Ballad of

Editorial Reviews
Album Description
Digitally remastered reissue of original album with liner notes and new interviews. Also features the 12 tracks from when Bearsville originally released 'Runt - The Ballad Of Todd Rundgren' in 1971. --This text refers to the Audio CD edition.

Tracks:

Son Vergin Vezzosa - Paul Plishka
Eccomi... Oh! Quante Volte
Mira, O Norma
Santo Di Patria... Allor Che I Forti Corrono... Da Te Questo
Contro Un Cor Che Accende Amore - Nicolai Gedda
Che M'apporti? - Ambrosian Opera Chorus
Quel Sangue Versato Al Cielo S'innalza - Ambrosian Opera Chorus
Vorrei Spiegarvi, Oh Dio, K.418
Amor, Op.68 No.5

Tracks:

Martern Aller Arten
E Strano! E Strano!
Ah, Fors'e Lui
Follie! Follie!
Sempre Libera
Ces Murs Silencieux - Pardonnez-moi, Dieu De Toute Puissance - Ambrosian Opera Chorus
Toi! Vous! - Oui! Je Fus Cruelle Et Coupable! - Ambrosian Opera Chorus
N'est-ce Plus Ma Main? - Ambrosian Opera Chorus
Robert, Toi Que J'aime
Tu Ne Chanteras Plus?
Chere Enfant Que J'appele
Meine, Lippen, Die Kusen So Heiss
Wien, Wien, Nur Du Allein
Always Through The Changing

Customer Reviews:

RIP, BEVERLY SILLS 1929-2007.......2007-07-03

The great American diva's passing was announced today.

This wonderful CD set is a perfect compilation of her art as can be found anywhere. Her finest roles and performances are captured here, most of them derived from the Westminster/Audio Treasury recordings from her prime. Listening to them again demonstrates to me why she was so special, and such an inspiration to music lovers everywhere.

Brava Sills!.......2007-02-02

A very nice compilation of Sillsiana. The different cuts on this CD provide a nice illustration of her work. Let me briefly describe my response to a sampling of the works on this CD:

Bellini, I Puritani, "Son vergin vezzosa." Wonderful. Sutherland owns this--but so does Beverly Sills. Contemporary sopranos such as Netrebko and Gruberova have also sung this on their respective CDs, and while their product is nice, it simply does not compare. Sills is remarkably agile with her voice; the trills are well done; she cleanly hits high notes; the overall effect can only be described as wonderful.

Bellini, Norma, "Mira, o Norma". This is smoothly sung and very melodic. The technique that she exhibits does not overwhelm the music.

Rosini, Il Barbiere di Siviglia, "Contro un cor che accende amore." Again, her agile voice is well deployed. The florid singing is well done.

Donizetti, Roberto Devereaux, "Che m'apporti." Her clean, light voice matches well with this aria. Smoothly sung. Her "Quel sangue versato al cielo s'innalza," which follows, is well done. High notes cleanly hit, a smooth line.

Verdi, La Traviata, "E strano. . . .Sempre libera." Again, what agility! In "Sempre libera," she reveals a rich voice and, again, wonderful agility. This is an animated version of one of Verdi's showcase pieces.

Lehar, Giudetta. "Meine Lippen." A lot of fun! This is smoothly sung.

In the final analysis, this is a nice potpourri of Beverly Sills' repertoire. Those not familiar with her work will find this a nice entree to her oeuvre; those familiar with her will find this a good compilation.

Sills fits my bill.......2006-03-13

This recording is another in an all too small CD collection of Sills recordings. I eagerly await more.

The Great American Soprano.......2005-10-01

This is a great collecition featuring arias from the Classical and Romantic periods. Fabulous!!!!!

My Favorite Woman.......2005-08-05

I would have to say that when I first heard Beverly Sills sing, I was entranced. I couldn't take my eyes off of her and I became angry at any rustling around me, because I was afraid I would miss one note. It was so addictive....that is what she is....addictive! A c.d. will never properly capture her style. She is an amazing leader in opera, taking it into a new frontier and I believe this c.d. showcases that.

Average customer rating:

The BEST Testament to Beverly Sills' Memory
Still endearing fifty years on
Beverly Sills First Hit Role
I wish I could give this recording a fifteen star rating!
From An Opera Singer

The Ballad of Baby Doe

Manufacturer: Deutsche Grammophon
ProductGroup: Music
Binding: Audio CD

General | Opera & Vocal | Styles | Music

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Similar Items:

The Ballad of Baby Doe: Vocal Score
Donizetti's Lucia di Lammermoor: Complete Opera (with full libretto and translation)
Verdi: La Traviata / Sills, Gedda, Panerai; Ceccato
The Great Recordings
Floyd: Susannah (complete opera)

ASIN: B00000IPTU
Release Date: 1999-04-20

Tracks:

The Ballad Of Baby Doe: Act One: Scene One - Opening
The Ballad Of Baby Doe: Act One: Scene One - 'It's A Bang-Up Job' (Tabor)
The Ballad Of Baby Doe: Act One: Scene One - 'Horace, What Is This?' (Augusta)
The Ballad Of Baby Doe: Act One: Scene One - 'I Beg Your Pardon' (Baby Doe)
The Ballad Of Baby Doe: Act One: Scene Two - 'What A Lovely Evening'
The Ballad Of Baby Doe: Act One: Scene Two - 'Willow, Where We Met Together' (Willow Song) (Baby Doe)
The Ballad Of Baby Doe: Act One: Scene Two - 'Oh, Mr. Tabor!' (Baby Doe)
The Ballad Of Baby Doe: Act One: Scene Two - 'Warm As The Autumn Light' (Tabor)
The Ballad Of Baby Doe: Act One: Scene Three - 'Now, Where Do You Suppose?' (Augusta)
The Ballad Of Baby Doe: Act One: Scene Three - 'Have You Seen Her?' (Augusta)
The Ballad Of Baby Doe: Act One: Scene Three - 'What Are You Looking For, Horace?' (Augusta)
The Ballad Of Baby Doe: Act One: Scene Four - 'Why, Mrs. Doe!'
The Ballad Of Baby Doe: Act One: Scene Four - (Letter Song)
The Ballad Of Baby Doe: Act One: Scene Four - 'Excuse Me' (Augusta)
The Ballad Of Baby Doe: Act One: Scene Four - 'I Knew It Was Wrong' (Baby Doe)
The Ballad Of Baby Doe: Act One: Scene Four - 'No! No! No!' (Baby Doe)
The Ballad Of Baby Doe: Act One: Scene Seven - 'What Do You Intend To Do?' (Augusta)
The Ballad Of Baby Doe: Act One: Scene Six - 'Everything Looks Beautiful'
The Ballad Of Baby Doe: Act One: Scene Six - 'Gold Is A Fine Thing' (Silver Aria) (Baby Doe)
The Ballad Of Baby Doe: Act One: Scene Six - 'And I'll Show You Something Else' (Tabor)

Tracks:

The Ballad Of Baby Doe: Opening
The Ballad Of Baby Doe: 'The Fine Ladies' (Baby Doe)
The Ballad Of Baby Doe: 'Mama, Go Inside!' (Baby Doe)
The Ballad Of Baby Doe: 'Augusta, What Are You Doing Here?' (Tabor)
The Ballad Of Baby Doe: 'I'll Raise You'
The Ballad Of Baby Doe: 'Turn Tail And Run!' (Tabor)
The Ballad Of Baby Doe: 'La, La, La, La'
The Ballad Of Baby Doe: 'Good People Of Leadville'
The Ballad Of Baby Doe: 'Extra! Extra!'
The Ballad Of Baby Doe: 'Augusta! Augusta!' (Augusta)
The Ballad Of Baby Doe: 'Hey, Mister!'
The Ballad Of Baby Doe: 'The Cattle Are Asleep' (Tabor)
The Ballad Of Baby Doe: 'Tabor Owns The Big Hotel' (Chorus)
The Ballad Of Baby Doe: 'Horace!' (Baby Doe)
The Ballad Of Baby Doe: 'Always Through The Changing' (Baby Doe)

Amazon.com

Despite its somewhat Disneyesque title, The Ballad of Baby Doe is one of the sturdiest American operas. Its riches-to-rags story of Colorado miner Horace Tabor has a great plot, excellent characters, real arias, and dynamic chorus scenes, and none of it sounds second hand in the least. The opera has an extremely inviting personality of its own. This recording by the New York City Opera is full of crackling fast tempos from conductor Emerson Buckley and great theatricality: right down to the minor characters, everybody knows what they're about. Beverly Sills, Walter Cassel, and Frances Bible all inhabit their roles completely. The one drawback is the recording quality, which is good to voices but mushy on the orchestra. To know what's really going on in the piece musically, one must hear the similarly well-sung but more relaxed 1996 recording made at the venue where the opera was premiered: Central City Opera in Colorado. --David Patrick Stearns

Customer Reviews:

The BEST Testament to Beverly Sills' Memory.......2007-07-05

With this recording, Ms Sills set her mark forever on the world of opera. Period!

Of all the recordings that she made, this one, "The Ballad of Baby Doe", is the one that brings back the most endearing memories of this wonderfully talented lady.

It was her first Big Hit role in her new-found home (New York City Opera Company); it also, just happens to be a Totally American story, and creation, written by Douglas Moore.

Here we have Ms Sills in the freshness of her youth, in a brand new role, one that few have been able to fill after her sparkling interpretation. I think it fair to say that she will "always" be Baby Doe.

This recording is a true jem, as all previous reviewers, and many others will tell you. There is NO other work like this one. It is so fresh, lovely, and of course, tragic at the same time.

Everything about this recording is "small and intimate" as this story should be presented. And, luckily, the forces behind getting this recording made, did not have access to large forces and lots of technological wizardry-type equipment and facilities to do this recording in. This makes it all the more wonderful, as I said, small and intimate.

Beverly Sills, Frances Bible, and Walter Cassell had sung this opera together, and had "lived" in their parts long enough to become real breathing characters, characters that you really do care about, and get drawn in by. I defy anyone not to become emotional when Baby Doe sings the "Willow Song", or not to become teary with her final "Always Through The Changing". Frances Bible's stiffly starched Augusta Tabor is so three dimensional that she could walk right into the room with you! And, Walter Cassell's portrail of Horace Tabor will probably never be sung with the "totally lived in" feel that he brings to the role.

From all my thousands of opera recordings, this one gets picked FIRST if I want to listen to an American work. It also gets picked FIRST when I just want to marvel at Beverly Sills' truly most-gorgeous voice at the peak of her youthful freshness and "innocence" (before she had "grown up" in all those other roles).

Deutsche Grammophone has truly done us all a great favor by bringing forward all of the ABC and previous recordings that Ms Sills made prior to her move to EMI, and, truly, we are most thankful for the beautiful remastering and refurbushing of this wonderful Great American Work by Douglas Moore. Bravo, DG!, and of course, certainly, Bravo/Brava to Ms Sills, Ms Bible, Mr Cassell, and to Emerson Buckley for holding it all together. A truly landmark recording, and one that should be on your shelves. ~operabruin

Still endearing fifty years on.......2007-04-15

I wholeheartedly agree with the universal praise for this recording and have seen a performance at the Central City Opera House, a small Victorian gem in the middle of a touristy mining town north of Denver. In that setting, Baby Doe comes off at its best, since the music really is too simple for grand opera, abouanding in barely disguised folk songs and Top 40 harmonies. The cast carries the day, with total conviction from the two leads, Sills and Cassel. The role of Augusta Tabor is almost as large, and Frances Bible sings magnificently. All deserve high praise for their excellent, clear English diction, a rare thing and hard to achieve.

There are drawbacks, most of them minor in regard to the total impact. The major flaw is the dated sound, never good even for its day, that comes close to shattering and peaking any time the music grows louder than mezzo forte. Sills sings at her purest and freshest, but the microphone distortion cramps the voice considerably. A shame DG couldn't remaster the original tapes to remove so much glare. The second flaw is the routine but vigorous conducting of Emerson Buckley; a better conductor could have made the choral passages sound better than a college musical. These blemishes aside, Baby Doe is an American classic and has survived after many, many of its rivals have long ago faded away.

Beverly Sills First Hit Role.......2005-09-03

This is the opera that made Beverly Sills an opera star. She was 29 when she first performed it with the New York City Opera in 1958. Written in 1955 by Douglas Moore, the opera is based on the true story of the already-married Colorado silver magnate Horace Tabor and the young miner's wife, Baby (Mrs. Elizabeth) Doe, with whom he fell in love. Moore writes very much in the folk-opera idiom of American opera in the mid-50s, (Carlisle Floyd's "Susannah" comes to mind), and as a result the music is extremely accessible and full of lovely melodies, particularly in the music written for Baby Doe, such as the "Willow Song" and the "Letter Song" in the first act.
Sills herself always considered the role of Baby Doe the role she most inhabited, and she is in simply sumptuous voice on this recording. She is ably supported by the underrated American baritone Walter Cassel as Horace Tabor, and by the New York City Opera's leading mezzo-soprano, Frances Bible, in the surprisingly sympathetic role of Augusta, Horace's self-righteous wife. Julius Rudel conducts the New York City Opera orchestra with his usual steady hand, and the sound quality of this 1959 recording is excellent. Anyone who enjoys American opera should add this to their collection, and for fans of Beverly Sills, this is a "must have".

I wish I could give this recording a fifteen star rating!.......2004-06-15

First of all, I must state that I have loved this recording for three plus decades.
I have LP copies of it on MGM, Heliodor, and DGG pressings.
But I am one who has been waiting for years to find it released on CD. When the CD set finally came out, I was beside myself with joy.

This is the Baby Doe to have.

Someone mentioned the 1996 CD recording of Baby Doe, which was recorded in the Central City Opera House.
That's a very good recording. The entire cast is/are wonderful.
And that recording includes a few bars(in the first act) which are cut from the Sills Baby Doe.

But as fine as the 1996 recording is; it would be impossible to top or even match Cassel, Sills, and Bible as the Tabor love triangle.

I attended one of the 1996 Central City Opera Baby Doe performances. I was elated to see/hear the opera performed in that glorious old house.
But I have to admit that the acoustic ambiance of the Central City Opera House was a bit tubby and dry (acoustically). The tubby and dry ambiance of the 1996 Baby Doe recording is one of the reasons I prefer the Sills recording.

Anyway.

I have made two pilgrimages to Leadville. The Tabor Grand Opera House (which is in desperate need of funds for restoration) is still standing and in business.
The Clarendon Hotel (which was adjacent to the Tabor Grand) was torn down decades ago (although evidence of the Tabor cat walk from the Tabor Grand to the Clarendon is still extant).

Both times I visited Leadville, standing on the stage of the Tabor Grand left me speechless.

But my two visits to Baby Doe's cabin at the Matchless Mine devastated me.

Both times I stood in the "cold and narrow house" in which Baby Doe died so emotionally overwhelmed me that I had to step outside. I didn't want the rest of the tourees to see me weeping.

I couldn't help reacting that way. As I stood in Baby's cabin, her final aria , "Always Through the Changing" (as sung by Sills) kept running through my mind.

For those who have not heard this Opera (especially the Sills recording) you all really must listen to it.
It's one of the few truly great American Operas.

Moore's score is glorious. The Latouche libretto is outstanding.
And the story of Baby Doe (upon which the opera is based) is well represented (with a few dramatic alterations) in the opera.

From An Opera Singer.......2004-05-23

This recording is absolutely fabulous. Beverly Sills sings with amazing technique and her high notes are silvery and effortless. She owns the roll of Baby Doe. I have to say, I do enjoy Sills more than Callas. And I do have a very educated opinion... I am an opera singer. I actually sing the roll of Baby Doe so I know how challanging it is. Walter Cassel is amazing on this recording as well. Any other cast recording of this opera isn't worth the money. This is by far the best out there.

TV Land Presents: Favorite TV Theme Songs

Average customer rating:

good memories for me and fun "new" songs for my children
memories
TV Theme Songs
TV themes
Deja Vu

TV Land Presents: Favorite TV Theme Songs
Cyndi Grecco , and Jones, Jack
Manufacturer: Rhino / Wea
ProductGroup: Music
Binding: Audio CD

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TV Guide: 50 All-Time Favorite TV Themes
All-Time Top 100 TV Themes
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Toon Tunes: Funny Bone Favorites

ASIN: B00006EXIL
Release Date: 2002-08-20

Tracks:

I Love Lucy Theme - Wilbur Hatch
Dragnet - Ray Anthony
The Twilight Zone - Rod Open
Bonanza - Al Caiola & His Orchestra
The Andy Griffith Theme - Earle Hagen
The Ballad Of Jed Clampett - Earl Scruggs
The Addams Family (Main Theme) - Vic Mizzy
Munsters Theme - Jack Marshall
The Ballad Of Gilligan's Isle - Morton Stevens
Green Acres - Eddie Albert
Jeannie - Hugo Montenegro
Batman Theme - Neal Hefti
(Theme From) The Monkees - The Monkees
Star Trek (Main Title & Closing Theme) - The Royal Philharmonic Orchestra
Mannix - Lalo Schifrin
Hawaii Five-O - Mort Stevens & His Orchestra
Theme From The Brady Bunch - The Brady Bunch
Come On Get Happy - The Partridge Family
Those Were The Days - Carroll O'Connor
And Then There's Maude - Donny Hathaway
Good Times - Jim Gilstrap
Movin' On Up - Oren Waters
The Rockford Files - Mike Post
Them From S.W.A.T. - Rhythm Heritage
Happy Days - Pratt & McClain
Making Our Dreams Come True - Cyndi Grecco
Chico And The Man - Jose Feliciano
Welcome Back - John Sebastian
What's Happening!! - Henry Mancini
Barney Miller - Jack Elliott
Charlie's Angels - Jack Elliott
Love Boat Theme - Jack Jones
Angela (Theme From 'Taxi') - Bob James
It Takes Diff'rent Strokes - Gloria Loring
Theme From Dukes Of Hazzard (Good Ol' Boys) - Waylon
Theme From Magnum, P.I. - Mike Post
The Theme From Hill Street Blues - Mike Post
Theme From Dynasty - Bill Conti
Theme From 'Greatest American Hero' (Believe It Or Not) - Joey Scarbury
Thank You For Being A Friend - Cynthia Fee

Album Description

TV Land brings you 40 of your favorite evening show theme songs. Highlights include 'Happy Days', 'The Greatest American Hero', 'Dukes Of Hazzard (Good Ol' Boys)', 'Laverne & Shirley', 'I Dream Of Jeanie', 'I Love Lucy', 'Welcome Back, Kotter', 'The Love Boat', 'Hawaii Five-O', 'The Golden Girls' and many, many more. 2002. Rhino.

Customer Reviews:

good memories for me and fun "new" songs for my children.......2007-06-27

We had ordered this for "The Dukes of Hazzard" theme song for our 4yr old and our whole family has fallen in love with the cd. It makes me want to share some of the old fun and simple shows with my children. I forgot about some of those shows. It brings back good memories for my husband and me and the songs are new and exciting for our children. It's a nice change from children's cd's, but our children still think it's fun. The sound quality is good and the songs included on the cd are a great mix. I would definately recommend this one.

memories.......2007-02-22

This cd is excellent it has a lot of very good music and true to the original sound, Am getting a lot of enjoyment,highly recomended

TV Theme Songs.......2007-01-13

This is a great CD for people who watch a lot of TV -especially TV LAND and reruns of old shows when shows had actual theme songs. I took the CD to work and everyone loved trying to figure out what show the songs were from.

TV themes.......2006-07-05

Not all what I expected, not all of the tunes are the original recordings you remember as the TV themes.

Deja Vu.......2006-02-17

Listening to these familiar themes as performed by the original artists certainly brings back wonderful memories! I was particularly pleased, not only with the quality of the pieces, but with the actual performances themselves, just as we remembered them!

M.F.Horn 2 & The Ballad Style of Maynard Ferguson

Average customer rating:

Strange pairing, but well worth having
MF Horn 2 & The Ballad Style of Maynard Ferguson
Nobody does it better
MF2 / Ballad Style
Go to the source

M.F.Horn 2 & The Ballad Style of Maynard Ferguson
Maynard Ferguson
Manufacturer: Dutton Vocalion UK
ProductGroup: Music
Binding: Audio CD

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Similar Items:

M.F. Horn, Vol. 1
M.F Horn 4 & 5 - Live at Jimmy's
M.F. Horn 3
Maynard Ferguson
Wow! The Formative Years

ASIN: B000FOQHFI
Release Date: 2006-09-12

Tracks:

Give It One
Country Road
Theme From 'Shaft'
The Summer Knows
Mother
Spinning Wheel
Free Wheeler
Hey Jude
Born Free
Girl Talk
If He Walked Into My Life
The Fool On The Hill
The Impossible Dream
Somewhere
Maria
As Long As He Needs Me
Hushabye Mountain
The Sound Of Silence
You Only Live Twice

Customer Reviews:

Strange pairing, but well worth having.......2007-07-09

Other than the fact that the two albums on this CD were recorded in the same era of Maynard's career (just three years apart), they have nothing in common, so they make a strange pair for this re-issue. Still, they represent two sides of Maynard's playing that all of his fans should be exposed to.
M.F. Horn 2 really turned the corner for Maynard's wider appeal to a younger 1970s-era audience. He used much of this material in concert appearances for years to come. As someone who attended many of those concerts, I can confirm that "Give It One" is an exciting way to open a concert, and the track belongs on every MF playlist. "Country Road," "Theme from Shaft," and "Spinning Wheel" became popular arrangements for high school and college jazz ensembles with high aspirations and a desire to pay homage to MF. Some reviewers have given high praise to the album's version of "Hey Jude," but personally, I never cared much for this tune, even for the Beatles' original version. The real magic of Maynard's rendition can only be duplicated in concert, where the whole trumpet section would move out into the audience and scream the repeated chorus like Maynard clones in the midst of the frenzied crowd.
And now for something completely different: The Ballad Style. Many jazz artists of that era did "easy listening" albums in a attempt to broaden their audience and sell more records. Fortunately, Maynard was among those who could flourish in this setting as well. Some things are a bit over the top (such as the intro to the opening track "Born Free"), but Maynard fans may find this endearing even if the uninitiated find it tasteless. But the man was capable of great beauty as well. Check out "If He Walked Into My Life," "The Impossible Dream," "As Long As He Needs Me," "Somewhere," and "Maria." (Essentially the same arrangement of "Maria," written for big band instead of orchestra, appears on the Two Big Bands CD. I prefer that recording of this tune.) There's even a pretty respectable arrangement of the James Bond theme "You Only Live Twice." I must admit, however, that it seems odd, even humorous, to contemplate Maynard playing tunes with names like "Hushabye Mountain" and "The Sound of Silence." Think about it.
For those who like variety in their Maynard assortment, this CD is a good deal.

MF Horn 2 & The Ballad Style of Maynard Ferguson.......2007-05-07

M.F.Horn 2 has better sound quality than the orginal album and is still a fantastic big band jazz "gots to have" selection. The Ballad collection is a treat and is great to share with young up and coming band members. An excellent purchase.

Nobody does it better.......2007-03-28

Maynard, you are the best of the best. A true gigster. A man born to play that horn. What a gift! Wow!

MF2 / Ballad Style.......2007-03-16

I have to reluctantly agree with other reviewers that this collection is not the best representation of Ferguson's work. While those of us that grew up listening to MF2 have a sentimental attachment to it, it is firmly a product of its time. Only two of the eight cuts are original compositions and, in my opinion, they have aged better than the other six covers of pop tunes of the day. For those unfamiliar with Ferguson's early 70's work, the first MF Horn album, or the MF 3/4/5 collection would be a better starting point. For those looking for first introduction to Maynard, his 1950's recordings are recommended, such as: "Wow - The Formative Years", "Verve Jazz Masters 52", the Birdland Dreamband CDs or any of the things he did with Kenton.

But unlike some other reviewers, I would suggest that the "Ballad Style" half of the CD is, in some ways, more interesting than MF2. Ferguson rarely recorded with strings and it's nice to hear him in a large ensemble context. While the MF Horn albums stayed in print well into the 80s, the Ballad Style album apparently came and went fairly quickly and may represent previously unheard material even to those who followed Maynard closely. That being said, with the exception of the two fairly good West Side Story cuts (which he also recorded on other albums with different arrangements), the song selection is tepid late-60's pop or show tunes and Maynard does not seem terribly comfortable with the material or the orchestrations. But it can be very interesting and instructive to hear how a performer deals with adversity and those with a deep interest in Maynard should definitely hear these tracks, at least once.

The sound quality of MF2 is pretty good, and although I don't know how it compares with the Wounded Bird CD of the same material, it's on par with the vinyl versions in my closet. On the other hand, the sound quality of the "Ballad Style" cuts is cloudy, although it's hard to know whether that is because of the quality of the original recordings (probable), the condition of the master tapes (that probably sat untouched for 35 years), or the decisions of the mastering engineer (unlikely).

A comment was made about a mastering problem with a few seconds cut off the beginning of "Country Road". It's an amorphous improvised electric piano introduction and unless you are intimately familiar with the cut as it was originally released, you probably won't notice the missing seconds.

Go to the source.......2007-02-11

Sorry Amazon, but get MF Horn2 ONLY directly from wounded Bird for ten bucks...

Broadway - The American Musical (PBS Series)

Average customer rating:

Fabulous for any Broadway-lover
Top Shelf
TERRIFIC CD'S
Great Collection of Broadways greatest Songs
Great Compilation!

Broadway - The American Musical (PBS Series)

Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD

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The Best of Broadway - The American Musical (PBS Series)
Broadway: The American Musical
Broadway: The American Musical
Broadway - The American Musical (PBS Series)
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ASIN: B00064ADMK
Release Date: 2004-10-19

Tracks:

Give My Regards To Broadway- Joel Grey
Swanee- Al Jolson
When The Moon Shines On The Moonshine- Bert Williams
A Pretty Girl Is Like A Melody- John Steel
My Man- Fanny Brice
Fascinating Rhythm- Fred Astaire, Adele Astaire
If You Knew Susie (Like I Know Susie)- 78rpm Version Eddie Cantor
Someone To Watch Over Me- Gertrude Lawrence
Bill- 78 rpm Version Helen Morgan
Ol' Man River- Paul Robeson
Ain't Misbehavin'- Louis Armstrong & His Orchestra
Ten Cents A Dance- Ruth Etting
Body And Soul- Libby Holman
Brother, Can You Spare A Dime- Bing Crosby
Night And Day- Fred Astaire
Heat Wave- Ethel Waters
Smoke Gets in Your Eyes- Tamara
You're The Top- Ethel Merman
Summertime- Anne Brown
September Song- Walter Huston
My Heart Belongs To Daddy- Mary Martin
It Never Entered My Mind- Shirley Ross
Bewitched, Bothered, Bewildered- Vivienne Segal
Oh, How I Hate To Get Up In The Morning- Irving Berlin
Oh, What a Beautiful Mornin'- Alfred Drake

Tracks:

New York, New York- Cris Alexander,Adolph Green,John Reardon
If I Loved You- John Raitt,Jan Clayton
Come Rain Or Come Shine- Ruby Hill,Harold Nicholas
There's No Business Like Show Business- Ensemble
How Are Things In Glocca Morra? From "Finian's Rainbow"- Ella Logan
Once In Love With Amy- Ray Bolger
Wunderbar- Alfred Drake,Patricia Morison
Some Enchanted Evening- Ezio Pinza
Lost In The Stars- Todd Duncan
Diamonds Are A Girl's Best Friend- Carol Channing
Luck Be A Lady- Robert Alda,Guys
Getting To Know You- Gertrude Lawrence
Who Cares?- Jack Carson,Betty Oakes
Stranger In Paradise- from " Kismet" Doretta Morrow,Richard Kiley
Ballad Of Mack The Knife- Gerald Price
Hey There- from "The Pajama Game" John Raitt
Whatever Lola Wants- Gwen Verdon
I Could Have Danced All Night- Julie Andrews
Standing On The Corner- from "The Most Happy Fella, 1956" Shorty Long,John Henson,Alan Gilbert
The Party's Over- Judy Holliday
Glitter And Be Gay- Barbara Cook
Tonight- Larry Kert, Carol Lawrence

Tracks:

Seventy-Six Trombones- Robert Preston
I Enjoy Being A Girl- from "Flower Drum Song, 1958" Pat Suzuki
Everything's Coming Up Roses- Ethel Merman
My Favorite Things- from "The Sound Of Music" Mary Martin
Put On A Happy Face- from "Bye Bye Birdie" Dick Van Dyke
Try To Remember- Jerry Orbach
Camelot- from "Camelot" Richard Burton
Love Makes The World Go 'Round- Anna Maria Alberghetti
I Believe In You- Robert Morse And Co.
The Sweetest Sounds- Diahann Carroll,Richard Kiley
Comedy Tonight- Zero Mostel
What Kind Of Fool Am I?- Anthony Newley
As Long As He Needs Me- Georgia Brown
Hello, Dolly!- Carol Channing,Cast
People- Barbra Streisand
Anyone Can Whistle- from "Anyone Can Whistle" Lee Remick
If I Were A Rich Man- Zero Mostel
Night Song- Sammy Davis, Jr.
The Impossible Dream- Richard Kiley
If My Friends Could See Me Now- Gwen Verdon
Open a New Window- from Mame Voice

Tracks:

Willkommen- from "Cabaret" Joel Grey
Let The Sunshine In- James Rado,Lynn Kellogg,Melba Moore,Cast
I'll Never Fall In Love Again- Jill O'Hara,Jerry Orbach
The Ladies Who Lunch- from "Company" Elaine Stritch
Tea For Two- Roger Rathburn,Susan Watson
I'm Still Here- Yvonne De Carlo
I Don't Know How To Love Him- Yvonne Elliman
We Go Together- Adrienne Barbeau,Barry Bostwick,Walter Bobbie,Cast
Corner Of The Sky- John Rubinstein
Send In The Clowns- Glynis Johns
Ease On Down The Road- Stephanie Mills,Tiger Haynes,Ted Ross,Hinton
One- from "A Chorus Line" Cast
All That Jazz- Chita Rivera,Ensemble
Tomorrow- Andrea Mcardle
Don't Cry For Me Argentina- Patti Lupone
Come Follow The Band
Lullaby Of Broadway- Jerry Orbach
And I'm Telling You I'm Not Going- Jennifer Holliday
The Bells Of St. Sebastian- Raul Julia

Tracks:

Memory- Betty Buckley
I Am What I Am- George Hearn
Move On- Bernadette Peters,Mandy Patinkin
Do You Hear The People Sing?- Michael Maguire,Cast
The Music Of The Night- Michael Crawford
You're Nothing Without Me- James Naughton,Gregg Edelman
The American Dream- Jonathan Pryce,Cast
Doctor Jazz- Gregory Hines,Company
With One Look- Glenn Close
On Broadway- Adrian Bailey,Frederick B. Owens,Ken Ard,Victor Trent Cook
Le Jazz Hot- Julie Andrews,Ensemble
Seasons Of Love-
Hakuna Matata- Max Casella,Tom Alan Robbins,Scott Irby-Ranniar,Jason Raize
I Wanna Be A Producer- Matthew Broderick,Ensemble
Dancing Queen- Louise Plowright,Jenny Galloway
Good Morning Baltimore- Marissa Jaret Winokur
Movin' Out- Michael Cavanaugh,Band
I Go To Rio- Hugh Jackman,Company
Defying Gravity- Kristin Chenoweth,Idina Menzel

Customer Reviews:

Fabulous for any Broadway-lover.......2007-01-30

Packs into 5 CD's a sampling of Broadway tunes from the 20's thru (almost) today, mostly from original cast recordings. Includes not just well-known hits, but also some lesser-known gems. Sound quality is first rate, booklet is informative too. Have given this as a gift to several friends with rave reviews.

Top Shelf.......2007-01-04

This is THE definitive collection of Broadway hits. I have other collections, and none of them measure up. A great deal of care was obviously taken in compiling and presenting this box set. It covers a lot of ground, starting with some long-forgotten but still very enjoyable hits from the days of yore, and finishing with present-day favorites. To the best of my knowledge, the recordings are by those who made them famous. You won't be disappointed.

TERRIFIC CD'S.......2006-03-23

THESE BROADWAY MUSICALS CD'S ARE A BROADWAY LOVERS DREAM. WITH EACH SONG, MEMORIES COME FLOODING BACK. BOTH THE FAMILIAR AND THE FORGOTTEN SONGS ARE A TRUE LISTENING PLEASURE. IF YOU LIKE BROADWAY, YOU'LL LOVE THIS SET.

Great Collection of Broadways greatest Songs .......2005-06-14

This Collection was perfectly made it has almost all the most famous Broadway songs on this 5 cd set. The Music is great and has Broadways greatest treasures like "Memory""People""With One Look""Give my regards Too Broadway" just to name a few of this numerous cd set with over 100 songs. This is a great buy if you like musicals or The music of Broadway

Great Compilation!.......2005-01-17

If you are a fan of the Broadway Musicals, this is a collection that you should purchase. Since I got the 5 disc set I've enjoyed listening to it. The majority of the songs are done by the original singers. The collection is priceless considering that you will have over 100 songs from popular musicals since the beginning of Broadway

Classical Masterpieces of the Millennium [20 CD Set]

Average customer rating:

Mill. Classical review
classical music for the unitiated
Some little gems there that I had forgotten!
A very helpful collection
Excellent!

Classical Masterpieces of the Millennium [20 CD Set]

Manufacturer: Delta
ProductGroup: Music
Binding: Audio CD

Dances | Ballets & Dances | Classical | Styles | Music

Mazurkas | Ballets & Dances | Classical | Styles | Music

Minuets | Ballets & Dances | Classical | Styles | Music

Polkas | Ballets & Dances | Classical | Styles | Music

Waltzes | Ballets & Dances | Classical | Styles | Music

Quartets | Chamber Music | Classical | Styles | Music

Quintets | Chamber Music | Classical | Styles | Music

General | Chamber Music | Classical | Styles | Music

Etudes | Forms & Genres | Classical | Styles | Music

Fantasies | Forms & Genres | Classical | Styles | Music

Preludes | Forms & Genres | Classical | Styles | Music

Rondos | Forms & Genres | Classical | Styles | Music

Suites | Forms & Genres | Classical | Styles | Music

General | Symphonies | Classical | Styles | Music

Modern & 20th Century | Symphonies | Classical | Styles | Music

General | Sacred & Religious | Classical | Styles | Music

General | Classical | Styles | Music

Compilations | Classical | Styles | Music

General | Opera & Vocal | Styles | Music

Baroque (c.1600-1750) | Historical Periods | Opera & Vocal | Styles | Music

German | Languages | Opera & Vocal | Styles | Music

Italian | Languages | Opera & Vocal | Styles | Music

Russian | Languages | Opera & Vocal | Styles | Music

Oratorios | Opera & Vocal | Styles | Music

Airs | Vocal Non-Opera | Opera & Vocal | Styles | Music

Cantatas | Vocal Non-Opera | Opera & Vocal | Styles | Music

Choruses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Masses | Vocal Non-Opera | Opera & Vocal | Styles | Music

Oratorios | Vocal Non-Opera | Opera & Vocal | Styles | Music

Requiems | Vocal Non-Opera | Opera & Vocal | Styles | Music

Classical | Box Sets | Stores | Music
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ASIN: B00000K1C9
Release Date: 1999-08-24

Tracks:

Brandenbutg Concerto No.3 In G First Movement
Overture No.3 In D Second Movement
Violin Concerto In E First Movement
Prelude In C minor
Jesu Bleibet Meine Freude (Chorus From Cantata No.147)
Overture No.2 In B minor Minuet And Badinerie
Oboe Concerto In D minor Second Movement
Brandenburg Concerto No.4 In G Third Movement
Musical Offering - Fuga canonica
Easter Oratorio - Overture
Minuet In D minor
Kommst Du Nun, Jesu, Vom Himmel herunter(From Choral Prelude BWV 650
Brandenburg Concerto No.1 In F Second Movement
Art Of The Fugue - Contrapunctus 9
Concerto For Flute, Violin, Harpsichord And Strings. Triple Concerto - Third Movement
Overture No.4 In D - Réjouissance
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 1 in E: Spring
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 2 in G minor: Summer
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 3 in F: Autumn
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto No. 4 in F minor: Winter
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto for Flute, Strings & Basso Continuo in G minor, Op. 10, no.2
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Concerto Grosso in A minor, Op. 3, no. 8
Water Music - Alla Hornpipe
Xerxes - Ombra Mai Fu (Largo)
Messiah - And The Glory Of The Lord
Concerto Grosso In A Minor, Op. 6, No. 4 - Larghetto Affettuoso
Organ Concerto In F, Op. 4, No. 4 Allegro
Water Music - Air
Messiah - For Unto Us A Child Is Born
Concerto Grosso In B flat, Op. 3, No. 2 - Largo
Salomon - Sinfonia, Act 3
The Choice Of Hercules - While For Thy Arms
Water Music - Allegro (Suite No. 1)
Suite No. 5 In E - Air With Variations
Jephtha - How Dark, O Lord
Organ Concerto In F, Op. 4, No. 5 Alla Siciliana - Presto
Mi Palpita Il Cor (Solo Cantata) S'un Di M'adora
Water Music - Andante Allegro Da Capo
Concerto for Trumpet & Orchestra in E-flat: First Movement
Symphony No. 94 in G: Surprise Symphony-second movement
Concerto for Violin No. 2 in D: Third Movement
Flute Trio No. 31 in G: Second Movement
Symphony No. 31 in D: Hornsignal-First Movement
String Quartet No. 17 in F, Op. 3, no. 5: Serenade Quartet-Second Movement
Sinfonia Concertante in B-flat for Violin, Cello, Oboe, Bassoon and Orchestra-Third Movement
Concerto for 2 Horns & Orchestra in E-flat: Second Movement
Symphony No. 88 in G: Fourth Movement
String Quartet No. 77 in C: Kaiser Quartet-Poco adagio cantabile
Notturno No. 1 in C: Second Movement
Symphony No. 98 in B: Londoner No. 4-Fourth Movement
Eine Kleine Nachtmusik - first movement
Piano Concerto in A - second movement
Flute Concerto in D - Rondeau
Serenade - Minuet
Violin Concerto - first movement
Symphony No. 40 in G minor - first movement
Clarinet Concerto - second movement
Turkish March
Divertimento - Minuet
Horn Concerto No. 3 in E-flat - first movement
Symphony No. 5 in C minor, Op. 67-First Movement
Piano Sonata No. 14 in C sharp minor, Op. 27, no. 2: Moonlight Sonata-First Movement
Overture
O welche Lust (Prisoners' Chorus)
Ha, welch ein Augenblick (Pizarros's Aria)
Concerto for Piano and Orchestra No. 3 in C minor, Op. 37: Second Movement
Concerto for Violin and Orchestra in D, Op. 61: Third Movement
Piano Sonata No. 8 in C minor, Op. 13: Pathétique-Second Movement
Sympony No. 6 in F, Op. 68: Pastorale-First Movement
Fantasy for Piano, Chorus and Orchestra in C minor, Op. 80: Choral Fantasy - Finale
German Dance No. 1 In C
Impromptu Op. 90, No. 3 In G-Flat
Heidenroslein
Ave Maria
Der Lindenbaum
Quintet In A 'Trout Quintet' - Andante
Mass No. 6 In E-Flat - Kyrie
Die Schone Mullerin Des Mullers Blumen
German Dance No. 2 In G
Piano Sonata In B-Flat
Nachtgesang Im Walde
Winterreise - No. 15: Die Krahe
German Mass - Zum Sanctus (Heilit, Heilig Ist Der Herr)
Symphony No. 8 In B Minor 'Unfinished' - Second Movement
Waltz No. 1 in E-flat, Op. 18 Grande Valse brillante
Nocturne in E-flat, Op. 9, no. 2
Etude in G-flat, Op. 10, no. 5
Concerto for Piano and Orchestra No. 2 in F minor, Op. 21-Second Movement
Mazurka in D minor, Op. 33, no. 2
Prelude in D-flat, Op. 28, no. 15 Raindrop
Etude in C, Op. 10, no. 1
Nocturne in D-flat, Op. 27, no. 2
Impromptu No. 4 in C-sharp minor, Op. 66 Fantasy Impromptu
Scherzo in B minor, Op. 20
Piano Sonata No. 2 in B-flat minor, Op. 35-Third Movement
Concerto for Piano and Orchestra No. 1 in E minor, Op. 11 - Third Movement
Piano Concerto No. 1 in B-flat minor - first movement 113.String Seranade - Waltz
Violin Concerto - second movement
The Sleeping Beauty - Waltz
Capriccio Italien, Op. 45
Swan Lake - Waltz
Eugene Onegin - Polonaise
The Nutcracker - Waltz of the Flowers
Orchestral Suite No. 4 - Mozartiana - Third Movement
Swan Lake - Dance of the Swans
Symphony No. 6 in B minor - Pathétique - Third Movement
Hungarian Dance No.5
Lullaby
Symphony No.1 in C minor, Op. 68 - Third Movement
Intermezzo in E-flat, Op.117, no. 1
Concerto for Violin and Orchestra in D, Op. 77 - Third Movement
Waltz, Op. 39, no. 15
Concert for Piano and Orchestra No. 2 in B-flat, Op. 83 - Second Movement
String Quintet in G, Op. 111 - Second Movement
Symphony No.4 in E minor, Op. 98 - Third Movement
Intermezzo in A minor, Op. 76, no. 7
Hungarian Dance No.1 in G minor
German Requiem Selig sind die Toten (Final Chorus)
Die Fledermaus - Overture
Kaiser Waltz, Op.437
Thunder And Lightning Polka, Op. 324
Roses From The South Waltz, Op. 388
AnnenPolka, Op. 117
Vienna Blood Waltz, Op. 354
Eljen A Magyar Polka, Op. 332
Wine, Women and Song Waltz, Op. 333
On The Beautiful Blue Danube Waltz, Op. 134
Die Meistersinger Von Nurnberg - Overture
Tannhauser - Die Pilger sind's (Pilgims' Chorus)
Tannhauser - O du mein holder Abendstern (Wolfram's Aria)
Lohengrin - Act 3 Prelude and Bridal Chorus
The Flying Dutchman - Jo-ho-he Traft ihr das Schiff (Senta's Ballad)
The Flying Dutchman - Steuermann, lass die Wacht (Sailors' Chorus)
Die Walkure - Wintersturme wichen dem Wonnemond (Siegmund's Aria)
Die Walkure - Ride of the Valkyries
Siegfried Hoho! Hoho! Hohei! Schmiede mein Hammer (Siegfried's Forging Song)
Tristan und Isolde - Liebestod
Thus sprach Zarathustra, Op. 30 (excerpt)
Don Juan, Op. 20
Eine Alpensinfonie, Op. 64, I.Nacht
Don Quixote, Op.35, first movement: Introduction
Salome, Op. 54, Dance Of The Seven Veils
Der Rosenkavalier, Op. 59, Finale: Hab' mir's gelobt ihn lieb zu haben
Piano Concerto 2 In C minor, Op. 18 - First Movement
Vocalise, Op.34, No. 14
Prelude In G Sharp minor, Op. 32, No. 12
Piano Concerto No. 4 In G minor, Op. 40 - Third Movement
Symphony No. 2 In E minor, Op. 27 - Third Movement
Piano Concerto No. 1 In F sharp minor, Op. 1 - Second Movement
Rhapsody, Op. 43 On A Theme By Paganini
Hungarian Rhapsody No.2
Liebestraum No.3 in A-flat
Piano Concerto No.1 in E-flat - third movement
Angelus
Mephisto Waltz No.1 (Dance in a Village Tavern)
Prelude and Fugue on B-A-C-H
Dante Symphony - Finale. - Purgatorio - Magnificat
Les Préludes
Boléro
Daphnis et Chloé first movement: Nocturne
Rhapsodie Espagnole
Shéhérazade - first movement: Asie
Ma Mère l'Oye - fourth movement: La Belle et la Bête
Introduction and Allegro for Harp, Flute, Clarinet, and String Quartet
La Valse
Slavic Dance No. 1 in C, Op. 46, no.1
Symphony No. 9 in E minor, Op. 95 'From the New World' - second movement
Humoresque, Op. 101
Slavic Dance No. 8 in G minor, Op. 46, no. 8
Serenade for String Orchestra, Op. 22 - second movement
Romance for Violin and Orchestra In F minor, Op. 11
Symphony No. 7 in D minor - third movement
Melodie (Songs My Mother Taught Me)
Carneval Overture, Op. 92
Concerto for Cello and Orchestra in B minor, Op. 104 - third movement
Symphony No.4 In A, Op. 90. Italian - First Movement
Frühlingslied In A, Op. 62, No. 6
Wedding March (From A Midsummer Night's Dream, Op.61)
Duetto In F, Op.30, No.6 (From Songs Without Words)
String Symphony No.9 In C. Schweitzer Symphony - Third Movement
Concerto For Violin, Piano And String Orchestra No. 1 In D minor - Second Movement
Symphony No.3 In A minor, Op.56 Scottish - Third Movement"
Notturno (From A Midsumment Night's Dream, Op. 61)
Rondo Capriccioso, Op.14
String Symphony No. 12 In G minor - First Movement
Venetian Gondola Song In F Sharp minor, Op.30, No.6
Scherzo (From A Midsumment Night's Dream, Op. 61)
Violin Concerto In E minor, Op.64 - Third Movement
Peer Gynt - Suite No. 1, Op. 46 - Morgenstimmung
Holberg Suite, Op. 40 - I. Prelude. Allegro vivace
Holberg Suite, Op. 40 - IV. Air. Andante religioso
Arietta, Op. 12, no. 1
Homage March from Sigurd Jorsalfar, Op. 56
Peer Gynt - Suite No. 2, Op. 55 - Solveig's Song
Wedding Day at Troldhauen, Op. 65, no. 6
The Last Spring, Op. 34, no. 2
Peer Gynt - Suite No. 1, Op 46 - Anitra's Dance
Nordic Melody Op. 63
Notturno, Op. 54, no. 4
Elegie, Op. 47, no. 5
Peer Gynt - Suite No. 2, Op. 55 - Arabic Dance
Piano Concerto in A minor, Op. 16 - Allegro
Symphony No. 3 in E flat, Op. 97 - Rhenish - first movement
Traumerai (from Kinderszenen, Op. 15)
Mondnacht (from Eichendorff-Liederkreis, Op. 39)
Aufschwung (from Fantasietucke, Op. 12)
Triolett, Op. 114, no. 2
Tanzlied (No. 1 from Duets, Op. 78)
Symphony No. 4 in D minor, Op. 120 - second movement
Frühlingsgruss
Abschied (from Waldszenen Op. 82)
Dichterliebe, Op. 48 - Im wunderschonen Monat Mai
Manfred Overture, Op. 115
Romance in F sharp, Op. 28, no. 2
Die Rose stand im Tau
Liebesgarten (from Four Duets, Op. 34)
Warum? (from Fantasiestucke, Op. 12)
Kennst du das Land, Op.79, no. 29 (from Lieder der Mignon, Op. 98a)
Von fremden Landern und Menschen (from Kinderszenen, Op. 15)

Album Description

An extraordinary 20-CD collection of great works by Bach, Vivaldi, Handel, Haydn, Mozart, Beethoven, Schubert, Chopin, Tchaikovsky, Brahms, Ravel, Mendelssohn, Rachmaninoff, J. Strauss, R. Strauss, Schumann, Wagner, Dvorak, Grieg and Liszt. It also features worldrenowned artists such as Sir Neville Marriner, Martha Argerich, Ivo Pogorelich, Hermann Prey, Reiner Goldberg, Sylvia Sass, Jochen Kowalski, Peter Schreler and many more. This exquisite, copper metallic, deluxe boxed set is the perfect gift for the classical music neophyte.

Customer Reviews:

Mill. Classical review.......2007-05-13

This is a great set of recordings for the money, the only problem was I've had to clean some of the CD's before they played correctly.

classical music for the unitiated.......2007-04-01

This set is a good way to start listening to classical music. It's very well produced and easy to listen to. I purchased it to use as part of my world history high school class. It would have been nice to have some bio information on the composers. However, the product is exactly as advertised and good value for the money. The students were intrigued by how many of the excerpts they had heard before.

Some little gems there that I had forgotten!.......2007-03-30

Although I studied classical music at school, I had all but forgotten it until I bought this set. I heard several tracks I haven't heard for over 30 years, and I had been humming Brahms's 'Hungarian Dance no. 5' for years without ever knowing what it was and it was on the disc, so that was nice.

I found it to be a very good selection overall, but I felt too much had already been heard on TV, which of course is what lots of newcomers to classical music might appreciate. I managed to find about 2 hours of tracks that I wanted to keep, which works out quite expensive per disc, but I did find some wonderful music I had completely forgotten about, so it was worth it. All in all, it represents good value, and I have only knocked one star off as so much of it had been used in adverts.

It is definitely a good introduction to classical music, and it has made me want to listen to more of it, so I don't regret this 'expensive' purchase one bit!

Classical Masterpieces of the Millennium [20 CD Set]

A very helpful collection.......2007-03-24

I define this set as an excellent way to find out who you like, and who you don't, among 20 of the important composers. It opens the door to purchasing more complete pieces by composers you do like, and can save a lot of time and money in the process.
To criticize the set for not containing more composers, or more than just snippets of those who are in the set, is missing the point: it is a helpful introduction to finding your way in the huge maze of classical music. It succeeds admirably in this.
Sound quality is uniformly very good on an audiophile system.
Highly recommended.

Excellent!.......2007-03-08

A great way to start a classical music collection. It's nice to have a full CD of each composer. It makes it easy to keep track of selections/composers I already have and what composers I still need to puchase to complete my collection.

Average customer rating:

Unworthy of This Show
Great.
Deserves a place in your Sondheim Discography
Dashed high hopes
Letdown from the original

Assassins (2004 Broadway Revival Cast)
Stephen Sondheim , Neil Patrick Harris , Marc Kudisch , Michael Cerveris , Denis O'Hare , and James Barbour
Manufacturer: P.S. Classics
ProductGroup: Music
Binding: Audio CD

General | Classical | Styles | Music

Musical Theater | Vocal Non-Opera | Opera & Vocal | Styles | Music

General | Musicals | Broadway & Vocalists | Styles | Music

General | Broadway & Vocalists | Styles | Music

General | Soundtracks | Styles | Music
Similar Items:

Sweeney Todd (2005 Broadway Revival Cast)
Assassins
Assassins (1991 Original Off-Broadway Cast)
The Frogs (2004 Broadway Cast)
The 25th Annual Putnam County Spelling Bee (2005 Original Broadway Cast)

ASIN: B0002B161Y
Release Date: 2004-08-03

Tracks:

Everybody's Got The Right
Ballad Of Booth
Ladies And Gentlemen, A Toast!
How I Saved Roosevelt
What Does A Man Do...?
Gun Song
Ballad Of Czolgosz
Unworthy Of Your Love
I Am A Terrifying And Imposing Figure...!
Ballad Of Guiteau
Have It Your Way
Another National Anthem
Take A Look Lee
Something Just Broke
Everybody's Got The Right

Amazon.com

"Everybody's got a right/To their dream." So begins Stephen Sondheim's 1991 show Assassins--and in this case, said dreams involve killing an American president. The characters form a veritable rogues' gallery, including John Hinckley, Lee Harvey Oswald and John Wilkes Booth of course, but also half-forgotten luminaries such as Leon Czolgosz (who killed McKinley) and "Squeaky" Fromme (who aimed for Gerald Ford with an unloaded gun). While Sondheim's lyrics are trenchant as ever, his music, which ranges from Sousa pomp to clever little waltzes, is technically brilliant but also oddly uninvolving. (Many fans prefer the recording of the 1991 Off-Broadway version, though "Something Just Broke," which was added to the 1992 London production, makes its recorded debut here.) Still, there are several high points. In "Unworthy of Your Love," for instance, Hinckley and Fromme wax poetic about their unrequited love for Jodie Foster and Charles Manson, respectively, in a Burt Bacharach-style ballad that's deliberately (I hope!) sappy. And of course as with most Sondheim shows, the cast of this revival--Michael Cerveris, Mario Cantone, Becky Ann Baker, Marc Kudisch, Denis O'Hare--is very good. --Elisabeth Vincentelli

Customer Reviews:

Unworthy of This Show.......2007-03-01

Assassins is a masterpiece of American theatre. Through a revue of skits and songs, it examines ideas we don't want to face, and shows us the flip side of the American Dream. The score rates as one of Sondheim's best, and the overall effect, when the show is performed well, is incredibly powerful. For years, people have wanted to mount a production on Broadway.

Given this result, they needn't have bothered.

I am still amazed at how much this production got wrong. The principal cast is nothing short of dreadful: the acting is almost laughably overwrought; the pacing keeps getting disrupted by pauses held too long and lines spoken too slowly; some singers are frequently behind the tempo (notably Michael Ceveris as Booth), while others are painful to listen to (like Jeffrey Kuhn as Zangara and Mario Cantone as Sam Byck); the new orchestrations allow for more musicians in the pit, but are much less effective than the earlier arrangements.

To top it all off, this production includes "Something Just Broke", a song sung by the Ensemble as various "average" Americans of different time periods recalling where they were when the president was shot. The song was introduced in the London production, presumably for people who didn't understand the show to have something to latch on to, but it was mercifully kept out of the published vocal score and libretto. It's not a bad song in and of itself, but musically it does not fit in with the rest of the score, and dramatically it doesn't fit in with the rest of the script. Worse, it is placed right between the Kennedy assassination -- the climax of the show -- and the finale, thus skewing all the dramatic momentum and depriving the show of an effective resolution.

The result of all this is that the comic moments aren't funny, the powerful moments fail to move, and the wonderful music is left ho-hum.

I realize that the extraordinary cast of the original production of Assassins presents a dauntingly high standard for everyone else to compare to, but the college productions I've seen were better than this.

Great. .......2006-11-08

What an amazingly talented cast! Neil Patrick Harris, Marc Kudisch, Alex Gemignani (The new Valjean in the revival of Les Miserables) and of course, the former demon barber of Fleet Street, Michael Cerveris (in the role that won him a Tony)...Just to hear these giants of musical theatre perform together as an ensemble alone is worth the price of this recording. This recording is so wonderfully done, and I can't recommend this enough.

'Unworthy of your Love' and 'The Ballad of Booth' are heartbreakingly beautiful, strange that I say that considering the subject matter, but it's true, those two songs alone will stay with you for days on end. The Ballad of Booth has poetic and tragic lyrics like 'Damn my soul, if you must, let my body turn to dust, let it mingle with the ashes of my country...What I did, I did well, and I did it for my country. Let them cry 'Dirty Traitor!', they will understand later...'. and the hauntingly gorgeous melody that goes with those lyrics is just so well, romantic! But then you have the tongue-in-cheek, slightly macabre numbers like 'The Gun Song' and 'Everybody's Got The Right' with lyrics like, 'Everybody's got the right to be happy. Life's not as bad as it seems! Everybody deserves a little sunshine...' and 'All you have to do is, move your little finger...and you can change the world!'

What a rollarcoaster of emotion! I mean, seriously, who else but Sondheim could pull that off and make it the brilliant masterpiece that it clearly is?

One of my biggest regrets is not seeing this during it's brief run in 2004. :(

Deserves a place in your Sondheim Discography.......2006-07-28

Like other reviewers I was fortunate enough to see Roundabout's revival production but perhaps unfortunate that my total enjoyment of that production may bias my critical listening. I can't help but recall the proprietor (Marc Kudish) caressing a pistol into the hand of each assassin when listening to the opening Everybody's Got The Right.

However, while fans of Sondheim and musical theater will argue over every nuance, I find that both this and the original are excellent in their own way. Yes, the voices in the first recording are more refined, yet this recording seems to better capture the character's mannerisms in the vocal stylization, whether the twitchy madness of Guiteau (Dennis O'Hare) or the depressed howl of Sam Byck (Mario Cantone).

This is a worthwhile recording and one that provides me with a reprise of the excellent staging and acting of this quirky play.

Dashed high hopes.......2006-07-14

Assassins is a fascinating and surprising show. You can't imagine a more unlikely topic for a musical and yet, when you hear and/or see the show, you can't help to be impressed by the entire production. Maybe if I'd never heard the original cast recording, I would have given this a higher rating, but, to be frank, this recording suffers in comparison to the original recording in nearly every way.

While the diction on this recording is often impressive...especially Neil Patrick Harris's...too often it is accomplished at the price of tempo. Too many times the musical director has made the choice to slow down portions of the songs to the point of sluggishness. Absolutely NONE of the performances is superior to the original. That doesn't mean that any of the newer performances are horrible, it's just that they don't measure up. The one who comes the closest is Neil Patrick Harris whom I find naturally charming and vulnerable in anything he does.

The best addition to this recording is Mario Cantone's rant as Sam Byck. Unfortunately, I can't recommend getting this recording based solely on that. The biggest mis-step is the omission of the full, final, Kennedy scene. Hearing it on the original recording for the first time is an absolutely thrilling and chilling experience. Not having it all here is a MAJOR disappointment.

Buy the original recording first and check this one out from the library.

Letdown from the original.......2006-04-10

I have been a huge fan of Assassins since it first came out back in '91. While I've never had the pleasure of seeing the play in person, I've read it several times and listened to the original cast recording so often one can hardly believe it. So when I saw "Broadway Cast Recording" I was thrilled. Then I listened to it. I went from thrilled to appalled.

John Weideman, who wrote the music, seems to prefer the Broadway cast recording--at least he says so in its liner notes. I'm not sure why. While some of the songs are still excellent (like the Hinckley-Fromme duet "Unworthy of Your Love"), many of them are just plain painful to listen to. Most of the time the singing vaccilates between being totally flat of affect (most notably Moore in "The Gun Song") to hyperbolic melodrama. Booth mumbles to the point of near-unintelligibility in several songs; Zangara sounds eerily like the mob boss from 'Johnny Dangerously' that keeps calling everyone "farging bastages"; Moore sings nearly the whole time as if she'd OD'd on sedatives; and Guiteau sounds so stereotypically gay that GLAAD should be suing the producer.

It almost seems as if the cast are not sure what do do with their characters. The cast of the Original Cast Recording hit the characters perfectly--an outstanding mix of suffering, despair, anger and hostility. The Broadway cast can't seem to, in the language of the musical, "connect" to the characters. For me this is a huge failing, as the "charcaters" here are real individuals; if the performers can't connect to them, how can we be expected to?

There are also some content differences between this recording and the original. Several brief additions are made from elsewhere in the musical, and the new song "Something Just Broke" written for the Broadway revival is included on the recording. However, about half of the last act (which is included on the original) is cut out. Sadly, the material cut out is far more moving, unsettling and significant than the material added. Also, "Something Just Broke", while a fine song (and performed better than most of the rest of the material), unfortunately breaks up the natural link between the Kennedy assassination's triumphalist ending and the closing version of "Everybody's Got the Right".

I gave this three stars because I love Assassins. It is a brilliant and unnerving drama. But the Original Cast Recording is immensely superior to the Broadway Cast Recording in its ability to reveal this to the audience. I'm glad it was revived, and I'm glad it won three Tony awards--now it can get the recognition it deserves; but for me, I'll stick to the original version I fell in love with years ago. If only the Broadway recording has found a way to be "worthy of your love"...

Average customer rating:

first ever concept album in country???
A Rose is a Rose
A Concept Album
Back at Last!
It Would Make A Great Movie

The Ballad of Sally Rose
Emmylou Harris
Manufacturer: Wea International
ProductGroup: Music
Binding: Audio CD

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ASIN: B0000070R9
Release Date: 1999-05-31

Tracks:

Ballad of Sally Rose
Rhythm Guitar
I Think I Love Him (Instrumental: "You Are My Flowers")
Heart to Heart
Woman Walk the Line
Bad News
Timberline
Long Tall Sally Rose
White Line
Diamond in My Crown
Sweetheart of the Rodeo
K-S-O-S (Instrumental Medley: "Ring of Fire"/"Wildwood ...)"
Sweet Chariot

Album Description

French edition of the influential country star's 1985 album for Reprise. 12 tracks.

Album Details

Cover Girl / Queen Emmylou Harris Originally Released this Title in 1985, and Contrary to her Usual Method of Song Selection, Harris Includes all Original Numbers Here. Guest Appearances Abound: Waylon Jennings, Albert Lee, Linda Rondstadt and Dolly Parton all Lend Thair Talents. Includes the Title Track, 'Ballad of Sally Rose', 'Long Tall Sally Rose', 'Timberline' and Nine More Rich Songs from the Multiple Grammy-Winning Harris.

Customer Reviews:

first ever concept album in country???.......2006-01-31

what about willie nelsons redheaded stranger released in 1975...

however the ballad of sally rose is a supreme album.

A Rose is a Rose.......2005-05-13

I first heard this great album on tape about 12 years ago and when I no longer had the equipment to play the tape, I found the CD buried on a sale table. I nearly screamed out loud!! Now, that CD has been played by me and my daughters so much, its falling apart. Yea! It's still available. When we travel, this is the #1 sing along CD for me and the girls. With her pals Dolly and Linda, EmmyLou makes sweet, sweet sounds. And, the story is terrific.

A Concept Album.......2004-06-18

This is an interesting album from Emmylou Harris. Released in 1985, it stands as one of her best. Avid fans will want to get their hands on this cd, it's pretty rare to find but worth the search! This is the first album in her career where she wrote or co-wrote all of the songs, something she is more inclined to do on her newer albums. She is an excellent songwriter in my opinion. The album works as a concept album, telling a story of a girl from a small town who gets taken under the wing of singer that takes her (and her angelic voice) out on the road. Which is sort of like what happened with her and Gram Parsons. To get the story of the album though you need to read the liner notes. She truly shines on the slower ballads such as "Diamond in My Crown" and the closer "Sweet Chariot." Not an essential album for casual fans, but the hardcore Harris fans will either already have this, or be looking for it.

Back at Last!.......2004-04-19

I "inherited" this album as a cassette tape I found in my husband's car about a decade ago. After wearing it completely out, I was heartbroken to find that it was no longer available, but determined to find a copy even if I had to get another old tape on e-bay or some such place. After checking back periodically, I was thrilled to finally find an import version at Amazon today. I only hope that the sound quality is as good as the American release; however, it couldn't be much worse than my old, mangled (and now totally unplayable) tape!

It Would Make A Great Movie.......2004-03-10

I was just here to look for the song by Emmylou that was played during the closing credits of The Sopranos last week, but while searching through her catalog was surprised to discover that this CD, probably her best ever, is only available as an import. What a travesty!

A little background...The Ballad Of Sally Rose is the first "concept album" ever in Country music. Talk around the time it was released was that the songs were inspired by the romantic relationship between Emmylou and Gram Parsons, but only one person knows that really, and she's never confirmed it.

The story that's told in the CD is of a half Indian girl named Sally Rose who grows up on a reservation after her father abandons the family. She leaves the reservation, as the opening song goes "with stars in her eyes and greater expectations" and soon joins a band as a guitar player. While on stage one night a huge star is in the audience and falls in love with her at first sight. She joins his band, they get married, but he starts cheating on her before being killed on the road in a traffic accident. Heartbroken, she continues with the band, and is now the biggest star around with sell-outs everywhere they play. But she's all bummed out without him and decides to retire and buy a radio station to play nothing but his music 24 hours a day. Then she dies and goes to heaven.

Great story, huh?

Tracks:

First Booke Of Songes: I. Unquiet Thoughts
First Booke Of Songes: II. Who Ever Thinks Or Hopes Of Love
First Booke Of Songes: III. My Thoughts Are Wing'd With Hopes
First Booke Of Songes: IV. If My Complaints Could Passions Move
First Booke Of Songes: V. Can She Excuse My Wrongs
First Booke Of Songes: VI. Now, O Now, I Needs Must Part
First Booke Of Songes: VII. Dear, If You Change
First Booke Of Songes: VIII. Burst Fourth My Tears
First Booke Of Songes: IX. Go Crystal Tears
First Booke Of Songes: X. Think'st Thou Then By Thy Feigning
First Booke Of Songes: XI. Come Away, Come Sweet Love
First Booke Of Songes: XII. Rest Awhile, You Cruel Cares
First Booke Of Songes: XIII. Sleep, Wayward Thoughts
First Booke Of Songes: XIV. All Ye, Whom Love Or Fortune Hath Betray'd
First Booke Of Songes: XV. Wilt Thou Unkind Thus Reave Me
First Booke Of Songes: XVI. Would My Conceit
First Booke Of Songes: XVII. Come Again: Sweet Love Doth Now Invite
First Booke Of Songes: XVIII. His Golden Locks
First Booke Of Songes: XIX. Awake, Sweet Love
First Booke Of Songes: XX. Come, Heavy Sleep
First Booke Of Songes: XXI. Away With These Self-Loving Lads

Tracks:

Second Booke Of Songs: I. I Saw My Lady Weep
Second Booke Of Songs: II. Flow My Tears
Second Booke Of Songs: III. Sorrow, Stay
Second Booke Of Songs: IV. Die Not Before Thy Day
Second Booke Of Songs: V. Mourn, Mourn, Day Is With Darkness Fled
Second Booke Of Songs: VI. Time's Eldest Son
Second Booke Of Songs: VII. Then Sit Thee Down
Second Booke Of Songs: VIII. When Others Sing Venite
Second Booke Of Songs: IX. Praise Blindness Eyes
Second Booke Of Songs: X. O Sweet Woods
Second Booke Of Songs: XI. If Floods Of Tears
Second Booke Of Songs: XII. Fine Knacks For Ladies
Second Booke Of Songs: XIII. Now Cease My Wand'ring Eyes
Second Booke Of Songs: XIV. Come Ye Heavy States Of Night
Second Booke Of Songs: XV. White As Lilies Was Her Face
Second Booke Of Songs: XVI. Woeful Heart
Second Booke Of Songs: XVII. A Shepherd In A Shade
Second Booke Of Songs: XVIII. Faction That Ever Dwells
Second Booke Of Songs: XIX. Shall I Sue
Second Booke Of Songs: XX. Toss Not My Soul
Second Booke Of Songs: XXI. Clear Or Cloudy
Second Booke Of Songs: XXII. Humour Say What Mak'st Thou Here

Tracks:

Third Booke Of Songs 1603: I. Farewell, Too Fair
Third Booke Of Songs 1603: II. Time Stands Still
Third Booke Of Songs 1603: III. Behold A Wonder Here
Third Booke Of Songs 1603: IV. Daphne Was Not So Chaste
Third Booke Of Songs 1603: V. Me, Me, And None But Me
Third Booke Of Songs 1603: VI. When Phoebus First Did Daphne Love
Third Booke Of Songs 1603: VII. Say, Love, If Ever Thou Didst Find
Third Booke Of Songs 1603: VIII. Flow Not So Fast, Ye Fountains
Third Booke Of Songs 1603: IX. What If I Never Speed?
Third Booke Of Songs 1603: X. Love Stood Amazed
Third Booke Of Songs 1603: XI. Lend Your Ears To My Sorrow
Third Booke Of Songs 1603: XII. By A Fountain Where I Lay
Third Booke Of Songs 1603: XIII. O What Hath Overwrought
Third Booke Of Songs 1603: XIV. Farewell, Unkind
Third Booke Of Songs 1603: XV. Weep You No More, Sad Fountains
Third Booke Of Songs 1603: XVI. Fie On This Feigning!
Third Booke Of Songs 1603: XVII. I Must Complain
Third Booke Of Songs 1603: XVIII. It Was A Time When Silly Bees
Third Booke Of Songs 1603: XIX. The Lowest Trees Have Tops
Third Booke Of Songs 1603: XX. What Poor Astronomers Are They
Third Booke Of Songs 1603: XXI. Come When I Call

Tracks:

A Pilgrimes Solace: I. Disdain Me Still
A Pilgrimes Solace: II. Sweet Stay Awhile
A Pilgrimes Solace: III. To Ask For All Thy Love
A Pilgrimes Solace: IV. Love, Those Beams That Breed
A Pilgrimes Solace: V. Shall I Strive Wih Words To Move?
A Pilgrimes Solace: VI. Were Every Thought An Eye
A Pilgrimes Solace: VII. Stay, Time, Awhile Thy Flying
A Pilgrimes Solace: VIII. Tell Me, True Love
A Pilgrimes Solace: IX. Go Nightly Cares
A Pilgrimes Solace: X. From Silent Night
A Pilgrimes Solace: XI. Lasso vita mia
A Pilgrimes Solace: XII. In This Trembling Shadow Cast<