You Can Do Magic [Import]

Editorial Reviews
Album Description
New comp features their top 10 smash 'You Can Do Magic'& live versions of their hits 'A Horse w/ No Name', 'Sister Golden Hair', 'Tin Man', 'Ventura Hwy','Daisy Jane' & More.16 Tracks: 1.You Can Do Magic 2.Never Be Lonely 3.You Girl 4.Right Before Your Eyes 5.Inspector Mills 6.Love On The Vine 7.Desperate Love 8.Jody 9.Sometimes Lovers 10.Even The Score 11.Tin Man (LIVE) 12.A Horse With No Name (LIVE) 13.I Need You 14.Sister Golden Hair (LIVE) 15.Ventura Highway 16.Daisy Jane (LIVE)

Tracks:

Oh What a Beautiful Mornin'
Summertime
I Could Write a Book
It Never Entered My Mind
I Can Cook Too
Make It Another Old Fashioned, Please
If I Loved You
My Heart Belongs to Daddy
Thou Swell
I Left My Heart at the Stage Door Canteen
There's No Business Like Show Business
South American Way

Tracks:

Shall We Dance
Ohio
Luck Be a Lady
Mack the Knife
There's a Small Hotel
Once in Love with Amy
Yodel Blues
Lazy Afternoon
There Must Be Somethin' Better Than Love
You're Just in Love
Now Is the Time

Tracks:

Impossible Dream
Love Makes the World Go 'Round
Try to Remember
Put on a Happy Face
I Say Hello
Happiness
She Loves Me
What Kind of Fool Am I?
Shy
Consider Yourself
Poor Little Person

Tracks:

Magic to Do
They're Playing My Song
I Don't Know How to Love Him
I Won't Send Roses
Good Morning Starshine
Don't Cry for Me, Argentina
Hard Candy Christmas
Diamonds Are a Girl's Best Friend
Won't You Charleston with Me?
Applause

Tracks:

Phantom of the Opera
Memory
On My Own
Muddy Water
How Could I Ever Know
American Dream
I Know Him So Well
Dr. Jazz
Me and My Girl
Suddenly Seymour

Tracks:

Mamma Mia!
Popular
Seasons of Love
Oh, the Thinks You Can Think
Whatever Lola Wants
Crazy
How Deep Is Your Love
Stars
People Like Us
I Go to Rio

Average customer rating:

Mixed feelings
Your love for this superb collection will be here to stay...
He's done it again
Absolutely 'S WONDERFUL!
A beautiful 2 disc CD-another hit for Michael

The Michael Feinstein Anthology

Manufacturer: Elektra / Wea
ProductGroup: Music
Binding: Audio CD

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Romance on Film/Romance on Broadway
Hopeless Romantics
Isn't It Romantic
Nice Work If You Can Get It: Songs by the Gershwins
Michael & George (Feinstein Sings Gershwin)

ASIN: B000065DVH
Release Date: 2002-05-21

Tracks:

Nice Work If You Can Get It
Isn't It Romantic
Swinging On A Star
Ask Me Again
Rhode Island Is Famous For You
'S Wonderful
Wonder Why
Too Marvelous For Words
Where Do You Start
Theme From The Bad And The Beautiful
Easy To Love
Alexander's Ragtime Band
Who Are You Now?
You're An Education
You Are There
Sophisticated Swing
Love Can Change The Stars
Come Out, Come Out Wherever You Are
Half Of April (Most Of May)
Marianne
They Can't Take That Away From Me
I Love A Piano

Tracks:

That's Entertainment
My Favorite Year
Ten Feet Off The Ground (With Rosemary Clooney)
I Never Felt Better
Someone To Watch Over Me
Kiss Her Now
The Ugly Bug Ball
For You, For Me, Forever More
The Mole People
And So To Bed
You're All The World To Me
Old Friend
Isn't It A Pity (with Rosemary Clooney)
Pattisserie
Open Your Eyes
For Love Alone
I Won't Send Roses/Time Heals Everything
Get Out And Get Under The Moon (with Page Cavanaugh)
My Romance
Love Is Here To Stay
Violin (with Liza Minnelli)

Amazon.com

The line between evangelist and entertainer has always been somewhat indistinct. But as showcased on this 43-track, double-disc collection culled from his '87-'96 recordings for Elektra/Nonesuch/Atlantic, Michael Feinstein's dedication to spreading the gospel of the American song often blurs it beyond recognition. While the singer's pedigree for the task is impeccable (a long-term stint as Ira Gershwin's assistant and early career sponsorship by Liza Minnelli), his interpretations often succeed by playing off a tense axis of fervent emotionalism and a joyous sense of irreverence.

If his readings of romantic standards can sometimes tend toward the precious, they're often balanced here by sheer dramatic power and telling insights ("Isn't It Romantic" fairly bristles with ironic chauvinism) and a few loopy curves ("The Mole People," the Sherman Brothers' "The Ugly Bug Ball," and the previously unreleased "Rhode Island Is Famous for You"). Feinstein's dedicated song archaeology is also showcased on several gems: "Violin," a duet with Liza Minnelli; "My Favorite Year," a rejected ballad for the film of that name; the sublime "lost" Gershwin classic "Ask Me Again."

Sprinkled with live performances (the forum where Feinstein's talents seem most energized) and studio outtakes and featuring a lengthy print interview with the singer, the set chronicles both the pioneering efforts of one of pop music's most successful revivalists and, crucially, the cream of his beloved American songwriters, from stalwarts Gershwin, Berlin, and Porter to later legends like Herman, Styne, Lane, Martin, and Mercer. --Jerry McCulley

Album Description

The definitive collection of performances by the Grammy nominated singer features 43 tracks from 14 albums released by Elektra, Elektra Nonesuch, and Atlantic labels from 1987-1996. Plus 8 previously unreleased live tracks only available here 'Rhode Island is Famous For You', 'S Wonderful', 'Alexander's Ragtime Band', 'I Love A Piano', 'Patisserie', 'Get Out And Get Under The Moon' (with Page Cavanaugh), 'Love Is Here To Stay' & 'Violin' (with Liza Minnelli). 2 Digipacks housed in a slipcase with a booklet. Rhino Records. 2002.

Customer Reviews:

Mixed feelings.......2005-10-05

This album has some GREAT songs on it; sophisticated swing being one of my favorites. However many of the other songs are too operatic and lame. I give three stars but this album is definatly worth it just for some of the better songs.

Your love for this superb collection will be here to stay..........2002-07-18

The magnificently talented Michael Feinstein has made one wonderful album after another for nearly two decades. Now that Elektra and Rhino have put together this anthology, I am blown away by the versatility and diversity in Feinstein's recorded output. Such amazing rare gems, combined with the most beloved favorites in the history of American Popular Song. Assembled with wit, intelligence, and obvious affection on the part of the record company, this set is a keeper. You'll love it!

He's done it again.......2002-07-15

Is there anything this man can't sing? This collection is so varied as to be the definitive collection of songs for any occassion.

This is perfect background music for a dinner party for a whole group but especially for two. Light, romantic and just gorgeous. You just can't go wrong when Michael Feinstein is your musical choice.

Way to go Michael, you've done it again!

Absolutely 'S WONDERFUL!.......2002-06-10

There are very few contemporary performers who can hold their own with the truly great interpreters of American popular song. Michael Feinstein is truly the ONLY performer of the "younger" generation who really understands what these songs are all about. His incredible knowledge of this music, and his enthusiasm and passion for it have fueled his career. Rhino Records has done a truly outstanding job of putting together an anthology that exemplifies why Mr. Feinstein has become so beloved by audiences around the world. The packaging is excellent, and filled with interesting photos and background information about many of the selections.

This collection not only contains all the favorites one would expect, but a neat group of surprises too. I especially love the duets with people like Liza Minnelli and Rosemary Clooney, and the various collaborative efforts with songwriters like Jule Styne and Burton Lane accompanying Michael at the piano.

This collection is a classic to be treasured. Bravo Michael!
Bravo Rhino!

A beautiful 2 disc CD-another hit for Michael.......2002-06-09

I have every CD Michael has ever made and this is by far one of the best ones because of Michael's range in singing and his wonderful singing voice. I love his duets with Rosemary Clooney and Liza Minelli. He is a wonderful performer on this double CD and am looking foward to the next CD.

Return to Never Land (Original Soundtrack)

Average customer rating:

Jonatha Brooke's "I'll Try" is worth the purchase.
Loved It! Loved It! Loved It!
"I'll Try"
Jonatha Brooke
10 year old and loving it!!:)

Return to Never Land (Original Soundtrack)
Various Artists
Manufacturer: Disney
ProductGroup: Music
Binding: Audio CD

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Peter Pan
Peter Pan: Classic Soundtrack Series (1953 Film)
Return to Never Land
Peter Pan
Live in New York

ASIN: B00005Y1ZO
Release Date: 2002-02-05

Tracks:

Do You Believe In Magic? - BBMak
Main Title
Second Star To The Right - Jonatha Brooke
The Tale Of Pan
I'll Try - Jonatha Brooke
Jane Is Kidnapped
A Childhood Lost
Here We Go Another Plan
Summoning The Octopus/Pan Saves Jane
Flight Through Never Land
So To Be One Of Us
Meet The Lost Boys
Now That You're One Of Us
Longing For Home
Hook And The Lost Boys
Hook Deceives Jane
Jane Finds The Treasure
Pan Is Captured
I'll Try (Reprsie)
Jane Saves Tink And Pan
Jane Can Fly
Flying Home
Reunion

Customer Reviews:

Jonatha Brooke's "I'll Try" is worth the purchase........2007-06-23

The soundtrack in total is better than most Disney Films...But the song "I'll Try" is a classic and the CD should be purchased to hear the singing and songwriting of Jonatha Brooke. Why this song did not get an Oscar nod, when songs of less substance do each year is perplexing. If you liked the film or did not even see it...the CD is worth the price. In addition Jonatha Brooke has many more CDs out of her music and one can instantly be hooked (no pun intended) at first listen...

Loved It! Loved It! Loved It!.......2006-02-25

When I saw the movie, I first saw it in the movie theater and then on Disney Channel. I heard the song "I'll Try" and immediatly wanted the soundtrack. I also wanted the movie. Jonatha Brooke's song made me want to fly. :) I personally never want to grow up and this movie and song help you stay childish and care-free longer. It trully is a beautiful song and a beautiful movie.

"I'll Try".......2005-02-17

The movie was okay, but the song "I'll Try" just made me want to see it again and again. It's so great!! I love it!!

Jonatha Brooke.......2003-06-19

Have to say I hated the movie, but when the song 'I'll Try' played, I immediately recognized the amazing talent of Jonatha Brooke. It is a beautiful song and if you enjoy it, I highly recommend you listen to her other stuff. She has several solo albums, all of which are good, but her best work (in my opinion)is the stuff she did as part of a Boston based duo called 'The Story'. Their album 'Grace in Gravity', is one of my all time favorites. The harmonies on the album are astounding and complex. Jonatha has a penchant for minor keys and her phrasing is unmistakeable. Superb stuff for the music enthusiast.

10 year old and loving it!!:).......2002-05-30

Personally I love Peter Pan things and that "I'll Try..."song made me cry when I saw it in the movie theater,And really all these songs are great...They make me feel like I never wanna grow up also...:)Those songs have that way that move you,Like make you sad....And man...I LOVE THIS MOVIE!!:)PETER PAN ALL THE WAY!Wahooo!:)

Average customer rating:

It felt good to be out of the rain
Maybe the grestest rock song of all time
A nice collection.

You Can Do Magic
America
Manufacturer: Disky Records
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Hourglass
Perspective
Holiday
Silent Letter/Alibi
Human Nature

ASIN: B000005RNM
Release Date: 1996-02-28

Tracks:

You Can Do Magic
Never Be Lonely
You Girl
Right Before Your Eyes
Inspector Mills
Love On The Vine
Desperate Love
Jody
Sometimes Lovers
Even The Score
Tin Man (Live)
A Horse With No Name (Live)
I Need You (Live)
Sister Golden Hair (Live)
Ventura Highway (Live)
Daisy Jane (Live)

Album Description

New comp features their top 10 smash 'You Can Do Magic'& live versions of their hits 'A Horse w/ No Name', 'Sister Golden Hair', 'Tin Man', 'Ventura Hwy','Daisy Jane' & More.16 Tracks: 1.You Can Do Magic 2.Never Be Lonely 3.You Girl 4.Right Before Your Eyes 5.Inspector Mills 6.Love On The Vine 7.Desperate Love 8.Jody 9.Sometimes Lovers 10.Even The Score 11.Tin Man (LIVE) 12.A Horse With No Name (LIVE) 13.I Need You 14.Sister Golden Hair (LIVE) 15.Ventura Highway 16.Daisy Jane (LIVE)

Album Details

This 1998 Title Combines the Contents of 1982's View from the Ground with Six Live Tracks. Includes the Group's Signature Classic "Horse with No Name" (Studio and Live Version), the Title Track, "Desperate Love" and More.

Customer Reviews:

It felt good to be out of the rain.......2006-08-03

If you buy only one America album, this is the one to get. Contains the studio version of "You Can do Magic" which is btter than the live version and a live version of "A Horse with no Name" which is better than the studio version.

Maybe the grestest rock song of all time.......2000-07-24

Im sorry but you can do magic is quite possibly the greatest rock song of all time. The lyrics are chilling, the chimes in the backround put me in a trance every time I here them. Buy this cd and listen to it over and over again........

A nice collection........1998-06-17

This is a re-release of their 1982 View From The Ground album with the addition of six live tracks from their 1985 In Concert album. A nice collection if you don't already have the originals.

Average customer rating:

Chaliapin, the great Russian singer actor.
A Chaliapin feast

Chaliapin: A Vocal Portrait

Manufacturer: Naxos
ProductGroup: Music
Binding: Audio CD

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Prima Voce: Chaliapin
Great Singers, 1909-1938

ASIN: B00006RHPA
Release Date: 2003-01-21

Customer Reviews:

Chaliapin, the great Russian singer actor. .......2004-08-23

Born in the same year as Caruso and attracting the wild acclaim that used to be accorded to opera singers, Feodor Chaliapin is now featured in the Naxos "Great Singers" series. A selection of his acoustic recordings (1902-1924) occupy the first CD and a selection of his electric recordings (1926-1936), and in charge of restoration is Ward Marston.

Like Caruso, Chaliapin had a huge voice that nevertheless proved eminently compatible with acoustic recording processes. Indeed, collectors need not be deterred by the age of many of these recordings. Some of the very best items, whether opera or song, fall into the acoustic group. The 1911 recordings of Rubinstein's "Demon" excerpts, which I heard a few times many years ago and have never forgotten, are amongst the best of all in this entire selection.

Also like Caruso, Chaliapin's recording career owed much to producer Fred Gaisberg who, in his autobiography, allotted a whole chapter to this great singer. In recent times, eminent critic John Steane has named Chaliapin as one of the two or three great singer actors of the C20th. Gaisberg was responsible for recording the Prayer and Death of Boris during an actual performance of "Boris Godunov" at Covent Garden in 1928. Perhaps this best indicates Chaliapin's work as singer and actor. Another successful item here is the `Le veau d'or' from "Faust", which one critic has judged ideal for showing Chaliapin's special magnetism.

The notes provide an informative survey of Chaliapin's recording output. One error is the attributing some of the orchestral support in the recordings from the 1920s to the London Philharmonic Orchestra, and orchestra which was founded by Beecham in 1932.

A Chaliapin feast.......2003-02-14

It's nice of Naxos to collect in one place some of the most representative recordings of the great Russian basso, Fyodor Chaliapin. This is a 2CD set; the first CD is from the acoustic era of recording, the second from the electrical era. Not only are the expected arias and songs from the Russian literature represented, but also there are more than a few Italian/French/German selections.

There are two scenes from 'Boris Godunov': Varlaam's Song and the Farewell and Death of Boris. Three versions of Mussorgsky's 'Song of the Flea', from 1907, 1929 and 1936 (the latter his last recording) are included, all of them marvelous. Other highlights, made all the more effective by Chaliapin's amazing ability to act with the voice, are 'La calunnia' from 'The Barber of Seville' and 'Le veau d'or' from Gounod's 'Faust.' I also liked 'Chanson Bachique' by Glazunov, which I'd never heard before.

The sound is fantastic, the wizardry of Ward Marston who, along with Mark Obert-Thorn, is involved with Naxos's extensive re-issue of treasures from the history of the recorded voice.

If you don't have these selections from previous issues on other labels, you can't go wrong here. And then there's the budget price . . .

Wagner: The Valkyrie
Average customer rating:

"The death-doomed alone are destined to look on me."

Breathtaking, powerful, accessible, not just an alternative

Absolutely Breathtaking!

A powerful reading of the most moving opera in the Ring.

The power of Wagner's music drama is now fully accessible

Wagner: The Valkyrie

Manufacturer: Chandos
ProductGroup: Music
Binding: Audio CD

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Similar Items:

Siegfried (Goodall Ring Cycle/Chandos Opera in English)

The Twilight of the Gods (Goodall Ring Cycle/Chandos Opera in English)

Wagner: The Rhinegold

ASIN: B00004YU6Z
Release Date: 2000-11-28

Tracks:

Act I: Prld - English Nat Opr Orch/Reginald Goodall
Act I, Scene 1: The Storm Drove Me Here - Alberto Remedios/Margaret Curphey
Act I, Scene 1: This House And This Wife - Margaret Curphey/Alberto Remedios
Act I, Scene 1: Evil Fortune's Never Far From Me - Alberto Remedios/Margaret Curphey
Act I, Scene 2: There He Lay, Feeble And Faint - Margaret Curphey/Clifford Grant/Alberto Remedios
Act I, Scene 2: Through Field And Forest - Alberto Remedios/Clifford Grant/Margaret Curphey
Act I, Scene 2: Friedmund No One Could Call Me - Alberto Remedios/Clifford Grant/Margaret Curphey
Act I, Scene 2: The Neidings Raided Again - Alberto Remedios
Act I, Scene 2: So The Norn Who Dealt You This Fate - Clifford Grant/Margaret Curphey/Alberto Remedios
Act I, Scene 2: I Know A Troublesome Race - Clifford Grant
Act I, Scene 3: A Sword Was Pledged By My Father - Alberto Remedios
Act I, Scene 3: Are You Awake? - Margaret Curphey/Alberto Remedios
Act I, Scene 3: My Husband's Kinsmen - Margaret Curphey
Act I, Scene 3: Yes, Loveliest Bride - Alberto Remedios/Margaret Curphey
Act I, Scene 3: Winter Storms Have Vanished (Siegmund's Spring Song) - Alberto Remedios
Act I, Scene 3: You Are The Spring - Margaret Curphey
Act I, Scene 3: Oh Sweetest Enchantment - Alberto Remedios/Margaret Curphey
Act I, Scene 3: The Stream Has Shown My Reflected Face - Margaret Curphey/Alberto Remedios
Act I, Scene 3: Siegmund Call Me, And Siegmund Am I! - Alberto Remedios
Act I, Scene 3: Siegmund, The Walsung, Here You See! - Alberto Remedios/Margaret Curphey

Tracks:

Act II, Scene 1: Go Bridle Your Horse, Warrior Maid! - Norman Bailey
Act II, Scene 1: Hoyotoho! Hoyotoho! (Brunnhilde's Battle Cry) - Rita Hunter
Act II, Scene 1: The Usual Storm, The Usual Strife - Norman Bailey/Ann Howard
Act II, Scene 1: Pretend That You Don't Understand! - Ann Howard/Norman Bailey
Act II, Scene 1: Now It's Come To Pass! - Norman Bailey
Act II, Scene 1: So This Is The End Of The Gods And Their Glory - Ann Howard
Act II, Scene 1: You Never Learn What I Would Teach You - Norman Bailey/Ann Howard
Act II, Scene 1: What Must I Do? - Norman Bailey/Ann Howard
Act II, Scene 1: Hiaha! Hiaha! Hoyotoho! - Rita Hunter/Ann Howard/Norman Bailey
Act II, Scene 2: Fricka Has Won The Fight - Rita Hunter/Norman Bailey
Act II, Scene 2: When Youth's Delightful Pleasures Had Waned - Norman Bailey
Act II, Scene 2: She Refused To Reveal More About It - Norman Bailey/Rita Hunter
Act II, Scene 2: There's More To Tell - Norman Bailey
Act II, Scene 2: Yet One Can Accomplish What I May Not - Norman Bailey
Act II, Scene 2: But The Walsung, Siegmund - Rita Hunter/Norman Bailey
Act II, Scene 2: Then Siegmund Must Fall In His Fight? - Rita Hunter/Norman Bailey
Act II, Scene 2: I Give You My Blessing, Nibelung Son! - Norman Bailey/Rita Hunter
Act II, Scene 2: No, Have Mercy - Rita Hunter/Norman Bailey

Tracks:

Act II, Scene 2: So I Obey His Command - Rita Hunter
Act II, Scene 3: Rest Here For A While; Stay By My Side! - Alberto Remedios/Margaret Curphey
Act II, Scene 3: Away! Away! - Margaret Curphey/Alberto Remedios
Act II, Scene 3: Where Are You, Siegmund? - Margaret Curphey/Alberto Remedios
Act II, Scene 4: Siegmund! Look At Me! (Announcement Of Death) - Rita Hunter/Alberto Remedios
Act II, Scene 4: And If I Come - Alberto Remedios/Rita Hunter
Act II, Scene 4: Then Greet For Me Walhall - Alberto Remedios/Rita Hunter
Act II, Scene 4: Woe! Woe! Sister And Bride - Alberto Remedios/Rita Hunter
Act II, Scene 4: Two Lives Now Lie In Your Power - Alberto Remedios/Rita Hunter
Act II, Scene 5: Charms Of Sleep Are Sent To Still - Alberto Remedios
Act II, Scene 5: I Hear Your Call - Alberto Remedios/Margaret Curphey
Act II, Scene 5: Wehwalt! Wehwalt! - Clifford Grant/Alberto Remedios/Margaret Curphey/Rita Hunter/Norman Bailey

Tracks:

Act III, Scene 1: Hoyotoho! Hoyotoho! (Ride Of The Valkyries) - Katie Clark/Anne Evans/Elizabeth Connell/Helen Attfield/Shelagh Squires/Anne Conoley
Act III, Scene 1: Shield Me And Help - Rita Hunter/Katie Clarke/Anne Conoley/Elizabeth Connell/Helen Attfield/Anne Evans/Sarah Walker...
Act III, Scene 1: Hear While I Tell You - Rita Hunter/Katie Clarke/Anne Conoley/Elizabeth Connell/Helen Attfield/Anne Evans/Sarah Walker...
Act III, Scene 1: Pray Suffer No Sorrow For Me - Margaret Curphey/Rita Hunter/Katie Clarke/Anne Conoley/Elizabeth Connell/Helen Attfield/Anne...
Act III, Scene 1: Fly Him Swiftly, Away To The East! - Rita Hunter
Act III, Scene 1: O Radiant Wonder! (Parting Salute) - Margaret Curphey
Act III, Scene 1: Stay, Brunnhild! - Norman Bailey/Margaret Curphey/Rita Hunter/Katie Clarke/Anne Conoley/Elizabeth Connell/Helen...
Act III, Scene 2: Where Is Brunnhild? - Norman Bailey/Margaret Curphey/Rita Hunter/Katie Clarke/Anne Conoley/Elizabeth Connell/Helen...
Act III, Scene 2: Weak-Spirited, Womanish Brood! - Norman Bailey
Act III, Scene 2: Here I Am, Father - Rita Hunter/Norman Bailey
Act III, Scene 2: No More Will You Ride From Walhall - Norman Bailey/Margaret Curphey/Rita Hunter/Katie Clarke/Anne Conoley/Elizabeth Connell/Helen...
Act III, Scene 2: Did You Not Hear What I Decreed? - Norman Bailey/Margaret Curphey/Rita Hunter/Katie Clarke/Anne Conoley/Elizabeth Connell/Helen...
Act III, Scene 3: Was It So Shameful - Rita Hunter/Norman Bailey
Act III, Scene 3: I Know So Little - Rita Hunter/Norman Bailey
Act III, Scene 3: You, Who This Love Into My Heart Revealed - Rita Hunter/Norman Bailey
Act III, Scene 3: You Indulged Your Love - Norman Bailey
Act III, Scene 3: Unworthy Of You This Foolish Maid - Rita Hunter/Norman Bailey
Act III, Scene 3: You Fathered A Glorious Race - Rita Hunter/Norman Bailey
Act III, Scene 3: In Long, Deep Sleep - Norman Bailey/Rita Hunter
Act III, Scene 3: Farewell, My Valiant, Glorious Child! (Wotan's Farewell) - Norman Bailey
Act III, Scene 3: These Eyes So Warm And So Bright - Norman Bailey
Act III, Scene 3: Loge, Hear! Come At My Call! - Norman Bailey
Act III, Scene 3: Magic Fire Music - Norman Bailey

Customer Reviews:

"The death-doomed alone are destined to look on me.".......2007-06-12

Okay, so we have the Solti, Bohm, Karajan, Levine, Janowski, Goodall, and Sawallisch Rings on the market (I haven't listened to the other Ring recordings yet, sorry to say). And all of these leave me to one conclusion: the many differences lead me to believe that all of these ring sets have their own authenticities and setbacks. And here they are:

TIMING (Estimate):
Solti's Ring: 14 hours, 30 minutes
Bohm's Ring: 13 hours, 30 minutes
Karajan's Ring: 14 hours, 50 minutes
Goodall's Ring: 16 hours, 50 minutes
Janowski's Ring: 14 hours, 0 minutes
Levine's Ring: 15 hours, 20 minutes
Sawallisch's Ring: 14 hours, 0 minutes

CONDUCTING:
Solti: Solti's conducting is driven with sheer muscle, but sometimes he makes the Ring overemotional. His Walkure & Gotterdammerung Preludes are clear examples: they're annoyingly bombastic. Nonetheless he almost seldom loses control with anything. His clear focus on the drama is astonishing.

Bohm: I must say his live Bayreuth recording brings out some of the best. He puts more faith in the orchestral score, but he also gives it more intensity. His tempi are some of the quickest, but they still don't seem rushed at all (except maybe "Wohin schleich'st du eilig und schlau"). I especially like his "Forging Scene" & "Hagen Summons the Vassals"; both are the most energetic on disc.

Karajan: Karajan's chamber approach is very interesting. Instead of going for the drama or the energy, the conductor goes for the beauty. Almost everything in his Ring sounds very ethereal because of his excessive use of lyricism. His orchestral preludes (except Walkure Act 1) sound more beautiful than others, and much of the soft parts (such as Siegfried Act Three Scene Three) are controlled nicely. His "Funeral March" and "Immolation" are recommendable. Siegfried Act Three Scene Two could have improved with more tension.

Goodall: Oh, boy. While I do praise Goodall with his amazing attention to detail, his ridiculously sluggish tempi will tick some Wagnerites off: everything is slower than adagio moderato. But I did enjoy listening to the slow beauty of his "Wotan's Farewell/Magic Fire Music". This was recorded live and sung in English.

Janowski: This is a very classical Ring. Instead of bombast, spacious, or lyrical passion, maestro Janowski gives us the straightforward approach. He goes straight for Wagner's original intentions (precise tempi, dynamics, flow of leitmotivs, etc.), which makes this another exquisite Ring. "Hagen Summons the Vassals" is probably the fastest I've ever heard (along with Sawallisch's). Rheingold Scene Four can be best described as "sensational".

Levine: While he does stay true to the score like Bohm, this conductor makes for a somewhat dull Ring. His handling of the orchestra is nice, but the moderately slow tempi he chooses is flawed. It should be more animated. His beautiful "Funeral March" and "Erda's Warning" are two of the few flawless features.

Sawallisch: I guess you can say that Sawallisch is half-Karajan, half-Janowski. While he does stay true to the orchestral score like Janowski, he also puts in a little Karajan-like lyricism. At some points he loses track with orchestra and singers (as does every live recording) but Bohm has more control. This was also recorded live.

ORCHESTRA:
Solti's Vienna Philharmonic: The woodwinds are the most beautiful in Solti's Ring (the "Forest Murmurs" is clear evidence of that). French horns and Wagner tubas make this a recommended listening. The strings in "Heda Heda Hedo" could've added a bit more work, but they are strikingly spectacular everywhere else. The orchestra gives it their all in Siegfried Act Two & Three, but they are at their weakest in Walkure Act One & Three (Bohm's Bayreuth does it better). Overall, it's the loudest and certainly most bombastic out of all the Ring orchestras combined.

Bohm's Bayreuth Festival: The ultimate Wagnerian orchestra gives it their all. The brass both high and low are the most powerful, while the woodwinds are the most delicate. The strings are muffled only a few times, otherwise the eighteen anvils are perfectly loud and clear. Erda's scenes aren't as effective as Janowski's, but the entire Walkure is more successful than Janowski's when it comes to tone & technique. Overall, this orchestra is the most dramatic.

Karajan's Berlin Philharmonic: The entire orchestra sounds polished, not to say that it is bad. Indeed the drama is still there, but much of the suspense is lacking (the scenes with Fasolt and Fafner come to mind). The brass sometimes overpowers the strings, which can be a serious problem. Gotterdammerung "Three Norns" Scene sounds very mysterious, very eerie.

Goodall's English National Opera: This orchestra sounds nice, even if the sluggishness can bring them down at times. The Flight of the Valkyries doesn't sound too good in a slow tempo, but the entire orchestra does sound lucid here. Siegfried Act One Prelude is the creepiest. All of the leitmotivs are heard loud and clear, just like in Janowski's version.

Janowski's Staatskapelle Dresden: This orchestra has the same force & flair as does Bohm's Bayreuth Festival, only Dresden sounds much clearer due to the fantastic digital sound. Even minor details are found in this Ring. I can hear harps in Flight of the Valkyries! The strings imitate the Siegfried forest very well, while the woodwinds representing the songbird are wonderful (but not as wonderful as Solti's songbird). Dresden's "Magic Fire Music" (along with Berlin's) is the most extravagant.

Levine's Metropolitan Opera: The brass and woodwinds are the true stars. The strings sound too tired to continue on in Siegfried & Gotterdammerung. The Finale to Rheingold is absolutely stunning (the trumpets and trombones will not disappoint), and the Second Act of Walkure is the most impressive, the most refined.

Sawallisch's Bavarian State: Wrong notes in this live recording won't matter, as the entire orchestra gets everything going in all four nights at the opera. The strings never surrender to imperfection, and the winds are marvelously aligned. I just wish that some of the singers would keep up with the orchestra.

SINGERS:
-Wotan
Solti: Hans Hotter is the superior Wotan. He sounds powerful throughout the Ring (except Rheingold, in which a less stellar George London performs).

Bohm and Janowski: Theo Adam in Bohm's live recording is another treat. While he is not as equally impressive as Hotter, he can certainly conjure up everlasting emotions. Adam sounds weaker in Janowski's studio recording, but he still doesn't disappoint.

Karajan: Dietrich Fischer-Dieskau plays Wotan in "Rheingold," while Thomas Stewart replaces Fischer-Dieskau in "Walkure" and "Siegfried". I don't think Fischer-Dieskau was a good choice; he sounds too humane and too light. Stewart makes an astounding improvement in both "Walkure" and "Siegfried".

Goodall: Norman Bailey has that divine spark that Hotter used to cherish. He's heavy and unblemished, and he handles the English text with flair and sheen.

Levine: James Morris is a notch below Hotter, Adam, and Bailey, but he overpowers Fischer-Dieskau pretty much throughout the Levine's Ring.

Sawallisch: I may be biased, but Robert Hale just didn't do it for me. He sounded dull and tedious, and his Wotan's Farewell wasn't enough to sadden me.

-Brunnhilde
Solti and Bohm: Birgit Nilsson is the best Brunnhilde on the market. Her Valkyrie cry is delightful, and her final scene in Gotterdammerung is brilliant beyond belief.

Karajan: Regine Crespin is without a doubt one of the finest Brunnhildes after Nilsson. She's fantastic in Walkure Act Three. I just wish she stayed on as the Valkyrie later on in the Ring (Helga Dernesch is no good in Gotterdammerung, sorry to say).

Goodall: Rita Hunter is at her strongest in Walkure and Siegfried. She is at her weakest in Gotterdammerung. What may have caused her downfall in the fourth installment? "The world may never know."

Janowski: Jeannine Altmeyer is basically the most controversial Brunnhilde on CD. Some people say that she's too light and weak, while others say she sounds young and very enchanting. I'm with those who think Altmeyer was a good choice, but you yourself (the shopper) are going to have to decide whether she's good or not.

Levine and Sawallisch: Hildegard Behrens is just like Nilsson and Crespin: while she's not the best, she is definitely another perfect Brunnhilde of choice. She's at her most dazzling when she performs Walkure (Levine) and Siegfried (Sawallisch).

-Siegmund & Sieglinde
Let's see. For the Siegmunds, we have James King for Solti and Bohm. Jon Vickers for Karajan, Alberto Remedios for Goodall, Siegfried Jerusalem for Janowski, Gary Lakes for Levine, and Robert Schunk for Sawallisch. For the Sieglindes, we have Regine Crespin for Solti, Leonie Rysanek for Bohm, Gundula Janowitz for Karajan, Margaret Curphy for Goodall, Jessye Norman for both Janowski and Levine, and Julia Varady for Sawallisch. Hmm . . . Jerusalem is good . . . and so is Vickers . . . Janowitz is charming, and so is . . . Oh, what the heck? All the singers for Siegmund and Sieglinde are fantastic. Two exceptions, though: Robert Schunk doesn't sound heroic enough, and Jessye Norman for Levine's Ring doesn't sound young and innocent enough.

-Siegfried
Solti and Bohm: Wolfgang Windgassen may very well be the best Siegfried for the ages. His `Forging Scene" in both renditions are defiantly inspiring. His last scene in Gotterdammerung is celestial and overwhelming.

Karajan: Jess Thomas (Siegfried) and Helge Brilioth (Gotterdammerung) may not be as ideal as Windgassen, but they do know how to be a magnificent heldentenor. Thomas pulls it off with Act One and Three.

Goodall: Wow! What a singer that Alberto Remedios! He never drags in either of the last two installments, and he uses the correct emotions in every scene that he is in.

Janowski and Sawallisch: Rene Kollo's Siegfried is a poetically expressive one. In Janowski's version he sounds playful when he's in Mime's home, and he sounds willed when he's in the Gibich Hall. He is not good enough in Sawallisch's version, however. His tiresome "Forging Scene" is obvious evidence of that.

Levine: Oh, Reiner Goldberg. At least you tried. Seriously, he sounds too tedious (especially in Gotterdammerung Act Three Scene Two) and too old. I don't know Levine should've chose Kollo when he recorded his Ring.

-Alberich
Solti and Bohm: Gustav Niedlinger has a heaviness that overwhelms a few other baritones. When he sings his only sequence in Gotterdammerung Act Two Scene One, his emotion is so pure that his son Hagen would've drowned himself in tears (Too melodramatic? Sorry about that.). The only problem is that his character sounds too one-dimensional. Alberich isn't just some cardboard-cutout bad guy. He has a very good reason why he wants to take revenge on the world. Overall, Niedlinger is amazing throughout Wagner's Ring (He deserves many awards for "Bin ich nun frei?").

Karajan: I guess you can say that Zoltan Kelemen tries his best throughout. He is not good in Rheingold, but he gets better in Siegfried and Gotterdammerung.

Goodall: Derek Hammond-Stroud is three-dimensional, but not that much. Still, he can sound very demanding in Rheingold Scene One and Siegfried Act Two Scene One.

Janowski: Siegmund Nimsgern may be the most humane Alberich yet, but it's all good. He sings with more passion than Kelemen and more robustness than Hammond-Stroud. Niedlinger's ferociousness puts him below, however. "Schaf'st du, Hagen, mein sohn?" is noteworthy.

Levine and Sawallisch: Ekkehard Wlaschiha is one hell of a vigorous Alberich. I praise him in Rheingold Scene One and Three. His performance in Siegfried (both versions) could've improved with more distrustfulness towards Mime and the Wanderer.

-Mime
Solti and Karajan: Gerhard Stolze is the creepiest Mime ever known to humankind. This dwarf outsings other Mimes on the market. When he sings "Die stucken! Das Schwert!" his anger and fear is the most effective to almost all Ring listeners.

Bohm: Erwin Wohlfahrt wins second place. He gives a first-rate performance in Siegfried Act One, but loses some of his edge in Act Two. He is an exceptional Mime nonetheless. Look for him in Karajan's Rheingold, also.

Goodall: Gregory Dempsey isn't emotional enough. He doesn't sound fearful or depressed at all, which makes him the dullest Mime for the Ring.

Janowski: Peter Schreier is for Siegfried, while Christian Vogel is for Rheingold. Vogel is less than perfect, while Schreier is way beyond outstanding. Schreier is less ghoulish and more benevolent, more three-dimensional than Stolze and Wohlfahrt. The only flaw I can find is his handling of "Die stucken! Das Schwert!" He could've added a bit more fear in that sequence.

Levine: Heinz Zednik is yet another excellent mime. He is equal to Schreier when it comes to humaneness and lyricism. His performance in Rheingold Scene Three is pure gold, while his performance in Siegfried (particularly "Willkommen, Siegfried!") is a stunning achievement.

Sawallisch: Helmut Pampuch is just like Schreier and Zednik: he's very VERY good. Nuff said.

-Loge
Solti: Set Svanholm may be the weakest Loge. He is not very ominous throughout all of his scenes, and his lack of a sinister atmosphere is greatly affects the entire Rheingold. But he'll soon be forgotten later on in the Ring.

Bohm: Why the heck would the conductor have Wolfgang Windgassen play both Siegfried AND Loge? The demi-god needs to sound different from a son of a Walsung. Still, it's satisfactory, and his "Ihrem ende eilen sie zu" gives great foreshadowing.

Karajan: Gerhard Stolze is easily the most entertaining Loge to listen to. His scenes in Scene Three are delightful.

Goodall: Emile Belcourt isn't as good as Stolze, but he certainly can make some of the best of an English-speaking Loge.

Janowski: Peter Schreier is the most eccentric out of all of them, and that's a fact. Much of his singing involves imagination, peril, vengeance, and deviousness. Belcourt depends only on imagination and deviousness, Stolze only vengeance and deviousness, and Windgassen only peril. His odd conversations with Alberich and the gods/goddesses are classic.

Levine: Siegfried Jerusalem doesn't seem like a good choice for Loge. He's better off playing Siegmund or Siegfried, but not a demi-god.

Sawallisch: Robert Tear is on par with Stolze and Schreier. Sometimes he takes things too low, but all is forgiven with his management of character development.

-Everyone Else
Uh-huh, what can I say? Everyone else does a good job in all Ring recordings (maybe not in Swarowsky's version). Matti Salminen is the perfect Hagen (Janowski, Levine, and Sawallisch), while Kirsten Flagstad is the most brilliant Fricka (Solti). The Norns and Rheinmaidens do a splendid job in Solti, Janowski, and Levine. The Vassals (male choir) are at their unsurpassed in Bohm and Goodall. The only flawed Erda is Anne Collins (Goodall), maybe too light and too heavy at times. All in all, no one here is graded C or lower.

CONCLUSION: I have yet to listen to Barenboim's Bayreuth presentation and the essential mono recordings (Furtwangler, Krauss), but I'm pretty sure that have their advantages and disadvantages. So there you have it. We have the histrionic Solti, the energetic Bohm, the otherworldly Karajan, the spacious Goodall, the calculated Janowski, the relaxed Levine, and the serious Sawallisch Rings. They have their own authenticities and setbacks, and they certainly have their own significances for Ring listeners everywhere.

Sir Georg Solti: Wagner - Der Ring des Nibelungen (Ring Cycle) / Sir Georg Solti

Karl Bohm: Wagner: Der Ring des Nibelungen

Herbert von Karajan: Der Ring des Nibelungen / Karajan / Berlin Philharmonic

Goodall: Wagner: The Ring Cycle (Box Set)
-The Rhinegold (Part 1): Wagner: The Rhinegold
-Siegfried (Part 3): Siegfried (Goodall Ring Cycle/Chandos Opera in English)
-Twilight of the Gods (Part 4): The Twilight of the Gods (Goodall Ring Cycle/Chandos Opera in English)

Marek Janowski: Wagner: Der Ring des Nibelungen

James Levine: Der Ring Des Nibelungen

Wolfgang Sawllisch: Wagner - Der Ring des Nibelungen (Ring Cycle) / Sawallisch, Bayerischer Staatsoper

Breathtaking, powerful, accessible, not just an alternative.......2005-05-03

This is one of three Walkure's in my collection: the very underrated Leinsdorf, the thrilling Boehm and this one with Goodall. I believe Goodall is right up there with the best of them. Remedios, Hunter and Bailey sing beautifully and with sufficient drama. I'll go out on a musical limb and say I believe Bailey is one of the finest Wotan's on disc. Many will disagree but I think he has the measure of the role, the power to pull it off and a burnished timber that never becomes coarse under powerful climaxes... Remedios may well be the star of the trilogy along with Hunter and Bailey. His Siegmund is beautifully sung and his Siegfried by the way, is no mean stint either. Would that we had tenors that could sing Siegfried without sounding stretched beyond their limits. I am continually puzzled by the bad reviews that the orchestra playing receives from ARG, Classics Today and a few others. The ENO is not a Concertgebouw or Vienna Philharmonic but I think they play beautifully, a few clinkers notwithstanding. For a live show, they do a pretty d..... good job. THe sound from both orchestra and singers is exceptionally fine. This set belong in your collection if you like Wagner and, Die Walkure, in particular. If I had been at the performance in the 1970's I would have come home very happy, satisfied and richer for the experience.

Absolutely Breathtaking!.......2002-09-13

I had long cringed at the thought of this magnificant masterpiece recorded in English. Even after reading several rave reviews on this cylce that I've read by authoritive Wagnerites and critics, I was still skeptical. Finally, I decided to add Goodall's 'Ring' as my third complete cycle (after Solti & Bohm) for one reason: because it was in English and I felt it would enhance my understand of 'The Ring.' In fact, after achieving that "higher understanding" I was planning on selling this set on Ebay. That was, of course, before I heard this magnificant recording.

During the course of my research on 'The Goodall Ring' most of the praised seemed to heighten around 'Siegfried,' which is my absolute favorite of the cycle. That also helped to seal the deal. As the critics said, 'Siegfried' under Goodall is excellent, but not as monumental as Solti's reading, which IMHO is the greatest recording of 'Siegfried.'

The set that stands out, to me, in 'The Goodall Ring' is this recording; The Valkyrie. It is absolutely breathtaking. Not only is it my favorite of this set, it is my favorite Valkyrie recording period (I am very familiar with Boehm's, Solti's, Karajan's, Furthwanglers, Levines, and others). Alberto Remedios (Siegmund here and Siegfried in the last two operas) is truly magnificant. It is the best Siegmund I have heard on disc (and his Siegfried rivals Windgassen). Coupled with Margaret Curphey (Sieglinde), you get the most beautiful and moving duo I have heard on record. The duet in Act I is simply glorious. You also get the bonus of Norman Bailey's triumphant Wotan (and Wanderer too). He has such command and prescene. He sounds like a God. Throw in Rita Hunter, who holds her own as Brunnhilde, Goodall's miraculous conducting, and excellent playing by the orchestra and it all adds up to a stunning recording.

I can only say that in a way it's a shame this set is in English. Were it not, I believe Goodall's 'Ring' would be one of the most talked about, popular, and sought after complete recordings of the cycle. I can only say that I am so happy that I finally opened up to opera recorded in a different language than written.

I have fallen completely in love with Goodall's entire cycle. And, I have fallen in love with 'The Ring' all over again.

A powerful reading of the most moving opera in the Ring........2001-08-30

This performance of *Die Valkure,* the second and most popular opera in Wagner's Ring Cycle, is musically splendid. Its special significance, however, is that it is sung in English. An English performance of the Ring is perhaps more important than that of any other opera(s), because Wagner's libretti are suffused with his ideas about society, fate, justice, and love. Even if (at times) you need to read along to understand what the singers are saying, *hearing* the lyrics in English is truly stirring in a way that performances in your non-native language cannot match.
A particular stand-out on this recording is the Wotan. His timbre, diction, and delivery perfectly embody the troubled god who tries desperately, and in vain, to keep the world under his control. His angst and wrath are utterly convincing.

The power of Wagner's music drama is now fully accessible.......2001-01-30

I have never been a fan of opera in translation, but I must say that Andrew Porter's rendering of The Ring in English is amazing. He uses modern, not archaic, English, and the word choice is so very earthy and Germanic that the noble yet somewhat severe atmosphere of the Teutonic myths is conveyed perfectly. The sound, in other words, is an elegantly Germanic, and totally appropriate for the music and the Story it tells. It is not true that you can't understand the English anyway, because you can understand if you care to pay any attention at all. The translation is lucid, and so it the marvelous singing that conveys it.

Goodall's sense of music drama is lush, and takes some getting used to after the crash-and-burn Solti set, but after a time or two it seems just right. Goodall is not always slower than the rest, either; for example, the famous Ride of the Valkyries that begins Act III is quicker than Solti's surprisingly slow and heavy account. It is the most exciting that I have heard--and I have heard quite a few--but it is not so fast that the power is lost in favor of urgency.

This is not an urgent Die Walkure, and it is all the better for it. Goodall takes the time to actually tell the story, and is sensitive to the drama's needs over what could be called convention. For example, Wotan's Farewell doesn't thunder out after Brunnhilde's final declamation, like in so many recordings; rather, Goodall's interpretation is more dreamy, mysterious, and appropriately trance-like, in keeping with the action on stage.

Tracks:

The Circle of Life - Kingston SO/Glen Fast
I Just Can't Wait To Be King - Kingston SO/Glen Fast
Can You Feel the Love Tonight - Kingston SO/Glen Fast
The Lion Sleeps Tonight - City of Prague Phil/Colin Frechter
Hakuna Matata - Kingston SO/Glen Fast
Carnival of the Animals: Introduction-Royal March of the Lion - American PO/Barry Faldner
Carnival of the Animals: Wild Asses - American PO/Barry Faldner
Carnival of the Animals: The Aquarium - American PO/Barry Faldner
Carnival of the Animals: Aviary - American PO/Barry Faldner
Carnival of the Animals: The Swan - American PO/Barry Faldner
Carnival of the Animals: Finale - American PO/Barry Faldner
William Tell Overture - Ljublijana SO/Anton Nanut
Radetsky March - Sofia SO/Barry Faldner
Give a Little Whistle - Kingston SO/Glen Fast
When You Wish Upon A Star - Kingston SO/Glen Fast
I've Got No Strings - Kingston SO/Glen Fast
Turn Of The Old Music Box - Kingston SO/Glen Fast
Hi Diddle-dee-dee (an Actor's Life for Me) - Kingston SO/Glen Fast
When You Wish Upon A Star (reprise) - Kingston SO/Glen Fast
Symphonie Fantastique: March of the Scaffold - Ljublijana SO/Anton Nanut
Hebrides Ov Op.26: Fingal's Cave - Ljublijana SO/Marko Munih
The Magic Flute Ov, K.620 - Ljublijana SO/Marko Munih

Tracks:

(Just) Whistle While You Work - Kingston SO/Glen Fast
I'm Wishing - Kingston SO/Glen Fast
With A Smile And A Song - Kingston SO/Glen Fast
Some Day My Prince Will Come - Kingston SO/Glen Fast
One Song - Kingston SO/Glen Fast
Heigh-Ho - Kingston SO/Glen Fast
The Nutcracker Ste, Op.71a: Miniature Ov - Ljublijana SO/Marko Munih
The Nutcracker Ste, Op.71a: March - Ljublijana SO/Marko Munih
The Nutcracker Ste, Op.71a: Dance of the Sugarplum Fairy - Ljublijana SO/Marko Munih
The Nutcracker Ste, Op.71a: Russian Dance - Ljublijana SO/Marko Munih
The Nutcracker Ste, Op.71a: Arabian Dance - Ljublijana SO/Marko Munih
The Nutcracker Ste, Op.71a: Chinese Dance - Ljublijana SO/Marko Munih
The Nutcracker Ste, Op.71a: Dance of the Pipe Flutes - Ljublijana SO/Marko Munih
The Nutcracker Ste, Op.71a: Waltz of the Flowers - Ljublijana SO/Marko Munih
Colonel Hathi's March - City of Prague PO/Colin Frechter
The Bare Necessities - City of Prague PO/Colin Frechter
I Wanna Be Just Like You - City of Prague PO/Colin Frechter
Poet and Peasant Ov - Ljublijana SO/Anton Nanut
'L'Arlesienne' Ste No.2: Farandole - Ljublijana SO/Marko Munih
The Love of Three Oranges March - American PO/Barry Faldner
Finlandia - Ljublijana SO/Marko Munih
'Eine Kleine Nachtmusik' (A Little Night Music) (Ser in G, K.525 Allegro) - Ljublijana SO/Alexander Von Pitamic

Tracks:

Belle - Kingston SO/Glen Fast
Beauty and the Beast - Kingston SO/Glen Fast
Be Our Guest - City of Prague PO/Colin Frechter
The Sleeping Beauty Ballet Ste, Op.66: Introduction, The Tree Fairy - Volgograd SO/Edward Serov
The Sleeping Beauty Ballet Ste, Op.66: Adagio, Pas d'action - Volgograd SO/Edward Serov
The Sleeping Beauty Ballet Ste, Op.66: Pas de caricature - Volgograd SO/Edward Serov
The Sleeping Beauty Ballet Ste, Op.66: Panorama - Volgograd SO/Edward Serov
The Sleeping Beauty Ballet Ste, Op.66: Waltz - Volgograd SO/Edward Serov
Arabian Nights - Kingston SO/Glen Fast
Prince Ali - Kingston SO/Glen Fast
A Whole New World - Kingston SO/Glen Fast
One Jump Ahead - Kingston SO/Glen Fast
Scheherazade, Op.35: The Sea and Sinbad's Ship - Ljublijana SO/Anton Nanut
Dumbo Overture - City of Prague PO/Colin Frechter
March Militaire - Sofia SO/Barry Faldner
'Peer Gynt' Ste No.1, Op.46: In The Hall of the Mountain King - Ljublijana SO/Andrew Schenck
Light Cavalry Ov - Ljublijana SO/Marko Munih

Tracks:

If I Knew You - City of Prague PO/Colin Frechter
Just Around The River Bend - City of Prague PO/Colin Frechter
Colours Of The Wind - City of Prague PO/Colin Frechter
Peter and the Wolf (Symphonic Tale for Children), Op.67: Andantino (Peter) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Allegro (The Bird) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Moderato No.11 (The Cat) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Poco Pin Andante No.15 (The Grandfather) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Andantino, Come Prima No.17 (Peter) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.18 (The Grandfather) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante Molto No.19 (The Wolf) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.24 (The Duck) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Vivo No.30 (The Bird) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Poco Meno Mosso-Moderato No.35 (Peter) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Allegro Moderato No.39 (The Hunters) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante No.41 (Peter) - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Sostenuto-Listesso Tempo No.48... - American PO/Barry Faldner
Peter and the Wolf (Symphonic Tale for Children), Op.67: Andante-End No.53 (Peter) - American PO/Barry Faldner
Swan Lake Ballet: Scene (moderato) - Ljublijana SO/Marko Munih
Swan Lake Ballet: Waltz - Ljublijana SO/Marko Munih
Swan Lake Ballet: Swan Dance (allegro moderato) - Ljublijana SO/Marko Munih
Swan Lake Ballet: Scene (andante) - Ljublijana SO/Marko Munih
Swan Lake Ballet: Czardas (moderato) - Ljublijana SO/Marko Munih
Bibbidi-Bobbodi-Boo - City of Prague PO/Colin Frechter
A Dream is a Wish Your Heart Makes - City of Prague PO/Colin Frechter
We Can Do It - City of Prague PO/Colin Frechter
So This Is Love (Cinderella Waltz) - City of Prague PO/Colin Frechter
'Carmen Ste' No.1: The Toreadors - Ljublijana SO/Marko Munih
In the Steppes of Central Asia - Ljublijana SO/Marko Munih
1812 Ov, Op.49 (finale) - Ljublijana SO/Marko Munih
Marriage of Figaro Ov, K.492 - Ljublijana SO/Anton Nanut

Customer Reviews:

A little something different.......2007-01-10

I enjoyed this music and am using some of it to choreograph a little different "Disney" for my students.I think it will come in handy in the future as well.

Dance, Club, Party (3 CD PACK / 38 Tracks) Leanora DeCapo, Lola, Jay Cee/No No, The Fu La-La's, The Rhymestones, Dionne Faux, The Original Latin All Stars, Cali Aleman/The Latin Rhythm, Tito Puente Jr., Lone Gunman Theory, The Shag-A-Delicks, Afrika Bambaataa, Cyre, Velva Blu, Nuyorican Soul, Black Magic, Taylor Dayne, Vanessa Daou, Sandy B, Groove Collective, Kenlou III, Fresh Fish, Soul Solution, Joi Cardwell, D'Still'd, Planet Soul, Ace Of Base, TWDY, Gemini, A.L.T./JV/Ciscone/Mr. Gee/Baby Beesh/C-Blunt/Sure/2 B/Bigg Robb, Lighter Shade Of Brown, Claudia Mia/Don Caligula, Katalina, Jonny Z, Laura Martinez, Chacho, Stevie B, Ambrozia

Average customer rating:

Dance, Club, Party (3 CD PACK / 38 Tracks) Leanora DeCapo, Lola, Jay Cee/No No, The Fu La-La's, The Rhymestones, Dionne Faux, The Original Latin All Stars, Cali Aleman/The Latin Rhythm, Tito Puente Jr., Lone Gunman Theory, The Shag-A-Delicks, Afrika Bambaataa, Cyre, Velva Blu, Nuyorican Soul, Black Magic, Taylor Dayne, Vanessa Daou, Sandy B, Groove Collective, Kenlou III, Fresh Fish, Soul Solution, Joi Cardwell, D'Still'd, Planet Soul, Ace Of Base, TWDY, Gemini, A.L.T./JV/Ciscone/Mr. Gee/Baby Beesh/C-Blunt/Sure/2 B/Bigg Robb, Lighter Shade Of Brown, Claudia Mia/Don Caligula, Katalina, Jonny Z, Laura Martinez, Chacho, Stevie B, Ambrozia
Frozen - Lola, All My Life - Jay Cee/No No, Can't Take My Eyes Off You - The Fu La-La's My Heart Will Go On - Leanora DeCapo , Think Twice - Dionne Faux, I Like It Like That - The Original Latin All Stars, Everybody Salsa - Cali Aleman/The Latin Rhythm How Do I Live? - The Rhymestones , X-Files Theme (The Truth) - Lone Gunman Theory, Soul Bossa Nova (Theme From Austin Powers) - The Shag-A-Delicks, Planet Rock '98 - Afrika Bambaataa/The Soul Sonic Force Oye Como Va - Tito Puente Jr. , Barbie Girl - Velva Blu, Mind Fluid - Nuyorican Soul, Freedom - Black Magic, Say A Prayer - Taylor Dayne, Sunday Afternoons - Vanessa Daou, Make The World Go Round - Sandy B Holiday - Cyre , What A Sensation - Kenlou III, Bang Da Bush - Fresh Fish I Want You - Groove Collective , You Got To Pray - Joi Cardwell, Stopgo - D'Still'd, Set U Free - Planet Soul Can't Stop Love - Soul Solution , Player's Holiday - TWDY, Doctor Doctor (Party Mix) - Gemini, Player's City - A.L.T./JV/Ciscone/Mr. Gee Don't Turn Around - Ace Of Base , Lingerie (House Edit) - Claudia Mia/Don Caligula, DJ Girl - Katalina Whatever U Want - Lighter Shade Of Brown , Ritmo Latino (Trinity Mix) - Laura Martinez Ku Ku - Jonny Z , and Dream About You - Stevie B, Girl Like Me - Ambrozia El Pow Wow (Casa Salsa Club Mix) - Chacho
ProductGroup: Music
Binding: Audio CD
ASIN: B000KOCVRQ

Average customer rating:

"early beginnings from the vaults ~ Percy Faith"

Delicado

Manufacturer: Asv Living Era
ProductGroup: Music
Binding: Audio CD

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Koga Melodies/Ryoichi Hatori Melodies

ASIN: B0001EMM2Y
Release Date: 2004-06-29

Tracks:

Amor [From Broadway Rhythm]
Negra Consentida
Embraceable You
Baia (Ne Baixe de Sapateiro) [from The Three Caballeros)
If There Is Someone Lovelier Than You
Tico-Tico [From Bathing Beauty]
Spring Will Be a Little Late This Year [From Christmas Holiday]
Bem Te VI Atrevido
I Love You
Capullito de Aleli
Long Ago (And Far Away) [From Cover Girl]
Cumparsita
Stardust
Stars in Your Eyes
Bim Bam Boom
I'll Close My Eyes - Percy Faith & His Orchestra, Hildegarde
There's No Holding Me - Percy Faith & His Orchestra, Hildegarde
Dancing in the Dark
That Old Black Magic [from Star-Spangled Rhythm)
All Through the Night
Begin the Beguine
Touch of Your Hand
Tia Juana
Temptation [From Going Hollywood]
Noche Caribe (Caribbean Night) [From Starlift]

Tracks:

Swedish Rhapsody No. 1, Op. 19: Midsummer Vigil
Body and Soul
Du - Ray Charles Singers, Percy Faith & His Orchestra
Deep Purple
Fiddle Derby
My Dream Concerto - Ray Charles, , Percy Faith & His Orchestra, Chorus
Dizzy Fingers - Percy Faith & His Orchestra, Magic Voices
I Got Rhythm
Flight 33 1/3
Solitude
Nervous Gavotte - Percy Faith & His Orchestra, Lou Stein
Mosquitoes' Parade - Percy Faith & His Orchestra, Chorus
Mer (Beyond the Sea)
Kitten on the Keys - Percy Faith & His Orchestra, Stan Freeman, Bernie Leighton, Chorus
Whirlwind
Cumbanchero [From Cuban Pete]
Goodbye John - Ray Charles Singers, Percy Faith & His Orchestra
Perpetual Notion
They Can't Take That Away from Me [From Shall We Dance?] - Percy Faith & His Orchestra, Chorus
Soft Lights and Sweet Music
Oodles of Noodles
Would You?
Cumana
Delicado
Song from Moulin Rouge (Where Is Your Heart?)

Customer Reviews:

"early beginnings from the vaults ~ Percy Faith".......2005-02-15

Living Era presents "Delicado", fifty original mono recordings from 1944 to 1955 featuring Maestro Percy Faith who was churning out some of the best releases with top notch arrangements...each song had an upbeat and faraway tone to it...beautiful ballads from composers Harold Arlen, Waldir Azevedo, Irving Berlin, Nacio Herb Brown, Hoagy Carmichael, Zez Confrey, Peter De Rose, Jimmy Dorsey, Duke Ellington, George Gershwin, Rafael Hernandez, Johnny Green, Jerome Kern, Frank Loesser, Cole Porter, Arthur Schwartz ...beautifully recorded representing Faith's limitless talent at crafting musical arrangements to fit an evolving music scene.

Now for the real treat...songs composed by Percy Faith with his unmistakable arranging "NOCHE CARIBE " (Caribbean Night), recorded in New York 1947..."DA DU", with Ray Charles Singers recorded 3/04/1952..."FIDDLE DERBY", recorded in New York 1951..."FLIGHT 33 1/3", after Rimsky-Korsakov: Flight of the Bumble-Bee, recorded New York 5/11/1950..."NERVOUS GAVOTTE", with Lou Stein on piano recorded New York 5/22/1951..."PERPETUAL NOTION", recorded New York 6/02/1949...Percy's arrangements comes from the heart and weaving a magic spell over the listener...compilation goodies on two compact discs for all the Faith Fans!

Sweeping and gliding strings, beautiful renditions of all time favorite Faith arrangements, such a statement of string counter melodies within the orchestration...many were favorites of my parents when they were dating...these songs represent some of the best arrangements in my Faith collection...when you put this collection on, you're in for a magic carpet ride sprinkled with the "Percy Faith Touch"...every arrangement has the signature of his pen and baton, two totally different tempos and rhythms surface within the boundaries of his genius...no doubt he was a master at his craft, they'll never be another like 'em, they only pass this way once...thank you Living Era for sharing these rare gems with the fans that encountered Maestro Percy Faith!

Total Time: 2-CD-Set ~ Living Era 278 ~ (6/29/2004)

Average customer rating:

Magical,Mysterious...

Valmouth

Manufacturer: Jay Records
ProductGroup: Music
Binding: Audio CD

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Grey Gardens - A New Musical (2006 Original Broadway Cast)

ASIN: B00004TKHA
Release Date: 2000-08-29

Tracks:

Opening/Valmouth - Judy Campbell/Richard Freeman/Jane Wenham/Frank Shelley/Mark Wynter/Femi Taylor/Robert Meadmore...
Magic Fingers - Bertice Reading
Mustapha - Bertice Reading
I Loved A Man - Cheryl Kennedy
What Then Can Make Him Come So Slow? - Femi Taylor
All The Girls Were Pretty - Judy Campbell/Fenella Fieding/Jane Wenham
Just Once More - Fenella Fielding
Lady Of The Manor - Femi Taylor
What Do I Want With Love - Robert Meadmore
My Big Best Shoes - Bertice Reading/Doris Hare
Niri-Esther - Simon Butteriss/Mark Wynter
The Cry Of The Peacock - Bertice Reading
Little Girl Baby - Bertice Reading
The Cathedral Of Clemenza - Robert Helpmann
Only A Passing Phase - Fenella Fielding
Valmouth - Mark Wynter
Where The Trees Are Green With Parrots - Femi Taylor
My Talking Day - Marcia Ashton
I Will Miss You - Doris Hare/Bertice Reading
Finale/Valmouth - July Campbell/Richard Freeman/Jane Wenham/Frank Shelley/Mark Wynter/Femi Taylor/Robert Meadmore...

Customer Reviews:

Magical,Mysterious..........2003-10-09

...and totally charming. If all you know of Sandy Wilson's work is THE BOY FRIEND, this lovely show (written for Bertice Reading) will come as a delightful surprise.

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