Sweetheart of the Rodeo (Limited Edition
Editorial Reviews
Amazon.com essential recording
After Chris Hillman dragged new friend Gram Parsons into the Byrds, they made an album as close to a country masterpiece as a rock act could ever make. In fact, the only tunes better than the definitive covers here of songs by Bob Dylan ("You Ain't Going Nowhere"), Guthrie ("Pretty Boy Floyd"), and the Louvin Brothers ("The Christian Life") are Parsons's originals, especially the incomparable "Hickory Wind." Sweetheart wasn't the first country-rock album, but with its gorgeous three-way harmonies and sweet pedal steel, it remains the best. --David Cantwell --This text refers to the Audio CD edition.
Album Description
Limited 'Millennium Edition' reissue of classic 1968 album in a deluxe heavyweight miniaturized LP sleeve complete with inner sleeve and a Japanese-style obi strip on the spine. 11 tracks. Individually numbered. 1999 release.
Sweetheart of the Rodeo (Limited Edition, Music, Byrds
Average customer rating:
- It's just not that good
- One of country-rock's greatest moments.
- Transitional Byrds
- Sweetheart of the rodeo
- Classic Album
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Sweetheart of the Rodeo
The Byrds
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
Alt-Country & Americana
| Country
| Styles
| Music
Folk Rock
| Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Country Rock
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Classic Rock
| Styles
| Music
Similar Items:
- G.P./Grievous Angel
- Hot Burritos! The Flying Burrito Bros. Anthology 1969-1972
- Gram Parsons - Fallen Angel
- Mr. Tambourine Man
- Younger Than Yesterday
ASIN: B000002AHB
Release Date: 1997-03-25 |
Tracks:
- You Ain't Going Nowhere
- I Am A Pilgrim
- The Christian Life
- You Don't Miss Your Water
- You're Still On My Mind
- Pretty Boy Floyd
- Hickory Wind
- One Hundred Years From Now
- Blue Canadian Rockies
- Life In Prison
- Nothing Was Delivered
- You Got A Reputation
- Lazy Days
- Pretty Polly
- The Christian Life (Rehearsal-Take #11)
- Life In Prison (Rehearsal-Take #11)
- You're Still On My Mind (Rehearsal-Take #43)
- One Hundred Years Form Now (Rehearsal-Take #2)
- All I Have Is Memories (Instrumental)
Amazon.com essential recording
After Chris Hillman dragged new friend Gram Parsons into the Byrds, they made an album as close to a country masterpiece as a rock act could ever make. In fact, the only tunes better than the definitive covers here of songs by Bob Dylan ("You Ain't Going Nowhere"), Guthrie ("Pretty Boy Floyd"), and the Louvin Brothers ("The Christian Life") are Parsons's originals, especially the incomparable "Hickory Wind." Sweetheart wasn't the first country-rock album, but with its gorgeous three-way harmonies and sweet pedal steel, it remains the best. --David Cantwell
Album Description
Millenium digipak edition, with original artwork and 8 previously unissued bonus tracks, 'You Got A Reputation', 'Lazy Days', 'Pretty Polly', 'The Christian Life' (rehearsal take #11), 'Life In Prison' (rehearsal take #11), 'You're Still On My Mind' (rehearsal take #43), 'One Hundred Years From Now' (rehearsal take #2) & 'All I Have Is Memories' (instrumental). 2001.
Album Details
Limited Millennium Edition. Packed in a Heavy Weight Card Wallet that Faithfully Recreates the Original Vinyl Sleeve, Right Down to the Inner Bag. The Wallet Will Come in a Plastic Cover.
Customer Reviews:
It's just not that good.......2007-07-05
Sweetheart of the Rodeo has a reputation, of course, as one of the best and most influential albums of all time. And, well, it was tremendously important , almost singlehandedly inventing country rock. The fact is that I'm not a big country fan, and that ruins the listening experience for me. Now, I'm all for Johnny Cash, and when Neil Young or the Rolling Stones whip out the pedal steel, the results are often entertaining. Hell, I even think the Crosby/Clark/McGuinn/Hillman/Clarke lineup might've been able to make country-rock sound good.
One problem I have with this album are the two preachfests The Christian Life and I Am a Pilgrim. I think both are overwrought and painful. You're Still on My Mind is the stereotypical sappy country ballad; Pretty Boy Floyd is a good Woody Gurthie song mutated thanks to banjo and fiddle; You Ain't Goin' Nowhere is an insult to Dylan's excellent original, though not the group's worst Dylan cover (that would be either the space-metal This Wheel's on Fire or the toothless Positively Fourth Street), and Nothing Was Delivered indeed delivers nothing (hard to believe it's a Dylan song!) Only two self-penned songs appear on this album: one (the swaying Hickory Wind) is a classic song that even I'll admit to liking; the other (100 Years from Now) is just more brainless sap. The rest is good, though: even the syrupy Born in a Prison and the cliched Blue Canadian Rockies pack soem emotion. And I do like You Never Miss Your Water.
This is probably my favorite Mach II Byrds album, but that's not saying much: Notorious Byrds Brothers, Untitled and Dr. Byrds and Mr. Hyde all simply leave me wondering what the hell happened to the Byrds.
One of country-rock's greatest moments........2007-05-29
In 1968, infighting and strife had reduced the Byrds to two members, Roger McGuinn and Chris Hillman. Although they were both incredibly talented musicians, the two couldn't agree on a direction for the band: McGuinn wanted their next album to be a double LP that tracked the development of American music from bluegrass to Moog-based prog rock, while Hillman preferred to focus on the band's folk and country influences. The disagreement was rendered moot when the band hired guitarist and pianist Gram Parsons, who persuaded the duo to record an album of what he had dubbed "cosmic American music," a mixture of folk, country, gospel, and rock. The resulting album was a commercial flop (reaching #77 in America and not even charting in the U.K.) and a source of further contention within the group (Parsons was fired shortly after the album's release, and Hillman left the band soon afterwards).
Which is a shame because Sweetheart of the Rodeo is an incredible album. The songs are a brilliant mixture of gin-soaked honky-tonk, bleary-eyed Americana, and impeccable pop savvy. It's fun, engaging, and atmospheric, capable of invoking the breadth and depth of American music at its very best. Just listen to that oppener, an absolutely stunning version of Bob Dylan's "You Ain't Goin' Nowhere." The Byrds were always excellent at reinterpreting Dylan's music, and this is no exception: It combines surreal, ethereal lyrics with McGuinn's dreamy vocals and a lush musical background that incorporates entranced guitars, hypnotic rhythms, and serenadeing organs. The end result is a beautiful, dreamlike tune that perfectly encapsulates Parsons' vision of American music. And that's just the first song on the album! "I Am A Pilgrim" and "The Christian Life" are excellent renditions of classic gospel songs. The former is a gentle swirl of fiddles, mandolins, and genuinly reverent vocals, while the latter features some marvelous harmonies (not surprising, considering that it was originally written by the Louvin Brothers). Meanwhile, the group's take of the soul standard "You Don't Miss Your Water" is a slice of heartwrending melancholia with some truly gorgeous vocals and instrumentation that'll make you forget all about Stax. "You're Still On My Mind" is pure gin-soaked bitterness, complete with saloon-storming piano. The cover of Woody Guthrie's classic "Pretty Boy Floyd" is a classic in its own right, a dizzying celebration of twirling banjos and slippery fiddles. Guthrie's lyrics, meanwhile, come off as pure poetry. Gram Parsons' "Hickory Wind" (one of the only two songs on the album to be written by a member of the group) is a truly beautiful ballad with a lilting, haunting vocal. "One Hundred Years From Now" (also written by Parsons) features a superb cascade of guitars and drums, as well as some sky-scraping vocals. "Blue Canadian Rockies" flows and churns like a river, gently winding its way through a sing-along chorus and some delicate, yearning vocals. A cover of Merle Haggard's "Life In Prison" positively brims with desperation and regret. The album concludes with another Bob Dylan tune- "Nothing Was Delivered" closes the proceedings on a solemn, haunting note, a maze of eerie melodies and layered instrumentation.
The result is a masterpiece, a scintillating slice of Americana that can stun any music fan, weather or not they like country. Get this; you won't regret it.
Transitional Byrds.......2007-05-24
Once again, the Byrds are in a state of transition. Too bad they were not to last much longer in this guise, for many reasons. The price is right and the listening is mellow. A top 20 group/personnel of the era.
Sweetheart of the rodeo.......2007-02-19
Fantastic and a must have for all Gram Parsons as well as Byrds lovers.
Classic Album.......2006-11-11
This is just plain good music. As a Gram Parsons fan, this album appeals to me just based on his limited vocal contributions. The song selections are outstanding. This is an important record.
Average customer rating:
- Exemplary Remaster
- Gram at his best
- TWO SWEETHEARTS
- A masterpiece!
- Byrds flyte to the country revisited
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Sweetheart of the Rodeo
The Byrds
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
General
| Alternative Rock
| Styles
| Music
Folk Rock
| Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Country Rock
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Classic Rock
| Styles
| Music
Similar Items:
- The Complete Reprise Sessions
- Dr. Byrds & Mr. Hyde
- Safe at Home
- Live 1973
- The Byrds Untitled
ASIN: B0000C0FHP
Release Date: 2003-09-02 |
Tracks:
- Original LP: You Ain't Going Nowhere
- Original LP: I Am A Pilgrim
- Original LP: The Christian Life
- Original LP: You Don't Miss Your Water
- Original LP: You're Still On My Mind
- Original LP: Pretty Boy Floyd
- Original LP: Hickory Wind
- Original LP: One Hundred Years From Now
- Original LP: Blue Canadian Rockies
- Original LP: Life In Prison
- Original LP: Nothing Was Delivered
- Additional Master Takes: All I Have Are Memories
- Additional Master Takes: Reputation
- Additional Master Takes: Pretty Polly
- Additional Master Takes: Lazy Days
- Additional Master Takes: The Christian Life
- Additional Master Takes: You Don't Miss Your Water
- Additional Master Takes: One Hundred Years From Now
- Additional Master Takes: Radio Spot: Sweetheart Of The Rodeo Album
Tracks:
- The International Submarine Band: Sum Up Broke
- The International Submarine Band: One Day Week
- The International Submarine Band: Truck Drivin' Man
- The International Submarine Band: Blue Eyes
- The International Submarine Band: Luxury Liner
- The International Submarine Band: Strong Boy
- Working Demos, Outtakes & Rehearsal Versions: Lazy Days
- Working Demos, Outtakes & Rehearsal Versions: Pretty Polly
- Working Demos, Outtakes & Rehearsal Versions: Hickory Wind
- Working Demos, Outtakes & Rehearsal Versions: The Christian Life
- Working Demos, Outtakes & Rehearsal Versions: The Christian Life
- Working Demos, Outtakes & Rehearsal Versions: Life In Prison
- Working Demos, Outtakes & Rehearsal Versions: Life In Prison
- Working Demos, Outtakes & Rehearsal Versions: One Hundred Years From Now
- Working Demos, Outtakes & Rehearsal Versions: One Hundred Years From Now
- Working Demos, Outtakes & Rehearsal Versions: You're Still On My Mind
- Working Demos, Outtakes & Rehearsal Versions: You're Still On My Mind
- Working Demos, Outtakes & Rehearsal Versions: All I Have Are Memories (Instrumental)
- Working Demos, Outtakes & Rehearsal Versions: All I Have Are Memories (Instrumental)
- Working Demos, Outtakes & Rehearsal Versions: Blue Canadian Rockies
Album Description
Generally reckoned to be the most important & greatest country-rock album of all time, 1968's Sweetheart of the Rodeo is back in a deluxe reissue that really brings to light the genius of Gram Parsons & the Byrds themselves. Disc one reprises the original album with the vocals Roger Mc Guinn substituted for Parsons due to contractual entanglements, then offers the songs with the original Parsons vocals that first surfaced on the now out-of-print Byrds boxed set. The disc ends with an unreleased Kevin Kelley vocal on 'All I Have Is Memories, presaging the glorious run of rarities on disc two, beginning with the International Submarine Band's lone single for Columbia & three tracks in stereo from their Safe At Home album, then turning to 14 previously unreleased rehearsal & alternate takes from the Sweetheart of the Rodeo sessions. Plus revealing studio chatter that portrays a masterpiece in the
Customer Reviews:
Exemplary Remaster.......2007-06-13
Since the extensive remastering project of the Byrds' entire Columbia catalogue that begun to appear in the shops in 1996, Sweetheart Of The Radio is the only Byrds CD to have been subsequently revised and expanded into this 2CD Legacy Edition. This says something of the importance and stature that this album has gradually acquired over the four decades since its release, to the point that it could be argued to be their most important release. Ironically, when released in 1968 it was widely reviled and nearly brought about the destruction of what was left of the band. Half of them had left during the recordings of the previous album, Notorious Byrd Brothers, leaving only Roger McGuinn and Chris Hillman from the original line-up.
Even the magnificent single You Ain't Going Nowhere (with a safer B-side, Artificial Energy, drawn from Notorious Byrd Brothers) faltered at no. 74 in the US charts and did hardly any better in the UK, just nudging the Top Fifty; this despite being one of their famous interpretations of a new Dylan song, culled, like the album closer Nothing Was Delivered, from the unreleased Basement Tapes. Its follow up, Pretty Boy Floyd/I Am A Pilgrim, sunk without trace.
The new members were drummer Kevin Kelley and singer-guitarist Gram Parsons, fresh from the International Submarine Band, and it was his love of country music, widely regarded at the time to be the exclusive provenance of Southern rednecks, that had led to the startling new direction of the band - a fusion of rock music, country, bluegrass, Southern soul (filtered through William Bell and Otis Redding) and folk - at a time when country rock had not previously existed.
Furthermore, the new band had relocated from Los Angeles to Nashville and added a collection of top session men including honky tonk pianist Earl Ball and steel guitarist Jaydee Maness (Lloyd Green plays steel on One Hundred Years From Now, one of six tracks recorded later in Los Angeles), and they were unusually given license to play freely throughout, adding whatever they wished as the band played live in the studio. The country audience thought the band was a parody, and jeered at them on a Grand Ole Opry radio appearance to promote the new album, whilst previous Byrds fans could not connect with the new material, and the album stiffed.
Gram Parsons was still under contract to the Lee Hazlewood-owned label with whom he had recorded with the International Submarine Band and this led to all but three of his vocals being removed or buried, and replaced by those of Roger McGuinn (with Chris Hillman's help on One Hundred Years From Now). As he points out in the liner notes, he was embarrassed by the lyric on The Christian Life, and his version sounds sardonic and insincere, which can't have helped at the time, but by the time the album was released Gram Parsons had left the band anyway, so at least the new vocals gave a more accurate representation of the band that was to tour the record. Three Gram Parsons masters that were replaced are included as bonus tracks on disc one of the Legacy Edition (rehearsal takes were included on the 1997 special collector's edition), making it possible to program the record the way it had been originally intended. Four outtake masters are also included, including Pretty Polly, Lazy Days, later to be revived by Gram Parsons in the Flying Burrito Brothers, and the previously unreleased All I Have Are Memories featuring a vocal by Kevin Kelley (an instrumental version was included in the 1997 edition).
The bonus disc includes fourteen previously unreleased working demos, outtakes and rehearsal versions (there are four others on the 1997 disc that are not found here) including a radically different arrangement of Pretty Polly, and these make an insightful addition into the workings of making the album, and all the rehearsals, though flawed, have unique elements within them that are fascinating to hear. Although all the rehearsal takes are numbered, what other take was used as the final master is not disclosed, nor how many of each song were made, though apparently sixty attempts were made at You're Still On My Mind in Los Angeles before Take One was used on the record.
The clincher over the single disc version, apart from the improved, phenomenal sound quality throughout, is the inclusion on the second disc of six tracks by proto-country rock band the International Submarine Band, showing how much Gram Parsons brought to the Byrds. Three tracks from the album Safe At Home include an embryonic version of Luxury Liner. This was released as a single in 1967 with Blue Eyes on the flip, and was later famously taken up by Emmylou Harris and Albert Lee; whilst the other three, making their CD debut, comprise both sides of their second single, and, showing where it all began, Truck Drivin' Man, the B-side of their first single in 1966. Whereas I would recommend this over the single disc version, collectors will doubtless need both, whilst the single disc will suffice perfectly for those less given to scrutiny.
Gram at his best.......2007-02-19
It turns out that a lot of those outtakes could have been left buried, but I still would rather dig them out once a year and listen to them. The world still needs Gram, and we're happy to have him wherever we can find him.
TWO SWEETHEARTS.......2006-02-19
A couple of things up front....
For most people, the excellent single disk "Expanded Edition Sweetheart" is just fine. If you own it, you really don't need to buy this one. If you are thinking about buying "Sweetheart", you will not go wrong with the single disk version.
If you're a serious Byrds fan or collector you'll almost certainly want this lavishly presented 2 disk Legacy Edition with a substantial amount of new material. But you will still need the single disk as well, as some things remain unique to it.
For example, I really like the instrumental 'All I Have Are Memories', but the Legacy Edition places Kevin Kelley's vocal over this track. Two instrumental alternate takes are on the bonus disk, but both are to my ear inferior and in any case are on the wrong disk. So when I just want to hear "Sweetheart" for listening pleasure, I often still choose the 1-disk edition.
Some other outtakes and studio talk are only on the single disk; e.g., McGuinn, Parsons, and producer Gary Usher before 'The Christian Life,' and the exchange between Parsons and Usher after 'One Hundred Years'.
You will also need that edition for its booklet's notes on individual songs, and a reproduction of the back cover of the original vinyl album (only the back cover artwork is on Legacy).
That having been said...
The Legacy Edition has many good things for serious Byrds fans, even if you're not a serious Parson's fan:
(1) Legacy's Disk 1 is clearly intended for listening pleasure, with no false starts or studio talk to interrupt the experience. The original 11 track "Sweetheart" album is presented in its entirety, followed by four songs that failed to make that album, followed by three clean Gram Parsons vocals that had to be replaced by McGuinn/Hillman due to Parsons' contractual dispute with another label. The radio spot for "Sweetheart" which closes the 1998 single disk as an unlisted "hidden track" closes this one as a listed track.
(2) Sound quality is noticeably improved -- even over the excellent 20 bit sound of the single disk. This one plays louder, and with exceptional clarity.
(3) Gram Parsons' vocal for `You Don't Miss Your Water' is here. It was omitted on the single disk, and is otherwise available only on the Boxed Set.
(4) And of course Kevin Kelley's vocal on 'Memories'. I didn't know one of my favorites had lyrics, so I was glad to find this even though I prefer the instrumental.
(5) My favorite of Disk 2's bonus tracks is a completely different version of 'Pretty Polly' that has to be one of the mysteries of life.
This is not just an alternate take -- lyrics and instrumental interpretation are dramatically different. The words sound at times like Old English, despite a reference to Tennessee and expressions like "up tight". Instrumentally it is closer in feel to 'Pretty Boy Floyd', with an opening countdown and cold ending adding to its charm.
The singer seems to be some sort of court reporter, putting down on public record for his township the incident of "Pretty Polly". Despite intriguing snatches of dialogue between Polly and gambler Willie, obscure and fragmented lyrics leave it tantalizingly unclear what has actually happened. It is not even clear that there was a murder -- though one gathers whatever happened was not good.
Both versions of `Pretty Polly' are first rate polished performances and I can't choose between them, but trying to figure out what to make of them has been fun. Legacy "Sweetheart" attributes both to McGuinn-Hillman, but the single disk booklet says the first is "the traditional crime of passion song 'Pretty Polly'". McGuinn covered this version in "Cardiff Rose" where he attributes it, "Traditional, arranged and adapted by Roger McGuinn". It is a straight forward narrative tale of reckless youth, passion, and murder that nails you between the eyes.
The other - well, doesn't. It certainly sounds traditional. But is it a complete song? An abandoned attempt at an earlier traditional version? I don't think it's a joke. I suspect it is abridged fragments of a much longer song. Whatever this is, it's a thoroughly enjoyable performance that confounds only if you try to follow the lyrics.
(6) The new booklet is completely different and lavishly illustrated in color. David Fricke interviewed McGuinn and Hillman for a much more insightful second look into the creation of the album, and has some great stories about its disastrous reception.
(7) The packaging is exceptional throughout, and as much fun to explore as the original "Sgt. Pepper" album with its paper doll Beatles cut-outs insert. Especially dazzling here is a two panel panorama of the "Sweetheart" Byrds silhouetted in performance on stage, with a couple of psychedelic logos ("The Byrds") floating like wisps of smoke across a screen behind them
And finally, for those serious Gram Parsons fans... Even if you have the monaurel Parsons singles and stereo "Submarine" cuts, you've probably never heard them sound this good. Then there are a few more of his "Sweetheart" outtakes with false starts and studio talk. Those interested in listening to these will find the muscians really do try different things, and there are a number of awfully good moments and musical ideas one wishes could have survived into a final polished track.
Bottom line:
Anyone who buys this will easily get their money's worth, and it is a delicious treat for serious Byrds fans.
But not everyone needs to go that extra mile...
A masterpiece!.......2004-01-08
Though it might be overkill to some, and shine a bit more light on Gram Parsons than some may care for, it's still a great album not to be overlooked. Go with the single CD set if you're not a huge GP fan, though.
Byrds flyte to the country revisited.......2003-12-07
Sweetheart of the Rodeo gets expanded one more time with this 2 cd release. Disc 1 starts off with the album as it originaly came out in 1968 remastered and even cleaner than the 1998 addition. The bonus tracks begin with All I Have Are Memories first heard as an instrumental on the '98 reissue this time with vocals by drummer Kevin Kelly sounding like a Buck Owens tune this should have been on the original album.The rest of disc 1 has the bonus tracks from the '98 reissue.Disc 2 starts off with Gram Parsons previous band The International Submarine Band with three tracks from very rare singles that show a huge debt to the Beatles.Following those are three tracks from The International Submarine Bands sole lp Safe At Home.The rest of disc 2 are outtakes and rehersals of songs that made it on to the original lp. These offer valuable insights to the Byrds inthe studio.This is an excellant set that any Byrds fan should not be without.
Average customer rating:
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Sweetheart of the Rodeo
The Byrds
Manufacturer: Sony Japan
ProductGroup: Music
Binding: Audio CD
Folk Rock
| Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Country Rock
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
General
| Classic Rock
| Styles
| Music
Classic Rock
| Imports
| Stores
| Music
Rock
| Imports
| Stores
| Music
ASIN: B0007OE4WE
Release Date: 2005-05-02 |
Tracks:
- You Ain't Going Nowhere
- I Am A Pilgrim
- Christian Life
- You Don't Miss Your Water
- You're Still On My Mind
- Pretty Boy Floyd
- Hickory Wind
- One Hundred Years From Now
- Blue Canadian Rockies
- Life In Prison
- Nothing Was Delivered
- You Got A Reputation
- Lazy Days
- Pretty Polly
- Christian Life ( Rehearsal )
- Life In Prison ( Rehearsal -)
- You're Still On My Mind ( Rehearsal -)
- One Hundred Years From Now ( Rehearsal )
- All I Have Is Memories (Instrumental)
Album Description
Japanese digitally remastered pressing with 8 bonus tracks. CBS. 2005.
Average customer rating:
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Sweetheart of the Rodeo
The Byrds
Manufacturer: Sony
ProductGroup: Music
Binding: Audio CD
Folk Rock
| Rock
| Styles
| Music
General
| Rock
| Styles
| Music
Country Rock
| Rock
| Styles
| Music
Similar Items:
- Fifth Dimension
- Mr. Tambourine Man
- Younger Than Yesterday
ASIN: B00000DRVM
Release Date: 1990-10-25 |
Tracks:
- You Ain't Going Nowhere
- I Am a Pilgrim
- Christian Life
- You Don't Miss Your Water
- You're Still on My Mind
- Pretty Boy Floyd
- Hickory Wind
- One Hundred Years from Now
- Blue Canadian Rockies
- Life in Prison
- Nothing Was Delivered
- You Got a Reputation [*]
- Lazy Days [*]
- Pretty Polly [*]
- Christian Life [Rehearsal - Take #11][#][*]
- Life in Prison [Rehearsal - Take #11][#][*]
- You're Still on My Mind [Rehearsal - Take #43][#][*]
- One Hundred Years from Now [Rehearsal - Take #2][#][*]
- All I Have Are Memories [#][*][Instrumental]
Average customer rating:
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Copland: Works for Piano Duo
Manufacturer: Phoenix USA
ProductGroup: Music
Binding: Audio CD
Ballets
| Ballets & Dances
| Classical
| Styles
| Music
All Works by Copland
| Copland, Aaron
| ( C )
| Featured Composers, A-Z
| Classical
| Styles
| Music
Suites
| Forms & Genres
| Classical
| Styles
| Music
Chamber Music
| Forms & Genres
| Classical (c.1770-1830)
| Historical Periods
| Classical
| Styles
| Music
Ballets & Dances
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
Symphonies
| Forms & Genres
| Modern, 20th, & 21st Century
| Historical Periods
| Classical
| Styles
| Music
General
| Keyboard
| Instruments
| Classical
| Styles
| Music
Piano
| Keyboard
| Instruments
| Classical
| Styles
| Music
General
| Classical
| Styles
| Music
General
| Chamber Music
| Classical
| Styles
| Music
Classical
| Indie Music
| Stores
| Music
ASIN: B00022EW4Q
Release Date: 2004-04-15 |
Tracks:
- Dance of the Adolescent
- MUSIC FOR THE THEATRE: 5 movements
- El Salon Mexico
- BILLY THE KID: 6 movements
- Two Dance Episodes from RODEO
- Danzon Cubano
- Danza de Jalisco
Album Description
Throughout his long and distinguished career Aaron Copland (1900-1990) held a leading position in American classical music. The diversity of his output is extraordinary: it ranges from early avant-garde works to the folkloric and immediately accessible compositions, to experiments with atonality and serialism. Yet, regardless of the stylistic approach, Copland's music, always characterized by clearly shaped structures and easily recognizable and economical thematic material, consistently upholds his highly-set musical ideals. The piano was central to Copland's creative work. He always composed at the keyboard and its sonorities and gestures are clearly discernable in his music. Not only was the piano featured in numerous larger scores but many of his orchestral works were, essentially, original pianistic conceptions written down first for two pianos and orchestrated only later. Not surprisingly, the two- piano versions received several public performances, given by the pianist John Kirkpatrick and Copland himself. Another duo piano partner was the composer's friend and colleague Leonard Bernstein, who not only collaborated with Copland in performance but also made a two-piano arrangement of El Salon Mexico, heard on this CD. Also featured on this disc is the World Premiere recording of Copland's own version of MUSIC FOR THE THEATER for one piano, four hands.
Average customer rating:
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Sweetheart of the Rodeo/Live at the Fill
ProductGroup: Music
Binding: Audio CD
General
| Rock
| Styles
| Music
Pop Rock
| Pop
| Styles
| Music
ASIN: B000HWXTDG
Release Date: 2006-09-19 |
Album Description
Exclusive Import only two CD set featuring a double-dose of best-selling albums by this great artist housed in a slipcase. The Byrds' influential Country-Rock opus, Sweethearts Of The Rodeo from 1968 is packaged together with their 1969 live album, Live At The Fillmore West. Both albums feature the same remastering and bonus tracks as the US versions! Sony/BMG.
Average customer rating:
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Work Songs of Love
Manufacturer: Rainfeather Music
ProductGroup: Music
Binding: Audio CD
General
| Folk
| Styles
| Music
ASIN: B000CADHYY
Release Date: 2004-02-10 |
Tracks:
- Hotel Mark Twain
- Predictions of You
- Pupil Pen
- Lost and Found
- Hollow Man
- Runnin' with the Devil
- Raven King
- Unrequited
- Carrie Brown
- epilogue.....
Average customer rating:
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Sweetheart of the Rodeo
Various Artists
Manufacturer: EMI Int'l
ProductGroup: Music
Binding: Audio CD
General
| Country
| Styles
| Music
General
| Bluegrass
| Country
| Styles
| Music
Country Rock
| Rock
| Styles
| Music
ASIN: B00004W9FU
Release Date: 2004-01-01 |
Average customer rating:
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Sweetheart of the Rodeo
The Byrds
Manufacturer: Columbia
ProductGroup: Music
Binding: Audio CD
Folk Rock
| Rock
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ASIN: B00009WKXA
Release Date: 2003-07-01 |
Tracks:
- You Ain't Going Nowhere
- I Am a Pilgrim
- Christian Life
- You Don't Miss Your Water
- You're Still on My Mind
- Pretty Boy Floyd
- Hickory Wind
- One Hundred Years from Now
- Blue Canadian Rockies
- Life in Prison
- Nothing Was Delivered
- You Got a Reputation [*]
- Lazy Days [*]
- Pretty Polly [*]
- Christian Life [Rehearsal - Take #11][#][*]
- Life in Prison [Rehearsal - Take #11][#][*]
- You're Still on My Mind [Rehearsal - Take #43][#][*]
- One Hundred Years from Now [Rehearsal - Take #2][#][*]
- All I Have Are Memories [#][*][Instrumental]
Album Description
Japanese remastered reissue of 1968 album, packaged in a limited edition miniature LP sleeve, it features 19 tracks. The one album that Gram Parsons did with the Byrds before he flew the coop, influencing their sound from then on. Sony. 2003.
Album Details
Japanese Limited Edition in an LP-STYLE Slipcase. Includes Eight Bonus Tracks.
Average customer rating:
- It's just not that good
- One of country-rock's greatest moments.
- Transitional Byrds
- Sweetheart of the rodeo
- Classic Album
|
Sweetheart of the Rodeo
The Byrds
Manufacturer: Msi Music
ProductGroup: Music
Binding: Audio CD
Folk Rock
| Rock
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General
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Country Rock
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General
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Classic Rock
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Similar Items:
- G.P./Grievous Angel
- Hot Burritos! The Flying Burrito Bros. Anthology 1969-1972
- Gram Parsons - Fallen Angel
- Mr. Tambourine Man
- Younger Than Yesterday
ASIN: B00002781O
Release Date: 2002-07-17 |
Amazon.com essential recording
After Chris Hillman dragged new friend Gram Parsons into the Byrds, they made an album as close to a country masterpiece as a rock act could ever make. In fact, the only tunes better than the definitive covers here of songs by Bob Dylan ("You Ain't Going Nowhere"), Guthrie ("Pretty Boy Floyd"), and the Louvin Brothers ("The Christian Life") are Parsons's originals, especially the incomparable "Hickory Wind." Sweetheart wasn't the first country-rock album, but with its gorgeous three-way harmonies and sweet pedal steel, it remains the best. --David Cantwell
Album Description
Limited 'Millennium Edition' reissue of classic 1968 album in a deluxe heavyweight miniaturized LP sleeve complete with inner sleeve and a Japanese-style obi strip on the spine. 11 tracks. Individually numbered. 1999 release.
Album Details
Limited Millennium Edition. Packed in a Heavy Weight Card Wallet that Faithfully Recreates the Original Vinyl Sleeve, Right Down to the Inner Bag. The Wallet Will Come in a Plastic Cover.
Customer Reviews:
It's just not that good.......2007-07-05
Sweetheart of the Rodeo has a reputation, of course, as one of the best and most influential albums of all time. And, well, it was tremendously important , almost singlehandedly inventing country rock. The fact is that I'm not a big country fan, and that ruins the listening experience for me. Now, I'm all for Johnny Cash, and when Neil Young or the Rolling Stones whip out the pedal steel, the results are often entertaining. Hell, I even think the Crosby/Clark/McGuinn/Hillman/Clarke lineup might've been able to make country-rock sound good.
One problem I have with this album are the two preachfests The Christian Life and I Am a Pilgrim. I think both are overwrought and painful. You're Still on My Mind is the stereotypical sappy country ballad; Pretty Boy Floyd is a good Woody Gurthie song mutated thanks to banjo and fiddle; You Ain't Goin' Nowhere is an insult to Dylan's excellent original, though not the group's worst Dylan cover (that would be either the space-metal This Wheel's on Fire or the toothless Positively Fourth Street), and Nothing Was Delivered indeed delivers nothing (hard to believe it's a Dylan song!) Only two self-penned songs appear on this album: one (the swaying Hickory Wind) is a classic song that even I'll admit to liking; the other (100 Years from Now) is just more brainless sap. The rest is good, though: even the syrupy Born in a Prison and the cliched Blue Canadian Rockies pack soem emotion. And I do like You Never Miss Your Water.
This is probably my favorite Mach II Byrds album, but that's not saying much: Notorious Byrds Brothers, Untitled and Dr. Byrds and Mr. Hyde all simply leave me wondering what the hell happened to the Byrds.
One of country-rock's greatest moments........2007-05-29
In 1968, infighting and strife had reduced the Byrds to two members, Roger McGuinn and Chris Hillman. Although they were both incredibly talented musicians, the two couldn't agree on a direction for the band: McGuinn wanted their next album to be a double LP that tracked the development of American music from bluegrass to Moog-based prog rock, while Hillman preferred to focus on the band's folk and country influences. The disagreement was rendered moot when the band hired guitarist and pianist Gram Parsons, who persuaded the duo to record an album of what he had dubbed "cosmic American music," a mixture of folk, country, gospel, and rock. The resulting album was a commercial flop (reaching #77 in America and not even charting in the U.K.) and a source of further contention within the group (Parsons was fired shortly after the album's release, and Hillman left the band soon afterwards).
Which is a shame because Sweetheart of the Rodeo is an incredible album. The songs are a brilliant mixture of gin-soaked honky-tonk, bleary-eyed Americana, and impeccable pop savvy. It's fun, engaging, and atmospheric, capable of invoking the breadth and depth of American music at its very best. Just listen to that oppener, an absolutely stunning version of Bob Dylan's "You Ain't Goin' Nowhere." The Byrds were always excellent at reinterpreting Dylan's music, and this is no exception: It combines surreal, ethereal lyrics with McGuinn's dreamy vocals and a lush musical background that incorporates entranced guitars, hypnotic rhythms, and serenadeing organs. The end result is a beautiful, dreamlike tune that perfectly encapsulates Parsons' vision of American music. And that's just the first song on the album! "I Am A Pilgrim" and "The Christian Life" are excellent renditions of classic gospel songs. The former is a gentle swirl of fiddles, mandolins, and genuinly reverent vocals, while the latter features some marvelous harmonies (not surprising, considering that it was originally written by the Louvin Brothers). Meanwhile, the group's take of the soul standard "You Don't Miss Your Water" is a slice of heartwrending melancholia with some truly gorgeous vocals and instrumentation that'll make you forget all about Stax. "You're Still On My Mind" is pure gin-soaked bitterness, complete with saloon-storming piano. The cover of Woody Guthrie's classic "Pretty Boy Floyd" is a classic in its own right, a dizzying celebration of twirling banjos and slippery fiddles. Guthrie's lyrics, meanwhile, come off as pure poetry. Gram Parsons' "Hickory Wind" (one of the only two songs on the album to be written by a member of the group) is a truly beautiful ballad with a lilting, haunting vocal. "One Hundred Years From Now" (also written by Parsons) features a superb cascade of guitars and drums, as well as some sky-scraping vocals. "Blue Canadian Rockies" flows and churns like a river, gently winding its way through a sing-along chorus and some delicate, yearning vocals. A cover of Merle Haggard's "Life In Prison" positively brims with desperation and regret. The album concludes with another Bob Dylan tune- "Nothing Was Delivered" closes the proceedings on a solemn, haunting note, a maze of eerie melodies and layered instrumentation.
The result is a masterpiece, a scintillating slice of Americana that can stun any music fan, weather or not they like country. Get this; you won't regret it.
Transitional Byrds.......2007-05-24
Once again, the Byrds are in a state of transition. Too bad they were not to last much longer in this guise, for many reasons. The price is right and the listening is mellow. A top 20 group/personnel of the era.
Sweetheart of the rodeo.......2007-02-19
Fantastic and a must have for all Gram Parsons as well as Byrds lovers.
Classic Album.......2006-11-11
This is just plain good music. As a Gram Parsons fan, this album appeals to me just based on his limited vocal contributions. The song selections are outstanding. This is an important record.
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