Who's Last [Import]

Track Listings

1. My Generation

2. I Can't Explain

3. Substitute

4. Behind Blue Eyes

5. Baba O'Riley

6. Boris The Spider

7. Who Are You

8. Pinball Wizard

9. See Me, Feel Me

10. Love, Reign O'er Me

11. Long Live Rock

12. Live Rock (Reprise)

13. Won't Get Fooled Again

14. Dr. Jimmy

15. Magic Bus

16. Summertime Blues

17. Twist And Shout

Tracks:

First Booke Of Songes: I. Unquiet Thoughts
First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
First Booke Of Songes: IV. If My Complaints Could Passions Move
First Booke Of Songes: V. Can She Excuse My Wrongs
First Booke Of Songes: VI. Now, O Now, I Needs Must Part
First Booke Of Songes: VII. Dear, If You Change
First Booke Of Songes: VIII. Burst Fourth My Tears
First Booke Of Songes: IX. Go Crystal Tears
First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
First Booke Of Songes: XI. Come Away, Come Sweet Love
First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
First Booke Of Songes: XIII. Sleep, Wayward Thoughts
First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
First Booke Of Songes: XVI. Would My Conceit
First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
First Booke Of Songes: XVIII. His Golden Locks
First Booke Of Songes: XIX. Awake, Sweet Love
First Booke Of Songes: XX. Come, Heavy Sleep
First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

Second Booke Of Songs: I. I Saw My Lady Weep
Second Booke Of Songs: II. Flow My Tears
Second Booke Of Songs: III. Sorrow, Stay
Second Booke Of Songs: IV. Die Not Before Thy Day
Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
Second Booke Of Songs: VI. Time's Eldest Son
Second Booke Of Songs: VII. Then Sit Thee Down
Second Booke Of Songs: VIII. When Others Sing Venite
Second Booke Of Songs: IX. Praise Blindness Eyes
Second Booke Of Songs: X. O Sweet Woods
Second Booke Of Songs: XI. If Floods Of Tears
Second Booke Of Songs: XII. Fine Knacks For Ladies
Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
Second Booke Of Songs: XV. White As Lilies Was Her Face
Second Booke Of Songs: XVI. Woeful Heart
Second Booke Of Songs: XVII. A Shepherd In A Shade
Second Booke Of Songs: XVIII. Faction That Ever Dwells
Second Booke Of Songs: XIX. Shall I Sue
Second Booke Of Songs: XX. Toss Not My Soul
Second Booke Of Songs: XXI. Clear Or Cloudy
Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

Third Booke Of Songs 1603: I. Farewell, Too Fair
Third Booke Of Songs 1603: II. Time Stands Still
Third Booke Of Songs 1603: III. Behold A Wonder Here
Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
Third Booke Of Songs 1603: V. Me, Me, And None But Me
Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
Third Booke Of Songs 1603: IX. What If I Never Speed?
Third Booke Of Songs 1603: X. Love Stood Amazed
Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
Third Booke Of Songs 1603: XIII. O What Hath Overwrought
Third Booke Of Songs 1603: XIV. Farewell, Unkind
Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
Third Booke Of Songs 1603: XVI. Fie On This Feigning!
Third Booke Of Songs 1603: XVII. I Must Complain
Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

A Pilgrimes Solace: I. Disdain Me Still
A Pilgrimes Solace: II. Sweet Stay Awhile
A Pilgrimes Solace: III. To Ask For All Thy Love
A Pilgrimes Solace: IV. Love, Those Beams That Breed
A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
A Pilgrimes Solace: VI. Were Every Thought An Eye
A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
A Pilgrimes Solace: VIII. Tell Me, True Love
A Pilgrimes Solace: IX. Go Nightly Cares
A Pilgrimes Solace: X. From Silent Night
A Pilgrimes Solace: XI. Lasso vita mia
A Pilgrimes Solace: XII. In This Trembling Shadow Cast
A Pilgrimes Solace: XIII. If That A Sinner's Sights
A Pilgrimes Solace: XIV. Thou Mighty God
A Pilgrimes Solace: XV. When David's Life
A Pilgrimes Solace: XVI. When The Poor Cripple

Tracks:

A Pilgrimes Solace: XVII. Where Sin Sore Wounding
A Pilgrimes Solace: XVIII. My Heart And Tongue Were Twins
A Pilgrimes Solace: XIX. Up Merry Mates
A Pilgrimes Solace: XX. Welcome Black Night
A Pilgrimes Solace: XXI. Cease, Cease These False Sports
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Lachrimae Pavane
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can Shee
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana
Keyboard Transcriptions Of Dowland's Music By Other Musicians: The Frogge
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Frog's Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavana And Galiarda
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Paduana Lachrymae
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Can She Excuse
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavion Solus cum sola
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Dowland's Almayne
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Piper's Paven And Galliard
Keyboard Transcriptions Of Dowland's Music By Other Musicians: Pavan Lachrymae

Tracks:

Mr. Henry Noell Lamentations: I. The Lamentation Of A Sinner
Mr. Henry Noell Lamentations: II. Domine ne in furore
Mr. Henry Noell Lamentations: III. Miserere mei Deus
Mr. Henry Noell Lamentations: IV. The Humble Suit Of A Sinner
Mr. Henry Noell Lamentations: V. The Humble Complaint Of A Sinner
Mr. Henry Noell Lamentations: VI. De profundis
Mr. Henry Noell Lamentations: VII. Domine exaudi
Lachrimae: Lachrimae Antiquae
Lachrimae: Lachrimae Antiquae Novae
Lachrimae: Lachrimae Gementes
Lachrimae: Lachrimae Tristes
Lachrimae: Lachrimae Coactae
Lachrimae: Lachrimae Amantis
Lachrimae: Lachrimae Verae
Lachrimae: Mr. John Langton's Pavan
Lachrimae: Mr. Nicholas Gryffith His Galiard
Lachrimae: Sir John Souch His Galiard
Lachrimae: Semper Dowland Semper Dolens
Lachrimae: Mr. Giles Hobies Galiard
Lachrimae: The King Of Denmark's Galiard
Lachrimae: Sir Henry Umpton's Funerall
Lachrimae: Mr. Henry Noell His Galiard
Lachrimae: The Earl Of Essex Galiard
Lachrimae: Mr. Bucton His Galiard
Lachrimae: Mr. George Whitehead His Almand
Lachrimae: Captain Digorie Piper His Galiard
Lachrimae: Mr. Thomas Collier His Galiard
Lachrimae: Mrs. Nichols Almand

Tracks:

Sacred Songs: Sorrow, Come!
Sacred Songs: I Shame At Mine Unworthiness
Sacred Songs: An Heart That's Broken And Contrite
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 38: Put Me Not To Rebuke O Lord
Psalms: Psalm 130: Lord To Thee I Make My Moan
Psalms: Psalm 104: My Soul Praise The Lord
Psalms: Psalm 100: All People That On Earth Do Dwell
Psalms: Psalm 134: Behold And Have Regard
A Prayer For The Queen's Most Excellent Majesty
Instrumental Music: Solus cum sola pavan
Instrumental Music: Lachrimae
Instrumental Music: Galliard
Instrumental Music: Pipers Pavan
Instrumental Music: Lachrimae
Instrumental Music: Lady Rich Galliard
Instrumental Music: Earl Of Essex Galliard
Instrumental Music: If My Complaints
Instrumental Music: Lachrimae Doolande
Instrumental Music: Lord Willoughbie's Welcome Home
Instrumental Music: My Lord Chamberlaine His Galliard
Instrumental Music: Comagain
Instrumental Music: Pavan Lachrymae
Instrumental Music: Sorrow Stay

Tracks:

Lute Music: Preludium
Lute Music: Lachrimae
Lute Music: Can She Excuse
Lute Music: Dr. Case's Pavan
Lute Music: Melancholy Galliard
Lute Music: Sir John Smith, His Almain
Lute Music: Fantasia
Lute Music: A Dream
Lute Music: Almain
Lute Music: The Queen's Galliard
Lute Music: Coranto
Lute Music: Resolution
Lute Music: Mrs. Vaux Galliard
Lute Music: Almain
Lute Music: Mr. Dowland's MIdnight
Lute Music: Fantasia
Lute Music: Loth To Depart
Lute Music: The Most Sacred Queen Elizabeth, Her Galliard
Lute Music: The Earl Of Essex, His Galliard
Lute Music: Pavan
Lute Music: John Dowland's Galliard
Lute Music: Aloe
Lute Music: The Lady Clifton's Spirit
Lute Music: What If A Day
Lute Music: Mr. Giles Hobie's Galliard
Lute Music: Come Away (Song arrangement)
Lute Music: Galliard
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Lachrimae (Basic Version)
Lute Music: Galliard To Lachrimae
Lute Music: [Jig]
Lute Music: Galliard On 'Wasingham'
Lute Music: Complaint (Ballad Setting)
Lute Music: Mignarda (Galliard)
Lute Music: Semper Dowland Semper Dolens (Pavan)
Lute Music: The Frog Galliard
Lute Music: A Fancy (Fantasia)
Lute Music: Fancy (Fantasia)
Lute Music: Piper's Pavan
Lute Music: Captain Digorie Piper's Galliard
Lute Music: Lady Laiton's Almain
Lute Music: Dowland's Galliard
Lute Music: Dowland's First Galliard
Lute Music: Tarleton's Jig
Lute Music: Walsingham (ballad Setting)
Lute Music: Lord Willoughbie's Welcome Home (Ballad Setting)
Lute Music: Sir Henry Guilforde, His Almain
Lute Music: Pavan (Related To 'Lachrimae')
Lute Music: Mr. Langton's Galliard
Lute Music: Mrs. Clifton's Almain
Lute Music: Galliard
Lute Music: Lady Hunsdon's Puffe (Almain)
Lute Music: Galliard
Lute Music: Go From My Window (Ballad Setting)
Lute Music: Fancy (Fantasia)

Tracks:

Lute Music: Pavana Johan Douland
Lute Music: Mrs. Brigide Fleetwood's Pavan (Solus sine sola)
Lute Music: La mia Barbara
Lute Music: Sir Henry Umpton's Funeral (Pavan)
Lute Music: Lachrimae
Lute Music: Farewell Fancy (Chromatic Fantasia)
Lute Music: Farewell (On The 'In Nomine' Theme)
Lute Music: The King of Denmark's Galliard
Lute Music: Mrs. Vaux's Jig
Lute Music: Mrs. Nichol's Almain
Lute Music: Galliard
Lute Music: Lord Strang's March
Lute Music: Mrs. Winter's Jump
Lute Music: Can She Excuse (Galliard)
Lute Music: The Shoemaker's Wife, A Toy
Lute Music: Mrs. Norrish's Delight
Lute Music: Galliard
Lute Music: Mrs. White's Thing (Almain)
Lute Music: Mrs. White's Nothing
Lute Music: The Frog Galliard
Lute Music: Solus cum sola
Lute Music: The Lord Viscount Lisle, His Galliard
Lute Music: Orlando Sleepeth (Ballad Setting)
Lute Music: Robin (Ballad Setting)
Lute Music: Galliard (On A Galliard By Daniel Bacheler)
Lute Music: Forlorn Hope Fancy (Chromatic Fantasia)

Tracks:

Lute Music: The Lady Russell's Pavan
Lute Music: Fancy (Fantasia)
Lute Music: Sir John Langton's Pavan
Lute Music: Earl Of Derby, His Galliard
Lute Music: A Coy Toy
Lute Music: Fortune My Foe
Lute Music: [Almain]
Lute Music: Mr. Knight's Galliard
Lute Music: Sir John Souch His Galliard
Lute Music: Tarletone's Riserrectione
Lute Music: The Lady Rich, Her Galliard
Consort Music: Lachrimae Pavan
Consort Music: Can She Excuse Galliard
Consort Music: Captain Piper's Pavan And Galliard
Consort Music: The Frog Galliard
Consort Music: Round Battell Galliard
Consort Music: Fortune My Foe
Consort Music: Dowland's First Galliard
Consort Music: Katherine Darcie's Galliard
Consort Music: Tarleton's Jigge
Consort Music: Almain a 2
Consort Music: Mistress Nichols Almain a 2
Fullsack And Hildebrandt: Auserlesener Paduanen und Galliarden: Susanna Fair (Galliard)
Haussmann: Rest von polnischen und andern Tanzen: Mistress Nichols Alman a 5
Opusculum: Mr. John Langton Pavan And Galliard
Opusculum: La mia Barbara Pavan and Galliard
Opusculum: Lachrimae Antiquae Novae Pavan and Galliard

Tracks:

Consort Music: Mistress NIchols Almain
Consort Music: Volta a 4 ('Ioh. Douland')
Consort Music: Were Every Thought an Eye
Consort Music: Lady If You So Spite Me
Consort Music: Pavan a 4
A Musicall Banquet: I. My Heavy Sprite (Anthony Holborne)
A Musicall Banquet: II. Change Thy Mind Since She Doth Change (Richard Martin)
A Musicall Banquet: III. O Eyes, Leave Off Your Weeping (Robert Hales)
A Musicall Banquet: IV. Go, My Flock, Go Get You Hence (Anon.)
A Musicall Banquet: V. O Dear Life, When Shall It Be? (Anon.)
A Musicall Banquet: VI. To Plead My Faith (Daniel Bacheler)
A Musicall Banquet: VII. In A Grove Most Rich Of Shade (Guillaume Tessier)
A Musicall Banquet: VIII. Far From Triumphing Court
A Musicall Banquet: IX. Lady, If You So Spite Me
A Musicall Banquet: X. In Darkness Let Me Dwell
A Musicall Banquet: XI. Si le parler et le silence (Pierre Guedron)
A Musicall Banquet: XII. Ce penser qui sans fin tirannise ma vie (Pierre Guedron)
A Musicall Banquet: XIII. Vous que le Bonheur rappelle (Pierre Guedron)
A Musicall Banquet: XIV. Passava Amor su arco desarmado (Anon. Spanish)
A Musicall Banquet: XV. Sta notte mi sognava (Anon. Italian)
A Musicall Banquet: XVI. Vuestros ojos tienen d'Amor (Anon. Spanish)
A Musicall Banquet: XVII. Se di farmi morire (Domenico Maria Megli)
A Musicall Banquet: XVIII. Dovro dunque morire? (Giulio Caccini)
A Musicall Banquet: XIX. Amarilli mia bella (Giulio Caccini)
A Musicall Banquet: XX. O bella piu (Anon, Italian)

Customer Reviews:

A musical treasure-box.......2006-09-10

Both the music and this actual product are masterpieces. John Dowland's collected works here - covering 12 compact discs - exhibit the depth and power of this composer, a composer who many now regard as suffering from clinical depression. I doubt that the issue of the diagnosis of Dowland's depression can ever be settled, however, it is certainly obvious from his music, so completely on display here, that he was a man with very dark depths and corners in his mind. Dowland's various manifestations and "takes" on his own tune, "Flow my tears"/"Lachrimae" are here. This tune has haunted me ever since I first heard it when I was a child. It seems to sum up Dowland's feelings - at least Dowland seems to have thought so.

The First, Second, Third and Fourth Bookes of Songes, A Musicall Banquet, the keyboard transcriptions, all the lute music, consort music are here and virtually everything else written or supposedly written by John Dowland. Anthony Rooley and The Consort of Musicke perform this music with style and feeling throughout. This 12 CD set is something of a monument to the ensemble - I only wish they'd finished their collection of Monteverdi madrigals, which was equally good (La Venexiana are currently doing a magnificent job of recording all Monteverdi's books of madrigals for the GLOSSA label).

This is an expensive set, however, you will probably never need to buy another John Dowland CD again after buying and listening to this collection.

I bought this CD set on a mild Summer evening of 1998 and listened to it while sitting in my sun room - which a glorious orange sunset in progress, and a glass of wine. It brought back so many memories.

a beautiful journey into melancholy.......2001-06-15

I'm amazed at how many people tend to associate John Dowland's music with a tragic sense of drama. While no doubt this is art highly based on sadness, the "tragic" sense of it is more a legacy from the Romantic period. During the Renaissance, however, sadness was undestood as a very aesthetic way of approaching life. That is also the reason why Shakespeare's tragedies appear more sophisticated than his comedies.

Dowland, a contemporary of Shakespeare, discovered that meditating on a sad theme is, at the same time, a way of discovering a special beauty that we tend to avoid (maybe because of the "tragic" heritage of the Romantics). So, in the end, meditating on sadness is an uplifting experience! This box set is a journey into melancholy that includes songs, chamber music, pieces for lute, some rare sacred music and -as a highlight- Dowland's beautiful collection of seven pieces for viola which he called "Lachrimae" (Tears).

Kiri Sings Kern: Dame Kiri TeKanawa
Average customer rating:

kiri kern

Kiri sing Kern is a great experience

Lacks Splendor

White Glove Kern

mildly disappointing

Kiri Sings Kern: Dame Kiri TeKanawa
Dame Kiri TeKanawa , Jerome Kern , Jonathan Tunick , and London Sinfonietta
Manufacturer: Angel Records
ProductGroup: Music
Binding: Audio CD

Chamber Music | Forms & Genres | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General Modern | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
Vocal & Song | Modern, 20th, & 21st Century | Historical Periods | Classical | Styles | Music
General | Classical | Styles | Music
General | Opera & Vocal | Styles | Music
Modern & 20th Century | Historical Periods | Opera & Vocal | Styles | Music
General | Soundtracks | Styles | Music
Traditional Vocal Pop | Broadway & Vocalists | Styles | Music
General | Vocal Pop | Pop | Styles | Music
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Kiri! Her Greatest Hits Live

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ASIN: B000002SK3
Release Date: 1993-03-16

Tracks:

The Songs Of Jerome Kern: The Folks Who Live on the Hill
The Songs Of Jerome Kern: I'm Old Fashioned
The Songs Of Jerome Kern: The Way You Look Tonight
The Songs Of Jerome Kern: The Song Is You
The Songs Of Jerome Kern: Smoke Gets In Your Eyes
The Songs Of Jerome Kern: All Through The Day
The Songs Of Jerome Kern: The Last Time I Saw Paris
The Songs Of Jerome Kern: A Fine Romance
The Songs Of Jerome Kern: Yesterdays
The Songs Of Jerome Kern: All The Things You Are
The Songs Of Jerome Kern: Bill
The Songs Of Jerome Kern: Long Ago And Far Away
The Songs Of Jerome Kern: Look For The Silver Lining
The Songs Of Jerome Kern: Can't Help Lovin' Dat Man

Amazon.com

As Hammerstein writes in the opening song, "Many dames with lofty aims strive for lofty goals"--and Te Kanawa strives for successful crossover. Her beautiful singing exhibits impeccable diction and excellent phrasing; but "A Fine Romance" lacks anger and humor, "Smoke Gets in Your Eyes" lacks a storyteller, and "All the Things You Are" lacks romanticism. However, happy songs like "All Through the Day," "Look for the Silver Lining," and "The Folks Who Live on the Hill," are successfully interpreted. Jonathan Tunick's orchestrations enhance Kern's beauty through his captivating use of obbligato instruments. A pleasant, if not wholly satisfactory, listening experience. --Barbara Eisner Bayer

Customer Reviews:

kiri kern.......2007-03-29

Kiri is sensational on this CD. Jerome Kern music is stupendous and the arrangements superb. Three top esses.

Kiri sing Kern is a great experience.......2004-01-18

I love the way she sings Kern's songs. Though certainly not opera, Kern's songs benefit from an an operatic approach--not all of them, but certainly ones such Smoke gets in your Eyes, The song is you, All the things you are. I love Kern;s songs sung in many styles but Kiri's way is one of the best.

On the other hand, I did not like Kiri singing Berlin.

Lacks Splendor.......2002-09-01

Though I do enjoy Kiri's interpretation of most music, and this CD was decent, I did not find any piece particularly memorable.

The voice is undeniably beautiful, and Kiri has managed to keep her maturing voice sounding somewhat young, yet I find that I much prefer her rendition of "The Laughing Song" to that of "Smoke Gets in YOur Eyes."

If you love Kern, and couldn't care less who performs it, than purchase this CD. If you are a fan of Kiris', then perhaps it would be best to avoid this purchase...for it is not a shining star in her vast collection of CDs. All in all, it was a disappointment.

White Glove Kern.......2001-05-20

I am the first to admit that most "crossover" albums, be they of classical performers singing pop or vice versa never quite cross over. This album does splendidly. Kern's music is the most related to classical operetta , and therefore the least jazziest. Operatic soprano Kiri Te Kanawa gives luscious, heartfelt readings of these wonderful songs, backed by glamorous orchestrations. Hearing a voice of such opulence and beauty in this music is a rare treat. Just listen to "Smoke Gets In Your Eyes" ,"Long Ago and Far Away" or "The Song is You" and prepare to be swept away to another, more elegant time.

mildly disappointing.......2000-09-30

Sometimes cross-over works, sometimes not. While Kiri te Kanawa has a beautiful voice, she never gets into the idiom of these Jerome Kern masterpieces sufficiently to convey their stories or their subtleties. Smoke Gets in Your Eyes especially stands out, she sings it with none of the pathos the song demands and her version pales compared to the Platters. The orchestral arrangements are decent and in many of the songs the purity of her voice is enough to carry them, but overall I would say this is a disappointing example of a crossover record. Ms. te Kanawa should stick to what she does best.

Average customer rating:

Great Hits from Sigmund Romberg

Great Hits from Sigmund Romberg

Manufacturer: Pearl
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

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A Victor Herbert Showcase: The Greatest Hits of the Father of American Popular Song
The Desert Song / The New Moon
The Student Prince (1952 Studio Cast)

ASIN: B000000X26
Release Date: 1992-06-12

Tracks:

The Desert Song: It
Maytime: Waltz Medley
Girl Of The Golden West: Who Are We To Say?
The New Moon: Introduction - Stout Hearted Men - Lover Come Back To Me - Girl On The Prow - Try Her Out At Dances - Wanting You - Softly As In A Morning Sunrise - One Kiss - Finale
Nina Rosa: The Gaucho March
The Desert Song: Waltz
Viennese Nights: Introduction - I Bring You A Love Song - Here We Are - You Will Remember Vienna - Regimental March
Blossom Time: Song Of Love
My Maryland: Introduction - Dixie - Boys In Grey - Mother - Silver Moon - Your Land Is My Land
Bimbo: In Old Granada
The Desert Song: Introduction - Riff Song - One Flower In Your Garden - Waltz - The Foreign Legion - Romance - One Alone
Maytime: Farewell To Dreams
Nina Rosa: Your Smiles, Your Tears
The New Moon: Marienne
The New Moon: Softly As In A Morning Sunrise
Nina Rosa: My First Love, My Last Love
Viennese Nights: I Bring A Love Song
The Night Is Young: When I Grow Too Old To Dream
The Student Prince: Intorduction - Arrival Of The Prince - Serenade - Deep In My Heart, Dear - Drinking Song - Just We Two - Students' March Song

Customer Reviews:

Great Hits from Sigmund Romberg.......2007-01-04

Excellent audio product, especially considering its age and the state of technology.

Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)

Average customer rating:

Arguably "The Best" English "Merry Widow "

Léhar: The Land of Smiles; The Merry Widow; The Count of Luxembourg (Highlights)

Manufacturer: Class. for Pleas. Us
ProductGroup: Music
Binding: Audio CD

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Offenbach: Orpheus in the Underworld / Burgess, Watson, etc (Highlights)
The Best of Operetta, Vol. 3

ASIN: B00009KHY2
Release Date: 2003-09-02

Customer Reviews:

Arguably "The Best" English "Merry Widow ".......2006-09-12

This is the "Merry Widow" with English translation by Christopher Hassel sung by June Bronhill. I loved this rendition ever since I first heard it in about 1960. What's to love? First the translation is the best I've heard. The language doesn't sound "stilted" as some others. And, you can understand almost every word sung. Plus, the famous song, "Vilja" has some wording that moves me every time I hear it: The soprano sings, "Love me and I'll DIE for you!" with the word "die" somewhat emphasized. I don't know, there's just something "powerful" about someone saying they'd "die" for love! AND, at the end of "Vilja" the chorus and soprano raise to a crescendo hitting a high note together. In many renditions the chorus is heard but not the soprano on the final high note. In THIS version, the soprano, June Bronhill, can be heard rising to the final high note with an incressing crescendo and fortissimo louder than the chorus and holding the final high note---which gives a very thrilling effect as she holds that final note, I assure you!

The "problem" is that this June Bronhill, Reid, and Hassel version is hard to find on CD. For example, this CD is made in Holland and "there is one left" so it says on Amazon. But, if you can find it, I think it would be very much worth a listen. Then, after hearing it, if you think there's a "better" Merry Widow, please let ME know! Thanks. Email:boland7214@aol.

Average customer rating:

Songbird of the South
Kate Smith
Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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Release Date: 2003-01-21

Average customer rating:

Excellent Sounding Recordings
An interesting collection of obscure s/f-fantasy themes
Digital Sound with a so-so collection

Fantastic Journey

Manufacturer: Telarc
ProductGroup: Music
Binding: Audio CD

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Star Tracks 2
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ASIN: B000003CWH
Release Date: 1990-01-30

Tracks:

Suite From Batman
Outer Space From The Day The Earth Stood Still
Prelude From War Of The Worlds
End Title From The Black Hole
Through The Black Hole (Sound Effects)
End Title From Twilight Zone: The Movie
End Title From The Boy Who Could Fly
Main Theme From The Beastmaster
End Title From Explorers
End Title (The White Horse: Into The Sunset) From Dragonslayer
Carol Ann's Theme From Poltergeist
Suite From Moonwalker
A Busy Man From Star Trek V: THe Final Frontier
Escape From Venice From Indiana Jones And The Last Crusade
The Cantina Band From Star Wars
Main Title From The Last Starfighter

Customer Reviews:

Excellent Sounding Recordings.......2001-10-16

This CD has been around for a while now but it is still truly a good compilation of Science Fiction film music given a new dimension by being recorded digitally. The BATMAN selections composed by Danny Elfman are very powerful combing rousing elements with moody enigmatic passages. Most of the other selections are short or confined to one piece. The selections from TWILIGHT ZONE: THE MOVIE, STAR TREK V: THE FINAL FRONTIER and POLTERGEIST all composed by Jerry Goldsmith are all performed with passion and demonstrate Goldsmith's great versatility. Bernard Herrmann's "Outer Space" from THE DAY THE EARTH STOOD STILL is brief but in effect makes it all the more powerful by its great innovation and lasting impact. The WAR OF THE WORLDS "Prelude" by Leith Stevens was a great surprise.

An interesting collection of obscure s/f-fantasy themes.......2000-10-26

Maestro Kunzel has gathered together a mostly-entertaining mix of music from various s/f movies. As usual with these collections, the CD contains selections that are hard to come by (if not impossible) on a soundtrack or any other recorded source. Not all of the tracks work, however. Music from "Moonwalker" is annoying, and the theme from "War of the Worlds" is just plain weird. Not Kunzel's fault, I know, but those pieces tend to (for me) mar the overall likeability of the album. That said, there are definitely keepers: The theme from "The Black Hole," the soundtrack to which was unavailable on CD anywhere until just recently and which by itself is worth the cost; the sweet chorus of Carol Ann's Theme from "Poltergeist"; the themes from "The Day the Earth Stood Still," "The Beast Master" (I am Dar!) and "The Last Starfighter."

Unfortunately, these movie collections tend to waste too much disk space on sound effects. Often inserted as short introductions to a piece of music, most can be endured quickly and forgotten. But on this CD, a whole track's worth following "The Black Hole" is devoted to the inane cacophony of electronic gibberish, space that would have been much better served by playing, say, the Love Theme from "Superman."

Still, there are more things to like on this album than there are to dislike.

Digital Sound with a so-so collection.......2000-06-25

This is another of the Telarc label's collections put together under the conductor Erich Kunzel and performed by the Cincinnati pops orchestra. Like all Telarc discs, the sound is pure digital and hence can really pack a punch. Moreover, Kunzel often chooses some vey nice gems in his collections -- e.g. the neglected Last Starfighter piece here. However, the problem arises in the fact that many pieces of film score don't play well with a large orchestra -- they loose their focused intensity. The Batman here suffers from such a flaw and is weaker than the original score. The Pops orchestra is best with march-type themes, of which there are not enough on this album to make it outshine the original soundtracks from which it draws.

Average customer rating:

The definition of Musical Genius
Epistolary reflections on Costellian themes...
Beauty? Truth? You Can't Handle Either!!
Deep and moving music from Elvis Costello.
Give it a Try

The Juliet Letters

Manufacturer: Warner Bros / Wea
ProductGroup: Music
Binding: Audio CD

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For the Stars
North
Brutal Youth
All This Useless Beauty
When I Was Cruel

ASIN: B000002MI4
Release Date: 1993-01-19

Tracks:

Deliver Us
For Other Eyes
Swine
Expert Rites
Dead Letter
I Almost Had A Weakness
Why?
Who Do You Think You Are?
Taking My Life In Your Hands
This Offer Is Unrepeatable
Dear Sweet Filthy World
The Letter Home
Jacksons, Monk And Rowe
This Sad Burlesque
Romeo's Seance
I Thought I'd Write To Juliet
Last Post
The First To Leave
Damnation's Cellar
The Birds Will Still Be Singing

Amazon.com

Good on Elvis for risking the ridicule of a blinkered pop world with this unprecedented (for him, certainly, and most anyone short of Kurt Weill) and quite lovely album of bitchy, wise, and funny art songs accompanied by strings. His freshest, most evolved work in years. --Jeff Bateman

Customer Reviews:

The definition of Musical Genius.......2007-05-22

If/when this ever is reprinted you MUST purchase it. It is beautiful in ways that I can't describe. For a writer/musician who is known for writing some amazing pieces, this is his pinnacle.

You will sob. You will laugh. You will rage. You will be haunted.

From a purely musical perspective, when you listen to this CD you are in the presence of great genius.

Listen to it alone, at least at first. Listen in the dark and let the imagery flow over you like fog.

Epistolary reflections on Costellian themes..........2006-01-16

Elvis Costello (Declan MacManus) has done his fair share of collaborations in the past decade. From the Grammy-award winning project with Burt Bacharach in 1998 to 2001's subdued "For the Stars" with Anne-Sophie von Otter Costello has branched out from his rock roots in diverse directions. "The Juliet Letters" from 1993 was the first in a long line of such collaborations. Costello and the Brodsky Quartet were brought together by mutual appreciation (Costello went to Brodsky Quartet concerts while the Brodsky Quartet attended Costello concerts). And Costello's now ex-wife Cait O'Riordan provided the epistolary theme for the project. She spotted a newspaper article about a professor that responded to letters addressed to "Juliet Capulet". Costello then presented the article to the quartet for inspiration. The group of five ended up writing all of the music and words (though much of the music is credited to "MacManus"). The results fall somewhere between classical song cycles and Beatle-inspired "string rock" (a la "Yesterday" and "Eleanor Rigby"). Feelings of melancholy and anger pervade most of the songs. The strings punctuate these feelings perfectly. Fans of Costello's rock music probably won't find much to appreciate here. But the album contains many of the same classic Costello themes and vocal styles utilized in his rock.

Like a Richardson novel, letters provide the basis for the project. Failed and frustrated relationships abound. "Thank you for the flowers / I threw them on the fire / And I burned the photographs that you had enclosed / GOD they were ugly children" Costello sings venemously on the driving "I Almost Had a Weakness". After all, nothing seeps loneliness more than an unanswered love letter. But more than love gets the treatment here. Other songs include a suicide note ("Dear Sweet Filthy World"), a letter from a soldier to a stranger ("I Thought I'd Write to Juliet"), a bizarre experiment in selective exhumation ("Damnation's Cellar"), a reflection on separation ("Why?"), and a letter full of hope in the face of despair ("The Birds Will Still Be Singing"). Many songs explore the sad one-sided nature of letter writing. And no song responds to any other song. This fills the songs that deal with ineffable questions with an almost desparing isolation. But not everything is doom and gloom. "This Offer is Unrepeatable" picks up the mood with a humorously exaggerated letter from a scam artist (and it more than a little resembles the Tom Waits' classic "Step Right Up"). The final song injects some hope into the stark themes in the manner of "Old Man River": "Banish all dismay / Extinguish every sorrow / If I'm lost or I'm forgiven / The birds will still be singing". So in the end, things aren't as bad as they seem. The world goes on regardless of our ephemeral concerns. And as long as the world goes on hope exists.

This CD contains a lot of very beautiful and moving music. Two violins, a viola, a violincello, and voice provide all of the instrumentation. Costello branched out into something very different here. And not all of his fans appreciated it. Regardless, in retrospect "The Juliet Letters" pointed to the future. This year Costello will tour orchestra halls. Not only that, he also wrote a full orchestral score ("Il Sogno"). Strings appear more frequently in his recent music. And year by year he seems to embrace "classical" music more intensely. Still, he hasn't abandoned rock and pop (as "When I Was Cruel" and "The Delivery Man" testify). Though this early collaboration remains somewhat underappreciated, it nonetheless fully showcases Elvis Costello's diverse, adaptable, and broad musical scope. Costello will doubtless appear somewhere on the list of accomplished twentieth and twenty-first century musicians.

Beauty? Truth? You Can't Handle Either!!.......2006-01-06

The reason the Costello/Brodsky collaboration "Juliet Letters" is such a difficult listen is also why its the MOST SINGULARLY BRILLIANT ALBUM IN THE ENTIRE ELVIS COSTELLO DISCOGRAPHY! And this declaration is coming from a man who could write a thesis on "Armed Forces" and "Imperial Bedroom" in his sleep! The idea of setting "letters" to music has certainly been done before, but Costello sticks his neck out, both as a composer and singer in ways he'd never done before. Accompanying yourself with just a string quartet (no snarling guitars or euphonious keyboard filigrees,) is the surest way to test your mettle as a vocalist. And sure, sometimes Costello's voice isn't exactly the strongest, but like say, Billie Holliday it always seems to occur precisely when the lyric calls for it: check out "Who Do You Think You Are?" or "The Birds Will Still Be Singing" and you'll hear exactly what I mean. Even his ode to a chain letter, "This Offer Is Unrepeatable" serves up a cheeky bit of satire worthy of "Three Penny Opera." Of course, you can only experience this album sporadically - could anyone watch "Death Of A Saleman" or "Long Day's Journey Into Night" repeatedly without losing one's mind? Emotionally-wrought exercises like "Letters" take a lot out of you, even when you're merely the observer (or listener,) rather than the participant. But that's what makes the journey, however bittersweet, one worth taking.

Deep and moving music from Elvis Costello........2005-06-18

The Juliet Letters is a moving colaboration from Elvis Costello and the Brodsky String Quartet. His deep vocals are complemented by the string quartet. This album is
neither fish nor fowl (classical or pop) it's just a musical
exercise. The strings are some of my favorite compositions,
(viola, cello and violin). Elvis Costello not only got the Brodsky Quartet a bigger audience but he inspired them to
write their own music (a third of the songs are composed by the Quartet).

While it might not be everyones cup of tea, the music is brilliant and Elvis reaches octave levels I thought I would never imagine he could ever attain. Maybe sometime in the near future he'll work with them again. I applaud him for taking such a bold step in making a non-commercial album.

Highly recommended.

Give it a Try.......2004-03-03

I've been listening to a lot of Philip Glass and Steve Reich lately,and its caused me to go back to this album to give it another go.Previously I thought that it was an interesting experiment which hadn't worked out very well.Now I think that it is a good album for rockers and classical music lovers to use to stretch their ears a little.So called crossover albums are usually horrifying-does anyone else remember that album that Procol Harum did with the Edmonton Symphony Orchestra? Elvis flatly denounces the concept in the liner notes.And not everything on this album works.It isn't the brilliant work that some of the other reviewers seem to think that it is.But it is a worthwhile experiment and a work that should be given a fair chance.Rockers and classical music lovers tend to be snobbish and dismissive of one another.This is a good work for them to live with for a while.When Elvis and the Brodsky's click-on "Jackson Monk and Rowe" or "Romeos Seance"-the results are as beautiful and valid as anything either of them have ever done.
Three stars because some of this simply doesn't work. But this is a work anyone who likes Elvis or the Brodsky's should have in their collection.

Average customer rating:

Life Upon the Wicked Stage
Carole Cook , Jerome Kern , Grant Geissman , David Stout [trombone] , Dan Fornero , John Fumo , Brock Peters , James Anderson , Jane Lanier , Lauren Kennedy , Linda Michele , Marissa Jaret Winokur , Melissa Errico , Reece Holland , Robert Morse , Rod McKuen , Roger Rees , Ronnie Franklin , and Steve Orich
Manufacturer: Lml Music
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000658H9
Release Date: 2002-05-07

Tracks:

The Song Is You - Jamie Anderson
How'd You like To Spoon With Me? - Jane Lanier
The Land Where The Good Songs Go - Pamela Myers
All The Things You Are - Alan Campbell
The Folks Who Live On The Hill - Lee Lessack
She Didn't Say Yes - Marissa Jaret Winokur
Pick Yourself Up - Street Sounds
You Couldn't Be Cuter - Marsha Kramer
Shimmy With Me - Lea Thompson
They All Look Alike - Bruce Vilanch
There It Is Again - David Holladay
Remind Me - Ron Rifkin
In Love In Vain - Melissa Errico
Make Believe - Linda Michele
Ol' Man River - Brock Peters
You Are Love - Dale Kristien
I Won't Dance - Bonnie Franklin

Tracks:

The Last Time I Saw Paris - Charles Busch
Long Ago (And Far Away) - Pam Dawber
They Didn't Believe Me - Pat Marshall
Look For The Silver Lining - Rod McKuen
A Fine Romance - Jane Carr
Sure Thing - Sally Kellerman
Don't Ever Leave Me/Why Was I Born - Joely Fisher
I'm Old Fashioned - Robert Morse
Yesterdays - Joan Ryan
Smoke Gets In Your Eyes - Dorian Harewood
In The Heart Of The Dark - Dale Kristien
Can't Help Lovin' Dat Man - Valarie Pettiford
The Way You Look Tonight - Hugh Panaro
Life On The Wicked Stage - Carole Cook
I've Told Every Little Star - Carole Cook
Till The Clouds Roll By - The Company

Average customer rating:

Not There Best but could be better
Regardless what other reviewers said...I like it
The Sub-Par Who Live Album.
It is not their best live recording, but it still good !!
Not As Bad As Everyone Thinks

Who's Last
The Who
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Similar Items:

Live from Toronto
Who's Missing
Wire & Glass
Magic Bus
Psychoderelict: Live in New York

ASIN: B000026E03
Release Date: 1999-03-20

Tracks:

My Generation
I Can't Explain
Substitute
Behind Blue Eyes
Baba O'Riley
Boris the Spider
Who Are You
Pinball Wizard
See Me, Feel Me

Tracks:

Love Reign O'Er Me
Long Live Rock
Reprise
Won't Get Fooled Again
Doctor Jimmy
Magic Bus
Summertime Blues
Twist and Shout

Album Description

This album was the only release for years that was most like a complete Who Concert. his disc includes many good live versions of their classics. 'Magic Bus' being the highlight of the whole set. In a whole it is a good Who album and is a good document of the '82 tour. MCA. 2003.

Customer Reviews:

Not There Best but could be better.......2007-05-26

I think that this has the pential to be one of there best the songs in the cd are great. I whould give the seclection if songs a 4 but I give the sound Quality a 2. I whish they would put out a remastered version and clean up the sound. Then I probbaly whould give it a 5 but intil they do that It only gets a 3

Regardless what other reviewers said...I like it.......2006-08-26

I found the later copy that has all 17 tracks on a single cd...was a British Import.

The sound quality is far better than the other recordings I have encountered from that era....as well as the boots of the 1982 Mapleleaf Gardens Concert on Dec 17, 1982.

What you're getting here is basically a smorgasbord of tracks from that 1982 Farewell Tour...from a varied venue. I still found the recording quality to be fairly consistent....taking in consideration different stages and different acoustics....all the technical variables that contribute to the sound of a recording. All in all..I consider it to be a valued assett to any fans Who collection. Many of the purests thumb their nose at these recordings, as they prefer the band in the Keith Moon days. Kenny Jones gave the band the opportunity to keep going thru 2 more excellent studio albums and he also supplied a rock steady percussive foundation...something Keith frequently lacked in. Keith was a dramatic showman and percussive whirlwind....but much of the time...his performance got in the way of his ability to lock down a solid groove with John. Kenny permitted the band that foundation to cut loose with. Johns bass rips thru like a razor and locks in tightly with Kennys drumming.

I have the complete Toronto show on CD....and attended 2 shows from that tour....this CD brings back those memories nicely.

The Sub-Par Who Live Album........2005-10-29

Although The Who are the epitamy of "Arena Rock Gods", this album isn't their best live work. If you are looking for a CD of a grab back of live Who from most of their album material, this is a good start. There are much better Who live albums though. The quinessential live Who album is Live at Leeds: Deluxe Edition. Although the Leeds album is magnificent, it only encompasses the early Who and the 1969 - 1970 period. There are many other era's of Who music to experience live. To feel out the Live Who, I would suggest these for the different areas.

1971 - 1973: Who's Next: Deluxe Edition. The second CD of this contains one of their Lifehouse Concerts at the Young Vic Theatre in London.

1974 - 1977: The Who By Numbers (Remastered) Because it contains three songs from this period live. There isn't too much live stuff from this era that has been released on official CD's

1978: The Kids Are Alright

1979 - 1981: The Remastered Versions of "Face Dances" and "It's Hard"

1982: Who's Last

1989 - 1990: Join Together

It is not their best live recording, but it still good !!.......2005-08-16

This is the the second group of songs recorded live with drummer Kenny Jones (the first ones are in in the "live for Kampuchea" cd and includes Baba O Riley, Behind Blue Eyes, Sister Disco and See Me Feel Mee). This is by no means a bad album, it is simply not their best live recording and this is not only Kenney Jones to blame, but because all of them were "tired" and unispired (particulary Roger and Pete). Also, because John Entwistle s' bass was not properly recorded (he later said that someone did a mistake givin us half of his sound).
All the songs are played professionaly but "something" is missing and that is "fire" or "passion". In my oppinion only "Doctor Jimmy" and "Won get fooled again" and maybe "Magic Bus" save this collection from being totally dull. Pete Townshend and Kenny Jones, in particular, drive the band to unknown territory in the fiery "Wont get fooled again" (this is maybe their best recorded version of the song).

Doctor Jimmy is one of those songs that the Who rarely play live in concert (simply because they have this "list" of songs they always play and rarely revisit other great songs as this one).
This cd could be great if they include "Naked Eye", "The Quiet One", "Dangerous", "Music Must Change", "Sister Disco" or "Cry if you want". All these songs were played on this tour.
In the balance, this is a good cd but not as great as could be, simply because they choose the songs played at the ok concerts from this tour. They should put out one of the "Shea" concerts and you could hear the difference. When the Who has a "bad" night they are good, but when they playe with fire, they are the best rock band ever.

Not As Bad As Everyone Thinks.......2005-03-15

I suppose having heard this before I heard other, choice live recordings makes me think "Who's Last" is not as bad as others. Consider the machinations of MCA records in putting this out as a last (but not the ultimate last) grasp for more money.

Townshend disbanded the Who in '83, and got out of their remaining contract with Warner Bros. Now, from the final '82 tour was a three-album selection of live tracks, which included stuff from "Face Dances" and "It's Hard." MCA however decided that only tracks from albums they put out were good enough, and so critics blasted this as a sell out, and unfairly I think blamed the band for it. Blame MCA.

I have an unofficial recording of the last '82 show in Toronto, and it is better than this, and includes tracks not shown on the "Rocks America" video. But how about this?

The band blasts its way through the usual old hits with powerful and professional abandon. There really isn't anything wrong with these performances. A couple of surprises was the inclusion of "Dr. Jimmy" from "Quadrophenia" and Entwisle bellowing out "Twist and Shout."

It's really alright if you want to hear something a little bit different from the first ending of the Who. This part of the era has been slammed by too many people, bitching about Kenney Jones replacing Keith Moon (no one could replace Moon, and Jones was chosen for his experience and the very fact that he was DIFFERENT from Moon in terms of style). Jones does a fine job here, so get over it!

This was also a time that Townshend wanted to move the band in a new direction, a bit of a tighter sound, which is why he added a horn section to play more "Quadrophenia" numbers and included John Bundrick on keyboards (though Tim Gorman played on the 'final' tour in '82).

It's a moment in time well worth listening to, and for Heaven's sake, ENJOYING!

Average customer rating:

Don't Remeber THIS "Alamo"
Defending the Alamo
Excellent CD
Enjoyable a-typical score
None Better

The Alamo

Manufacturer: Hollywood Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

The Alamo (Widescreen Edition)
Three Roads to the Alamo: The Lives and Fortunes of David Crockett, James Bowie, and William Barret Travis
The History Channel Presents The Alamo
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Glory: Original Motion Picture Soundtrack

ASIN: B0001NBN6G
Release Date: 2004-04-06

Tracks:

Flesh And Honor
300 Miles Of Snow
What We're Defending
El Bexareno
La Zandunga
Who Took Their Loved Ones
Listen To The Mockingbird Sing
The Evacuation Of Bexar
The Calm After The Storm
The Visitation Of Saint Ursula
Quiet Mountain
They Ain't Bear
Bonham's Ride
Sell Our Lives Dearly
Night Falls On The Alamo
Deguello De Crockett
The Last Night
The Battle Of The Alamo, Part 1
The Battle Of The Alamo, Part 2
The Battle Of The Alamo, Part 3
The Battle Of The Alamo, Part 4
The Battle Of The Alamo, Part 5
The Battle Of The Alamo, Part 6
The Death Of Crockett
Runaway Scrape
Blood, Or Texas

Amazon.com

Carter Burwell cut his film scoring teeth on many a Coen brothers movie, quickly gaining a reputation for a quirky, human-scaled inventiveness that informed everything from jazz and folk to orchestral music and even the well-timed nod to Morricone. That often introspective sensibility is well paired to director John Lee Hancock's revisionist take on the legend of San Antonio's fabled doomed fortress, which focuses more on the conflicted human dimensions of its characters than familiar cardboard, pop culture heroics. Burwell's use of orchestral pomp is deliberate and decidedly restrained; more often the composer leans on spare, evocative passages of simple, though ever-inventive folk-based music (like the elegiac "Quiet Mountain") played by various combinations of guitar, banjo, and violin. Vintage traditional Mexican and American tunes are also given their atmospheric due via Jennifer Hammond's and Craig Eastman's arrangements of "La Zandunga" and "Listen to the Mockingbird Sing," respectively. But its Burwell's own peculiarly modernist instincts that inform both tradition ("Crockett's DeGuello") and his own masterfully understated cues, particularly the bleak, almost gothic emotional landscape of his six-part "Battle of the Alamo Suite" and its bittersweet coda, "Blood or Texas." --Jerry McCulley

Customer Reviews:

Don't Remeber THIS "Alamo".......2006-07-21

When making another version of a film that has already been made producers,directors,performers,and score composers are too often tempted to "do it differently",as if by twisting and turning a basic premise they will succeed..The classic film version of"The Alamo"is and remains the John Wyane version,which was nominated for several academy awards.Granted,the John Wyane version had little to do with actual history,but,then again,the purpose of the film industry has always been to entertain,not to teach..John Wyane,who produced and directed,as well as being the star of that film chose Dimitri Tiomkin to score his film.
Tiomkin,and old-line symphonic genius,provided a magnificent score,at once adventurous and poingnant..
The people responsible for this version of"The Alamo"decided to teach,rather than entertain,and,at the same time attempted to be politically correct as well.Thus,the mythic aspects inherent in the John Wyane version were replaced by morally ambiguous nonsense,and heroics were more or less eliminated in favor of a rather desperate survival theme,coupled with some added imperialistic touches with the addition of the Sam Houston charecter as a major player along with Bowie,Crockett,and Travis.
The people responsible for this film ,having many fine symphonic-oriented composers to choose from instead opted for minalmism by Carter Burwell..One can hardly imagine,for instance,a five-star gourmet meal served on a foam plate,with plastic knife and fork.Likewise one can hardly imagine a would-be epic western (even if it is very revisionist)bearing a score that plays like a new-age snoozer...But this is exactly what Burwell has given us...There are no epic themes here...There is an enormous orchestra credited as having participated in this project however when one listens to the finished product one is hard-pressed to HEAR any evidence of this participation.
John Wyane's script called for a lot of action on-screen,and Tiomkin obligingly provided very suitable musical themes..
The script for this new film does not call for very much action,even short-changing the audience during the final battle scene by shooting it in near-darkness,and underscoring it with a dirge-like monotone.
This new film was"troubled"from the very start.Ron Howard was supposed to direct but he didn't.The cast was shuffled around several times.Some "Main"charecters were eliminated entirely ,although thier traces continued to show up in the trailers released for this movie..While on the subject of the trailers for this film,the music used in them was 110% better than the Burwell claptrap..Scenes featured in the trailers were actually NOT in the finished film.The film was scheduled for a christmas opening,a slot usually reserved for top-of-the-line oscar contenders,and was then,suddenly yanked,and later released in April,where it died a much-deserved death after about a week in theatres,a colossal flop.
The film was terrible,and part of this is due to the Burwell score which is terrible-plus.

Defending the Alamo.......2005-09-09

I enjoyed the film and, in particular, the intelligent and sensitive portrayal of David Crockett but...so much had been cut by the time it was released as a DVD in England. The soundtrack is pleasant enough so if you liked it on the screen you will enjoy the CD but we do not have the Deguello on its own, (but have the haunting duo with David Crockett's fiddle), and we do not have the saucy little tune played at San Jacinto. On balance, worth buying.

Excellent CD.......2005-06-22

This is an excellent CD. If you are interested in this CD you will love "Audio Tour of the Alamo and Old San Antonio of the Wild West". This CD will gudie you around the Alamo Battlefield in present day San Antonio sshowing yu the actual locations of events of the battle. To hear a sample of this audio tour go to
http:www.alamoaudiotours.com you can also purchase this CD here on Amazon.com

Enjoyable a-typical score.......2005-03-05

Most war movies have underscore's that pulse with energy and power of battle. Carter Burwell takes another course. His music is melancholy and some people have taken the celtic sounding music and complained out it but I found the music to be powerful and perfectly fitting with the movie. The Alamo is also enjoyable as a single listening experience although it does help to have seen the movie. I particularly enjoyed the track where Crockets fiddle is combined with the Mexican "Slit Throat" band. Overall, I found this cd to be enjoyable and it gets better every time i listen to it.

None Better.......2004-12-01

A few comments about the movie The Alamo, if you would indulge me for a moment. It is pertinent. I didn't have high expectations for this film, the trailers I saw made it out to be another larger-than-life, ain't-afraid-of-nothing, cliché-filled motion picture. We lived in San Antonio for several years, it is a great town filled with wonderful people. We visited the Alamo on several occasions. It is a holy place for Texans, sacred, and being "non-Texans" I am sure most of the locals felt we really couldn't appreciate or even grasp the significance of the place, the honor of those who fought and died there. I must admit it was all somewhat lost on me. Thus, I was fully expecting this movie to be overdone and nauseating, especially considering I am not the biggest fan of two of the lead actors (Billy Bob Thorton and Dennis Quaid).

OK, please bear with me, I will get to my point in a second. We ended up renting the film as I had heard the cinematography was sensational (it was). But my biggest surprise was the film itself. Not the script, not the actors, but the entire film. I can't really put into words how good it was, not perfect, but an excellent motion picture and probably an accurate depiction of the individuals and events as they occurred. And both Thornton and Quaid were exceptional...they deserve Oscars come January, and it will be a shame if they don't get them.

Now, concerning this soundtrack. To put it simply, if this CD isn't the best soundtrack winner for 2004, then there is a conspiracy going on. It isn't on Amazon's editors picks, nor the customer's favorites list, I chalk that up to being it was just recently released. However, it should be on both, and highly competitive for the top honors this year. It is simply that good. Carter Burwell set a new standard with the soundtrack for O Brother, Where Art Thou? and may have exceeded it with this one. The music here just puts the visualizations of the movie back into my head...the music retells the story as well as the images.

The bottom like is fairly straightforward, if you liked the movie than you owe it to yourself to get this soundtrack. There is absolutely no way you will be anything other than engrossed in it.

Music Review:

Music Review

Music Review

1. My Generation
2. I Can't Explain
3. Substitute
4. Behind Blue Eyes
5. Baba O'Riley
6. Boris The Spider
7. Who Are You
8. Pinball Wizard
9. See Me, Feel Me
10. Love, Reign O'er Me
11. Long Live Rock
12. Live Rock (Reprise)
13. Won't Get Fooled Again
14. Dr. Jimmy
15. Magic Bus
16. Summertime Blues
17. Twist And Shout