After the Storm

Editorial Reviews
Amazon.com
Crosby mocks himself winningly on Camera, and Nash, the old smoothie, is in fine form for "Find A Dream" and "Unequal Love." Only Stills spoils the party, trotting out the hackneyed hot licks and topical lyrics for deadweighters like "Bad Boyz." --Jeff Bateman

Tracks:

Take Me There
After The Storm
That's The Way Love Goes
Any Love
Lydian
For The Love Of You
Trashman
It Costs To Love
Let's Come Together
Acoustic Time
El Dulce Sol
Family

Customer Reviews:

Still The Very Best Of Norman Brown.......2007-05-25

If I had to recommend just one CD from Norman Brown, "After the Storm" would be it. Still his best effort, the CD that introduced me to his music and the one I introduced my wife to. Gifted guitarist, every bit the caliber of George Benson, though vocally, not in the same league. And that's why I'd recommned this one over later releases. He sticks to what he does best; instrumentals. "After the Storm" is as smooth as contemporary jazz get's.

Better Late Than..........2007-05-22

I only just discovered this CD after buying and loving his album, "Just Chillin'." I love that CD and "After the Storm" is my newest love! I think the entire album is wonderful! But here are a few favorites: "Take Me There," "After The Storm," "Lydian," & "El Dulce Sol." However, the classics such as "For The Love Of You" & "Any Love" are nice too. I think it just flows well like a smooth jazz album should. It's well worth every penny. It's nice to get your money's worth! Listen, see what you think!

OH SO SMOOTH.......2006-11-12

this is a very very nice CD, one of Brown's best. I would own it if just for the track LYDIAN. I absolutely love the groove and feel of that track and Brown's playing is right on. The songs are good and the production is superb. If you like smooth jazz with a bit of an R&B flavor I would recommend this disc. Listen to LYDIAN, crank it up and I dare you not to tap your feet.

www.electriceyes.us

A Must Buy.......2005-10-19

I have been a Norman Brown fan for years. This CD was one of the first Jazz cd's I bought and I've never looked back. I have listened to all his releases and I have to say that this one is my all time favorite. As I go back and listen to this CD it sounds just as good as it did the first time I listened to it. Even though he was beginning his career, I believe that it is some of the most heartfelt, soul driven guitar playing I have ever heard. Every time I listen to Norman play, its as if he was singing through the guitar. You have got to get this.

AWWEEEEEEEEESOME!!!.......2005-06-29

A MUST HAVE. THIS CD IS ONE OF THE MAIN REASONS I AM SO MUCH IN TO JAZZ TODAY!! CAN LISTEN FROM FIRST SONG TO THE LAST. TAKE ME THERE IS MY FAVORITE. MAKES YOU MUST WANNA MOVE SOMETHING.

Berlioz: La Marseillaise - Love Scene from Roméo & Juliet - The Damnation of Faust, Three Excerpts, etc... / McNair, Leech, Zinman

Average customer rating:

La Marseillaise
All This Music Is Better Served Elsewhere
The production of a music genius
Wake up music
A middle of the pack offering--nothing magic, nothing tragic

Berlioz: La Marseillaise - Love Scene from Roméo & Juliet - The Damnation of Faust, Three Excerpts, etc... / McNair, Leech, Zinman
Hector Berlioz , Baltimore Symphony Orchestra & Chorus , Sylvia McNair , Richard Leech , and David Zinman
Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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The Good Shepherd (Widescreen Edition)
Syriana (Widescreen Edition)

ASIN: B000003CUS
Release Date: 1990-10-25

Tracks:

Benvenuto Cellini: Overture
Love Scene
Minuet Of The Will-O'-The-Wisps
Dance Of The Sylphs
Rakoczy March
Le Corsaire Overture
Les Troyens: Trojan March
Royal Hunt & Storm
La Marseillaise

Customer Reviews:

La Marseillaise.......2007-07-17

This is a rather boring performance of the Berlioz version of La Marseillaise with poor recording quality. I ended up giving this CD to GoodWill. For the Hector Berlioz version of La Marseillaise, I would recommend the performance by the Chicago Symphony under the direction of Daniel Barenboim. If you are looking for a rousing performance of La Marseillaise (not the Berlioz version), look for the performance by Mireille Mathieu, which you can find on the web.

All This Music Is Better Served Elsewhere.......2006-05-04

On paper at least, this seems like an attractive sampler. And it is, as far as the music is concerned. These bits and pieces are some of the most inspired music from Berlioz's long masterworks for voices and orchestra such as Damnation de Faust, Romeo et Juliette, Les Troyens, and Benvenuto Cellini. In sterling performances, they're really enlivening music. Here, for a variety of reasons, they don't make the impact they usually do. First of all, Zinman, whom I usually admire, doesn't seem to warm up to the music. Maybe it's not his cup of tea--more of a Beethoven-and-contemporary music man, based on the stuff I've heard that he does really well. Also, as recorded here, the Baltimore Symphony doesn't seem to have the heft for Berlioz's dazzling orchestral display. Next to, say, the Montreal Symphony, which has done a lot of this music very successfully on disc, the Baltimore is lacking.

Then, as I suggest, a large part of the problem is the recording. Telarc's legendary recording technique don't seem to translate well to the Meyerhoff Hall, at least not in this recording; there's even some distortion in thickly scored passages. Argo/Decca got the measure of the hall better in their later and far more successful recordings from Baltimore.

So I say, shop around. You'll do far better with Dutoit, Davis, Nagano, Plasson, Nelson, et al.

The production of a music genius.......2005-08-06

Really really terrific!
I prefer to do not say more... terrific!

Wake up music.......2001-03-18

This is a good CD but not a great one. Mr. Zinman gives a decent rendition of some of the French "classics" and the Baltimore symphony is up to the task. In the defense of Mr. Zinman one must recognize that there is probably no real good way to play Berlioz. But the real value of this CD is to introduce one to Berlioz who still today does not rate as high as one would like; not to mention its status of "only one opus composer" that the Symphonie Fantastique seems to give him sometimes. The inclusion of Berlioz transcription of the Marseillaise is a curious touch. Berlioz tried to dignify what was after all a soldiers motivational anthem to go and kill into a more respectable piece suitable for a serious country. Nice try. However it is still an interesting and hyperactive piece and if we must listen to it on occasion we might as well do it here. In sum, here we have a nice mix that can be played as background music when we need to be energized.

A middle of the pack offering--nothing magic, nothing tragic.......2001-02-17

If you've heard Toscanini's snappy Rakozcy March, then the lumbering version on this disc will just leave you frustrated. The Marseillaise here is pretty turgid, too. Not much else leaves even that much of a lasting impression. Okay if you can get it budget-priced.

Average customer rating:

JUST WONDERFUL!!!
Great resource for finding hard to locate songs
very smooth!!!!
A fine anthology of the songs that helped define the "Quiet Storm" sound.
Essential Smooth Grooves

Smooth Grooves: After Hours
Various Artists
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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ASIN: B00003OT6J
Release Date: 2000-01-18

Tracks:

Risin' To The Top - Keni Burke
Sugar Free - Juicy
Firestarter - Tease
Silver Shadow - Atlantic Starr
Slow Down (12'' Version) - Loose Ends
Curious - Midnight Star
Who Do You Love - Bernard Wright
Come Into My Life - Joyce Sims
Gotta Get You Home Tonight - Eugene Wilde
Don't Look Any Further - Dennis Edwards
Inside Out (12'' Version) - Odyssey
Don't Say No (Tonight) - Eugene Wilde
Can You Treat Me Like She Does? - Real To Reel
Lollipop Luv - Bryan Loren
I Want To Be Your Man - Roger

Customer Reviews:

JUST WONDERFUL!!!.......2004-05-17

THIS IS GREAT! WORDS JUST CAN'T EXPRESS MY EXCITMENT WHEN I FOUND THIS ALBUM. MOST OF THESE SONGS ARE ONES I'VE BEEN SEARCHING FOR SINCE FOREVER! I'D HEAR IT ON THE RADIO AND WONDER HOW I CAN FIND IT, NOW I HAVE

Great resource for finding hard to locate songs.......2004-02-20

I am a fan of this series as it often is the only place to find old school classics. Songs that were popular back in the day, but by either one-hit-wonders, or artists with out of print recordings. This CD is the only place I could find "Firestarter" by Tease, and "Sugar Free" by Juicy. I also enjoyed "Who Do You Love" by Bernard Wright and "Come into My Life" by Joyce Sims. This collection is from a day when slow jams were more than just the whining you hear on the radio today. There was rhythm, there was funk, there was soul.

very smooth!!!!.......2003-07-31

A very nice selcetion of songs that are nice there is a song by Eugene Wilde who was popular in the 80's but he didn't get a lot of exposure who is a good singer he has a song on here called don't say no tonight and firestarter, I'm curious, Silver Shadow, Slow down and many other great songs and I would recommend anyone to buy this album I am almost finish with completing the whole collection of smooth grooves but this is a nice cd to add to your romance cds!!!

A fine anthology of the songs that helped define the "Quiet Storm" sound........2003-06-11

Most of the songs included on this great compilation deservedly became Quiet Storm classics. "Firestarter" (Tease), "Gotta Get You Home Tonight" (Eugene Wilde), "Silver Shadow" (Atlantic Starr), "Come Into My Life" (Joyce Sims) and "Sugar Free" (Juicy) still sound great after all these years. I did NOT give these otherwise-superb CD a 5-star rating because the songs by Oddysey and Reel To Real do not belong on a Quiet Storm-oriented anthology. If you are a fan of 1980s R&B, however, you shouldn't pass this CD up. I also like the front and back inserts' photos also.

Essential Smooth Grooves.......2003-03-27

This is without doubt one of the finest in the Smooth Grooves series. A good mix of laid back soul (Juicy, Tease, Keni Burke) and smooth dancers (Bernard Wright, Odyssey, Atlantic Starr). Lots of the tracks here have had a hammering on my soul radio show, and feedback has been excellent. Do yourselves a favour, if you've not purchased this yet, don't waste time putting it on your wants list, get it now.

Average customer rating:

A very nice follow-up to "Soul Embrace".
Saxxy and Sensuous
Smooth Jazz atits best!
Sax lover
Sax lover

After Dark
Richard Elliot
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

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Soul Embrace
Chill Factor
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City Speak

ASIN: B000005GWH
Release Date: 1994-10-18

Tracks:

Streetbeat
Song for Her
As I Sleep
After Dark
El Anio
Tonight
On the Run
If Tomorrow Never Comes
Hold Me Tight
Bridge Over Troubled Waters
The Boys from the Bay
Candlelight
So Special
Slow it Down

Amazon.com

Richard Elliot, a former member of Tower of Power, Kittyhawk, and the Yellowjackets, is a tenor saxophonist with a creamy tone and a penchant for pretty background melodies played over steady but uninspired rhythm tracks. After Dark, includes a heavy-breathing Jeffrey Osborne vocal on "If Tomorrow Never Comes," a synth-drenched remake of "Bridge over Troubled Water," and two house-influenced dance tracks produced by Tony Terry and a reunion with Tower of Power on "The Boys from the Bay." Like a number of smooth jazz contenders, Elliot is a pop instrumentalist rather than a jazz musician, but even as a popster he has trouble finding a strong personality for his recordings. --Geoffrey Himes

Customer Reviews:

A very nice follow-up to "Soul Embrace"........2007-07-08

Elliot's 1993 album "Soul Embrace" is my favorite album by saxophonists pop instrumentalist Richard Elliot and looking back on it, it was tough to follow up on that one but he accomplishes that with his 1994 gem entitled "After Dark". While not quite as strong or consistant as it's predecessor, this CD still features some very strong cuts like "As I Sleep", the confident and haunting "Candlelight" to the final atmospheric classic "Slow It Down". Many years and albums have come and gone since this album came out but both this and "Soul Embrace" and maybe "Chill Factor" are the one's that have as of writing this held up over the years. Highly recommended for pop instrumental lovers.

Saxxy and Sensuous.......2006-01-15

Build a fire, pour a glass of wine and revel in the sensuous tones of Richard Elliot's Sax.
This was my first, and it won't be my last by this terrific musician.
If you love smooth, easy, tones of jazz you'll love this CD.

Smooth Jazz atits best!.......2004-09-30

An awesome display of music! This CD is worth more than you will pay. Satisfaction guaranteed!

Sax lover.......2000-08-24

This was the first CD by Richard Elliot that I had the privilege to Listen to. Needless to say I have several of his CD's in my collection now. Without going into a lot of detail it is still my favorite(maybe because it was my first). There is not a bad song on it. Richard is melodic, soulful, and smooth. At the same time he is funky, brash, and bold. The man can play any style and play it well. Just one warning! If you buy one of his CD's you will want them all! Happy Listening.

Sax lover.......2000-08-24

Average customer rating:

It's really good
MY SECOND FAVORITE ALBUM BY MONICA
After the Storm
Monica Shines with Missy's Help...
BEST YET!

After the Storm
Monica
Manufacturer: J-Records
ProductGroup: Music
Binding: Audio CD

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The Boy Is Mine
Miss Thang
The Makings Of Me
Never Say Never
Full Moon

ASIN: B00006BSW3
Release Date: 2003-06-17

Tracks:

After The Storm (intro)
Set It Off
So Gone
U Should've Known Betta
Don't Gotta Go Home (featuring DMX)
Knock, Knock
U Deserve
Breaks My Heart
I Wrote This Song
Ain't Gonna Cry No More
After The Storm (outro)

Amazon.com

"New Monica!" shouts Missy Elliott on the single "So Gone," one of five cuts she co-wrote and produced for After the Storm, the singer's first domestic album since 1998. (An earlier, much different version of the record is available as the import All Eyez on Me.) Drama is the key word here, from the disc's title on down. Miss E, of course, brings much spark and grit, but even some of the non-Elliott cuts are virtual arias of romance and self-fulfillment, with Monica Arnold pledging her devotion on one track, demanding her key back on another. The album's success puts her career and artistry back on track, while encouraging hope for more collaboration along the lines of the exciting Missy stuff here. --Rickey Wright

Customer Reviews:

It's really good.......2007-01-06

I like this Monica album sooo much but the version I got has 13 songs total (it doesn't have U Deserve in it). All i can say is daaammmn! Monica did her thang! I would have to say my favorite song is a duet with Tyrese called Go To Bed Mad. This should've been a single. I also like Don't Gotta Go Home, I Wrote This Song, Breaks My Heart, Knock Knock, U Should've Known Betta, So Gone, & Get It Off.....basically I really like this album and at first I wasn't sure I was gonna like it but it was worth it. Don't sleep on this album!

MY SECOND FAVORITE ALBUM BY MONICA.......2006-09-30

I LOVE THIS ALBUM MONICA DID HER THANG ON THIS ALBUM
EVERY SONG ON HERE IS REALLY GOOD "EXCEPT THAT'S MY MAN"
OTHER THAN THAT THE ALBUM IS REALLY REALLY GOOD
AND HER NEW ALBUM "THE MAKINGS OF ME" IS COMING OUT ON TUESDAY
AND I CAN'T WAIT I ALREADY HEARD IT AND IT IS "HOT", BUT DOES ANYBODY KNOW WHY THEY CHANGED IT FROM 14 SONGS TO NOW ONLY 10?
I THINK MONICA IS PULLING A BEYONCE ON US.
BUT IN MY OPINION THE "MAKINGS OF ME" SOUNDS LIKE ALBUM OF THE YEAR.

After the Storm.......2006-09-09

I highly anticipated getting this disc and couldn't wait to hear how Monica could or would top her previous album.

Her huge hit single, SO GONE was the perfect choice for a lead-off single - it's a hypnotically addictive track that features a strong vocal performance from Monica. I enjoyed this entire album, although not as much as 'THE BOY IS MINE', but it's certainly a strong, well produced album that any Monica fan should enjoy.

My standout tracks are:

U SHOULD'VE KNOWN BETTER - again, excellent choice as a 2nd single, this was a huge r&b hit that again showcases Monica's beautiful voice

KNOCK KNOCK - love the sample used

BREAKS MY HEART - really pretty mid-tempo ballad

HURTS THE MOST - excellent overall production

GO TO BED MAD - I'm not a Tyrese fan but this is a really nice duet between the two singers

As for the bonus disc:

TOO HOOD - I didn't like the lyrics but the music got my head bopping to the beat

DOWN 4 WHATEVER - her vocals are really airy and pretty sounding

SEARCHIN - inspirational track

I would highly recommend this disc to any Monica fan and although I didn't like it as much as I loved her previous album, this is still one of the better 2003 r&b album releases.

Monica Shines with Missy's Help..........2006-08-31

I never have been a fan of Monica. I like R&B but I am more of a hardcore R&B fan, not a smooth R&B slow-jam fan. On this album Monica does not in any way go hard-core but rather adds a edge to her old formula of sultry and relaxing ballads. She spits out rhymes along side Dirt Bag and Busta Rhymes. She is no natural talent at that sort of thing, but she does show some potential. So Gone and Knock Knock sound a bit alike but both have different tones. Monica also has some classic ballads on here with tracks like Breaks My Heart and U Should've Known Better. Both songs will please those fans who liked her from the start. Get It Off is the only song that speeds it up party style. The reason this album is so different is because Missy Elliot influences most of the songs. Missy is featured in the intro, Get It Off, So Gone, Knock Knock, and the So Gone remix. Although you hear a lot of Missy, she never raps but only says things like "This That New Monica!" and "So Sick!" and "This That Hot New Ish!" Other than that you never hear from her. The album has a lot of attitude as well. Monica's theme is 'boy-you-done-this-girl-wrong' and when she actually raps, she talks about 'smackin ya chic' and 'bustin down doors'. She feels independent it seems this time around. Its a big change from her The Boy Is Mine days. The Album is not perfect and at the end of the CD it goes into slow drive mode. Other than those few last songs the CD keeps a strong theme. In all I would say that this album is some of the best R&B I have heard in a long while.

BEST YET!.......2006-08-08

This is my absoblute fav Monica CD. Its good from start till end...theres is no need to skip any song. Well worth the money. I purchased it twice because my first copy was damaged as a result of being played so much! She reveals true feelings with "I wrote this song" (a dedication to her ex boyfriend that committed suicide)...This is a must own

Average customer rating:

Beautiful Music, Beautiful Renditions
Soothing Music for Baby

Baby Needs Beethoven

Manufacturer: Delos Records
ProductGroup: Music
Binding: Audio CD

Quartets | Chamber Music | Classical | Styles | Music

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Baby Sleep

ASIN: B00000IKJR
Release Date: 1999-03-23

Tracks:

Bagatelle In A Minor, WoO 59, 'Fur Elise'
Symphony No. 6 In F Major, 'Pastorale' Scene By The Brook
Septet For Strings And Winds In E Flat, Op. 20, Tempo Di Menuetto
Batatelles, Op. 119: No. 1 In G Minor
Batatelles, Op. 119: No. 2 In C Major
Batatelles, Op. 119: No. 3 In D Major
Quintet For Piano And Winds In E-Flat Major, Op. 16, Rondo: Allegro, ma non troppo
Symphony No. 1 In C Major, Op. 21: Symphony No. 1 In C Major, Op. 21, Andante cantabile con moto
Septet For Strings And Winds In E-Flat, Op. 20: Septet For Strings And Winds In E-Flat, Op. 20, Scherzo
Bagatelles, Op. 119: No. 4 In A Major
Bagatelles, Op. 119: No. 9 In A Minor
Bagatelles, Op. 119: No. 11 In B-Flat Major
Symphony No. 6 In F Major: Symphony No. 6 In F Major, 'Pastorale,' Shepherd's Song: Happy And Thankful Feelings After The Storm
Quintet For Piano And Winds In E-Flat Major, Op. 16: Quintet For Piano And Winds In E-Flat Major, Op. 16, Andante cantabile
String Quartet In D Major, Op. 18, No. 3: String Quartet In D Major, Op. 18, No. 3, Andante con moto

Amazon.com

Classical music for children has become a genre unto itself, founded on the premise of brain-power building and all too often steering parental buyers away from the full-blown versions of particular compositions toward reorchestrated renditions. It's frequently the case that a brain-tickling classical set will be played on digital keyboards, with softened tonal colors and shapes. Not so with this excellent Beethoven set. Recognized ensembles take up the music, from the Chamber Music Society of Lincoln Center to the New York Chamber Symphony to the Oxford String Quartet and the Los Angeles Chamber Orchestra. The emphasis is on Beethoven's gentler side, from the poetic "Für Elise" for solo piano to the bucolic settings portrayed in the two selections from Beethoven's Symphony No. 6. This is neither a synapse-popping set of virtuoso performances nor an altered look at Beethoven, but it is a well-selected, well-programmed set of works that will ease a child's brain into the works at hand. --Andrew Bartlett

Customer Reviews:

Beautiful Music, Beautiful Renditions.......2003-12-14

This is lovely, soothing music suitable for babies or tired adults! I began listening to it and other "Baby Needs" CD's (the Guitar compilation is wonderful too) before my daughter was born, and have continued to play it for her ever since. Even Classical music purists shouldn't object to hearing just portions of major works-- the compensation is having a complete collection of calm, peaceful music. Highly recommended.

Soothing Music for Baby.......2000-11-05

This is a delightful collection of Beethoven's most soothing, melodic pieces. It is good for background music or for quieting a fussy or tired baby. I highly recommend it.

The Most Relaxing Classical Music in the World...Ever!

Average customer rating:

The Most Relaxing Classical Music in the World...Ever!

Manufacturer: EMI
ProductGroup: Music
Binding: Audio CD

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ASIN: B0009S4WK2
Release Date: 2005-06-13

Tracks:

Sheep May Safely Graze From Cantata No.208 (Arr. Marriner)
Clarinet Concerto In A K622 Ii. Adagio Sabine Meyer
Concerto For Two Mandolins In G Rv532 Ii. Andante Europa Galante
Fantasia On A Theme By Thomas Tallis (Opening)
Piano Concerto No.2 In C Minor Op.18 Ii. Adagio Sostenuto (Opening)
Memories Of The Alhambra
Cello Concerto In E Minor Op.85 Iii. Adagio
Fellowship From The Film The Lord Of The Rings: The Fellowship Of The Ring
Lark Ascending (Opening)
Agnus Dei From The Armed Man: A Mass For Peace
Emperor Concerto Op.73 Ii. Adagio (Trans. Craig Leon)
Violin Concerto No.1 In G Minor Op.26 Ii. Adagio (Opening)
Voca Me
Nimrod From Enigma Variations
Symphony No.6 In F Pastoral Op.68 V. Allegretto (Shepherds Hymn)
Four Seasons Concerto No.4 In F Minor Winter (Ii. Largo)
Serenade In G Eine Kleine Nachtmusik K525 Ii. Romanza (Andante)
Double Violin Concerto In D Minor Bwv1043 Ii. Largo Ma Non Tanto (Opening)
Miserere Mei, Deus (Extract)
Violin Concerto In E Minor Op.64 Ii. Andante (Extract)
Jesu, Joy Of ManS Desiring From Cantata No.147
Pavane
Dome Epais (Flower Duet) From Lakme
Flute & Harp Concerto In C K299 Ii. Andantino (Extract)
Lascia ChIo Pianga From Rinaldo (Arr. Craig Leon & Isobel Cooper)
Guitar Concerto In D (Arr. Emilio Pujol; Ed. Isbin) Ii. Largo
Piano Concerto No.21 In C Elvira Madigan K467 Ii. Andante (Extract)
Pie Jesu From Requiem
EntrActe To Act Iii From Carmen
Ii. Romance: Larghetto (Opening)
16 In Paradisum From Requiem Op.48
Pathetique Sonata Op.13 Ii. Adagio Cantabile
Intermezzo From Cavalleria Rusticana
GabrielS Oboe From The Film The Mission
Air On The G String From Suite No.3 In D, Bwv1068
Morning From Peer Gynt Incidental Music Op.23
Balcony Scene From The Film William ShakespeareS Romeo & Juliet
Canon In D
Gymnopedie No.1 (Lent Et Douloureux)
Clair De Lune From Suite Bergamasque (Orch. Stokowski)
SchindlerS List Theme From The Film SchindlerS List
Rhapsody On A Theme Of Paganini - Variation 18
10 Adagio For Strings Op.11a
Piano Sonata No.14 In C Sharp Minor Moonlight Op.27 No.2
Symphony No.9 From The New World Ii. Largo (Opening)
Romance From The Film The Gadfly
Piano Concerto In A Minor Ii. Adagio
Cavatina From The Film The Deer Hunter
O Mio Babbino Caro From Gianni Schicchi
Venus From The Planets (Conclusion)
Ion Hort Die Whter Singen From Cantata No.140
Adagio In G Minor (Realised Giazotto)
Keyboard Concerto No. 5 In F Minor Bwv1056 Ii. Largo
Confutatis From Requiem
Dance Of The Blessed Spirits From Orpheus & Eurydice
Water Music Air From Suite No.1 In F
Fantasia On Greensleeves From Sir John In Love (Arr. Greaves)
Gnossienne No.1
Swan From The Carnival Of The Animals (Arr. Chris Hazell)
Ashokan Farewell
Cantique De Jean Racine
Nocturne In C Sharp Minor Op. Posth
Ombra Mai Fu (Largo) From Serse
Concierto De Aranjuez Ii. Adagio (Opening)
Pie Jesu From Requiem
Meditation From Thais
Piano Concerto No. 2 In F Op.102 Ii. Andante
Symphony No.5 In C Sharp Minor Iv. Adagietto (Conclusion)
My Heart Will Go On (Arr. Shearman) From The Film Titanic

Average customer rating:

I like this CD
Pretty Darn Good
Average For CSN
don't waste your money
the storm

After the Storm
Crosby Stills & Nash
Manufacturer: Atlantic / Wea
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Live It Up
Looking Forward
American Dream
CSN
Daylight Again

ASIN: B000002J0U
Release Date: 1994-08-16

Tracks:

Only Waiting For You
Find A Dream
Camera
Unequal Love
Till It Shines
It Won't Go Away
These Empty Days
In My Life
Street To Lean On
Bad Boyz
After The Storm
Panama

Amazon.com

Crosby mocks himself winningly on Camera, and Nash, the old smoothie, is in fine form for "Find A Dream" and "Unequal Love." Only Stills spoils the party, trotting out the hackneyed hot licks and topical lyrics for deadweighters like "Bad Boyz." --Jeff Bateman

Customer Reviews:

I like this CD.......2007-04-03

I like this CD! While it is not as good as their early stuff, I think it is better than anything they released in the 80's and 90's. My favorite song is "It Won't Go Away"; while it is typical preachy Stills, it has a great hook to it. Not sure why it didn't get some airplay on classic rock stations. "Find A Dream" and "These Empty Days" recaptures the classic CSN harmonies of old. "Street To Lean On" while it is also preachy may be Crosby's best work since "Almost Cut My Hair". If you are a CSN fan I think you will enjoy this set.

Pretty Darn Good.......2007-03-09

O.K., this is not one of the best pieces of work these guys ever did. But it's still pretty darn good. I've loved CS&N for over 35 years but admit they have definitely done some real crap stuff from time to time. "After the Storm" deserves some respect. There are a couple duds on the disk but only a couple. Over all, this is a very good piece of work.

Average For CSN.......2007-01-04

"After The Storm" is a very average CSN album. The songwriting and performances are all good, but they do not match up with the best stuff these guys have done. There is not much that really stands out here and not much that really sticks with the listener. The high points are few, with David Crosby's "Camera" being the best cut on the album. Stephen Still's guitar playing is another bright spot and he really lights it up on several of the tracks. Overall this is not a bad disc, but far from essential.

don't waste your money.......2006-10-03

i admit i'm picky, but with so much good music to listen to, why try to convince yourself you like something when it's really not any good. i wouldn't include any of these songs on a playlist and i'll keep the cd but don't plan to listen to it again. what's vexing is that you'd think this was a fairly good cd based on most of the reviews.

the storm.......2005-03-09

I have almost all the recordings from CSN,CN,CSNY and this is a very good effort from these legendary musicians. True it is not their best but I think anyone who has enjoyed their misic over the years will agree this is a very good CD. Especially enjoyed
the songs by David Crosby and Graham Nash. It is definately
enjoyable music.

Average customer rating:

A Marvelous Must-Have!
Bravo!!!
"Storm" consists of scattered showers
Incredible Album
The most uplifting mix of vocals and instruments!

Quiet After the Storm
Dianne Reeves
Manufacturer: Blue Note Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

I Remember
The Grand Encounter
That Day...
Bridges
A Little Moonlight

ASIN: B000005GXV
Release Date: 1995-05-02

Tracks:

Hello, Haven't I Seen You Before
Comes Love (Nothing Can Be Done)
Smile
Jive Samba
The Benediction (Country Preacher)
Detour Ahead
Yemonja/Sargaco Mar
Nine
In A Sentimental Mood
When Morning Comes (Jasmine)
Both Sides Now
Sing My Heart

Customer Reviews:

A Marvelous Must-Have!.......2003-09-11

Wow! This CD is truly inspired from beginning to end. Diane's 'signature song' "Hello, Haven't I Seen You Before" is riddled with a new jazzy energy. "Comes Love" is a sultry vocal with a salsa-jazz arrangement. "Benediction" is an amazing tribute to Cannonball Adderly. Diane's phrasing on "Detour Ahead" is genius. "Nine" strikes a mood of idealism and promise. "When Morning Comes" is vocally extraordinary! The piano of David Torkanowsky sets musical magic to the arrangements. But this work doesn't just stop there. Added artists include George Duke, Joshua Redman, Roy Hargrove, Hubert Laws, Luis Conte, and Everette Harp, to name a few. Absolutely, one of Dianne Reeve's best.

Bravo!!!.......2001-05-23

This is one CD that I have just about wore out. She masters these songs as only she can. I love the way she turned one of her own popular songs (Haven't I seen you before)around with a big band feel. Her cover of Joni Mitchell's "Both Sides Now" just makes you want to melt. The entire album is a must have. I worked a 16 hour day re-merchandising a a store with this CD carring me through the last 5 hours and I still wanted to listen.

"Storm" consists of scattered showers.......2000-07-18

The title of this album more likely than not refers to the one that came before it. 1994's "Art and Survival" was a strikingly bold and sometimes tumultuous work, finding Dianne Reeves taking more risks with one record than most jazz singers do in an entire career. Its followup, "Quiet After the Storm," is exactly what its title suggests: a more subdued, laid-back affair after Reeves got the energy of its predecessor out of her system. Unfortunately, inconsistency keeps the project out of Dianne's usual realm of greatness.

Things get off to a strong start with a reworked "Hello, Haven't I Seen You Before," previously a pop-flavored track on her "Never Too Far" release. The transition works surprisingly well, polished by a marvelous scat and ad lib section near the end. Then Reeves offers up a delicious version of the chestnut "Comes Love," surely one of her finest readings of a standard. "Smile," which she co-wrote with producer George Duke, finds her in the familiar territory of pop-flavored jazz, and the track's brightness is nearly blinding.

"Country Preacher" is better in theory than in practice, however. Writing lyrics for a classic Julian "Cannonball" Adderly tune as a tribute is a nice idea, but the hookless melody fails to leave a lasting impression. Similarly troubled are versions of Duke Ellington's "In a Sentimental Mood" and Joni Mitchell's "Both Sides Now." While Reeves certainly gets points for versatility, both cuts are too politely arranged; neither song reaches a musical or vocal peak, and while they're definitely pleasant, at this point we simply expect more from Dianne's renditions. Furthermore, the folky, foreign-language "Yemanja/Sargaco Mar" sounds thumpingly out of place; inclusion on "Art and Survival" would have made much more sense.

Much better is her version of the standard "Detour Ahead," boasting a killer piano solo by Jacky Terrasson and another masterful Reeves vocal. The arrangement on the Harold Arlen classic "Sing My Heart" is simply devine, the sentimental ode to childhood "Nine" features one of Dianne's best lyrics, and the sultry jazz waltz of "When Morning Comes (Jasmine)," complete with intoxicating flute solo, is worth the price of admission all on its own. In the end, fans of Dianne's full-bodied, soulful vocals will definitely not want to miss the high points of "Quiet After the Storm"...but you might want to learn how to program your CD player first.

Incredible Album.......2000-01-20

Dianne Reeves is one of my favorite singers. This album is one of her best. I like it so much because it combines lots of different musical styles and still holds itself together as an "album". This one is right behind Dianne's "Art & Survival" album as one of my favorites (by the way, "Art & Survival" is nowhere to be found on Amazon....)

Dianne is sexy and jazzy with COMES LOVE and WHEN MORNING COMES. She does an incredible interpretation of BOTH SIDES NOW -- you can really feel her act/sing the lyric on this one. NINE is a great childhood song that has a driving, fun arrangement. And IN A SENTIMENTAL MOOD is Dianne's take on a classic tune.

Dianne Reeves sings with such emotion. She has a distinctive jazzy technique, but also has a way with a lyric. Her song selections have always impressed me.

Enjoy this one!

The most uplifting mix of vocals and instruments!.......1999-07-03

Dianne Reeves blends crisp clean vocals with her jazzy roots in this eclectic uplifting album. The best I've heard from her yet!

Average customer rating:

Don't Remeber THIS "Alamo"
Defending the Alamo
Excellent CD
Enjoyable a-typical score
None Better

The Alamo

Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Alamo (Widescreen Edition)
Three Roads to the Alamo: The Lives and Fortunes of David Crockett, James Bowie, and William Barret Travis
The History Channel Presents The Alamo
Remembers the Alamo
Glory: Original Motion Picture Soundtrack

ASIN: B0001NBN6G
Release Date: 2004-04-06

Tracks:

Flesh And Honor
300 Miles Of Snow
What We're Defending
El Bexareno
La Zandunga
Who Took Their Loved Ones
Listen To The Mockingbird Sing
The Evacuation Of Bexar
The Calm After The Storm
The Visitation Of Saint Ursula
Quiet Mountain
They Ain't Bear
Bonham's Ride
Sell Our Lives Dearly
Night Falls On The Alamo
Deguello De Crockett
The Last Night
The Battle Of The Alamo, Part 1
The Battle Of The Alamo, Part 2
The Battle Of The Alamo, Part 3
The Battle Of The Alamo, Part 4
The Battle Of The Alamo, Part 5
The Battle Of The Alamo, Part 6
The Death Of Crockett
Runaway Scrape
Blood, Or Texas

Amazon.com

Carter Burwell cut his film scoring teeth on many a Coen brothers movie, quickly gaining a reputation for a quirky, human-scaled inventiveness that informed everything from jazz and folk to orchestral music and even the well-timed nod to Morricone. That often introspective sensibility is well paired to director John Lee Hancock's revisionist take on the legend of San Antonio's fabled doomed fortress, which focuses more on the conflicted human dimensions of its characters than familiar cardboard, pop culture heroics. Burwell's use of orchestral pomp is deliberate and decidedly restrained; more often the composer leans on spare, evocative passages of simple, though ever-inventive folk-based music (like the elegiac "Quiet Mountain") played by various combinations of guitar, banjo, and violin. Vintage traditional Mexican and American tunes are also given their atmospheric due via Jennifer Hammond's and Craig Eastman's arrangements of "La Zandunga" and "Listen to the Mockingbird Sing," respectively. But its Burwell's own peculiarly modernist instincts that inform both tradition ("Crockett's DeGuello") and his own masterfully understated cues, particularly the bleak, almost gothic emotional landscape of his six-part "Battle of the Alamo Suite" and its bittersweet coda, "Blood or Texas." --Jerry McCulley

Customer Reviews:

Don't Remeber THIS "Alamo".......2006-07-21

When making another version of a film that has already been made producers,directors,performers,and score composers are too often tempted to "do it differently",as if by twisting and turning a basic premise they will succeed..The classic film version of"The Alamo"is and remains the John Wyane version,which was nominated for several academy awards.Granted,the John Wyane version had little to do with actual history,but,then again,the purpose of the film industry has always been to entertain,not to teach..John Wyane,who produced and directed,as well as being the star of that film chose Dimitri Tiomkin to score his film.
Tiomkin,and old-line symphonic genius,provided a magnificent score,at once adventurous and poingnant..
The people responsible for this version of"The Alamo"decided to teach,rather than entertain,and,at the same time attempted to be politically correct as well.Thus,the mythic aspects inherent in the John Wyane version were replaced by morally ambiguous nonsense,and heroics were more or less eliminated in favor of a rather desperate survival theme,coupled with some added imperialistic touches with the addition of the Sam Houston charecter as a major player along with Bowie,Crockett,and Travis.
The people responsible for this film ,having many fine symphonic-oriented composers to choose from instead opted for minalmism by Carter Burwell..One can hardly imagine,for instance,a five-star gourmet meal served on a foam plate,with plastic knife and fork.Likewise one can hardly imagine a would-be epic western (even if it is very revisionist)bearing a score that plays like a new-age snoozer...But this is exactly what Burwell has given us...There are no epic themes here...There is an enormous orchestra credited as having participated in this project however when one listens to the finished product one is hard-pressed to HEAR any evidence of this participation.
John Wyane's script called for a lot of action on-screen,and Tiomkin obligingly provided very suitable musical themes..
The script for this new film does not call for very much action,even short-changing the audience during the final battle scene by shooting it in near-darkness,and underscoring it with a dirge-like monotone.
This new film was"troubled"from the very start.Ron Howard was supposed to direct but he didn't.The cast was shuffled around several times.Some "Main"charecters were eliminated entirely ,although thier traces continued to show up in the trailers released for this movie..While on the subject of the trailers for this film,the music used in them was 110% better than the Burwell claptrap..Scenes featured in the trailers were actually NOT in the finished film.The film was scheduled for a christmas opening,a slot usually reserved for top-of-the-line oscar contenders,and was then,suddenly yanked,and later released in April,where it died a much-deserved death after about a week in theatres,a colossal flop.
The film was terrible,and part of this is due to the Burwell score which is terrible-plus.

Defending the Alamo.......2005-09-09

I enjoyed the film and, in particular, the intelligent and sensitive portrayal of David Crockett but...so much had been cut by the time it was released as a DVD in England. The soundtrack is pleasant enough so if you liked it on the screen you will enjoy the CD but we do not have the Deguello on its own, (but have the haunting duo with David Crockett's fiddle), and we do not have the saucy little tune played at San Jacinto. On balance, worth buying.

Excellent CD.......2005-06-22

This is an excellent CD. If you are interested in this CD you will love "Audio Tour of the Alamo and Old San Antonio of the Wild West". This CD will gudie you around the Alamo Battlefield in present day San Antonio sshowing yu the actual locations of events of the battle. To hear a sample of this audio tour go to
http:www.alamoaudiotours.com you can also purchase this CD here on Amazon.com

Enjoyable a-typical score.......2005-03-05

Most war movies have underscore's that pulse with energy and power of battle. Carter Burwell takes another course. His music is melancholy and some people have taken the celtic sounding music and complained out it but I found the music to be powerful and perfectly fitting with the movie. The Alamo is also enjoyable as a single listening experience although it does help to have seen the movie. I particularly enjoyed the track where Crockets fiddle is combined with the Mexican "Slit Throat" band. Overall, I found this cd to be enjoyable and it gets better every time i listen to it.

None Better.......2004-12-01

A few comments about the movie The Alamo, if you would indulge me for a moment. It is pertinent. I didn't have high expectations for this film, the trailers I saw made it out to be another larger-than-life, ain't-afraid-of-nothing, cliché-filled motion picture. We lived in San Antonio for several years, it is a great town filled with wonderful people. We visited the Alamo on several occasions. It is a holy place for Texans, sacred, and being "non-Texans" I am sure most of the locals felt we really couldn't appreciate or even grasp the significance of the place, the honor of those who fought and died there. I must admit it was all somewhat lost on me. Thus, I was fully expecting this movie to be overdone and nauseating, especially considering I am not the biggest fan of two of the lead actors (Billy Bob Thorton and Dennis Quaid).

OK, please bear with me, I will get to my point in a second. We ended up renting the film as I had heard the cinematography was sensational (it was). But my biggest surprise was the film itself. Not the script, not the actors, but the entire film. I can't really put into words how good it was, not perfect, but an excellent motion picture and probably an accurate depiction of the individuals and events as they occurred. And both Thornton and Quaid were exceptional...they deserve Oscars come January, and it will be a shame if they don't get them.

Now, concerning this soundtrack. To put it simply, if this CD isn't the best soundtrack winner for 2004, then there is a conspiracy going on. It isn't on Amazon's editors picks, nor the customer's favorites list, I chalk that up to being it was just recently released. However, it should be on both, and highly competitive for the top honors this year. It is simply that good. Carter Burwell set a new standard with the soundtrack for O Brother, Where Art Thou? and may have exceeded it with this one. The music here just puts the visualizations of the movie back into my head...the music retells the story as well as the images.

The bottom like is fairly straightforward, if you liked the movie than you owe it to yourself to get this soundtrack. There is absolutely no way you will be anything other than engrossed in it.

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