase & Tamas Vasary in their complete sets.
3. This Beethoven Sonata #11 in Richter's hands is a study in huge contrasts of both tempo and dynamics. It's a fairly objective reading (preferable in most respects to his studio account for Philips), but there are surprises around every corner. The only recording I have heard that transcends Richter's is the 1950's Kempff (arguably the finest single performance in that pianist's excellent mono DG set of the complete sonatas).
4. Beethoven's 15 Variations & Fugue on a Theme from "Prometheus" was sort of a preliminary sketch for the last mvt. of the then work-in-progress 3rd Symphony. That's why the work is usually known today as the "Eroica" Variations. Richter's emotionally satisfying performance is the finest I have heard (I also love the old Schnabel, but some of its passagework is a little rushed and unsteady).
5. Schumann was always one of Richter's strongest suits: only a handful of other pianists in my experience (e.g., Alfred Cortot, Yves Nat, Rachmaninov, and on occasion Walter Gieseking) could match his fire & poetry in this composer's music. Listening to Richter's account of the incredibly hard-to-play "Symphonic Etudes" is like eavesdropping on intimate and deeply private ruminations. As was his custom, Richter squeezes all five of the posthumous variations (published by Brahms with Clara's consent) between etudes 6 & 7. Of the three "live" versions that I have by Richter, this one is the most forceful and slightly more extroverted (the others: the more subtle account on Olympia CD and the even more poetic interpretation in Richter's 15-disc Praga CD set). My other favorite readings are those by Nat (EMI) and Freire (INA).
6. Words fail me when it comes to these 12 Rachmaninov etudes: not even the composer's accounts are as incredibly colorful and fluent as what Richter gives us here.
In short, this CD set is one of the finest examples of Richter's artistry it has ever been my pleasure to hear.
Highest recommendation.
Jeff Lipscomb
Excellent set for a great price.......2003-09-07
This is an excellent set with a great selection of pieces played by Richter. The highlight for me on these cd's are the Rachmaninoff preludes. Richter was definently the greatest interpreter of the Rachmaninoff preludes, its a shame he never recorded all of them. The Haydn is played elegantly. Both Beethoven pieces are great. And the Schumann is spectacular
Terrific Richter set.......2002-07-15
The Schumann "Symphonic Etudes" are a trifle heavy-handed but with some beautiful moments. The Haydn sonata is delightful, and the Beethoven selections tremendous. But I'm writing this review because this set must be snapped up for the Rachmaninov preludes. This is some of the most ravishing piano playing I've heard in a long time, op. 23,#4, in particular. The sounds is quite good, and captures well Richter's enormous dynamic range. Buy with confidence!
Average customer rating:
- The true roots of the blues
- showcase of the blues' greatest strength
- One of the best blues CD's I've ever owned! Essential!
- Furious Bottleneck Growl
|
Masters of the Delta Blues: The Friends of Charlie Patton
Various Artists
Manufacturer: Yazoo
ProductGroup: Music
Binding: Audio CD
Delta Blues
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Traditional Blues
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1930-1939
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ASIN: B000000G8E
Release Date: 1991-11-26 |
Tracks:
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- Mississippi Bottom Blues - Kid Bailey
- Maggie Campbell Blues - Tommy Johnson
- My Black Mama (Part 1) - Son House
- My Black Mama (Part 2) - Son House
- Yellow Bee - Bertha Lee
- Long Way From Home - Louise Johnson
- M And O Blues - Willie Brown
- Button Up Shoes (Take 1, Unissued Test) - Tommy Johnson
- Mind Reader Blues - Bertha Lee
- Louisiana Home Blues (Take 1, Unissued Test) - Tommy Johnson
- Dry Spell Bones (Part 1) - Son House
- Dry Spell Bones (Part 2) - Son House
- Preachin' The Blues (Part 1) - Son House
- Preachin' The Blues (Part 2) - Son House
Customer Reviews:
The true roots of the blues.......2005-02-08
In the late 80`s early 90`s,I began collecting early blues discs.It seemed to me that Yazoo seemed to have the most varied collections so I started there.Charley Patton`s King of the Delta Blues was a very shocking and yet positive discovery for me,then I found this one.Imagine my suprise when I picked this baby up.I was floored....it`s a who`s who of the first wave of counry blues artists that were recorded in the late 20`s and early 30`s - Tommy Johnson,Son House,Willie Brown,Bukka White,Kid Bailey.....just incredible.
My tastes run to all sorts of music but this is what I trully love to listen to,anytime.The true gems are the Son House sides - powerful and frightning with a vocal that I really don`t think have been matched since.An excellent introduction to the blues,the songs exist in those old records and given the technology of cd`s they take some getting used to but the music eventually shines though.Overall,a great disc....friends indeed.
showcase of the blues' greatest strength.......2003-11-29
Any fan of the blues will appreciate the enormous influence Charley Patton had over the blues players of the delta, and this appreciation can only be increased by the songs presented here.
We see here the greatest strength of the blues-the tendancy to individualism, the taking of another's tune and molding it to one's own style until it became one's own. This Album showcases that beautifully as it includes many varied and superb treatments of classic Patton tunes such as pony blues or maggie. Of particular interest are the Kid Bailey cuts, a mysterious figure who according to the liner notes was identified by Son house as Willie Brown with Patton accompanying. They are my personal favorites, but overall a very good album. A must for anyone interested in the development of the blues, or who just wants something to howl along with.
One of the best blues CD's I've ever owned! Essential!.......2001-02-06
This is a wonderful blues CD. One of the best I've ever purchashed. It includes great performances by legendary blues figures such as Tommie Johnson, Willie Brown, Ishmon Bracey, Son House, Kid Bailey, Bukka White and others. This is the true Mississippi Delta Blues from the late 20's and 30's. The guitar work is mesmorizing and is a blueprint for rock and roll. There are 5 Tommie Johnson cuts, recorded for Victor, that are superb. He was as good as Robert Johnson, in my opinion. Yazoo captures these classic recordings with all that old Mississippi dirt with some scratchiness, yet the sound is vibrant and alive. Willie Brown's "Future Blues" and Tommie Johnson's "Canned Heat Blues" are worth the price of admission alone. Essential!
Furious Bottleneck Growl.......2000-01-07
The Yazoo label does it again!
This CD is essential for rare inclusion of all six demonic Son House performances originally cut on acetate in 1930. It was these recordings that inspired Alan Lomax to look up House in the early 40's for the Library of Congress Archives.
It is worth mentioning that do to Paramount's inferior treatment of the source material, there is considerable auxilliary noise on those six sides. But Son's guitar and voice still threaten to impale you like a hot skewer.
Son House would have been a preacher, but for the fact that he shot a man dead and was banished from Clarksdale for the rest of his life.
This was the belle epoque of Delta Blues, a time when the legendary rivalry between House and Charlie Patton was at a peak, and when another legend, Robert Johnson, would pick up a couple licks from Son House himself. The way of life that existed in the Delta back then is gone forever, and for all of that progress and new found civility, we shall never be fortunate enough to hear anything like this ever again.
For anyone hoping to hear a mellow country rover picking away on his front porch, Son House will send you to intensive care. This is truly "where the soul of man never dies."
Average customer rating:
- Stunning music from an under rated trio
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My Fair Lady (20 Bit Mastering)
Shelly Manne & His Friends
Manufacturer: Contemporary
ProductGroup: Music
Binding: Audio CD
Bebop General
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ASIN: B00004UEN6
Release Date: 2000-08-01 |
Tracks:
- Get Me to the Church on Time
- On the Street Where You Live
- I've Grown Accustomed to Her Face
- Wouldn't It Be Loverly?
- Ascot Gavotte
- Show Me
- With a Little Bit of Luck
- I Could Have Danced All Night
Amazon.com
While jazz musicians had long drawn an essential portion of their repertoire from the Broadway stage, this jazz version of Lerner and Loewe's My Fair Lady was something new in 1956. Drummer Shelly Manne leads a trio with pianist Andre Previn and bassist Leroy Vinnegar here, and they bring a lightly sophisticated touch to the material, which had debuted just a few months before the recording. It's a testament to the quality of score and players alike that the tunes already feel like standards in their hands, both in the arrangements and in the solos. "I've Grown Accustomed to Her Face" is the shimmering ballad that one might expect, but the trio applies a similar approach with almost equally successful results to the unlikely "With a Little Bit of Luck." Tempos are pushed toward the bop dimension for "Ascot Gavotte" and "Danced All Night," and Previn acquits himself well, generating imaginative lines. Vinnegar is a rock-solid timekeeper, while Manne provides brisk brush work, a lively beat, and creative accents. He's not obtrusive, but Manne's superb drumming is a focal point in this trio, highlighted by the 20-bit K2 super coding. --Stuart Broomer
Customer Reviews:
Stunning music from an under rated trio.......2004-03-07
For those of a certain age "My Fair Lady" was the definition of popular musical theatre. During it's heyday on stage and film a number of jazz ensembles added individual MFL tunes to their repetoire and a dozen or more jazz LP's covered the entire Lerner & Loewe score. (The Verve LP "Oscar Peterson Plays My Fair Lady" ranks at the very top.)
One of the best is still with us and has been gloriously remastered with the K2 20bit process. These cuts sound like they were recorded last week rather than almost 50 years ago. While Shelly Manne (who, along with bassist Leroy Vinnegar, was THE rhythm of the "West Coast Sound") is one of my favorite drummers he often "takes charge" of his groups, which is fine in his horn based quarts and quints but he can overpower a trio with ease. Here he wisely dials it back a notch or two allowing Andre Previn and Leroy Vinnegar to investigate and develop some of the most beautiful music to ever enter the American (English?) Songbook.
Previn, in particular, seem to be at home with this material. His tempo and harmonic interplay breath life and vitality into tunes that were pop hits of their day. While everyone's favorite will likely be the beautiful "On the Street Where You Live", my personal pick is the haunting and lovely "I've Grown Accustomed To Her Face" which Previn handles better than ANYONE (including the aforementioned Oscar Peterson).
The ensuing album is a true classic that has withstood the test of time. Besides being a stunning take on what many consider to be the twentieth century's finest example of musical theatre (OK, that's my opinion) it is also a testament to mid century "modern jazz" before that term became perjoritive.
Buy this CD, it's timeless.
Average customer rating:
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Instant Live: Ryman Auditorium - Nashville, TN 6/20/06
Phil Lesh & Friends
Manufacturer: Instant Live Rec.
ProductGroup: Music
Binding: Audio CD
Blues Rock
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- Instant Live: Bethel Woods P.A.C. - Bethel, NY 7/9/06
- Instant Live: Nikon at Jones Beach Theater - Wantagh, NY 7/7/06
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- Instant Live: Mizner Park Amphitheatre - Boca Raton, FL 6/22/06
- Instant Live: Charter One Pavilion - Chicago, IL 7/16/06
ASIN: B000HEV850
Release Date: 2006-09-12 |
Tracks:
- Jam 1 - Set 1
- Sittin on Top of the World
- Friend of the Devil
- Dire Wolf
- Deep Elem Blues - Mickey Rafael
- Tennessee Jed
- Pride of Cucamonga
- Sugaree - Mickey Rafael
Tracks:
- Jam 1 - Set 2
- Althea
- Mississippi Half-Step
- Jam 2 - Set 2
- Peaceful Valley
- Viola Lee - Mickey Rafael
Tracks:
- Casey Jones - Mickey Rafael
- Death Don't Have No Mercy
- Goin' Down the Road - Mickey Rafael
- Attics - Mickey Rafael
Average customer rating:
- An often overlooked gem
- A Mixed Bag... but Loads of Fun!!
- Friends
- A Mediocre End to The Capitol Era
- Let's Be 'Friends'...
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Friends/20-20 (Capitol)
The Beach Boys
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD
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- Smiley Smile/Wild Honey
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ASIN: B000008DA6
Release Date: 2000-01-25 |
Tracks:
- Meant for You
- Friends
- Wake the World
- Be Here in the Morning
- When a Man Needs a Woman
- Passing By
- Anna Lee, The Healer
- Little Bird
- Be Still
- Busy Doin' Nothin'
- Diamond Head
- Transcendental Meditation
- Do It Again
- I Can Hear Music
- Bluebirds over the Mountain
- Be With Me
- All I Want to Do
- Nearest Faraway Place
- Cotton Fields (The Cotton Song)
- I Went to Sleep
- Time to Get Alone
- Never Learn Not to Love
- Our Prayer
- Cabin Essence
- Break Away [*]
- Celebrate the News [*]
- We're Together Again [Mono Version][*]
- Walk on By [Mono Version][*]
- Old Folks at Home/Ol' Man River [*]
Album Description
Digitally remastered 1998 two-on-one reissue from EMI of these classic albums, respectively released for Capitol in 1968 & 1969. Features a 24 page booklet with previously unreleased photos & extended liner notes, the original coverart of each and a total of 29 cuts, including five bonus tracks: 'Break Away', 'Celebrate The News', 'We're Together Again', 'Walk On By' and 'Old Folks At Home/ Ol' Man River'.
Album Details
Two Albums on One CD, 1968's "Friends" and 1969's "20/20". The Disc is Digitally Remastered, Contains a 24 Page Booklet with New Photos (In Addition to the Originals) and New Recording Notes, plus Five Unreleased Tracks. Released in 1998.
Customer Reviews:
An often overlooked gem.......2001-03-28
By the time "Friends" and "20/20" were released in 1968 and 1969 respectively, the Beach Boys fan base had dwindled considerably and as a result both albums sold poorly, which is to say barely at all. It's a shame because both albums are actually quite good. "Friends" has a very laid back feel to it and in some ways is reminiscent of "Smiley Smile". The title track is a highlight and features a soaring vocal arrangement in the spirit of "Pet Sounds". Dennis Wilson's contribution, "Little Bird" is wonderful and he really began to come into his own on this record. "Passing By" and "Diamond Head" are both charming instrumentals, the latter reminiscent of some of the abandoned "Smile" experiments. "Busy Doin' Nothing" is a catchy Bossa Nova track with amusing lyrics and shows Brian hasn't lost his sense of humor. "20/20" is a bit darker and a tad more experimental but still a good listen. Brian's contribution to this record was minimal but the other Beach Boys pick up the slack in impressive fashion. A great deal with bonus tracks from the late 60's to round out the disc.
A Mixed Bag... but Loads of Fun!!.......2001-02-24
Although this 2fer covers a period that was derided by critics and ignored by the public, this is second only to Smiley Smile/Wild Honey as my favorite 2fer among the Capitol re-releases.
Although I used to always hate Friends, I find it now to be a guilty pleasure. To be sure, I think you will find the last four '60's albums to be tough first listens (if you were first weaned on the Endless Summer like I was), but they are worth the effort! Friends opens with a quick "hello, good morning, how are you" before jumping into the title track, which is a fun little waltz. Wake the World will make you chuckle (it's the tuba bassline!). Be Here in the Morning is warm and cuddly (how in the world did Brian sing that high?) When a Man Needs a Woman is alright. The happy joy-joy vibes on this album are contagious. No wonder Brian Wilson claims that this is his personal favorite among the Beach Boys long players. To top it off, you have a couple of great instrumentals from Brian (Passing By and Diamond Head), the first fruits of Dennis Wilson's songwriter talent (Little Bird, Be Still), and directions to Brian's house (listen to Busy Doin' Nothin' closely!). Except for the pedantic load of junk that is Transcendental Meditation, this album's only fault is it's brevity (25min or so).
The real gem in this 2fer, however, is 20/20. This album is comprised mainly of singles (Do It Again, I Can Hear Music, Bluebirds Over the Mountain, Cottonfields), leftover tracks (I Went to Sleep), better Dennis Wilson songs (Be With Me, Never Learn Not to Love) and a couple of Smile tracks (Cabinessence, Our Prayer) for good measure. I Can Hear Music is one of the top five moments in the Beach Boys careers; beautiful!! I will be sure to play this at my wedding if I ever have one. Time to Get Alone is great (check out the "deep and wide" in the second verse!!) Bluebirds rocks (a great version is contained on Live '69)! Cottonfields is fine (although not as good as the single version), and Never Learn Not to Love, courtesy of Charles Manson, is down right creepy. Be With Me shows a fast-maturing Dennis and a gorgeously orchestrated backing track. All I Want to Do is an absolute horror to be ignored. All told, a good album, and arguably the best post-Pet Sounds effort.
Also, check out the bonus tracks!!! Walk on By is so beautiful it is scary. Brian's falsetto is aching. Old Man River is neat (love that trombone part! never saw the show the tune is from). We're Together Again should have probably stayed in the can (my opinion; the song Friends conveys the sentiment better), but Celebrate the News is a forgotten classic.
Buy this CD! You will be glad to have it in your collection, and it will force you to re-evaluate your opinion of the largely Brian-less late '60's lineup if you still think their post Pet Sounds stuff... It isn't. That would come later. Buy this and enjoy!!
Friends.......2001-02-03
Friends is my favorite Beach Boys album, even though it doesn't feature any of the Beach Boys' greatest songs. It's paired with another great Beach Boys record, 20/20, and contains excellent bonus tracks, but this still isn't the reason why it tops my list. I guess it's because I can't think of a more peaceful, subtle, and warm album. I especially like the soft vocals and tranquil piano on "Meant for You" and "Anna Lee the Healer" and the gentle melody of "Passing By." Like most of the Beach Boys' work, this album is innovative, but in a more inviting manner than Smiley Smile. Listen to the tuba-backed chorus of "Wake the World," for example. Every song on here (with the exception of "Transcendental Meditation" which is ironically jarring) has the serenity of a summer morning.
A Mediocre End to The Capitol Era.......2001-02-01
I'm sure a lot of fans who love this two-fer will give me unhelpful votes because I'm really gonna dismiss these 2 albums. These albums are a big step down from Smiley Smile and Wild Honey, which were both vastly inferior(in production and in quantity of song quality) to Pet Sounds. Friends contains 4 good songs(THAT'S IT!): "Meant For You", "Friends", "Busy Doin' Nothing", and Dennis's charming "Little Bird". The rest of the songs have weak melodies, and are bland & forgettable. The title track, a sweet pop Waltz, and "Busy Doin' Nothing", Brian's succesful attempt at Bossa Nova, have the biggest production since the Pet Sound era. The (very)short album intro "Meant For You" is beautifully sung by Mike Love, as usual.
20/20, a contractual obligation to Capital, was culled from recent singles, Smile songs, and the bland dribble the group was writing at the time. Brian's songwriting dominance is truly missed. Again, only about 4 songs hold up: "Do It Again", "I Can Hear Music", "Our Prayer", and "Cabin Essense". "Do It Again" contains an irressible funky drum opening. The song was a welcome return to the Beach Boys's hedonistic early 60's Surf music. Brain said the song was probably his best collaboration with Mike. "I Can Hear Music"(the first Beach Boys song without Brian's vocals) is a beautiful remake of an old Phil Spector song. Carl gives it his all. "Cabin Essense" is the best realized Smile track. It's a truly incredible piece of mystical and strange music. If there's any reason to buy this Cd, it's to hear "Cabin Essense".
After 20/20, the Beach Boys went over to Warner Bros. records. Brian and the boys seemed more inspired, and the group composed some of their finest songs. Sunflower(1970) and Surf's Up(1971) are excellent albums, and showcase the best songs that Dennis, Al, Bruce, Mike, and Carl ever wrote.
Let's Be 'Friends'..........2001-01-19
FRIENDS... what can you say? It's a remarkable LP in so many different ways. So simple and direct that its hard for many people to accept it. FRIENDS didn't sound "like the Beach Boys", it didn't have any big hit singles, it stiffed commercially. Furthermore, nobody (critics, mainly) seems to take it into consideration when the "all time classic albums" lists come around. I haven't seen the recent VH-1 special, but I imagine that PET SOUNDS will get another mention and that'll be it for the Beach Boys. What a shame. The sad fact it that most of the world will probably never find out about this charming little LP and the pleasures it holds.
Take the title track for instance, with its measured waltz-time tempo and astounding instrumentation and vocals. Are there any artists today who can write songs like this? If so, please fill me in. How about the Jobim-influenced "Busy Doin' Nothin'"? A masterpiece of understatement! The chord changes are simply amazing. I aquired the chord charts to FRIENDS, and the sequences are nearly as difficult as PET SOUNDS, yet this record seems as remarkably simple as PET SOUNDS is complex! I love to listen to both records back-to-back, always amazed that one band had so much talent that they could pull off both these magnificient albums and still have so much more left to say after that. FRIENDS holds a special place in my heart.
20/20, on the other hand, maybe the worst Beach Boys album of the post-Surf, pre-15 BIG ONES era. Granted that it has some stiff competition, but the record simply sounds patched together compared to unified statements like SMILEY SMILE or SUNFLOWER. (Actually it was patched together-- three singles, two songs from the unreleased SMiLE album and some various studio stuff.) It does, however, contain an absolutely magnificient composition by Dennis Wilson titled "Be With Me" that has to rank amongst the best symphonic pop of all time. It's a simply heartbreaking performance, and is reason enough alone to give 20/20 a spin.
The five bonus tracks are all superb. Brian's "Breakaway" is a great single, and Dennis's "Celebrate the News" is its even better b-side. (The song rocks!) The three Brian Wilson studio outtakes show that his command of the recording studio did not desert him after the SMiLE debacle, as is so often claimed. All together, this package is a remarkable value, even at import prices.
Average customer rating:
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20 Golden Pieces of Louis Armstrong & Friends
Louis Armstrong
Manufacturer: Bulldog Records
ProductGroup: Music
Binding: Audio CD
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ASIN: B000003R08
Release Date: 1993-04-05 |
Tracks:
- Someday (You'll Be Sorry)
- Hee-Bee Jee-Bees
- I Can't Give You Anything But Love
- Muskrat Ramble
- Dear Old Southland
- That Lucky Old Sun
- Black And Blue
- Panama
- Royal Garden Blues
- Chinatown My Chinatown
- Swing That Music
- Tiger Rag
- Baby Won't You Please Come Home
- Storyville Blues
- Jeepers Creepers
- Do You Know What It Means To Miss New Orleans
- Brother Bill
- Old Rockin' Chair
- Way Down Yonder In New Orleans
- I'm Not Rough
Average customer rating:
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What Are Friends For
Various Artists
Manufacturer: Spine Punch Music
ProductGroup: Music
Binding: Audio CD
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ASIN: B000CAKUXU
Release Date: 2005-08-09 |
Average customer rating:
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Return of the Liquidator: 20 Skinhead Classics 1968-1970
Harry J & His Friends
Manufacturer: Trojan Records UK
ProductGroup: Music
Binding: Audio CD
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ASIN: B00005YLX7
Release Date: 1995-01-01 |
Tracks:
- Jack the Ripper - Harry J & His Friends
- Big Three - Harry J & His Friends
- My Cherie Amour - Harry J & His Friends
- Liquidator - Harry J & His Friends
- Don't Let Me Down - Harry J & His Friends
- Spyrone - Harry J & His Friends
- Reach for the Sky - Harry J & His Friends
- Interrogator - Harry J & His Friends
- Jay Moon Walk - Harry J & His Friends
- Elcong - Harry J & His Friends
- Je T'Aime - Harry J & His Friends
- Dog - Harry J & His Friends
Tracks:
- No More Heartache - Beltones
- Soul Scorcher - Carl Bryan
- Rich in Love (La la Always Stay) - Glen Adams
- Please - Trevor Shield
- Since You've Been Gone
- Home Without You - Beltones
- Cool Down
- Darling If You Love Me - Tony Scott
- Mr. Lonely - The Jamaicans
- What Am I to Do? - Tony Scott
- Tons of Gold - Val Bennett
- Peace of Mind - Bob Andy
- Festive Spirit - Dave Barker, Glen Brown
- Cambodia - Blake Boy
- Put a Little Love in Your Heart - Marcia Griffiths
- Equal Rights - The Cables
- Weep - Bob Andy
- Young Gifted and Black - Bob Andy, Marcia Griffiths,
Music Review:
- I Got Dem Ol' Kozmic Blues Again, Mama [Extra tracks]
- If You Can Believe Your Eyes & Ears [Original recording remastered]
- Imagine (Original Soundtrack) [Soundtrack]
- Immigrant Song [CD-single]
- In the Dark
- In The Heat Of The Night/Crimes Of Passion [Import] [Original recording remastered]
- Initiation
- Jefferson Airplane/ Jefferson Starship/ Starship - Greatest Hits
- Jefferson Airplane Takes Off [Extra tracks] [Original recording remastered]
- Jimi Hendrix: Blue Wild Angel Live at the Isle of Wight (Digipak) [Live]
Music Review
Music Review